#it is ok for izuku to just be izuku

[justatalkingface]

I just... feel like there was a better way 1-A could've done to get Izuku back instead of... what the fuck happened in canon.

Like only the ones closest to him could've come to get him back because everyone coming and saying all these things just doesn't work because we don't see Izuku interact with them enough to get a sense of that.

Or just have Izuku be too weak to move and just have them talk to him.

Or, just prove he's right in them not keeping up (since it was proven later in the form of Jiro getting hurt and Bakugou dying) by besting them in battle and call them out on what they were doing. Followed by someone else (Can be the starhead guy, the lizsrd lady, or even one of the villains watching the fight and listening to what he said) takes him in for some much needed rest.

But I have a feeling you would come up with something better.

I mean, let's be honest, at a fundamental level, the 'Dark Deku' arc needed to figure out what the fuck it actually wanted and gone from there.

It presents itself as Izuku going through a dark phase, falling into being an edgelord and a vigilante, by the fact he left and gets an edgy new look, but.... he's actually supervised by a bunch of top level heroes? So he's not? Moreover, UA is a school he chooses to enroll in *flashback to Mamadori almost pulling him out* so... there's nothing actually wrong in him leaving, either.

It also tries to say, 'Hey, Izuku, don't abandon your friends! They aren't a weakness, they're a strength! You can't do it without them!'

*flashback to Bakugou being bodied by SFO casually*

...Only to promptly show that, no, he actually had a really good point.

SFO, at least, could trashed them using only one of his (many) hands. If SFO wanted to fight him, and he was at the school, and he had just waltzed up there, all that work would have done shit; as is, everything is going as well as it has only been because the heroes planned out everything and ambushed SFO, while also with AFO being nerfed and idiot balled into being a non-realistic threat for most of the fight. If basiclly every high level hero in the country wasn't on hand to throw down, with Eraserhead in position to instantly slap SFO with a no-quirk clause, with time to evacuate the general area and prepare the school, in other words, without every possible thing going right, UA would have been destroyed in a matter of minutes. Most of the heroes would have been killed, UA would have been destroyed, and there would have been mass casualties with all the civilians there, who also had a good point in that maybe, just maybe, putting the villains number one target with the helpless civilians hiding from the villain has obvious downsides?

But, that's a little off focus: how would I do that better? Well, there's a lot of ways to play it, for a lot of potential resolutions, but for starters, the obvious choice is not to attack him.

Like, hell. That shouldn't be that hard of an idea, Hori; Izuku at this point is suffering from mental concerns, he's pushing himself too hard, he's trying to martyr himself for the sake of others. The solution to something like is not, 'punch him better', sweet fuck.

For example, if you want to show them making mistakes, maybe as a lead up to people realizing they've treated Izuku badly, then have Bakugou attack him, maybe with some other people from the class (but definitely not the people Izuku is actually friends with) and have them be bitched slapped because Izuku should be far over powering everyone at this point, and then have it pointed out that, obviously, attacking him isn't helping. Have Izuku get noticeably worse, maybe, in response, and leave, as someone has that (incredibly obvious) realization that they made things worse, and let them wallow in the 'what have we done' vibes that mistake has earned for a bit, with some retrospective on their interactions with Izuku before now.

Then someone like Ochako, Shoto, or Iida could step up and get to the obvious method: talking him down. Communicating with him, like he's a person with his own ideas and agency, instead of trying to change him by force, and then they go, and they talk him down, and to conclude it all later the attackers then apologize for attacking him, and you know, don't do it when Izuku's dead on his feet.

That's basiclly the canon route, for the record, but played out with more realistic consequences instead of it magically working out for them.

