#it speaks directly to my brain for some reason

[karaokebearwithal]

The marvelous Korydass (@cfcreative's Tav) effortlessly wrangling the most rambunctious of companions with ease! I've been wanting to try and draw a less humanoid humanoid and this darling dragonborn seemed like fun!

Based off of the tags in this post about the venerable Druid!

Drawing the tail twiching about stressfully was a fun little nod to how you can't read her emotions unless you get tail language in Act 1 Also the legs were so much fun to draw! Like!! Way easier than plantigrade feet! (I still don't know what a patina is)

[kimmkitsuragi]

ever since my mind adopted the idea that enver gortash = rte, then the natural continuation of that is Obviously ulder ravengard = devlet bahçeli sjjsnsjsjdjrhff so im occasionally like. wyll. god i know he's your father but WHY are we trying to save devlet bahçeli right now

[kamitv]

▷ First Time?

Synopsis . When you get paired with the campus asshole, Sukuna, for a project, the last thing you expect to learn about him is that he’s a damn virgin. Nor did you expect to be the one to change that. / Pairing . virgin!Sukuna x fem!reader / Content . afab!reader, oral sex (m!receiving), premature ejac, non-curse college au, dirty talk, pet names, degrading, porn w plot, teasing, taunting, filth, etc. / wc . 6k

A/N: ty to the nonnie on my main who asked if I’d ever write virgin!jjk men :3 [MDNI]

Who would’ve thought?

Of all people, Sukuna, a virgin? It just didn’t make sense.

He was this stand-offish asshole who most people respected out of pure fear. He didn’t exactly do parties and yet you could always find him at one. He’d always have some chick on his arm or even in his lap so, in what world would anyone with a brain assume he’s actually never been inside a woman before?

And to make his lack of game all the more unbelievable, he’s even rumored to have a big dick— it’s like some overly well-known campus fact about the guy.

So, again, what reason would anyone have to think the guy was a virgin?

Certainly not you, of course. And you don’t expect to be the only person to find out such information either.

The way you find out is probably even more bizarre than the fact itself. You and him had little to no reason to ever interact with each other. You weren’t some shy nerd who holed herself up in her room all day or anything but you weren’t much of the party type other.

You were stuck somewhere in the middle of all that, vicariously living through some of your friends who had better things going for them.

As such, there was no real reason for you and Sukuna to cross paths. He never even had a reason to acknowledge your existence until the two of you are paired up together for a project in the one class you happen to take together.

——

The background noise is the chatter of your fellow classmates and their own project partners, you find your partner grumbling out a low, “What?” In response to your last statement, having hardly heard a thing you said.

“I said,” You huff, sitting beside the man in question as today marks week two of you being paired up with him for this semester’s project, “We should be meeting up outside of class too. We could get his knocked out in like a day if you just-“

“Oh that,” Sukuna cuts off casually. Seated all slouched back in his seat, his legs sprawled out in that signature manspread of his— he rolls his eyes at your little reminder, “You said somethin’ about that last week.”

You speak through slightly gritted teeth, fighting the headache he’s about to give you from this conversation alone, “All the more reason for you to take it into consideration. The faster we get this done, the less we have to deal with each other.”

As you say that, you glance at him only to find his eyes directly on yours already. He’s got such lazy posture, his head tilted slightly whilst he gazes at you so intently, and his big muscular arms folded across his chest. Even wearing a black hoodie and gray sweats, he still looks as attractive as ever— mean low-lidded crimson eyes locked on yours, tattooed face so beautifully defined, and rosy lips pulled into such an uninterested little frown.

Up until your words hit his ears properly, “The less we have to deal with each other, huh?” Sukuna repeats, narrowing his eyes even further at you, “You barely even know me ‘nd yet you want nothing to do with me already.”

“I know enough about you, Sukuna,” You say with a sigh, “And you hardly contribute to this project as is. Which only proves that everything they say about you is probably true.”

He arches a brow, his interest piquing, “And what exactly do people say about me?”

You let off a light scoff, “Don’t act like you don’t know.”

“But I don’t know,” Sukuna tells you honestly, maroon eyes boring into yours.

You stare for a moment as you try to decipher whether or not he’s being honest right now. How does he not know what people say about him? Everyone talks about his brooding personality very openly.

“They say you’re an ass,” You eventually say to the man.

To which his lips twitch into a slight smirk, “And you believe that?”

“Seeing as I’ve asked you to, at the very least, type your name on this document and you haven’t even done that yet,” You scoff, “Yes.”

The two of you mildly glare at one another for a moment before Sukuna leans up in his seat. Breaking eye contact for just a moment to look at his laptop, he swiftly moves to open up that shared document of yours and types his name out with a heavy sigh.

After which, he’s slouching back again and looking at you, “Don’t believe everything people tell you, woman.”

You roll your eyes at him, “What? Are you not fond of rumors? That still doesn’t negate the fact that you’re an assho-“

“When do you want to meet up?” Sukuna grumbles out almost reluctantly, watching the way you pause and swallow thickly as he catches you off-guard.

He’s almost even intrigued by how quickly you bounce back, despite being caught by surprise, “Friday. Are you free?”

“Unfortunately,” He grumps.

You give him a little shrug, “Good. I’ll see you then.”

And that was it. That was how each and every interaction with you and Sukuna went. Bickering back and forth about him not doing shit to help you with something that’ll affect your grade majorly, criticizing you about being too focused and needing to relax every now and then, and even calling you a stuck-up little brat one time— it was safe to say, you and Sukuna didn’t get along too well.

Not that you minded anyway. He wasn’t your first partner to care little about their grade so, you knew how to deal with these kinds of people by now. Typically, you indulge yourself in their craving to ‘relax’ just once and then they promise to start helping. You’ve gone down that path before and it’s worked for you then so you assume things will go the same way with Sukuna.

Plus, you guess you can give him a slight pass for his asshole attitude, at least he has a pretty face to look at. Dark ink always decorating his awfully smooth skin, deep dark yet beautiful ruby-shaded eyes boring into whatever it is his focus on, and broad shoulders looming over your smaller figure every time he stands in front of you— you can't help but feel both attracted and intimidated by the man.

——

Which is exactly why when you open your apartment door for the scheduled meetup that Friday to crane your head up at him, you’re swallowing thickly to settle your nerves. You’ve never been alone with the man so of course you’re a bit nervous.

Especially with the way he gazes down at you like that’s exactly where you belong: beneath him. His eyes are filled to the brim with intensity and yet he’s only just set them on you. Wearing a noticeable black compression shirt and those signature gray sweets of his, he almost appears as though he’d just come from the gym.

And just as you take in his appearance, he very openly takes in yours— his eyes raking over your body and taking in every single inch of you. After all, just as it was your first time alone with him, it was his first time seeing you dress so comfortably. He doesn’t even try to hide the way he stares at your tits peeking out from the rather thin spaghetti-strap top you were wearing, his eyes soon trailing down slowly to those tauntingly short shorts you had on.

“So,” Sukuna swipes his tongue over his lips and cocks his head to the side, hands stuffed in his pockets and eyes yet to lift from your legs, “Are you gonna stare at me all day or are you gonna let me in?”

You blink out of whatever little daze you were in, having found yourself gazing at his chest far longer than you meant to. It was right in front of your face after all, how could you look anywhere else? And his shirt was so damn tight, the fabric hugging his well-toned body perfectly, so much so that you swore you could make out piercings on his-

Sukuna leans forward suddenly, his face nearing yours to gain your full attention, “If you keep staring at me like that, I’m gonna assume you invited me over for something else-“

“Sorry,” You chirp out as you clear your throat and awkwardly step back a bit to let him in, “You can come in.”

Nodding, Sukuna slips by you and you shut your apartment door behind him. Then, you’re quick to lead him over to your living room where you’d previously been working on your project.

The two of you are hasty to take a seat on your couch, both of you only a few inches apart from one another whilst you lean toward your coffee table and log into your already open laptop. Sukuna’s eyes are all over you as always, studying your side profile, your intent focus on the screen in front of you, and even the way you-

“Did you even bring anything?” You suddenly ask before you glance at the man.

Sukuna quickly meets your gaze, ripping his eyes off of wherever they’d been previously, “Was I supposed to?”

“Sukuna,” You sigh out, “Please tell me you’re joking right now.”

He swallows at the mere sound of his name rolling off your tongue in that scolding tone of yours— he’s heard such a tone from you time and time again and yet, for whatever reason, it never seems to annoy him. 

“I’m not.” He says plainly.

“How are we supposed to work on this if you-,” You cut yourself off and decide not to even attempt arguing with him. Arguing won’t change the fact that he showed up with nothing. “Just uhm,” You glance elsewhere for a second before an idea comes to mind and you place your laptop down and stand up, “Stay here.”

Sukuna doesn’t say anything. He merely watches as you huff and walk off, swiftly exiting the living room and disappearing down a nearby hall. He swears he finds himself looking at you a bit more than intended. Especially as you walked off, his eyes dropping to your ass and those damn shorts of yours.

Even when you’re out of his sight, he still finds himself staring in the direction of which you went, almost unable to look away for whatever strange reason.

That lasts for a few minutes until he snaps out of it and leans back against the couch, tossing his head back and letting out a long sigh. You soon return to find him with an arm stretched along the back of the couch, his legs spread as usual, and his eyes up on the ceiling.

He doesn’t even notice you’ve returned until he feels something placed in his lap. Looking down, Sukuna finds your laptop kindly set on top of him. To which his brows furrowed in confusion and he looked at you to see you sitting on the floor in between the couch and the coffee table with a paper and pencil in front of you.

“What’s this?” Sukuna scoffs.

You don’t even spare him a glance as you begin writing something down, “How we’ll get things done.” He opens his mouth to say something but then you’re looking back at him with a glare, “I already organized the parts of this project that you have to do so, since it’s on my computer, you can work on that and I’ll work with what I remember.”

You wholeheartedly expected him to find something about this to disagree with you on but, to your surprise, he simply nods and redirects his focus to your laptop immediately.

And then, the two of you work exactly like that for the remainder of that little study session.

——

Sukuna’s not terrible to work with when it’s just you and him. If anything, he’s rather cooperative and a lot smarter than he leads on. 

Which is why a solid two hours of productivity flies by surprisingly smoothly with him. If you asked him a question, he answered. Told him to do something, he’d say something snarky, and then do whatever it is you’ve instructed anyway.

It all went so perfectly up until he let out a really heavy sigh, “Alright, I’ve had enough for this.” Sukuna says casually.

He’s been repeating a similar phrase every thirty minutes or so but he usually gets right back to work after getting ignored by you. This time though, you get the feeling he’s serious when he pushes your laptop off of his lap and places it forward on the coffee table.

It’s then that you frown, “Oh c’mon, we were getting so much done,” You comment as you glance back to him.

He shrugs, “I can’t keep looking at that damn screen, it’s giving me a headache.”

“Of course it is,” You utter sarcastically, rolling your eyes whilst you place your pencil down and throw your arms up to stretch, “Fine then, we can take a break.”

Sukuna’s brows lift in surprise. He didn’t expect you to listen to him, “Good.” He hums, “I was getting bored as well.”

You scoff, “Were you?”

“Yeah, can we do something else?” He asks.

Turning around, you rotate the way you’re sitting so that you’re facing him and your back is resting against your coffee table. “Like what?” You muse, meeting his low-lidded gaze.

“Talk,” Sukuna says.

That’s it? He wanted a break to talk to you? Your eyes are narrowing at him before you even realize, “Talk?” You repeat with a scoff, “Seriously?”

He nods, “Mhm.”

“What do you wanna talk about, Sukuna?” As you ask him that, you watch the way his eyes casually slide down to your lips.

Does he mean to be this indiscreet with his looks? Or is he eyeing you down like that on purpose?

The man shrugs, “Anything outside of fuckin’ school.”

You laugh at that, “Okay, I can work with that.”

He tilts his head at you and licks his lips, “Yeah?” Something about your little laugh threw him off. 

“Mhm,” You hum as you look down at your hand, fiddling with your nails a bit, “The rumors… are they true?”

Thrown off yet again, Sukuna’s brows pinch together. “Rumors?” He echoes in a genuinely confused tone, “What rumors, woman?”

The sound of your scoff makes him stiffen in his seat. Almost in an instant, the atmosphere had changed suddenly. “C’mon, don’t play dumb,” You tease, lifting your gaze to him again, “The rumors about you.”

He gives you a perplexed look and it’s almost as though you could see the gears in his head turning. “If you know something, say it.” He demands.

You sigh, “Sukuna, do you seriously hear nothing people say about you?”

Sukuna shrugs, “I don’t care enough to remember. So what is it? What rumor?”

You’re just curious. You swear that’s all it was. And, naturally, since he seemed to have warmed up to you— of course you wanted to know if that rumor about his dick was true. You’re both adults and it’s just a silly question. Plus, with the way he’s been looking at you all afternoon, you’re sure he won’t mind answering you with a simple yes or no.

Glancing to the side, your shoulders lift a bit, “It’s uh, rather intimate.” You hush out.

Sukuna narrows his eyes at you, “Intimate?? An intimate rumor about me?”

His emphasis on himself makes your eyes flick back over to him. “Yeah, are you sure you don’t know what they say about you??” You ask again.

“Positive. Now speak, what is it they say?” Sukuna huffs impatiently, even more curious about this little rumor after the mention of it being intimate. After all, he’s never-

“People say you have a big dick,” You utter way too casually.

So nonchalantly that it makes him choke, a choke you don’t mess with the way he clears his throat and sits up a little. “What?” He rasps out.

You bat those stupidly false innocent eyes at him, “I didn’t stutter,” Your tone dips into something different and he catches every bit of it, “People say you have a big dick, is it true?”

Sukuna clears his throat and for the first time, he glances away from you. Then, he opens and closes his mouth, contemplating his next words carefully before they soon fall from his lips, “You wanna find out?”

His offer spurs a shift in your seat from you as you scoot closer to him ever so slightly, “You wanna show me?” You ask boldly, your tone direct, and not even a flicker of hesitation present.

“Do I want to-,” Sukuna pauses, his eyes scanning the entirety of your seated frame as you inch closer to him, “What?” He huffs, swallowing thickly.

