#but they feel more significant because they are in the script

[gangstalkerbarbie]

i wish i could internalise this but you see the problem is that the fandoms are all american and so is much of the source material and there are just things that... don't translate across cultural contexts that would be essential to doing this? when I try to write my little guys being like me, people think they're overbearing and intimidating because there is a completely, completely different script for how to be a woman in the west, especially among non-jewish people

and that doesn't go away just because everyone wants it to, it's a subconsciously irk that i have to actively mitigate by playing so nice, the most nicest, nicest in the world. i hate playing nice so much it's hardly conceivable

having ocs is about community to share them with and if the community doesn't really want to bother to think about that there are un-American realities where people think and are motivated very differently, then where you end up is that can only play true representations of yourself when they are literal aliens :") literal grey aliens in my case

Anyway this likely sounds like I'm mad at you which I'm not, so below the cut here's some actionable ways to support your friends when they want to introduce you to ocs dealing with their cultural identity:

1. Be normal about it, we're all just blokes here, treat them the same way you'd treat any other person's little player character

2. Ask questions and engage with all their silly little fanon that explains how they're like that in a world where xyz is not textually real

3. When you're close enough people fucking love it when you want to play their ocs family, they don't care about the cultural distance, people marry people from different cultures all the time, they will coach you about how to do this, you will learn so much

4. Thru interaction with them you will gradually realize we're all just blokes and your friend can explain any difference in mentality that could matter

5. There will be such differences and they will be narratively significant but it's possible to be normal and encouraging about it and engage like a normal human with the challenging themes that can come from foreign upbringings

6. There will almost definitely be challenging themes because American imperialism has a very wide reach, and beyond that other imperialism exists. The night is dark and full of terrors out there past the core. Things you can brush aside as too political with your American friends are just part of life in some places, and that's not your fault but it feels pretty surreal to have to elide it for your comfort

This is just like a fact and the sooner you stop being guilty about it as if its your fault the sooner you'll be able to appreciate the poignancy of your friend's oc, the world's dumbest coyote

7. You're allowed to check your foreign friends for getting heavy on you out of nowhere, they're not made of porcelain. You're also allowed to joke.

8. Try to take this as an opportunity to read more widely. Read media from that country and reference it even — your foreign friends have to do it to fit in with you, why not make your ocs aware of the sources of their jokes and cultural memes? One of the most charming irl interactions I've had recently was with a random Michigan guy who knew who Verka Serduchka was

9. All of this applies to intercultural competence in general, armed with the ability to understand how to not make people feel weird and lesser for not being American you will do numbers on Xiaohongshu

Hey. You. If you're a second language English speaker. You should make more of your ocs your own nationality. They don't all need to have inexplicably English names. They don't all need to somehow conform to American cultural conventions. They should speak your first language also. Holds your shoulders and looks you deeply in the eyes. Okay? Okay.

[hephaestuscrew]

I'm a big fan of the way that Gabriel Urbina often includes details within the Wolf 359 scripts that can't be directly translated into audio, for example: the "tears silently streaming down [Minkowski's] face" in Ep31 Securité; Eiffel being "wrapped up in a blanket" when telling Lovelace about his traumatic experience of feeling like he was turning into Minkowski in Ep32 Controlled Demolition; the way "Hera and Eiffel stand together, his arm around her shoulder" when confronting Pryce in the finale; the idea that Eiffel "salutes" Minkowski after his speech to her before the memory wipe... These details make reading the scripts an even more rewarding experience. 

But I do think there's an interesting question here about to what extent these details are canon. After all, when changes have been made in the dialogue between the script and the final recording, I only consider the dialogue that actually ended up in the episode to be canon, although the version in the script might still provide interesting insights. But with details in the scripts that are inherently not audible - and therefore never intended to be literally included in the episode itself - should we consider them to be canon, or bonus content, or Word of God, or simply a tool used in the recording process? 

I know that it is possible to have an entirely full experience of the show without ever reading a single bit of the scripts. The scripts are placed in the 'Extras' area of the show website. 

Obviously the primary purpose of the non-auditory script details is to inform the actors in their performances, and perhaps provide some considerations for sound design. When I read the scripts, I can often feel how the non-auditory script directions are reflected in the feel of the voice acting. 

But once I've noticed these script directions, I also can't help having them feed into my experience of the scene when listening, in a way that enriches the experience beyond purely the audio, and informs my understanding of these moments. The script directions tell us more about what the writer was envisioning for a scene.

I love sharing the script directions that feel significant to me, and when I do so, I feel like I'm sharing something more significant than a behind-the-scenes tidbit. I feel like I'm sharing further knowledge of what happened in that scene. The script directions feel like a true part of the show to me, more so than the comments the writers and actors have made in Q&As. To me, these non-auditory bits of the scripts feel like canon, but a slightly lesser form of canon than the episodes themselves. But I don't know if I can fully justify this view. I'd be interested to hear other people's thoughts.

[trans-leek-cookie]

post. Post-posting clarity where you're like "wtf was I talking about". But also post-posting confusion where you're also like "wtf was I talking about" but it's less about your mental state While Posting and more about "okay. I've written many words. I remember. Approximately 20% of them. What the fuck are the rest of these?"

[fxrheisenn]

Andrus Laansalu talked about making Disco Elysium at EKA (Estonian Academy of Arts)

"Initially, the church wasn't a focal point. There were certain characters that needed to visit this location, and I asked, "Seriously, what do we have in our church?" The others replied, "Nothing at all. Our church is completely bare—just a wheel, really. It's quite basic."

That's when I decided to unleash my creativity in the design. For example, they chose to install a glass structure at the top of the church to create a reflective surface. It was like placing an optical clock up there. Therefore, one of the most crucial aspects of designing the church was ensuring the lighting was just right to create the desired atmosphere."

"Let me show you an example of Baroque architecture, which is rich in detail. We're also designing the interior of the church based on large cathedrals. However, the foundation you use might not yield the expected results, because the church itself doesn't require such intricate details. Sometimes, it's about simplifying the design."

"I used Articy for the initial scriptwriting of Disco Elysium. The image only represents a tiny fraction of the text and choice variables involved. This system was also the reason I eventually abandoned the project after a year of outlining the script and shifted my focus to becoming a sound designer. My mind struggled to keep up with the dynamic graphic rules, but fortunately, a more talented writer took over afterward."

"In terms of sound design, it's essential to develop different layers to bring out the charm of the church as a cohesive space. Although this represents only a small portion of the overall design, each layer actually requires a significant amount of time to compose the whole....... Whenever there's a shift or a change due to the dialogue itself, you need to adjust the background sounds. Each time you modify the details in the dialogue, I have to refine the background audio, ensuring that these elements build upon each other like an intricate layer of work."

"It's funny how many scenes involve characters getting smacked in the face. My job was to recreate those, so I locked myself in the bathroom with a recorder and hit my forehead until it turned red.

As a sound designer, I really dig those unsettling, drill-like sounds. So, I mixed in creepy lectures, metal scraping, moans, and cries of pain—because I just love that stuff! (laughs)

Players will be moving through all kinds of areas, so it's super important to make the sound transitions feel natural, trying to create a more immersive vibe in certain spaces.

With all the scenes featuring big cranes, you can hear them from far away, and I wanted to capture that eerie ringing in your ears. That's going to be a thing throughout most of the game. I've found ways to really mess with players while they're playing!"

"I've come across a lot of old objects (like phones and radios) that I needed to perfectly replicate the sounds. I started to become a bit of a hoarder, buying up different models of old phones whenever I found one to add to my collection. The sound effects I can simulate from them are really impressive."

"Some of the devices don't actually exist in real life—just a mix of architecture and tech. When I need to create sound effects, I first look for something similar that exists in our world, then I try to simulate what the sound and appearance of that thing might have been like a century ago.

Towards the end of the game, there's a character carrying a fuel canister. We needed the sound of the canister, so we dug one up from our garage—it had been sitting there since it was five! I realized this would make the sound perfect. So, it had been there for 50 years, and after 40 years, it finally found its purpose.

