#it doesn’t matter their personalities or forms

[clingyduoapologist]

At the end of the day, Dream has no position. He has no angle to argue from, because getting away from the realm of allegation or speculation, the things he’s admitted to, the people he chooses to surround himself with, the things we’ve seen him do are already enough to disqualify him from being taken seriously in any capacity. Any opinion you form about Dream has to take into account the people that he himself has admitted to hurting. It’s not a situation or drama or discourse it’s a trail of destruction.

We’re not waiting for another shoe to drop or for a straw to break some camel’s back, because the camel’s been fucking run over. We can sit here and speculate about the degree to which he’s an asshole, over which allegations are really credible, who we can believe, but that doesn’t change the fact that Dream has already proven himself, at the very very insanely oversimplified least, to be irresponsible with his platform, with his fanbase, and with the other people his platform has allowed him to meet.

He loves to pretend that, because he’s admitted to things he’s done in the past, now he’s completely exonerated. That because certain specific claims haven’t been true, that all the criticism against him is petty and stupid and should be ignored. But specifics don’t fucking matter when he’s shown patterns of harmful behavior that haven’t seemed to change for years.

He’s had his chances to show us that he could do better. Too many, in my opinion. By now, my mind is thoroughly made up. What’s important now is to show your support for his victims, the victims of his friends, and to not accept similar behavior from to creators you love.

Dreamwastaken is someone I do not know, that I feel like I’ve gotten to know all too well recently. I will not pretend to know the extent of what he’s done, to get parasocial and try to divine some ultimate truth to his character. All I have to go on is what he’s shown us and what others have told us. And I feel like that’s more than enough to form an opinion of him as a creator, and as a person.

[leona-hawthorne]

lorenzo berkshire: how a relationship would be with my favorite male manipulator <3

(@mattnott this came out of the chat we had the other day LMAO ily zoya)

on the surface, lorenzo berkshire is just that guy. he’s effortlessly charming, polite, intelligent, and the kind of person who could convince anyone he’s the perfect human being. he’s the type who walks into a room and immediately draws everyone in—not by being loud or flashy, but by knowing exactly how to make himself seem approachable, kind, and maybe even a little vulnerable. but all of it is just a mask.

enzo is a master manipulator. he knows exactly how to get what he wants, and he does it by making people think they’re in control. he doesn’t argue or beg; instead, he plants ideas like seeds in your mind. “if that’s what you think is best,” he’ll say with a soft smile, knowing full fucking well you’ll second-guess yourself. he makes you feel like every decision was yours, even though he’s been guiding you the whole time. and the worst part? you don’t even realize it until it’s too late.

emotional manipulation and guilt-tripping

enzo doesn’t argue outright, but he’s an expert at making you feel like everything is your fault. when you expresses your feelings or doubts about your relationship, he deflects and twists the narrative.

“you’re overthinking again, love. you always do this—it’s like you’re looking for reasons to fight.”

“after everything i’ve done for you, this is how you see me? it just doesn’t seem fair, babe.”

the constant emotional exhaustion of always questioning yourself and feeling like the villain slowly pushes you to the edge.

subtle isolation

enzo doesn’t tell you to stop seeing your friends or family straight up—that would be too obvious. instead, he plants seeds of doubt about them, turning you against the people who care about you.

“it’s just… don’t you think your friends don’t really understand you? they don’t see the real you like i do. they’re only here for a good time. they wouldn’t stick with you when things are hard, like i do.”

“your sister’s always been jealous of you. it’s kind of obvious when you think about it. in fact… i think i she was flirting with me at the lake trip last weekend…”

over time, you feel more and more alone, with enzo as the only person left in your corner—and even that’s suffocating.

his temper leaks through

enzo prides himself on being calm and composed, but even he can’t keep the mask on forever. when you push back—when you really challenge him—his anger surfaces.

“you think you’re better than me now? after all i’ve done just to make you happy? you should be grateful i’m still putting up with you. no one else would.”

“you don’t get to treat me like this. i deserve better than your constant doubts.”

while he doesn't resort to outright aggression, the quiet, cutting anger and emotional coldness are enough to make you feel small and utterly helpless against him.

hypercritical tendencies

at first, enzo is the type to shower you with compliments. but once he has you, the nitpicking starts. he frames his criticisms as “helping” you or “protecting” you, but they’re really about control. he wants to cut you down until his words are the only form of validation you trust; the only ones that matter.

“that dress is nice, but it’s not really your color, is it?”

“i just think you’d be happier if you didn’t spend so much time on things that don’t matter.”

it’s not that he truly thinks badly of you; it’s just his way of slowly implementing his control. the constant criticism erodes your self-esteem, making you wonder if you’re ever enough for him.

dismisses your autonomy

enzo frames his controlling nature as “taking care of you” or “looking out for you,” but it’s really about stripping away your agency.

he might make decisions for you without asking, like ordering for you at a restaurant or canceling your plans because he thinks you “needs rest.” you simply don’t get a say.

“i only did it because i know what’s best for you. you’d do the same for me if you cared as much as i do.”

over time, you realize you don’t have control over your own life anymore—and that terrifies you.

you start to feel like you’re losing your identity. the things you love—your hobbies, your friends, even your sense of self—have all been swallowed up by enzo’s world.

his fear of losing control turns ugly

when you start pulling away, enzo’s fear of losing you makes him tighten his grip. he might start tracking your whereabouts, showing up uninvited, or trying to manipulate you into staying.

“you’re not yourself lately, baby. i think you need me more than ever right now.”

“are you seriously leaving me after everything we’ve been through? i thought you were better than this. i thought you loved me—was it all a joke to you?”

his desperation exposes just how deeply insane, how utterly selfish he really is—and how dangerous it is to stay—but you still can’t help loving him.

the breaking point: seeing the mask slip

your breaking point comes when you finally see enzo for what he truly is. maybe it’s a moment of anger where his charm gives way to cold cruelty. maybe it’s realizing how isolated you’ve become or maybe it’s catching him in a lie.

“you know what? you’ll never find someone like me again. you’ll never find someone who loves you the way i do—or touches you the way i do.”