You move to stand on your knees and lean forward to the couch, soon propping your chin up on your palm as you look at him, “Show me,” You chuckle, “I asked if you wanted to show me, Sukuna.”

He blinks, “Show you my cock?”

You shrug, “Yeah.”

The air is so thick right now, Sukuna’s not sure how exactly he can play this off without making a fool of himself. He gulps yet again, only to watch as your eyes start to drop down along his body.

“Stop,” He rushes out, “Keep your eyes up here. On mine,” He commands in a low tone, earning your gaze once more.

And then it’s quiet for a moment. He’s staring at you and you’re obediently keeping your eyes up on his. Sukuna hates it but he doesn’t know what to say or do from here. The last thing he wanted was for you to find out his little secret. 

It’s like he was waiting for a fucking pin to drop, something to break the silence. Yet, his mind was going blank and words were failing him at the moment. He’s flirted with women before, plenty of times actually, effortlessly even— but for whatever reason, as you sit there with those stupidly pretty eyes staring at him, his mind simply flakes on him.

He’s like that for a minute longer until you move. So subtly too, sliding a hand to his thigh, leaning forward slightly, batting your lashes at him, “Sukuna?” You whisper.

His hips are rolling upward slightly at the sound of his name alone. “W-What?” He stammers, mentally cursing himself a thousand times over.

“If you don’t wanna show me you can jus’ say no,” You hum, smiling a bit, “Y’know that, right?”

He scoffs, “Of course I know that, woman.”

“If you know that then…” Your fingers lightly squeeze his thigh and you tilt your head, “Are you gonna tell me or show me whether or not those rumors are true?”

Something simply clicks inside Sukuna’s head. Rose-tinted lips cracking into a smirk, the man spreads his legs further and slouches back into the couch, “Find out for yourself since you’re so curious.”

Your eyes go wide, “What?”

Sukuna scoffs lightly, moving one of his arms from the back of the couch and placing his hand over his crotch. Of course, your gaze sinks down to his veiny hand, watching as he palms a stupidly large bulge in his sweats.

Your breath hitches a bit, “I-I-“

You don’t even get the chance to get it out before he’s cutting you off, “C’mere,” Sukuna hums in that low voice of his.

“What?” You whisper.

You and him make eye contact again and he nods his chin toward the space in between his legs. Nothing can really explain why you follow his gesture and quickly find yourself sitting in between his legs, taking a deep breath as you settle your hands on his thighs.

Sliding your touch up and up and up until your fingers graze his hand. The same hand that was resting on top of that aching bulge of his.

Sukuna slowly lifts his hand up and away, relaxing his arm on the back of the couch again as he stares down at you. Cocking his head to the side, “Well? Feel it.” He huffs.

You don’t even hesitate. Trailing your fingers upward carefully until you feel the outline of his cock beneath your fingertips, gulping as you drag your hand up to cup his length in your hand firmly, and smirking at the way his cock twitches furiously beneath your small touch.

Sukuna’s mouth falls open for a second but you’re too engrossed in feeling him to notice. He lets out a shuddered breath as he watches the way you grope his steadily growing erection. His head even tosses back and his fingers dig into the couch for a moment.

“It is big,” You whisper to yourself, your words only making him twitch more within your hand.

“Fuck,” Sukuna grits out lowly, hips unconsciously lifting to press himself further against you.

His curse earns your attention. You quickly glance up to him and see the way he’s got his head tossed back, Adam's apple bobbing with every heavy gulp he takes, and his chest rising and falling rather quickly.

You lift your hand carefully and decide to test something out. Slowly, you lean forward and just barely press your lips against his clothed cock.

Sukuna’s whole body reacts. He gasps louder than he means to and he’s weaving his fingers through your hair faster than he realizes, palming your scalp as he quickly looks down at you. “T-The fuck are you doing? Huh?” He huffs while gripping onto your hair.

You lift your head a bit but he keeps you in place, despite his question to you. “I just…” You’re not exactly sure you can explain yourself.

And by this point, Sukuna doesn’t think he cares enough to hear an excuse from you, “…You what? You wanna see it?”

All you can do is give him a little nod before he moves his free hand to the drawstring of his sweatpants. Then you're quick to help him tug them down until his boxers are revealed to you— a noticeable dampness in the fabric right where his leaking tip is. Was that because of you?

Before you can dawn on your own questions, Sukuna’s moving to tug his cock out. And fuck is he even bigger revealed before your eyes. With an upward curve, such an angry flushed tip, precum dripping from the slit of his fat cockhead, veins decorating his shaft and-

Shit, you were drooling. How’d you get like this again?? Ah, who cares?

“Sukuna,” You breathe out, ripping your eyes away from his cock just to look up at him.

He was almost panting, dark maroon eyes pouring down into yours, face flushed with different shades of red and pink, his lips parted softly— hell, he looked like he was in heat or something.

Gulping before he answers you, Sukuna clears his throat and his voice is already husky, “What?”

You shift against the floor, your hands relaxing against his large thighs, “Can I-“

“Yeah,” He cuts off. Lord knows if you got that question out he was going to lose his damn mind.

You raise a brow and lean forward, keeping your eyes on his while your lips near his tip, “Yeah?”

The last thing you get from him is a nod before you’re parting your lips. And from that moment forward, it all goes downhill. Everything from the way you’re sitting in between his legs to that initial connection of your plush lips against his drooling cock had Sukuna’s mind spinning.

He’s never been sucked off before. Hell, the farthest he’s gone as far as sexual activities are concerned is a little bit of dry humping. But this? Oh hell, this was his first time and he had zero idea how he was going to keep that information away from you.

Especially when he feels your tongue slip from between your lips and swirl around the head of his cock, kittenly lapping up that slim layer of precum sitting so prettily on his tip. 

“Oh f-fuuck,” Sukuna groans huskily, the hand on your head gripping tighter.

You pull away from him slightly just to take in his expression and the way he tosses his head back. It was almost cute to you. The last thing you expected was for him to be so damn sensitive, you hardly did anything.

His sensitivity only worsens as you finally start wrapping your lips around his cock, feeling him throb when you sink your mouth down on him. Sukuna’s jaw goes slack and his brows twist up. He tries his best to hold it in but he can’t help but moan at the way you leisurely suck on half of his lengthy cock.

Your saliva wets up the rest of his shaft and you make up for what your mouth hasn’t reached yet with your hand, stroking him lightly whilst you take the rest of his girth in and out of your mouth. Rolling your tongue around him, pulling off just to messily spit and kiss on his blushing tip, and slobbering all over him— Sukuna almost fucking kicked something with how good your mouth felt around him.

He’s used his hand and other shit before but holy fuck, nothing, and he means nothing compares to that damn mouth of yours. The way you look with his cock stuffed right in between those lips he’s been staring at for God knows how long— your lips all slick with spit, eyes rolling back the deeper you take him, and tongue sticking out every time you pull your mouth off of him.

You soon slip your mouth off of him and start jerking him off, focusing your tongue on his tip and slithering the wet muscle in between the slit of his cock, lathering your tongue up with his glistening precum. 

The sound of Sukuna groaning makes you look up at him, finding his eyes on yours again. He’s panting, trying his best to look like this wasn’t phasing him but failing in every way with how flushed his face was. 

Your tongue sticks out and your hand continues to slide up and down his cock as you tap his tip on your tongue, making his brows twist up. 

He bites back a throaty sound, “Hah… damn brat,” Sukuna huffs out as if to… degrade you? 

You almost find it cute how clearly inexperienced he is, spitting a fat wad of spit onto his pretty wet tip and then smiling at him, “Sukuna,” You coo, your hand gripping his shaft tighter, “Is this your first time?”

He instantly looks off to the side, the veins in his neck and along his jawline tensing as he grits his teeth. Since he decides to ignore your little question, you take it a step further and slide your hand down his cock, gripping his thick base firmly before taking him into your heavenly warm mouth again.

His expression breaks completely, “Oh shit,” Sukuna moans, his hips bucking up into your mouth as you slide him deeper into your mouth than you did before.

Then his hand is pushing your head down further on instinct and he’s subtly rutting his hips up. You lift your head up despite his constant pushing, soon causing your head to bob up and down whilst you suck him off skillfully.

“Jus’ like that,” Sukuna suddenly groans and you moan around his cock in reaction. To which he keeps giving your mouth mindless little thrusts, “Don’t s-, agh, stop.”

Sucking him deeper and deeper before you move your hand completely, you suck in a deep breath of air through your nose, open up the very back of your throat, and sink all the way down, your lips meeting his pelvis as your eyes roll to the back of your head.

Sukuna kicks something. Probably your coffee table with the way one of his legs extends out so suddenly, a choked-out groan ripped from his throat as your little move was all it took for him to cum. And it’s so much too, hot thick ropes of cum spurting down your throat, his hand holding onto your head for dear life whilst a moan of your name rolls off his tongue.

You’re still sucking too, pulling up only to swallow what he’s gifted you and then stick your tongue out. Laying it flat against his tip, you leisurely lick at him as if to beg for more and now the man’s pushing your head away for the first time.

When you lift your eyes up to him again, you notice he’s got his tattooed arm over his mouth and his lashes are batting softly at you. For such a big man, he was so ridiculously cute right now. Panting, sweating, cursing under his breath as if you couldn’t hear him.

“Yeah,” Sukuna utters suddenly, clearing his throat, “That was… my first… time. I uh-“

“Do you want more?” Is the last thing you asked him before you were sitting back on your heels and he was stumbling to his feet.

You had to guide him through it of course but, Sukuna doesn’t hesitate to stuff your face full of his cock again. You take him so kindly too, obediently sitting there with your hands gripping his thighs for support with every careful thrust of his hips.

He was trying to be gentle with you at first. Partially because he didn’t know what the hell he was doing, and also because he just loved the initial entry into your mouth. Over and over, Sukuna slid his dick in and out of your mouth like he was possessed, addicted to the feeling of you greedily sucking on him.

He was still sensitive from his first orgasm but his cock had yet to go down— twitching inside that sloppy mouth of yours, aching against your tongue, and dripping into the depths of your throat. Sukuna wasn’t much of a talker but he damn sure let out a plethora of grunts and groans.

They were so husk too, coming from deep within his chest, some getting caught in his throat when he felt your tongue flick against a specific vein on the underside of his cock. His fat tip knocked into the back of your throat with a single heavy thrust before his hands were latching onto the sides of your head.

Again, he’s not much of a talker but, something seems to come over him all at once because soon he’s got his gaze locked down on the messy sight of you and he’s huffing out words before he realizes. “Eyes up here, c’mon, hah… look at me,” Sukuna grunts.

Your eyes are completely glossed over as they flutter up to him. A moan vibrates against his skin as you make such intimate eye contact with the man, feeling his hips pick up.

Sukuna nods, “Good girl,” He praises in a low purr, and fuck does that do wonders for you because your legs are squeezing together more than they were before and you’re whining against him. “Fuck, y’like that?” He huffs, earning a sloppy lil’ nod from you.

He then feels you hum, “M-Mhm.” And he’s got chills slipping up his spine in pleasure.

Cracking a lazy, lopsided, and almost fucked-out little smirk, Sukuna scoffs, “Yeah? Fuck, behind all those g-glares ‘nd-, agh, scolding me… this is all you wanted, hm? A throat full of cock?”

His words had you whining again, fluttering your lashes at him as your fingertips dug into his thighs a little. Sukuna eases his hips back slowly, tipping his head to the side as he gently caresses the side of your face with his thumb.

“Messy girl,” He hums deeply, biting his lower lip at the way you’re just drooling for more and more as he pulls himself out of your mouth completely. “Jus’ look at this face,” Sukuna chuckles, “Y’look like a slut cryin’ like that— it’s cute.”

Blinking, you hadn’t even realized you had a tear or two sliding down your face. Your mouth remains open for a second before he moves to rub his tip against your plump lips, smearing your spit and his cum all over the damn place with a little grin on his face.

“‘Kuna…” You whisper, earning a quirk of his brow, “I can’t believe you’re a virg-“

“Don’t finish that sentence,” He grunts, moving a thumb to your chin to widen how open your mouth is for him, “Jus’… keep sittin’ there lookin’ pretty f’me,” Sukuna says.

You roll your eyes at him and all he can do is smile, pushing his hips forward again and easing his cock in between your lips. He slides in slowly until you can feel him pressing right against the back of your throat. To which he keeps himself there for a second, testing that gag reflex of yours and watching your eyes water.

Moving his hand back to the top of your head, he buries his fingers in your hair, “So fuckin’ sexy like this,” Sukuna compliments, feeling you moan in response, “M’gonna cum again, stay j-just like that,” He breathes out heavily, his eyes rolling to the back of his skull before he’s throwing his head back.

And as if to coax his orgasm out, you carefully move a hand to cup his balls, sucking on his cock as best as you can and earning an accidental sound from his throat. The second your palm is felt against him, the moment he feels your tongue slicking against him, Sukuna whines.

Then his thighs are tensing and he’s groaning loudly as if to cover up the sound that just left his lips, filling your throat with his seed and then tugging your mouth off of him with a quick pull of your head. You’re quick to swallow for yet a second time, letting out a needed cough after the fact while he stumbles back just a bit, his calves hitting the couch.

“Vixen,” Sukuna growls.

You clear your throat and send a smile his way, “Not my fault you cum easy.”

Sukuna’s slow to sit back down on the couch to catch his breath, “Tell anyone about this ‘nd I’ll-“

“Oh,” You suddenly purr, cutting him off as you lift yourself up from the ground. He watches with slightly widened eyes as you move to straddle him, “Don’t tell me you thought we were done?”

He’s at a loss for words all over again, his confidence suddenly getting caught in his throat and flying out the window. Your hands slip to his broad shoulders and you lean forward a little.

Sukuna’s hands shakily find their way to your waist as he stares up at you, “You want more?”

You smirk, tilting your head at the dumbfounded male, “Don’t you?” You ask in a sultry little whisper, making his sensitive cock twitch once more. “At the very least…” Your lips slowly near his and he’s losing his breath, “Taste yourself, Sukuna.”

