#it just lives there okay

[biggest-gaudiest-patronuses]

so important for every character to be an idiot, but each in their own unique beautiful way

[notbecauseofvictories]

I don't know how strictly accurate this is, but one of the things I find shocking about watching historical dramas is how many people there are around all the time---according to Madame de... (1953) a well-off French household in the Belle Epoque maintains a workforce of at least 3, and the glittering opera has staff just to open doors. According to Shogun (2024) you can expect a deep bench just to mind your household, and again, people who exist to open doors.

Could people....not open doors in the past? Were doors tricky, before the standardization of hinges? Because otherwise, the wealthy used to pay a whole bunch of people to do it for them in multiple contexts, and I find myself baffled.

[lotus-tower]

i have no words

source

[wisebeth]

One thing which genuinely bothers me is Annabeth's perception in the fandom. How she's seen as this cold, stoic, emotionless, reserved and intimidating girl. When in reality, she's a character full of love.

Annabeth, who immediately cried and felt attached to Cerberus after playing with him for a few minutes because she wouldn't get to play with him again.

Annabeth, whose deepest desire, which the Sirens lured her with, is saving Luke and having a good relationship with both her parents.

Annabeth, who believed in Luke's goodness, even after all the countless terrible things he did simply because she had faith in his humanity.

Annabeth, who cried in Percy's arms before entering the labyrinth and refused to reveal the last line of the prophecy because it said to lose a love worse than death and the idea of losing any of her friends is too painful, heartbreaking and worse than dying.

Annabeth, who kissed Percy before parting with him in St. Helens because if he's going to die, she at least wants him to die knowing she loved him.

Annabeth, who took a poisoned knife for Percy during the war because she'd rather die herself than let him die.

Annabeth, who convinced Luke to switch sides by reminding him of the promise of family he gave her. Which in turn, influenced Luke's decision to end himself to destroy Kronos. Hello, she saved the world with the power of love.

Annabeth, who spent months after months losing sleep and searching desperately for Percy when he went missing.

Annabeth, who kissed Percy to eternity in public at their reunion, not caring what anyone is going to say or think. An asteroid could've hit the earth, and she wouldn't have cared.

Annabeth, who told Percy “I love you” when falling in Tartarus because if she was going to die, she wanted them to be her last words.

Annabeth Chase is a sweetheart, who has always felt things deeply and she's so full of love. And I think it's time we let go of the “cold-hearted annabeth” headcanon because it's not true, that's not her.

[marisatomay]

It's so funny that everyone immediately called Eddie gay for doing the Risky Business dance and he is but he also just beat for beat recreated what Tom Cruise did in Risky Business and. well.

[pokimoko]

Asexual bird? Please

How about two asexual birds?

[postmodernmulticoloredcloak]

@bakasara replied to your post “Soooo here I am with more creations from...”:

at this point you've simply adopted the duck. also, the neighbor one... very freddie

​the duck lives there

and well yeah duh :p

[bamboozled-distress]

trans rights!

[livelovecaliforniadreams]

[egophiliac]

(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉

[inkskinned]

the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.

the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.

friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.

if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!

what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!

people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.

you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.

your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[ruubesz-draws]

Minus One meets Emi

Emi is fine... just shooked

[sanshinexx]

In a world where Fives survived

[More incorrect quotes and fanart here]

[sunderwight]

Shen Yuan who glitches in his transmigration, but the original Shen Qingqiu still dies of a qi deviation.

So the System still needs someone with narrative relevance to throw Luo Binghe into the Abyss. In a fit of desperation, it contrives circumstances after Shen Qingqiu's death to move Luo Binghe to An Ding Peak (not that difficult), and then the System makes Shang Qinghua be Luo Binghe's new scum master who casts him down.

Airplane's thrilled, really. Cultivators aren't supposed to get ulcers but damned if he doesn't come close to one anyway. Between Shen Qingqiu and then just a while later Liu Qingge both dying from qi deviations, and Shang Qinghua looking like a stiff breeze could take him out any day now, poor Mu Qingfang is also just about at his wits' end.

But it's not all bad news! On An Ding Peak, Luo Binghe actually finds himself surrounded by the kinds of people who are accustomed to being bullied by the rest of the sect. So they're pretty sympathetic to him, and it's easier for someone with basic laboring skills to advance on that peak too. His chores don't decrease too much, but he actually gets rewarded for doing them well, and no one tries to kick him out of the dorms or anything. Shang Qinghua doesn't either go out of his way to bully or praise Luo Binghe, correctly reasoning that his best shot at not getting a gruesome death is to just be a more forgettable bad guy than an abusive dirtbag or a heart-wrenching betrayal. He doesn't sabotage Luo Binghe's cultivation (no point, and it would just farm resentment later) but he also doesn't go out of his way to help him improve (not gonna arm his inevitable maybe-probably-murderer with better weapons!), so Luo Binghe's situation sees an overall improvement but not the zero-to-hero treatment he'd have got with Shen Yuan either.

