#it sounds a lot like his writing

[familiarquotation]

In fairy tales and myths, people are warned not to eat from the strange place they've lost themselves in, or they won't be able to leave it. Persephone swallows six pomegranate seeds from the underworld and becomes wedded to Hades forever. In each country I call home, I eat my way into belonging.5

Self Portrait as Daily Sustenance, Ae Hee Lee

5. so often my longing for a kinder world has been a scalded palate, going for another spoonful of soup that won't cool. And yet-

[katsinspats]

Tragic: Guy you based your entire villain backstory on doesn't even remember you

[ofswordsandpens]

actually I also wanna talk about the part where Percy convinces Bob to kill Hyperion because even though Percy never says anything outright sinister, the way he handles the entire situation with such cool ease, playing on Bob’s emotions... its so insane???

Because Annabeth’s reaction to the three of them encountering Hyperion reforming is: “oh this is bad we need to get out of here” She knows if Bob remembers himself, that it's not going to play out well for Percy and her. She also thinks about how they're being pursued and don't have a lot of time. Her solution to the problem, seemingly, is to leave.

But Percy's solution is to work the situation to his advantage. He re-affirms Bob's loyalty to him:

Percy then re-establishes Bob's moral code: "Some monsters are good. Some are bad. This Titan is bad. He tried to kill me and a lot of people. He's not good like you are."

And it ends with Percy leaving the choice of whatever to do with Hyperion to Bob but of course, is it really what Bob chose to do? Bob decides to kill Hyperion. It's not what he may have done, if Percy hadn't intervened. But it's exactly what Percy was oh-so-sweetly leading Bob to do.

And listen, I'm not claiming that it was exactly morally bankrupt of Percy to take advantage of a once-evil titan who could get him and his girlfriend through hell in one piece. Percy, Annabeth, they manipulate monsters and enemies all the time. Annabeth ended the previous book with manipulating Arachne into weaving her own web. So it's not exactly like she's against using manipulative tactics, in theory.

But Bob, at this point, is not just some monster. He is so painfully sincere in his belief in Percy and their friendship, so yes, it does feel a bit sinister whenever Percy uses Bob... and he really uses Bob.

And I think what makes the scene so unsettling, it isn't just that Percy manipulated Bob, its how well Percy manipulated him. He manipulates Bob so well that Percy doesn't even have to kill Hyperion... because Bob does it for him. He manipulates Bob so well, that Annabeth couldn't tell if Percy was purposefully trying to manipulate the situation. (Newsflash, he most definitely was). Like holy shit.

[detectiveposting]

my stages of watching columbo

1: hahah hes just a silly detective ;)

2: columbo is actually a cunning manipulative liar that hides his true persona behind the facade of a slow and clumsy middle class detective

3: hahah hes just a silly detective ;)

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

[First] Prev <–-> Next

[jade-len]

i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.

picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.

it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.

and then he gets to the sword.

demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.

but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.

when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.

the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.

and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.

the language of this wretched sword reflects the state around these two monsters.

luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.

instead, he hears this:

"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."

but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.

"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."

"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."

"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."

"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"

somehow, this is worse than if xin mo was actually eating away at his brain.

weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.

xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.

it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.

sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.

maybe he's the delusional one. maybe this is xin mo's way of getting to him.

maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.

"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.

hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."

xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.

...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.

(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)

[melverie]

Can I just say that I absolutely LOVE how ever since they all found out that MC is human and was brought here against their will, it was Lucifer who kept insisting that they shouldn't be the ones to trap MC in the Devildom. That whether they want to stay or not is a decision MC has to make themself and that the brothers should support them no matter what they end up choosing

And now that the moment is finally here, now that MC has confirmed that they indeed plan on heading home, and now that all of his brothers agreed on helping them get back, having forged a pact and lending their powers to do so—

Now that he knows that he's the final piece needed to send them back; that the lingering idea of the yet to be forged pact between them is what's stopping MC from potentially leaving their side for good, leaving his side for good—

Now that they have finally gotten to this point, he realizes something. And he's unable to live with it

And so, he goes back on his word.

He's taking that choice from them.

"I don't want to."