In some places, I needed unique sound waves, and recreating them was a real headache until one day I happened to walk by a swimming pool and stumbled upon an old wartime torpedo. You can rotate the torpedo's probe, and it slowly rises up, like a proud zombie head. The sounds it made were exactly what I needed!"

🙋How did you manage to get funding?

"Well, since we're in Estonia, you just need to know a wealthy person. You don't need five people—just two who can network, hang out together, and convince them to keep investing! (laughs) Back then, we constantly ran out of money and would tell them, 'Oops, looks like we spent it all! Can you invest a bit more?' That's how we made it through!"

🙋How did you all come together to make the game?

"Luck. It usually doesn't happen this way, and that's the key difference. It has to be. If not, you couldn't create a game of this scale - well, I mean in terms of budget. But creatively, Estonia definitely has writers and artists who can pull it off. With such a small population, there are a lot of quirky folks who are good friends. We were really lucky, though - lots of fortunate circumstances came together. It brought the right people together, allowing those talented fools to collaborate with us. They had experience but hadn't tackled projects of this magnitude before. So yeah, luck is pretty important!"

Lecture experience shared by 白兔YIYANG SUN on 小红书, reposted & translated by me with her permission.

[pippin-katz]

Why Did Charles Keep Asking About Edwin's Conversation With The Cat King?

I was reading a fic where Edwin agrees to the Cat King's initial offer, but because time passes differently in whatever room that is, he's gone for six weeks even though it was a couple hours for him, and it got me thinking. I worked out why Charles was so pushy about that conversation.

Charles and Edwin have been together for 30 years. The way they act gives me the feeling that they spent very little time apart, and wherever one went, the other went too. In the fic, Edwin's inner monologue refers to it as "shared memories"; they experience everything together.

But now, there's this.

Edwin disappeared for hours on Charles' side of things. He had this conversation with a magical being, a stranger that sets off warning bells in Charles' head. He came back with a magical bracelet that trapped him in Port Townsend, that he couldn't remove, and something about his behavior was off.

Charles is not stupid or oblivious. He reads Edwin like a book, albeit with blurry text. He knows something is not quite right, but doesn't know what. And he knows it's because of whatever happened in the few hours that he wasn't with him.

For what is likely the first time in 30 years, Edwin has experienced/done something significant without him. Charles is in the dark; he wasn't there to see or hear what happened for himself. All he has to go on is what Edwin tells him, and he gets the immediate feeling that he's not saying everything.

When talking about it in front of Crystal, he just asks if he said anything else, but once they're alone in their office, he's direct.

Charles is absolutely (and correctly) sure that Edwin hasn't told him the real/full truth about his meeting with the Cat King, and tells him as much.

The way he asks feels... calm? Crystal's not there, they're alone, they're in their safe space, why wouldn't Edwin tell him? He probably thinks he would, but obviously, he doesn't. He lets a detail slip that confuses and concerns him even more; the Cat King whispering in his ear. That confirms very close proximity between them, something that's potentially dangerous and something he knows Edwin doesn't particularly like, and Charles is just... lost, uncomfortable, and frustrated.

Can you imagine how maddening that must have been? To not know what really happened? To only have vague descriptions of the events from his friend? To see and know that something is wrong with him, but being unable to truly help because he's clueless as to what the actual problem is?

It's highly likely that this is the first time Charles has ever encountered this.

As Edwin says, he's "fixated" on this. It's like there's a page missing in his copy of the script of events. He's never had to worry about it before; he was always there with him. Edwin says it's not a big deal, but Charles can't make that call himself. It's not that he doesn't trust Edwin; it's his protectiveness of him. He wants to see and assess the situation for himself. He wants to be positive there's no danger, that it meets his standards. He needs to know everything about where Edwin is, what he's doing, who he's with, at all times, so he can be ready to protect him.

As Jayden put it, Charles has given himself the mantle of Edwin's guardian. Edwin dedicates all his time and energy into helping others, to the point of neglecting himself. In response, Charles dedicates himself to Edwin. If he won't take care of himself, if no one else is going to help him, Charles will. As he says in Hell when he's rescuing Edwin, "Someone's gotta do it."

(ko-fi)

[shirefantasies]

Can I please request a preference thing with how the fellowship (maybe plus eomer, Arwen, eowyn and Haldir if you also write for them) react to a person they have a crush on who is physically affectionate with their friends.

The person holds their hand, puts their head on their shoulder, plays with their hair, cuddles etc.

Oh heck yessss! I do plan on writing for them too so here’s a good start 🥰 hope you enjoy this! Also, cut because loooong post 😉

LoTR Characters When You’re Naturally Physically Affectionate

Aragorn

✧ Is kind of surprised but also plays it off??? Like he doesn’t want to get his hopes up and assume anything wrong at least at first.

✧ Initiates back but in really soft ways, like tugging your blankets up higher about you when he sees you’ve fallen asleep at night.

✧ Smiles privately to himself on a later evening when you fall asleep at his side, head snug against his shoulder. The fact that you trust him so well is something he truly hopes to be worthy of, just like the glowing feeling in his heart.

✧ One day you straight-up just slide the ring of Barahir off his hand to try it on yourself, not fully aware of its significance. You mean it no harm and do even less, and something about the gesture touches Aragorn so all he does is smile and shake his head, asking if it fits.

✧ You soften him so much, so much you can see it in his eyes and his actions. When you brush some of his hair back out of his face, he kisses your hands lightly, eyes searching yours.

Legolas

✧ Kind of in a state of perpetual surprised pikachu around you tbh

✧ Like sure, his best friends don’t come from the same culture so he sees enough of that, but they aren’t usually very affectionate with him in that way so you casually sliding a hand over his shoulders to get something behind him has him flustered in a way he hasn’t felt before.

✧ Finds himself mirroring your actions a bit in his own way; he pulls you back from harm by your waist or elbow, holding on just a bit longer than he absolutely needs to.

✧ His eyes widen when you tell him his hair is beautiful and ask to braid it, but he accepts because what harm can it do? You tell him you’re doing a French braid and he’s relishing your touch, asking you to explain what that is.

✧ Smooth prince pulls the ‘your hands are cold’ on you to flip the script and let you know the affection is reciprocated, cradling your hands so gently in his own.

Boromir

✧ Is surprised by your forwardness, but in the most pleasant way. He loves someone who comes across so warm and hearty!

✧ The first time you clap a hand to his shoulder after a good fight, he mirrors the gesture immediately with a great warrior’s camaraderie without realizing anything.

✧ Goes from surprised to grinning when you offer to braid some hair out of his face for him. Milks the crap out of it, tilting so he can feel your touch as much as possible!

✧ Has no qualms about holding your arm or hand to walk together since you don’t, always offering it like a gentleman.

✧ Holds you back from danger firmly, keeping his grip as he whispers to you to stay back, care for you burning fiercely in his eyes. When you’re safe from harm, he finally voices how much you mean to him.

Gimli

✧ His eyebrows shoot up into his hairline when you first get comfortable enough to act that way, but that doesn’t mean he doesn’t love it!

✧ Dwarves are arguably the most physical race, so the fact that you express yourself this way is only the most pleasant of shocks.

✧ You find yourself playing with his hair one day and he stiffens, reminding himself over and over again as you begin twisting it into braids that unfortunately the significance is not the same for you as it is him. Maybe one day…

✧ Loves that you grab his arm when you laugh and elbow him playfully; begins doing the same right back and telling more jokes as an excuse for you both to do it more!

✧ Because you tend to lean on him in conversation or when you’re tired, Gimli sort of develops this habit of affectionate mini-headbutts like a cat. Your forehead? Softly bonked often by your favorite dwarf but only when his helmet is off of course 😌

Frodo

✧ It’s not a culture shock for him, so it’s not a source of confusion but it does have him overthinking because are you just doing it as intimate friends or…?

✧ Basically short-circuits for a second the first time you take his hand, sliding his palm against yours to compare the sizes of them; his eyes widen, but a smile gradually forms upon his face at the warm contact.

✧ Adores the way you sit close to him to read together or tell stories, your arms flush together as you share warmth- it’s like a little piece of home.

