#it has me trapped

[aurnadri]

poor thang

i like seeing him put through situations i don’t like him

fan art for @paranormal-peri based off chapter 7

without border under cut

[axoqiii]

augh

[fanaticalthings]

I want an AU where after Jason gets brought back to life, he channels his inner rage and turmoil into the academics instead of murder

Talia has like infinite money and a crap ton of influence, so she can absolutely get Jason the best tutors and can easily get him into the most prestigious schools if Jason wanted to (she doesn't need to do that though because Jason's just smart enough to get into them on his own)

The major he chooses? Med.

Why? Because Bruce dropped out of med school.

Jason practically flies through all the secondary education that he needs to catch up on and is already en route to earning his bachelor's AND his master's.

And it'd be so incredibly funny if the way Bruce and Jason reunite in this AU was purely by coincidence.

Bruce (as Brucie Wayne) offers to show up as a guest lecturer at Hudson University (the school Dick attended but dropped out of so double points for Jason), maybe to talk about future career paths and job positions at WE idk

So as Bruce is just wandering around the campus, he randomly bumps into a student and immediately puts on the Brucie act and is all "Oh my, I'm SO sorry, I'm just a klutz haha" only to stop dead silent when he makes eye contact with a very alive, very grown Jason Todd, who also stops dead in his tracks, mouth agape, staring at Bruce like the world's about to end

And before Bruce can get his thoughts straight, Jason just bolts out of there like his life depends on it, and Bruce is just in shambles for the rest of the day.

It doesn't help that the person giving Bruce the tour is all like "Oh yeah, that's Jason, he's one of the heads on our student council haha, anyways, this way, Mr. Wayne." and Bruce is just stood there bluescreening.

----

Alternatively, it'd be kinda funny if this all happened AFTER the events of UTRH where after the final encounter with Bruce and Joker and the whole explosion, Jason's just like "yk what, maybe I'm just gonna turn over a new leaf and pursue a higher education"

So while Gotham's still reeling from the aftermath of Jason's near takeover as the top crime lord and Bruce is still painstakingly trying to figure out where his son went, the whole time Jason's just been chilling on a school campus and Bruce just so happens to bump into his son (who, last time they met, tried to kill Bruce and blew up the building they were all in) and Jason's just all normal-looking with his textbooks and nerdy glasses and Bruce doesn't know whether to scream or cry.

[lucabyte]

monologue

[bruciemilf]

Absolute “can my friends and I have a sleepover” energy

[sop-soap]

TMA begins with a lure, but TMAGP begins with a warning.

[twistcmyk]

*person in the ‘70s voice* Big Bear Babes

[shithowdy]

if you are an artist just trying out commissions for the first time as holidays come up, my advice to you to avoid burnout is have a clear ToS that states what you do and do not want to do.

not what you can and cannot do, but what you do and do not want to do. don't try to be the cheesecake factory of commission artists and take every single commission even if it doesn't suit your style or preferred subject matter. don't write a little disclaimer about how you aren't very good at backgrounds or vehicles but will do your best; that's how you get a client that for some reason wants a full brooklyn cityscape from you and suddenly you have spent five months stressed out and guiltily avoidant of other projects. just say you aren't offering backgrounds.

if you're not interested or confident in concept and design, be clear in your ToS that you need specific references for things like clothes and features. coming up with design ideas is a completely separate skill from rendering them; figure out with what you are comfortable before accepting the task. a lot of clients themselves don't understand that saying "do whatever" is basically tasking you to design for them, something for which you are well within your rights to charge accordingly.

pick your niche and hone it, and stretch your comfort zone with private work. you'll figure out as you go just how far your comfort zone stretches and can update what you offer accordingly.