“go ahead and leave. but don’t come crawling back when you realize no one else will put up with you.”

and suddenly, the illusion you’ve clung to—the one where enzo is perfect, where his love is worth the pain—is shattered.

enzo doesn’t beg you to stay. no, he’s far more subtle. he sets the stage so that if you even think about leaving, the world around you becomes a constant reminder of him. your friends adore him. “enzo’s perfect for you,” they say, oblivious to his carefully crafted facade, oblivious to the fact that he doesn’t even want them within 50 feet of you. your family loves him because he’s gone out of his way to charm them. “he’s such a gentleman,” your mom gushes after he brings her flowers for no reason at all.

and when you confront him? he doesn’t argue. he doesn’t yell. instead, he sighs, looking at you with those soft, sad eyes. “i just wish you’d trust me,” he says, and suddenly you’re the one apologizing.

and enzo’s love isn’t love—it’s obsession. he doesn’t just want to be with you; he wants to consume you. he integrates himself so deeply into your life that it feels impossible to untangle yourself from him.

he’ll listen to all your favorite songs and tell you how much he loves them too. “this one reminds me of you,” he’ll say, and suddenly, every melody feels like it belongs to him.

he’ll watch all your favorite shows, quote them back to you, and make inside jokes so that even your comfort series becomes a part of his web.

he’ll charm your friends and family until they’re all on his side. “you’re lucky to have him,” they’ll say when you confide in them. and if you ever leave? they’ll tell you you’re making one of the biggest mistakes of your life.

“i just don’t understand,” he’ll say if you call him out. “everything i’ve ever done was for you. because i love you.”

and here’s the thing about enzo: even when he’s truly, deeply in love, he’s still toxic. love doesn’t magically make him a better person—it just changes the way he manipulates you. instead of using his charm to pull you in, he’ll use his insecurities to keep you there. “i don’t know what i’d do without you,” he whispers, and it sounds more like a warning than a confession. almost like he’s saying he’d become worthless without you.

but love does soften him in some ways. his need for control isn’t about power anymore; it’s about fear. he’s terrified of losing you, so he holds on tighter. he’s still manipulative, still controlling, but now it’s because he genuinely believes he can’t live without you.

enzo’s love is messy and overwhelming. it’s the kind of love that makes you feel like you’re drowning, but at the same time, you can’t imagine living without it. and that’s the tragedy of lorenzo berkshire: no matter what he does, you can’t help but love him anyway. even when you see his true colors, you’re already too far gone.

© leona-hawthorne 2025. please do not copy, translate or repost any of my writing.

navigation. masterlist. lorenzo berkshire masterlist.

[flwrkid14]

The Curious Case of Phantom

It starts during patrol.

At first, Tim barely notices the small, white blur with eerily green eyes trailing behind him as he scales rooftops and darts through alleys. Gotham’s stray population is no joke, so he figures it’s just another cat—until it keeps happening. Night after night, the same cat follows him like a shadow, no matter how far or fast he goes.

He tries to lose it, but somehow, it always finds him. And soon, he realizes the cat isn’t just following him—it’s helping.

One night, the cat leaps from a rooftop and claws a mugger who’s sneaking up behind Tim. Another night, it leads him to a drug deal in progress, meowing insistently until Tim follows.

It’s eerie how good the cat is at finding trouble, but it’s also undeniably useful. Tim names it Phantom, mostly because of its hauntingly white fur and the way it moves like a ghost in the shadows.

He’s not ready to admit that he’s started looking for the cat on patrol, waiting for it to show up like some unofficial partner.

———

Then Phantom starts showing up at Tim’s apartment.

The first time, Tim finds the cat sitting on his fire escape, staring at him through the window. He brushes it off as coincidence. But then it happens again. And again. Every night, Phantom is there, waiting.

Tim tries ignoring it, but Phantom doesn’t scratch or meow—it just stares, patient and expectant.

Eventually, Tim gives in and lets the cat inside. Phantom struts in like he owns the place, jumps onto Tim’s desk, and curls up right on top of his notes.

“Guess I have a cat now,” Tim mutters, scratching behind Phantom’s ears.

Phantom quickly becomes a fixture in Tim’s life.

He lounges on Tim’s lap during stakeouts, naps on his keyboard, and somehow always knows when Tim needs a break. Phantom is weird, though. His movements are too precise, too deliberate, and sometimes Tim swears he’s glowing faintly green.

But Tim doesn’t question it too much. Phantom’s good company, and Gotham’s seen stranger things.

———

The family eventually notices Phantom soon enough.

“You adopted a stray?” Dick asks when he visits Tim’s apartment. He crouches to pet the cat, who immediately swats at him. Dick recoils, laughing. “Okay, wow. Even the cat thinks I’m beneath him.”

“He doesn't seem to like new people,” Tim mutters, watching Phantom hop onto his desk like nothing happened.

Steph is obsessed. “He’s adorable! Can I post him?” she asks, taking a hundred photos of Phantom lounging on Tim’s keyboard. “He’s like your spooky little sidekick.”

Jason, on the other hand, has a reaction.

“WHAT THE HELL IS THAT?” Jason yells the first time he sees Phantom.

Tim frowns. “It’s a cat, Jason. Calm down.”

“No, it’s not! That thing is glowing green, Tim! It’s haunted or radioactive or something!”

Tim rolls his eyes. “He’s just a cat.”

Jason isn’t convinced, but Phantom doesn’t care. He just glares at Jason like he’s the dumbest person in the room and stretches out on the couch.

Damian, though, reacts... differently.

The second Damian sees Phantom, he freezes.

“This cat,” Damian says, voice trembling with reverence, “is extraordinary.”

Tim barely has time to blink before Damian has his hands full of silk-lined cat beds, imported food, and custom collars engraved with “Phantom, the Great.”

“He’s my cat, Damian,” Tim says when Damian tries to scold him for not brushing Phantom’s fur properly.

“You are unworthy of him, Drake,” Damian snaps. “This is a creature of unmatched perfection, and you’re treating him like a common house pet.”

Tim sighs, but Phantom climbs into his lap and starts purring loudly. Damian looks betrayed.

“Traitor,” Damian mutters at Phantom, who clearly doesn’t care.

———

But Phantom isn’t just a cat.

Danny Fenton—currently stuck in his ghost form as a cat and unable to shift back—has been following Tim for weeks, hoping the smartest Bat could help him figure out how to fix his situation.

At first, it was desperation. Danny didn’t know how to communicate with Tim or explain what had happened to him. But then Tim let him in, fed him, and started treating him with such quiet care that Danny couldn’t bring himself to reveal the truth.

Phantom became his escape. For the first time in ages, Danny didn’t have to fight or run or worry about anyone discovering his secrets. He could just... exist.

And, okay, messing with the family was a bonus.

Danny knew he couldn’t stay a cat forever, but with the way Tim scratched behind his ears and muttered soft compliments, he thought, Maybe I can stay like this for a little longer.

Or maybe a lot longer. Phantom had a good thing going, after all.