The thing is, you can 'force' someone into working with you, but it's... not done like that. A way to 'force' Izuku into teamwork, instead of fighting him, something that Hori nodded at for a second before it became instantly irrelevant, is Izuku simply needing help, and his friends rescuing him from danger. And if he protests? Even better; that brings it back to Iida with Stain, way back when, with a nice sort duality to it about how much he's grown that he's doing it save Izuku. In this scenario, Izuku has no way to stop them from helping other than words because of the situation he's in, and if they just ignore his protests (again, like Izuku did for Iida), then there's nothing he can actually do to stop them. There's a mild problem in him needing help when he's so OP now, but something the manga doesn't seem to acknowledge anymore is that Quirk users.... are still human? Sure, Izuku can probably dead-lift the Titanic or something, but he still needs to breath. And eat. And drink. In general, all that fun stuff biological beings need to do regularly. Admittedly, it wouldn't fit well with how the manga was heading at that point, which is just people throwing around pure power with no real strategy (though I hate that, so... I see no problem here), but Izuku could simply be poisoned by someone. Invisible gas, poison skin, whatever: no matter how strong he is, OFA doesn't make him immune to mundane human concerns.

Boom. Instant distress scenario, but everyone involved doesn't get treated like a piece of shit.

Another idea is All Might, you know, that guy Hori hates. There were some scenes there, with All Might trying to connect with Izuku, and maybe dial him back a bit, that didn't go anywhere. Build off that, work with it, have it come up more. Have Izuku come to the end of his rope, somehow, physically, mentally, fall into despair, and then at that moment where he's about to give up?

"I am here."

There's so much potential on the All Might and Izuku dynamic from the start that never got explored after a while, about how similar they are, how they have the same problems, how that experience could have been used to help Izuku with his problems, and All Might coming to Izuku at his worst, like he could have used at his worst (instead of having an abusive mentor who only talks in pain, and a controlling sidekick who can't take no for an answer), to help him move past it in a way All Might never could? That could have been so great, it really could have, I honestly miss All Might as an active character who does things so much, and the mentor and student dynamic of the two of them together.

And that's not if Izuku just... had this character arc without them, and had new perspective from talking to all the villains that he's fighting, and you know, Lady Nagant, who would certainly have had an interesting perspective on things.... you know. If she was allowed to have it.

But let's backtrack a bit. Beyond the shitty way it happened, with turning 1A into Bakugou's goons, the other problem with this whole clustefuck is it just... didn't know what it wanted to say. I pointed it out awhile ago, but Hori suffers this with Izuku, who simultaneously was a disabled everyboy who wasn't actually special in any way, symbolizing the heroic spirit and how You Don't Need To Be Special, and the fact that Izuku at this point can murder god.

Izuku is symbolizing both of the conflicting messages of the story, that are almost but not quite diametrically opposed to each other: that everyone can be a hero, and that some people are more special than others. And these messages are something Hori can't figure out what he wants to do with them.

There are ways to do both of these at once, but the thing is that's actually super hard to consistently invoke both of these concepts and not have them cancel each other out, and it's why most stories tend to double down on one or the other.

So, let's look at Dv1A from that broader kind of context:

In the grand scheme of things, this is set up as 'everyone is a hero' message, with the (theoretically elite) 1A working together to not only beat someone who is just Built Different from them, but also demonstrate teamwork, friendship, and so on... except it's really tainted by how they're hunting him, but let's ignore that for a sec.

At the same time, the next arc swings in and all of that, all of that, is basically invalidated because they are helpless to stop SFO.

So. How do we do this better? (Beyond just not having god knows how many chapters of everyone failing to meaningfully contribute in the final fight.) Well, for one, we could better acknowledge the situation this is in, and how it's not black and white.

1A comes to rescue Izuku, Ra Ra friendship; from that perspective, we're assuming they have an actual conversation with him, and they open with, 'Come back, we miss you, we can do this together'.

Izuku counters with, 'But you can't', which is semi-objectively right, but it's also against the message the story wants, which is they're ultimately right anyways because friendship.

So have them simply respond with 'We don't care'.

Have someone, Shoto, Iida, Ochako, Momo, whoever, agree with him that they are, even when viewed collectively, weaker than him, but it doesn't matter, they're doing this anyways. Like a hero, who acts without thinking.

This is a shonen story, at the end of the day. Are they objectively correct? Nope. Is this maybe a poor decision? Sure. But you know what? Plus Ultra. Lean into the fact this is a story, acknowledge the flaws, and then have them ignore it, only to ultimately overcome it anyways with skill, determination, and pure luck.

