#it had such a profound impact on me i think I've even posted about it on here

[spurgie-cousin]

during my spiral today my husbo asked me "what's your favorite movie/TV scene where they're doing something in Slow Motion to a Great Song" (he worded it better I just can't remember how) and he did that in an attempt to get me thinking for awhile

but jokes on him because I have that answer locked and loaded: hotel fight scene from Letterkenny, season 5 episode 1 "We Don't Fight at Weddings", just a beating the shit out of (bad) people to "Fuck the Pain Away".

edit: I did not type husbo that was an auto correct, but I'm leaving it

[duhragonball]

Akira Toriyama (1955-2024)

I wouldn't say I'm feeling better today, but I'm feeling less bad than yesterday. So let's see if I can put some words together.

In case anyone still hasn't heard, Dragon Ball creator Akira Toriyama passed away on March 1, 2024. This news was made public on March 7 or 8. I woke up early on Friday morning and found out while I was checking Twitter. I had a long, busy day at work, and I kept getting on my phone to scroll through fan reactions and tributes.

I think that, more than anything, is what's gotten me so worked up about his death. My Twitter timeline and my tumblr dashboard were just chock full of touching message and images about how Akira Toriyama's work has changed their lives. I wanted to write my own tribute, but I'm not sure what else I can say that hasn't already been expressed by Archie Comics, professional wrestling trio The New Day, and the Republic of El Salvador.

There's this immense, global community of fans, and it's easy to lose sight of just how big it is. It's easy to get bogged down in the infighting and petty squabbles. I saw one tweet responding to the criticism of Dragon Ball not being like this "entry level" franchise compared to other, more high brow anime and manga. It's popular with so many people, that critics will assume it's designed to appeal to the lowest-common-denominator. But the opposite is true! Dragon Ball is accessible, which is how so many people from so many different places and walks of life can get into it. The guy telling the story was such a master storyteller that he could grab an audience's attention and make it look easy. So easy that the haters would start to think that it was a trick, and he must be overrated.

Let me talk about this panel for a minute.

Last night I started going through the original manga, looking for panels to screencap. I wasn't sure what I wanted to do, but I thought maybe a selection of panels that really stood out for me might be worth posting. I'll probably still do that one of these days, but I got to this one, where Gohan tells Chi-Chi about Goku's death, and it hit me like a ton of bricks.

This was a powerful scene in the anime, of course, but in the comic it's even more profound. It's just one panel, no dialogue, because the reader already knows what's happening here. We know Gohan is telling his mother that Goku died in the Cell Games, and that he refuses to be wished back, because he thinks his presence on Earth will attract new enemies. It was hard enough to hear when Goku said it to Gohan and the others, and now Gohan has to relay that message to Goku's wife. All she can do is lie prostate on the floor and weep.

And look at the composition. She's surrounded by all that negative space. Gohan's there for her, but she still feels so alone, surrounded by her husband's absence. Pots of flour for food he'll never eat. An empty chair he might have sat in. Their son, who will have to grow up without him.

I saw this, as though for the first time, and it was so gut-wrenching that I had to post it by itself. I felt like it summed up my feelings better than any words could. We're all Chi-Chi in this panel, reacting to Akira Toriyama's death. And we're all Gohan too, each of us consoling one another with our own thoughts and tributes.

So what did Akira Toriyama mean to us all? Lots of people have answered this in a lot of different ways. Obviously his art, storytelling and cultural impact speak for themselves. I've seen people compare him to other luminaries like Jack Kirby and Osamu Tezuka. I'll try to add my own two cents with this:

I wrote a post about "Dragon Ball Daima" back when it was first announced, and I led off with this image of a note from Akira Toriyama. I guess this was from some big fancy presentation about Daima at a convention. I forget which one. In particular, I was skeptical that the Daima rumors were even true, and if they were, the whole idea seemed half-baked to me. Turning Goku into a kid had been done before, and it wasn't exactly successful the first time.

But this note from Toriyama was very reassuring to me. More than the trailer clips and character designs, this was what got me interested in the show. That's because he took the time to not only hype up the show, but also to explain what's going on behind the premise. He took the time to tell everyone that he's working on this show, and what "Daima" means, and why all the characters get turned into kids. It's "due to a conspiracy", and the good guys will have to "fix things". In short, he established a plot, conflict, and resolution to the story. He didn't just slap this together to sell new merch. I'm sure that was part of the motivation to make Daima, but there's more to it than that.

I think that's the loss I feel with Toriyama's passing. It's not that there won't be new Dragon Ball stories in the future. I'm sure others will continue telling their own versions long after I'm gone. I'm not that worried about the fate of Daima. I'm sure they'll figure something out, whether it's delayed, rewritten, or canceled. But we'll never see another message from Toriyama to promote a new project, and that's what I'll miss. From here on, his credit will just be an acknowledgement of his past contributions.

There's this great credibility with Akira Toriyama's name. Fans will argue about how involved he was in a project as a way of establishing how good or bad it was. Dragon Ball GT has his name on the credits, and he provided some designs and artwork early on, and for some fans that proves the series has his endorsement. For others, the sole problem with the show is that he wasn't directly writing the script. There's similar debates over Dragon Ball Super, where he was involved, but only writing those mysterious "notes". So if a fan doesn't like something in DBS, who do they blame? Did Toriyama lose his touch, or did his co-creators fumble the ball? Dragon Ball Evolution basically ignored all of Toriyama's advice and bombed, while Battle of Gods, Resurrection F, Broly, and Super Hero all put Toriyama's writing credits up at the very beginning, and each film made plenty of money. I read his comments on the Daima confirmation, and immediately thought "Okay, this should be pretty good. Akira Toriyama knows what's up."

That's gone now. I mean, there's still a lot of talent out there, but we'll never again have the little gas mask-wearing robot telling us that this story will be good because he worked on making it good. I don't think I really appreciated how much I trusted that guy until now. I still can't believe he's really gone.

I'll probably have more to say about this in the coming days, but I'll stop here for now. Thanks for letting me ramble a bit on this.

[thelaurenshippen]

How much of an impact has writing and consuming fanfiction had in your writing career?

I ask about fanfiction specifically because it's such an open communication sort of media, it's so easy for author and reader to interact. Do you think you'd write differently if you'd never been in the Fanfiction community? What do you think has carried over from those works and interactions into your current works?

ooh, such a fun question! I've never really thought about this before!

so I will admit, while I have been reading fanfiction since 2006, I never actually wrote fanfiction until 2018 (and then didn't share any of it until 2021). so I think those specific relationships affected my writing in very specific ways.

from a reading perspective, I think fanfic really showed me that a story can be anything, told in a million different kinds of ways. the two fandoms that I was deeply entrenched in/reading fic in were sherlock (lol) and the winter soldier (I stand by it). both of those fandoms - TWS especially - did a lot of very interesting stuff when it came to story structure, multimedia storytelling, etc. while of course there's great published fiction that does the same (I've been a huge David Mitchell stan since I was 20, I read House of Leaves for the first time a few years ago, A Series of Unfortunate Events is such a great example of this tbh), I think there's a lot of freewheeling experimentation in fanfiction that encouraged me to do things like write Some Faraway Place as a mix of journal entries, reddit posts, letters, and tumblr posts.

it's also interesting to me that you bring up the author/reader interaction, because you're right, it is such a huge part of fanfic and a part I rarely thought about for a looooong time. I'm a socially anxious lurker by nature, so I would leave comments (show your local fanfic writer some love!) and I would follow a lot of those writers, but I'd never, like, interact with them directly. and my comments were usually along the lines of "I'M FLINGING MYSELF DIRECTLY INTO THE SUN" rather than openings to conversations lol.

but that changed significantly when I started writing fic. the first fandom I wrote for was SO small and the ship I was writing for even smaller (I'm responsible for over half the fics in that tag), so there wasn't really any interaction there. but then I started writing in a different fandom - still small but much more active - and joined a discord and everything. I'm not really active anymore, but I met someone who now has become one of my best friends and who is a huge reason why Desperate Hollow, my queer outlaw novel, finally got fucking finished.

so being in fanfic really affected my writing in the sense that I found a writer friend who - like a lot of other writing friends - has had a profound affect on me as an artist. but more broadly, writing fic for that fandom - about 200k words of it in eight months - taught me some very important things:

how to write a lot of words very, very quickly

how to let go of something being perfect - no one knows who I am on ao3 and people are just happy to have fic for a small fandom, so it doesn't have to be GOOD

how to write physicality - this is very hard for me, even now. I'm an audio first person, I rarely think about what people look like, how they move their bodies, etc. writing fic is so helpful, because if you're using canon scenes, you don't have to come up with the blocking, you just have to figure out how to describe it.

dialogue/character voice - learning how to mimic a writer's style is good from two perspectives: one, you learn more about style and voice by having to unpack someone else's. two, as a writer working in a scripted medium, you often are trying to write to an established style, because you might be in a writer's room for a world that you didn't create.

this is a less tangible effect, but writing mature works for a fandom that has mostly morally gray characters helped me get more comfortable with being bolder in my own work. Desperate Hollow is about two men in the wild west, one of whom has killed a lot of people, and both of whom are career criminals. the show I'm working on currently has the messiest found family dynamic and it will only get messier. I think in the course of writing TBS, I sometimes got scared of doing the wrong thing, or of leaning too hard into the darker parts of the story, and I'm trying to let my characters and stories be deeply imperfect now.

I hope that answers your questions!

[crazylittlejester]

I humbly offer this actually really angsty when you think about it headcanon like a sacrifice to a deity with a disclaimer that it does get existential and kinda religious (Hylia being a confirmed real and true in universe deity + the places my brain goes with that) so please just delete this if you're prone to cosmological vertigo, it's just me rambling about an idea that has fundamentally altered my neurochemistry:

Post LU Wars (scarf, time shenanigans, kind of in love w every era of the land bc his brothers came from those eras!) is subject to a final bout of time shenanigans and becomes First (scarf, from a time Before Everything, goes to forge the Goddess Sword at Hylia's behest, fights demons) (and he's already got practice fighting Ghirahim from HW!). Demise starts with an army and the power of a god and ends with one sword, a small handful of monsters, and the power of a significantly weaker god. The thought that Wars-as-First might actually have been able to win the demon war and deliberately chose not to, because if he did then his brothers would never come to be, makes me insane. The thought of how oblivious he was to the utterly profound impact he had on Hylia by introducing the idea that she could fail the task the Golden Three set for her and it would bring about life and color and beauty, the idea that this idyllic paradise was beautiful but it wasn't living. The idea that the world where she failed was better than the one she where she won because the world where she failed produced people like her hero- people who LIVED, people who loved as much as he loved his brothers. The idea that Wars meets a goddess and befriends her and it changes her fundamentally and irrevocably does something to my brain chemistry. Something something mortals who live and love and dream and die with such a passion something the way truly seeing that passion might forever alter the worldview of a deity who'd never before encountered the idea that living was something to be done like you wouldn't be able to do it forever.

My supporting evidence for Wars being able to befriend Hylia: he's already had the experience of meeting embodied existential forces and realizing they're literally just people who also happen to be facets of reality. Lana used to be a sorceress who could see across all of time and space. He vividly remembers hearing her swear at a hand mirror because she couldn't get her eyeliner right and after that he was never again able to see 'deity' before he saw 'person'. Wars running around with the idea of Hylia as a person trying her best with whatever unknown amount of power she has vs everyone else knowing her as a goddess who is above such things as being a person.

The idea of Wars and Hylia sitting down and talking about it. Maybe they only do it once. But Wars tells her: I've been there. I've seen it. The world where he didn't win but we didn't either.

And Hylia says: we might be able to prevent it. We might be able to win.

And Wars says: no.

And Hylia says: no?

And Wars says: it's the world that has my family in it. This is the world has people who are alive but that one has people who are living. We create and we love and we fight and we destroy and you can't take that from us.

Something. Something about the vivid tenacity of the human experience. Something about turning down heaven in favor of living. Something about already knowing what eating the apple means before you've even done it and doing it because your family's just outside the gates of Eden and this is how you pull them open.

DAMN this is a really interesting headcanon (also that opener was insane, I literally read it out loud to my friend who was over and they were impressed aldkdldl) this could honestly make a banger fic

[blueboyluca]

Lately I've been feeling a huge need for emotionally intelligent, empathetic and thoughtful content about dog training and care. I feel very fragile at the moment and this sort of thing, while also kind of painful in a way, has been helping me be forgiving to myself and understanding to the dogs in my life. I can't get my thoughts straight to write out anything in detail, but I can share the resources themselves.

