#it isn't how life works

[performing-personhood]

Every time the torment gets bad enough that I start thinking about taking up the hobby of SH, I write notes on myself instead.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[poorly-drawn-mdzs]

The musical episode.

[First] Prev <–-> Next

[nancywheeeler]

hopeless time loop. the way out isn’t to save everyone. the way out isn’t to save even one person. the way out isn’t to change anything. the way out is accepting how it happened the first time is how it always will be. that’s how you acted, that’s how they acted, that’s how you would have acted every time if you weren’t given the curse of hindsight. the way out is accepting you can’t fix the past; you can only forgive yourself for it.

[uncanny-tranny]

Periodic reminder that unless a person specifically and clearly tells you it is okay to tell others they are trans or queer, you should err on the side of caution and assume they do not want you to tell people (especially random people!) about their transness or queerness.

You have no idea, generally, why somebody doesn't talk openly about their trans or queer status, and you have no idea, truly, how somebody might react to that information. The most progressive person out there is still capable of harbouring incredibly negative thoughts about somebody's queer status.

[short-wooloo]

Because the stupid acolyte witches have brought it back to the forefront with their nonsense, I need to remind everyone

DARTH PLAGUEIS DID NOT CREATE ANAKIN

People who either never read or haven't read the Darth Plagueis book in a long time always seem to forget that Plagueis' experiments FAILED

He tried-TRIED to create life through the Force, it didn't work, badly, it didn't work so badly that it managed to piss off the Force which in turn retaliated by creating Anakin, Plagueis' attempt at creating life was so unnatural, such a perversion, so offensive that the Force created a life form for the purpose of destroying the sith

[hypewinter]

Right so what if Danny became a psychologist instead of Jazz?

His friends and family died protecting him. So when he runs away and starts a new life, he adopts traits from all of them (both as a way of grieving and a way to honor them). For Tucker and Sam, Danny splits his free time between being a white hat hacker and a vocal environmental activist. For his parents, he adopts more of their eccentric personality. When he's not in a professional setting, he is loud and in your face about the latest thing he's been working on (he's also just about the most loyal person you can meet).

And for Jazz, his precious big sister, Danny decides to excel in the career path she never got the chance to enter. He resolves to fulfill her goal of helping out those society has deemed irredeemable. The ones nobody else can or wants to help. The first one he starts with, is the Joker.

[eddis-not-eeddis]

How To Stop Killing Conversations

Talking is hard. People are confusing. Making friends is difficult, and interacting with coworkers is tortuous.

You want to make friends, you want to reach out, but it's hard and every time you start a conversation it dies, or limps along until both you and the person you're talking to are looking for excuses to kill it and put it out of it's misery so you can both escape the increasingly awkward situation.

As an introvert who has suffered a lot of social anxiety in my time, let me share a few tricks I've learned over the years going through hundreds and thousands of excruciatingly painful conversations until I found something that works. I've kind of distilled the process.

ALWAYS ASK A QUESTION!!!

The first thing is to always leave your partner an opening. You need to let each other talk for a conversation to get off the ground, but it's more than that, really. You need to actively encourage each other to talk. The best way to do that is to ask questions.

Here are two examples of an introduction: Example A

You: Hello.

Them: Hello.

You: Nice to meet you.

Them: Nice to meet you too.

Example B

Y: Hello, nice to meet you, how are you? T: I’m doing well, yourself?

Y: I've been really well. How are you liking the weather?

T: I'm so happy the weather's finally getting cooler, I'm looking forward to pumpkin spice season. Do you like lattes?

Do you see how in Example A the conversation wasn’t going anywhere? It just kinda died, because there weren’t any openings for new topics, whereas in Example B, there were openings to keep the conversation going.

But what do you do if your conversation partner is as socially inept as you were two minutes ago and doesn't play along? All is not lost.

Example C

Y: Hello, so nice to meet you, how have you been doing?

T: I'm doing well.

Y: That's great, are you enjoying the nice weather, then?

T: Yeah. I'm glad it's finally fall, I'm looking forward to pumpkin spice lattes.

Y: I love pumpkin spice lattes! Pumpkin spice anything, really. I recently got the best pumpkin spice candle at the shop down the road, have you been there?

Even if they don't leave you an opening, you can usually make one. It may be difficult, especially when they don't give you much to work with. This is where having a go-to script is a life-saver--me, I always default to talking about the weather, so when in doubt, you can do that.* The important thing right now is to keep fostering the conversation, so once you bring up the weather, segue into a question. When they answer the question, make a brief comment or observation from your own experience and build off of that comment or observation to ask another question.

"But I don't want to make it about me. Doing that's bad, right?"

This is why that questions are important. If you haven't been asked a question, you kinda have to make it about you, you don't have a choice. But to keep from being an attention hog, follow up your shared experience or anecdote with another question.

Example D

T: I love pumpkin spice lattes

Y: Me too. I had the best pumpkin spice latte the other day at the cafe down the road, have you ever been there?

Now you've circled the conversation back around to them again, and you aren't taking the limelight. Sharing an experience is so important, you're trying to show that you understand, that you sympathize, that you relate.**

This really is the most important element of being a good conversationalist. You have to keep asking questions.

The one other thing I will touch on is introductions. DO NOT get into turn based combat.