Because, all in all, not every hero needs to be 'Deku', memetically overpowered, except for this one single situation with AFO. MHA is a setting that could easily support a Quirkless hero, who does hero things, and just... you know, doesn't fight the Demon King, or the High End Nomu, or whatever because that's suicide and they realize their limits. Izuku is stronger than them all, yes, but that fact doesn't invalidate them as heroes, or as his friends, or them working together, or anything like that. This was a place for the story to (try and, even if they ultimately fail because it's way too late at this point) to pull out of the power up death spiral that's overtaken it and say that, in fact, power isn't everything.

And finally, what should have happened is that Izuku should have finally, finally, only at the end of the actual story goddamn it but at least he actually got there, started to respect himself, as a person.

The 'set up' of this arc, short as it was, focused on Izuku's completely lack of self-respect and self-care, how he didn't (and still doesn't) value himself as anything more than a tool to help others, like All Might did, and how he was destroying himself because of that toxic mentality. This was built up, but... it never happened. They fought, they mentioned it to some extent, though that lost its value with how much they were actively attacking him, but we've never seen that new mindset actually, properly excuted; we have yet to see Izuku respect himself.

Fundamental to this set up is his friends pounding into Izuku's skull that he matters. Farther than they did in the story, without the taint of them attacking, they need to say that he doesn't need to be strong, to be a hero, to matter. That him doing this to himself not only hurts him, but it hurts them, hurts his friends, his mentor, his mother, all of who value him as more than just a set up of superpowers in a meat suit. That he doesn't have to be Deku, that he doesn't have be a hero, to be valued, and that just being Izuku is OK.

[toughbunnyforever]

more ponyo au!

extra: (they get older and katsuki can't help but bring up the fact deku was a fish. it may or may not be payback for how cute fish-deku was when they were kids)

[bakudekublogblog]

kacchan going from “rage and revenge” to very softly being like “I hope he doesn’t get in our way” after noticing how much to means to izuku that aoyama has a chance to still be a hero…. kacchan is so soft for one man only

[evelynpr]

The day Izuku calls him "Katsuki" instead of Kacchan while arguing is the day Bakugo's heart explodes and dies for real

[marimeeko]

After the fifth time that Katsuki pops up at UA, surprising Izuku with Bento for lunch, calling him "sensei" in a cocky(affectionate) tone, Kouta just stops at Izuku's desk on his way out of the room and asks him point blank,

"So are you and DynaMight actually dating, or what?"

Izuku sputtering and dropping all of his paperwork and avoiding the question out of sheer dumbfoundedness.

Then, the sixth time that Katsuki barges in, as he is thrusting the bento into Izukus hands as usual, Kota raises his hand, and stands up from his seat and yells out,

"DynaMight, sir!! Pardon me, but are you dating Deku-Sensei??" And the whole class gasps and whispers. Katsuki appears just as dumbfounded as he looks wide-eyed at Kouta and the students.

"Kouta!" Izuku balks, but then Katsuki suddenly grins mischievously. Izuku doesn't trust that look...

"Well, brat, maybe I SHOULD date him, then I could make sure Sensei doesn't forget to eat every day, right??" Katsuki looked entirely too pleased at the louder gasps and chatter that came from the students. He has a wicked grin as he turns his sharp red eyes back to Izuku.

"K-Kacchan, what are you doing?!" Izuku stammers, beet red and grabbing his arm. "This is not the time for--"

"If you don't want me disrupting your class, then stop leaving your Bento in the fridge!!" Katsuki scolds Izuku before swinging himself back out of the open window. There was a fresh wave of gasps and excited murmuring at the insinuationthat the two lived together. "We're ROOM MATES, OK?" He adds hastily, pointing his finger at the noisy classroom of kids.

He drops out the window and blasts off.

Izuku is left, stood at his desk, hands planted and hanging his head, trying to collect enough of himself to quell the riotous theories now flying around his classroom.

Kouta stands at his own desk amidst his unruly classmates, eyes narrowed as if he had just realized something, "I knew it!" He hisses.

"You're the worst," Izuku texts Katsuki later.

"I know" katsuki replies.

"Now eat your fuckin food or I'll stop making it for you."