This episode was soothing. Christina is a beautiful and gentle speaker and her insights are incredibly valuable. I appreciate her desire to stay out of the limelight, but I do wish I had regular access to her thoughts so it's a bit of a shame she doesn't do social media or anything like that.

Choice quote: "Oftentimes I want to raise my hand and be like, can we evaluate this carceral mindset? And I get looks and I think, cool, not the time, not the place. This is not the space, like, shift gears, let it go, try something else."

This post was a really useful reflection tool. I don't identify as a crossover trainer, since I never trained dogs before, but I still relate because I was raised in a punishment first society regardless of dogs. Even as someone who came to dog training committed to R+ from the outset, it still takes rewiring and relearning and reconfiguring to not default to punishment.

Choice quote: "We humans believe that anger is an appropriate response to being wronged. I agree. There is a lot in this world to be enraged about. The problem is directing that rage at dogs and other beings we control. We are encouraged to believe that dogs are morally wronging us, and that appropriate responses are anger and punishment."

I found so much value in this two-part podcast from Animal Training Academy with Michele Pouliot. She had so much wisdom about how to effectively help people and change minds. And sometimes that means being frustrated.

Choice quote: "When we start working with a dog that's never had positive reinforcement training before, you're right, what's the first thing we do? We build a reinforcement history so that dog trusts us, enjoys being around us, and as soon as we have that relationship we can ask more of them... just because a person called you and made the appointment doesn't mean you have a relationship yet... It's the same as training the dog, you have to build the history."

I'd love to find some more media like these. I've been downloading a bunch of new dog books again, but so far none of them are quite scratching the itch I've got. I wish I could read something like The Secret History of Kindness again, that was one of those rare books that had a profound impact on me.

[dr-spectre]

man i saw your last two posts and i wanted to tell you, you're not cringe, and you're not unlovable

i've had like, one full conversation with you going back and forth on both shared and unshared interests and it had a profound effect on me at the time

I need to unlearn shame, i need to be more open with what i fixate on and what i'm doing (and also the realization i'm definitely on some kind of spectrum), from one chat with someone *loud and proud* like you, how fucking crazy is that?

I hardly know you personally, but it's not hard to gauge how awesome you are, in face of your perceived faults, several of which i share myself, you yap so much but you're so genuine and passionate i and pretty much everyone who sticks here loves to read it, it never gets old, it never gets annoying

you put your whole pussy into innocuous little things about the subject matter, and it's a wonderful thing

you can find friends, you can find love, and you deserve both of those things

this is a little long but it's sentiments i've had for awhile now but no good opportunity to share......

I.... I..... WHA.

WHAT DO I EVEN SAY TO THIS?!?!?! YOU CAN'T DROP THIS IN MY INBOX LIKE THAT!!!

LISTEN... ITS JUST.... I aint awesome!!! Im some 20 year old autistic dude who's too obsessed with a squid woman! How's that awesome!!?!?!? I haven't made an impact on anything... not on the community... not on inkipedia... not on anyone... I have 300 followers... that's nothing...

...or have i?!?! There's no way I could have had an impact on someone... hell even SEVERAL PEOPLE! I just overanalyse stuff that seems so cut and dry but... people are actually positive about my stuff? People say to me that I changed the way they see this important character to me.... BUT THERE'S NO WAY RIGHT?!?!? I still feel like a drop in the ocean. Just a spec of dust!!! I haven't made real change yet... OR HAVE I?! I DON'T KNOW!!! WAAAHHHH!!!

Maybe.... maybe if I have changed one person's perspective, then maybe it was worth it in the first place...

You know. I wanna say that the reason I came to tumblr was because my irl friends aren't into Splatoon and my family gives me a meh shoulder shrug to my interest. It was so difficult for me to explain Splatoon to my parents when Splatoon 3 came out and I picked up the game at launch! So I went here because I felt like it was the best place to express myself. And yeah I'm glad I stuck with it honestly.

I get why my irl friends aren't into Splatoon, they need to buy a multi hundred dollar console that's about to get replaced soon just to play 2 games. And trying to explain to them Nintendo Wii U and Switch emulation is just... I dont even wanna attempt that HAHAHAHA!!!! So I often felt lonely and it felt like I was screaming into a void when talking about Splatoon to them in a discord server. I guess that's where my sense of loneliness comes from.....

I genuinely have NO ONE in real life to talk to about my interests and have someone ACTUALLY listen. I guess that's why I feel cringe and not cool at all. My interests are so nerdy and I'm on the spectrum, my social skills are like D tier. I genuinely cannot talk about myself, i really cant. Its why i have never been in a romantic relationship before.... As a 20 year old dude, that shit fucking stings I'm not even gonna lie. I think about that shit every day. LITERALLY EVERY DAY I'M NOT LYING!!!!

But anyways, I'm getting way too personal on the internet. I don't wanna be some sad sap.

Thank you. Seriously, thank you. I'm not sure if I truly feel like I deserve love but. Thank you anyways. I guess it is a good quality to have that I can ramble and yap and become really focused on something, even if it's not adult things like... getting a job, paying taxes or whatever HAHAHAHA!

[cheekinpermission]

Happy 500 followers!!

How about 1 and 10 for the ask game?

Thank you for you participation, anon! Ask game is here! Send them in if you want <3

1. Who's hand did you first grab? Why? Would you choose someone else if you could do it over again?

I grabbed Idia's hand! When I first got into TWST, I had absolutely no clue what I was getting into so I really just went based on which voice actors I recognized LOL. I know Kōki Uchiyama from a ton of different anime (JJK, Buddy Daddies, Haikyuu, BNHA, Yuri on Ice, etc.) so I just went with his character. While Idia doesn't crack the top 5 for me, I don't think I'd choose again. The only reason I would is if it impacted the story somehow but I really doubt it will. I'm COMITTED.

10. Top five favorite characters?

Grim occupies all top five spots. BUT since that's boring, so I'll limit my choices to the main cast lmao. (My love for the dire beast is PROFOUND) I got VERY wordy here so here's the short answer: 1. Riddle Rosehearts

2. Vil Schoenheit

3. Malleus Draconia

4. Ruggie Bucchi

5. Kalim Al-Asim Explanation below the cut! (I got very excited to talk about my favorites and wrote a lot so I figured I'd condense it for people who didn't want to scroll through it all lol whoopsies.)

1. Riddle Rosehearts - I have no explanation for this?? He's pretty much the opposite of my usual favorite characters so idk what happened here. I've always been drawn to the Alice in Wonderland aesthetic so maybe that has something to do with it? He's got such great character writing, too?? Everything about his personality just makes sense when you know his backstory. When we learn that Riddle's tyrant of a mother was strict and controlling over him, the pieces just seem to fall into place. His whole life was just following her rules and studying like a good little boy, and when he stepped out of line even a little bit he was reprimanded harshly for it. Of course, he's going to the exact same thing once he's in a position of power. It's all he knows. He's just another version of his mother. Not only does he uphold the tradition of punishing rule breakers rather severely as he was when he was younger, I think there's also an element of fear there as well. Like, his mother just instilled an innate fear of breaking rules because bad things would happen if he didn't follow them exactly. I really do see Riddle as a scared little boy who is suddenly realizing that he was set up for failure by his own mother. And THEN he makes an honest effort to improve himself post-overblot?? His transformation after the fact is one of the more obvious ones and I'm just so proud of him. A THOUSAND HEAD PATS!! Okay, I'll stop rambling about him lmao I love Riddle sm (Also want to make clear I'm not saying Riddle was right for anything he did, only that I appreciate how his character was handled. Added for legal purposes so people don't come after me :c ) 2. Vil Schoenheit - This one comes as no surprise to me. Pretty boys who challenge gender stereotypes are RIGHT up my alley. Like Riddle, I think Vil has some great character writing is one of the more complex characters in the game. He just feels so compassionate to me?? I don't know how to explain it - he just gives such nurturing vibes. I'd trust this man with my drink at a bar fr fr. And then he tells Epel off for saying ballet is too "girly" for him?? Thank you TWST for bringing me this man. I pray at the altar of Vil Schoenheit. 3. Malleus Draconia - Doesn't Malleus top everyone's lists LOL I think my favoritism for the dragon man is more to do with his relationship with Yuu than anything else tbh. He's like one of three characters that actively engages with the main character and I think they've got such a fun relationship. Two people who feel very alone in the world finding friendship (or something more for you malleyuu shippers) in each other is so beautiful. I'm glad they can be there for each other like that. Side note: I adore romantic Malleyuu for sure, but I think it's equally as endearing if all of Malleus's flirtatious lines were never meant to be romantic but he's just really bad at communicating his feelings in a platonic way. Like, he doesn't mean to flirt he's just socially inept. 4. Ruggie Bucchi - Gremlin hyena boy is just too good for words. Ngl, I started off not really liking Ruggie all that much because of what he did in the Savanaclaw book. My mans was basically shoving people down flights of stairs?? I'm not really sure where the turn around happened tbh. Mischievous personality types do tend to draw me in in fiction so that probably has a lot to do with it. I also felt really bad for him at the end of the Savanaclaw book when Leona was ready to Thanos him out of existence despite everything Ruggie had done for him (and continues to do for him). I appreciate his work ethic, I can respect the hustle, and he's got such a cute little laugh. I wanna pet those big ole ears of his. Leona - pay this man more smh 5. Kalim Al-Asim - SUNSHINE BOY!!

He's such a breath of fresh air in this game LMAO. As much as I love the fact that most of the cast are unapologetically flawed, it's nice to have a few characters that are genuinely good people. His VA (Kazuki Furuta) absolutely kills it imo. I can hear his laugh in my head as I'm typing this - it's just so warm and happy :D He also breaks the sterotype of most rich characters in media by just being a nice person? He's not evil or greedy (although naive and entitled) and he just wants to be bffs with Jamil. Break his heart Jamil and we're gonna have WORDS. Also just like FORGAVE JAMIL??? His bfffl yeeted him across the desert, brainwashed him and admitted to wanting to get him kicked from the school and Kalim didn't really hold it against him. He was so understanding and sweet about everything AHHHHH

[soracities]

Ur so eloquent and i love ur posts about the societal pressures associated w makeup!!!! 💗💗💗 u put everything I feel & think about into coherent words and I so appreciate that! Also I would like to hear ur thoughts on plastic surgery bcuz I am also annoyed. If I see that smug smiley little dickhead plastic surgeon tiktoker on my FYP one more time saying “ohhh my patients r beautiful. Anyway here are all the procedures I’m gonna do to alter their ethnic nor unique features and make them look totally different” I’m gonna scream. The patronising pseudo-kindness is almost worse than when he goes completely mask-off about exploiting insecurity - like the vid he made laughing w the caption “when a 20yr old says she’s doesn’t need Botox bcuz she’s gonna age gracefully.” I’ve spent a lot of time cultivating a healthy self-esteem & generally not defining myself by my appearance - yet even I felt a flicker of my old insecurity seeing that post. I block every post referencing plastic surgery and I STILL get them. It’s incessant & so insidious - esp for poc. My 13yr old cousin (who watches lots of tiktok) told me she’s saving up for a nose job and a BBL when she turns 18 and my heart fkn broke. No 13yr old shld even KNOW the term BBL.

I feel so much for your younger sister, anon, because whatever else I may have gone through with my own insecurities at 13 (and they were profound and absolutely did a number on me), I genuinely cannot begin to imagine what it's like to cope with all of that in the age of TikTok and IG and the added pressure of beauty influencers magnifying everything.

Honestly, my thoughts on cosmetic surgery are very complicated--I don't think it's something that's ever going to go away, and to be honest I'm not even sure if it's about that. I know people who've had cosmetic procedures done and I know it was something deeply important for them and I know how much happier and at ease they felt afterwards--I'm not going to judge or begrudge anyone that happiness because the reality is, as much as it would be amazing if we all loved and celebrated ourselves and each other, everyone's individual constellation of insecurities and worries is completely different and not everyone will be able to address them in the same way.

To live in a world where we are not defined and punished for our physical differences would be an incredible thing, but we don't live in that kind of world--and so learning to be at peace with yourself in the midst of the world we do have, learning to accept your body or any individual aspects of your appearance is incredibly difficult--and these difficulties are influenced even more by gender, or race, or the culture in which you live etc., or even just the people around you. Do I wish my friends could see what I see? Of course. But I also don't know what they see, or how deeply that runs, or the impact that has on them. Because I also know that, when it comes to myself, I don't see what they see, either. I've said before that I find prominent noses absolutely beautiful--but I know that I cannot impose this on someone who has had to live their life under constant comments about their nose (or any other feature), to the point where they feel that is all they are to people. I don't condemn people for the choices they make in this, but I do condemn the structures and societal expectations that force some people into certain choices in the first place by normalising this idea that there is a "correct" way to look (and I'm not immune to it either--I have a lot of profound insecurities that are incredibly difficult to get past).