✧ Doubly so when you see the toll the ring takes on him and run a soothing hand up and down his back- he could practically tear up from gratitude and the way his heart explodes for you.

✧ You kissed him on the cheek once when he gifted you a sketch he knew you’d like and that feeling joins the imaginations and memories swirling through his head before sleep or when he loses sight of all the world’s blessings beneath the ring’s voice. He wonders if you know what a treasure you are- perhaps he’ll tell you tomorrow.

Sam

✧ What are you trying to do, kill him? JK mostly but man will be blushing constantly around someone like you!

✧ Leans into your touch so hard when you play with his hair, softly brushing leaves and tangled alike from the curls unabashedly like a sweet puppy.

✧ But also? Sam isn’t afraid to gently ask for what he wants from time to time? “Oh, um, I was wondering…got a real bad knot here and I just wanted to see if you were up to one of your famous massages?”

✧ You took his hand once to lead him off to look at some gorgeous flowers he could identify, so Sam finds himself plucking up the courage to take yours after a fight once, swearing he means to his best to protect you.

✧ Wraps his extra blanket around you so gently, smiling as your hands brush his to accept the new warmth about your shoulders, lingering over them for a moment.

Merry

✧ He’s a bit of a physical person too and teasing to boot so you two quickly become two peas in a pod!

✧ Both of you will teasingly sling arms around the other’s shoulders as you joke around or have mock conferences.

✧ Footsie at campfire time. Gimli complains about it a little because something about thinking you’re going to make him spill his soup or whatever, but you two barely pay attention when all your focus is on your childish little nudging game!

✧ Every now and again he just gets the widest smile at your antics, though, grinning as you sit with your arm in his or a hand resting upon his back.

✧ Will straight-up tell you you’re being adorable, then skip off smirking when he’s finally gotten you to be a bit flustered! You can’t even come up with a comeback to that for once…but maybe a confession? Big brain Merry wbk 👀

Pippin

✧ He’s in heaven, actually. Physical affection is his favorite and the one thing that ever stops him is being unsure if the other party will be uncomfortable. But you clearly aren’t, so game on 😎

✧ You got something out of his hair then ended up playing with his curls for a bit, brushing them back into place and arranging them, so he ups that by brushing some out of your face the next chance he gets, eyes never leaving yours.

✧ Since Pippin loves to sing and dance, he’s always pulling you to your feet to join him. But it doesn’t stop there of course as he holds your hand or waist depending on how open of a twirl the song entails!

✧ You two never sit up straight- someone’s head is always on the other’s shoulder or if you’re both feeling the lean, your heads are resting gently against each other, holding each other up.

✧ When he worries, you lay your hand over his and that’s it for him. He knows he’s lost, not even caring if you see how much love is in his eyes as he looks at you, especially when you gently squeeze it.

Eomer

✧ Unlearning his toxic masculinity a bit, so he is hesitant to initiate back at first, but as time goes on he can’t help questioning if there truly is more to your intentions…

✧ You tease him a lot, trying to get him to drop the serious facade, so putting your hands on his shoulders and making eye contact for mocking pep talks just has him chuckling and shaking his head at you.

✧ But when you wordlessly begin massaging his shoulders after a long day of training, hands kneading out tension in the most wondrous of ways, that has him flushing and trying to glance back at your expression without you noticing, hoping he can read something, anything.

✧ Eomer loves the way you push him when you laugh, hands against his chest or arm as you fall upon him in mirth. And if his arm ends up around you during that process? Oh well 😏

✧ Gets highkey jealous if he sees you being affectionate with anyone else, pouting because he thought he was special 🥺…but only for a moment before he’s marching over there to tell you how he feels once and for all, confessing his desire to be the one receiving most of your affection!

Haldir

✧ It definitely takes him some getting used to because he is a more reserved person and physical affection is a bit less common in elf culture…we’ve seen how surprised he is about hugs after all 😉

✧ Makes it his personal mission not to jump whenever your habit of tapping his shoulder to get attention comes into play, trying to stay stock-still and cool as a cucumber, but he can’t help feeling the corners of his mouth tug up at your giggle when he fails.

✧ Loses his absolute mind the day you gently run your fingers up his arm to get your attention, like it can’t escape your notice how he tenses, can it?

✧ Haldir expresses himself more with his words than with physical action. Every time you go out he makes sure you’re properly armed or dressed for the weather, and he always sharpens your sword himself, no one else is allowed to do it.

✧ Your actions are definitely a prompt to confess for him, like he would have sat on his feelings for quite some time but in the end he can’t help coming up to you to question your behavior and if it has any of the intent he dearly hopes it does!

Eowyn

✧ She isn’t used to this given her upbringing, but in all honesty it’s refreshing and she enjoys the feeling of love and comfort it brings.

✧ You see her looking worried and squeeze her shoulder, pulling her into your arms when she turns around. You can just feel her exhale, tension melting from her body.

✧ It quickly becomes you two’s ‘thing’ to link arms and you almost always walk together like that, screw whatever Grima has to say about it he won’t be around for long anyway 😏

✧ She thinks her heart is about to burst the day you two make home of the hills for an afternoon and you sit her down to weave flowers in her beautiful golden hair. Your hands are so gentle, never causing a single pull or tangle.

✧ She is forward with her words even if it takes some time, so one day Eowyn pulls you aside and with her hand in yours tells you how much she appreciates the glow of your presence in her life, the smiles you bring her.

Arwen

✧ Most people aren’t very playful with her, so she finds it very refreshing how relaxed, affectionate, and fun you are.

✧ You grab her hand and swing your joined hands between the two of you and all she can do is laugh merrily!

✧ One day, she wants to try the new sweets you’ve made, but imagine her surprise when you hand-feed it to her. Being an elf of such poise and grace, she doesn’t make a mess at all somehow despite her eyes firmly being on yours and nowhere near your creation 👀

✧ Arwen’s favorite habit of yours is the way you’ll take her hand and spontaneously twirl her around like you’re showing her off or having an impromptu dance. It lightens the weight of all other things for a moment and makes her feel like a queen!

✧ Repaying the favor, she makes sure you’re her first dance at every party. You open her up, giving her complete comfort to approach you and interlock your fingers, asking you if you won’t please her with your company for a bit. Of course you always say yes- you would even if she didn’t given you that teasing smile.

[nataliescatorccioapologist]

My takeaways from attending the Yellowjackets Vulture Fest panel

If you saw me and my friend trying and failing to carry 7 alcoholic beverages into the room, no you didn’t

•There will be a Season 3 announcement this upcoming Tuesday that fans have been “waiting for” and “expecting” for a while.

•I’m just going to come out and say it: Ella Purnell is definitely returning for Season 3. The interviewer asked if there is a chance of Jackie returning in flashbacks or hallucinations this season, and the writers all shared a knowing look, giggled, wiggled their eyebrows, and said “Maybe” with a smile. She’s coming back for sure guys.

•The writers were asked to rate the level of gore in Season 3 on a scale of 1-10, and they said, at certain points in the season, it will be a 9.5

•Van was originally supposed to die in the wilderness but the writers loved Liv Hewson’s performance so much that they decided to keep Van alive.

•Laura Lee was also supposed to die earlier (in episode 2) but the writers loved her character so much that they decided to keep her around until episode 8 instead (and they took great joy in writing her trying to fly that plane).

•The writers emphasized that the two sides of Taissa are not meant to be “good” and “evil” but rather “pragmatic” and “primal.” The “bad one” is really just more uninhibited, more open to the spiritual, ethereal side of things while the side of Tai we know and love is the more practical and logical side that is skeptical of the wilderness.

•Shauna is said to be the “core” and “impetus” of the events of the show. They also said that she best represents the duality of the primal nature of the wilderness and the pragmatism of civilization.

•Shauna eating Jackie was said to be both an act of “hatred” and “love.” Shauna consumed her both to as an act of worship and wanting Jackie to always be a part of her, as well as an act of “domination.”

•It was also emphasized that Shauna drawing the queen card in the adult timeline is not a coincidence and definitely holds significant meaning. The writers seemed hesitant to expand on that meaning, so I have a feeling it has something to do with adult Shauna’s storyline in Season 3 and beyond. In my opinion, Shauna drawing the queen card was symbolic of her assuming a leadership role in the adult timeline that will play out in Season 3.