Lucifer's pride is what keeps his voice leveled and neutral, as if it were just another day. As if he everything was completely fine. As if he didn't feel this pain in his heart, almost as if someone had rammed a dagger through his chest over and over and over again

To most people, he'd appear to be in perfect control of his emotions—if only his gaze wouldn't completely obliterated that frail façade of his. The way his beautiful dark eyes shimmering with a hint of blood red silently plead, beg MC to stay...

Internally, he is breaking apart because he knows what he is doing isn't right. He knows that he shouldn't trap them like a bird in a cage, and yet he can't help himself. Not in this situation. Not when it comes to MC

'No'

He—Lucifer, Avatar of Pride himself—is the last thing trapping the very person that finally made him realize what his sister had meant forever ago

'I won't let you go'

How one day, someone would stumble their way into his life, and how he'd love them so wholeheartedly and so deeply that everything else would become trivial as long as he'd get to hold them in his arms

'I can't let you go'

Someone that he'd happily throw away everything for, not even considering any alternatives if only for the shred of a chance at just one last tomorrow with them

'Please stay with us. Please stay with me'

Everything.

'I cannot lose you, MC'

Even if they'll never forgive him for it.

"I'm not going to forge a pact with MC."

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[rustedleopard]

I feel like if Chujin was still alive during the events of Undertale Yellow, his and Clover's relationship would be incredibly rocky. Pacifist!Clover could bring him around to tolerating them (after all, they have that sort of effect on everyone), but it would be more in a "this human is the only 'good' human" manner than a "maybe I should reevaluate my opinions on humans overall because you can't judge an entire group based off (very biased) stories and one bad experience." Even then, that opinion would be subject to change should Clover ever get frustrated or behave "too aggressively" or act in any manner that isn't perfectly docile. If Clover ends up attacking a monster then it's "humans are just as horrible as they were in the war stories, I should've known better" regardless of the circumstances that could've pushed Clover to fight. Suffocating expectations and endless demands for patience when he wouldn't ask the same of a fellow monster.

And heaven forbid he ever meet Clover on a No Mercy Run...

[yume-fanfare]

day 7 of torikasa week is future! what will they do after graduation?

[n4rval]

the way his words are so carefully curated, not only for the sake of precision, but so it fits a rhythm that is breathable for a slow speaker.

to say exactly what he means in a short sentence, with recurring pauses and a clear pronounciation. to prefer periods(.) over commas(,).

not to be needlessly verbose – much the opposite; because this vocabulary serves the purpose of clarity, organization and to hold the attention of the listener.

[iguessthisisanewobsession]

Rent is a terrible musical and Jason will not be the first person in Gotham to voice this opinion

it's a musical that while having the backdrop of the story being about revolution against an upper class that refuses to make anyone uncomfortable. The status quo is not rocked so people with money can still relate.

The entire character cast are assholes, even the kindest of the main cast still murdered a dog and sang a catchy tune and had no remorse afterwards.

the show never really goes anywhere, character 's don't change and frankly don't care to.

It idealizes drug use and being poor, while there is a subplot for the homeless, there is no care shown for them and kind of implies a choice to be homeless.

That being said he was in the main cast as angel.

Jason is a hypocrite but is well aware of the fact unlike the rest of his family.

He doesn't choose the musical, the director did, and when he had a role time seems to slow down.

Being a vigilante, everything is fast paced, you need to get ducks in a row before one of the ducks takes out an third of the alley.

But to be able to shelf that mindset, even if only for the rehearsals it was nice.

That being said, artistic liberality is a thing.

To hell with angel going into the light peacefully, it ain't right for someone dying of a disease that can be treated.

If you wanted a show about romanticizing dying from a disease than you should go to the opera they tried to be with La bohème and tuberculosis.

No Jason is going to lasso his rage and put a pretty mask on it until he feels the need to put his own twist on a scene.