[pureh9neyy]

ˑ 𖥻 did you know, music can be a form of manifestation?

learn this from my good sis @serephos , but did you know this?

the music you listen to on a daily, has forms of affirmations and can be used as manifestation.

What do I mean by this? Let me teach you.

almost every artist you listen to puts affirmations into their music—sometimes subtly hidden, other times boldly placed front and center.

The lyrics are crafted to draw you in, resonating deeply with your emotions and experiences.

The beats are designed to be addictive, creating rhythms that linger in your mind.

The catchy, relatable songs you stream daily carry messages that your subconscious absorbs without you even realizing it.

The affirmations, embedded in the music, become a part of your internal dialogue, influencing your thoughts and keeping you hooked.

Need examples? Let me show you. Let’s take Beyoncé’s - Renaissance album as my example.

This album is FULL of affirmations placed in front of people and nobody seems to realize it.

“I”. “I”. That “I”. Word. YOU. YOUU. You ARE that girl. YOU touch everything in your plain view.

The song “I’m That Girl” is a powerful anthem of self-confidence and unapologetically embracing who you are, no matter how others perceive you. The repeated use of “I” throughout the song creates a first-person narrative, directly addressing and affirming you as the listener.

This intentional perspective places you at the center, reminding you that you are the one who defines and decides your identity. The song empowers you to own your individuality without compromise. As your subconscious mind absorbs the repeated “I,” it aligns with your self-perception, helping you manifest your unique power and confidence into reality.

It’s more than a song; it’s an affirmation set to music, reshaping the way you see yourself with every beat.

Example 2.) Cozy. This song is so FULL. Of affirmation’s for yourself it’s insane.

You’re. You. I. EVERYTHING IS FOR YOU. YOUR SUBCONSCIOUS. THIS ALBUM IS FULL OF AFFIRMATIONS THAT CAN BE USED FOR LOA.

the song “Cozy” is a vibrant declaration of self-love, confidence, and embracing every part of yourself—flaws, strengths, and all. it celebrates individuality and self-acceptance in the most empowering way, reminding you that your value doesn’t come from anyone else’s validation but your own.

the lyrics are affirmations of being comfortable in your own skin, speaking directly to the listener. as phrases like “comfortable in my skin” and “I’m cozy” repeat, your subconscious begins to internalize these declarations. the song works as a rhythmic mantra, gently but powerfully shifting your perspective toward self-appreciation.

with every beat, “Cozy” teaches you to stand tall in your truth, to love your layers, and to find beauty in all the parts of yourself. It’s a celebration of resilience and the warmth of unapologetic authenticity—an anthem for owning exactly who you are.

when i tell people this album saved my life, they look at me crazy. but when you truly listen to the affirms used in these songs .

renaissance will forever be my favorite album ever released.

look closely at the lyrics of your favorite artist, and pay attention to the ones that resonate deeply with you. these are the words that spark something inside—a sense of familiarity, motivation, or even transformation. lyrics often hold affirmations hidden in plain sight, crafted to connect with your subconscious mind.

those lines that stick with you, that you replay over and over? they’re not just catchy; they’re powerful. they can shape your mindset, reinforce beliefs, and subtly influence how you see yourself and the world. whether it’s a line about confidence, self-love, or resilience, these words plant seeds in your mind that grow every time you listen.

Your favorite songs are more than music—they’re a reflection of what your heart and soul need to hear. Focus on those lyrics, and let them guide you toward the energy you want to embody.

honey out. be forever yourself and keep manifesting. 🤍🪩

[kikyoupdates]

Changing Plotlines ⭑˚💞⭑ 𝑠𝑤𝑖𝑛𝑔𝑖𝑛𝑔 𝑙𝑖𝑘𝑒 𝑎 𝑐ℎ𝑎𝑚𝑝

yandere!ocs x f!reader

yandere, reverse harem, yandere reverse harem, original characters x fem!reader, slowburn, isekai

A desperate cry on your deathbed leads to you being given a fresh start at life. You're overjoyed at having finally obtained a healthy body and a real chance at living normally, only to discover that you've been transported into a yandere game, where danger lurks at every corner. Determined to protect your new life at any cost, you vow to stay as far away from the major characters of the game as possible. But things don't always go as planned.

previous | story masterlist | next

Sergei Garin. A major supporting character in Zodin’s Benevolence, and a man unfortunate enough to have fallen in love with the protagonist, unaware of how many twisted yanderes were pining for her affection.  

The game branched off from the main storyline after the player picked enough choices that would put them on a certain yandere’s route. Needless to say, regardless of whoever’s route it was, Sergei ended up dead in some shape or form. He wasn’t always killed off by one of the yanderes, but his self-sacrificial nature, especially towards the protagonist, sealed his fate no matter what. He would either protect the protagonist until his dying breath, or be killed off by a yandere when they discovered Sergei’s romantic feelings towards her.  

Put simply, he didn’t have any good endings. Which is why seeing him here, right in front of your very eyes, was something both awe-inducing and incredibly depressing. He didn’t even know it yet, but his days were numbered.  

Is it possible to keep him from dying? So long as he doesn’t meet the protagonist, then... 

You quickly shook your head. No, you couldn’t think like that. You’d already made up your mind not to interfere with the canon events of the game. If you tried to protect Sergei, you could unwittingly place yourself in danger. As upsetting as it was, you couldn’t risk interfering.  

“Er, my lady?” Sergei frowned. “Is everything alright? Were you perhaps expecting someone else...?”  

“Not at all!” you spluttered. “I’m very happy you’re here! Sorry, I’m just really eager to start training, so I guess I must look like I’m a bit out of it. It’s nice to meet you, Sergei. I’m [Name], as you already know. Thank you for making the effort to be here on such short notice.”  

“It would have been discourteous to refuse your family’s request. Although, it was certainly a rather strange request,” he said with a knit brow.  

You laughed. “Right. Sorry. It’s probably not every day a noblewoman decides to take up sword-fighting. But I’ve always been interested in it, and what’s the harm in learning to protect myself?”  

“It’s far from traditional,” he admitted, “but I’m not one to scorn a person looking to hone their strength. If this is truly what you want to do, I will do my best to facilitate the process for you.”  

“Great! So, can I try swinging a sword now?”  

“I’d say it’s a bit early for wielding a real blade, so you can start with a wooden sword first.” He removed the bag he’d been carrying over his shoulders and pulled out two wooden swords. One of them was noticeably bigger than the other. He handed you the smallest of the two. 

