#it doesn't even take long to learn

[stackofsnakes]

Whenever there's a "do you pronounce it x or y" post they never use the IPA and it irks me. Now, i know why they don't use the IPA but it still irks me. I mean, why did i even learn it? Why did people put in the time and money to create it when it's not used for its most applicable mainstream use? Why do you insist on leveragin the relationship between english its outdated, unrevised written representation to create a sort of ad hoc phonetic spelling system when there's a perfectly good one right there? You're clanking rocks against each other in the hope one might gain a sharp edge like some sort of neolithic proto-toolsmith while there's a tool box waiting for you in your garage.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[poorly-drawn-mdzs]

In the same way that this blog has given you something to hold on to and look forward to, seeing these comics has given me something to hold on to and look forward to in some bleak times too. Thank you for sharing your art and your journey and your commentary and your jokes. They mean a lot to me and I’m certainly not the only one. Keep “”””””poorly”””””” drawing <3

Thank you so much for joining me on this journey of trying to get by, and learning to stay silly and hopeful.

[invye]

When They Are Drunk

(as observed by the Red Hair Pirates)

I forever love when we let the Red Hair Pirates interact with the mess that is their captain and his relationship(s), so here have some lenghty thoughts about Shanks, Mihawk and Rosinante interacting with the Red Hair Pirates while drunk in my CoraMiShanks Fix It AU under the cut:

Shanks

The Captain being drunk is neither a rare ocurrance nor a particularly interesting one. They've seen it all within a week of getting recruited, including the hour long rambles about how much he misses Hawkeyes even though they literally duelled each other two days ago. 

The Red Hair Pirates have long since established a system for when they are among people on land or otherwise have guests on the Red Force, where the crew takes turns and one or two people remain sober on Captain watch duty; much to the eternal gratitude of Benn who has wrangled a drunk and poetry waxing Shanks way too often for his poor nerves and approaches it with an practiced aura of exasperation.

The one thing however that adds some fun to the mix is that after the captain finishes his hour rant about how much he loves Mihawk's creepy unblinking eyes, he turns his overflowing sentimentality on the rest of the crew. 

His chosen 'victim' would be sitting there, minding their business when suddenly there's the captain's arm around their shoulders and he slurs a monologue of compliments about their skills and abilities and gratitude for all the things they do for the crew. And during that genuinely nice and flattering monologue he'd sway closer until - boom - it's too late, they're in smooch range now and no one is safe from the Captain's Appreciation Smooches.

It used to be somewhat of a rite of passage, back when Shanks was still actively recruiting. The day a new crew member got thier first Appreciation Smooch from their drunk captain was the day they became fully and irrevocably a part of the crew.

There is a rank list hanging in the galley on the Red Force, ranking the crew members by the number of smooches they have recieved from the captain. Benn is so far in the lead, no one will ever catch up to him, but the rest of the list is surprisingly balanced, as if there actually is a system to the captain's drunk madness that informs him whom of the crew he hasn't complimented and properly expressed his appreciation for in a while.

They considered adding Hawkeyes to the list after the first time he was subjected to the Appreciation Smooch, simply to watch how long it would take for him to climb the ranks and actually overtake Benn (and because his wide-eyed expression of utter surprise and confusion was beyond hilarious). Eventually they decided against it, because while the captain still hasn't figured out the list's meaning, they're fairly certain Hawkeyes would within mere hours of finding his own name on it.

Mihawk

After all these years, Hawkeyes still manages to be an enigma to most of the crew, despite having seen him around plenty. During the times where Mihawk was actively duelling the captain, they could count the passing weeks by the sound of Mihawk's boots on the deck and his grumbles of "Red Hair promised to shut up if I joined for a drink;" every Sunday like clockwork.

But even though they have seen Mihawk drink plenty (always and only expensive red wine that the captain stashes seperately just for Hawkeyes), they have barely ever seen him drunk. Even Benn, who has known Hawkeyes pretty much as long as he's known the captain, only somewhat understands what happens behind his unblinking eyes, and he does have the somewhat regular 'honour' of Mihawk sitting next to him as they sip their wine in silence, because Hawkeyes had quickly determined that Benn is the only person on board with good taste. It's a weird form of bonding, the total silence vaguely uncomfortable to observe, but the captain gets all mushy and happy about Hawkeyes engaging with the crew (even if its technically only Benn), so they suppose it's good enough.