[quatregats]

Something I've been thinking about is how Patrick O'Brian manages so skillfully to write characters whose actions contradict their beliefs, which I think is honestly a big part of why his characters feel so real. Mostly with Stephen and Jack—e.g., and perhaps most notably, Stephen has notably leftist sympathies (honestly I have no idea how to characterize his politics in period terms) who nonetheless becomes very comfortable with his rise to the landed gentry, while Jack is a card-carrying Tory who much of the time sympathizes far more with working class sailors and farmers than with the upper classes—but I'm sure he does it to a lesser degree with some of his minor characters (James Dillon, while perhaps not precisely minor, comes to mind), and I love that he's able to do that, especially the way in which he embeds it in the narrative. We see how they're all unreliable narrators of themselves; we understand how they want to be seen and how that does and doesn't coincide with the reality, but most importantly, this isn't presented as something reprehensible, just as a part of their own humanity. They are not their expectations for themselves, but they don't need to be those expectations to be beloved.

[rambles-on-dragon-age]

Varric doesn't give you the nickname Rook, your whole faction calls you Rook. It makes no sense to give you a faction specific last name and then your faction doesn't even use it, but yeah.

Hi hi!

This will be a bit of a ramble, sorry.

Varric, as a character, gives nicknames to those he's around for any length of time. (Solas is Chuckles, Merrill is Daisy, Vivi is Iron Lady, etc. Very few people in close contact with him will escape earning a moniker. I can go on about how I think it's one of his ways of telling people he sees them, but I digress.) The player character has been traveling with him for a year/the better part of a year. Varric would have definitely given them a nickname in that time. (Honestly it shocks me Harding doesn't have one by now but maybe he tried and she shut that down like Aveline once did lol) When you're putting out your things in the Lighthouse one of them is his shaving mirror and you have a moment of reflection about what he said when he hands it to you. There's also the whole time where he's giving you advice and guides you (IYKYK) and it's clear he means a lot to a Rook and they're close.

That is to say, no matter what faction you were with, you left in disgrace. You broke some code the higher ups held dear, messed up well laid plan, ignored orders to save people, etc. You didn't "fit the bill" for your faction and were summarily "adopted" by Varric to help in his hunt for Solas. Those things that made you a bad fit for your original faction? Made you perfect for what he's doing. A good person that doesn't let the potential costs stop them; they see what needs to happen to help people and will run head first into it and manage to figure a way through the most fucked up situations possible.

When you first meet Neve, you're introduced as Rook. "Like the chess piece?" Yes! One of the most powerful pieces on the board, "but tends to think in straight lines". Which becomes evident in all our shenanigans as Rook through the game. Rook's ability to claw their way through the worst situations and be flexible and creative means that Solas wouldn't be able to predict them or what they'll do. Which turns out to be right; he doesn't expect you to drop a statue on him in the middle of a massive ritual. Rook saw only "this ritual needs to stop NOW" and found a way, no matter the consequences.

I didn't hear that dialogue my first game, though, because I did my first run as a Shadow Dragon. Neve doesn't comment on the naming convention because instead Varric says you both do work with the Shadow Dragons and she just skims past the naming convention to say "Oh, what a coincidence." You are still introduced as Rook at first; it's not until later when you're in the Lighthouse where you can have the conversation that you've heard of each other even though you've never worked together.

Because even if I've worked in the group beside you under the same boss for 20 years, if you're introduced to me as "Rook" instead of "_____ Mercar" I'm not going to know who you are. It's not until later, probably while you're unconscious and she has a chance to speak to Harding, that she says she knows who you are. (Based on what Bellara says when you find her in the forest, you've been out cold for two or three days. Can you imagine what our detective figured out in two or three days?)

All that to say, if "Rook" was given to you by the Shadow Dragons, Neve would have said "Oh! I heard of a Rook." instead of just "Oh! What a coincidence we're both Shadow Dragons." She doesn't comment on who you are and what you've done until later when you have a chance to talk to her in the Lighthouse.

And throughout the game, you continue to be introduced as Rook. Even if you started as another faction, if you're written a letter about "Rook" and not your real name, why would anyone know who Rook is until they meet and go "Oh this lil shit right here. I know this asshole."

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[whomeidontknowthem]

Eyes on me – an interactive whump story. Part 5.

Previous part. Masterpost.

Content: institutionalized slavery, imprisonment, dehumanizing language, it/its for an inhuman whumpee, pet whump, whipping, blood, physical abuse, withholding of food, training, torture, intimate whumper, carewhumper, mentioned pet death, tell me if i missed something

Lord Teelo didn’t strike. 