It's very similar to how I view makeup in some respects because whatever choices people make when it comes to cosmetic procedures should feel like choices to them. But not all cosmetic procedures are made equally and my real issue with cosmetic surgery (and in my mind I distinguish it from plastic surgery because they are not the same to me), more than anything else, is when it becomes a tool for upholding and celebrating particular beauty standards that are deeply gendered, politicized and racialised while claiming it is "just" a matter of aesthetics, which is deeply, deeply insidious to me. "Aesthetics" have never been neutral. Even the language we use in talking about it isn't neautral: "fix", "adjust", "improve" etc. Improve according to whom? Why do they decide this? At the end of the day, no matter what you say about the golden ratio there is nothing wholly objective about beauty because human beings are not static Ideals; you cannot distill beauty into a mathematic formula like a conch shell because beauty is not something separate from the thing it occupies. These ideals work for Plato, but we are living, breathing, moving, exsiting in the here and now. A static image of a beautiful woman in a Vogue covershoot is just that: an image. And all the rules that govern that image fall apart the moment the model moves again, the moment she becomes a person again.

And besides, nothing can be "just" aesthetics in a world with the warped beauty standards that we have. There's nothing neutral about nose jobs in a society marred with as much anti-black racism and antisemitism as ours. There's nothing neutral about BBLs in a society that fetishizes black women's (and other woc) bodies as ours. There's nothing neutral about buccal fat removal in a society so plagued by thinness as not just a physical but also a moral ideal. I read a horrifying article on GQ a few months back about men undergoing cosmetic surgery to widen their jawlines so they appear more "manly"--and a surgeon in the article casually said one of these patients also "needed a rhinoplasty" which made me see red: nobody needs their face smashed open for the sake of an arbitrary standard whose very purpose (Beauty) requires the existence, and therefore manipulation and condemnation, of its opposite in order to appear valid. These beauty standards only have value so long as their opposites have no value--but these "opposites" are not disembodied traits: they are real human features that belong to real breathing human beings who have to live surrounded with this rhetoric for their entire lives. There's nothing neutral to me about looking at a human face and dissecting all of its features, ascribing values to some, and disparaging others, as though they exist as separate building blocks you can rearrange at will. In some instances, it skirts too close phrenology for me, and I'm not saying that lightly.

These are some of my thoughts but as I said, my views on this are very complicated and I have to be careful how I talk about some of it because there are some things that genuinely make me deeply angry. Again, I don't believe the solution is to get rid of cosmetic surgery, because I don't think that will ever really work and I think it misses the point--most people will always have something about themselves they'll want to change or just wish was different and for some people more than others they will want to make that change: and I would much rather people have access to legal, qualified, accountable medical professionals when they do. But in cases like your sister, in cases like that GQ article, in cases like that TikTok surgeon (I have no words, anon, truly...), or really just TikTok in general, in cases like ethnic rhinoplasty and eyelid surgery, the fact that the number of people getting Botox has grown since the increase in video calls and Zoom meetings....in all honesty at this point I am just tired and infuriated by our refusal to have an actual conversation about the society these procedures exist in and are normalised within and I'm especially tired when influencers and celebrities make a point of not being upfront about their own procedures. I don't care what people get done or why (as long as its a freely made choice for no one else's sake but yours), but I do care when we make it as acessible as these procedures are now, when they are tacitly (and in some cases outright) encouraged, and yet talking about them or admitting to having had that work done is somehow gauche and I am incredibly tired of it!

[danmeiarchive]

Devil Venerable Also Wants to Know by Cyan Wings -- a brief review (no spoilers)

80 chapters + 2 extras

My Rating: ★★★★★ / 5

I went into this story fairly blind / un-spoiled as to the plot and characters and I really enjoyed it. If you like The Scum Villain's Self-Saving System I think you'll like this one. It's a pretty quick read (I read it over the course of 2½ weeks) and it also feels a bit lighter of a read -- in the sense that there's not a bunch of twists and turns or faceslapping going around. There's still narrative weight to the characters' choices but it feels more focused on the emotions of the characters than on making a dogblood drama.

I also really enjoyed the cultivation meta in this book -- there were sections where we would get insight into why the main character did a certain thing and how he belived that would / could impact the universe / world / dao.

Check for content warnings under the cut.

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What kind of story is Devil Venerable Also Wants to Know?

This is a story that really breaks the fourth wall and doesn't take itself too seriously. Like Cyan Wings' other stories that I've read it is really funny and the characters are fantastic. If you like transmigration novels but dislike the trope of an all-powerful manipulative "System" that keeps that transmigrator in check then try this one! The main character is NOT a transmigrator but he does gain knowledge that breaks the fourth wall and there are times when he considers the people around them as if they were characters in a novel. Several of the main characters can also be read as asexual and / or aromantic which is really nice too.

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Throughout the story the main characters are growing and learning more about themselves and each other -- there's several times when a character reflects on how they had misunderstood another character or not known what was really in their hearts. This leads to the story feeling very emotional and tender as you slowly get to know the characters. This is mainly in regard to the main character and his love interest but its true for some of the supporting cast as well.

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Ultimately it feels like a story of two people (who whole-heartedly trust each other with their lives) slowly opening up and allowing themselves to be vulnerable with the other. There's also a good portion of the story that talks about heart demons and how that affects one of the characters -- it becomes a plot point even. It certainly takes the main pair a lot of work but once they are finally on the same page (ha) and treat each other as equals... it's very sweet and intimate.

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Who are the main characters?

Without going into details here's a little bit about our main squad:

WenRen E - Our main character. WRE is the leader of the XuanYuan demonic sect and an absolute badass. He somehow reminds me of both Yan Wushi from Thousand Autumns and Wei Wuxian from Grandmaster of Demonic Cultivation. He is arrogant and prideful but also cares SO MUCH about the commonfolk in the world. He is absolutely ruthless when he needs to be but he has a line that he does not cross and he forbids his minions from crossing it either. There's also a lot of times where he's sussing out why or how something works a certain way and his understanding of the dao and the universe felt profound.

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Yin HanJiang - Our love interest. There's a specific post I've seen that is coming to mind but I can't remember how it's phrased... YHJ is loyal to WRE and ONLY WRE. He is submissive in the way a guard dog is -- he would follow WRE's every order and do everything in his power to protect him but at the same time he would not hesitate for a moment to attack anyone he viewed as a threat to WRE. At the beginning of the story he keeps a certain distance between himself and WRE but as the plot develops that distance becomes smaller and smaller.

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BaiLi QingMiao - the protagonist of the book that appears in WRE's hand which serves as the impetus for the story. WRE finds himself frustrated and confused at her actions a fair amount of time but over the course of the story she too grows up and gains a new outlook on life.

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Shu YanYan - a seductress demonic cultivator. She only dual cultivates with consenting partners and uses her cleverness to manipulate people. She also seems fairly uninterested in romance -- I think she alludes to not wanting to get her heart broken but she also seems very happy as things are with her various lovers.

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Qiu CongXue - hands down my favorite character in the story. I liked everyone but QCX is always speaking her mind and stirring up trouble. She has strong himbo energy and I don't want to spoil anything about her, just know that anytime she comes up it's going to be great.

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What is the plot of Devil Venerable Also Wants to Know?

One day a book suddenly appears in WenRen E's hand. This is notable because he is a very strong demonic cultivator and he didn't sense anything before the book appeared. So he looks at the book and decides to take it very seriously. He reads it. And he discovers that he is a character in a trashy romance novel, as is his most trusted subbordinate Yin HanJiang. He becomes very curious to find out if the other characters are real and if the events that happen in the book are destined to come true or if they can be changed. So he sets off and meets the protagonists of the novel and begins experimenting. Without spoiling things he is especially concerned about what happens to Yin HanJiang in the book. He also wants to know more about the novel's protagonists and their motivations.

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Click 'keep reading' to see trigger warnings.

ptsd, depression, anxiety, suicidal thoughts, violence, manipulation and abuse, mention of torture, war, survivor's guilt, etc. The characters have some tragic backstories and there's some things in the novel that WRE reads that are disturbing -- but ultimately there's not "on screen" torture that the characters go through, the novel instead focuses on what's going on in the characters' psyche.

[sitp-recs]

Sitp Essentials - Fandomversary Edition: Writcraft

June marks the 12th (!!!) fandomversary of this incredibly talented and generous author, whose work has brought me so much joy and healing over the years. What an accomplishment, my friend! I know I’m not only speaking for myself when I say that we are so very grateful for your presence and immense contributions to the HP fandom. I’m a bit wary of taking on long-term projects these days but I really wanted to do something to celebrate this milestone so I’ve decided that, during the month of June (and there was no better month to celebrate in! 🏳️‍🌈) I’ll be posting single recs for 12 of my favourite fics by @writcraft. Some are older recs, written in the blog’s early days, some are brand new, highlighting rare pairs, hidden gems and recent works. I won’t have a rigid schedule because I don’t wanna set myself up for failure so the rec posts will be a surprise even for me 🤣 I hope you guys enjoy them just as much!

Anyone who knows me well is aware that I’m very shy around my fandom heroes and will rarely initiate any kind of conversation with them. I was so anxious about being perceived that I wouldn't even tag them when I created the blog. Writ holds even more power in my imaginary fandom altar because they’ve written one of my all-time favorite fics. I found Little Compton Street aka the “Life on Mars Love Story Told in 3 Acts” at a difficult time of my life when I was almost leaving fandom for good. But getting to read LCS and to fall in love with those magical London spots and captivating characters was a beautiful transformative experience that altered me completely. This fic not only had a profound impact on my ever changing self-awareness as a queer person, it checked my many fic reading boxes, and pulled at my heartstrings in all the right ways. I've learned so much from LCS; it is an ode to queer history, a love letter to all of those who came and fought before us, and to all of those who were killed, erased and forgotten in the process. It is is a story filled with hope and a compassionate reminder urging us to always resist, and never forget.

*at a loss of words*

(…)

As you can see, I always get immersed in my feels when I think about LCS and I know it will always have a special place in my heart. This feeling of profound gratitude and joy for Writ’s formative works is what inspired me to do this humble homage. Am I a bit nervous about not having enough fuel to see this through? Hell yes. But I’m opening myself to the possibility of failure because I know this is for someone who’s unfailingly kind and compassionate. Writ, I admire you deeply as a writer and even more so as a person. Your contributions to the HP fandom through fics, fests and meta over the years have been immense, and I know your RL contributions to the queer community and its memory have been just as impactful. Happy 12th Fandomversary, my friend! For someone who’s been reading your words since 2012, it feels incredibly special to finally get to share this space with you. 🏳️‍🌈💜

[lgbtlunaverse]

Recently I saw a post that was like "grouping jiang cheng ships by how much they're about wei wuxian" so i'm gonna steal that concept and do "grouping ochako ships by how much they are about midoriya izuku"

Inviting comparisons to wwx and jc's relationship, it would probably have made more sense to do this with bakugou, but I'm 500 times more insane about Ochako so. Someone else will have to do that.

Ochako ships that are about midoriya:

Izuocha: midoriya is literally in this ship. He's right there. This is at least 50% about him by necessity.

Kacchako: The most popular shipname uses Midoriya's nickname for Bakugou as a portmanteau instead of his actual name. I think that tells you everything you need to know. This ship has always had a bit of "solving a love triangle by ignoring the axis" energy for me. And that's a compliment! I like that kind of stuff! You definitely can make kacchako not about midoriya, but you'd have to work for it.

Ochako ships that are not about midoriya:

Tsuchako: Girls! This ship is not about midoriya. in fact it's not about any men. If you're a man, get out.

Iidaocha: Yes, they both know Izuku and are friends with him but he's a background character in their dynamic, they would still be friends even if it weren't for him. This ship is about friends to lovers, mutual trust & competency, and the fun of contrasting personalities.

Minaocha: Protagonist halo gets a little in the way here. A lot of minaocha's canon interactions are mina teasing ochako about her crush on izuku, so he's kind of a plot device in this ship by necessity. But that's not really what the ship is about. Minaocha is about the 2023 barbie movie.

