#it just honestly fucking sucks

[wewontbesleeping]

UGH I did not manage to get all of my math homework done today even though I literally spent 8 hours on math. after getting home from work. like this shit is truly impossible !!!

[bacchuschucklefuck]

one thing I really really appreciate abt riz gukgak as a character is that he is un-self-aware to the max. he inhabits his body so completely. the arc that would usually be run as "I'm different and unable to connect with my friends in this way that everyone seems to be able to do and so something's wrong with me and I don't like myself" when it comes to riz is actually like no! I have literally no problems or praises for myself personally. I don't stand outside of my own self and judge it. it's phrased as "other people will eventually find someone more important to them than you" rather than centering it on his self-perception. he doesn't know why he doesn't have the best social life on earth even though he's not afraid at all to talk to other people. every time he sees himself in someone else's actions or behaviour he gets startled by it. his latest epilogue is realizing seemingly for the first time that he's not just an agent of causes but an actual character. he's my hero and I want to be him when I grow up

[pigswithwings]

but genuinely if you default to saying that random people and things have psychosis as an insult. you gotta change that. you have to think about why you say that. "this is psychotic" stop that shit. "these people are psychopaths" stop it. stop it what the hell. come on. real people have psychosis you think they aren't already associated with negative things? you think that helps anyone?

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[unpersoniverse]

someone hold his hand :'))

[starry-bi-sky]

Stillborn? No, still born au - Danny’s ghost form

Nothing too fancy here. Just me detailing Danny’s ghost form in the stillborn au :]. My first rule of thumb for every dp au i make is that danny’s gotta have a different design for each ghost form. It doesn’t have to be super drastic depending on the au (like for my dp godling au his suit remains relatively unchanged).

This is mostly so I can mess with character design and also so each Danny can have his own unique ghost form for identification reasons. And because I just want to, which is the most important part :].

Stillborn Danyal, unlike Things in Threes and Yaelokre Danyal, is the first to not have an assassin-based ghost form due to obvious reasons. He was raised in foster care all his life, the League has had no impact on his life beyond being the place where his mother is. But it’s not like he knows that.

As a result he gave me some trouble, and it took me a few days and a ton of frustration to figure out how I want him to look as a ghost. I could just keep him in the hazmat suit and mess around with the detailing, but i’ll be frank, I hate doing that.

Stillborn Danyal, unlike all his other au counterparts, is a fire core ghost like Vlad is. As a result, in his ghost form he can reach extreme temperatures with just a flick of his hand or a switch in his mood. His emotional regulation is shit, and as a result it’s not uncommon for him to let off heatwaves in either form. They’re just more intense as a ghost.

His hair is made of molten lava, and unlike the other Dannys, is not white as a result. It’s an ever constant flow as well, meaning it doesn’t stop flowing where his human hair ends. It just keeps “growing”. Danny routinely keeps his hair braided back because it slows the lava flow and keeps it off his face and arms. When it reaches his past feet, that’s when Danny superheats his hands and “cuts” his hair by yanking it off. It’s completely painless if he gets the right heat to do it. Afterwards, Danny either uses it as a weapon — braided whip, anyone? — or disposes of the excess lava somewhere it can’t hurt someone.

Molten lava ranges around 1,300 to 2,200 degrees Fahrenheit and can either be very fluid or very viscous and stiff. The heat of his hair, naturally, means that the living cannot physically get near him without proper covering. So Danny tends to keep a distance as much as possible during fights so he doesn’t burn anyone.

His emotions also affect the heat and fluidity of his hair. Which isn’t that great considering he can be pretty emotionally volatile thanks to all of his ✨trauma✨. The angrier or more emotional he is, the hotter and more fluid his hair is, meaning it burns brighter and flows faster. It’s very much possible for the lava to cool down enough to solidify into volcanic glass or igneous rock, but considering Danny’s mental state? He just isn’t capable of doing that on his own. Vlad’s hair is also molten lava, but he’s perfected how to keep it in an igneous rock state. His hair also glows bright enough that it’s impossible to see his face from a distance, and seeing it up close is equally as impossible considering all the ambient heat he gives off.