When Shang Qinghua shoves Luo Binghe into the Abyss (he just full on picks him up and tosses him like a sack of beans, better to rip it off quick like a bandage), LBH is upset, but he's not especially surprised or dismayed about Shang Qinghua's part in it. Later on he'll be kind of confused, because he just assumed that of course the righteous sect cultivator would abhor the demon, but it turns out Shang Qinghua has been working for a demon since before Luo Binghe even came to the sect? But then it still kind of makes sense because a Heavenly Demon would definitely pose a risk to Mobei Jun and to Mobei Jun's rule. Shang Qinghua, he supposes, is just really loyal to his specific demon.

Luo Binghe's subsequent revenge quest is also somewhat mitigated by the Abyss actually not being that bad.

The Abyss is not actually that bad thanks to the glitched out Shen Yuan having been camping there for several years now.

So when Shen Yuan's transmigration failed it failed because he "woke up" during the process, realized where the System intended to put him, was like no way in goddamn hell am I being that guy about it, and actually kind of won the ensuing tug-of-war. The System couldn't put him in Shen Qingqiu but Shen Yuan didn't want to go back to his dead body either, so he ended up stuck in the nearest available space for lost interdimensional beings. Which was the Endless Abyss.

Luckily Shen Yuan's quasi-transmigrated imparted an equivalent cultivation level as Shen Jiu's to him, and the glitch made him able to sense and manipulate certain extra-dimensional energies, so he manifested as this weird godlike being able to manipulate and control aspects of the Abyss. So he set about transforming Airplane's Torment Nexus into a viable ecosystem (the current version would not be anything approaching sustainable were it not for divine/narrative intervention, and is constantly on the verge of destabilizing into unlivable ruin that would only be fit for some particularly hardy microorganisms).

It's still like, a monster land full of demonic creatures and terrifying phenomenon, but with Shen Yuan's assistance it becomes something more like a demonic wildlife reserve than a dimensional horror plane. Though it is still a dimensional horror plane, and Shen Yuan is its chief dimensional horror. He treats it sort of like those dungeon building or wildlife park sims, figuring out how to keep everything in balance while still preserving all the interesting parts. A lot of the extreme survival issues of the Abyss are more of a result of it being environmentally unstable than a result of its actual denizens, and once he smooths out a lot of the messy dimensional edges and creates stable vents for the fluctuating energy run-off, the demonic inhabits start behaving less like horror movie monsters and more like animals. They're still wild and dangerous and prone to killing one another, but also more cautious, and able to access enough stable resources that they can even start to be picky about what they pursue.

Turns out that a lot of creatures in the Abyss actually don't like fighting and dying and being brutally injured on a regular basis, even if they can heal from it!

Shen Yuan has even discovered that some like chin scritches (he's not terribly worried about habituating them to people, given how rarely any people actually access the Abyss, but also because he's not really all that people-ish himself these days).

This means that one of Luo Binghe's first encounters with the horrible creatures of the Abyss, is in fact a pack of wolf-like monsters thoroughly avoiding an actual fight with him. In fact most of the denizens of the Abyss just avoid him. They can smell the Heavenly Demon energy rolling off of him, and given the current abundance of alternatives to dealing with that, virtually none of the monsters actually choose to challenge him. There are still a few that will go after anything that's bleeding, but that problem stops once Luo Binghe's physiology heals his wounds, which takes like... a couple hours, max.

Despite the stories he's heard, Luo Binghe is relieved to find that the Abyss is not quite so terrible as all that. Normal survival skills suffice for seeing him through much of it. He's able to hunt for food, scavenge for tools, and even finds potable water fairly easily. After a few weeks, he also comes across a ruin which seems to be inhabited.

The being inhabiting it is plainly a god, although he demurs and refutes such assertions whenever Binghe is too frank. He's a strange being, at turns looking like some queer approximation of a human, at other times blinking and winking in and out of existence, in patterns of strange lights and oddly geometrical fire. But he's surprisingly not hostile, letting Binghe rest in his residence, and even directing him towards points of interest. Accompanying him, too, though he seems to think that Binghe doesn't notice the odd almost spiderweb-like patterns that appear on things which he's influencing. The god calls himself The Peerless One, or at least that's what Luo Binghe infers from some writings on the ruin. The Peerless One offers instruction, seemingly without thinking about it, and gets flustered at being addressed by title, so Binghe also begins to refer to him as Shizun after a while.

[p4nishers]

i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down