Schrodinger's izuku:

Togachako: narrative foils! Homoromantic stabbing! The classic 1872 gothic novella carmilla! This ship could be about Midoriya if you wanted it to. The charm he gave Uraraka is a major motif in their relationship. Toga starts out liking both izuku and ochako. From what i've seen it's pretty popular among bkdk fans to frame these two as a bkdk parralel and of course in canon they foil izuku & tenko as a hero-villain pair. But izuku is not integral to this ship, he doesn't have to be there.

Todochako: Unlike iidaocha, these two probably wouldn't have become such close friends in canon if they hadn't both been friends with izuku first, mostly because of the profound impact izuku's had on shouto's early character development. But it takes less effort to make it "not about midoriya" than something like kacchako so it goes in this category. Like iidaocha, this is really more about friends to lovers and contrasting personalities and being just, really cute, honestly.

[cripplecharacters]

Hi! A little while ago you made a post where you mentioned a character who suffers from migraines would be considered disabled. I have had periodic migraines since I was a kid (varying in frequency and intensity, and now tend to get them associated with changes in the weather/seasons), and have never heard them described as a disability before. Is there a certain threshold for migraines to be considered a disability? Apologies if this sounds insensitive - I promise it is made in good faith.

Hello, thanks for your question! I love these kinds of identity-related questions, so apologies in advance for the slight ramble.

(The post referenced in this ask can be found here for anyone interested.)

This may be an unsatisfying answer, but it really depends on the person and whether they're personally comfortable identifying as disabled. This is true not only for people with migraines, but people who experience any kind of dynamic disability whose severity fluctuates over time or from day to day -- and especially so for people who may experience both extremes of being functionally able-bodied one day and fully debilitated the next.

My personal experience has taught me that people will often think their good days somehow cancel out the bad, and this gives them a kind of imposter syndrome when it comes to engaging with disabled community. My aim isn't to force people to identify as disabled (and I hope it didn't come across that way!) but rather to emphasize that there is no "correct" way to be disabled, that it's okay to find solidarity in disabled community even if you have more good days than bad, and to encourage us to think about why some conditions "count" in popular imagination as disability and others don't, no matter how debilitating they may be.

Some people who experience dynamic conditions like migraines (as just one example of many) might genuinely not consider their condition a disability and won't necessarily benefit from identifying that way, and that's completely okay. My mother gets a couple migraines per year that last about a day, and doesn't consider this a disability in itself because she just doesn't really feel they impact her life in a meaningful way. But a good friend of mine gets them much more frequently and isn't able to live normally/needs specific accommodation for days or weeks at a time, and does consider this a disability because it has a profound impact on their comfort and lifestyle. It just depends on what resonates with people and what they feel speaks most authentically to their experiences.

Just a sidenote as some people may not know this, but it's also exceedingly rare for a doctor to just come out and tell you that your diagnosis makes you disabled. In my experience, they'll hardly ever even use the word "disabled" at all. I've known people to go years living with a diagnosis the community practically unanimously sees as a disability, yet fully identifying as able-bodied without even thinking to connect with us for support, just because they expected a medical professional to tell them the moment they became disabled.

Ultimately, there are no hard and fast rules for who is "allowed" to identify as disabled. My own personal stance is that if people find comfort and solidarity in recognizing themselves as disabled and benefit from connecting with disabled community, I have no interest in interrogating them to figure out how affected they are by their condition or deciding whether I think they're disabled "enough" to call themselves that. I believe them to know their experiences best.

Even if someone lives with a dynamic condition and decides intentionally not to identify as disabled, I do think we all ultimately benefit from introspection about our own sense of ability and way of inhabiting the world, and from asking ourselves why so many people allow themselves to live in any manner of pain and discomfort before they'll let the word "disabled" even cross their mind.

I hope this helps explain my answer to that particular ask a bit more! While not necessarily writing related, per se, I do think these conversations are important, and I hope that at least one person comes away from these types of asks with something new to think about.

-Mod Faelan

[ntenvs3000f24]

Unit 10 Blog Post

In reflecting on the journey of being a nature interpreter, I find myself drawn to the question of “why”? Why I choose to share the outdoors with others, why this field resonates so deeply with me, and why I believe the work I do has lasting value. My connection to nature has always been personal, filled with small, cherished moments that shaped my understanding of the world and my place within it. Growing up I found wonder and curiosity in natural spaces, and loved movies like The Odd Life of Timothy Green. This movie was one of the first pieces that showed me nature is both calming and inspiring and interesting and filled with so many different aspects to it. Now as I take on a role where I introduce others to this same world, I feel that it is a great responsibility to foster the same sense of wonder and connection in the next generation. 

My belief in nature’s ability to nurture resilience, curiosity, and empathy forms the foundation of my ethic as an environmental interpreter. I believe that nature is a place where we can learn vital life skills including patience, adaptability, and interconnectedness. In the course material, John Rodenburg’s observation that environmental education can feel like attempting to “Stop a rushing river armed only with a teaspoon” resonates with me. Yet, like him, I continue the work because I believe that each encounter with nature can create a lasting impact. Every interaction, no matter how small, can begin a journey of respect and stewardship. I believe that nature interpretation goes beyond sharing facts, instead it's about creating meaningful experiences that reach the heart and mind. 

As an interpreter, I feel a profound responsibility to create a safe space for children and adults to engage with nature. This includes not just physical safety but also emotional safety, where curiosity can flourish without judgment. I see myself as a connection between people and the environment, helping others recognize their place and the importance of nature itself. My goal is to foster connections that help people feel both a sense of responsibility and belonging within the natural world. Rodenburg’s approach of introducing children to nature through stories, such as his students’ experience with the killdeer, is a method I find especially powerful. Stories personalize the experience, helping people to feel connected, empathy and responsibility towards nature. 

My approach to nature interpretation is rooted in authenticity and personal connection. I prefer letting experiences unfold naturally, encouraging discovery rather than leading it. Rodenburg’s advice to let children “own” their discoveries resonates deeply with me. I aim to frame my teaching around curiosity and open-ended exploration, asking questions like “What do you see or hear?” or “What do you think lives here?” rather than presenting immediate answers. This method allows for individual journeys and fosters that previous sense of wonder that I previously mentioned! These thoughts then get carried further. 

I also believe in the power of microenvironments! These small, contained spaces where detailed exploration is possible always brings such joy to young faces. This could be a fallen log, a cluster of flowers, or even a single tree. By focusing on these smaller worlds, I can help people see that nature is accessible and meaningful, even in the smallest forms. My approach is one of appreciation, inviting others to recognize the beauty and value in what initially seems ordinary. 

Ultimately, I hope my work as an interpreter inspires others to see nature not as a general abstract concept, but as an intimate, cherished part of their lives. As I've shared throughout these blog posts, nature has become a profoundly beautiful and meaningful presence in my own life. Recently, I’ve had the joy of witnessing my baby cousins begin their journey with nature, discovering the world outside with wide-eyed curiosity. Watching them grow alongside nature has been a wonderful experience. Though they are so young and may not fully grasp everything they encounter, their excitement and fascination are undeniable. Their parents and family, including myself, have woven nature into their daily routines, from gardening together, to exploring outdoors, fostering a foundation of love and appreciation for the environment. It’s inspiring to see these small yet powerful steps that are helping to nurture the next generation of nature lovers and stewards.

My personal “So What?” is rooted in the belief that fostering a deep appreciation for nature can lead to long-lasting environmental stewardship. By helping others build meaningful relationships with nature, I contribute to a community of individuals who are young but, hopefully, will act with empathy and respect toward the planet. My goal is not to create perfect environmentalists but to push them to care and be curious. In this work, I strive to bring my values of patience and openness to each encounter, believing that these traits will resonate and encourage others to develop their own morals toward the natural world. As we continue this journey, I hope each small act of interpretation contributes to a larger movement, one that builds a society that deeply understands, respects, and cherishes its relationship with nature. A society that sees the environment not just as a backdrop for life, but as a living, breathing part of it, a place we’re truly a part of, not just a place we occupy. 

I wanted to add a picture that made me appreciate our world even more to end off my blog:

[marciabrady]

I'm seeing so much disdain for the OG Snow White (film but mostly heroine) in discussions about the remake. I'm floored, almost every popular Disney film has issues, even the beloved 90s era, and they continue to go without much criticism but people are acting like SW is Gone With the Wind level problematic. Even saying Snow White doesn't have fans??

I'm just convinced these are zoomers who have a tendency to think bc something isn't popular with them it's not popular with anyone else. Snow has been beloved for 70+ years, people who got to meet Adriana were excited, Snow has merch and little girls like her toys. This people must live in a bubble.

https://twitter.com/clairelizzie/status/1691275648252141568?t=w3O-dsZPmwxBWHMMhdO_NA&s=19

https://twitter.com/agronification/status/1691653020860207134?t=5SZ5k43I-POhugW7tex5uQ&s=19

And unsurprisingly a lot are men who think any woman who does housekeeping and likes romance is a useless drip.

Sorry Marcia but I had to vent 😭 nobody I know fights for Snow like you. Even Cinderella gets more respect than Snow and I'm happy she gets some but Snow White went through literal murder and being on the run. Could any of the badass princesses handle that?

First off, thank you so much for calling out that "nobody I know fights for Snow like" me because I've literally considered it my life's work and it's frustrating that so many creators have stolen my intellectual content and made a huge audience off of it, while only stealing some of my points and not understanding the heart of what I'm saying and what I've been saying for my entire life (which is well documented on this blog; contrary to what certain people are saying about Snow White defenders, no, I didn't just selectively start to care to cosign on outrage on Rachel; I literally had a reaction to her horrible takes when they came out last year and made several posts about it).

People are defending Rachel in a way that, I feel, is infantilizing her and removing autonomy from a literal millionaire adult in her 20s. A grown woman made harmful comments and was disrespectful about a film whose historical impact is extremely profound (again, feel free to IM me about this because I have so many thoughts and don't love when they're stolen, so I'm being more guarded about what I'm saying now). And instead, people are turning around and excusing her hateful comments- which have even gotten the son of the original director of Snow White to speak out, at 91, saying his father and Walt Disney would be "rolling in their graves"- and they're saying things like "Rachel's just a 22 year old kid, guys, who's parroting what Disney is telling her! Don't blame her for what she's saying, she doesn't even know what she's saying!" and "she's right! Snow White IS old and outdated and awful and no one cares about Snow White!" Which is...

Most of the people speaking out on this and defending Rachel don't like Snow White, so why should their opinion matter? They're displaying that they have no insight or understanding of the source material and then they want to step on the people that actually do like the character by saying we aren't valid. First off, it's no secret I don't like Belle- did you see me running my mouth about how she was misinterpreted by Emma Watson? No, because she isn't my Princess and I'm not a fan of hers. I wasn't telling everyone "who cares, Belle is obviously the worst princess and CLEARLY has no fans" because that's not right and it's not my place. Us Snow White fans have literally always had to deal with people hating on her and misunderstanding her. She's perpetually maligned and the butt of the joke and I think that's why it's all the more imperative that we got someone who understood the character and was her protector, her defender, and brought her value and respect upon her legacy to a whole new generation of people who had been hating on her for years. And instead...we get Rachel who wants to change everyone about the character, admittedly didn't like her growing up, is misinterpreting the source material to an alarming degree (saying the Prince was a stalker is soooo wrong and even her implications that women aren't valid if they are romantic is sickening and misunderstands the movie; it's not called Snow White and the PRINCE it's called Snow White and the Seven DWARFS), and inspiring people to claim the only reason critiques are happening about the horrible comments she made is because the world, in 2023, can't handle a successful woman...like cut me a break

Let me start off by saying this. To all the people who think Rachel's comments are funny and never liked Snow White in the first place, and are calling her just a dumb cartoon character, she is the product of a legacy Adriana Caselotti upkept her entire life. She is the product of blood, sweat, and tears- the basis for which this entire company was built upon. It's one of the most culturally impactful films of all time- without Snow White, there are no Disney Princesses, there is no Disney Parks, there are no Disney Live Action Remakes- there's no Disney. And guess what? She has more value than just being an "outdated classic." In her original movie, she does display leadership qualities, survives years of abuse and forced labor, homelessness, misogyny, multiple murder attempts, and she endures. Both her character and her legacy. No one can deny her, the first female animated character to have a star on the Hollywood walk of fame, her impact on the film industry, on the Disney company, and on multiple generations of fans- from bonafide Hollywod A-Listers like Clark Gable and Carole Lombard who literally CRIED at a "stupid cartoon character"'s death and countless youngsters trying to get by during the depression, to adults who see themselves in Snow White to this day and a whole new crop of youngsters who find joy in Snow White's song. She isn't just a thing of history and of inks and paints- she is a product of so many people's talented labor and love and input, and if she wasn't, she- like any other material property- would've faded away with the passage of time, long ago.

