#it just suits him so well
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ihopeicanchangethislater05 · 3 months ago
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i didnt know i needed robert sean leonard in a golfer outfit.
(also those pants look really fucking good on him.)
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dreamsfulblues · 3 months ago
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Maybe I’m just too used to this pathetic himbo‘s special style but
Kara manages to wear the most cringe outfits but makes it look good? Like some even end up not looking cringe at all.
My man has a talent at slaying?
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Honey keep it up and follow your dream on being a fashion model. You got them fabulous vibes✨
Im just gonna use this as a excuse to fangirl about how good he looks in this fit omg 😭👏💙💙💙💙💙
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matryoshkalex · 7 months ago
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i cant believe i forgot to post the rest of these from yesterday!! i also finished another silly thing on the bus ride back home today but ill save that for tomorrow
(full page + refs under cut!!)
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residentgaykid · 1 year ago
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I love how Fyodor's eyes are drawn. They convey his thoughts and who he is as a character so well. Like when he has that sinister smirk on his face, the empty eyes add volumes to that look and it sends shivers down your spine. Or when he's surprised by something, he doesn't stop it from showing, you can see it in the way his eyes widen in shock. They are drawn to show such emotion, even at the times when he's feeling nothing or when he's about to do some damage.
That's my TED Talk on this man's eyes, thank you and goodnight.
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sesshy380 · 2 months ago
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Seeing as @bakawitch 's autocorrect wants to see more of my YGO Sims, I am more than happy to oblige lol (I'm going to make seperate posts for each Sim)
So my fave out of all the ones I've made is my Yamima Sim.
HE. IS. PERFECT. (Seriously, I couldn't have made him without the CC created by @alyss-erulisse aka SallyCompaq122 on MTS)
(Some of these pics have his neck and arm bands missing because I originally forgot them. I have a version with the lower arm bands, but I think he looks better without them)
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And ofc he needs his brands (I had too much fun taking pics from this angle lol)
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And his gorgeous face (both with and without the forehead eye)
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Jewelry, back brand, eyeliner, and forehead eye are all by SallyCompaq122 on MTS! (As a reminder, this same creator makes YGO TS3 content as well!)
Hair by @studio-k-creation and is found on this page (It's the Natsu hair)
Like with Atem, any other details I am left scrolling through pages of CC from the various creators becuase of how it's listed in Tray Importer.
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dexterkronos · 5 months ago
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I can't be the only one who thinks S5 of TMA can best be told with "Navigating" by Twenty One Pilots, right???? Right????? Or even just have it be a Jonathan Sims, Head Archivist of the Magnus Institute song???
I spoiler because omg i'm gonna go rant mode and you should have a barrier.
Obvious spoilers for MAG 160 ~ MAG 200 (The Magnus Archives).
Like just give me a moment to cook. Jmart POV, starts with reflections of Martin in the Lonely ("the haze around my face / makes me feel so alone") OR its to show Jon's thoughts post-Door Open.
"I know you see me standing still / When our fingers touch, I feel my way back home"
This the most MAG 161 & MAG 162 coded shit in history. Martin being the one to act as 'home' as they move from the cabin.
First chorus is just them going through the first set of domains, with 'give me some advice' happening during the Not!Sasha smiting. Maybe there's some flashes of the real Sasha in there, who knows.
"Don't know how long it's been / My, oh my / How things change so rapidly / I find my self-esteem / Then turn so cold"
MAG 166 ~ MAG187 pipeline.
Chorus 2 is the ways to the other domains, eventually ending in the Panopticon.
"Don't know how long it's been / Since I responded to your question / If you really wanna know what I'm thinking"
Annabelle and Hill Top scene. I take my seat.
"Kind of feels like everybody leaves / Feeling the reality that everybody leaves / My dad just lost his mom, I think that everybody leaves / And I'm trying to hold onto you / 'Cause everybody leaves"
YOU CANNOT TELL ME THIS ISN'T THE PRE-JONAH STAB CONVO IN A NUTSHELL. YOU CANNOT DELUDE ME AWAY FROM THIS IM DYING ON THIS HILL-
Second-to-last chorus is the Jonah erasure stuff lol
AND THE FINAL LENGTH OF THE SONG, IS JUST MAG 200 TEARING US TO PIECES WITH INTERLACED FLASHBACKS ENDING WITH A BLACK SCREEN TO RUIN US EMOTIONALLY.
So anyway have fun with this torture :3
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spottedgardeneelstan · 1 year ago
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drawing binghe with this face is my favorite pastime
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monsterboyblood · 3 months ago
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I had like a vague idea of what I wanted my au X’s hair to look like but it’s been completely overwritten by his Dante skin from XDiVE I genuinely can’t imagine him with a different haircut now
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satorena · 1 year ago
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imagine jjk men being with girls like sza or jorja smith though, a girl could only dream😔💔
geto creams his pants at jorja smith !!! he told me himself 🤫
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tallyhallsphotowall · 9 months ago
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some more picture ive found of bora in pink cus i so agree
bonus (pink background):
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#17: BORA KARACA !!!!!!!!!!!!!!!! in pink
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poorly-drawn-mdzs · 7 months ago
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Archery Nemesis.
[First] Prev <–-> Next
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urh2ogf · 2 years ago
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just finished watching free guy for like the 10th time and honestly, joe keery mastered the ability to play stupid hot himbos.
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engiespy · 30 days ago
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Freak Fortress Pool Party!
*no Pyroguns were harmed in the making of this pool party
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consultingfujoshi · 1 month ago
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some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:
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it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.
irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.
and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.
but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.
he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.
and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.
it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it
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softersynths · 4 months ago
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How would it go when Ford comes back? Would he be cool or upset. I think shifty deserves more love
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neither stanley nor shifty get the reunion they’d hoped for
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garblegarden · 11 days ago
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waiter waiter! more human guy please!
same thing as usual i just like drawing him
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