Example E

Y: Hello

T: Hello

Y: Nice to meet you

T: Nice to meet you too.

Y: How are you doing?

T: I'm fine. You?

Y: Me too.

This will kill any possibility of continuing a conversation. Instead, get it all out of the way all at once, if at all possible.

Example F

Y: Hi, it's nice to meet you, how are you doing?

This is good, but this is better

Example G

Y: Hi, nice to meet you, how are you liking the weather?

Don't ask how they are doing, or if you do, before they can answer, follow it up with your placeholder (weather etc.) so they have to say some thing like

Example H

T: I'm fine, and I'm really liking the weather.

or

T: Not so great, the weather sucks.

Either of those options are much easier to work with than your basic "I'm fine."

Usually, if you can get past the introduction, you can get a conversation going. And then, even if you don't end up hitting it off with the person you're talking with, you at least don't leave the conversation feeling like you've died a thousand tiny deaths.

In fact, if you get past that introduction, you may have just made yourself a friend.

Remember folks, basically everyone around you is more afraid of you than you are of them, and in this benighted age no one has been taught conversation skills, so we are all pretty much in the same boat. (Unless you were born an extrovert, in which case we are all deeply envious and would probably kill you if we didn't need you in our sad and lonely lives so much.)

Have grace for one another, and for yourselves because talking with people is difficult.

Go forth, and stop killing conversations.

*If you are one of those awful people who likes to brag about how you hate small talk and only want to talk about important and meaningful things, I have one question: Do you ever have a conversation that lasts long enough to become meaningful? I thought not. Small talk is an important skill. Develop it.

**This is how you deal with sad or difficult situations too. When you want to show you sympathize with someone going through a hard time.

Example:

Y: How are you doing?

T: Not very well. My dog died last week.

Y: Oh, I'm so sorry to hear that. My own dog died last year and I still miss her a lot. How are you handling it?

Now you've circled the conversation back around to them again. You aren't making it about you.

If y'all want, next time I can share how to extricate yourself from a conversation.

[front-facing-pokemon]

[seiwas]

instagram dump with your selfship! (model/actor!au sel x satoru ver.)

seltoru behind-the-scenes dump — work days and winding down~

liked by sstoru and others

sellybelly last week's shenanigans ✨ 1: shoot day! 📸 2: nails sponsored by mr. gojo satoru 💅 3. loved our outfits for the awards 🥺 (thank you dior! 💫) 4. that feeling when you change into home clothes tho >> 5. maybe he's pretty sometimes 🙄 6. caught him in the act (texting me during a meeting 😭) 7. satoru in hair & makeup (some good sleep he's had there 🤧) 8. our lil treat to end the week 🍓😋 9. phone hijacked by mr. gojo satoru 🧿🧿 👁️👁️

sstoru knew you were obsessed with me 😌

thanks for the tag my love @tteokdoroki this was so so fun 🥺 tagging: anyone else who wants to do this!! it's so pretty and so fun 🥺

[dawnofiight]

Now presenting: Lucid (she/they)

She's a Seer.

Working for the Sodality.

Disguises herself as a dreamwalker.

She speaks in mostly a whisper because she always has a fucking headache.

Headphones are always on her head.

The way she dies is a bit confusing to her and she has yet to understand it so she takes time out of her day to dissect it.

Because why is there fog and why was she on a boat?

[ganonfan1995]

Burnt out

[naamahdarling]

.

[rearviewghost]

one thing that really fascinates me about alex is his devotion to art – and more specifically, how he chooses to get some inspiration from scientific works of what he aims to implement in his art. every time one gets to examine some of his lyrics, or even how he explains these lyrics in an interview, they can be greeted by some bits of actual scientific information. an example is how he named his taquería on the moon with the term “information-action ratio”, coined by the critic neil postman, and referenced it in the song four out of five, something that might also indicate an interesting articulation with postman's concept. the line “cute new places keep on popping up”, for example, can express his well-known sardonic discontent regarding the flood of information being generated and transmitted over and over and, as much as it seems visually appealing and does give the idea of benefiting from advanced technologies, it doesn't really add anything substantial to the receiver's critical thinking – and worse, it distances the information receiver from the sender in a communication channel, according to postman.

what i'm saying with this interpretation is, it's known that alex is enamoured with the idea of gathering a bunch of references and condensing them into a mixture of metaphors in his writing, but it's so thrilling how, at times, we can find some bits of science inside of it – and it's even more exciting, just like playing a puzzle game, to find these references and analyse them by doing a similar research to what he did to create his works.

[uncanny-tranny]

I think it would really benefit people to internalize that mental illnesses are often chronic and not acute. Some of us will never be able to jump the hurdle of managing illness, much less sustaining a sense of normalcy. Many of us will never "recover," will never manage symptoms, will never even come close to appearing normal - and this is for any condition, even the ones labeled as "simple" disorders or "easy-to-manage" disorders.

It isn't a failure if you cannot manage your symptoms. It isn't a moral failure, and you aren't an awful person. You are human. There's only so much you can do before recognizing that you cannot lift the world. Give yourself the space to be ill because, functionally, you are.

[ishouldbedoingalright]

people act like tommy leaving the date is the worst crime to ever exist and forget that buck is a whole ass adult who can take care of himself