Again, as much as I'd love to continue going into this, my creative content has gotten stolen so many times. But I do have more to say and I'm planning on doing it in a special project, on a much larger platform. I'll update you all on it when it's ready to be shared, but I'm doing something that will hopefully resurrect love and reverence for Snow White to the mainstream and will make all of the hard work and research and studying I've accomplished, over my entire life, come to fruition in a way I'm so excited about 💗

[mindmeltonabun-blog]

My Demon: Theories and Analysis for Eps 9-10

Happy New Year, Readers!

I hope 2024 brings great things for everyone. I delayed posting a T&A post for Eps 9-10 partly due to holiday busyness and partly because I'm tired of plagiarists taking my theories and ideas and reposting them as their own. For those who have been my followers for a while now, you know this has been a constant issue for me. I don't think it's hard to give someone credit for original ideas that they've come up with.

I thought I wouldn't encounter this same issue with the MD fandom, but I was wrong. I saw a Twitter user taking multiple theories of mine and reposting them as their own. I don't rule out the possibility that people can have the same thoughts, but when you're specifically mentioning things only I had talked about and no one else did, it makes you look guilty as hell.

Hours after I posted my T&A for Eps 1-6, they decided to take multiple theories of mine and post them to their account. One example is how they took my idea that the cross necklace either once belonged to Do Hee or was given to Gu Won by Do Hee. Another example is how they took my idea that the cross tattoo on her wrist symbolized she was the source of it all. There are many more examples, but I don't want to spend all my time listing them all out. It's the same old spill, though; they're doing it for clout. In the future, I won't be posting my theories or analysis for eps until a day or two before the newest episodes come out. This ensures the cheaters won't be able to use my theories for their own personal gains. But enough about this piece of trash.

I want to forewarn everyone this post is very long like 17 pages so definitely take a break from it whenever. If you have any questions about anything I've written so far for MD, please feel free to use the "Ask Me Anything" button and I'll try to answer your questions ASAP! There are probably grammatical mistakes...it's hard to edit 17 pgs worth of shit haha. Finally, if you choose to use my stuff, give me credit, that's all I ask.

Time to put on our thinking caps to analyze and theorize!

Section 1: General Thoughts

Eps 9-10 were top-notch! I admire the writer's ability to incorporate twists inspired by literature, movies, kdramas, fairytales, art, math, etc. One major theme appears to be the profound impact our choices can have, leading to unintended consequences not only for ourselves but also for others. The show also delves into the coexistence of seemingly opposing elements, such as angels and devils or odd and even numbers.

The clock in the intro, featuring angels and devils, draws inspiration from MC Escher's "Circle IV: Heaven and Hell." Escher, influenced by mathematics, created art that explored the interlocking nature of opposites, mirroring the eternal connection between Do Hee and Gu Won.

Now, let's discuss the intricate math woven into this show. The complexity of the numerical elements has forever changed my perception of numbers. For instance, I once saw "snake eyes" as 1+1=2, but after MD, I now see it as 11. Similarly, 10 used to be just 10, but after MD, I see 01 is its mirror image, and 1+0=1.

MD provides a fresh perspective on Dostoevsky's "Crime and Punishment" and "Demons," exploring psychological complexities, moral and existential dilemmas, societal and political systems, faith, morality, isolation, alienation, guilt, internal struggles, and redemption. Much like these literary works, MD delves into the psychological toll of potential crimes and the impact of abuse on individuals. It's a concoction of various influences, reminiscent of Frankenstein, weaving elements from Romeo and Juliet, DAYS, TOTNT, Goblin, Lucifer, The Bodyguard, Greek Mythology, Christianity/Catholicism, Cinderella, and Beauty and the Beast.

The overarching message from MD seems to be that everyone harbors inner demons, and it's how we confront and handle these demons that defines us. Our choices can lead to positive, creative outcomes or negative, destructive consequences, shaping not only our self-perception but also how others perceive us—angelic guardians or malevolent demons.

Section 2: Gu Won's Past

2.1 Gu Won's Name: A Divine Revelation

As I revisited my previous ideas and rewatched episodes, Jang Mi's line, "I'd say the heavens or his ancestors did," really got me thinking. Recall that in my last post I theorized Gu Won might be related to Madam Ju. Well, after I saw Jang Mi's comment, I felt like I might be onto something.

I repeatedly wrote "Ju Yi Sun…Ju Yi Sun" and thought about ways my theory could be wrong (like, what if he's a Park? Kim? Choi? Cho? Jin?). That's when it all started clicking. Gu Won's current name had ties to Catholicism/Christianity, so his past name must've been the same. Out of all the last names mentioned in this, only one was associated with religion--Ju. You see, there's a wordplay in Gu Won's past name, Ju Yi Sun. In Korean, "Ju" means "Lord," but it can also mean "wine" and "week" (hint hint… the show's got themes of Catholicism/Christianity and time, haha). The second syllable of his name, "Sun", sounds like "son". When you piece it all together, you'll realize Gu Won's past name means "Lord's son" aka Jesus. I've now realized the clues proving he is a "Ju" have been there since the very start, but I just didn't connect the dots until now haha. Additional clues are available on my Twitter for those interested!

I doubt we'll witness Gu Won pulling off miracles like walking on water, but he has showcased some Jesus-like feats. Remember Ep 1, where he performed the fish miracle for Park Bok Gyu? That's similar to what Jesus did (miracle #6, to be exact), haha. Then in Ep 3, he healed the sick, echoing another one of Jesus's miracles. And in Ep 10, Jesus—I mean Gu Won—brought Do Hee back from the dead, a blend of miracles #11, 15, and 33. Who knows, maybe we'll get to see another Jesus-like miracle before this show wraps up? Perhaps calming a storm at sea or casting demons into a herd of pigs, haha.

Throughout the series, Gu Won has been frequently seen with wine, a symbol often linked to Jesus and representative of his blood. In Ep 9, Gu Won tells God he prefers wine because it's the tears of God. Interestingly, in the original myth, these tears were attributed to Jesus, not God. Jesus shed tears when witnessing Lucifer Morningstar's fall from Heaven. The writer's choice to attribute the tears to God may hint at their intention to portray Gu Won as a blend of Jesus and Lucifer Morningstar. It makes you wonder though if God shed tears after Gu Won died the first time around or when he started going "bad", doesn't it? Haha.

For those unfamiliar, Lucifer Morningstar earned the moniker of the Devil following his rebellion against God, leading to his descent from heaven into Hell. Before this rebellion, his name carried positive connotations such as light bringer, dawn bringer, and the morning star, associated with the planet Venus and the Goddess of Love. Examining Won's former name, Yi Sun, the word "Sun" stands out. Given the sun is a type of star, this connection holds significant meaning. Coupled with the dawn imagery in Ep 1 and Ep 10, the connection to Lucifer Morningstar becomes apparent. Gu Won's story started with him playing the roles of Jesus and Lucifer Morningstar. After his fall from Heaven, he transformed into the Devil. As Gu Won reunites with Do Hee, his journey comes full circle, bringing him back to his original identity as Yi Sun aka Jesus/Lucifer Morningstar.

If Gu Won is indeed a Ju, it would introduce some serious drama in the show. This means he'd be related to people responsible for the past deaths of Do Hee's parents and the current threats on her life. It's giving me Romeo and Juliet vibes haha. In Eps 11-12, I think Gu Won will discover he's a Ju. This discovery will affect him deeply, knowing he's related to those who've inflicted so much pain upon Do Hee both in the past and present. This revelation will weigh heavily on him, leading him to end his relationship with Do Hee due to overwhelming guilt.

Section 2.2 The Past...Flip It and Reverse It

Let's revisit the Joseon dynasty, a time when societal norms were so conservative and backward! My theory about Gu Won's past remains largely unchanged. I still believe the major obstacle to Gu Won and Do Hee's love story was the differences in their social classes and that Gu Won became a demon because of Do Hee. However, I'd like to add a few more details to this theory.

Before delving into the intricacies of Gu Won's past, it's essential to grasp a couple of key points. Firstly, the past is the reverse of the present. Secondly, within the show, the notion of "wealth" or "richness" takes on an unconventional meaning. While wealth is conventionally linked with material affluence --having substantial money (i.e dollar dollar bills)--here, being "wealthy" or "rich" can also mean having a soul, as souls are considered a form of currency. For example, in the present, Do Hee is rich in both the conventional and unconventional sense-- she has substantial monetary wealth and a soul. However, in the past, Do Hee was poor in the conventional sense (she was the Cinderella character in this context) but rich in the unconventional sense (i.e had a soul). Now, Gu Won in the present is rich in the conventional sense but poor in the unconventional sense (has no soul; he's the Cinderella type character in this sense). In contrast, in the past, Gu Won was rich both in terms of monetary wealth and spiritual wealth. I hope this wasn't too confusing for anyone!

Before Gu Won was a mean bankrupt vampire in the the present, he was a kind man who was well-loved by his servants in the past. Gu Won treated them with respect and as equals. This type of behavior would've been viewed by many of his social class as unusual and unconventional. In the hierarchical society of the time, where nobility often maintained a distinct separation from their servants, Gu Won's compassionate and egalitarian approach set him apart. His genuine care for those around him challenged societal norms, earning him both admiration and, inevitably, disapproval from those who clung to the traditional expectations of class distinction.

One such person who would've greatly disapproved of Gu Won's actions was his father. Judging from the flashbacks, it seemed Gu Won's father was a strict individual devoted to tradition, adherence to societal rules, and maintaining an image of wealth and power. In contrast, Gu Won disregarded these conventions, prioritizing modernity and challenging norms, a stark departure from his father's values. Therefore, Gu Won's father would've viewed Gu Won as a rebel and a devil similar to how Madam Ju viewed Seok Min. Unlike Seok Min, however, Gu Won was inherently a good person. Side note, I think it was funny that in the past, Gu Won was all about being modern, while in the present, he's all about tradition haha. How the times have changed!

Being a hedonistic individual, Gu Won would have been a frequent visitor to local kisaeng houses, and this is where I believe he initially encountered Do Hee and God. My bet is that God may have been employed as either the owner or a waitress here. As we know, God tends to hang around places with casino games, and kisaeng houses often had various gambling games.

In the past, Do Hee was the antithesis of her present self. Unlike the present Do Hee, who held no belief in God and perceived her life as modern warfare, the Do Hee of the past was deeply religious and traditional. Similar to Sonia in "Crime and Punishment", Do Hee worked as a kisaeng to support her family. Her family's financial status was probably in shambles due to her father's gambling problems and alcoholism. Despite his vices, I don't think Do Hee's father was abusive like Ga Yeong's father in the present. I think he was more like Sonia's father, where even though he was a gambler and drunkard, he never mistreated or abused Do Hee.

Much like Sonia, Do Hee was a devout Catholic. However, in contrast to Sonia, Do Hee couldn't openly practice her faith. This was because during the Joseon dynasty, the predominant religion was Confucianism. Those of the Confucius faith viewed the rise of Catholicism as a major threat to their current belief system. Therefore, many Catholics faced persecution during the Joseon dynasty.

Despite coming from two different worlds (rich vs poor), Gu Won and Do Hee connected because they were seen as oddballs and outcasts in their own social classes. Gu Won, a nobleman who treated his servants as equals found common ground with Do Hee, a religious prostitute. These two odd birds were equally matched in every respect (odd and even get it? 1+1=2), creating a connection that transcended societal norms--they were, essentially, each other's soulmates. Their only "crime" was being born in the wrong era. Their love wasn't destined to flourish during the Joseon Dynasty. Instead, it was meant to thrive in the more modern times, like the present. If only these two had a time machine to fast forward to the future. Oh right...they did have a time machine and it was called God haha.

In Ep 9, God said to Gu Won, "Some call me time". Gu Won and Do Hee had the favor of God and time on their side. While God couldn't fast-forward time in the conventional sense (i.e give them a time machine or snap her fingers to transport them to the future), she could fast-forward time in the sense that she could make one lover immortal, freezing them in time, while she reincarnated the other lover at the right time so they could meet.

