#it hurts you but it makes sense

[donde-el-diablo-parquea-la-moto]

Foolish is too good for this world.

[wasyago]

so, would you?

nothing important under the cut, you don't need to look haha

[theminecraftbee]

you know the excellent quadruple life fan comic has me thinking about double life again. and MAN. thinking about the soul bonds mechanically. like, before I get into my meta-analysis it’s worth noting that non-diagetically the soulbond mechanic being based on how many hearts someone has is basically the only way I can think to do it in minecraft that’s sensible, but diagetically…

so do you ever think about how the marker of what made people soulmates in double life was pain?

like, soulmates share injuries/pain! that’s the whole premise! like, to the point that day one people were making up elaborate ways to hurt themselves so they could test for their soulmates! you met your (very romantic-coded) partner and confirmed they were the person you were looking for by hitting each other, generally!

being a soulmate in the double life universe isn’t about being compatible, it’s about literally sharing pain, and it’s just… I think about how for some pairs, they share the burden between each other, and it brings them closer. for some pairs, though, the only way they know how to communicate is by hurting one another. and the thing is, this isn’t just a literal thing. like, mechanically, the thing soulmates do is share pain and communicate with pain, but metaphorically, can you say desert duo doesn’t have trouble communicating because half of how they know how to exist is either sharing in pain or causing it for each other? can you say that ranchers’ strength wasn’t a pair of people who understood each other’s pain and desperation to be better than they’ve been before? can you say that divorce quartet isn’t, well—

so pearl wins after scott hurts them one last time don’t you ever think about that,

[iristial]

[aliettali]

out of your friends which are you?! (skilltobers 13, 15, 16, 17, 18)

[demaparbat-hp]

“Zuko?” Ming searched for the Prince in his silence. He was staring intently out of the window, mouth blown wide open, eyes distant and awed and sincere. Oh. His whisper was a fragile, breathless thing.

“We're here.”

Ming’s doubts and concerns are hers alone, but that doesn't mean the rest of the Crew doesn't share them. This sudden mission, Zuko's change in attitude, his obsession with the Water Tribes...

Ming tries to discover the root of it all in For the Spirits Chapter VIII: Make You Stay, but will Zuko let her in?

[claraoswalds]

The Girl Who Died // Hell Bent

[sysig]

Ah, childhood memories (Patreon)

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[wistfulwatcher]

bau members + near death experiences

[that-foul-legacy-lover]

Alright I gotta ask. When it comes to Melusine Creator... how does Neuvillette fit in? He basically sees the Melusines as his daughters, so what would he do when he learns of a new Melusine and their abyssal guardian? How would FL react? Would Neuvillette Know? I need answers!!!

teehee excellent you walked right into my trap >:) sit down, sit down, make yourself some tea

Neuvillette is a little confused when Sedene cheerfully tells him about the new sibling she and the other Melusine have welcomed into Merusea- as far as he knows, "new" Melusine aren't really a thing- but simply shrugs it off at first as his children being carefree and whimsical... until he overhears Menthe tiredly mumbling about a giant creature the color of night that sparkles like stars, and the Iudex's blood runs cold. he sets out towards the village the moment his work ends for the day, diving into the water and under the earth before surfacing in familiar caverns, ones he's had memorized for hundreds of years. Cosanzeana greets him cheerfully, with the same flower garden as last time, skipping alongside her father as he ventures deeper into the village, coming across a new seashell house tucked away in the corner

Neuvillette's eyes widen when he settles his gaze on an armored monster, wings all tangled with starlight, gently cradling an oddly patterned Melusine, similar stars in their eyes. the beast growls at him, holding the Melusine closer as they begin to shiver fearfully

it's you, the Creator- he knows it is. but how? perhaps the god of everything has a similar method of rebirth as he does... whatever the reason is, Neuvillette quickly gives you a deep, firm bow, keeping both of his hands in front of him, and the Abyssal creature's hisses slowly fade into soft purrs as you raise a mittened hand and pat it on the head

with your safety intact, you tell Neuvillette everything, the Hydro Sovereign listening with mounting horror. no wonder you wanted to stay hidden in Merusea- the only ones who showed you any kindness were the Melusine and this monster, the one you called Foul Legacy. you plead for him not to tell anyone, about you or Legacy, and he gives you his word as Iudex that he would make sure no harm came to you and your friends- after all, you were beloved by all of his children. as your disciple, it was his duty to protect you whenever necessary... although, with how you won the friendship of an Abyssal creature of all things, Neuvillette is sure you'll be well defended

so the Dragon of Hydro tells no one of his brief trip to the countryside, not saying a single word of what he found, for now

[fantasyinallforms]

Ok, look at me real quick because I'm tired of explaning this to full grown adults. You can NOT support generative AI and still claim to care about artists and writers in the fandoms you participate in. So that means if you spout pro generative AI rhetoric, and it gets you ostracized that is NOT the community or fandom being unfair or cruel to you. That is simply the conciquences of your own actions. Full stop.

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags

[chrissy-kaos]

Why.. why does this always happen to me 😭

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[kanjichris]

"why don't you want him to know how much you love him?" "that's a little personal. he knows." "uh-huh."