He lowered his arm, eyes never straying from holding the creature’s terrified gaze. The room reeked of blood, now streaming down the lord’s fingers in a warm waterfall. He worked hard on pushing his fury back, taking it under control as many times before. He was in control. He would show it, careful and persistent and levelheaded. He would make sure it remembered the lesson forever. The crop was not meant for punishments, it was too short, too soft – he hadn’t meant to punish it. He was going to be a kind and gracious owner. It had left him no choice!

He opened the door, finding the redheaded guard still in the corridor.

“Get a proper whip,” he ordered. “More chains – gods damned handcuffs, whichever idiot thought of leaving it like this?! And a knife, scissors – or whatever, something to file its atrocious claws.”

The guard stared at him, not in the face – at his arm. Lord Teelo felt it – the consistent drip-drip-drip of his blood. He didn’t feel the ache yet. Nothing but the quiet, cold fury he couldn’t wait to unleash at the world. Haltingly, the guard started, “Should I bring someone to take a look at–”

“I have told you what you should do,” his voice came out as a hiss.

“Yes, my lord,” the guard saluted and hesitated only a moment before running down the corridor. 

Lord Teelo closed the door with a loud crash. He paced inside, steps echoing around the room, as the pain slowly started to radiate out. He hated it. Oh how he wished he could slice the thing’s skin just this moment, not waiting for anything and anyone. He picked up the crop once more, stoped before the creature – it cowered to the very corner between the wall and its cage, never letting its eyes away from him. Oh, now it was looking. It dared to look! 

“You think yourself smart?” the lord hissed. “Think you did something good for yourself? Oh, no, you’re gonna regret this. You’re gonna regret this so much.”

The pain seeped into his consciousness with every heartbeat, radiant and nauseatingly familiar. He held a handkerchief to the cuts until it filled with deep red. He threw it away – it landed in a wet disgusting lump on the table, by the bowl of wet disgusting meat. Oh how the lord had tried to be a nice host, how he had tried to accommodate this, this– 

“Damned, ungrateful, hateful beast!” Lord Teelo roared. The glass of the bowl nearly slipped from his bloodied fingers when he grabbed it, and then shattered to thousands pieces to the side of the creature’s head. Its dinner fell onto the floor, useless. Oh, it wouldn’t get any, it would have to work, to beg for any crumb from then on – it would regret, regret it so much!..

The door slid open soundlessly after a short knock, letting in the heavy footsteps and the clanging of metal. The lord turned on his heels, facing the guard. “And why in the world have you not brought a damned healer!” he hissed. “Can’t you see I’m bleeding out!”

The guard blinked. “But you have–” 

“YOU DARE ARGUE WITH ME?!” 

He was struggling to breathe, chest heaving with effort. The blood was still warm down his arm, still bright on the broken glass and light wood of his floors. How could the idiot not understand!

There were chains in the guard’s arms and a leathery length of the whip. Lord Teelo snatched it and demanded, “Chain it up!” The guard hesitated, opened his mouth. “NOW!” 

He did. The lord watched as he came to the beast, careful with his steps, cautious of it. It squeezed itself deeper into the corner. Lord Teelo could see it shaking. He was delighted to see it shaking. The guard reached out, the first cuff prepared, and Lord Teelo watched from a step away as it lifted its hands up, close to its chest. Its teeth were bared, pupils wide and eyes wider. It tried saying something, but what came out was only a mess of sounds with no meaning. 

The guard squeezed its arm even as it tried to avoid it. It whined and fought back, tried getting out of the grasp, tried pushing him away, tried and fought and struggled as he cursed under his nose. Its claws went through the skin of his palm ripping out a sharp hiss. It managed to raise its hind leg as the cuff clicked around its wrist, its claws scratching against the metal in an effort that only delayed the inevitable. 

Lord Teelo had little patience left. He stepped forward, connecting his heel with the middle of the creature’s tail. It yelped, flinched backwards – its head connected with the wall, and before it could regroup the second handcuff was in place. After that, restraining its legs was only a matter of time.