You weighed the object in your hands. “It’s a bit heavier than I was expecting. Aren’t these things usually hollow on the inside?”  

“They can be. But I thought it was better for you to get used to something with a bit more weight to it, especially since a real sword is quite heavy.”  

“Pfft, I’m sure I can handle it,” you waved off, grossly overconfident for some reason.  

Sergei gave you an unimpressed look. “And what makes you so sure?”  

“Uh... I’m optimistic?”  

“I see. So, no real reason, then.”  

“Ugh.” You obviously couldn’t tell him that you’d watched countless anime and were stupidly hoping that the moves you’d seen there could be somehow applied to real life.  

Sergei took a step back and crossed his arms. “Show me how you would swing that thing. Treat it as if it is a real sword. Go on, I’m curious to see what kind of approach you’ll have.”  

“Ready to be impressed?” you grinned.  

“No, not really.”  

“Hey!”  

Sergei looked like he wanted to crack a smile, but he maintained his stern, stoic expression. He wasn’t fooling you. You already knew full well from the game that despite his serious-looking face and rather blunt mannerisms, he was a real gentleman at heart.  

“Okay... here goes nothing!”  

You inhaled sharply, gathering up all your energy, then proceeded to lunge forward and slash the wooden sword through the air, in a downwards motion.  

“Ooh, that actually felt pretty powerful!” you enthused, turning towards Sergei with a bright smile. “Well? How was it? Amazing, huh?”  

Sergei’s expression hadn’t changed. “Definitely not amazing.”  

“But pretty good, though?”  

“Definitely not good.”  

“Uh... at least sort of okay?”  

He didn’t respond, which made you nervous. What was the big deal? It was just a wooden sword, for crying out loud! And it was your first time swinging one. For a total newbie, it couldn’t have been that bad. 

“Sort of okay,” Sergei hummed, pressing his forefinger against his lips. “I suppose that’s a reasonably accurate description. Then again, it’s only a wooden sword. If you were to replicate that same motion with a real sword, your score would drop considerably.”  

“You’re scoring me?” you gaped.  

He tapped on his head, smiling faintly. “In here, yes. But I’ll be keeping your scores to myself, so as not to discourage you.”  

“That just means I suck!”  

“There’s no point in getting worked up right at the start. Come on, try swinging it again. This time, adjust your grip so that it stays higher on the hilt. It’ll be easier for you to swing it that way. And make sure to keep your torso firm. A strong foundation is what determines how hard your attack will hit.”  

“Like this?” you asked, inadvertently arching your back. 

“What? No, that’s not—ah, I’ll just show you myself,” he sighed, picking up his own sword. “Look closely now. See how I hold the sword, and what angle I’m striking at. See how my body stays perfectly straight and doesn’t wobble around the way yours does.”  

It was only a wooden sword, but you could swear you felt the air in front of you being sliced in half. His motion left a distinct whipping noise behind, fierce enough that it rang in your ears.  

Sergei looked back towards you. “Do you understand now?”  

“Totally,” you nodded. “Basically, it’s all about how big your muscles are.”  

“I see you’ve understood nothing.”  

“I was just kidding! Look, I’ll do it again.” You took up your stance, tensing up just enough that your torse was nice and stable, just like Sergei had said. With even more strength than before, you stepped forward and swung downwards. “Hyah!”  

You were hoping to have been met with enthusiastic clapping, but Sergei was merely staring at you in disbelief.  

“What was that sound you just made?”  

“A battle cry, I think.”  

“I can assure you it was not a battle cry,” he frowned, pinching the bridge of his nose. “And a lady like you shouldn’t be making such vocalizations anyways.”  

“But I thought a battle cry drastically enhances your physical prowess.”  

“...”   

“I'm getting the impression that you might not want to be here.”  

“You’re imagining it,” Sergei coughed into his hand. “Anyways. It was... better, I suppose. But you still need a lot more work. Keep repeating that same motion with your wooden sword, and I’ll be watching you to make sure you have proper form.”  

“But that’s boring,” you whined. “I want to move on to using a real sword. A wooden sword won’t be enough to protect myself with.”  

“I understand that you’re excited, but why do you keep stressing that you’ll need to protect yourself?” he frowned. “A lady like you should never have to fear for her safety. Is there something in particular you’re worried about?”  

Yes. The crazy bastards that live in this world.  

“Not really,” you lied. “But you never know what could go wrong, right? It’s best to be prepared for even the worst-case scenario. It’s a dangerous world out there for women, you know.”  

“That’s certainly true,” Sergei nodded. “I must say, you’re quite earnest, trying to prepare yourself for situations like that. It doesn’t exactly match your personality.”  

“Hey, what’s wrong with my personality?”  

“Nothing, of course.” He bit back a chuckle. “Forgive me. I just meant that of all the noblewomen I’ve ever met, you stand out quite a bit. You don’t seem anywhere near as concerned with etiquette, and you’re even treating someone like me as your equal. Perhaps that’s why I’ve gotten comfortable voicing my opinions.”  

“Well, that’s not surprising,” you said, proudly sticking your nose into the air. “I am pretty amazing.”

“And your boundless confidence leaves nothing to be desired, that’s for sure.”  

“I’m going to take that as a compliment.”  

“Yes, please do.”  

You rolled your eyes at him, though it was in a playful, well-intentioned way. Even if Sergei’s tale was a sad one, you were happy to be interacting with one of your favorite characters from the game. There were few genuinely good people in Zodin’s Benevolence, apart from the protagonist, and he was definitely one of them.  

“Just you wait,” you huffed. “I’m going to become so good at wielding a sword, I’ll surpass you in no time.”  

Although Sergei’s expression was stern, his eyes were filled with mirth.  

“I look forward to seeing it.”  

In the end, you hadn’t gotten to use a real sword even once during your training session with Sergei. It was a bit disappointing, but he was the instructor, so you had no choice but to trust in his judgment. It was probably for the best that you build up some skills and confidence first, before attempting the real deal. Plus, the plot had yet to officially begin, so you weren’t in any imminent danger.  

Your parents frantically approached you after your session was over, checking you all over for any cuts or bruises. When you told them you hadn’t even gotten to try out a proper sword yet, they exhaled loudly. Look at you, endlessly worrying your parents even in a different world. Some things never changed.  

Still, you felt confident about the way you were choosing to approach things. There was no reason to afraid so long as you never interacted with the yanderes or the protagonist. Although the initial revelation about being transported into a game had come as a massive shock, you could very well live out a happy life here, just like you’d always wanted.  

“You seem like you’re having a good time.”  