•It was also said that Natalie’s death in the adult timeline is very much connected to her drawing the queen card in the teen timeline. They implied that her drawing the queen, in a way, lead to her eventual death. I’m wondering what this means for Shauna drawing the queen card in the adult timeline?

•Some of the actors wanted to know how their stories are going to play out, and some of them did not. Samantha Hanratty was named as one of the actors that does not want to know her character’s future and doesn’t read the adult timeline scripts to avoid the influence of them on her portrayal of the character.

•Natalie was specified as the “moral code” of the group, which is why the writers say she is so impacted by Javi’s death, as it goes against her moral code. This is part of the reason why she is so “broken” in the adult timeline.

•Natalie’s death was planned from the beginning. The writers confirmed that Natalie hallucinating Misty at the bonfire in the pilot episode was intentional foreshadowing and a “prophetic moment” for Natalie. This moment was said to foreshadow both that Misty would become an important figure in Natalie’s life one day and that she would be the “mechanism of Natalie’s death.” The writers said that Nat was always meant to die at some point, but they weren’t sure initially when it was going to happen. They said they decided on the end of Season 2 because things were just starting to go well for Natalie, she was just starting to heal, and therefore she had to die.

•The writers pointed out the impact of seeing Misty, a character who does not usually express genuine emotion (when she does it’s usually in a manipulative manner), fully sob and express genuine horror and grief during Nat’s death scene.

•Jeff was originally just meant to be an “accessory” to Shauna, but he gained more meaning and importance to the show as the writers loved Warren Kole and his portrayal of Jeff.

•For season 3, the writers were pretty tight-lipped, but they did say that they are very proud of the season and excited for people to see it. They said that there will be an interesting dynamic in that the winter will be over in the teen timeline, so the characters will have to grapple with what they’ve done now that they’re out of the dire situation they were in in the winter. They said this will have a great effect on their psyches and group dynamics.

•Joel McHale was cast after Ashley Lyle met him at a party of some sort (and Lyle admitted she was drunk during the encounter) and, after he said he was a fan of the show, Lyle basically said “Oh well I have a part in Season 3 for you” and he was cast.

•They were asked directly about the Eden lawsuit, and they had a little giggle about it and admitted that they’ve never seen that movie, and they’ve been very upfront about their influences (Lost, Alive, etc.) They obviously couldn’t say much more about it, but it was funny seeing them react.

•The writers emphasized the distinction between “fan appreciation” and “fan service,” and they said that, while they occasional look at fan feedback on Reddit and Twitter, they keep that feedback out of the writers room. This is actually very comforting to me, I was worried about Season 3 falling into the fan service trap. I am glad the writers are sticking with their intuitions and original intentions for the show.

So excited for Season 3 and so grateful these amazingly talented writers and showrunners are at the helm of it!

[akanemnon]

Normally, I'm not the type to send an ask (I'm not particularly active on Tumblr, so it feels a little weird sending a msg over), but the comic has been an inspiration for me for months now (and this week's one has really hit the feels! xD) and I figured it wouldn't hurt, especially when I've been through the ringer a couple of times recently myself.

I hope you heal well on your hiatus, I've had a good relationship with taking walks in [personally significant location] whenever I need to cool off, or if I'm at home I just listen to the same music on loop until I fall asleep. (Not that all stressors have those as good counters, but still, whatever works.)

I don't want to ramble too much (a bit late for that, I know), so my point is: well wishes your way and all that!

On a lighter note, I also hope Chara's doing alright because they clearly were also impacted by the abort-geno run if that expression is any indication...

Thank you so very much guys. It's kinda hard for me to properly express all my gratitude, but I really mean it when I say it means a lot to me.

I will definitely use that break wisely. Also because I didn't completely recover from my cold and now it's back with a vengance.

EDIT: was at the doctor's today, turns out I got a FUCKING BRONCHITIS

Little fun fact about that panel with Chara specifically:

In the first draft of the script Chara was supposed to look back over their shoulder at Frisk with an angry and disappointed expression. And Frisk used to say "Chara has become a lot angrier since then. I don't blame them".

But after thinking more deeply into it, with the whole counter thing that Chara does for the Player, it made more sense for Chara to be disturbed by themself going along with it and even encouraging it. It ties into their change of mind regarding their own plan way back when.)

[the-crooked-library]

Human vs Vampire Violence in Nosferatu

I've talked about this in the tags of another post already but i can't stop thinking about this so here it goes:

The majority of Ellen's suffering is due to mundane and socially acceptable forms of violence (e.g. medical) and that is not an accident. The script intends this. It is the primary underlying theme of Nosferatu (2024), it is the undercurrent to all her motivations, and the film wants the viewers to be aware of this, at least on some level.

Over the course of the story, Ellen Hutter is forcibly isolated by her father, dismissed and infantilized by her husband, drugged and tied to her bed by a doctor and her husband's friends, pierced through the arm by another doctor just to demonstrate that her soul "isn't there," insulted and kicked out from the Hardings' house (while still having psychic fits nightly), left to care for her sick husband alone without any support, never listened to - and all these things are excused!..

There's always some sort of justification, and it's usually either misogynistic or medical or both.

Her father isolated her because her psychic abilities frightened him, because she was too abnormal, and he thought that she wasn't fit to be around other people. Thomas dismissed her nightmares and ignored her emotional needs because he thought her anxieties were childish, that she prioritized the wrong things in life (love over financial advancement), and that she was incapable of good judgement; it's also the reason he is unaware that she doesn't like cut flowers, or that Harding hates her (even though she is very well aware of that, she evidently didn't feel like she could tell her husband). Similarly, Dr. Sievers believed that he had to do what he did, because Ellen was mad and had to be controlled. Harding, naturally, let him do it, and then did worse, and justified it all with “logic” and family values.

The point is that every single character harms Ellen on some level, despite what they might consider best intentions; and I think that a significant drive behind some of the more vitriolic online responses to this film is that many people are uncomfortable with that aspect of the story. Nosferatu demands that the viewer confront a fundamental truth of human imperfection - that someone who looks soft and Normal is, in fact, capable of causing pain regardless; and that invites a deeper sort of self-reflection. Perhaps, even accountability.

Our recently-resurgent purity culture shares this discomfort with Ellen's societal setting. For Thomas, for Sievers, for Harding, for us, it is much easier to blame harm and sin on a Monster From Somewhere Else, and pretend that a witch-hunt would entirely eradicate the problem.

However, the film demonstrates the inherent falseness behind this assumption. Even if Ellen had not followed Orlok into death, she would not have suddenly become happy with her human life - because his destruction would not have changed how she is perceived. She would have continued to endure far more insidious, systemic, violent abuse as a disabled, arguably queer wife and woman.

This is why the sensuality of her death/wedding is so crucial to the presentation of the film.

in Orlok, she embraces her own perceived "darkness," the aspects of her that her society believes are harmful and grotesque - her lack of deference to her husband (he terrorizes Thomas), her queerness (he drains Anna and destroys Harding's family), her psychic disability (he kisses Ellen's heart and drinks from her, reverent and tender). it is a scene steeped in both terror and ecstasy. She is joining Orlok in sin and in death - a twisted version of his proposed eternity; and in doing so, she is ascended.

It is incredibly poignant that, when her power over him is actually shown, it is far more emotional and commonplace than could be expected. There are no torches or stakes, no physical explicit battle; Ellen's unique, magnificent, holy power is merely the ability to ask for "more!.. More!" - and be granted that wish without question. Here, in a monster's embrace, she is valued more than a promotion, or propriety, or even Orlok's own life.

All that to say - Ellen's personal journey through the film does not culminate in a straightforward battle of "victim vs abuser." Despite what a cursory overview might imply, the Final Struggle is a minor aspect; instead, the overwhelming majority of her story revolves around a build-up to a Final Choice. Similar to I Saw The TV Glow, or NBC's Hannibal, or a multitude of other narratives, it explores the balance between the horror of transformation and the horror of staying the same. A monster might grant the first one if you ask, and it will feel like dying - but society's already forced you into the second.