None of them are ready for it when at some point a switch is flipped in Mihawk's brain and he decides that the Red Force is a proper safe place. Hawkeyes allows himself to get drunk, and while he's still eerily silent and prone to staring into the void, he starts emoting. Ever so slightly, little smiles, mostly directed at Shanks. 

Lucky Roux is the first with the questionable luck of experiencing an expression of appreciation (maybe even friendship..?) from Hawkeyes. He was going around handing out little snacks to mitigate the incoming hangovers, when he walked up to Mihawk leaning against the reiling a little away from the rest of the bustle, to hand him a sandwich and encourage him to actually eat it too. Next thing he knew those yellow eyes were staring right into his soul, a hand resting on his shoulder for full two seconds of contact and Mihawk told him a quiet but genuine "thank you" before going back to staring into the void and nibbling on his sandwich.

By the time Lucky Roux was sitting back down and staring into his own drink again, he still hadn't managed to shake off the cold shiver caused by Hawkeyes' intensity, even though it was an unquestionably positive interaction. Lucky Roux gets the Captain's Appreciation Smooch that night, because of course Shanks saw that and is unreasonably happy about it.

Corazón/Rosinante

Honestly, the Red Hair Pirates still haven't quite understood how Corazón entered the whole *gestures* Situation that is the relationship involving the Captain and Hawkeyes. He's shown up one day in Haweyes' company and now he's here in all his clumsy glory, having the best of times chatting with the captain, while Hawkeyes gives them both the same sappy stare. The crew supposes its a net good and respects Rosinante's request to be called by his name rather than title as they incorporate him into the rounds of drinks.

Rosinante only ever drinks a single drink if his kid is with him. (And boy does the kid have opinions; he once prognosed when exactly he expects the captain to die of liver failure down to the month, which was only made more horrifying by Hongo solemnly nodding along in the background. At least Hongo had then continued to explain that he already had been slipping the captain a regimen of meds to prevent just that for years.)

As the kid grows older and is less present however, Rosinante allows himself to indulge. Turns out for all his clumsiness, he mixes the most amazing cocktails.

Speaking of his clumsiness, they still haven't figured out if drunk Rosinante is more or less clumsy than usual. They have seen him fully drunk walk a perfectly straight line, only to stumble over literally nothing and take a perfect swan dive right into the next group of people. At least once he's down, he stays down. Most of the time draped over at least three different laps, slurring out endless apologies, but not making a move to leave. They've quickly understood that Rosinante has been severely lacking positive physical contact in his life and let him stay where he is until Mihawk or the captain pick him up eventually. If they tried to move they supposed Rosinante would too and that would only result in another round of spilled drinks. Also they can't help but admit that Rosinante's presence is somehow calming and comfortable, so no harm done.

the end of the night

No matter what, a night of drinking would inevitable end with the captain, Hawkeyes and Rosinante piled in a heap in the corner. The captain happily snoring away, Hawkeyes somehow managing to lean against the next wall all proper and cool looking in his sleep, arms crossed and hat pulled down over his eyes (no one will ever point out that he drools for fear of death), Rosinante curled over them both like a very oversized cat, his feather coat doubling as a blanket.

Seeing them, the Red Hair Pirates are happy that things turned out like this. They all are maybe a bit too aware of just how dangerous a world they are living in, and just how close they've all come to death before.

Hey, by the way, when has anyone last checked in on the kid? Didn't Rosinante say something about Law recruiting himself a crew of his own? How's that going?

[italyveneziano]

Finally getting the answers to what the plans for HetaOni were honestly feels like this

[demon-country]

One thing I like about Stolas is that he learns, and then he takes action of his own accord. He's not stagnant. Sure, he can be a bit oblivious and lost in his own head, but once he's finally informed that there is a problem he always makes a real effort to reflect on it and then do something about it.

We see it as early as Loo Loo Land, where he misses all the cues that Octavia is upset, but once she actually tells him what's wrong he immediately reassures her. He then promptly leaves with her, asks her what she wants to do instead, and takes her there despite not understanding the appeal. His focus is on her the whole time from the moment he finds her crying. He even carries her like she's a small child again the entire way back to the van, and she lets him because physical comfort is something she needs and he knows it.