Just as in the present, Gu Won and Do Hee in the past also had to deal with people who were trying to sabotage their relationship. Much like their present-day counterparts, Ga Yeong and Seok Hoon of the past were among those who sought to break up Gu Won and Do Hee for their own selfish gains. Just remember what Gu Won said in Ep 1, "Evil stems from human desires". It's the desires of these two that contributed to the tragic fates of Gu Won and Do Hee in the past.

In the past, Gu Won's father had likely chosen Ga Yeong as a bride for Gu Won instead of Do Hee. Unlike her life now, past Ga Yeong was from an affluent and influential family, making her an ideal match by Joseon's standards with her beauty, wealth, and power. What remained unchanged from the past to the present is that Ga Yeong still had a bad personality and was just as obsessed with Gu Won in the past as she was in the present.

As for Seok Hoon, being a Ju in the past, he likely still enjoyed wealth, but instead of being the humble and kind person we know him to be today (I still have my doubts btw), he was a greedy and power-hungry Ju.

If we go with my theory that Gu Won was a Ju, one might ask, what was the relationship between him and Seok Hoon in the past? I think they were brothers--Gu Won, the lazy older brother set to take over the Ju household, and Seok Hoon, the younger, ambitious brother. Seok Hoon was probably jealous of Gu Won because Gu Won seemingly had everything handed to him on a silver platter without much effort or desire (maybe they were like Cain and Abel?). Side note, I'm going to laugh if it turns out Seok Hoon killed Gu Won with a rock because that's what Cain did to Abel.

Another possibility is that Gu Won and Seok Hoon were brothers who found themselves in love with the same woman. Seok Hoon got butt hurt because Do Hee chose Gu Won over him so he decided to destroy them both. If he couldn't get love, he would seek power (hmmmm sounds similar to the present haha).

Gu Won and Do Hee were just trying to be in their own little love nest but societal norms and people's desires got in the way. Similar to the present, Ga Yeong and Seok Hoon teamed up to exploit the lovebirds' vulnerabilities. Ga Yeong coveted Gu Won's heart while Seok Hoon sought the position of heir to the Ju household. Gu Won's vulnerability was Do Hee, and Do Hee's Achilles' heel was her Catholic faith. Team Judas decided to use the lovebirds' secrets to fulfill their greatest desires. As we've seen in the show, revealing people's deepest secrets can be an effective means to achieve one's goals.

Seok Hoon found out Gu Won was in love with Do Hee and wanted to marry her which again was a no-no because noblemen couldn't marry those from lower social classes than them. And Ga Gyeong, she discovered Do Hee was a Catholic by paying someone off.

Seok Hoon and Ga Yeong probably informed Gu Won's father about Gu Won and Do Hee's secret relationship. Gu Won's father couldn't have Gu Won tarnished the family reputation by being involved with a Catholic kisaeng so he sought to eliminate Do Hee.

On the day they died, Gu Won and Do Hee were doing normal couple things like walking on the beach. However, their blissful day turned into a nightmare as they found themselves being chased by the men Gu Won's father had hired to kill Do Hee. They eventually ended up being cornered on a cliff. Subsequently, they fell into the ocean similar to the events of Ep 1. The only difference between the events of Ep 1 and the past was that Gu Won was a mortal man who didn't have the powers to save him and Do Hee.

After this death, Gu Won woke up in Hell. Why? Because he was rich and lazy. Remember what Do Hee said in Ep 1- the rich and those who don't believe in God go to Hell. You might wonder why being rich automatically lands you in Hell? It's because those who are rich usually acquire their monetary wealth through unethical and immoral means. In turn, their actions eat away at their soul until they have none. Therefore, those who don't have souls go to Hell. While Gu Won might not have been directly involved in shady dealings, he still lived off his family's wealth which may have been obtained through dishonest means. Additionally, Gu Won's slothful nature and lack of diligent work might have been another factor contributing to his descent into Hell. As for Gu Won's religious beliefs, I don't think he had one. However, maybe he did in the end because of Do Hee.

So, what about Do Hee then? Where did she end up? She probably found herself in Heaven because she was poor and believed in God. This created the same issue for the lovers in death as they had in life-- being in separate worlds. Just like in life, they weren't able to be together even in death. Do Hee ended up wishing she could be where Gu Won was, which in this case was Hell. Do Hee sacrifice her soul/Heaven for Hell.

Do Hee's sacrificial act probably deeply touched God and prompted her to offer the two lovers a once-in-a-lifetime job...become demons and earn your souls back. However, I think Gu Won wouldn't have wanted Do Hee to become a monster, so he negotiated with God that he would become a monster for the both of them. Meaning he would work as a demon to earn back both of their souls and spare Do Hee the life of working as a demon.

By doing so, Gu Won would be able to save them from Hell and live a happy life in a place between Heaven and Hell, which was Earth. However, it wouldn't be all rainbows and unicorns though. Without any soul money to bargain with, Gu Won had to give up the only bargaining chip he had--his human memories. With the last vestige of his humanity gone, God imbued him with powers so that he could work towards saving his and Do Hee's souls from Hell so that they could have a better and brighter tomorrow.

Alternatively, I can envision the events unfolding similarly to those in Episode 1 with minor differences. Gu Won regained consciousness in the waters, and instead of turning back to try and save Do Hee, he swam up and left her behind. Once ashore, he felt immense guilt about his actions and saw himself as a monster and a poison to the very woman he claimed to have loved. Like the previous theory, God appeared and offered him a deal that would allow him to redeem himself. Though I find this theory plausible, I believe the other one is more likely to occur.

Section 3: More On The Contract with God

Section 3.1 Soul Money

Now let's take a deeper dive into the specifics of Gu Won's once-in-a-lifetime job! I'll start this section off with an analogy. God is the owner of Jesus Corp. Bank where money is stored. When I say money, I'm not talking about dollar bills, I'm talking about souls or as I like to call it, "soul money".

Gu Won is working at Jesus Corp. Bank as a loan officer because he's spiritually bankrupt as in he has 0 Soul Wons (SW) in his soul bank account. As with any job, Gu Won gets paid except he doesn't get paid with earthly money, he earns soul money. To buy a soul, you have to have 1000 SW (1000 SW=1000 W). For every year that he works, he earns 10 SW or 10 won (I will go over how I came up with these calculations further down). This may seem like a lousy pay, but when it comes to reclaiming your soul, sacrifices must be made. It really is a small price to pay hahaha.

Anyways, if it costs 1000 won (1000 SW) for a soul, how many years does Gu Won have to work to earn 1000 won at a pay rate of 10 won per year? 100 years. You're probably thinking where are you getting these values from and how the math ain't mathing, but don't worry just keep reading!

Let's first start out with how I deduced a soul is worth 1000 won. I kept thinking about the bill God was holding which was 1000 won. 1000 is "cheon" which means Heaven in Korean. It dawned on me that souls have the same value as Heaven, meaning souls = 1000 won and Heaven = 1000 won. You have to have a soul to go to Heaven and those who end up in Hell have no soul.

After this, I started to investigate the clocks. I discovered the clocks in Gu Won's place and on the promotional posters were decimal clocks, commonly used by those in accounting for payroll and hourly billing. If you're curious about what these clocks are, just Google it. I'm not going to spend more time writing than I have to

Ok so now you're wondering how I came up with 10 won/year. Let's consider how Gu Won's 10th name would be Sip Won or 10 Won. Then consider how there are a total of 10 hours on the clocks in Gu Won's place which are representative of 10 years. Put those things together! Each "hour" on the clock is 1 year and each time the hour hand moves from 1 hour to the next, it's 10 won. Therefore, it's 10 won/year.

To help you understand this, I have created a figure below that includes the decimal clocks seen in Gu Won's place (orange), the promotional poster (green), and a 12-hour clock (red). It should be noted that both the orange clock and green clock have a total of 10 hours, it's just that they start at different numbers. The clocks (orange) seen in Gu Won's place are a countdown until the people go to Hell while Gu Won's clock (green) is a countdown until he gets his soul and Heaven.

Now, let's revisit the deal Gu Won offers people. The term is that you get 10 years of Heaven for selling your soul (keep in mind you don't get all of Heaven, you only get 10 years of Heaven). Mathematically calculate how much 10 years of Heaven is worth to see if it's really an equal exchange. Multiply the rate (10 won/year) by the number of years which is 10 years and you would get what? 100 won. That's how much 10 years of Heaven is worth...100 won. You might be thinking now that it wasn't an equal exchange at all, right? Depends on how you look at it! One way to look at it is that you just got cheated because you sold your soul valued at 1000 won for only 100 won of Heaven.

On the other hand, one could view it as a fair exchange because these people (except for the mother and daughter) were trying to cheat the system. Meaning they didn't want to work hard to acquire their Heaven, they would rather acquire it through dishonest means (i.e signing the contract). In the end, the cheater got cheated so it's fair haha!

The thing is every time one engaged in shady crap, it eats at your soul until you're spiritually bankrupt. In this context, you've already sold your soul to the devil. You didn't need to sign a contract with the Devil to go to Hell, you would've ended up there sooner or later because you had engaged in deceitful acts to acquire your greatest desires. One could then see Gu Won was doing the world a huge favor by signing contracts with these cheaters because he removed these bad eggs from the living world more quickly!

Some might wonder, can you be a rich person while living and not end up in Hell after? Yes, you can. How? By acquiring your wealth through honest means, following the rules, and engaging in acts of charity. In this way, you would not only be materialistically rich but spiritually rich as well.

The moral lesson in MD is to live a righteous life and work hard for the things you want in life. If you decide to engage in dishonest behavior (i.e cheating), just know you may not have to pay for it while you're living, but you'll eventually have to pay for it in the afterlife.

Section 3.2 Why Did Gu Won Have to Work for 200 Years?

Now let's consider what would happen if say were in Hell like Gu Won was, but wanted Heaven? What can you do if you are spiritually bankrupt? You got to WORK BITCHHHH to earn back your soul. Shit.... that's hard for a sloth who had never worked a day in their life...cough...cough Gu Won.

Why did Gu Won have to work for 200 years? It's because he not only had to buy back his soul but he also had to buy back Do Hee's soul too. Let's do some math....if a soul costs 1000 won and you make 10 won/year, how many years would you have to work? 100 years (10x=1000; x = 100). Again, because he had to get Do Hee's soul out of Hell, he had to work an extra 100 years.

I believe in the first 100 years on the job, Gu Won earned back Do Hee's soul which freed it from Hell. In turn, this allowed her to become reincarnated while Gu Won was still stuck working towards getting his soul back.

Now, you might be wondering if Gu Won obtained more deals, wouldn't he earn back his soul faster? Nope. It doesn't matter how many contracts he signed, he still got paid the same amount every year. What mattered was that he worked period. And this is why Gu Won didn't know how many contracts he had to sign to prevent spontaneous combustion haha. He didn't get that all he had to do was work. To earn back your soul, you have to be diligent, not take any shortcuts, and follow the rules. As a worker at Jesus Corp bank, if you're lazy for one second, you spontaneously combust haha. If you cheat and break rules, same thing haha.

One might think Gu Won would be able to get out of his job as a demon if he became human right? Not quite. I was wrong in my previous theory when I said after he became human, he would no longer face the threat of spontaneous combustion. He still faced the threat because he did not fulfill his end of the contract with God. Gu Won agreed to work as a demon for 200 years in exchange for his and Do Hee's souls. The keywords are "demon" and "200 years".

The moment he became fully human, it was like he breached his contract with God. Hence this was why he still faced the threat of spontaneous combustion even after he became a human. He was close to hitting 200 years exactly but you know some things got in the way haha. God was basically dangling a bone (i.e Do Hee) in front of Gu Won to motivate him to become a guardian demon faster. Oh and the last piece of his soul is in Do Hee!

So how much longer does Gu Won have to work for God? ~1.2 years. If you look at the clock at the beginning of Ep 9, you'll see the hour hand is pointing at ~8.80 which equates to ~1.2 years left haha. This is why later in the ep, the writer hints at this by having Gu Won say to Do Hee, "Otherwise, I might have to wait another year." So yeah, if you don't work, you die and if you break the contract, you die hahaha. I think Gu Won will continue to work for God even after his contract with her ends.

It was funny Gu Won was trying to blame God for everything. I was like boy you're the one that signed the damn contract haha. You made that decision and now you have to face the consequences of your actions haha. End of the day, God was just trying to help these two lovebirds out and to get Gu Won to grow the fuck up and know the true meaning of hard work haha. Oh, and she was also trying to get him to forgive himself for what happened in the past.