[gemsalive]

re: that HEFTY siffrin sweep on id5’s isat favourite blorbos poll — this might sound silly but i do actually think it’s kinda fascinating that isat, as a game so inseparably steeped in (for lack of a better way to describe it) queer fandom culture, managed to so completely sidestep the common Fandom Phenomenon that i suspect was behind the poll in the first place by creating a main character that is also overwhelmingly the fan favourite character for once.

obviously there are any number of factors we could point at to explain the extent to which siffrin nomiddlenames nolastnames manages to grab people and absolutely not let go, but personally i think one of the most interesting ones to consider is the one specific to the medium — that is, how siffrin subverts the “silent blank slate video game protagonist” archetype in such a way that happens to be primo brainrot breeding grounds.

like, when a video game dev makes a silent protagonist it’s usually a bid to maximize immersion by closing the aesthetic distance between player and character as much as possible, right? which is especially true of rpg video games — players find connection in the generic, as that is what gives you the freedom of motion to insert yourself into the story in whatever unique shape suits you best. you are your character and your character is you.

(as ever, post ran long. yall know the drill. tossin in a quick header pic before thoughts on blank slates & blorboification continue under the cut)

and then you’ve got siffrin, who is expressly pointed out to be the taciturn type; who when initially giving the player exposition about their journey so far doesn’t seem to hint at a life or history or even really any motivations outside the journey; whose every thought and action is narrated in second person so as to keep tracing and re-tracing the connection between him and you.

even their design — all darkless and shapeless, bundled up in that big cloak, as if an invitation for you to fill it in with whatever lets you relate to them most! at this point they are their own character for sure, but they also have enough very clear parallels going on with the silent protagonist archetype to feel more than accidental.

of course, as you keep playing you start to recognize that his blankness is much, much more than just a grab at immersion; his apparent lack of backstory, itself a fundamental piece of backstory. this is where he flips dramatically in the player’s perception from “generic vessel for story delivery” to “thoroughly multidimensional character trapped within endless torment nexus custom-built to target and exacerbate all his very specific worst traits rooted in very specific traumas”.

yknow, the good stuff !

but by then you have also been playing enough to be feeling the effects of the thing isat’s design does best of all. i’m talkin bout that ludonarrative lockstep baby. every piece of isat’s gameplay is designed to make you feel what siffrin is feeling — you understand by now that he is not a stand-in for you, but all the same you share in his frustration, his grief, his rare moments of joy and the subsequent heart-in-your-shoes devastation when that joy is inevitably poisoned — and through it all, the desperate grasping for anything new — all as if they were every bit your own.

so in this way the connection is maintained, even if you were someone for whom siffrin’s particular traits & struggles might not otherwise cause you relate to them at all if you had encountered them elsewhere, in a setting where you weren’t actively controlling them as a player. siffrin still gets to carry all the “just like me fr” impact of the blank slate protagonist in the tropes he embodies and in the game mechanics’ design, while totally free to evolve completely into his own character and keep you relating to closely them all the same. now toss back in the fact that said traits & struggles very much ARE of a flavour that a great many people Would Tend To Relate To and just like that you’ve got a perfect storm cookin.

too individual and compellingly written to be an empty vessel for plot delivery. too closely connected with the player’s emotional state to be a story observed impassively from the outside. he has 92 mental illnesses and for the low low price of free u can give him yours to carry too. nobody is doin it like him. congratulations on your well-deserved nose sniffrin nomiddlenames nolastnames <3

[counting-stars-gayly]

This might be a hot take, but I actually like that Percy figured out Luke was the traitor at the last minute. There were A LOT of clues that would’ve been hard to ignore, and he ignored them for as long as he could. And it’s clear that even after accusing Luke, he’s still surprised and heartbroken at Luke’s confirmation of his suspicions. He was holding out hope, guys!!

Also, the Betrayal Scene flows better as an exchange of dialogue and a swordfight than it did, in the books, as a monologue and a scorpion sting. This also leaves a bigger impact on the viewers and characters because it’s more emotional.

[paper-cities]

@canisalbus

[yourlocalabomination]

I HAVE BEEN FUCKING VINDICATED- ITS GREEN

Go wild with this pic lads.

Also you guys are so welcome for me asking btw xxx

[crumb-crumblet-s-crumbington]

sorry

[somegrumpynerd]

Texting the homies for help because you fell asleep and got turned into a living body pillow

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

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[appropriatelystupid]