And then your lips are on his and he’s taking your tongue into his mouth. His grip on your waist tightens before he pulls you flush against him, feeling your crotch press right against his cock that’s steadily twitching back to life.

The two of you share a heated and messy kiss, your hips carefully swaying against him to encourage his returning arousal. You can’t really use curiosity as an excuse anymore, can you?

Well, you can. And you do with the way your hands slide down to his chest, your fingers slipping over his nipples to find exactly what you’d been curious about. You flick your fingers over his piercing there and Sukuna lets out a low hiss, prying his lips from yours and sending you a glare.

Not only did that little move of yours make his cock spring up completely but, you also notice the frown on his face.

Smiling at him, “Sukuna…”

“Don’t.” He huffs.

“You have nipple piercings?” You end up asking anyway in a happy little tone.

He grits his teeth slightly, “…Obviously.”

Chuckling, you press a soft peck against his lips and whisper, “Can I see them?”

“No.” He replies.

Part two.

[ridingthatd]

₊˚‧₊˚. SUKUNAS DESIRES

₊˚‧₊˚. sukunaxfem!reader, nsfw, heavy smut, sukunas little whore, sukuna being nasty, its really nasty

who thought you'll be stuck, in a snow storm, no where to go other then a obendent cabin that can barely keep you warm, freezing to death with your master- the master you despise the most, the one who you can't even look at without have an urge to punch the shit out of him, it's not like he was annoying or talkative-

it's just he was bossy- bossy without even trying to be, for some reason everyone seem to follow what he says without a second thought. at the same time you can't blame them after all he's the one and only- the king of curses, the man who lived for hundred, and thousands of years. it annoys you that no one can do anything to stop him or even as much as think about stopping him because this is how much fear he holds against everyone, he took over your little village, shredded everyone into pieces just because. shredded your soon to be husband just because.

yet here you are sitting on the cold wooden floor, bones shaking, just because your stupid ass decided to go out look for a special kind of plant- so you can make money, since you're barely surviving with the amount you have right now, but that isn't what bothers you- what bothers you is sukuna who decided to follow you just because.

who decided to lead you into a cabin since he can sense a storm coming just because. you take a glance at the man who's sitting at the opposite side of you, legs and four of his arms folded, eyes closed, you glare a him, why is he even here.

"quit glaring at me little human" sukuna growls out, clearly not happy about the way you're staring at him. he open all of his eyes to stare at your shakey figure and he frowns.

"do all human get this cold easily?" he says horsely his voice is harsh- maybe it's because you rarely hear him talk, all he needs to do is glance at anyone and this would do the talk for him. you stop yourself from rolling your eyes, he's probably here to watch you freeze to death, finding it entertaining to watch you die. but his next words had you widening your eyes that they might fall out.

"or is it just my delicate little flower?" sukuna causally speaks out, as if those words are not surprising- like he's used to saying it. he raises his eye brows at your shocked expression clearly not catching on what's so amusing.

he lazily trail his eyes up-down your trembling body, before his four arms open, he uses two of his arms to slowly un handle his kimono rob, and let it fall losely around his hips- only exposing his upper half.

you stare at him dumfounded, but horrified at the same from how big his body is- he had huge board shoulders, muscles ripping every part of him, you can't help but stare at his perky pinkish-red nipples, slowly trailing your eyes down to his hairless body, you were used to man having chest hair- but he did have a hair trail connecting his belly button down to the v line of his lower body.

sukuna keep his four arms open toward you as he huskly speak out-

"get over here foolish little human" this is why his arms were spread out, inviting you to his shirtless warm embrace.

"are you going to get your pretty ass here human or do you wish to freeze to death?" he tsk at you, clearly not happy about you making him wait- the gears in your brain turn around and you think about the situation you're in- you were few minutes away from becoming a frozen dead body so you clearly had no other option then to take the king of curses offer.

you slowly crawl your way to him, on all fours to cold to stand up- but what you didn't realize is that, it brought pleasure to sukunas brain, his two cocks spring out proudly, he peers down at you, looking so submissive crawling on all fours to get to him, your full round ass peeking out, swaying as you make your way toward him.

once you get close enough, sukuna stretch his two arms to reach you and place you directly on his erection- but you were to innocent to know what they were- while the other two arms tug you into his chest, just to envelope you in his kimono and tie his rob again.

you sit here to stif not knowing what to do because your whole body was pressed against his warm one, you can feel his perky nipples brush against your own, which make them intentionally harden to.

sukuna is enjoying this so much- so much that his cocks throb, twitch, leak, he couldn't help the purring that left his chest. you clearly feel him purring because your face is completely pressed against his neck, to your surprise it doesn't scare you- to your surprise it does nothing but relax you.

the blowing wind hitting against the windows of the cabin, the warmth of sukunas chest and the two warm things throbbing and twitching behind your thighs, seem to make you lose focus, slowly drifting into drowsiness, can't help but snuggle your face deeper into his neck- taking a deep breath of his smell, you can't help it when you take a glance at his perky nipples they looked so suckable so you leaned in sucking gently on one of them,- to your surprise it only makes sukuna growl and purr louder, so you back off staring at the string of spit you left and you give your attention to his other nipple.

you can feel two of sukunas hands gently stroking your hair, and down your spine, while the other two make their way toward your huge thighs, and plumpy perky ass, you let out a small whine once you feel sukuna grip your ass hard.

"shhh my little human, let your master keep you warm" he coo at you his other two arms still gently petting you, you intentionally move your ass toward his ragging cocks, and sukuna growls gently take your ear between his teeth, biting and sucking on it.

you didn't know why but you felt wet, and tingly down there, so bothered like you wanted some relief, so you start rubbing your thighs together for some fraction-

"feeling needy my little pet? is your sweet little cunt feeling empty?" he whispers darkly in your ear, you suddenly feel one of the warm things that was twitching on your thighs, brush against your tingly wet cunt- you whimper it felt so good that out of relfex you started rubbing on it, liking the feeling of how it was throbbing on your cunt.

sukuna let out a groan as his other cock start rubbing on your ass, while the other was being dry humped by your wet pussy, he can smell your strong arousal and it was driving him crazy- he was drunk on it as his hands trail up your kimono and find your drenched panties.

"i- i need to pee master" you embarrassingly mutter out, not being able to continue the feeling, not wanting to pee on the king of curses.

sukuna chuckles at how innocent you were, of curse at such lowly village they didn't teach woman about sex, they only teached the most important part about it, but they didn't tell you about orgasms, or about how good it felt.

he harshly rips your kimono open and throw it somewhere, leaving you only with your panties on, he stares at your nipples hungrily wanting to feel the hard bud against his tongue so he does, he takes one fat nipples into his mouth while his other hand knead at your other nipple.

you still and moan out, eyes rolling at the new sensation, thighs shaking, arching your chest against his face.

sukuna moans as he feels your wet juice drip down to his clothed cock. "aha you dirty little human, did you cum just from getting your nipples sucked? did you cum on your masters cock?".

you were to out of it, to even make out what he said, but sukuna didn't care as he tug his two throbbing, leaking cock out, stroaking them both together, groaning and growling at the sight of you so fucked out.

"Will you let me give the curses a queen, then?" Slowly, maddeningly slowly, he began to prod that cockhead into your folds.

an animalistic growl left the king of curses clearly getting off at the idea, he can spill his seeds in you, from the idea of having you as his, his queen. "sit on your throne, my queen."

and with that, sukuna forcefully impaled you on both his cocks so hard that you blacked out.

you startled awake, feeling intense pain and pleasure, feeling so stuffed that you can't breath- then you snap out whimpering and whinning, as you look around eyes half opened you can see, sukunas face- but he looked more animalistic then he did before, growling and groaning as he lean in to suck on your bouncing boobs. wet clapping noises filled the cabin, as sukuna tug you up and down his cock, filling you with not one cock- but both of them at the same time.

he can't help but roll his eyes from pleasure, as he takes a glance at your stretched out cunt, so red, so puffy, so tight, gripping so hard into his cocks as he plug them in.

"look at you! look at you taking my cock- no both of them, my beautiful fuck toy, created for the purpose of pleasing me!”"he growls out, the only sounds were his groans that were drowned by the sound of his cock being clenched tightly around your cunt, by your juice spilling out and coating his cocks, while his balls smacked on your asshole. 

“my queen's job is to obey me and to give me heirs… so when your king says cum for him, my queen had better cream all over my fucking cock, do you understand me?”

you screamed in this snow storm, knowing no one will be able to rescue you from the beasts cocks of his, that are tearing through you, ripping you apart as they rip an Orgasm out of you, making you squirt all over him, coating his kimono with your sweet honey.

"cum again hard now", came the low growl of a whisper.

you didn't know what came over you, you wanted to be submissive to him, you wanted to please him, you gave Sukuna exactly what he wanted. you squirted all over his cock again, it made a loud embarrassingly wet noise, the power of your orgasm was made more intense by the fact that the king of curses didn't slow down his inhumane thrusts into your very abused cunt… if anything, he began yanking into you harder, faster. 

there was an insane glint in his eyes, and with every thrust he made sukuna’s growls and grunts began to turn into laughter. 

cruel laughter, pure evil, like he was given the thing he wanted the most in this world.

then he filled you, his cum filling you so deep that you black out again, this time you didn't wake up in the cabin but in a bed whom belongs to the one and only- the king of curses.

₊˚ʚ ᗢ₊˚✧ end ₊˚ʚ ᗢ₊˚✧ ﾟ

[the-light-of-stars]

.

[elisabethdeep-blog]

Gotta make a post about my best DunMeshi neurospicy boi

Lotta content out there about Laios' autistic traits but where o where is the Senshi rep?

Senshi's dedication to Dungeon trophic systems makes Laios' special interest look like a well-thumbed pamphlet. (Granted Senshi has had significantly longer to cook; Laios is a baby).

Senshi's limited emoting is baked-in to his character model- that thousand yard stare, most of his face occluded by his habitual helmet (masked, even...... How many folks pine for covid masks obviating the need to manage their faces constantly?)

He overheard someone mention his special interest and Walked Right Up to a Group of Strangers to brazenly asplain them a thing. Marcille makes a bridge-mending bid regarding the mosses in the scorpion hotpot (after her previous truculent outbursts) and he totally deadpans her, because he didn't even notice.

He is VERY COMMITED to his ethical position on dungeon ecology. More than once he's disrupted Marcille Right at the point of release of a spell, after she's been chanting for like a paragraph, because she's going to contravene some principle of his.

Also

Speaking of Marcille, he demonstrates some pretty rigid, black-and-white thinking around magic, that doesn't seem internally consistent. He's repeatedly reanimating magical constructs (golems), an explicitly controlled magical act, but is Very Very reluctant to submit to being charmed with WaterWalk; his spoken reasoning about this just doesn't hold water.

Oh and he's totally neglected his personal hygiene for basically ever. He's averse to cleaning up for the sake of being bespelled, but other than magic, seems fine with getting the salon treatment. This isn't a Toph Beifong 'protective layer of earth', he's just forgotten to care about not being covered with monster gore.

PDA? The fellow has one (1) social skill, namely, he exercises any discretion on opening his mouth to argue. But that holds him back exactly NONE when he decides he's done listening. The first time we see this is gathering Mandrakes, when he doesn't SAY he's done with Marcille's opinions, but he Does just go ahead and exercise his damn autonomy. a MUCH stronger example is when Chilchuck is guiding them through the trap rooms. Senshi gets roundly (and rightly!) chewed out by Chilchuck, and his response isn't the sensible 'sorry Chilchuck, maybe I could walk more directly behind you so I can more closely match your steps', but to BRAZENLY DANCE ALL OVER THE TRAP FLOOR! the only reason that doesn't kill the whole party is The Plot. It's not even that he doesn't appreciate Chilchuck's skill- he just don't like getting chastised! Same with Anne the Kelpie! Senshi's gonna do what Senshi's gonna do! He WILL not be rushed, he WILL not be chastised, he WILL not be directed! How do we think he came to be living in a dungeon all by himself in the first place!!

AND THE BREAD!

THIS IS NOT THE DEMAND OF A NEUROTYPICAL DWARF

Look there's more. After Chilchuck's impassioned and heartfelt plea, Senshi suggests they should return to the surface because they're 'low on seasoning'.

He's a dwarf who turned his adamantium shield into a cookpot.

He can meticulously maintain his mithril cooking knife but not his axe.

He responds well to other characters meeting him halfway but initiates few (no?) such bids himself. There's rarely any guile in Senshi, and when he is being shifty, he's Bad At It- and again, usually its in service of demand avoidance, like when he capitalises on Marcille's toilet break to reanimate his golems.

Senshi is the monomaniac that society has spent Decades trying to iron out of my wrinkly brain.

I hope to see him also find a place in the neurosparkly constellations.

[cripplecharacters]

Writing Intellectually Disabled Characters

[large text: writing intellectually disabled characters]

Something that very rarely comes up in disability media representation are intellectually disabled characters. There is very little positive representation in media in general (and basically none in media meant specifically for adults or in YA). I hope this post can maybe help someone interested in writing disabled characters understand the topic better and create something nice. This is just a collection of thoughts of only one person with mild ID (me) and I don't claim to speak for the whole community as its just my view. This post is meant to explain how some parts of ID work and make people aware of what ID is.

This post is absolutely not meant for self diagnosis (I promise you would realize before seeing a Tumblr post about it. it's a major disorder that gets most people thrown into special education).

Before: What is (and isn't) intellectual disability?

ID is a single, life-long neurodevelopment condition that affects IQ and causes problems with reasoning, problem‑solving, remembering and planning things, abstract thinking and learning. There is often delay or absence of development milestones like walking (and other kinds of movement), language and self care skills (eating, going to the bathroom, washing, getting dressed etc). Different people will struggle with different things to different degrees. I am, for example, still fully unable to do certain movements and had a lot of delay in self-care, but I had significantly less language-related delay than most of people with ID I know. Usually the more severe a person's ID is the more delay they will have.

Intellectual disability is one single condition and it doesn't make sense to call it "intellectual disabilities" (plural) or "an intellectual disability". It would be like saying "they have a Down Syndrome" or "he has autisms". The correct way would be "she has intellectual disability" or "ze is intellectually disabled".