We see it again after Ozzie's, where Blitz is finally honest about his belief that Stolas wants him for nothing but sex. After a night of heavy drinking, he immediately starts to reflect on things and comes to the correct conclusion that their deal needs to end, because in hindsight Blitz didn't seem happy or like he was having a good time like Stolas previously assumed, and then he tries to find Blitz a way to stay in business without relying on him. He gets a little side tracked because of the divorce, but he never gives up on getting Blitz an Asmodean Crystal, even when it requires him to wait several hours in Asmodeus' waiting room fresh out of the hospital.

We also see it in Apology Tour, where he reflects in his song and starts to realize that his behavior early on wasn't taken as him being cute and playful like he intended, but pushy and overbearing. Despite how Blitz hurt and yelled at him both that morning and the night before, he acknowledges that it wasn't malicious and doesn't try to put the blame for things going wrong on Blitz, although he doesn't yet realize that it's not because Blitz doesn't care, it's because he cares too much and is scared of that.

Stolas is learning and changing, but it's a slow process. It comes in pieces. Which is generally how it goes in real life, too. People don't usually change overnight, it can take years and years to fully unlearn bad behaviors and do better, but fuck if he isn't trying.

He needs problems spelled out for him though. He's been extremely sheltered and socially isolated his whole life, and there are a lot of things pointing to him being autistic as well. He's going to miss or misinterpret things that are just implied, there's simply no getting around that. For example, he was never going to realize that there are problems with how he treats imps in general without prompting, because that's been normalized for him and he's high enough on the food chain that almost no one is going to correct his unconscious bigotry. That is, until Blitz, who is perhaps the only person of a lower class Stolas knows who's not intimated by him in the slightest (other than Striker, who was torturing him at the time, which is yet another trauma barrier that will make it hard for him to reconcile with his racism/classism), tells him in a fit of rage. 

I'm sure he'll reflect on Blitz's words and what they mean about how he acts when it's not less than 24 hours since he got his heart smashed to pieces. I don't know about you guys, but I know firsthand that the humiliation and betrayal he likely felt after having his feelings mocked not once, but twice (first on accident, but the next very much on purpose. Oh Blitz, the self-sabotage is so painful to see) take a little while to get over. Let him reflect on how his over-enthusiasm had him running roughshod over Blitz first for a bit, which he's already in the process of doing, then when things aren't so fresh he'll be in a better headspace to consider his overarching biases.

And from a narrative standpoint, the fact that it's taking a while for him to work through everything is a good thing. Expecting him to just Know Better is unrealistic and would cheapen his character arc. He's fighting to do better for the people he loves despite his trauma and implicit biases making that hard for him, and if he is autistic then there are just some things he will always struggle with, like reading social cues. But for any of his improvement to feel satisfying for the viewers then it has to move at a reasonable pace, and unfortunately that kind of change takes time. It's difficult, but he's actually doing a pretty good job so far. He's making a real effort to fix his behavior. But you gotta be patient, he's basically fumbling blindly through this alone.

Anyway, I just really love that, slowly but surely, he's learning. He's not being babied by the narrative or the creators, he's holding himself accountable and changing himself for the better. If you want realistic characters with nuance and depth then you have to let them actually act in the messy, imperfect ways real people do. This is true for Blitz and his character arc as well, but that's for a whole other post.

[tj-crochets]

The options with the * are the ones I've already scanned, and all but the blorbo are sewing patterns (I've already shared the blorbo sewing pattern)

[telekitnetic-art]

Hi!! Your art is so fucking cool! Can I ask what the process looks like for form line? Ex. What do your sketches look like when they are really rough? How do you go from idea -> final product. 💕

Hadih, thanks so much for your question!

Honestly, it's sort of hard to explain? I do have some sketches to sort of give an idea though.

This sketch I posted a couple days ago is a pretty good example of what my initial concept sketches sometimes look like.. As you can see, they're pretty chaotic and very rough, and usually these sketches are more about getting the idea down then actually making the formline itself. There aren't formline shapes just yet, although I do sometimes sketch out elements or shapes like eyes or bodies or paws/hands that will usually have an ovoid in it, because those elements tend to be a focus or centerpiece. The sketch is obviously not final, and things can change along the way to account for space and balance as well as what I'm trying to convey. (These sketches aren't entirely accurate of course because they're for pieces that are meant to be fusions of character illustrations and formline art, but they're the best thing I can find on my pc at the moment)

The rough sketch helps me figure out the flow of the piece, and once I'm satisfied with it I try and get to putting down the shapes and silhouette, and it's here where I try to find the balance with my rough sketch and how the shapes can fit and behave in the piece to the best of their limits while also still conveying the message I want to send. The most common shape I start with is the focus shapes, which are usually ovoids.