All there is left to do is make damn sure it kills you.

[omartinyosef]

ST5 POTENTIAL SPOILERS!!!

GUYS I FOUND THIS ON REDDIT AND ACTUALLY IT'S QUITE INTERESTING

ST5 Leaks/Fleaks

Gen Plot

Season picks up briefly where we left off in 1986 before jumping into either late 1987 or early 1988. The season is contained entirely in apocalyptic Hawkins. Things with the government are shaky. Owens doesn't appear in the beginning of the season and it's unclear if he's returning, but Ellen Stinson is the new Owens. Hawkins is like a combination of the UD and Kamchatka.

Labyrinths/Mazes being important to both the supernatural plot and the interpersonal relationships. They're inherently linked.

Two songs to be featured are 'Listen to Your Heart' and 'Alone,' both of which were apparently foreshadowed in a previous conversation between Hopper and Joyce, similar to how Hopper's "I'm the puppet, you're the master" to Joyce in S3 basically foreshadowed Eddie's 'Master of Puppets' in S4.

S1 and 2 scenes being referenced are "Nancy and Mike's conversation in the bathtub" and "Hopper + Lando Calrissian"

Lots of importance in COLOR CODING and blocking from the final shot of S4, and a good chunk is told in the costuming—like passing the torch from one character to another as their arcs overlap. For example, Hopper and Will share the "am I the curse and therefore putting my loved ones at risk by being near them?" sentiment for S5, therefore their wardrobe in the final shot of S4 is similar. Joyce/Jonathan and Nancy/Mike's costuming also similar for the same reason, whereas Eleven stands out because she's the first one coming into her own this season. The white for her represents shedding of false skins.

Character duos this season will be primarily dressed in colors of blue/green and yellow/red.

There's lots of symbolism and foreshadowing for every character in S5 from the moment Will touches his neck in the last sequence of S4.

S4 focused on themes of lies and miscommunication, and everyone is going to have to work through these lies before they can defeat Vecna.

Murray and Argyle are both back. Dimitri and Yuri don't seem to be in the beginning of the season.

One thing left unresolved with the Russian plot. Something important will happen involving the machine and the green liquid from the Starcourt bunker. Reference of Dustin vowing to die with Steve when they initially discovered it.

Hopper, Joyce, Mike, Will, and El had to be away from Hawkins, otherwise Vecna wouldn't have won.

An important death that they're nervous about given the reception to Eddie (not Joyce or Jonathan—see details below).

Eleven

We'll see her unlike we've seen her before. A badass who doesn't take shit from anyone. Not a Monster, not a Hero, Jane. Think: adult El could be headed for a Charles Xavier type role.

Erica, Lucas, and El will share scenes together.

El has significant blocking and development with many characters this season.

Max, Eleven & Max

The "kaleidoscope of colors" from a script the writers posted makes a feature in both the scene where young El remembers her mother's love in order to defeat Henry in the lab, as well as the scene where El revives Max. This is significant because it's the first time we see El using her powers on someone in a non-violent way.

El was able to revive Max because of she, herself, being revived in the bunker by Brenner and Co. It's a show, don't tell moment from the writers.

Max getting Vecna'd was foreshadowed in the beginning of 2x01.

Will, Henry/Vecna, The UD

Filming was supposed to commence mid-June, but Noah and Jamie were set to begin in May due to more complicated costuming. Will is going to require heavy prosthetics at some point.

Will's character design is blocked in three stages. The more the UD bleeds into Hawkins, the more connected to it he feels. The gates being open will physically influence him, especially when he's not as mentally strong.

He's kind of like "the card up Vecna's sleeve."

It appears they want to confuse the audience about Will.

Will wrestling with his own morality

Henry/Will mirrors. Will will sympathize with Henry because, unlike El, he knows how and what Henry thinks, and he can feel him.

Vecna and Will are very similar, but the difference is Will is made stronger by love not hate. They will play into that duality.

Vecna was nerfed in S4 compared to how we see him in S5. He'll be much stronger.

At the beginning, he'll be taking a hiatus while he plans how to divide and conquer now that everyone's back together in Hawkins.

Soteria will be the key to saving Will. If they want Will to be untraceable to Henry, they'll have to insert it into his neck and it'll be painful. Vecna not having access to Will fucks up his ability to leave the UD.

Byler/Mileven Triangle

Apparently, it's complicated and up in the air as of now.

Mike dealing with guilt this season. He feels guilty/responsibility for El. He feels stuck in a loop that keeps him from a truth he's scared to face.

Will and Mike to spend a good chunk of the season together based on character designs and blocking.

Will telling El that Mike won't like being lied to comes back with the painting. During a pre-time jump scene in 5x01, while everyone's together plotting how to defeat Vecna and brainstorming how to save Max, Mike brings up the painting El commissioned for a D&D analogy. Will has to pull Mike aside and confess he lied about El commissioning the painting. Mike gets angry, because he doesn't know about Will's feelings and feels embarrassed that Will thought he was that pathetic he needed to be given a pep talk. Their own version of a "fight you can't come back from." Immediately after their fight, we get the time skip.

Mike's character motivations are unclear and seem to be kept under wraps. After the time jump, he and El won't be talking as much because he's keeping the details about Will's painting from her. She's gonna ask what's wrong between him and Will, and he lies/is very vague.

Joyce, Hopper, Jopper

Joyce feels immense guilt/responsible over Bob's death since she's the one that asked him to help in S2, which is why she pushed Hopper away at first.

Hopper has a secret from S1 that was never addressed, and it comes back to haunt him.

Joyce sustains an injury in S5 that is reminiscent of the way someone was injured in S3, but it isn't critical and she'll be okay.

Jopper are the most established couple after the time jump. Lots of bickering still, but Hopper trusts Joyce more than he ever has.

Jonathan, Nancy, Jancy

So far, does not seem like a breakup is happening.

Jonathan's still lying about the college letter and distant because of it, and Nancy thinks he's not as into the relationship and that there might be someone else. She confronts him, which leads to a talk. She's touched by the lengths he would go to try and protect her and any of their future children even from himself.

A moment where we're led to believe Jonathan dies but doesn't, like Hopper in S3.

Hopper-Byers Family

These five characters slowly unraveling their arcs together and have always been closely linked. Their perfect endings are together.

We see the family combining, especially in relation to El.

Joyce gets to witness Hopper being paternal and tender towards the boys.

Scenes with Joyce, Jonathan, and Will

Hopper being back lifts a weight off Jonathan's shoulders.

------------------------------------------------------------------------------

So, now time to shine.

''(...) sentiment for S5, therefore their wardrobe in the final shot of S4 is similar. Joyce/Jonathan and Nancy/Mike's costuming also similar for the same reason, (...)''

Okay. How did we see Nancy in S4? Confused. Confused with the love triangle between Jonathan, her and Steve. Jonathan is her actual boyfriend. And Steve is her posible love interest again.

So, putting this in byler language: Nancy = Mike Jonathan = Eleven Will = Steve

If Mike's and Nancy's character's clothing is important at this point of the time line and that means they feel similar feelings, this could mean that byler has a chance. BUT then we read this: ''(...) He (Mike) feels stuck in a loop that keeps him from a truth he's scared to face.'' And

''Mike's character motivations are unclear and seem to be kept under wraps.''

THIS LITERALLY MEANS BYLER. FOR REAL. Like byler could be endgame. Also, remember Eleven's injury in S3? Do you remember the leak of a shoe covered in blood?

It's Joyce. ALSO YOU CAN READ THAT WE'LL HAVE SCENES BEFORE THE TIME JUMP. And here it comes. Look at this freaking hair:

Does this look more like this

or this?

The season 4 bowl cut right? So maybe this is right in some part? I dont know. But that could make sense why Will is wearing Mike's pants, because his clothes were in California by that moment. But i really do think that the pic that was leaked a few days ago is before the time jump.

Im so late with this info haha :) but i kinda think some things here make sense. Even if this is too well explained to be a leak.

[theduckeminence]

I can’t stop thinking about Eddie Dear y’all.