Around 1-3% of people in the world have intellectual disability and most have mild ID (as opposed to moderate, severe, or profound). It can exist on its own without any identifiable condition or it can be a part of syndrome. There is over a thousand (ranging from very common to extremely rare) conditions that can cause ID but some of the most common are;

Down Syndrome,

Fragile X Syndrome,

Fetal Alcohol Syndrome,

Autism,

Edwards Syndrome,

DiGeorge Syndrome,

Microcephaly.

Not every condition always causes ID and you can have one of the above conditions without having ID as long as it's not necessary diagnostic criteria to be met. For example around 30% of autistic people have ID, meaning that the rest 70% doesn't. It just means that it's comorbid often enough to be counted as a major cause but still, autistic ≠ intellectually disabled most of the time.

A lot of things that cause intellectual disability also come with facial differences, epilepsy, mobility-related disabilities, sensory disabilities, and limb differences. A lot, but not all, intellectually disabled people go to special education schools.

Intellectual disability isn't the same as brain damage. Brain damage can occur at any point of a person's life while ID always starts in or before childhood.

"Can My Character Be [Blank]?"

[large text: "Can my character be [blank]?"]

The difficulty with writing characters with intellectual disability is that unlike some other things you can give your character, ID will very directly impacts how your character thinks and behaves - you can't make the whole character and then just slap the ID label on them.

Intellectually disabled people are extremely diverse in terms of personality, ability, verbality, mobility... And you need to consider those things early because deciding that your character is nonverbal and unable to use AAC might be an issue if you're already in the middle of writing a dialogue scene.

For broader context, a person with ID might be fully verbal - though they would still probably struggle with grammar, what some words mean, or with general understanding of spoken/written language to some degree. Or they could also be non-verbal. While some non-verbal ID people use AAC, it's not something that works for everyone and some people rely on completely language-less communication only. There is also the middle ground of people who are able to speak, but only in short sentences, or in a way that's not fully understandable to people who don't know them. Some might speak in second or third person.

Depending on the severity of your character's disability they will need help with different tasks. For example, I'm mildly affected and only need help with "complex" tasks like shopping or taxes or appointments, but someone who is profoundly affected will probably need 24/7 care. It's not infantilization to have your character receive the help that they need. Disabled people who get help with bathing or eating aren't "being treated like children", they just have higher support needs than me or you. In the same vein, your character isn't "mentally two years old" or "essentially a toddler", they are a twenty-, or sixteen-, or fourty five-year old who has intellectual disability. Mental age isn't real. Intellectually disabled people can drink, have sex, smoke, swear, and a bunch of other things. A thirty year old disabled person is an adult, not a child!

An important thing is that a person with ID has generally bad understanding of cause-and-effect and might not make connections between things that people without ID just instinctively understand. For example, someone could see that their coat is in a different place than they left it, but wouldn't be able to deduce that then it means that someone else moved it or it wouldn’t even occur to them as a thing that was caused by something. I think every (or at least most) ID person struggles with this to some extent. The more severe someone's disability is the less they will be able to connect usually (for example someone with profound ID might not be able to understand the connection between the light switch and the light turning off and on).

People with mild intellectual disability have the least severe problems in functioning and some are able to live independently, have a job, have kids, stuff like that.

What Tropes Should You Avoid?

[large text: what tropes should you avoid?]

The comic relief/punching bag;

The predator/stalker;

The "you could change this character into a sick dog and there wouldn't be much difference";

...and a lot more but these are the most prevalent in my experience.

Most ID characters are either grossly villainized (more often if they have also physical disabilities or facial differences) or extremely dehumanized or ridiculed, or all of the above. It's rarely actually *mentioned* for a character to be intellectually disabled, but negative "representation" usually is very clear that this who they're attempting to portray. The portrayal of a whole group of people as primarily either violent predators, pitiful tragedies or nothing more than a joke is damaging and you probably shouldn't do that. It's been done too many times already.

When those tropes aren't used the ID character is still usually at the very most a side character to the main (usually abled) character. They don't have hobbies, favorite foods, movies or music they like, love interests, friends or pets of their own and are very lucky if the author bothered to give them a last name. Of course it's not a requirement to have all of these but when there is *no* characterization in majority of disabled characters, it shows. They also usually die in some tragic way, often sacrificing themselves for the main character or just disappear in some off-the-screen circumstances. Either way, they aren't really characters, they're more like cardboard cutouts of what a character should be - the audience has no way to care for them because the author has put no care into making the character interesting or likable at all. Usually their whole and only personality and character trait is that they have intellectual disability and it's often based on what the author thinks ID is without actually doing any research.

What Terms to Use and Not Use

[large text: What Terms to Use and Not Use]

Words like: "intellectually disabled" or "with/have intellectual disability" are terms used by people with ID and generally OK to use from how much I know. I believe more people use the latter (person first language) for themselves but i know people who use both. I use the first more often but I don't mind the second. Some people have strong preference with one over the other and that needs to be respected.

Terms like:

"cursed with intellectual disability"

"mentally [R-slur]"

"moron"

"idiot"

"feeble-minded"

"imbecile"

is considered at least derogatory by most people and I don't recommend using it in your writing. The last 5 terms directly come from outdated medical terminology specifically regarding ID and aren't just "rude", they're ableist and historically connected to eugenics in the most direct way they could be. To me personally they're highly offensive and I wouldn't want to read something that referred to its character with ID with those terms.

(Note: there are, in real life, people with ID that refer to themselves with the above... but this is still just a writing guide. Unless you belong to the group i just mentioned I would advise against writing that, especially if this post is your entire research so far.)

Things I Want to See More of in Characters with Intellectual Disability

[large text: Things I Want to See More of in Characters with Intellectual Disability]

[format borrowed from WWC]

I want to see more characters with intellectual disability that...

aren’t only white boys.

are LGBT+.

are adults.

are allowed to be angry without being demonized, and sad without being infantilized.

are not described as "mentally X years old".

are respected by others.

aren't "secretly smart" or “emotionally smart”.

are able to live independently with some help.

aren't able to live independently at all and aren't mocked for that.

are in romantic relationships or have crushes (interabled... or not!).

are non-verbal or semi-verbal.

use mobility aids and/or AAC.

have hobbies they enjoy.

have caregivers.

have disabilities related to their ID.

have disabilities completely unrelated to their ID.

have friends and family who like and support them.

go on cool adventures.

are in different genres: fantasy, romComs, action, slice of life... all of them.

have their own storylines.

aren't treated as disposable.

don't die or disappear at the first possible opportunity.

...and I want to see stories that have multiple intellectually disabled characters.

I hope that this list will give someone inspiration to go and make their first OC with intellectual disability ! This is just a basic overview to motivate writers to do their own research rather than a “all-knowing post explaining everything regarding ID”. I definitely don't know everything especially about the parts of ID that I just don't experience (or not as much as others). This is only meant to be an introduction for people who don't really know what ID is or where to even start.

Talk to people with intellectual disability (you can send ask here but there are also a lot of other people on Tumblr who have ID and I know at least some have previously answered asks as well if you want someone else's opinion!), watch/read interviews with people who have ID (to start - link1, link2, both have captions) and try to rethink what you think about intellectual disability. Because it's really not that rare like a lot of people seem to think. Please listen to us when we speak.

Good luck writing and thank you for reading :-) (smile emoji)

mod Sasza

[inbarfink]

I'm pretty sure my very first post about 'Fionna and Cake' was about pointing out this line in "Fionna Campbell"

Is a reference to "I Remember You", where Marceline said that very same line to Ice King

At the time I just took it as another little bit of Foreshadowing for the connection between Fionnaworld and Simon.

But now that we've established a bit more about Cake's plights, and I started thinking more about this... I wonder if this line is meant to highlight the ways in which Simon's struggles under the Curse of the Magic Crown and Cake's struggles after having her Magic taken away from her kinda mirror each other.

You know, turning into Ice King took away Simon's mind and ability to reason (by pumping his brain full of Madness and Sadness) and his ability to communicate (by tanking his already-kinda-awkward communication skills) and even kinda took away his body.

And becoming an ordinary cat did all of these things for Cake as well - took away her mind and ability to reason (by giving her an intelligence closer to a regular housecat) and her ability to communicate (by making her unable to speak or even comprehend human speech)

And taking away her voice and the Stretchy body that is clearly the one she feels most comfortable with.

And ... so what happened in that scene back in IRY is Ice King, in the middle of writing a love song about Princess Bubblegum, suddenly has a moment of Clarity about how lonely and miserable he is. Enough Clarity to know that he's unfathomably sad and that there's something Wrong with him that's sabotaging all of his relationship - but not enough clarity to know what it is. So he just... has a total breakdown

Lashing out and throwing ice magic anywhere. Then Marceline, uncomfortable and worried about Ice King's behavior, tackles him and says the Line.

Meanwhile, in the first episode of 'Fionna and Cake'...

Both Fionna and Cake feel like there's something off about their lives, But Fionna can at least articulate it better as like, general ennui or a quarter-life crisis, rather than Cake's little housecat mind not really comprehending or capable of fully expressing what she's feeling at all.

Leading to concerning behavior such as her apparently not eating for the last three days.

And suddenly, she has her moment of Clarity. She sees these Portal Sparkles and she seems to know on some level that they'll do something good for her. Especially as she tries to shove her head in the ice

And later is shown obsessed with ice in general - even without the sparkles directly being around.

On some level, Cake understands the mechanics of the Portal Sparkles better than Fionna does - but on all other levels she's still a housecat and probably has no idea what is going on with her own mind as well.

And from Fionna's perspective she's just acting weird and spreading ice all over the house and lashing out at her in her confusion over her own feelings.

I think, perhaps whatever part of Simon's subconscious has subtle control over Fionnaworld noticed the similarities between Cake's situation and his own memories of being the Ice King - and thus, Marceline's old words coming out of Fionna's mouth.

The similarities don't end there, either. Cake and Simon both have to go through a lot grief with people still treating them as their old selves. General folks in Ooo treating Simon like Ice King

And Fionna's tendency to be overprotective of Cake even though Cake is now an incredibly OP shapeshifter and Fionna's still just an athletic human

And to speak for her even though she can speak for herself now

And sometimes kinda condescending to her about her own judgement

All make Cake feel, and not unjustifiably so, that Fionna still sees her as her old self, as a Housecat. She literally says so in the same episode where Fionna and Cake's friendship is tested the most.

And Cake's anxious desire to bring Magic into her world even after it was confirmed that she can at least stay as herself in Fionnaworld, I think that's also a mirror of Simon's anxieties. Simon felt like he, an ordinary non-magical man, could never truly fit in within the wacky and magical world of Ooo

And Cake might've been afraid of the same being true in reverse about being a Magical Cat in the least Magical world in the whole multiverse. At the very least she must've been worried about being forced to pretend to be a non-magical cat again like Simon tried to make her do back in Farmworld.

(Remember how her failure to pull this off almost got her eaten?)

And in the end, the resolution to both of these mirror dilemma was... kind of the same? Well, sort of. Fionnaworld now has a bit more of the Magic and Weirdness in it but it's not like Simon made Mainworld Ooo less wacky. But even with that extra bit of Multiverse Wackiness going on in Fionnaworld now... if the Normal Guy can get along among the strange and magical creatures

The Magical Cat can get along with all the normal and mundane people.

[thestarsarebrightertonight]

can you write blaise zabini with "i can see you"?? where him and reader only ever talk during social events outside of hogwarts (blaise's mom's multiple weddings, pureblood balls, formal parties and stuff) so during school year they basically ignore each other's existence and reader is sick of it. like, they're def not in a relationship or anything (yet) but blaise follows reader with his eyes all the time and everyone of his friends has noticed even tho he doesnt have the balls to admit to himself yet

(bonus if reader isnt exactly close to the slytherin gang but has casual conversations with each of them except for him)

i can see you // blaise zabini x fem slytherin reader

playlist: i can see you - taylor swift

summary: youve always been acquaintances with blaise zabini , just completely casual. so why does he always stare at you yet avoid speaking? you dont know why - and that frustrates you so much.

y/n used , fluff

tysm for this request its so good!! i hope you like it i tried my best <3

masterlist

"youre staring again." theodore stated simply , snapping blaise zabini besides him out of some sort of trance.

"what? staring at what?-" blaise stuttered.

"y/n of course , dont even bother denying it mate everyone with eyes can see you- even pansy and her eyesight is shit." theodore laughed as pansy smacked his arm and mumbled an argument.

blaise ignored the two and searched his whole brain for a way to deny and defend himself against the boys claims , he wasnt staring?! of course he wasnt why would he!

"and again , you just cant help yourself can you?" theodore chuckled as blaise was snapped out of another daydream. he hadnt even realised that his eyes had once again magnetised to you - at this point he did it so subconsciously even he didnt notice.

"why would i stare at-"

"y/n!" pansy said excitedly as you walked dangerously close past the group , pansys interruption having saved a flustered blaise the embarrassment of you hearing him.

"oh hi pansy!" you said with a small smile ,"what are you up to?"

blaises eyes darted everywhere but on you as you now stood infront of the group , he seemed to have a newly found interest in the floor.

well , of course blaise has talked to you before! youve talked at parties and gatherings outside of school but...in school blaise seemed to avoid you like the plague. and of course he hadnt noticed the amount of times you went to engage in conversation before he would run away.

"nothing much, lifes pretty boring when quidditch isnt on!" pansy said as you nodded in agreement , "but ill see you in herbology right- can you help me on my assignment?"

you nodded your head with a smile , "sure! i need to finish mine too."

"great , see you tomorrow then , bye y/n!" pansy smiled and waved and you began to walk away.

"bye panse! oh and bye theo , blaise!" you smiled and waved before blending in with the corridor crowd and you friend group.

blaise simply watched as you figure disappeared into the crowd , the only trace of your past presence being the blush that lit up his cheeks.

"see, simple as that. shes no saint blaise , you can communicate with the girl." pansy teased as blaise threw her a look.

"i do talk to her!"

"just not in school." theo added with a laugh.

"well-" blaises attempt to defend himself was cut short by his name being shouted down the corridor and the sound of pattering feet getting closer.