Sometime after your training had come to an end, and you were relaxing in a bubble bath, you began to hear an oddly familiar, distinctively masculine voice in your head.  

“Hello?” you jolted, glancing around. There was no one, as expected. You were all alone in the bathroom, and even your bedroom was empty since the servants had left to give you space to relax. 

No response came, so you sank deeper into the bath, knitting your brows together. Was it just your imagination? A lot of strange things had happened to you recently, so you wouldn’t be surprised if you were hearing the odd remark every now and then. But that voice... you knew you’d heard it somewhere before. It was practically on the tip of your tongue.  

“Hehe. It’s fun watching you get all worked up over nothing. Your reactions are so expressive.”  

“Um—?!” You glanced around for the second time, but there was nobody there again. The voice was definitely coming from your head, and based on what it was saying, it didn’t seem like it was just your imagination.  

You clutched your arms around your chest, though the bubbles concealed most of everything, because apparently, they could see you right now.  

“This isn’t cool,” you muttered. “Whoever you are, can you give it a rest? How are you even talking to me right now? You’re freaking me out.”  

“I’m afraid that’s a secret. You’ll find out soon enough, I’m sure.”  

Great. As if you didn’t already have enough things to worry about with yanderes dominating the major plot of this world, now you had some creepy voice that could talk to you whenever it liked. And why did it sound so familiar? 

Could it be...?  

You didn’t know for certain, since you’d literally been dying at the time, but a strange voice had called out to you back then too. That voice was the whole reason you’d been transported here in the first place. Was this that same voice? The higher power that had saved you and given you a new chance at life?  

“Are you the one that saved me when I was dying?” you asked.  

No response. Either they had no idea what you were talking about, or they really were the same being from before, and they were deliberating avoiding your question.  

“Fine, don’t respond,” you sighed, lathering bubbles and squishing them between your palms.  

“I’m not sure what you’re talking about, but I definitely didn’t save anyone who was dying.”  

Ah, so they were still here.  

“Who are you, then?”  

“Like I said—that’s a secret.”  

“Ugh. Great. Looks like I’m not going to be able to sleep tonight.” 

“I’m not here to hurt you, if that’s what you’re worried about. I’m just here to observe. Don’t worry about me and just focus on what you’ve been doing up until now. It’s quite amusing.”  

You weren’t sure how you felt about someone calling your life amusing, but it wasn’t like you could do anything about it. At the very least, you knew whoever this was wasn’t one of the yanderes, because none of them had these kinds of strange powers. The owner of the voice had promised not to hurt you, still, you weren’t sure how much you could trust them, especially since you didn’t even know who they were.  

For the time being, you just had one simple request.

“Please don’t spy on me while I’m taking a bath from now on,” you said crossly.  

Instead of answering, the voice laughed.

More chapters are available on Quotev!

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💞 main masterlist ♡ character appearances

[itsmuffiiee]

Do you have a fav DCA Genre? Like AU's where they're mers, humans, semi-canon, etc?

My Favorite? Hard to say As long has there is TDCA I am happy!! ‹𝟹

I love mermaids because I love water so much!! And mermaids are nostalgic..

Fay or cryptics .. well :3 I’m kinda like a fairy!! How could I not love that?..

Vampires? Sure!!! Let me have a bite! ..

Apocalyptic? Yummy! I always eat it up!! …

Helper / AU where y/n acquires the goofs? Such a comfort! …

Post ruin? Pre ruin? Both are such good settings!!

Maybe one day I’ll pick my up most favorite but that day is not today )::

Also apologies for taking so long to awnser your ask! Sometimes I leave asks in my inbox because it motivates me to keep posting knowing others want to hear from me ::D please send more asks

[ahalliance]

how do i turn qantoine’s spontaneous marriage proposal to qetoiles into evidence of his early-days fear of qfrench drifing away and keeping secrets from one another

[purplecatghostposts]

Rise Leo meeting the 2012 Gang except after like, less than a week he says something along the lines of ‘Man, I can’t believe that all versions of me and my brothers and our friends are queer!’ And the whole 2012 Gang FREEZES because none of them are out to each other because they just assumed they were the only gay in the group and Rise Leo was able to figure everyone out like THAT.

Cue Spider-Man pointing meme where they’re all like, “YOU’RE BISEXUAL AND YOU DIDN’T TELL ME?? WE COULD’VE BEEN TALKING ABOUT THIS ALL THIS TIME??” While Rise Leo is like “…You guys didn’t know?? Really??” Because they were all so focused on “Oh my god I’m gay… How do I come out to my family…” to notice that ALL of them are gay.

[pwurrz]

god i cannot imagine how i would feel if, in one of my worst moments, my best and only friend chose not to comfort me or try to make me feel better but instead chose to metaphorically go for my throat and tell me that if i didn’t to face the facts and acknowledge my childhood trauma and the massive amount of guilt and people pleasing behaviour stemming from that, that i was going to ruin my life. i.. don’t blame kaveh at all for tearing apart their thesis.

[halfricanloveyou]

i'm sure you've had other people telling you this but dream didn't make c!techno. technoblade made c!techno, and by dunking on c!techno's creator you are, in fact, dunking on a wonderful man who died from cancer at age 23 - not exactly a good look, imo.

a. do you really think dream magically became racist overnight and his friends were somehow COMPLETELY unaware of that fact until a twitter call out?

b. just straight up not gonna discuss either how all his fellow streamers didn’t leave until his racism blew up on twitter? probably due to revenue loss if they didn’t?

c. it’s sad to hear that he passed away very young but i did not say anything to indicate that i was making fun of his death. obviously that was not the point of the post and if that’s your take away then that’s a you problem.

d. i didn’t ask your for your opinion and i don’t care about it. tho i did explicitly say ‘correct me if i’m wrong.’ here’s the thing tho: everywhere, ESPECIALLY on tumblr, dreamSMP fans have continually lashed out at anyone who brings up racism in relation to it. i did say ‘correct me if i’m wrong,’ but after thinking about it more in-depth…i still stand by what i said due to points a and b. i did get the white youtubers mixed up but it’s still a pattern with these content creators. it has been in the gaming community for a long time.

[daydreamerdrew]

Marvel Treasury Edition (1974) #25

[olis-inkwell-symposium]

Developing Backstory: Bringing Characters to Life

1. Where It All Started: The Character’s Origin

Place of Birth: Where did your character first see the world? Think about the impact of this place—was it a busy city where they had to fight for attention or a quiet village where everyone knew everyone’s business? This location doesn’t just say where they’re from; it shapes how they see the world.