Something Punny

Let's take a quick break with something funny before we head into the next section! So what do you get when you cross a line? Read that really slowly and think about it for a minute.....YOU GET A CROSS HAHAHAHAHAHA. This writer though hahahahahaha. On a serious note, it's because Gu Won and Ga Yeong crossed the line that things have been going in a more positive direction.

Section 4: The Mechanics of The Tattoo Transfer

Before going into how everyone's choices influenced Gu Won and Do Hee's fate, let's first explore the mechanics of the tattoo transfer. I have to say, I'll never trust anything Park Bok Gyu says ever again haha. Because I believed in his little hypothesis, my theory was completely wrong haha.

The essential conditions for the tattoo transfer are as follows: 1) A full moon must be present, 2) Gu Won and Do Hee must face a life-and-death situation, 3) The person without the tattoo must genuinely desire to save the person with the tattoo, and 4) The person with the tattoo must be near death or on the brink of it. The location and timing of the ritual are inconsequential. As long as the specified conditions are met, the transfer can take place!

Section 5: Fate is a Web Woven By a Myriad of Choices

Section 5.1 Free Will Vs. Fate

Ok now let's talk about the great debate...Free Will vs Fate. Did anyone catch the writer's stance on this debate? It was conveyed in Ep 1 and Ep 10! The writer believes these two concepts can coexist with one another. This belief is known as "compatibilism"!

What is compatibilism? It's the belief that while external forces, such as God, upbringing, society, and environment, may play a role in shaping our fate, the ultimate responsibility for our decisions lies with us as individuals. All actions, whether deemed as good or evil, are fundamentally driven by the choices we make. These choices, in turn, are influenced by our internal desires, which can be shaped by external forces. In this perspective, we are active agents, empowered to play a significant role in shaping our own fates through the conscious decisions we make.

God can influence our choices, but the crux of the matter remains we are free to choose whether or not to align our choices with divine guidance. As my bf noted, "Those who don't obey God or adhere to their plans tend to find things don't work out for them. This underscores the idea that aligning our choices with divine guidance can lead to a more favorable fate.

In the show, Do Hee's decision to save Gu Won and vice versa, who had the cross tattoo, can be seen as a complex interplay between free will, determinism, and compatibilism. Her desire to save him reflects an exercise of personal agency, emphasizing the role of free will in her choice. Simultaneously, the symbolism of the cross introduces a deterministic element, suggesting an alignment with a divine plan. This dynamic highlights the compatibility between personal choice (free will) and external influences (determinism/fate), echoing the principles of compatibilism.

Simply put, God can present you with a plan, and you can choose to follow that plan or not. It's your decision. If you choose to follow the plan and things don't work out then don't go around blaming God because you're the one who made the decision, you're the one who's responsible. Nevertheless, the underlying belief is that adhering to God's plan can lead to favorable outcomes.

The ending scenes of Episode 10 exemplify the convergence of everyone choices influencing the fate of Gu Won and Do Hee. Let's start with the puppet master – God. If God hadn't conveyed to Gu Won that Do Hee needed to die to regain his power, what would have happened? Gu Won and Do Hee's plan would likely have failed, leading to Gu Won's demise. However, God disclosed this crucial piece of information to set in motion a chain of events that ultimately resulted in a positive outcome. I aslo see this as one of God's tests to determine if Gu Won was ready to have the training wheels taken off haha.

Gu Won had the option not to disclose to Park Bok Gyu what God had communicated, but he opted otherwise. As a result, Gu Won's actions led to Park Bok Gyu expressing his concerns about the necessity of Do Hee's death, which Ga Yeong overheard. This, in turn, led to Ga Yeong providing poison to Do Hee, a necessary step in fulfilling God's plan for Gu Won to regain his powers.

You see, God does know everything despite her saying otherwise (in this show, God does lie haha). She knows all the possible outcomes there are and intervenes strategically to ensure things align with her desires. Thank God, she's Team Dowon haha!

Section 5.2 Team Judas

I believe Ga Yeong's decision to disclose Gu Won's secret to Seok Min will have broader consequences than she anticipated. In the preview for Ep 11, we see Seok Hoon joining forces with Seok Min, with the motive behind Seok Hoon's decision left unrevealed. I can only speculate and say that Seok Hoon perceives joining forces with Seok Min as the lesser of two evils. Thanks to Ga Yeong, Seok Hoon views Gu Won as the embodiment of evil that needs to be exposed and crucified, and the only person with the necessary "power" for such an undertaking is Seok Min. My question is, is Seok Hoon ready to sell his soul to the Devil? In all honesty, Seok Hoon is just doing this because he wants Do Hee to be with him and not Gu Won.

I guess Seok Hoon and Seok Min will devise a plan to expose Gu Won as a demon/devil. I have no clue how exactly they're supposed to do that given when someone tries to film Gu Won doing magic, the camera cuts out. The only other way I could see them able to accomplish this goal is by hiring someone to stab Gu Won in public so people can see Gu Won can instantly heal. Or if they want to do it "The Bodyguard" style, they would hire someone to shoot Do Hee, and then Gu Won would jump in front to protect her which again would expose him as a supernatural being since he would instantly heal. In either case, People would then see Gu Won as a monster. They would try to hunt him down like the Beast from Beauty and the Beast and crucify him like Jesus. Then again this plan might fail because Gu Won being a human now might not be able to instantly heal anymore.

Another theory is that Seok Hoon is teaming up with Seok Min to take him down. Maybe Seok Hoon realized after the incident at the gas station that Seok Min was behind everything. Seok Hoon will go undercover to dig up evidence of Seok Min's crimes. This could be his redemption arc maybe. Again, I still have my doubts that Seok Hoon is actually a good guy, but I could definitely be wrong!

Section 5.3 Do Gyeong

I might be in the minority, but I genuinely hope Do Gyeong survived the car crash so that he can testify against his father. While I understand Do Gyeong crashed his car into the gas station because he saw death as the only way to escape his father's abuse, it was still wrong. I also think he did this as a way to get revenge on his father. By crashing his car into the gas station, the police would start investigating his father. In turn, this could lead them to discover Seok Min as the real culprit behind everything. Additionally, I think Do Gyeong was the one who stuck a knife into Kwang Chul's chest after he was burnt like a crispy duck. Do Gyeong probably did this for the same reason as I mentioned above...to lead cops and Gu Won to his father.

Section 6: Madam Ju, Murder of Do Hee's Parents, and Seok Min

I don't know if anyone has noticed, but Madam Ju wasn't in Eps 9-10. This was odd given that in previous eps, she would always make some sort of appearance. I posed a question in my previous posts asking if Madam Ju was a figment of Do Hee's imagination or a real spirit/ghost. I've concluded Madam Ju is not just a figment of Do Hee's imagination. I think she's a real spirit/ghost.

Going back to Ep 1, Do Hee wished on her 28th (8+2=10 haha) birthday that Madam Ju would be around for a very long time to continue stabbing her in the back. God granted Do Hee's wish. God probably allowed Madam Ju to come back and talk to Do Hee as a spirit to help her heal. However, I think God restricts what Madam Ju can tell Do Hee. I feel like we'll see Madam Ju again after Do Hee discovers her dark secret.

In regards to the deaths of Do Hee's parents, I don't think Madam Ju killed them. I think it may have been an accident, but Madam Ju still blamed herself for it. Maybe what happened was that Madam Ju committed a crime out of greed like cutting costs on the production of electronic products or sabotaging a product to get insurance money and Do Hee's father found out about it. Subsequently, he went to investigate it/fix it and that's when the explosion happened.

Interestingly in Ep 10, we saw Seok Min with a tape recorder on the day Do Hee arrived at the Ju household. Could it be that Seok Min recorded his mother confessing her dirty secret and guilt for the deaths of Do Hee's parents? This might explain why Seok Min said, "So it's you, mother's way out." Maybe Seok Min was planning on using the recording to later blackmail her so he could get the chairman position.

Another theory I have is that Do Hee's father had discovered what Madam Ju was trying to cover up and then Seok Min found out about it. Seok Min then took the initiative to cover up his mother's dirty secret by getting rid of the only person who knew about it by planting a bomb in their car. Seok Min probably did all of this because he thought it would "win" his mother's love and approval and that she wouldn't see him as a devil anymore. Additionally, he thought in his own twisted way that by doing this, he was protecting his mother. Maybe Seok Min's real desire was that he just wanted Madam Ju to love him.

When Seok Min discovered Madam Ju's Chief Financial Officer had uncovered her secret and contacted Do Hee about it, Seok Min once again, turned to murder to "protect" his mother. Instead of receiving gratitude for his actions, Madam Ju scolded him for them. This was the final straw that broke the camel's back. If Seok Min couldn't have love, he would seek power, even if it meant killing Madam Ju. This act is what essentially transformed him into the real devil demon.

I just had an interesting thought. Seok Min killed the very thing he loved to obtain power, mirroring what God implied Gu Won should do with Do Hee to regain his powers (anyone getting Thanos and Soul Stone vibes haha). Perhaps this is the real difference between Seok Min and Gu Won. Gu Won wasn't willing to sacrifice the one he loved for power. Instead, he was willing to sacrifice himself to save the one he loved, which transformed him into a guardian demon. Gu Won's prioritization of Do Hee's needs over his own enabled him to obtain real power.

Section 7: Guardian Demon

Do Hee was right when she said Gu Won would be reborn as a perfect demon hahaha.....guardian demon that is! He probably follow a path similar to Lucifer Morningstar from the show "Lucifer," transforming into a figure with a psychologist-like role, assisting others in finding redemption and embracing goodness haha.

Section 7. 1 God Placed People From All Walks of Life In Gu Won's Path to Help Him Become His Best Self

Every person God strategically placed in Gu Won's path served a unique purpose, guiding him toward personal growth and offering them a chance at salvation. Take, for instance, the Wild Dogs. God orchestrated their encounter to provide Gu Won with an opportunity to rehabilitate them, transforming them into a force for good rather than evil. Similarly, the girl and her mother were placed in Gu Won's path so that he could learn guilt and compassion. Additionally, they were placed in his path so he could use his guardian demon powers to heal the girl without damning her mother to Hell!

In the case of Ga Yeong and Seok Min, I think God placed them in Gu Won's path so he can learn to forgive those who basically killed him in the past. Forgiving those whose choices once led to one's death is a challenge, but it's a necessary step in Gu Won's journey toward becoming a guardian demon.

Simultaneously, God granted Ga Yeong and Seok Min a second chance at redemption for their past actions. Witnessing Gu Won and Do Hee's genuine love for each other might be the very thing that contributes to the healing of their dark hearts, leading them to realize that deceit and manipulation should not be employed to obtain love. Quite frankly, they both need to learn to let go and move on haha.

As for Park Bok Gyu, God strategically placed him in Gu Won's life to be a positive influence, reminding Gu Won of his humanity and encouraging him to embrace his role as a guardian demon. In return, God restored Park Bok Gyu's past memories, preventing him from inadvertently signing another contract and facing a second stint in Hell. It's a fair exchange, highlighting God's generous repayment for those who serve her purpose. Random thought, is Secretary Shin like a real angel or something? Because "shin" in Korean does mean "god" haha.

Last but certainly not least, Do Hee. God placed her in Gu Won's path to assist him in confronting his inner demons, particularly the guilt he harbors for failing to protect her in their past lives. Forgiving oneself is one of the most challenging feats, and Do Hee is poised to help Gu Won realize that the tragic events of the past were not his fault. This, perhaps, stands as one of the final steps before Gu Won can fully embrace his role as a guardian demon.

God also put Do Hee on Gu Won's path so he can help Do Hee in her journey of self-forgiveness. Do Hee carried the burden of guilt for the deaths of her parents and Madam Ju, and God intended for Gu Won to be a guiding light in helping her forgive herself. Moreover, God orchestrated their meeting to help Do Hee overcome her lingering fears, including her aversion to water (in Ep 9 she didn't want to get on the ferry haha). I think her fear of water stemmed from the traumatic events of their past lives, where she and Gu Won met their demise in the ocean.

Section 7.2 No More Following The Rules in The Demon Book

In my last post, I predicted Gu Won would break one of the rules in the demon book to protect Do Hee and that's exactly what happened in Ep 10! Can you guess which rule he broke? It was the rule that stated, "You can't bring back the dead". With the training wheels off, Gu Won could now bring back the dead and that's how Do Hee was alive again and fully healed. You're probably like wait why didn't Gu Won spontaneously combust? Because he became a guardian demon!