"blaise!" your voice called out , reappearing from the crowd.

the whole friend group gaped at you in surprise , coming up with no valid reason for you to be shouting the boys name and running over with such urgency.

"y-yeah?" blaise muttered once you were stood directly infront of him, breathing slightly heavily.

"i need to talk to you." you stated before grabbing his wrist and dragging him to the refuge of the nearest empty corridor.

whilst you pulled him the tall boy couldnt help his vulnerability and shyness , it always came naturally when he found himself around you in school. he didnt know why of course.

"blaise im just wondering if i did something?!" you let your words out like a long kept secret as you both stood in the silence of the hall , "i mean we talk at events and parties but you dont talk to me in school - you stare and then you stay silent! did i do something wrong because-?"

"no! no , merlin you never did a thing i just- i dont know i get....quiet." he muttered.

"quiet? blaise zabini you are far from a quiet person , i dont think there is a single moment in charms where you dont talk! its just-..its frustrating because i really like you!" your confession spilled out so quickly you caught yourself off guard, covering your mouth quickly.

blaise stared back in shock , studying your face for any hint of perjury in your words.

"im- im sorry...i dont do it intentionally! i think....that i like you too" he stuttered as you both blushed.

"well thank merlin for that because if you didnt id simply have to move schools." you laughed lightly as blaise smiled at you.

after a few moments of silence you tip toed up and kissed his cheek softly , making him smile.

"promise to talk more? maybe even go on a date?.." you asked hopefully.

"i think id have to be mad to remain mute when someone as perfect as you asked me not to." he smirked as you laughed , "a date sounds good - i promise to talk , but i cant promise not to stare, beautiful."

"wow a turn of events! i never thought my silent admirer could flirt so boldly!" you teased as his arms rested around your waist , pulling you closer.

"i can do more than flirt." he winked as you smacked his arm lightly , with a surprised giggle.

"sit with me at lunch?" you asked hopefully.

"sure , away from both our friends though." blaise added in annoyance making you laugh.

"oh 1000% the teasing would be relentless!" you added as blaise looked at you with slight shock.

"your friends tease you about me?!" he asked , you nod back.

"oh yeah , i think everyone saw you stare zabini, even me. i can see you yknow" you mocked , hinting to how you were all well aware of his constant fixation on you, blaise himself being the only person oblivious.

"shush." he said softly as you both laughed , his hand intertwining with yours before pulling you down the corridor and towards the great hall.

[tinalbion]

"You Reap What You Sow" ||

Part 2

𝐑𝐞𝐚𝐝 𝐏𝐚𝐫𝐭 𝟏 𝐇𝐞𝐫𝐞

𝐏𝐚𝐢𝐫𝐢𝐧𝐠: Cooper "The Ghoul" Howard x fem!Reader

𝐑𝐚𝐭𝐢𝐧𝐠: 𝐌𝐀𝐓𝐔𝐑𝐄! Mentions of death, decapitation, abuse (physical and mental), implied (but not mentioned) sexual abuse, manipulation

𝐋𝐞𝐧𝐠𝐭𝐡: 4.5k

𝐒𝐮𝐦𝐦𝐚𝐫𝐲: You had a bounty on your head and a familiar Ghoul has taken that bounty, so upon catching you, he escorts you back to the compound you escaped. Will you be able to convince him to let you go, or will it be for nothing?

© 𝟐𝟎𝟐𝟒 𝐓𝐢𝐧𝐚𝐥𝐛𝐢𝐨𝐧. 𝐃𝐨 𝐧𝐨𝐭 𝐬𝐡𝐚𝐫𝐞, 𝐜𝐨𝐩𝐲, 𝐨𝐫 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐞 𝐦𝐲 𝐰𝐨𝐫𝐤 𝐭𝐨 𝐭𝐡𝐢𝐬 𝐩𝐥𝐚𝐭𝐟𝐨𝐫𝐦 𝐨𝐫 𝐚𝐧𝐲 𝐨𝐭𝐡𝐞𝐫!

You were already exhausted with the sun so high up, causing your skin to feel as if it was melting, but you continued to make your way through the wastes beside your bounty hunter friend, and he hadn't been in a particularly friendly mood today. When you tried to ask him something, you were mostly met with silence, so you just dropped it altogether and continued to walk. As the sun began to sink again, you had distanced yourself from the Ghoul, wishing you had more of a plan to escape from his hold. 

Sure, he hadn't tied your hands together and pulled you along forcefully since you'd given him no reason to, but that didn't mean he wouldn't end up doing so at one point or another. He still kept a watchful eye on you and made sure to match your pace, ready for anything that was to happen. 

But neither of you was prepared for when two strange men approached you both from the left, catching you off guard as you hid behind the Ghoul for safety. He looked down at you, confused as to why you'd seek comfort and safety from him, but he hadn't given you a reason not to. 

“‘Scuse me, but we want that,” one of the men, the taller one, pointed directly at you. “Heard there was a bounty on her, and we ain't one to turn down some caps.”

The Ghoul scoffed and stared at them, obviously not amused. “She's already taken, as you can see, and I ain't got time to deal with lowlifes such as yourselves. Finders keepers.”

You tugged on the sleeve of his decaying duster and caught his attention. “Those two belong to the Condemned, the compound Axton is a part of, where I ran from. He probably sent them to kill you since you brought me this far, keep the money for himself…” You wouldn't have put it past the asshole, but You did recognize the two men even though you couldn't place their names or occupations. 

Upon hearing this new information, the Ghoul lifted his head and stared at the two men, reading the situation. “Well, my little friend here says you work for the asshole who put the bounty out, and I normally  don't have a problem with disposin’ of those who stand in my way, but now I feel downright disrespected with what's goin’ on here.” He placed his hand gently on the hilt of the gun and watched them both start acting nervous, their eyes darting back and forth from each other to the bounty hunter. 

“Look, either way, Axton is getting his little whore back, so–”

With speed you'd never experienced firsthand before, the man's head had exploded. Blood, brain matter, it all shot out and projected far as his now lifeless body crumpled to the ground. You jumped, your hands still holding onto the Ghoul's coat as his gun shifted over toward the other man. 

“Now, you got somethin’ to say against all this, or are you gonna run back to your compound and tell your man Axton that I better get what I'm owed?”

The man looked terrified and slunk back until the Ghoul had placed his gun back into its holster, then he looked down at you. “You're okay, girl, stand up,” he instructed, and you obeyed him. “C’mon, let's get you back before anything else decides to irritate me.”

You stuck close to the bounty hunter and although you could have easily done that yourself, the fear of seeing people that were under his pay, people that you've seen speaking with him, it caused you to freeze in the moment you needed to be clear-headed. As silly as it seemed, this man who was going to turn you back to where you ran felt like more of a safer option. 

“Mister Bounty Hunter… please, I'd rather not be given back to him…” You said, your expression was sullen. 

“Look, sweetheart, I ain't got much of an option right now, these chems you see me inhalin’? These keep me from goin’ feral, you understand? And that's where the bounty comes in, a man’s gotta survive one way or another. I got more important things to worry about right now, as awful as your situation is.”

You did understand, you wished you could have done something to make both your lives easier, but there was only one way to do that, and it would be easier said than done. Before you spoke up further about it, you felt a hard tug at your ankle and you went flying to the ground. 

You fell hard and let out a yelp, the Ghoul spun around and watched as the man who you both thought retreated had roped you by your ankle and was struggling to completely bind your legs together. You had been thrashing around, kicking and screaming at the man as you landed your foot against his jaw, but he reacted quickly and punched you in return. You were slightly stunned, but you had thrown your bag off your back and reached for the pistol in your pack, then shot him square in the neck. There would be no time wasted, you weren't one to take it lying down anymore. 

The Ghoul had stared at the scene in interest, a smile grew across his face as he walked over and rolled the limp body off your legs. “Well, seems like you're a little killer, huh?” He chuckled and removed his knife from its sheath, then cut you free of your half-tied bindings with one quick thrust of the knife upward. 

“I do what I can to get by, much like yourself,” you said, your voice a little shaky. “Thanks…” You stood up and dusted yourself off, then looked around before you grabbed your bag, gun still in your hand. 

“You're a curious one, you know that?” The Ghoul said, staring over at you. When you didn't answer and only greeted him with a puzzled look, he scoffed. “Had a gun the whole time and you didn't think to use it on me?” 

You looked away and slid your pack on, then you looked back at him. “Told you, I don't got a shot against you.” 

This made him laugh, he let out a belt of laughter and shook his head. “Been on this  planet for over 200 years and yet I can still be surprised.” 

His back faced away from the seemingly dead merc, but you took notice of the movement a little too late. The man lashed out toward the Ghoul, but you leaped at him and pushed him out of the way, your gun still in your hand, but the way the man threw himself had knocked you back. He plunged a knife deep into your shoulder, and you let out a howl of pain.

“Can't wait to see what he does to you, you bi–”

You brought your gun up to his head and blasted him. He dropped heavily into your lap, his blood splattered all over you, the ground, and your gun. 

You were shaking as the Ghoul got you to your feet, but you clung to him as if your life depended on it, you were just so tired of Axton and the bullshit he constantly put you through, and it finally caught up to you. You sobbed as you buried your face against your captor's chest, just wanting to live a life without Axton, but he'd haunt you until one of you died. 

“I'm sorry,” you groaned, the knife still lodged into your shoulder as you bit your lip. “Dammit.” You sniffled, wiped your face, and slid your pack off your shoulder carefully, hoping not to aggravate your wound. 

“Why’d you do that?”

“What, kill him?” You asked in confusion, tears still welling in your eyes while you dug for a stimpack. 

The Ghoul scoffed and looked at you in disbelief. “You pushed me out of the way, you fool,” he admonished. “You ain't got healing like I do, why'd you do somethin’ so stupid?” He placed some pressure on your wound and grabbed the stimpack from your shaking hand. “Breathe in,” he instructed. 

You did as he told you and that's when he administered the stimpack, then you winced at the pain of him pulling the knife out, but immediately holding the wound to slow the bleeding. You looked up at him with a small smile despite all that. “Thanks.”

“Don't pull nothin’ like that again, you hear me?” He began to help you dress the wound as expertly as he could, though he was a tad rusty with having to deal with mortal wounds. 

“What, you'll still get paid regardless. I'm only gonna get worse when I'm back there…” You looked down at the ground and felt the closeness you both shared, but you didn't comment on it. 

He was the first to pull away, but it took him longer than expected. “Come on,” he urged. He had nothing more to say, he had to think. 

More time had passed and you finally stood before the poorly constructed walls of the compound, and you were visibly distraught. “Mister, please,” you said as you turned toward him. You were no longer afraid to release the tears that threatened to fall. “I can't, you saw just a small sliver of what he's capable of, he will beat me senselessly, string me up. I just wanted freedom…” You looked back at the compound and tried your best to remain composed. “What if we take them out? All of them? I know the combination to his safe, I know where everything is stashed, I could help you.”

The Ghoul stood there in silence, listening to your words, words of desperation and bargaining. And as much as he wanted to simply ignore it, he knew he couldn't. Not anymore. You'd stuck your neck out for him, you'd not given him any trouble as he escorted you back, and somehow you managed to grow on him. How, he had no idea, but the sound of killing all these bastards seemed more than satisfactory. Killing them all so they didn't hurt anyone else like you, take their earnings, it all seemed fair, especially after sending someone to take him out and keep the caps for themselves. 

“Even if I were to entertain the idea, sweetheart, there ain't a guarantee you'll make it out of there. I can handle gunshots, you're gonna be a walkin’ corpse riddled with holes.” 

“I know their shifts. I paid attention when I was keeping track of when and who would be where. I can make it happen, I promise. Just please, help me take them down and you can help yourself to whatever you want.” 

The Ghoul looked away from you and brought his attention back to the compound, his eyes stared into the area as he mulled over your words. He let out a sigh, hung his head, and smiled a little. He was going to do this for a smoothie, a human, and for what? Maybe it didn't sit well with him that you took a stab wound for him, that he felt like he owed you for something you didn't need to throw your life on the line for. After what seemed like a good, long while, he turned back to you and sighed. His eyes wandered over your face as he recalled his past, something he tried not to do regularly, and a small smile played at the corner of his mouth. 

Again, he just sighed. “You better come through, you hear?” He warned, his hand raised and his finger pointed at you. “But if anythin’ happens, I ’spose you could call me Cooper…”

Your eyes lit up and you stared at him in awe. “Like…Cooper Howard…?” You gasped and smiled so wide you thought your cheeks would hurt. 

He scoffed. “Yeah, that's me, just don't go tellin’ people, you understand?” 

With a burst of excitement and a lapse in judgment, you threw your arms around him despite feeling the sting of your wound, and you hugged him. He didn't realize how big of a deal this was to you, your heart soared with delight at the news, and it was almost like an old part of your life was here, comforting you in tough times. “Oh, I'm definitely loving our chances now.”

The Ghoul just sighed and patted your shoulder awkwardly, wanting to support you in his change of heart. “I hope I don’t regret this…” he whispered to himself.

The ringing in your ears was causing you to squeeze your eyes closed as you tried to focus on anything other than the sound, but it gradually increased and you did your best to try and remain out of the crossfire as you hid behind one of the walls inside the compound. 

You and Cooper had gotten halfway through the building already, both of you easily working together when it came to taking down the men you knew so well, but you felt nothing except a growing sense of freedom the more men fell. You'd grown up with a lot of them, sure, but none of that mattered once they had begun to follow Axton's orders and put you in harm's way. You wouldn't admit to it, but the satisfaction you felt when they would fall to the ground as they bled out almost was too wicked for you to take any joy in, but deep down, you relished it. 

According to your memory, you and Cooper had taken down about fifteen of them so far, and you only had fifteen– bang– fourteen more to go. Axton would be holed up in his pathetic excuse of a ‘panic room’, which you knew the code to, so he'd be the best to save for last. You peeked around the corner, your pistol in hand as you looked for any more on this floor. 

“I think they're all running up to protect their stash now, they're gonna be crowded in a room on the top floor. Axton would want all his riches to be the top priority, the greedy bastard.” You stepped out and pushed on with the Ghoul right beside you, following your lead as you guided him through the compound. 

“There any coverage between us and that door?” He asked, his gun still raised as he looked over at you. 