Family and Upbringing: What was their family like? Were their parents loving or distant? Maybe they were raised by someone other than their parents—a mentor, an older sibling, or even alone. Family (or the lack of it) is usually one of the most significant factors in shaping who someone becomes.

Society’s Expectations: What was expected of them when they were young? Possibly, they were born into wealth, with all the pressure to continue the family legacy, or maybe they were raised to be invisible in a world where survival mattered. How does this influence who they are now? Do they accept or reject those expectations?

2. Childhood Events That Left a Mark

First Taste of Conflict: Think about the first time the character realized the world wasn’t a perfect place. Maybe they witnessed violence or faced betrayal. What was that moment, and how did it stick with them? This moment usually lays the foundation for the character’s emotional landscape—fear, hope, ambition, or distrust all come from these early life lessons.

Childhood Dreams: When they were young, what did they want to be? Every child has dreams—did they want to be a knight, a scholar, or even just someone who could travel the world? Did they have to give up these dreams? How does that lost dream shape them now?

Formative Relationships: Who was their first best friend, mentor, or enemy? Childhood friendships and relationships often create deep bonds or wounds that last into adulthood. Did they have a mentor who taught them everything, only to betray them? Did they lose a childhood friend that still haunts them?

3. The Teen Years: Where They Start to Become Who They Are

Trials and Tribulations: What’s the biggest challenge they faced as they grew up? Was it losing a loved one, failing at something important, or maybe being forced into a role they didn’t want? These teenage years are where the emotional armor starts forming—how did the difficulties they faced shape them into the person they are now?

Education or Training: How did they learn what they know? Were they formally trained by an institution, learning everything by the book, or did they learn through experience, like a street-smart survivalist? What impact does their education or lack of it have on how they interact with others?

Teenage Bonds: Did they have a first love or a first major falling out with someone close to them? These experiences often create emotional scars or connections that they carry with them into adulthood. How does that past friendship or romance influence their behavior now?

4. Key Life Events: The Big Moments That Define Them

Trauma or Loss: Was there a moment that changed everything? Think about a significant loss—maybe a loved one, their home, or a sense of identity. How does this event affect their worldview? Do they build walls around themselves or dive into relationships with reckless abandon because they fear losing more?

Victory or Failure: Did they experience a moment of triumph or devastating defeat? Success and failure leave their marks. Were they celebrated as a hero once, leading them to overconfidence, or did they fail when everyone was counting on them, leading to crippling self-doubt?

Betrayal: Was there a betrayal that shaped their adult relationships? Whether it is a friend, family member, or lover, betrayal often changes how we trust others. Do they close themselves off, constantly expecting betrayal, or try to rebuild trust, afraid of being left alone again.

5. Where They Stand Now: The Present Moment

What Drives Them Today: What’s the one thing pushing them forward now? Is it revenge, the need to restore their family’s honor, or maybe even just survival? Whatever it is, this motivation should tie directly back to their experiences.

Emotional Baggage: What unresolved emotional wounds are they carrying? Everyone has scars from their past—some are visible, others not so much. How do these emotional wounds affect how they treat others, how they react to conflict, and how they move through the world.

Current Relationships: Who’s still in their life from their past, and how do they feel about it? Did they reconnect with someone they thought they’d lost, or are they haunted by unresolved issues with people from their past? Do they have any ongoing tensions or regrets tied to these people?

6. Tying Themes to Their Backstory

Cultural or Mythological Influence: How does their personal story tie into the larger world’s mythology or culture? Do they carry a family legacy, a curse, or a prophecy that hangs over them? How does this influence their interactions with others and their perception of themselves?

Recurring Symbols: Are there objects, dreams, or people that keep showing up in their life, symbolizing their journey? Perhaps a recurring nightmare haunts them, or they carry an object from their past that’s both a source of comfort and pain

7. Character Arc: The Journey from Past to Present

How Does Their Past Shape Their Growth?: Every character has emotional baggage that needs resolving. How does their backstory drive their arc? Do they need to forgive themselves, let go of the past, or accept who they’ve become to move forward?

Unanswered Questions from the Past: Are there any mysteries in their backstory they need to solve? Maybe they’re unaware of their true parentage, or maybe there’s a forgotten event from their childhood that will resurface and change everything.

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[rafey-baby]

clumsy!reader is still bad at yoga and yoga instructor!rafe wants to keep her all to himself...

18+ mdni!

c/w: rafe being touchy & blatantly flirting w her, him getting jealous, slightly suggestive, reader being oblivious

wc: 1.9k

idk if anyone missed him but he's back & better than ever !! (after a small vacation that ended up being almost 3 months :D)

some parts are more or less inspired by this, this, this & this ask

part 1

- - - - - - - - - - - - - - - - - - - - - - - - -

Rafe is in the midst of helping someone fix their posture when he hears the gates of heaven opening in the form of a melodious giggle chiming from the back of the room. He lifts his head in order to detect the source of such a vibrant sound; noticing that his favorite client is currently directing her attention towards some guy next to her.  

The joyful expression she’s sporting makes a scowl paint over his features. Why is this random man making her laugh like that?  

“Yeah, you got it. Just keep workin’ on it though,” he quickly dismisses the person he was helping before stomping over to find her practically lying on the floor with the guy’s hands on her calf, along with his mat pulled far too close to hers for Rafe’s liking.   

“I think you should bend it more here, right? I’m honestly not too sure,” the guy chuckles as he tries to figure out what she’s doing wrong.  

“No cause I have no idea how everyone else makes it seem so easy. It’s so hard to get it right, I feel so stupid half the time,” she complains with a huff, not even noticing Rafe looming within earshot.  

“Seriously, I thought this was a beginner’s class but it feels like some of these poses are meant for like literal pros,” he continues with a shake of his head. 

“I know, right?” another peal of laughter bubbles from her throat as she shifts into a seated position, giving up altogether.  

“Everything alright?” Rafe doesn’t mean for his tone to come out so clipped but there’s something in the way the guy’s touching her so freely that makes his hands curl into fists. 

He keeps reminding himself over and over again that this is a client, which means that he can’t just smash his face in— no matter how severely his fingers are itching for it right about now.  

“Oh, I was just trying to help her with this,” the guy explains in tandem with her head turning to look at Rafe. She seems startled.  

“Well, why don’t you focus on your own form for a change? I mean, s’kinda my job to help her, yeah?” he scoffs, making the guy halt his movements in a state of surprise before he's lifting his hands up in apology.  

“Damn, sorry dude,” he mutters out from under his breath while Rafe merely glares at him with the words stay professional bouncing around his skull.  

