#it doesn't really relate to them

[arabella-s-arts]

I think something I really love about Starfire is how big she is, in all senses.

She has a big personality, her emotions are big, and she is physically very large, especially her hair (I love her hair).

She takes up so much space (without taking away anyone else's space), and I think that's awesome.

A lot of the time, women are judged for being dramatic, and too emotional. But Starfire was raised to show her emotions, to not hide herself away. And it's treated as a good thing!

Basically, I just think it's very cool that there's this amazing woman from the 80s whose: taller than her boyfriend, is muscular, has huge thick curly hair, is emotional, and is very overpowered.

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[regonold]

Danny has recently joined the young justice team after they discovered amity and how they were under media black out and a group of people were pretending to be government agents were attacking using a law that was never actually passed as an excuse for it

Anyway whilst meeting the justice league he notices how one of the members has a ring on and trying to make small talk starts talk about it and how he has his own ring trinkets just like it

He doesn't get why everyone got so silent after he mentioned how he collects the different colours as a hobby they're practically a dime a donzen in the realms

Not to mention all rhe times clockwork has sent him to some different planet in the past and rings have quite literally floated to him before dropping after getting too close

Or

Sometimes when rings are off looking for someone to weild them they will sense a great emotion and accidentally fly through a natural portal and then being suddenly just absolutely covered in emotions they end up shorting out and just floating through the realms

And danny has found so many of they he just considers them trinkets or clockwork has sent danny to a different time period on difficult planets and a ring has sensed the great emotion and tried to choose him but then it's covered in emotions and blacks out and Danny's just swiped it not think much

-------------

Ama be honest i just love the idea of dannys core going it smells of space and i want it

To be clear due to the fact of the infinite realms being infinite sometimes a portal will open near enough to a lantern ring for it to head to wards it thinking it's just someone with great levels of insert required emotion

Like if a portal opened near fright knight and a yellow lantern ring happened to he close by it would go on that guy just radiates fear i want him

But after entering the portal it's no longer in any dimension and it's swamped in emotions of all kinds simply due to the nature of the realms

[gunsatthaphan]

🍑✨🧡

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[danwhobrowses]

Goodness this is like the third episode in a row begetting discourse among the cr fandom. For me this discourse has two perspectives where the division depends on whose perspective you're looking at;

For the armies it was 'We've been sent by the gods and are here to help you stop Predathos as we pla-wait, you're a vessel of Predathos? Isn't that just like Ludinus planned??' which yeah is valid from their perspective

For the Hells it was 'We just came out of 4 back-to-back battles with Ludinus and Predathos itself, we have a solution to save the gods but change the dynamic but we want to discuss it privately with the gods first and now you're trying to kill us!?' which is also valid

What puts me more on BH's side is that we have the context; BH are allowed to be terse when people try to kill them and fail, least of all allies who don't ask for an explanation before asking their god to come down and smite them. They're not villains because they snarked at the person who attempted to sic their god on them, and it's not as if Imogen sic'd Predathos on them in retaliation. Once again they are met with the thankless job and burden that they neither wanted or asked for, but was thrust upon them anyway. With all the times Bells Hells have been criticized for being aimless and indecisive it seems a little strange to criticize them now for being focused and decisive.

Could they have explained from the start? Maybe. Would it have caused a different reaction the moment they said Predathos is in Imogen? Probably not. I can't tell you why they didn't come out of the Cage and immediately explain because I'm not the players; perhaps they wanted to avoid the hysteria and conflict, perhaps they were drained from the fight and wanted to wrap up the episode, or perhaps it was just down to Bell's Hells, as with all CR campaign parties, being infamously bad at communicating, I don't know.

But it's times like these where it's worth reminding that this is a DnD show, nerdy-ass voice actors having fun, it can't always be clean and clear-cut storytelling every second. And sometimes as a fandom we need to take a step back so we don't get ourselves stuck, because we're probably making it deeper than it is and getting annoyed at each other over our interpretation of two groups from the same side getting annoyed at each other. Just, take a breath.

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[nelkcats]

The Ghost King Wants To Rest!

After years of discovering about his immortality and living through the death and reincarnation of his loved ones, Danny was tired. The world had changed: it had destroyed, rebuilt, reboot, he honestly lost the thread over the years.

Although he could admit that it was interesting to see the evolution, the arrival of heroes on his "original" dimension. And maybe he forced Technus to build him a radio that would alert him to space-related issues there...