“Yeah, there's a double wall up there, no doors,” you replied and paused when you saw someone cowering in the corner. You gasped and ran to that person with a relieved expression. 

“Oh my gosh, Toby?” You knelt beside them and placed a hand on their shoulder. 

Cooper was about to interject, afraid to take up too much time dwelling on checking on survivors, but the person known as Toby looked up at you and their expression was shocked. It was a Ghoul, just like him; not yet feral. Toby smiled and stood up, greeting you with a tight hug. 

“Oh, you're back, you're back! I thought you would have been killed, or worse!” Toby sobbed as they hugged you, pulling you tighter and tighter. 

“Toby, you have to get out of here, go outside the compound, and stay hidden till we come out.”

“You're doing it, aren't you, you're finally taking him down?” The Ghoul looked relieved and terrified, and yet the smile that spread across their face spoke volumes. 

You smiled in return and nodded. “Yeah, Cooper and I are, now come on, go, I'll find you after, okay?” You gave him one last hug and pushed on with Cooper by your side. 

You'd finally made it to the last floor, and you were both greeted with heavy gunfire. You pressed back against the wall with Cooper on the other side, and he looked at you as he counted down on his fingers from five. After it ended, he spun toward the door and just began to blast the mercenaries, all shots landing where they were supposed to. You followed in behind him and tried to keep up, taking down any stragglers with your pistol as you kept it aimed high. Whenever you shot another, they'd look at you in horror, realizing that you were finally fighting back. Some of them seemed to know it would have happened eventually, others seemed betrayed that it was you, but you wore the same expression as you gunned them down. 

Remorseless.

You’d been counting down, naming each one of the men in Axton’s employ as you shot them, remembering their faces, recalling all the times they’d done you wrong. With each bullet put into them, you felt lighter, a heavy burden was released from your shoulders. But you knew you needed to get to your main problem before you would feel any semblance of comfort. But now that you thought about it, you felt comfort being here with Cooper, which was an odd thing to say considering he was there initially to bring you back to this hellhole. But you’d both grown on each other, though he would never admit to it, but you hoped that he would after all was said and done. 

Once the last man had fallen from a shot to his leg, Cooper walked up to him as he crawled away, then stepped on the wound and stepped down hard, and he laughed as the blood came pouring from the wound while the man cried out. The Ghoul didn’t let up as he leaned closer to the man.

“So cowpoke, where’s your boy, Axton, huh?” 

The man who you knew as Luther had looked up, horrified to see the hand cannon he held pointed directly at his face. “L-L-Look, he’s in there,” he pointed to the right where his room had been, “I don’t got nothin’ to do with what he did to her! I swear!”

Cooper looked over at you for confirmation, but you looked away from him, your face filled with unwanted recalled memories. All of his men stood by and turned a blind eye to the things he’d done to you and many others, you wouldn’t soon forget. Cooper turned back to the bleeding man and smirked slyly.

“Seems that she says otherwise, partner, guess it ain’t your lucky day,” he said with a faux frown as he raised the gun to his head and shot without hesitation. He walked back to you and stood beside you, looking at you in silence for a moment. “You ready to take on this son of a bitch?”

You swung your pack around and dug for your box of ammo, filled your gun, and then looked into the Ghoul’s eyes. “I’ve been ready. But you gotta be careful, he’ll have heavy weapons on him, so don’t let him get you off guard.”

“You don’t gotta worry about me, sweetheart, I think I already established that.” He reached a gloved hand toward your face, and it lingered there for a moment as it hovered near your cheek. Cooper decided against it and sighed, then looked back in the direction of the room.

You wondered what he wanted to say to you, but maybe it wasn't something meant for right now, instead, you two had something to deal with. You walked toward the room and typed in the code you distinctly memorized despite not being allowed inside, and the door swung open to reveal Axton with a large turbo Plasma rifle, the only one in his collection. He pointed it directly at you with a smile on his face. 

“Shoulda known it was you,” he scoffed. “After all I gave you here, a place to stay, food to eat, safety?”

“You didn't give me anything other than scars inside and out,” you spat back. “You had this coming, whether it was from me or someone else. You get what you get.”

His eyes darted to the Ghoul and he let out hearty laughter. “Oh, this is even better, what, employing a Ghoul to help you? Always were obsessed with them.”

“They're friends! Toby is my friend!” You yelled and shot off a round straight at him, but he immediately dropped and dodged it before it could hit him. He just laughed at you and shook his head.

“Always were a lousy shot. So, Ghoul, she employed you, promise you that you'd get whatever you want in here?” He waved around the room and scoffed again. “She lied. She ain't shit, and neither are you.”

“Well, actually…” Cooper said with a playful smile on his face, “I was the bounty hunter who planned on turnin’ her in but after seein’ so much of who you are? Gotta hand it to the little lady, I ain't impressed with how this is goin’.”

Axton just laughed and shook his head. “Oh, so you're betraying me, too? Damn, what did she do, give it up to you to get you to change your mind–”

Cooper let off a shot that hit him in the shoulder and blood spurted out, but he didn't go down, not yet. “Better watch your mouth, boy,” he warned. 

Axton groaned but laughed and shook his head. “Oh man, she did, didn't she?! It's all she's good at anyway.”

“Enough!” You screamed out as you began shooting at him, not taking into account that you should have kept a level head of things. You tried to hit him, but he shot the plasma rifle at your feet, which caused you to stumble back and fall on your ass. 

Axton laughed and grabbed a pistol, then aimed at you to finally silence you, but Cooper easily shot it out of his hand, causing it to stumble and fly off somewhere. He ran up on the man and slammed his foot hard into his stomach, and Axton lost his footing and fell. Cooper didn't give him time to recover, instead, he ran up and kicked him again, this time across the jaw. 

Axton let out a yell and spat blood out onto the floor, but he was just laughing, and as he looked back at you, sneering. “You think this is gonna make things better? I own you,” he said as he pointed at you, “and you ain't gonna finish this.”

“She might not, but I will,” Cooper said as he held his hand cannon up to his head. 

“No!” You shouted, your hand reaching out toward him as you stared at the Ghoul. Your face was soft as you looked at him, and sure you hadn't known him long, but the lengths he was going to just to protect you… it meant more to you than you could put into words. you walked up to Cooper, who stared over at you quizzically. “I wanna do it.” 

Axton just laughed again. “You're gonna do it? Better off letting the Ghoul do it.”

You swung your gun around toward him and aimed directly at his forehead as he sat on the ground, trying his best to pick up his pride. “I don't need anyone to do my job for me, Axton, you think I'm weak? But I'm not, I've taken out more of your men than you've taken out bounties. I'm better than you in every way.” 

This got the man howling in laughter as he sat there below you, staring up at your gun. He felt that you wouldn't do a damn thing, and you would just fall for his ways again. You would let him live and he'd take you as his captor once again. “Sure, sweetheart, whatever lies you fed yourself, you can keep on believing them all I know is I'm gonna fucking  kill you–”

Your finger pulled back, the explosion of his head and brain matter splattered everywhere, and his body fell back. No more words, no more threats, no more danger. You stared at the man who once beat you, hurt you, did unspeakable things to you, and you finally felt that weight release from your shoulders. Your body suddenly felt weak, you stumbled and almost fell, but Cooper was there in an instant. His arms enveloped you as he lowered you to the ground so you could take a moment. 

You stared down at him and huffed. “Only he can call me that,” you spat and continued to stare down at him.

Your eyes didn't leave the scene of Axton's decapitated body, it felt too good to be true, like a sick dream that you'd wake up from. But your companion placed a hand on your cheek, pulling your attention away from the gruesome scene and made you face him. There was contentment in the way you looked up at Cooper, a small smile tugged at the corner of your mouth as you stared up at him. 

“I did that, right?” You asked him in disbelief.

Cooper gave you a small smile. “Yeah, you did ya little killer, c’mon, let’s get you out of here.”

“What about your pay? There are chems too, you’re gonna need those, please, get what you need. I’ll be okay… I’ll sit over here, you grab all of what you can.” You wandered over to the corner and sat down on the floor, away from the large pool of blood slowly making its way around. 

You waited for Cooper to grab all that he could and gathered a large amount of chems, caps, and whatever else he could fit into his pack, then he sauntered up to you and grabbed your hand to pull you to your feet. “Alright then, I got all I could hold, got some for you too, you ready?”

You looked over at him and seemed taken off guard by his question. “What do you mean?” 

“Well, are you comin’ with me or not? Didn’t think you’d wanna stay here.”

Your eyes stared at him for a good while, but you weren’t sure what to say now that you were here, and now you had the opportunity to leave. “Really? You’d want me to go with you?” You asked softly. 

Cooper scoffed and looked off at the destruction you both caused. “I ain’t gonna leave you here alone, sweetheart. Not gonna lie, you’ve grown on me, and as much as I’ve done in this lifetime, I ain’t that much of a monster.”

You couldn’t help but laugh and look around the room, then back at him. “I guess that’s the best choice I could ever ask for, huh?” You asked softly, smiling wide. “So… you really mean it?”

Cooper turned around and shook his head with a smirk. “I mean if you’d rather stay here, then-”

You grabbed him and pulled at his shoulder, causing him to turn to face you. He looked surprised, but his eyes widened when you pulled him into a soft kiss. He didn’t pull away, he just stared at you as you pulled away from him, but you seemed much more reserved now. 

“Sorry… but yeah, let’s get going, if that’s still on the table…”

The Ghoul just laughed and reached up to ruffle your hair. “Well, it ain’t all canned peaches and marmalade up here, but I ‘spose havin’ you as company will lighten it up a little.”

You placed your gun in your pack and sighed as you slipped it over your shoulder, but the smile you wore after kissing Cooper was one that you’d wear for quite a while. “I think I can agree with that.”  

[howtofightwrite]

Was reading through your torture tag and noticed a lot of stuff that was being said seemed to contradict things that were said on the scripttorture blog... do you have any suggestions on how to clear things up? Im not sure which things to trust

And you're asking us, because they've posted once in the last two years?

I'll admit, I have a fairly low opinion of them, and that's not directly their fault. For years, one of their fans, would regularly send some pretty incendiary asks our way. In fact, some of the less hostile ones were answered, and may be the posts you were looking at. Understandably, the ones simply accusing us of being torture apologists, demanding we redirect all our asks to their blog, or insisted that we should sit down and shut up, did not make the cut. With that in mind, please understand, I'm not going to go digging through their blog to refresh my memory, so some of this might be slightly skewed by the aforementioned deranged fan.

Look for the blog that does not constantly contradict or misrepresent their authoritative sources. Which is to say, if you actually pay attention to Shane O'Mara's work, it's basically what we've been saying all along.

If you're unfamiliar, O'Mara is a Neurologist who was (last I time I checked) working at Trinity College Dublin. He published a, frankly fascinating piece, called, Why Torture Doesn't Work, in which, he set about trying to answer why torture is an ineffective tool for intelligence gathering. O'Mara also had the misfortune of being the only expert who said anything close to the perspective Scripttorture wanted on torture.

An open secret about torture is that it is completely worthless for getting accurate information. This has been widely understood for centuries, if not millennia. O'Mara's question was, “why?”

It turns out, that the neurochemical trauma associated with torture, seriously interferes with your ability to accurately access information. For example: If you're being tortured, you can't tell your torturer where you planted the ticking bomb, because your brain literally can't access those memories.

Torture is evil. Yeah. No shit.

And, this is where ScriptTorture stops. “Torture is bad,” and Jack Bauer is an incredibly unrealistic fantasy, end of story.

Except, this is not the end of this.

Now, generally speaking, I don't blame anyone who wants to get off the ride here. Torture is an unpleasant subject, and wanting to stop at, “oh, it's evil,” is entirely reasonable... unless you want to write on the subject, or if you do political analysis and need to understand why people break out the torture implements.

More than that, this is where my academic background in political science actually comes into play. I'm not saying this as an Eagle Scout who had a couple overly enthusiastic hand to hand instructors when I was a kid. This is (part of) what I studied in college, and I have kept an eye on it since then.

If torture didn't work, you wouldn't see state-sponsored torture pop up repeatedly throughout history. It would not be one of the favorite tools of dictators and despots. However, because it does, and it is, simply saying, “it doesn't work,” isn't instructive or meaningful because it's clearly untrue. Someone is finding value in this, so it becomes important to understand what they are doing, and why they are doing it.

When you torture someone, the information they provide is basically madlibs of whatever leaked through their brain. They want the pain and stress to stop, and they'll say anything they can to make that happen. That often takes the form of what they think their torturer wants to hear. O'Mara's research does explain why they don't simply cough up the truth.

So, why do it?

Torture is a very labor intensive process. You (as an individual) can't, realistically, torture multiple victims at a time, and it is a very drawn out process. Some elements can be automated, your torturer doesn't need to be present at every moment, but they're going to spend hours, if not days, working on one victim. Worse, this is actually a technical profession. It's not like you can just pull in anyone off the street and get the results you want. (Though, technically, this doesn't seem to be as true, however, amateurs do have a shocking capacity to screw up torture. So, the point remains valid.)

The value of torture has almost nothing to do with the victim. It's about the message it sends to everyone else.

Torture is about mass coercion of the population. When you are the state (meaning, the government), and you torture someone, you are telling your citizens that you are willing to do the same to them, if they oppose you.

State-sponsored torture is specifically a tool to suppress political engagement. It is, quite literally, state-sponsored, domestic terrorism.

This even holds true in cases where the state employs torture to extract confessions from criminal suspects. The message sent into the general population is that dissent of any kind will not be tolerated, and that the state has the willingness and power to turn these tools on you if you draw their ire.

I get that this is outside of ScriptTorture's area of expertise, and in fairness, I probably would not have studied this with any intensity, if I hadn't taken multiple classes on revolutionary theory.

Torture from private organizations (which is to say, organized crime, and religious institutions, though cults and some other groups might fit this description as well), follows roughly similar patterns. These tend to do the same things, discouraging dissent, and establishing the organization as having power over the population (or community.) (The technical term would be to “establish capacity.” Which is to say, the organization's capacity to enforce its will. The same term applies to states, though in those cases, the state's capacity is often overestimated by its population. It's only when it starts to falter, for example through military defeats or serious civil unrest, that they really need the capacity boosting part of this equation.)