A tense silence follows, making her grow quiet while she takes slow sips from her water bottle as a distraction; wondering why he seems so bothered to see her talking to someone else.  

However, when he finally turns his attention towards her, she shrugs it off as him merely having a bad day because it seems like the only logical explanation to her. Because at the end of the day, him being jealous makes as much sense to her as her math homework in high school.

- - - - - - - - - - - - - -

Rafe is convinced that the universe is purposefully trying to poke and prod at his limits, giving his carefully curated facade opportunities to crack— allowing for the borderline psychotic aspects of his personality to breathe through the crevices. Because only a week later, Rafe sees her entering the gym with another guy she seems to be awfully friendly with. 

“That’s crazy, I don’t even wanna know what Kie said to that,” she rolls her eyes jokingly while he’s showing her something on his phone.  

”Yeeeah, guess you could say she wasn’t the biggest fan,” he laughs in a carefree manner, raking a hand through his disheveled, sand-colored hair.  

“For some reason I’m not surprised,” she mutters out before she notices Rafe standing in the hallway leading to the yoga class. “Oh, gotta go so I’m not late. See you after?” 

“Yeah, I’ll be here. Think Pope said he’s gonna join me for leg day, so we’ll see if I’m still standing when you get back. But you have fun,” he offers her a wave before walking away towards the locker rooms. 

And at last, her warm eyes meet Rafe’s. “Hi,” her voice is soft, nearly shy; a stark contrast to her demeanor only a few seconds ago.  

“Hey,” he greets her in a casual manner, although his mind is somewhere else entirely. “So, that your boyfriend or?” he tries to approach the subject with nonchalance because it’s not necessarily any of his business.  

He’s not even sure why he’s asking— keeps telling himself that he’s just curious and tries to appear friendly by making small talk. After all, some clients have given him feedback on his apparently intimidating aura, claiming they don’t always have the courage to ask for his help because they get anxious he’ll judge them. Therefore, it's something he’s been trying to work on.  

“What? Oh, JJ? No, he’s just a friend. He goes to the gym here, so I usually just tag along with him. Free ride, right?” she answers with a lighthearted tone.  

“Right. Yeah,” he scratches at the back of his neck, contemplating whether or not to ask the next question since he doesn’t want to overstep any boundaries. However, there’s something deep in his stomach that grumbles at the prospect of her being in a relationship, makes him feel nearly insane and ultimately, makes the decision for him. 

“You, uh, you got one?”  

“What?” she asks, features coated in confusion. 

“A boyfriend, I mean,” his gaze is unwavering, eager.  

“Oh, um— no, I don’t. Why?” her puzzled eyes flit over the lines of his countenance, seemingly trying to grasp onto his motives. 

“Just, uh…wondering. I mean, he’d be kind of a dick if he’s not drivin’ you here himself,” he shrugs, a strange sort of relief making his shoulders feather-light when she lets out an airy giggle in response.  

“Yeah, honestly sometimes wish I had one just so he could drive me around and stuff,” she jokes while they begin to pad over to the class. 

“You don’t have your license yet?” he raises his brows in surprise.  

“No, I do. I just don’t really like driving. I don’t know why but it’s so stressful to me. Usually try to avoid it as much as I can,” she elaborates while gathering her hair away from her face and securing the strands into a ponytail.   

“Oh yeah? Well, if you ever need a ride home just let me know, alright?” he says, fighting the urge to tuck a loose tendril that has managed to escape the restraints of her hair tie back behind her ear.  

“Really? That’s so sweet of you! But, um, wouldn’t wanna be a bother,” the hesitation is present in her voice.  

“Nah, couldn’t bother me if you tried,” he promises, wishing they could talk for longer. However, the ocean of people flooding inside the room behind them cuts their conversation short.  

“You’re just saying that,” she dismisses him with a playful scoff. 

“M’being for real. You’re my favorite face around here. Plus, makes my job more fun when you’re always stumblin' on your feet,” he can’t help his mouth from twisting upwards at the way her eyes round out in response to his words. 

“Shut up. I’m gonna go set down my mat now, before there’s only space right in front of you,” she offers him a giddy smile that makes him grin like an idiot. Then, she’s tiptoeing away from him in order to locate a vacant spot. 

- - - - - - - - - - - - -

Rafe has become awfully familiar with these newfound feelings of fondness for the girl who’s by far the most helpless little bambi he’s ever encountered. He thinks she should honestly pick another hobby at this point, because maybe yoga just isn’t meant for her. However, he’d never say any of that out loud because even the thought of not seeing her getting all flustered while she loses her balance whenever he’s near makes him feel physically unwell.  

He’s not entirely sure whether her apparently oblivious brain simply hasn’t caught onto the fact that he so clearly has a thing for her, or if she’s well aware and merely chooses to be a tease about it. Nonetheless, the moment she walked into the class today, he could feel his workout shorts tightening and all she’d offered him was a simple smile.  

And now she’s right in front of him, all tangled limbs and pretty eyes blinking up at him— practically begging for his guidance and for him to put his hands all over her (something she doesn’t seem to mind all that much).  

“You put this cute little set on just for me, huh?” he rasps out while his thumb smooths over the bubblegum pink fabric; feeling it out as he pinches the stretchy fabric between his fingertips, making her breath get caught in her throat in the process.  

“Oh, um— just wanted to…try out some new stuff I ordered. You think it’s cute?” she stares at him with something bashful glimmering in her eyes. 

“Mhm. Fits you nice,” he mumbles out as his gaze lingers on the way the tight material wraps around her figure, not leaving much to the (his) imagination. He bets it’d be so easy to just rip right through these cute yoga pants and pull her closer with a firm grip on her hips before burying his face between her plush thighs.

“Thanks,” she peeps out, flustered.  

He tries to shake off the improper, filthy thoughts with a clear of his throat when he gets caught staring at her for a little too long.  

“So, you actually wanna bend your leg on the other side of your body on the mat and support your foot with your left arm not the right one. Easy to get them confused,” he chuckles as she shifts her position according to his instructions as best as she can. 

“Like this?” she seeks reassurance with a soft tone.  

“Yeah, just like that, Bambi. Good job,” his mouth quirks up some while her mind begins to cloud over in response to his low cadence. She’s not entirely sure what exactly it is about him that makes her feel so fuzzy on the inside, but she thinks it’s nice, thinks she wants to always have him this close to her— wants him even closer.