--

I think I was inspired by this art post ^^;

[pikahlua]

I just need everyone to understand the reason I know Izuku's self-sacrificial traits are not condemned by the MHA narrative is BECAUSE Katsuki admires them. Katsuki is NOT slowly coming to fear Izuku's self-sacrificial nature over the course of the story and growing protective of him for it; Katsuki's coming to the realization that those self-sacrificial traits are what he was always awed by and afraid of. It's the way Izuku is--and that's what Katsuki wants to be like.

That's why he felt like he lost at the sports festival, because Izuku's self-sacrificial nature achieved the most heroic outcome (Izuku sacrifices his pride and the advancement of his hero dream to make Shouto into a better hero than he ever would've been if Izuku had not saved him), and Katsuki could not match that AND HE KNOWS IT.

That's also why he saves Izuku in the Paranormal Liberation War, because he recognizes what an amazing hero Izuku can become and in the process learns to express that same self-sacrificial trait he never knew he had. He's protective of Izuku's dream, the ideal Izuku represents. The whole "One For All may be a cursed power, but--" line was probably meant to end with "but it's his power, it's allowing him to be a hero, it's allowing him to have his dream." IT'S AN EXPRESSION OF HIS ADMIRATION OF IZUKU'S HEROISM AND HIS DESIRE TO KEEP IT ALIVE.

I just need everyone to knowwww.

[katsukistofu]

we are made of stardust

contents ౨ৎ ⋆ i. midoriya x fem reader. 0.8k words — childhood friends to lovers. fluff. astronomy references.

It's hard for someone to pinpoint their earliest memories. Maybe it was the moment they blew their candles out on their first birthday, or when they scraped their knee while learning to ride a bike.

For you, it’s the smell of lavender fabric softener.

You think your earliest memory is of the sight of his freckled cheeks, with nothing but the green light of the glow-in-the-dark stars on his ceiling illuminating them.

Of sleepovers, reading the most recent copies of your favorite manga that you picked out from the library together under the blanket, holding the coolest pages up for the other to see, and hurriedly tucking the books under his pillows when Inko came in to check if you two were sleeping.

You remember his giggles as he tugs at the blanket to cover the both of you, big deep forest eyes dancing with glee. ‘To protect you from monsters,’ he whispers, only five years old, yet saying it with the unwavering confidence of All Might in those videos he loved to play to death on TV over and over again.

Inko chuckles, noticing you two once again rewinding the video for the third time, entranced by all might as he saves cats from a tree while rescuing civilians from an explosive villain, “faster than the speed of sound!” the title reads, while placing a plate of sliced fruit on the coffee table. He was starting to grow out of his favorite All Might onesie now.

Would he ever outgrow you?

Just as the moon orbits the sun, you can’t remember a time when you weren’t stuck to his side.

You’re the one holding his hands in the pool when he ditches his floaties for the first time, slowly guiding him as he kicks and kicks, holding him tight and not letting him sink.

You’re the one jumping and stomping on his bullies' sandcastles at the beach, when they try to ruin his first.

Accidentally, you’re the first one he tells when he passes the entrance exam for UA. He was calling his mother on the phone when you overheard him saying not to tell you yet, because he wanted to surprise you in person. His mother and you prepare a cute little party for him before he gets home, and upon opening the door to the apartment he’s greeted with a rain of confetti and a table full of his favorite dishes.

Streamers fall around him, and his eyes light up like shooting stars as he hugs his mother and you in his arms. ‘Proud of you, crybaby,’ is what you fondly whisper in his ear and between tears he gives a choked up little laugh.

Just as the earth needs rain, he waters your gardens and tends to your flowers.

He frowns when you frown, cries when you cry. It’s been over a decade but you’ll never forget the big fat tears that ran down his face when you jumped off the swings a little too early and fell on your face. The fourth grade teachers thought he was the one that got hurt.

When he places a bandaid on your knee with a worried pout on his lips, he lends you his light, and you shine it back.

Only five years old and in your mind, he was already a hero.

“What are you thinking about?”

Your eyes flutter open at the sound of Izuku’s soft voice. His firm thighs support your head from underneath and you wonder if he’s been working out even more than usual. He grins at your dazed face.

“Were you sleeping on me?” He teases. “For free?”

You roll your eyes as a yawn hits you, stretching in his lap. “Sorry I actually forgot to bring my card with me for this nap, sir.”