“Turn it around,” the lord ordered. Chains clang as it fought in an ever increasing panic. “To the wall, yes… yes, just like that.” The locks rattled, forced closed. The guard let the key fall onto the ground, forcing the creature to kneel. It hid its tail between its legs, whining as its head was pressed into the wall. “Is the chain short enough? Will it be able to move?”

“I don’t think so, my lord,” the guard answered. 

Lord Teelo played with the whip, trying it out. “Good. Go fetch the healer– wait. I need – something sharp, something – to secure on its tail. See how it hides it? I need something it can’t hide from.”

The guard looked puzzled. He eased his hold in a test, and the creature threw its whole weight backwards, fighting the chains. They held. Kneeling, with its tail hidden and only back visible, it looked strikingly like a human. “Perhaps clothespins, my lord?” It wasn’t what he had in mind. What he wanted – it wasn’t that. Not this easy, tame solution.

“It would work,” he drew out. He would go to the smith when he had time. He had an idea, oh, that would be a genius idea. “Just this once."

He flexed his left arm and rubbed his right. It hurt as all deaths, but it had stopped bleeding. He failed to crack the whip the first time but managed it the second, inches from the creature’s back. The guard bowed, taking it as a sign to leave. 

The creature mumbled and mumbled more, sounds a meaningless mush falling from its tongue. If Lord Teelo was generous, he could see it as an apology; he would not even entertain the possibility of giving in to it, of course. 

The second crack was right by its ear. It flinched and curled up further but couldn't hide.

It wailed when the whip connected with its back – so loud, so quickly, taken by surprise. Lord Teelo bared his teeth in a smile and struck again, violent purple already flowering on the gray of its skin, and struck again without waiting – three, four, six, twelve hits in a row, as it flinched and writhed and cried out.

He paused afterwards, and saw as it tensed, first, its whole body shaking with the effort of breathing, hiccupping in what sounded almost like sobs. He waited, watching how it trembled more and more. He let it marinate in the anticipation, the fear coiling and coiling with no release, the stinging of its sore back growing as its patience ran thin. 

When it raised its head, just barely, as if to look, the whip snapped through the air again. 

It screamed out. He didn’t give it time to recover. 

The lord hit it with no pattern, pausing and continuing at his leisure, until his arm grew heavy with pain and the creature nearly silent. Lord Teelo could only hear its labored breathing, air forced out of its body with every strike. Its back bloomed with purple that gave way to red when the skin opened, the new lines covering the rainbow pattern in an unstructured, repulsive mess.

Oh, he nearly pitied it, trembling pathetically in the corner. Then he rubbed his arm and the sharp pain was enough to remember why he didn’t. 

He struck for the last time, lazily, with his left, and then a few more for a good measure. When a polite knock announced the guard’s return, he felt pleasantly tired, like after a good work out. He called out for the man to enter. 

The guard did and the healer, an old woman the lord knew for most of his life, followed in. She looked the room over with stony, unreadable expression, and Lord Teelo met her gaze with a nice enough smile. “You’ve got your toy,” she stated and that was all the attention the creature got from her. 

She made a quick enough work of the wounds: cleaned and bandaged them up after applying that miraculous numbing cream the lord appreciated since early childhood. The creature would appreciate it even more, he thought, glancing at the pathetic thing. It had shifted at some point, stretching its legs just a bit but keeping its head hidden. Its body shook violently, trembling so much it in itself looked tiring. 

“Should I look it over?” the healer suggested, all business. 

The lord huffed, “What would the point of a punishment be then?” 

The woman looked him over with that annoying, unreadable gaze. “Call me whenever you change your mind,” she bowed and left when he dismissed her. 

Lord Teelo tried the clothespins with interest, forcing the spring to coil and then letting it go softly around his finger, just a tad, until it started hurting. “Good enough,” he concluded finally and got up. 

The creature flinched when his boots stopped by its form but didn’t try anything. “Poor thing,” he drew out and crouched, ran his fingers along its back lightly, brushing fingertips over the painful ridges of future bruises. Its breaths hitched, but it didn’t make a sound. “And all you needed was to not act like a brainless brat to avoid all this. You have no one but yourself to blame, silly thing,” he told it. It didn’t answer, shivering under his touch but not attempting anything stupid. 