First off, the probable reason behind what had occurred to him is most likely due to him being scrapped/taken off the script of the show is just both saddening and dreadful on his part. Like he exists within the realm of the Neighborhood, but considering his absence throughout the recent update, aside from him giving the viewers a decoder + clips of him throughout the Home-warming ad compilation, its safe to say that Playfellow Workshop had most likely taken off him of the show, or at the very least, lessening the amount of screen time he receive (in this case being the ads/commercials).

And now onto the actual possible reason why Eddie Dear would be taken off script. Now thinking back to the fact that Eddie & Frank being a couple is canon, it’s also safe to say that because of their connection in the show — even though Playfellow Workshop attempts to have them be distant or lack any sort of significant interaction onscreen — Eddie & Frank’s relationship, or at least Eddie’s love for Frank, could certainly be the reason why the he was taken off script.

After all, if two male characters are shown to be gay for each other in a kids show from the 1970s, chances are Playfellow Workshop would rather scrap the homosexual (derogatory) mailman character than have Welcome Home be taken off the air entirely just because of said mailman character.

Furthermore, what’s more interesting and ironic about Eddie being a prominent character who became intensively aware of his situation is the fact that he first appears to be a character who could be considerably perceived as“insignificant” or “irrelevant.” Of course I don’t actually think he is, but from the way Playfellow Workshop and the Homewarming commercials are framed Eddie, it can be interpreted that Eddie is seen as a rather character of little relevance.

It is partially due to him being taken script, but it’s also the fact that his only thing going on for him is being the mailman for the neighborhood — as well as a bit of a comedic relief. Eddie said himself in the Homewarming video from the secret site — if I’m correct, he feels that nobody appreciates him enough for his work (though correct me if I’m wrong). And that since there’s no one there to ask him to deliver something, or call, or check up on him, he feels as though that — somewhere inside of him — he feels both left out and “irrelevant.”

His one role is to be the neighborhood delivery man, and without that, then what exactly would he be good for?

(this could further be emphasized when Sally told him that they made the deliveries for him to give him a day off — even though no one told him that, and chances are this is perhaps Sally trying to reassure him when in reality, he was just scripted out of Homewarming hence why no one came to talk to him. Getting lil off topic oops—).

Recircling back to the original topic, yada yada yada Eddie just being a mailman and besides that he views himself to be irrelevant so on and so forth.

One thing I would like to mention, relating to Eddie being the probable first of the group to become aware other than Wally, is that I find it surprising that Eddie Dear IS the probable first to become aware like Wally.

To tell y’all the truth, I didn’t think he would play such a significant role in the Narrative (and thus probably doomed by it too). I would have least thought Frank or Julie would have been next to become the more Self Aware.

But Eddie Dear? Our loveable, friendly, and reliable mailman — Eddie Dear? Suddenly depersonalizing right on the spot with a pea plate and becoming aware of both his sentience, the weirdness of his setting overall, and how he could hear Home’s heartbeat? How he knew that the moment he comes to this revelation of self-awareness, he can’t go back? That everything he has ever known is most probably not real and/or all a lie?

It just has me stopping for a second on why and how him, but after thinking about it furthermore, alongside reading analysis posts, it would make sense for him to be next on why he had become Aware.

And I can only assume that from here on out, things are bound to change. And I for one fear these colorful lil puppets — particularly Eddie in this case.

Lets just hope the existential dread doesn’t drive all of them over the edge.

[evilminji]

:T Hello there, Thought(tm) of the day...

I? Just remembered that Constantine's "Laughing Magician"(?) title is... f*ckin HEREDITARY?

Like?? As in The Constantine Meances have been out here, harrasing divinity and demons alike for GENERATIONS on behalf of a Good Time, the Lols, and probably Humanity if they can be arsed and you make a good case.

W... What chance would there even BE of at least like? HALF those f*ckers(conflicted but affectionate) NOT becoming Realms Ghosts? With the sh*t they're exposed too? With THEIR luck??

You think DEATH can trick them? Take them away for good? Take away the local Rat B@stard, Tricks Gods Just To See If He Can, Fate Is My Second Mistress and I Cuckold Glory On Your Mother's Bed, Constantine?

They run down main street, *ss in the breeze, wearing someone else's shirt and two shoes that don't match, not a stitch else, like run away lovers. Let Death TRY and catch them. Sorry, Luv, it's not them, it's definitely you.

..........I bet they're the wooooorst~~✨️

No joke, I bet they set up a whole *ss TOWN of Constantine.

Where the odds are in THEIR favor, gods fear to tread, and reality straight out stops working right. Like Diagonal Ally for B*stards, extended to a whole floating island. Everyone's related. It's Chaos. They can barely stand each other. Would sell each other for a toothpick.

Mess with ANY off them... and you can kiss your afterlife good bye.

They have NO neighbors because both no ones dumb enough to get NEAR them AND no one can stand to be around that many Constantines at once. The physical Manifestation of Fate wants to take the whole LOT of the handsy F*CKS to court for child support and a restraining order.

Somehow... they keep getting Earth Booze.

They SHOULDN'T have access. It's been anywhere from decade to centuries since they died. Millennium for a few. Howms't The F*CK, do they keep getting cheap gin and vodka? Bourbon and beer? Even the odd fruity cocktail for funnies.

Please... PLEASE! Tell the Zone at large, that their innate birthright powers STOPPED at Death. They... they are just REALLY good at smuggling right? Excellent con men?

Tell us they can't f*ckin PREDICT AND INFLUENCE Natural Portals!!!

*smug sipping noises from a large room full of Dead @ssholes*

Okay... They Won't Tell You~ 🍺🍺🍺🍺🍺 *siiiiiiiiiiiiiiiip*

Now! I hear you ask? Why are John's Terrible, Terrible, God Awful Ghostly Relatives relevant? Absurdly powerful as they are... they seem to take the afterlife as an extended "Ha! GET F*CKED, DEMONS WHO WANTED MY SOUL!" Vacation/Family get together.

Minded their business and expected everyone to mind THEIRS, or ELSE.

Didn't give two solitary SH*TS that Pariah woke from his little nappy-poo to cause a tantrum. After all, in their family? When DOESN'T some "great and terrible Power That Be" get itself in a snit? Meh... it's baby Johnny's turn to clean sh*t up. Best of luck to 'im~!

But THEN!

They must've been drinking... making out with their equally terrible and bamf trainwreck significant others... sitting around playing "who can cheat best at cards"... when? Huh.

Never seen the Fate and The Odds... STRANGLE like that.

Billions of billions of What-Ifs, Maybes, Could-bes, and more... suddenly YANKED towards a single spot. The allowance of Only One Outcome. Almost like what they can do, but... not, WRONG, per say...

Just... impossible.

There's NEVER.. JUST one way this plays out. You can control the big notes. The script. But the details and set dressing will always decide themselves.

NO ONE can just... Decide What Will Happen. And yet?

...............was....... was that Little Johnny? Has to be. Right? Where's his old man? Oi! Was that your Kid??! John's closest relatives are baffled. Nope. They can still feel him laying a beat down on some demon in Norway. So then? Who?

How?

Well mark them CURIOUS(tm).

They decide to actually get up. Put their various drinks and cards down. Put pants on. Somebody's done something... INTERESTING(TM) and they want to know what's up. So? Off they trot.

It's traumatizing for everyone who sees them. The Constantines have breached f*ckin B*stard Containment and are spilling into the Zone. On this! The DAY Pariah Waged A War! THEY JUST GOT RID OF HIM!

And Danny? His everything hurts. The Eyeballs are starting to come out of the woodwork and ARGUE about him like he's not even there. He's DANGEROUS blah blah blah. Give them the crown. Right now! Etc etc.

Somethings telling him not too.

It's... it's HIS isn't it? Has been for centuries and seconds. And... and... everyone one of him is King. There is only one of him. The Zone covers all the multiverse and all of the Hims that were and aren't here and helped and... and...! His head is starting to hurt.

But the more they try to push him to hand it over, the less he feels like unhanding the dang gaudy thing. No. His now. He'll use it as a DOOR stopper if he dang well feels like it! Stop yelling.