You see, the rules in the demon book only applied to devil demons, not guardian demons. What does this mean? It means Gu Won could now do all the things the rule book said devil demons couldn't do (review my previous post for the rules). According to Kwang Chul, humans were greater than the devil or God because they could be anything. Be it the devil, god, or something much greater. In Gu Won's case, he became something much greater. He became a mutant.... a mortal human with demon powers just like I previously said.

Here comes that quote again, "With great powers come great responsibilities." God couldn't make Gu Won a guardian demon right off the bat. He had to go through a bunch of trials and tribulations beforehand so he could learn to use those powers responsibly. I mean, can you imagine if God gave Gu Won those God-like powers with no rules back when he was a spoiled lazy rich boy during Joseon? The world would be destroyed as we know it!

However, it's not over yet people! Remember Gu Won still has 1.2 years left of work in his contract with God! If he doesn't finish up that contract, he can still spontaneously combust regardless if he's a guardian demon or not! Also, Gu Won can kill now which is scary! If I were Seok Min, I would be shaking in my boots right now. Madam Ju did say Seok Min would have to pay for his sins sooner or later!

In the end, Gu Won won't be a man who couldn't have his cake and eat it too. He'll become a man who can have his cake and eat it too! He just has to learn to be a good hard-working boy like Pinocchio haha. If you work hard and live a righteous life, God rewards you with all of your heart's desires (The atheist in me wants to vomit... sorry haha).

Section 8: Who Leaked Information About Gu Won and Do Hee's Whereabouts?

Everyone is thinking it's Secretary Shin who leaked the info about Gu Won and Do Hee's location. However, I think it was Do Gyeong. Seok Min probably had Kwang Chul place a tracker on Do Hee's car and when Do Gyeong hacked Seok Min's phone, he was able to obtain the tracking data. As for Team Judas, maybe Seok Hoon had placed a tracker in Do Hee's purse or put himself as a contact in her "Find My" app!

Section 9: Symbolism

Section 9.1 The Necklaces

In my first MD post, I highlighted the presence of both a silver and a gold necklace worn by Gu Won and Do Hee, and I've now unraveled the significance behind them: Gold symbolizes the Sun and Heaven, while Silver represents the Moon and Hell. Let's delve into Gu Won's necklaces first.

As mentioned previously, the silver cross necklace was speculated to either have belonged to Do Hee or been a gift from her to Gu Won. Notably, Gu Won's gold necklace doesn't feature a cross (unlike Do Hee's necklaces, which bear lover's knots). Why is this? Simply put, Gu Won didn't embrace faith in God and wasn't a Catholic. Gu Won wearing the silver necklace with the cross serves as a testament to Do Hee's steadfast faith, which played a pivotal role in saving them from eternal damnation in Hell. At the same time, when I think of silver, I think of Judas who betrayed Jesus for 30 silver coins, werewolves, and vampires haha.

The choice of material may also offer insights into Gu Won and Do Hee's past. Gold, being an expensive material, was a luxury afforded only by the wealthy, such as noblemen. In contrast, silver, being more affordable, aligns with the humbler status of individuals like kisaengs. Silver exudes humility akin to Do Hee, while gold mirrors the extravagant and ostentatious nature of Gu Won haha.

Now, turning to Do Hee's necklaces – they symbolize the enduring connection between her and Gu Won, transcending realms of Hell and Heaven forever and to infinity! Their love acts as a powerful force, enabling them to overcome any barriers to be reunited.

Section 9.2 Flowers

Section 9.2a Devil's Trumpets

Remember Devil's Trumpets from "The Glory" haha? Its scientific name is Datura stramonium, also known as devil's snare (any Harry Potter fans here? haha). This plant belongs to the nightshade family, a group where many members are poisonous (potatoes, eggplants, tomatoes, etc are part of this family, but they're not toxic). While Devil's Trumpets can be highly toxic, they can also possess medicinal properties and have been used to treat various illnesses. Occult practitioners sometimes consume this flower for visionary experiences.

In the story of Romeo and Juliet, the poison the star-crossed lovers consumed was from a member of the nightshade family called "Belladonna." Considering this, Ga Yeong's poison to Do Hee could have been either Devil's Trumpets or Belladonna. Additionally, the Devil's Trumpet might symbolize Gu Won, suggesting that despite the toxicity of his family (the Ju family), he is a benevolent person capable of healing rather than harming. He's an eggplant haha!

Section 9.2b Poppy

What do poppies symbolize? Death, dreams, and remembrance. It's fitting given in the Ep 11 preview, Gu Won will have a dream of his past life and remember shit. Who knows maybe we will finally get to see how he died? The poppy in his ear could also be a foreshadow that he will die again verrryyyy soon haha.

Section 9.3 Snakes

Christianity seems to have a knack for twisting once-positive symbols into something negative! Before snakes became synonymous with evil, the Devil, and Satan, they were revered as good spirits in Greek and Korean mythology

In Ancient Greece, snakes were often linked to Agathodaimon, a lesser deity meaning "good/noble spirit" (this is what Gu Won is; I bet the writer will mention this term haha). Agathodaemons were household gods and protectors of those who worshipped them. Representations of Agathodaimon featured snakes with a poppy flower (similar to Gu Won's in the EP 11 preview) and an ear of grain, symbolizing prosperity and fertility respectively. This deity was also portrayed as a man holding a cornucopia, akin to Thanksgiving traditions. Ancient Greeks would honor Agathodaimon with a few drops of wine after a meal.

In Greek myths, Agathodaimon was believed to be the spouse of Tyche (probably Do Hee), the goddess of fate and fortune (also known as Lady Fortuna or Lady Luck). In Egypt, Agathodaimon was associated with Osiris, the Lord of the Underworld, and Shai, the god of fate. Basically, you would want Agathodaimon because he would bring you good luck, wealth, and protection.

In Korean mythology, snakes were also viewed as creatures of good luck. For example, in Korean myths, the Imoogi was one big fat snake that brought good luck and fertility to crops. However, it was believed if you ever prevented an Imoogi from ascending to the Heavens, bad shit would happen like plagues, typhoons, infertile land, and famine. The overall message is don't kill snakes because bad shit will happen. I'm suddenly getting a bad feeling Gu Won is going to get killed and a natural disaster will occur haha. For those wanting to learn more about Imoogis, you can click on the link below or Google it.

So y'all are probably wondering why the hell i'm telling you all of this? It's because in Ep 10, Gu Won rolled what is known as "snake eyes". The reason this roll is called "snake eyes" is because the 1's resemble the two pips to the eyes of a snake. In craps, this roll can either mean you're really lucky or unlucky, representing an odd phenomenon. For example, when you roll snake eyes on the initial roll, you have to roll it again on the next roll to win the round. However, the probability of rolling "snake eyes" is very low (2.78%).

Another thing to mention is how 2 odd numbers can equal an even number where 1+1=2. You could also view Gu Won's roll as a good omen because it's 1...1....11 which is considered a lucky number! Our little lovers are snakes who are bringers of luck and fertility haha.

FYI, one of God's rolls was a "push" or "standoff" roll which are two 6's. Like snake eyes, this roll has the same low probability of 2.78%. The funny thing about Gu Won's roll and God's roll is that Gu Won's roll is the lowest value you can get which is 2 and God's roll is the highest value you can get which is 12.

Section 10: OTHER RANDOM THOUGHTS

I have none. I'm brain-dead from researching, thinking of stuff, and editing this monster of a post. K byeeee

[raccoonfallsharder]

tiny lil violet anon here!! hh second guessing is really common w creatives (i would know.. i'm a digital artist) but i want you to know that you're probably one of my favourite fic writers and you actually inspired me to start working on a rocket x reader fic of my own a while back!!! (would you mind if i sent you my fic if i ever finished it?)

honestly, i dont think you have to worry about how well you capture rocket's voice bc honestly you're one of, if not the best i've read— your triptych day 17 fic was genuinely mindblowing for example?? your understanding of how different people write rocket is so in depth and the way you made all three renditions of rocket different but so clearly still rocket got me awestruck (do you have any tips on writing the 3 different rockets btw? i'd love to understand more about how you differentiate them! ><)

i remember reading the boring adventures of space pilot and sweatshirt girl for the first time after reading the rocket comics and thinking that helping rocket out on that ferry was exactly what i was hoping someone would write?? it was the fic i needed and didn't deserve LMAO literally every thing you've written has always filled a gap that i didn't know was there & didn't know i needed ♡♡

sorry for the ridiculously long ask ^^; your work genuinely means so much to me and im totally in love with how you write rocket— while ik every artist doubts themselves, i want you to know that the work you create is so much better than you give yourself credit for!

tiny little violet nonnie!! (⸝⸝o̴̶̷᷄‸o̴̶̷̥᷅⸝⸝) you precious sweet little flower. please don’t apologize for long asks - i love them (they just take a while for me to respond to). this was also so, so sweet, and the idea that any of my writing means a lot to you kinda makes me teary ♡

i would love to read your fanfic! even if you don’t finish it! you can always send it my way via dms or share via ask if you wanna stay on anon. or post it and tag me ♡ the fact that i was able to inspire you a little bit is honestly one of the most lovely compliments i could receive and it is truly an honor

(｡•́︿•̀｡)

i’m also so grateful that you enjoyed sweatshirt girl ♡ one of my favorite things about fanfiction is that it can give us the stories we need and deserve (or give us the opportunity to write them!). honestly reading grounded all i wanted to do was pick up that raccoon and take him home and feed him warm food and that’s how sweatshirt girl happened ♡o(╥﹏╥)o♡

so part of the reason i took a long time to respond is because i was trying to really think about how i write the different rockets. and i decided i only have one “tip” for you (or rather, one thing that worked for me and which i hope might also work for you.

but you know im gonna take ten paragraphs to get there!

tbh even though i refer to them by their respective authors, i don’t think “i need to write rocket like skottie young” or “i need to write rocket like james gunn.” i think “i need to know rocket, and understand him, and figure out how he would react & interact in skottie young’s galaxy” or “in the mcu.”

my short tip for writing any character is understand what makes them tick. what drives them? what do they long for? how do they hurt? what do they fear? in what ways do their insecurities and survival mechanisms weave together and impact the way they see the world, interact with friends, protect themselves from enemies?

your best tool as a writer of characters is your ability to empathize with them.

know and love your characters the same way you do your best friends. as authors we are playing god with their world and their lives and it’s a little bit of a sacred responsibility to at least make sure we understand them as well as we can ♡

so for rocket specifically…

fundamentally, my personal interpretation of rocket in any universe is someone with profound empathy, who feels pain very deeply. and since he hasn’t had the opportunity to like, see & practice healthy coping mechanisms lol, he has learned to survive by trying to hide that empathy and that pain under layers of calcification and sarcasm and spikes and blades. and it like, kinda works?? but sometimes it ends up hurting people who don’t deserve to be hurt and when he realizes that, the hidden empathy kicks in and he hates himself all over again.

and like many people, rocket also doesn’t really want to give up his pain. people tend to fight to keep their most hurtful memories or vulnerabilities locked inside. they build so much of their identities around them.

so the real question comes down to, what is each rocket’s source of pain? how does that impact how he interacts and thinks? what is his support system at the point in time that i’m like, crashing his party? how does that impact his interactions and thoughts?

skottie young’s rocket gets laid, so he’s not going to be worried about seducing anyone tbh. he’s probably got the most confidence out of all the rockets, at least on the surface. geez, the 2014 run? it’s like. all about his copious ex-girlfriends and about he’s the only one of his kind in the whole universe. if i were gonna write a full fic based on skottie young’s rocket, i’d base my foundation on the idea that the reason rocket has so many exes is because he’s constantly searching for something that he doesn’t believe exists (basically, someone who can make him feel not-alone) and he probably ends up sabotaging his chances every fuckin time he gets close.

ewing’s or rosenberg’s rocket? still canonically gets laid but has gotten treated like dirt enough times — including being betrayed by people he trusts at various points — that he’s always waiting for that to happen. and mcu rocket? that boy is so insecure about his worth on every level that if he has any pleasant interaction with anyone, he’s probably baffled about why the fuck it’s happening.

all this to say: how do you see (each) rocket? how does he move through the galaxy his authors creates for him? and how does that change when you step in and make something different for him?

it’s late here and my brain is foggy so i’m sorry if i didn’t fully and properly answer your question, sweet little violet .｡༅:*ﾟ*:✼✿ all this to say that if i am successful at all in effectively communicating rocket, it’s more about studying (my interpretation of) who he is in each setting than studying a writer’s style, if that makes sense.

ahhh good night, little love. i am an old baba yaga and i must sleep