“My services aren’t cheap, you know.” He fakes a huff like he’s being scammed big time, and you have to laugh. He was so cute when he was dramatic. “I guess I can start a tab for you.”

“Aw, thanks.” You deadpan, and he snorts in response.

Taking his hand in yours, you trace the scars along his skin, addicted to the feeling of where rough scars meet his soft, baby skin.

He can’t help but blush.

He still gets it, this look in his eyes, like when he makes an observation he’s never realized before amongst his mutterings. Whenever he sees All Might merch on display in store windows, despite already owning most of it already.

But even more so, when he looks at you.

His gaze softens as he admires you in his lap, the slope of your nose and the shape of your mouth that his lips must have traced over hundreds of times by now. When he received that fateful golden strand of hair months ago, and after his mother the first person he thought of protecting was you. Though he knows you’re more than capable of doing it yourself, he wants to. He wonders if you realize it, the reason he saves. If not, he’s willing to remind you, over and over again until it’s woven into the beautiful constellation of your brain.

You’re the one that’s always been his hero.

[thegradus2]

Rodydeku lyricstuck :P

I havent listed to 21 pilots since 2015 but the lyrics just fit rodys pov so well!!! Rodydekunation rise up 💪

[silke-sukkermaas]

Arghh I’ve finally created this drawing I’ve been wanting to do ever since I first read this chapter. It was truly brutal. I could barely look at the screen while i read it!! Anyways yea this is from chapter 40 of Anyone by @gentrychild :D

[newtscamandersbf]

those my hero academia fans mad that the shounen hero manga is about shounen heroes and not romance (they use izuku as a self-insert) (theyre losers) (they lack media literacy and think that a girl having a freshman year crush means they have to get together by the end)

[bibibbon]

Chap 429 made me realize I can't stand Class 1A anymore, I like individual students like Tokoyami but as a whole I can't stand them. Their bond is so artificial especially when none of them gave any concern about Izuku's well-being throughout the first year and took Bakuhoe's word immediately. Plus, they are mostly flakes riding off of Izuku's heroism and hard work during the Villain Hunt arc. None of them doing were jackshit about the criminals including "Symbol of Victory" Bakuturd until they remember that Izuku exists. The fact that Hori never lets the students addresses or think about Izuku's quirkless nature after the OFA reveal is something I will never forgive Hori for.

Hori tries so hard to glaze them as this unbreakable team of heroes, but he cheats using plot armor and plot contrivances to make his point seem valid but most of these kids would be dead if the villains were allowed to kill them instead of Hori holding them back with puppet strings. I hate to sound deranged but if some of the students had actually died during the first battle then I could see 1-A actually building a bond and realizing how precious life is and the dangers of being a hero then their concern for Izuku's well-being would seem more valid after all of the other crap they were ignoring about.

Lastly, I hate that damn poem that Hori claims was the inspiration for Deku because it feels like an excuse to justify his narrative abuse of Izuku and deny him any moment of confidence or pride in his achievements. This was supposed to be the story of the Greatest Hero not Class 1-A nobodies. Meanwhile he is too busy celebrating Bakuhoe's moments for during the bare minimum and fans on reddit and elsewhere eat up like its pure cinema or something.

Fair enough it's not that I actually hate class 1A but for some reason I can't simply believe that their dynamic is one of a little happy found family. I just can't and its probably because there's too many characters and we don't get the screentime needed for them to develop such a dynamic.

That is to say I don't hate class 1A like I love the individual characters like tokoyami, iida, jiro and I even love the little groups they have or at least the potential that was in those groups and dynamics.

It doesn't help that it's class 1A that gets the whole we are all heroes thing and the whole we will be there for you Izuku in the vigilante arc. I don't know it falls flat and becomes underwhelming simply because their dynamic isn't well built neither is it well developed. Also them saying they care for izuku seems like it's quite difficult to believe considering that we haven't seen them voice concerns over Izuku's injuries or even visit him during the first war arc when he was in a coma but maybe that's me saying too much because they were in a war and everyone was busy with stuff and trauma.