Then all these blonde ghosts saunter in... and all he can think is "F*ck. I think they noticed."

Huh?

@stealingyourbones @cyrwrites @bjurnberg @the-witchhunter @hdgnj

[thebroccolination]

BOUN TWEETS ABOUT REVAMP’S SCRIPT

Today, after returning to Thailand from his first European fanmeeting with Prem, Boun tweeted about Revamp’s script, a hint that workshops and filming for his much-anticipated vampire series with Prem are imminent. \o/

Boun: The script is sooo good, I want to brag about it!!! [translation by @hallowpen]

For anyone who hasn’t been following Boun’s passion project, Revamp is a fully original story and has been in the works since long before Boun and Prem joined GMMTV last spring. As early as 2020, Boun was begging anyone to cast him in a vampire series, so Revamp means a lot to him. <3

He's been very heavily involved in the script-writing process, and he also put a significant amount of his own money, time, and energy behind aspects like 1) pitching the series to potential sponsors in Japan, 2) managing the fitting and photoshoot, and 3) funding the first teaser all while the production was under Studio Wabi Sabi.

When Boun and Prem joined GMMTV in spring of 2024, Revamp came with them. In order to appeal to a broader audience, the action-based script was altered, centering the romance between vampire Ramil (Boun) and antiques dealer Punn (Prem) while intensifying the tone of the story. If I'm remembering correctly, it was GMMTV’s CEO Tha himself who suggested the changes, which to me speaks highly of BounPrem's place in their new company as well as the resources GMMTV is putting behind BounPrem's first production in their care.

However, even under GMMTV, Revamp is very much Boun's project, and I think he and Prem have both continued to have significant influence in how it's shaped.

My only reservation has been New as director, but I've actually come around on that. As long as he delegates editing and sound design to someone else, my only other concern was the sensuality. The whole vampire trope is deeply erotic, and New's gone on the record over and over that he doesn't need sex in his series. To me, that always felt very sex-negative, but after speaking with a Thai friend recently, I may have misread him and his views (which would be a relief, and I'll be happy to be wrong).

According to my friend, the way New speaks about not needing sex in a BL series reads less as sex-negativity to them and more as…ego.

See, regardless of how anyone feels about any series New's directed, he is an influential director, and his earliest series were groundbreaking in the Thai BL industry. It makes sense that as more and more BL series rush out grabbing their viewership off the strength of nudity and sex above craft and dedication, New seems to pride himself on drawing in his viewers without leaning on eroticism.

Once my friend said that…I think they're right.

Because if that is New's point of view, I really can't hold it against him. He's an openly queer man who founded and built an extremely protective queer space in the industry in Studio Wabi Sabi, so it would check out with his ethics that he'd care a lot about who's watching his series, what drew them in, and the direction of the queer media in his country as a whole.

However, that being said, New hasn't shrunk away from the sensuality of Revamp, and he's apparently been teasing fans on Twitter about how much Boun and Prem are doing to prepare physically for their roles. So I think it's not necessarily that New's anti-sex, but more anti-unnecessary-sex, if that makes sense.

After all, New directed the original teaser, and the original teaser had this:

At the end of the day, the script will always be what matters most to me, since it's the spine of the whole production, and I'm over the moon that it's been prioritized, adjusted, and perfected. But I'm happiest that Boun is happy, because he's been so eager for this over the past five years, and it's finally coming to fruition with the budget and the reach it deserves. :')

And the fact that Revamp has gotten exactly the same length of time for its preproduction as KristSingto's comeback series The Ex-Morning (also original) is a very good sign to me.

In conclusion,

IMMORTAL VAMPIRE LOVERS!

[buckgettingstruck]

here to ask about the camera panning to eddie. give me the freak answer pls

when i saw that shit airing i yelled and spilled wine on my carpet.

like. i feel like this is common sense but i dont know if people realize how intentional each second of a show/movie is. like whether the show is a silly sitcom or a serious drama everything is so intentional and purposeful. of course theres always continuity errors and mistakes that happen when you’re creating a show of that size thats been running for so long but for the most part everything has its intentions. its why you see certain themes come back again and again. im not gonna get into outfit meta or anything like that because its not really my wheelhouse but i did learn a lot about camera techniques and im a writer so. yeah.

shots are one of the most important aspects of a movie or a tv show. they set the mood. close up shots convey intensity and emotion while more wide shots establish a scene etc. they gave us a lot of close up shots of eddie’s face in the kim and eddie scene at the end of 7x09 because it was an intense moment for eddie as a character for example. you have to get the shot right to convey what you want your audience to see yknow.

so. you have the medal ceremony. they couldve done the announcements for these people in literally any order because they fucking wrote the script. they didnt do it alphabetically or anything normal they literally had the trio of triangulated desire standing in the back with buck in the middle AGAIN while chim and hen were being normal and serving cunt up front. and when they were sitting they had buck in the middle again because reasons. then once they got their medals itd pan to their families and significant others clapping. ofc for tommy they pan to buck because thats the person there supporting him. for BUCK they had so many options. they had bobby, his captain that he verbally said was his father figure the next episode, they had maddie, his fucking SISTER AND THE WOMAN WHO RAISED HIM, and they had tommy, the dude he’s dating. instead they pan to eddie.

literally that is the absolute LOUDEST fucking thing the show has done so far in my opinion. they panned to buck for tommy!!! they couldve panned back to buck or done it in a different order if they didnt wanna repeat so they could pan to them for each other!!! but they panned to eddie and the director of photography was even emphasizing that choice on twitter.

the entire bi arc had eddie written all over it. they had so many opportunities to shove their relationship to the side and double down on their friendship but they didnt. instead we had buck tweaking at the gym where we have no idea who eddie was even talking to on that phone, eddie constantly mentioned by buck in a kiss scene with someone else, the line of all time ‘MY attention?’, eddie interrupting the date next episode, buck not even giving a FUCK about the date because he lied to eddie, the shit maddie said that episode about being confused about his feelings, eddie saying nothing is gonna change between them (which. thats a chekov’s gun if ive ever seen one), and all the entire shit with the bachelor party. not even mentioning the implications of the song choice for the karaoke scene that paralleled madney because we didnt get it in the episode. they couldve completely avoided all of that but they didnt and then when buck is dating someone else they dont pan to HIM being happy and supportive for buck, they pan to EDDIE. it feels as if its supposed to remind us what’s actually going on or another attempt to clue us in

also like right after they had the two who were dating acting as acquaintances. and had that guy also kinda put buck’s excitement down at said ceremony. and later in that episode had buck ditch plans with the guy he was dating to make sure eddie was okay. for reasons i guess. so buddie canon or theyre doing a real bad job at getting me to care about bucks actual man

[pippin-katz]

One Shots in Red, White & Royal Blue - Part 1: Alex's Room

Modern movies are fucking obsessed with jump cuts. Even scenes where it is completely unnecessary get cut to shreds. There's films I've seen where one, single sentence line got three jump cuts in it.

After watching Red, White, & Royal Blue over ten times now, I’ve noticed so many moments where they could’ve made jump cuts, but didn’t. There were moments where I was expecting it to cut because of how used I am to other movies cutting the shit out of scenes. They did not do that here, and believe me, it makes a difference.

Cuts temporarily remind the viewer that they're watching something scripted, professionally filmed, and edited. It's a subconscious feeling that most people probably don't even notice.

In case you're unfamiliar, a one shot in film is when a sequence happens without any cuts. One of the benefits of using them is the believability they add. Any amount of time could've progressed between cuts, like if they film a scene on two different days. When you see everything happening in real time, it just feels more real.

Red, White, & Royal Blue balanced their editing and camerawork incredibly well, and utilized one shots way more than I see a lot of other films doing nowadays. They use it for a variety of scenes, and it's done very well.

Example No. 1

From this moment, where Henry enters the room:

GIF by taylorz-nicholasg

To Henry pushing Alex onto the couch:

GIF by sheisraging

To when the sequence ends:

GIF by gay-bucky-barnes

is ALL ONE SHOT.

There are no camera cuts during that sequence, and there's a significant amount of movement and activity going on.