He was thrilled when Martian Manhunter was heralded as a hero (Superman was a pretty cool alien yes, but too... human?), though that was basically all the news he had of current civilization (not that he needed further)

The years passed and at the end he decided to live out his retirement on earth out of nostalgia (and by that he means Clockwork got his ass out of the Realms for a break) in what was once Amity a long time ago, he built a nice cabin in the mountains and settled there.

His relationship with Clockwork had evolved over the years, and Danny understood that his mentor (sometimes father) was very concerned that immortality would negatively affect him.

Seeing how he locked himself in his castle for the first few years after Jazz death didn't help alleviate his fears. So Danny didn't complain when the ghost threw him to Earth on that dimension (besides, it had Aliens now! and he missed Amity...even if it was not Amity anymore)

But people won't stop pestering him during his retirement! "Save us" "Help us balance the world, chosen one" "Play with me, let cause chaos!" And more ridiculous phrases. Can the horned boy and wizards leave him alone!? He just wanted to rest!

He couldn't even ask his loved ones for help because their reincarnations didn't recognize him (or did, and made fun of his situation).

On the other hand, Justice League Dark and Klarion have spent years trying to bring the powerful entity that lives in the mountains to their side but nothing works! Why is it so intent on pretending to be an old man with an appearance of 20!?

[sysig]

You're still standing off to the side. Somehow, center stage has shifted from under your feet without you realizing, and you're standing in the wings, performing to no one.

Starring Role (Patreon)

[vynnyal]

Finally finishing totk

[piko-rose]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[saturnscherie]

༄ A Second Chance for Tsumiki’s Happiness

༄ An analysis on why I think Megumi *chose* this memory a second time, for his final moment before death.

When Yuji accepted Megumi’s wish to die, Megumi knew that he didn’t have to continue living because Yuji was finally going to get rid of Sukuna and take him down along with him.

But, when Yuji saw him again after that scene, he found young Megumi in the same memory that changed his life forever. The scene where he chose to become a sorcerer, to protect Tsumiki’s happiness.

I always implied that we see this memory a second time because it was supposed to be a representation of Megumi walking towards death to join Tsumiki in the afterlife.

I think this is what's being presented because, in the memory where Gojo finds Megumi, Megumi was on his way home to Tsumiki, who we saw later on, waiting and watching through their window for him to arrive.

This small but significant detail of Tsumiki waiting for Megumi is important because it seems Megumi wished to return to the day when he accepted Gojo’s offer to become a sorcerer.

After all, he knew that if he went back to that day he could just keep walking forward, instead of turning around; he could choose to join Tsumiki at home, instead of choosing to become a sorcerer.

(He even turns back around to face his home mid way through his convo with Gojo. It looks like a part of him wanted to just go inside instead of hear Gojo out.)

༄ Tsumiki’s Happiness

From my understanding, Megumi never wanted to be a sorcerer for his own sake. He only chose that path because it was his only way at the time, to bring Tsumiki happiness.

Megumi further proves this point when he talks about his dream life because he didn't mention being a sorcerer at all. He only mentioned wanting to create a world where Tsumiki wouldn't have to suffer and if he couldn't do that he wanted to at least be able to preserve their fragile life.

༄ Tsumiki was the first person Megumi truly wanted to save and not being able to do so, made him lose his will to continue living life, without her.

If you remember, at the end of the Shibuya Incident arc, Kenjaku said that they carefully picked every person they gave cursed objects. We find out later that Tsumiki became the vessel for Yorozu, meaning she was given her cursed object.

This implies that Tsumiki was specifically targeted to be used in their Jujutsu terrorism because she was involved in the world of sorcery, through Megumi.

I think Megumi understood that this was the case, and couldn't help but blame himself for becoming a sorcerer, even though it wasn't his fault.

In his mind, the day he chose to become a sorcerer is what would eventually lead Tsumiki to her downfall. Her death meant he wasn’t able to protect her happiness, the one thing he so dearly wanted to do, from such a young age.

At the end of the day, all he ever wanted out of agreeing to be a sorcerer, was to make his older sister happy. If Tsumiki was happy, he would be happy as well. A life without her had no meaning because ultimately, her happiness was his reason for living.

༄ Final Thoughts

Megumi returning to that same memory gives off the impression that maybe, just maybe there was a small feeling inside of him, where he believed that he could get a second chance at protecting Tsumiki’s happiness, by joining her in the afterlife.

He already knew that the life he lived as a sorcerer didn’t bring her happiness. Choosing to go home instead of choosing to be a sorcerer, would give him another chance to save her. They could both start over and continue living their life, together in peace, without being involved in the cruel, harsh world of Jujutsu Sorcery.