That’s not the only part thats made of lava and magma either. Danny’s hands and feet don’t have skin covering them, it’s crumbled and melted away into molten lava too. They’re the second hottest parts of his body only to his hair. Around his elbows is where his skin begins to crack and crumble into magma, and as a result he wears welding gloves in order to interact with the living world (and some ghosts) without melting anything. He can also run so hot that he can melt a blob ghost.

All fire core ghosts lack iris and pupils, it’s all one solid color. It is possible to shift their eyes into looking more “human like”, but there’s really no point to it and takes more practice and effort to achieve than its worth. Danny’s eyes are all green just like Vlad’s are all red.

Now for his clothes! Danny used to wear the hazmat suit, paired with an old hoodie he owned but didn’t wear often. Uppp until he was brainwashed by Circus Gothica. Afterwards, the only thing that transferred over was the color scheme.

Danny’s new Phantom outfit is designed more for looseness and breathability, but also means that as a result he gives off even more heat. His hazmat suit trapped most of it. He’s now wearing a white, sleeveless turtleneck (yall know the type. I am not immune to tropes and I think it looks good) with black harlem pants with an open slit up both sides and green flames running from his ankles to his knees, and spandex shorts underneath. He’s also wearing white stirrup socks. He wears green welding gloves. Due to the lack of proper footwear he tends to float everywhere otherwise he burns the ground thanks to the exposed skin. It’s significantly less “hero-like” or “scientist” and more resembling something a performer might wear.

As a result however, Danny is consistently cold. He struggles with his own thermal regulation and keeps trying to balance it between his own comfort and the comfort of the living around him. If he retains his own heat and keeps himself warm, he’s too hot for anyone to come near and he melts everything he touches, but if he cools down in order to interact with the world without his gloves and come near the living and only be “uncomfortably hot”, he’s freezing. He’s frustrated by the lack of balance. It was easier to interact with the hazmat suit, but he doesn’t want to go back to it and it’s not like he can either. The exposure allows him easier access to his powers.

Warm, sunny days are his favorite. He’ll sit out on the pavement and soak in the heat like a lizard. Catch him sitting on top of cars during 90 degree weather and just utterly content. It’s not as nice as the ghost zone’s Molten Springs but it’s the second best he can get without going into the infinite realms. The first best thing is going somewhere secluded and safe and just heating himself up into something that’s comfortable and letting his hair free. Nothing like cocooning yourself in your own magma flow.

[bougiebutchbinch]

once again I am yelling - don't fucking send me bottom!logan content. seriously. I'm turning off this fandom entirely because of this. is it really that fucking difficult to respect someone's preferences.

[brainworms-all-night-long]

Siblings right? Can't live without them, can't stuff em back in the ol baby-maker...

(Blood and strangling tw)

[biblically-accurate-dca]

moon n ballora

[wellijustfinnihedoneofthebooks]

Coming out as marius pilled since reading blood and gold

[sundial-bee-scribbles]

a smile would be nice

[spicywreck]

what's great about romeo's daddy by ethel cain is that it can be about devil's minion nasty 70s/sugar daddy era OR dubai rashid!armand wanting to fuck that old man soooooo bad

I stay winning, y'all

[nnoodlewhale]

he fell face first down the stairs and busted his glasses (and Fakir's gut)

[kanansdume]

I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.

The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.

Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.

But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.

So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.

[coern-art-very-cool-and-nice]

sekai au 👊😔

[wishchip106]

i wonder how long it took for charles to get out of his habits and depression after dofp

putting my problems on charles lmao

charles not wanting to change but knowing he needs too because nothing beneficial will come out of staying in his sad little bubble of alcohol and the serum.

i find it kind of unrealistic to just be able to get out of that hole. he would be going through two different types of withdrawal and his ex kinda broke his heart again

the main reason he got out of the house was because logan told him about the future and that his sister was going to be tortured and experimented on

he would also have to get re-used to not using his legs AND telepathy

bro stronger than me damn

i feel like mental health was also definitely not treated the same way it is now compared to the 70s so he pretty much just has hank as a support beam

change is an incredibly difficult thing so i bet it took at least a few years for charles to heal from all those years of drinking and taking too high a dose of the serum and depression. even then he still clearly has some lingering habits as we can see in dark pheonix he resorts to drinking whenever he struggles with something (and this is 20 years after dofp)

this guy crazy forreal