This rough of my harbor seal formline which I sent to my aunt for review sort of gives a better Idea of what I mean when I say I try and focus on where the centerpoints will be. Ovoids are usually a focus, so you can see them pop up a lot; in the body, the head, the eyes, the tail, etc. Ovoids are so important and probably the most common shape in formline art, and one of the most common feedback I get from my aunt is to adjust how the ovoid looks in any one of my pieces; she often compared them to a loaf of bread! You don't want your ovoids to look like a loaf of bread! (Her words, not mine). I feel like I've gotten better at drawing ovoids though, because she gives it as feedback less and less nowadays. Ovoids usually also have to have a bit of weight/perspective to them; it's hard to describe but essentially the top of the ovoid should usually be bigger/thicker/have more weight then the bottom.

From ovoids, the next shapes are usually circles, u-shapes and crescents, then usually y-shapes/trigons. It can be difficult, because the key is to make sure the shapes flow together and feel cohesive, as well as to make sure the negative/positive space balance feels right. Also a fun tidbit, trigons are most typically used to essentially fill space; it's always important to make sure that they are binding bigger shapes like u-shapes and ovoids and not stealing all the space and attention.

The lines in this stage tend to be very rough and messy, and I always try to go over the next rough draft with a smoother and cleaner pen.

Once the initial shapes are done, I'll usually send the piece to my aunt (sometimes I send them earlier on, when I'm in the middle of working out the shapes) for feedback! I am still a student in formline work after all; basically all of my teachings come from my aunt, who has a lot more years of work in formline art then me. She'll give me feedback and tips of what she thinks I should fix or experiment with. I adjust and fix and sometimes even completely delete and redo parts of the piece with her guidance. The list of things she tells me to change decreases with each piece, so I like to take that as a sign that I'm improving!

Once the black and white version of the design is done, I move onto coloring. Usually I already have a color scheme in mind when I go into a piece, so I'll mess around and put down colors and see how well they contrast before I color it. Typically, a piece will have about 3 colors; one for the background, one primary color, and one secondary color. I use a clipping layer to color the entire formline piece with the primary color, and then go in with the pen tool and bucket tool to use the secondary color. Adding in the secondary color is tricky but important because it once again falls into balancing positive and negative space/colors and the transitions between the two.

Once coloring is done, the project is basically finished! Unless there are some other plans I have for it, ie using it for an overlay in a bigger piece, colouring is usually the final stage.

And that's about it! I hope this helps you understand a bit; this isn't a perfect explanation as this is just from my own artistic POV and other nations and artists have their own process, but I hope it helps nonetheless!!

Edit: I forgot I posted other WIP formlines here before 😭 here and here!! You can sort of see me figure out the flow and balance of the designs in between the WIP and the finished piece!

[tenwhiteandalusians]

and then no one said anything about the fact that if i watched ONE MORE episode tenax pulls a "i'm not angry i'm just disappointed i'm hurt" about scorpus signing with the white faction.

[trainerethan]

In my imagination of red and leaf being twins and both autistic I think the only reason leaf doesn't have the same totally blank 😐 face as red is because she did the age old classic of practicing facial expressions in the mirror every day until she learned the basic ones. She also made her default expression a smile 🙂 to seem more approachable.

Unfortunately since the expressions don't come naturally to her and she had to learn them, the can come off as exaggerated/overly dramatic. Which is fine for some people but others find it equally as off-putting as reds poker face. It makes her a little sad when people dislike her because of it bc shes doing her best to fit in but can't seem to get it right.

She puts a lot of effort into masking at least when she's a kid-teenager but once she's older and has made more solid friendships she can let herself relax and not need to stress about it so much, although in social situations she may still slip back into old habits.

Red does not mask and never really has. I choose 2 believe his mom was really supportive and accommodating so he wasn't forced to hide his autistic traits unlike leaf. This is because in my au they are twins but their parents split and leaf had to stay with their dad. Who is not as understanding as their mom.

Idk if he'd be actually horrible to her but he was not as patient or understanding as their mom + leaf also just craved more friends and wanted to be able to socialize more so she eventually learned how. Red is content with the 4 people he knows (mom, oak, daisy, green) and prefered to mostly be alone so he didn't have that motivating factor to do it.

