If ya’ll know Madoka Magica you will understand how beautiful and haunting the art of the witches that show up on screen are.
LIKE
It’s gorgeous.
That unsettling feeling of seeing something beyond yourself, beyond your sense of consciousness and knowing that this could very well be your grave.
It’s a labyrinth of feelings, of misery, of regret, and wanting that traps its victims in a forever.
You know what else is unsettling?
Death.
Death and ghosts and everything beyond it.
So imagine with me then, that the Infinite Realms and those ecto-born and ecto-contaminated don’t see the ghosts the same way.
Amity Park and its residents see the invading ghosts as close to their real form in life as they are in death.
Those not touched by the Infinite?
They see them the same way as witches. Unnatural creatures that unsettles the mind and environment to allow the ghosts access to the living world.
Maybe that’s why Maddie and Jack Fenton do not see ghosts as sentient things. They have seen them as humans see them, things filled with misery and pain, stealing from those too foolish to wander in the Ghosts domain.
The GIW are much the same, seeing the ghosts as the ‘witches’ they are, not what they were.
Danny doesn’t realize how unsettling he truly is, no one in Amity Park baring the Fenton parents and the GIW do.
Not until he is summoned on his first official Kingly summon, unaware of the looming gaping horror that stood staring back down at the humans that lived outside of Amity Park.
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I don't know if I'm excited or frustrated at the 'future children' angle for Susan's origin. On one hand... I'm very interested in the possible links to the likes of Miranda, the Other etc.
On the other hand... ok confession time:
This may make me a minority in the fandom, but I actually really dislike the 80s-90s retcons of Susan's origin. (Birth of a Renegade, Lungbarrow etc.)
I kinda just like her and the Doctor being some of the last surviving members of what was once a family on Gallifrey. I find the mystery and tragedy of what happened on Gallifrey, with implied student uprisings and political assassinations, far more intriguing than any twists saying "actually she's not really his granddaughter". Fortunately, some things can be canonwelded into that (eg. Susan really could be also related to the president / descended from Rassilon), but stuff that actually gives her an origin elsewhere is always a pain.
Idk. I just see once being a parent (and losing it all tragically) as such a crucial part of the Doctor's background and Susan fits very well into that as far as I'm concerned. Anything disconnecting her from that, or worse erasing it completely, ultimately damages what I find to be one of the most compelling things about the Doctor and Susan. :/
The few posts I've already seen talking about this suggests this is an unpopular opinion, but I'd be interested to know what people think, and if they agree or disagree...
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post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do
Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.
Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.
Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.
And then she dies, so he can have his very own fridge wife.
In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.
She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.
So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"
But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;
Tally the genders in your cast. How many are boys, how many are girls, how many are others?
And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.
If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.
It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.
Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.
Or this shit,
If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.
Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.
Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.
(Also remember I'm not a professional or anything, I'm just trying to give advice)
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Feeling obligated to play a game with my brother sucks I don't even wanna do it so it's kinda ruining my mood. Which is funny, it's a game you would THINK it wouldn't ruin my mood, but I only wanna do hyperfixation shit. :/
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Not sure if I need to be concerned by things going smoothly, or by Agatha's sheer glee at the end of this page (impending wild idea?? not a good time for it, with the nebulous time scaffolding and all...)
In the meantime I'll just enjoy the detail work and drama of this page <3
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