When it comes to the whole thing with bakugo I personally think that he was supposed to be a minor character for izuku to surpass but him being Izuku's symbol of victory and all of that shows us exactly that izuku hasn't DEVELOPED AT ALL IN THE SERIES!! izuku has continually been an incredibly static character and the ending shows that. Izuku still thought of OFA as a gift from all might instead of his own quirk, he literally never understood the wrongs of the hero system and he never stops viewing all might as this big hero who does so much. Like ugh this could of been things that izuku develops from and becomes a better person but I guess not.

Realistically many 1A members should either be

1) expelled (how is mineta and bakugo still there)

2) dropped out (Iam sorry you're telling me all of these kids parents let them contribute in this bs like are your parents that bad)

3) dead (you're telling me in a field of naive and not properly trained first years none of them have died really?!?!)

These factors would definitely make 1A closer to eachother and would show that they would care a lot more because of what they experienced and what they might blame themselves for what happend previously and it would be realistic/make sense within the series.

Also less 1A members would show just how competitive and tiring the hero course can be (proving aizawas words right) and it would also make the characters big moments that hori gave them have more actual suspense and impact within the narrative and plot.

I have mixed feelings about the poem and the post "the uselessness of izuku midoriya" while I do think it's a good post that shines a different perspective onto things Iam also just not a fan of the concept. I suppose it's because I don't think MHA was built in a way where it's story is a tragedy, like I don't believe tragedy suits the plot of MHA especially when it's not being treated as one.

However, I do think that it could be used as something that izuku starts with at the beginning and then develops into something much more. I think that having izuku choose the name deku and then developing into the name deriku would be fitting just how I would of liked for him to develop from someone whose acknowledgements and influence aren't recognised to someone whose achievements are recognised but not overly praised or anything of the sort something like having him be somewhat of a myth someone whose influence is known but works in the shadows (not literally) but he isn't directly known and isn't like all might. Ugh I don't know how to word it but I hope you understand. I suppose the closest example I can think of is Kim dojka (minus the angst)

(for context this is the poem I assume you're talking about)

Edit

I suppose this maybe better phrasing to what I was trying to say last paragraph.👇

[lerrryyyyy]

Them 💚🤍❤

°°°

Do not edit or repost my art.

[alumirp]

The Good Citizen

An AU where Izuku is just an ordinary boy. He never meets All Might and has his application for Yuuei's entrance exam rejected because of his quirkless status. He still wants to be a hero, but then again, he's just a normal kid with a mom who works two jobs, and since he failed to get into his dream school, he still has to get into another one, he doesn't have time. to go to the gym or learn to fight, or whatever. And yet, he wants to be a hero, so he grabs a pair of old skates and a stick. And he sneaks out the window at night, intending to be a vigilante.

But like a normal boy, he's a bit of a coward, so when he encounters his first crime, instead of getting involved, he calls the police. He calls the police and hides and is delighted when a police car arrives a few minutes later and does its job. And then he repeats that, goes out, finds a crime and calls the police. And repeat. And the next time, he identifies himself as "Good Citizen" when the person on the line recognizes his voice. And the name sticks. And Izuku keeps it, thinking of it as a way to keep his identity safe. But one day, 'The Good Citizen' calls the police on a group of men beating up a guy. And next he stops a man from harassing a girl.

The mens who beat the guy are part of a powerfull gang and their high-rankers discovers that the person who reported them was the same person who has been making several reports. The old man who harassed the girl was an important member of the HPSC, whose arrest creates a huge scandal

With this he successfully angers the villains and the HPSC all at once. Next week there's a bounty on 'snitch's head. And an arrest warrant for the vigilante who is 'an enemy in the making for the society of heroes'.

Then a race begins, villains and heroes mobilizing to kill/arrest one (1) well-intentioned green bean.

And, out of nowhere, this all becomes Aizawa Fucking Shota's problem.

[bakudekublogblog]

the way katsuki just IS izuku's first love drives me nutty. like he just had a big ole crush on him with his huge-ass heart eyes and he chased him around with maximum puppy-love smitten energy

[evelynpr]

MHA ships and the "All Might Blessing"

Save to Win, Win to Save

The All Might doll

The dynamic duo

The one missing AM hoodie of his collection

[granny-griffin]

and as much as I kinda wanted to see midoriya have a big hero breakdown after the war, it almost feels more in character that we didn’t see it—because Midoriya is the one telling the story, and he’s not the kind of person to focus on his own feelings like that