Zealotry or stupidity can create situations where you have a torturer (or, more likely, someone in a position of power ordering the torture) who believes that it is effectively compelling the truth from the victim. This (or amateurs) can easily lead into a distinct problem, which is that all of this has diminishing returns. Torture one person, and you send a loud, clear message. Torture ten, and all you've added to it is that you're willing to keep going. However, as you start stacking up the victims, you do start sending a new message to your enemies, that being, you're going to get to them sooner or later so it's in their best interest to respond now, mobilize and retaliate proactively, before you get to them. This means that a state which leans heavily on torture can easily instigate the civil unrest that exposes their limited capacity leading to a political death spiral. Alternately, if the state does have the capacity to put down the resulting unrest, it further reinforces their position (which does happen with depressing frequency in the real world.)

You're also going to create new enemies in the friends, family, and loved ones, of the people you tortured. This means that any organization that relies on extensive use of torture will, eventually, start tying a noose around its own neck. (Granted, there are a lot of social dynamics that I'm skimming over here, so it's not exactly as simple as “if the state tortures lots of people, it will result in increasing unrest.”)

If you want a partial citation for the above, you can (ironically) find it in a podcast interview with Shane O'Mara, when he explained why torture has been employed repeatedly through history. (Specifically I think it was episode 15 of Your Welcome, by Michael Malice. Though, I'm not 100% sure off hand.) Though that doesn't cover some of the more in depth elements I just discussed. Some of this is coming from a textbook on revolutionary theory I can't locate (it disappeared in a move a few years back.) Though that was more interested in the general structure of a state destabilizing into internecine conflict. Ironically, my preferred citation on torture, Fear up Harsh by Tony Lagouranis is mostly uninformative in this case, because his experiences were on the ground, rather than from a structural understanding of what his job was really doing. However, he does illustrate my comment about amateurs making even more of a mess, both through personal experiences with a few, and also through the eventual trajectory of the invasion and occupation of Iraq.

But of course, torture is evil... again, no shit. Was that really a question? And, I'm apparently a torture apologist for having a structural understanding of why evil people do evil things. Cool. Evil people don't do evil things because they're evil, they do them because they gain some tangible benefit from those acts, and they do not care about the consequences to anyone else. If you ask someone, “why do people do this?” and their answer is, “it's simple; they're evil,” that person is lying. They may be lying to themselves, but they are lying to you.

Why do people use torture? It's a lot more complicated, and unpleasant, than you'd expect at a simple overview.

-Starke

This blog is supported through Patreon. Patrons get access to new posts three days early, and direct access to us through Discord. If you’re already a Patron, thank you. If you’d like to support us, please consider becoming a Patron.

[dansemacabre]

are you stuck trying to decode the book of bill but you don’t want the keys handed to you? i was in your shoes literally three days ago! i failed and looked up codes on reddit (because a good grade in book of bill is a normal thing to want and a possible thing to get) but now you don’t have to!! here are some BOOK OF BILL CODEBREAKING HINTS designed to kindly shove you in the right direction!

my credentials are: one summer cryptography class i took in high school, autism, weirdly good pattern recognition (probably because of the autism), and a desperate need to make things make sense. sorry in advance if any of this seems patronizing. hints below the page break!!

general tips:

- A and I will become your bestest friends. like 99 times out of 100 any single letter is a or i. try those out first

- the apostrophe will also become your bestest friend- especially x’x, which will almost always be i’m (except there’s one place in the book where it is not. don’t make my mistakes.)

- themysteryofgravityfalls.com is SO so helpful. for non-symbolic ciphers u can lowkey put in codes and button mash caesar and atbash. godsend. devilsend? idk someone sent it and it’s wonderful

- call every phone number, visit every website. they bought those domains for a reason! i think!

- any list of numbers 1-26 is a1z26. like that’s simply a truth

cipher specific hints now !!!

RUNES (characters taken from norse runes)

- there is a key for this one in the book! maybe u spotted it right away but i did not lol, so look for an instance of 26 rune-y characters!

- the rune code on the inside cover is a graffiti joke- translates to a common thing people write on walls or carve into books made out of brain matter ig

THERAPESE (found in the last few pages during bills court-ordered therapy)

- bill’s picture is labeled in this section, so those characters translate directly to “bill cipher” ! once you have those, you can apply them to other instances of the code and go from there

- the rest of the names of the… things around him on the inpatients page are puns, titles, and/or weird words. they might look wrong until you have Every Character- trust ur key! use the rest of the instances of this code to find the missing letters first, make sense of it and laugh at the clever little joke later

BROSCODE (only two instances, found in journal 3 lost pages)

- the name is a hint by itself- this is stanley and stanford related! both stans use it once somewhere in the book!

NEWBILL (the most common symbolic cipher in the book)

- if you have journal three, the characters are VERY similar to a code there- not the same though, so don’t try and use that key. but like journal three, this code will (almost) always be bill speaking.

- ok lowkey i think the best way to explain this is just to give you one answer. i cracked this by randomly guessing that the small writing by the galaxy drawing on the journal three page “a voice form the past” translates to “forget the past”. go from there my loves

- that being said. everything else from journal three uses the same characters, but a different code. haven’t cracked it yet. looking for advice tee bee haych. i’ll edit this once i find it out

- also: dipper uses this code in his section. that’s pretty helpful to get most of the rest of the characters!

now some page specific hints!:

silly straw page. Oh god

- damn that themysteryofgravityfallsdotcom sure is helpful! Anyway,

- the numbers code is Weird. but the number don’t equal letters. notice the spaces between number groups- pair the groups, try and add a dash somewhere within the first group and a colon somewhere within the second group. you’ll have to use your resources a little

- if that made zero sense: “uhvrxufhv” phdqv brxu idyrulwh ghhsob ohjdo wy vkrz ylhzlqj zhevlwh. ru brxu kxox dffrxqw

- sorry for the vagueness but i really don’t want to spoil this one- i got it spoiled but i think figuring it out on your own would be really rewarding and worth your Time

messages on your tv

- there are strange boxes on the bottom of the page. gonna be so honest don’t know how they mean anything at all to anyone but allegedly it’s a code! i’ll look into it. idk man

okay. i think that’s all i’ve got? please comment if u have questions for me or other folks on here or suggestions on how to sound less like a fucking nerd talking abt this shit. idk i love that people are set on cracking this book asap but i hope this helps ppl who prefer The Thrill Of The Chase and also like to feel smart and important and so very talented

[toskarin]

hey rin, a friend of mine enjoys composing music digitally and has a lot of respect for you as someone with more experience with that sort of thing. he has a hard time convincing the people around him to listen to the things he makes, in both the "finding an audience" way and "getting the people around him to give him their opinion on something he's working on way," and he wanted me to ask you if you could speak on your own experiences with those problems and how you've dealt with them. less related, he was also curious about your inspirations for the music that you make. i know this is a lot to cover, so if it would be easier for you to speak with him directly then please let me know

so I'll open by saying that, as far as people who can give good advice on this go, I'm probably not one of those. a lot of what I do only works because of some specific problems with my brain that are oddly adaptive to this sort of thing

that being said, this is a bit of the "tough love" kind of advice for surviving as an artist, so I'll make a second reblog for the second half of the question

this is either advice that will work or a ramble that will lead your friend to making his life unbearable, so look before you leap

-

The Easy Section, or "You've Gotta Be a Bit of a Tradie"

let's go over the business stuff quickly before I start rambling at length about the boring stuff

learn to love the work itself. "find a job you enjoy and you'll never work a day in your life" is garbage, but creative work really is the one area where you should double down on this. kick back and bump your own album on release day, thinking about how every second of it is something that didn't exist before you put it together. this is what's gonna keep you above water when the wind is dead

get on bandcamp. there is nowhere better for small musicians right now. bandcamp is basically the last remaining website with an effective suggestion algorithm that caters to people who want to actively engage with music and buy it

consider getting on instagram. in the majority of places you're likely to live if you're reading this, the local music scene is on instagram. probably don't use your personal instagram for this

consider getting on soundcloud. you won't make sales through soundcloud, because it's a streaming-focused site (more on that in a moment) with a focus on passive listening, but it's pretty decent for networking, especially with digital music production. soundcloud is linkedin for deadbeats

stay off spotify. streaming generally isn't worth the trouble these days unless you're playing concerts or are otherwise already established. if you aren't uttering the words "you can find me on..." more than once a month, it's probably not worth pursuing a spotify presence to end that sentence with

self-promote. if you have platforms, use them. find the subreddit for your genre and post yourself on the self-promo day. consider posting some bandcamp album codes when you do this, not just so you can get word of mouth, but because someone having an album in their collection means you effectively have a permanent zero-cost advertisement for your music which will only show itself to people who are verifiably looking at something similar. companies pay dizzying sums for ads that couldn't dream of being this targetted. this is a big reason why bandcamp is THE place to be for small musicians

cross-promote and collab. work with your friends. if you don't have musician friends, go make some and then help each other out. "independent" music is a misnomer

blind yourself to the metrics. do not look at engagement metrics. pay them no mind at all. don't look at them unless you're trying to see how effective a specific, deliberate course of action was and already know what you want to find

remember that strangers are unknowable. people do things for arbitrary reasons. if you don't have someone giving you written feedback, don't make any assumptions at all about why they did something. skipped tracks and minimum-price pwyws mean nothing at all

present your stuff in a way that gives it context. why should someone care about your stuff? give them a reason. carve out an hour to really work on a nice album cover, go the extra mile and include track-by-track narrative with your dungeon synth album, or just describe what you're expecting people to buy. I firmly believe that NOMAD/VIRTUE was successful in large part because of its presentation

gimmick. gimmick gimmick gimmick. discount codes are more fun than automatic discounts, free album codes are more fun than free albums, contests are more fun than giveaways, so on so forth. lacking any physical goodies to bundle in, you should still endeavour to give people Something To Do that makes them feel like they're really engaging with your music

zero expectations, zero overhead. do not rely on the whims of complete strangers to justify whether or not you end up in the red. if you ever find yourself saying something like "I can afford to pay for a session musician because I'll just make it back" you can't afford to pay for a session musician. you're probably never getting bailed out if you eat a loss, so try not to put yourself in a situation where you can eat a loss to begin with

someone else's expectations, someone else's overhead. if someone else is paying you to make this music for a soundtrack or something, if (and ONLY if) you have the money in your hand and know you have it, you're no longer gambling. at this point, you can start to look at expenses as investment

now onto the less fun stuff. here's where I ramble for like an hour at you.

-

if there's one thing I've really had hammered in over my decade-odd as a somewhat commercial artist (in all the disciplines I've worked with, which is most of them), it's that you have to be a bit of a bitch about it sometimes

that nagging fear in the back of your head that you're annoying? it's stopping you from doing what you need to do: annoy people

with that being said, this next section is kind of...

The Rough Section, or "You've Gotta Be a Little Hard-headed"

at the end of the day, you'll often find that you are your only advocate, and that means you kinda have to get your foot slammed in a few doors if that means holding them open. this also unfortunately means that you've gotta convince yourself you're pretty good. you don't have to think you're great, but confidence is a trade skill

the last opinion people see before the first time consciously engaging with your work (which here means "the thing that primes them for how they feel about it") is yours

which brings us to the first uncomfy rule

absolutely no cutting yourself down before anyone else even gets a swing

you can be modest if you want (you don't have to), but you absolutely cannot prime people to see the flaws in your work. if 50% of people are discerning enough to notice a flaw, why make that number 100%? what do you gain from that?

if something isn't as finished as you'd have liked it to be, but you've pushed it out the door anyway (which you will sometimes have to do), you absolutely cannot prime people to consider it unfinished

if the thing is still being worked on, there's nothing wrong with being forthcoming about that, but the fastest way to make someone think of something as "inferior product" when they otherwise would never have reached that conclusion is by telling them it is

and that, of course, leads us into a bit of an inversion of the previous rule

absolutely do not take the majority of your validation from strangers

doing this is bad for a million reasons, but I see the worst of this in visual arts, where artists double down on what gets them the most engagements and lay themselves at the mercy of complete strangers who have no actual investment in them

of course, it's normal to desire validation and approval from people you respect, but if you put yourself in a position where it's possible to enter a negative feedback loop that crystallises into you no longer making art from the default response of neutral apathy from strangers, it's not a matter of when: it's going to happen to you one day

so what's the move here? spend 8 years making music you don't release like you're in a compressed time chamber? probably not. I did it that way, but I didn't get much out of it, so you probably won't either

the actual answer is that you've gotta network. you need an inner circle. you need people with shared interests so that you can gas each other's stuff up

just like everyone else, you need your friends

you need to have friends who care about you, about what you're doing, and you need to care about them and what they're doing

this is because, while self-confidence is important...

the majority of your external validation as an artist should come from your friends and peers, not strangers

it's important to have artist friends, because then you can encourage each other in ways that are personally meaningful, but having your friends behind you, whether or not they're musicians, is so incredibly important

if you're motivated exclusively by success, however you're choosing to measure that, what you're actually doing is forming a nightmarish parasocial relationship with the concept of a crowd. not even a real crowd! a fictional group that materialises when you've created "the conditions for success"

there is no such thing as a truly independent artist. if your understanding of artistic success requires competition against others, you're going to lose that competition and then explode (unfortunately common)

finding your audience as an artist (and mind you, art is a social field) is very much a process of networking, but it feels gross to say it that way, so I'll just leave that at "if you want to be known by others, you need to be willing to know others"

anyway, this doesn't really terminate in a complete sentiment. I was just transcribing a train of though

if I were to boil this down to a shorter, snappier answer that I could read comfortably read out, it'd be...

TL;DR

the process of finding an audience is so much less about actually finding one than it is about learning to create happily whether or not you have an audience. developing an audience is the largely incidental byproduct of long-term creative efforts coupled with self-advocacy and interpersonal networking

if you want to be found by a scene, you have to participate in a scene, and if you want to participate in a scene, you need to be in the scene. so on so forth

as stupid as it might sound when I put it into words, the truth is that you can't build any kind of audience in isolation. someone has to find you somehow, and it's a lot easier to be found if you're actually somewhere that people might look

[spacebarbarianweird]

Hey, I was wondering if you could do a headcanon list for Astarion with a Tav with Auditory Processing Disorder? I love your your work!