“But maybe you can learn,” he hummed and moved his hand down to where its tail started. It tensed even further, if it was possible at all. “Let’s just make sure the lesson sticks, huh?” It curled up even further as he tagged on its tail, releasing from under the creature’s body. He flickered it back and forth and rubbed between his fingers and was satisfied when it sobbed and shuddered but remained motionless otherwise. 

“Like this, yes,” he muttered. With the softest touch of his second hand, he stoked its head. “But look at me now. Eyes on me,” It didn’t understand. He caught a fistful of its fur and tagged. “Eyes on me.”

Too drained to resist, it lifted its head as he guided it. “Eyes on me,” he demanded again, and it either guessed or truly learned – its gaze settled on him, focusing to the best of its ability – and, oh, what a pathetic mess it looked, eyes bloodshot and wet in ways he’d thought only a human's could be, dark lines from where it pressed into the floorboards marking its cheeks. There was something red around its mouth – did it bite itself, the poor thing? 

Lord Teelo clicked his tongue, smiled softly and released its fur. It settled back instantly, curling up again. Its tail remained in his hands. 

He picked up the first pin. 

It must have assumed at first that he was just playing like he had been, – at least, it didn’t seem to tense up too much, nor expect the sharp pain when he released the spring around its tail. It shuddered, head whipping up, staring at him once again. He smiled. Picked up the second clothespin. 

It tried to get its tail free – oh, it tried as much as it could without hurting him, but he tightened the grasp and played with the pins as it couldn’t help a new whimper, and hushed it and urged it to sit still. “That’s for you to remember the lesson better,” he told it pleasantly. It must have cried, body shaking again, and tried to kick just once, the movement stopped halfway through by a short chain. 

Lord Teelo wondered how many pins would be good for it – should he go with the whole set the guard had brought? He settled on five, at the end, a nice even number not even halfway through what he had. He was feeling rather merciful and forgiving, and it sounded just so pathetic. 

He called the guard in to urge it into the cage when it was done. It didn’t even try fighting, following the man's tagging and pushing until it was inside, drawing its limbs close and curling up to fully fit. Nearly immediately, its fingers itched towards the pins, human-like thumbs ready to work on the problem. Lord Teelo snapped his fingers to get its attention.

“No,” he said, words dripping with finality. He reached through the bars and tagged its tail outside. “The clothespins stay here for the night,” he told it. It probably didn’t understand – there was so little thought in its eyes. He let go of it hoped for its sake it understood what he meant. He didn’t want to have to punish it so soon for their lack of common language. 

When he went to sleep, the shaky breaths and the rare clanging when it tried to settle more comfortable sounded like a lullaby to his ears.

In the morning, his arm stung mercilessly and unendingly, and no melodies of birds and gentle sunrays could make his mood better. He turned lazily, letting his eyes fall onto the cage. The creature was curled inside of it, eyes shut tight and ears flickering restlessly. Its tail fluttered too, freed at some point from the pins, one of its hands curling around it protectively. 

Lord Teelo felt stuck between endearment and irritation. He moved and the cuts on his arm ached, and irritation won. 

“Hey… you,” he called and realized he hadn’t come up with a name. He should think about it as some point, he decided grimly, and banished the thought of the last pet he’d named, back in childhood. That was a just a cat, a stupid spoilt creature with too much attitude. The lord remembered the way it looked, painted red and unmoving, after crossing one too many lines. 

The creature didn’t move at his call, either. He picked up an extinguished candle from his bedside table and threw it towards the cage. “Hey!” 

There was no reaction. With an undignified groan, he forced himself on his feet and towards the cage. He rattled the key across the bars, the way that always seemed to get the creature’s attention.

It didn’t react. It was outright ignoring him! 

Had it learned nothing?!

He reached through the bars and tagged on its tail, finally getting some response in return – it flinched weakly and grimaced. Slowly, its eyes fluttered open, but didn’t settle on the lord. They looked as if through him, unfocused and dizzy, and a pang of worry cut through the just rage when they closed back and its chest heaved, struggling for breath. 

Something was wrong.

He reached through the bars and towards its forehead, forgetting for a second it wasn’t a human. The skin under his fingers was blasting hot and sickly wet. It moved closer to his fingers, all but nuzzling against him. 

Something was terribly, terribly wrong.

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