They are obviously aggressively making out, and crossing the room at the same time. Tracking this part might be common, but when they get to the couch, and Henry pushes him, I got this gut feeling that a jump cut was about to happen, but it didn't.

Instead, the camera rotates around to that side perspective, and lets Henry come back into frame and onto the couch in real time.

GIF by sheisraging

The camera doesn't change position until Henry moves down, which could've been a cut to Alex's face, but they opted to zoom in on him, keeping the shot connected.

GIF by sheisraging

This is not a small series of events to capture in one shot, and it means that Nicholas and Taylor had to memorize and perform the entire scene's blocking as a whole rather than in parts. If they mess up, they can't just say: "hey try that line again"

A one shot scene like this means that if you mess up at any point during the sequence, you can't use the take. You have to do it again from the beginning. That's the point of a one shot.

I think it's such a testament to Taylor and Nicholas' talent, skill, and dedication that they did such a long shot involving so much intimate, and difficult, choreography.

Breaking it down, they have to kiss for the first part, but it's not just kissing; it's aggressive kissing. Their eyes are closed, and they're grabbing at each other, while crossing the room. Taylor has to walk backwards. They need to have really good spatial awareness in order to move without hitting something or tripping.

Once they hit the couch, Nicholas has to undo the buttons on Taylor's shirt. If you've ever worn a button-down shirt, you know that sometimes you just struggle with those damn buttons; there's a moment in Paris where they joke about them. Nick has to undo them fast, and deliver his lines too. If he's too slow with the buttons, or they get stuck, take ruined.

Nick has to shove Taylor onto the couch. He has to be visibly forceful, but not knock him down so hard he falls off the couch, or land in a way that make it difficult for him to shift into where he's supposed to be. Nick also has to climb around onto the couch fast enough.

Obviously once they're on the couch, the difficulty comes in that they are being intimate, kissing and grabbing each other, and they need to remain in character. Then they have lines, and Nicholas has to get even more intimate by kissing his neck. He undoes another button or two and kisses his chest and down his stomach, all while delivering his lines correctly.

If either of them messes up a line, or breaks character for a second, or loses their balance, or anything, go back to the start, do it all again.

That is so much, and the two of them nailed every part of it. I still admire how they were able to trust each other and become confident in doing all that they do.

This being a one shot created a really incredible scene. It's fluid, and grounded in space and time. It's not the only scene that's drastically improved by the fact that it's a one shot, so I'll probably write more essays breaking down those scenes cause this movie has me in a choke hold.

Update: If you enjoyed this essay & would like to support me, you can give me a tip on my Ko-Fi! ☺️

[ellysdreamworldd]

ℋᴏɢᴡᴀʀᴛs 𝒟ʀ⋆⁺₊⋆ ☾ ⋆⁺₊⋆ ☁︎

✩°｡⋆✧･ﾟ ･ﾟ·:｡･ﾟﾟ･ ᖭི༏ᖫྀ ･ﾟ ･ﾟ·:｡･ﾟﾟ･✧⋆｡°✩

𝐧𝐚𝐦𝐞: elly [...]

𝐚𝐠𝐞: 14 (starting 4th year)

𝐡𝐨𝐮𝐬𝐞: gryffindor

𝐲𝐞𝐚𝐫: 1994

𝐛𝐥𝐨𝐨𝐝 𝐬𝐭𝐚𝐭𝐮𝐬: muggle born

𝐰𝐚𝐧𝐝: yew wood, dragon heartstring core, 11 inches and medium flexibility

𝒎𝒚 𝒄𝒂𝒕 𝒍𝒖𝒏𝒂♥︎

✩°｡⋆✧･ﾟ ･ﾟ·:｡･ﾟﾟ･ ᖭི༏ᖫྀ ･ﾟ ･ﾟ·:｡･ﾟﾟ･✧⋆｡°✩

𝐛𝐚𝐜𝐤𝐬𝐭𝐨𝐫𝐲:

i am an italian transfer student in Hogwarts and i moved with my family from Rome to London during july 1994 because of my mom's job, so i'm starting out at Hogwarts on my 4th year. Both of my parents are muggles and so is my older sister, so i am the first witch of the family. (not very creative i know but i didn't want to go through all the trouble of creating myself a new family, also because It would honestly feel weird to me and i wouldnt be able to bond with them, so my family in my dr is very similar to the one in my cr)

✩°｡⋆✧･ﾟ ･ﾟ·:｡･ﾟﾟ･ ᖭི༏ᖫྀ ･ﾟ ･ﾟ·:｡･ﾟﾟ･✧⋆｡°✩

𝐂𝐞𝐥𝐞𝐬𝐭𝐢𝐚:

I started my education at an Italian wizarding school called Celestia (yes, I invented it), located in the alps. Celestia is a much smaller school compared to other european institutions such as Hogwarts, Beauxbatons, or Durmstrang, and only a few students attend it since most people prefer to enroll in more well-known and popular schools. However, despite its smaller structure and student body, Celestia is an excellent school that provides a full and in-depth education to young wizards and witches. However, there are some drastic differences compared to Hogwarts: for example, Quidditch is not played due to the mountainous land and the lack of players. Instead, students receive consistent physical training in disciplines such as boxing (absolutely didn't script this because i wanted to be able to punch people properly), martial arts, sword fighting, archery, and flying courses. These flying lessons include aerial tricks, races, and obstacle courses to improve reflexes and speed, so that if i ever decide to start playing Quidditch i'm perfectly qualified for it. Moreover, the students are not divided into houses of any sort. There are also some slightly different subjects: in addition to the core subjects (astronomy, herbology, history of magic, potions, charms, defense against the dark arts, and transfiguration), Celestia offers unique electives. These include healing, wandless Magic (I wanted to be cool), enchanted artifact crafting, enchanted cartography, latin and magical linguistics (i stole these ideas from @jadeshifting), along with alchemy, divination, and ancient runes. The school also provides an Apparition course for third-year students and older (which I obviously took so i'm able to apparate). Students at Celestia often go on wilderness survival trips in the mountains, where they put their classroom knowledge into practice. Additionally, Celestia has one of the largest libraries in the wizarding world, located underground. This library contains thousands of books, including ancient Latin texts, many of which remain untranslated (students often attempt to translate these texts themselves, hoping to discover secret spells) and dark books containing forbidden spells. Celestia places a significant focus on Defense Against the Dark Arts. For example, students are taught to resist the Imperius Curse starting from their first year (I wanted to be able to do that) and often engage in both physical and magical (wandless too) dueling. Overall, Celestia is an underrated school that offers a superior education compared to most, thoroughly preparing students for the challenges of the real world. (in conclusion, i'm stronger, smarter and more knowledged than anyone at Hogwarts because i have main character syndrome)

✩°｡⋆✧･ﾟ ･ﾟ·:｡･ﾟﾟ･ ᖭི༏ᖫྀ ･ﾟ ･ﾟ·:｡･ﾟﾟ･✧⋆｡°✩

𝐥𝐢𝐟𝐞 𝐚𝐭 𝐇𝐨𝐠𝐰𝐚𝐫𝐭𝐬:

since when i shift it's going to be the first day of the 4th year, i'm not going to know anyone in Hogwarts (don't even know why i'm doing this to myself since i can't socialise), but my aim is be to be a part of the golden trio (soon golden quartet) & that's why i scripted me and Hermione are in the same dorm along with other 2 random girls (she NEEDS a girl best friend guys and that's what i'm for). I guess i just want to actually get to know the characters before being friends with them cause it would honestly feel weird to shift for the first time and be friends with people i've never seen before like what if i don't even like them.. so yeah. I don't have an s/o either, because like i said i want to get to know people from the start and let them get to know me, so i'll just be with whoever i like (not scripting they like me back cause i need to check my rizzler skills).

✩°｡⋆✧･ﾟ ･ﾟ·:｡･ﾟﾟ･ ᖭི༏ᖫྀ ･ﾟ ･ﾟ·:｡･ﾟﾟ･✧⋆｡°✩

i hope you enjoyed this and if you're shifting to Hogwarts too i'd love to have some moots⁠♡