༄ I will make a separate post [Part 2], explaining why I think Megumi *chose* to turn around a second time, in the scene with Yuji, instead of joining Tsumiki at home/joining her in the afterlife. ♡

[littlebittyhollowbugs]

Hornet headcanon!

'Hornet' is not Hornet's true name.

I'm still torn between different reasonings for her having the name either

A- It was given to her as an honorary title, by Queen Vespa, during her training within the hive (or bestowed upon her after having finished her training as a symbol of her accomplishments.)

Or B- She gave the name to herself, after the fall of the kingdom, as a way to separate her current self from her past while still honoring some part of her past. (The part that is easiest for her to look back on.)

As for her birth name my sisters and I have decided on Arachnè. (The name is from a Greek myth, where the protagonist Arachnè challenges Athena to a weaving contest, wins, and is afterwards transformed into a spider.)

[ministerofchaosabsolute]

He's teaching him how to game

[anghraine]

A few days ago, I briefly mentioned Wickham's take on Lady Catherine, and it's stuck in my mind. At least, this specific part of the description has:

She [Lady Catherine] has the reputation of being remarkably sensible and clever; but I [Wickham] rather believe she derives part of her abilities from her rank and fortune, part from her authoritative manner, and the rest from the pride of her nephew, who chooses that everyone connected with him should have an understanding of the first class.

I mean, in fairness to ... Wickham (ugh), it's evidently true that Lady Catherine is not actually clever and her power and force of personality do a lot of the work of giving her a reputation for it. But I do think the way he manages to link this to Darcy is interesting.

Wickham seems to assume that Darcy can just choose that everyone connected with him has a reputation for high intelligence, which I think is pretty debatable. On top of that, Wickham assumes that Darcy would choose to do that, because of pride. He's set up an odd framework in which Darcy cares deeply about everyone around him being perceived as clever (but only for nasty pride reasons, of course!), and in fact cares so deeply that he'd bring his influence to bear in maintaining Lady Catherine's reputation for it.

I don't think Lady Catherine's reputation for cleverness rests on Darcy just wanting his family to be seen as clever or requires that explanation at all. But I find it intriguing that Wickham thinks so, or at least says he does, given the Ch 4 description of Darcy:

In understanding, Darcy was the superior. Bingley was by no means deficient; but Darcy was clever.

So I suspect this may be part of Wickham's attempt to acknowledge Darcy's good reputation and qualities enough to cover his ass later, while tying everything good about him to his pride. Wickham doesn't quite admit that Darcy's (alleged) desire for those around him to be seen as clever derives from Darcy being clever himself and valuing the quality, but I think it's kind of implied, and at the very least, he could suggest that he'd said something to that effect.

It's a bit how he describes Darcy's careful guardianship of Georgiana (which Wickham certainly has reason to know about!). He mostly attributes it to Darcy's reputation for being a good brother, finds a way to make it somehow about pride, and barely wedges in a grudging admission that Darcy actually has some real affection for Georgiana. I suspect he only does the last because it's so incredibly obvious that it'd be suspicious if Wickham suggested otherwise.

I do wonder, though, if part of the reason that Wickham associates Lady Catherine's reputation for cleverness with Darcy's supposed desire for his family/connections to be seen as clever is Wickham's own fixation on Darcy. Wickham knows Darcy is seen as clever and likely that Darcy values intelligence. Darcy and Wickham were brought up together as companions in the same household. And tbh I don't think Wickham himself is, or has ever been, particularly clever in the way that Darcy and Elizabeth are.

Wickham suggests that Darcy was insecure and jealous from childhood (and some readers have really wanted to believe him!). But my headcanon is that, growing up with Darcy, Wickham was the more insecure one. He was the one who was supposed to go to school and Cambridge and become a clergyman; he was supposed to be quick-thinking and good at his books and morally restrained. Darcy was the heir; he could be anything he wanted to be. Yet I would guess that young Wickham was continually outstripped by Darcy in those terms, that he came to resent Darcy's freedom and what he did with it, and that it's very easy for his mind to link Lady Catherine's supposed cleverness to Darcy's.

In Wickham's head, the connection must somehow be causal. But he can't bring himself to quite admit to anyone that Darcy's cleverness is real any more than he can admit that Darcy's generosity or moral rectitude are real. It's got to be about pride, reputation, family, fortune. And I suspect Wickham can't admit the truth to himself, either.