Ok, this was fun to do! Hope you will enjoy it!

Masterlist

Headcanons

Astarion x Tav with APD

There is something weird about you.

You don't understand music, it's just a noise for you.

People often tell you something and barely remember anything they told you.

You prefer to talk in writing and get information from books but once there is a tadpole in your brain, you have to take a grip.

You aren't the leader of the party - and the tadfools found you in the Emerald Grove.

Wyll (who is in charge) lets you stay even though Astarion minds you for some reason.

You have issues with following orders and even casting the simplest spells is a hell of a problem.

For some reason, Astarion starts courting you, but all his flattery fails flat since you either forget what he said or interpret it differently.

It mostly comes to the fact he directly says he wants to have sex with you because you don't get hints.

You agree. Maybe you are too drunk. Or too desperate.

The night after you realize Astarion spends more and more time with you.

He speaks less but he often leaves you written notes.

In battle, you always stay close to him in case you mishear the orders. 

Astarion gets into a protective mode. As if taking care of someone helps him to heal.

And besides, he loves the fact he doesn't have to flatter you with his sweet words.

And he never gets angry even if he has to repeat the same things over and over again.

---

Tag list

@tugoslovenka  

@herstxrgirl 

@herdarkestnightelegance  

@vixstarria 

@not-so-lost-after-all  

@marcynomercy  

@theearthsfinalconfession 

@starlight-ipomoea    

@micropoe10 

@astarion-imagine-archive  

@veillsar

@elora-the-slutty-songstress  

@fayeriess  

@lumienyx  

@tallymonster    

@caitlincat-95  

@tragedybunny  

@valeprati  

@lynnlovesthestars   

@marina-and-the-memes  

@waking-eyes   

@ayselluna  

@connorsui  

@asterordinary  

@darkarchangel96  

@locallegume  

@brainfullofhotsauce   

@coffeeanddonutscafe  

@my-queen-rhaenyra-targaryen 

@queenofthespacesquids  

@ednaaa-04  

@dajeong

@wilteddreamsofbaldursgate

[sissylittlefeather]

A House That Has Everything: Chapter 1

A/N: New series! This one came to me when I saw these amazing AI photos on Instagram made by @blackvelvetep and @_chiara975ep. (Be sure to check out their pages on Instagram!) My fic brain went crazy and this storyline was born.

This is an AU set in regency England where Elvis is a gentleman with a large estate. Also introducing a new OC: Annabelle Martin. I hope you love their story! It's a looooong one, so settle in, friends.

Warnings: NONE YET, this will get smutty (obvi, have ya met me?), but it'll be a slow burn with lots of tension, so no real warnings other than I guess the mention of parents dying

Word count: ~1.9k

Annabelle takes a deep breath and arranges herself to knock on the large servant's door at the back of the great house. This is to be her first day at her new place of employment and to say she is nervous would be an understatement. She has undergone training as a maid, but this is her first real job. Her hope was to be married to some sweet farm boy before she needed to use these skills, but the death of her mother two years ago and her father last month has resulted in her current predicament. She is an orphan of no consequence with no one left to look after her and no marriage prospects. Thankfully, her aunt, a barmaid at the inn with some hidden connection to the family, secured this position for her at Graceland Manor. The letter she has clutched in her fist states she should report directly to the master himself. This is certainly unique as it is typically the housekeeper who would have hired her, but her aunt's connection is to Colonel Presley himself and not the staff. This is beyond unique, but she has learned not to question affairs of the heart when they happen to other people.

She lifts her trembling hand and raps her knuckles on the door. Nothing happens immediately, so she waits a few seconds and knocks again. Finally, the door swings open and a handsome young footman with sandy blonde hair and brown eyes greets her. He manages his initial shock when he realizes how pretty she is, her dark hair curled perfectly and blue eyes rimmed with feathery black lashes. His smile is genuine as he opens his mouth to speak.

"May I help you, miss?"

"I am Annabelle Martin. I'm here to see Colonel Presley about a position as a maid." His smile falls and he looks down at his feet, clearing his throat.

"I'm afraid that won't be possible, miss." Her heart flutters with nervousness. She has nowhere else to go.

"I must, sir. Please."

"As much as I would love to take you to him, Colonel Presley died a week ago." She swallows hard.

"He... died?"

"Unfortunately so. A fever took him swiftly in less than a fortnight." Annabelle searches her mind for her next step. If this does not work out, she will be on the streets.

"May I see the housekeeper?"

"Mrs. Davenport?"

"Yes, I suppose. Please." He can read the desperation in her face.

"Alright then, come along." She follows as he opens the door wider and beckons her inside. He leads her to a small office and introduces her to Mrs. Davenport. Rather than trying to explain herself, Annabelle thrusts the letter forward for her to read. She watches as the older lady's eyes skim the words.

"Report directly to Colonel Presley himself?! Where did you get this?"

"My aunt delivered it. She said it was from Colonel Presley and that I should bring it and arrive on this date. Is it not in his handwriting?" Mrs. Davenport raises her eyebrows.

"It is." Annabelle breathes shakily as she watches the housekeeper try to come to a decision about what to do. "I will have to take you to the young master. I cannot make this decision when it is so clear what his father wanted, though for what reason I cannot understand. Come."

With that, Mrs. Davenport walks hastily out of the room through the kitchen and up the back stairs to the main level of the house. Annabelle does her best to keep her mouth closed as she takes in the overt splendor of the rooms. She's never been in a place like this with so much to see in every corner. She's so busy taking in the walls and furniture that she doesn't notice him at first. In fact, she hears him before she sees him, his smooth baritone echoing in the great hall.

"My father wanted what exactly?" When she does finally turn to look at him, her eyes widen. If she thought the home was stunning, it is nothing compared to the undeniable beauty of the man himself. His dark hair is windswept and falls perfectly on his forehead, just above eyes of the deepest cerulean. He has the bone structure of a Greek statue with thick brown lashes and heart-shaped lips that could be made of storm clouds. Eventually it dawns on her that he's speaking to her.

"I'm sorry, sir?"

"What was it my father wanted with you?" He says it slowly like he thinks she might have difficulty comprehending.

"To offer me a position as a housemaid. He told my aunt there was an opening-"

"There is not. Not one that I am aware of. Molly and Sarah are still here?" He turns to the housekeeper and she responds affirmatively. "We have no need of you."

He turns dismissively, but Annabelle has no other option. She must appeal to him somehow.

"Please! Sir, I am an orphan. I have nowhere else to go." Initially, her impertinence catches him off guard, but when she mentions that her parents are dead, he turns back to her abruptly. He's all too familiar with that feeling now, his mother having died 25 years ago giving birth to him. His eyes rake over her face, seemingly searching for something.

"Fine. We will have a third maid. Give her the kitchen maid's room, since Mrs. Hall insists she doesn't need one." With that, he turns and walks from the room.

Mrs. Davenport turns back to Annabelle and huffs. It's clear she doesn't approve of the decision, but she cannot contradict the Master, even if he doesn't seem to know what he's doing in his new position. She begins the journey back down to the servants' quarters with Annabelle close behind her. When they reach their destination in the kitchen downstairs, she turns to Annabelle with her lips pursed.

"I suppose you have experience as a maid. Where else have you worked?" Annabelle swallows hard.

"No, ma'am. This is to be my first job."

"No experience?! How old are you?!"

"I'm 18, ma'am."

"How is this possible?"

"My father was a farmer. I worked with him there until he died last month. But I have trained." Mrs. Davenport scoffs. Just then, a young girl in a maid uniform with red hair and freckles bounces into the room.

"Molly! Come here and meet Annabelle, the new maid. You will be responsible for teaching her the role." Molly nods and walks over to Annabelle. She looks to be about fifteen.

"You haven't worked before?" Her eyes widen and Annabelle sighs.

"No, I haven't. But I'm a good worker. I'll learn quickly." Mrs. Davenport's eyes narrow.

"You had better. Now, go with Molly and put your things away. She will get you a uniform and you can begin after lunch." Annabelle nods and follows Molly up to the sleeping quarters, pausing at a closet to fetch two uniforms.

"Did she say which room will be yours? Surely she doesn't expect you to share with us." Molly says nervously.

"No, Mr. Presley said I should have the kitchen maid's room."

"You will have your own room?! Hm. I wonder what you've done to earn that privilege." Annabelle shrugs. She didn't choose this. Molly continues down the hallway to a room at the end of the corridor.

"This is you. We're right next door. And that-" she gestures to the door at the end of the hall next to Annabelle's door. "-leads to the house. It's locked from their side, so they can enter our quarters but we cannot go to theirs. Now put your things away, get changed, and come back down." Molly turns to walk away.

"Thank you." Annabelle calls out to her back. Molly nods curtly and takes off down the hallway again.

Annabelle goes into her room and begins to get settled. She looks around at the barren white walls, the simple frame bed, and small wardrobe. A sob threatens to choke her as she remembers her cozy little house on the farm with so many books and warm fires and comfortable furniture. She was only able to bring what she could carry in a small package, which means she had to leave all the books behind. Her heart aches thinking about them and the fact that she'll have nothing to read here. Perhaps she could ask Mr. Presley if she could use the library.

Mr. Presley. She doubts that he will say yes to anything she has to say. He spoke to her as if she were a child and treated her like she was less than that. He didn't even ask her name. It's true he softened a bit when she mentioned being an orphan, but it's not enough to counteract his rudeness. Maybe she's just not used to interacting with members of his social class and this is what she should expect from now on. Either way, she has no intentions of interacting with him again, if she can help it.

Then, she remembers that she's supposed to be changing and hastily dresses in the uniform Molly gave her. It's a little big, so she'll have to do some alterations tonight after dinner, assuming she's allowed a candle in her room and a needle and thread. She looks around the room and sighs, checking her reflection in the small round glass by the chamber pot. Finally, she makes her way back down the stairs to begin.

******

Mr. Presley stands at the window in the study, looking out over the grounds. How did this happen? He was not supposed to take over the estate for at least another decade. By then he should've been married with children, ready for this kind of responsibility. But now? At 25? He is nowhere near prepared.

Thankfully, the army granted him a leave to take care of things, but he still has two more years to serve before his term is complete and he can sell his commission. He might've liked to rise in the ranks, like his father had, to become a Colonel before this, but now he has no choice but to come home and manage the estate.

And then there's the matter of getting married. A house like this needs a lady to keep everything running smoothly. Besides that, the prospect of living in all these rooms completely alone is a daunting one. Of course the servants are there, but it's not like when he was a child and the strict lines between them were blurred behind the walls of the home. He cannot rely on them for companionship.

For some reason, thinking of companionship brings to his mind the new maid. She is painfully pretty, with her soft white skin and full pink lips. And there is an elegance about her that transcends her station, almost like she was born to be a lady but circumstance had other plans. He hadn't intended to hire her, but the knowledge that she has nowhere else to go made it impossible for him not to. Oh well. Obviously, it's what his father wanted and the estate can afford it. He tries to recall if he asked her name, but if he did he doesn't remember it.

He's shaken from his reverie about the maid when the butler interrupts and announces his lawyer, Mr. Crawford, come to discuss more details of the estate. Mr. Presley sighs and turns from the window. Will the responsibility of this new life never end?

******

To be continued...

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

@ccab @elvisalltheway101 @aliypop @18lkpeters @dkayfixates @tacozebra051 @your-nanas-house @deniseinmn @joshuntildawn13 @lookingforrainbows @60svintage @littlehoneyposts @epthedream69 @louisejoy86 @rjmartin11 @from-memphis-with-love @deltafalax @atleastpleasetelephone @cinnamoroll-things @burnthheparaphilia @jhoneybees @cattcb @everythingelvispresley @returntopresley @searchingforgravity

[soft-mafia]

Buggy Blurbs [More Headcanons]

warnings: afab reader, nsfw, grinding, oral(fem receiving)

a/n: just writing down some things I thought about as the Jeff Ward brainrot begins to consume me. This is leaning more towards live action Buggy in my head but this could work for anime/manga Bug too! I think there’s something wrong with my brain because I cannot write actual fics rn for some reason

• One time he showed off his juggling skills to impress you, he ended up dropping 3 balls on his face one landing right after another right on his nose. While he was shouting and cursing at the wind while holding his face, you couldn’t help but giggle at him. He thought your laugh was the cutest thing ever, so he sometimes would purposely make a fool out of himself just to hear it again(making sure nobody else would be watching of course)

• Sometimes, in the worst situation possible, Buggy will seductively flick his tongue at you, purposely flustering you.

• Buggy loves putting his hands on your waist and his feeling it up, slowly rubbing up and down, squeezing your sides gently. He really loves it when you wear crop tops and low rise pants.

• Loves squeezing and rubbing up on your body in general, especially your ass; he’ll squeeze it any chance he gets. If it’s in his line of vision he’ll slowly run his hand down until it’s rested on one cheek, then squeeze.

• Grinding and dry humping is a weird kink of his, especially when he’s sleepy but wants to get off at the same time. He’ll bury his face into the crook of your neck, placing soft kisses as his stubble scratches against you; you can feel his hard cock through his pants. Buggy squeezes your side, bucking his boner into your ass while licking and kissing your neck until he immediately falls asleep after cumming.

• One of his favorite things to do is eat you out. He just loves the taste of pussy, and how sensitive you are; playing with your clit using his tongue, milking all of those sweet moans and squirms out of you just makes him hard. He’ll always expect you to “return the favor” afterwards, either asking for a handjob, blowjob, or letting him fuck your brains out.

• Has a habit of coughing and burping directly in your face. No matter how many times you complain about it to him, he never learns.

• Loves pinning you against things, whether that be against a wall, or on the bed, he just loves having that bit of control, seeing you under him while he towers over you.

• Face grabbing/face cupping is his love language, when he’s speaking to you he’ll always have at least one hand holding your cheek. When he’s telling you something important, he’ll hold your head in his hands, sometimes making your lips push out in a slight pout(he literally goes crazy for that every time it happens)