He was very content with having one friend, green, but he was def lonley during their "rival" phase when green stopped hanging out with him and was focused on trying to prove himself in some way only he understood or worried about. Along with that is green also being the master of masking for the most part. I don't see oak as being particularly accommodating and patient with him so while Daisy probably was, she's also not a parent so she couldn't be responsible for caring for green the way oak should've been.

As they got older green also craved to be seen as cool and popular amongst his peers so he started masking heavily and also distanced himself from red. Unfortunately he realizes that being accepted for a fake version of himself by mainly strangers is actually very lonley and he misses their friendship 😢 but atp he probably figures red wouldn't wanna be friends again bc of how green ignored him for so long so I think they don't become close again until After the gym challenge "rivalry"/red dissapearing/reuniting years later. So they were both missing each other a lot but both felt unable to reach out bc of the distance that grew between them when green pulled away. Anyways tldr green pro masker leaf trying very hard to mask but struggling a bit and red rawdogging his autism never masked a day in his life.

[dumscribospero]

so i wrote and posted this on my main half asleep og art @wolflyndraws here

he's got so many physical after effects with scars and skin damages but also mental: he's wild and completely feral. he lose himself, living outdoors. he hasn't had any contact with living, breathing being in a long, long time. even animals avoid him, leaving as soon as they see him. seeing him would scare anyone shitless, especially at first when the scars hasn't yet started to heal and the cuts on his face are gruesome and bloody. his body is one massive wound, it never stops hurting, driving him to madness. after a while, he slowly start to get better. his body starts to heal. his mind is still fissured but he gets more and more time as his old self. not totally back to himself, far from it, but he get more cognisant of what's happening around him and what he's doing. there's a point where he has to go back to a village to trade stuff. he doesn't trust anything not to hurt him and dislike the idea of letting anyone get close to him. needs must though, and after weighting up the pros and the cons, he goes to one nearby. he's not careful the first time around and the few people that saw his face expressed shock and disgust. they could not look at him without horror in their eyes and repugnance etched on their face. he honestly didn't think about what he would look like to others. he's been alone for so long at that point, and he avoid every reflective surface he has genuinely no idea what the torture left behind. but even without knowing, seeing other people reaction he can guess. ashamed, he runs away. but he can't stay hidden away forever, he still needs to trade. so he goes back, to another village. further away. clocked under a heavy, deep hooded, capelet. he's got no skin showing at all. and this time, interactions are easier. his voice is gruff, his vocal cords damaged. he hasn't spoken for a long time and the first few words he needs to utter are rough. he doesn't stay for long. he can't. so he makes the trips more often than he'd like too, just so he can spend as little time in here as he can at once. longer interactions makes him hyper aware and he nearly slip from the precarious balance that's his mental health. words goes around that one weird adventurer comes by, sometimes. taciturn and withdrawn, and in need of lots of personal space. and it attracts curiosity. everyone is eager to know who he is, where he's from and what he looks like. but Dream can't answer neither of those questions without people turning on him.

[sysig]

Feeling and looking good 🌈 (Patreon)

[philosophiums]

complex feelings surrounding stories that don't flesh out a lot of the world building. bc it's like okay cool i get to make some stuff up in my fics. but on the other hand i want to know the details so that i don't have to make stuff up bc i don't want it to later be proven wrong

[sassyfever]

Now that the new mini arc is finally starting Imma make a couple predictions. Angelina is now a bizarre doll and ✨coincidentally✨at the hotel. Grelle is also there. For drama's sake you know how it goes.

[pouncequick]

Something that constantly bothers me about the idea of college gymnasts just "not being used" to "low" scores, or that it's too disheartening for them to receive them, is that all of these athletes spent years in level 10 and elite.

Elite, where a routine breaking an 8.0 E score is a big deal.

Level 10, where you'd expect a good athlete to score somewhere in the 9.0-9.7 range for a hit routine, with the possibility of 9.8-10 for really exceptional routines.

They know. I'm sure it's nice to come to college and see big numbers all the time (and many do continue to improve over their collegiate career). But they weren't sobbing over getting a 9.6 for a hit routine the year prior, they can handle the lower numbers.

Pretending that they have to be rewarded with giant scores every time is just another way of infantalizing the sport.