She doesn’t remember the last time she’s had such an intense crush on someone— slowly turning into a crazy person by each second of not knowing whether he’s merely flirting with her for his own amusement or because he’s actually into her. However, she thinks she’s embarrassed herself in front of him far too many times for the latter to be true in any reality.  

“Then need you to move your right hand here,” he adjusts her form with a grip on her wrist while he maneuvers her to his liking; tingles erupting all over the skin he skims over with his fingertips.  

Her head is spinning.  

“See? Knew you could do it. Feels nice, hm?” he rumbles out, letting his hands rest on her shoulders for support, despite the position not really requiring it.  

She hums her response because she doesn’t trust for any coherent words to stumble out of her mouth at the moment, all the while Rafe is desperately trying to not pay attention to the nearly painful situation in his pants.

[sttoru]

‘no matter how much time the king of curses spends with you, he doesn’t think he will ever understand you or your affectionate behaviour towards him.’

☀︎｜tags. true form sukuna x female reader. heian era sukuna. fluff. bits of mentions of blood & murder. big size difference. cold-big-monster-having-a-small-soft-spot-for-a-single-human trope. reader gets called ‘little one, brat’. not proof read! let me know if you like my characterisation or not; it’s my first sukuna fic.

a kiss on the cheek is one of the most innocent - yet apparently also the most difficult - things to do. it’s a small form of intimacy; not that hard to do. it’s really as simple as planting your lips on your beloved’s cheek. then all you do is retreat — maybe get a kiss on the cheek back from him. or on the lips.

“get moving. i’m not waiting all day for you.” sukuna grumbles. you had suddenly stopped in your tracks and the king of curses was confused as to what the reason might have been. the two of you had been walking through the courtyard for a few minutes now — well, you basically had to drag him out to take a little stroll together.

and now the same you was quiet. it bothered sukuna; you were always so chatty around him when it was just the two of you. he might have called you an ‘annoying brat’ for it, but he secretly enjoyed your company and voice.

“c-coming.” you reply in a quiet mumble, eyes glancing over at the monstrous frame that stood a few steps away. his dull yet sharp gaze was focused on you — like he was sizing you up. or rather: trying to figure out what’s wrong with the change in behaviour you showed.

sukuna watches you as you hurry over to his side again. he resumes walking, hands folded over each other under the material of his kimono.

though, he couldn’t yet let go of the fact that you were acting different around him. the king of curses’ suspicion only grew once he noticed how your fingers fiddled with your obi. you were anxious about something.

sukuna shakes his head slightly. some humans sure are difficult to understand, he thinks to himself. your happy yet reserved personality when you usually interacted with him had disappeared and made place for a nervous wreck. trying to figure out why made sukuna’s head hurt.

were you finally scared of him? like all other humans and curses were?

he doesn’t know why, but it felt like he would hate for such thing to happen. sukuna usually wouldn’t care if someone resents, fears or somehow even admires him. only you could make him think and care about such difficult and maybe even trivial things.

“uhm,” you break off his train of thoughts and his eyes are instantly on yours again, “may i do something really quickly?”

sukuna’s face doesn’t show any change in expression, but a small nod tells you everything you need to know. you clear your throat, “can you please lower your head towards me?”

lowering his head? oh, you got some guts. if anyone else had said that to him, sukuna would have obliterated them; there wouldn’t have been anything but red bloody dust left of their body.

but then again: it’s you. all exceptions the king of curses makes are for you.

sukuna slightly lowers his head to your level so you could do whatever you needed to. he’d be lying if he said that his curiosity wasn’t piqued. it always was when he was around you.

you gulp. it was time to do what you’ve longed to do ever since the beginning of your stroll: give the ryomen sukuna a kiss on the cheek. you don’t think he’d be mad—at least he never seriously gets mad at you. only to get a reaction out of you since your responses are always ‘intensely amusing’—as he says.

“go on.” sukuna’s breath hits your cheeks. he was so close—too close that it made you even more nervous in a way. as if you hadn’t even had your first kiss yet.

you swallow your fears and just go for it. your lips attach to his cheek in the fraction of a second—the speed of light—before they leave. it was right under his right set of eyes.

you take a step back and clear your throat. you try to escape the embarrassment of sukuna’s possible reaction by continuing your stroll, though were stopped by a strong hand firmly grabbing your forearm.

“where’d you think you’re going?”

sukuna’s deep voice echoes through your ears. you were surprised to hear the tone of it; almost soft. a tone sukuna uses on rare occasions: in your presence.

you turn your head around and smile sheepishly at the king of curses before you. he doesn’t return the same (not that you expected him to), however he does unexpectedly ruffle your hair for a split second. or at least he attempts to.

his large and warm palm lands on top of your head and he gives it a little and subtle shake. sukuna had seen you do a similar action to someone else before, thus he concluded that he could do it to you. maybe as a form of endearment or. . whatever you used it as.

he did find the way you tried to scurry away after giving him a kiss very adorable. even if he wouldn’t say so out loud.

“now, come along. we don’t have all day.” sukuna nonchalantly mutters after retracting his hand. it left as fast as it came, though you were still stunned at the slight show of affection the king of curses returned.

you instantly catch up to sukuna again—walking next to him as fast as your legs could take you. you were a bit more at ease after you got a positive reaction to your little kiss. it was a pity that he didn’t smirk or laugh at you—maybe mocked you like he usually would. but that head pat made up for it.

even if it did leave your hair a little disheveled.

you couldn’t properly see sukuna’s face, but the faint smirk tugging at his lips was undeniably there. even if it was for just a split second.

“how very interesting.” sukuna mutters under his breath so you wouldn’t catch on. he sighs and shakes his head, unable to keep out that memory of you looking so cute—standing on the tip of your toes to plant a kiss on his cheek with your comically small hand on his jaw line. he doesn’t know why he found that to be so thrilling.

you flutter your eyelashes. you were curious about what he might have commented on, “may i ask what you had just said? i didn’t quite hear it.”

a short second of silence hangs before sukuna tilts his head to the right to look down at you again; his face expressionless, but still having a hint of a grin on his lips.

“i said you better hurry before i gobble you up right this instant.” he replies, (playfully) intimidating you with his sharp red eyes that glinted with a form of danger.

you shiver (though knew the threat was an empty one) and instantly pick up your pace. you even get ahead of him, walking as fast as your legs could. you answer with a curt ‘my apologies’ and walk like you actually have somewhere to be.

sukuna’s grin only grows as he sees you get ahead of him. if you had turned around, maybe you could have caught onto that light flicker of affection in his expression.

“i’m coming for you, little one.” sukuna adds just to ignite some more fear into you and you react as expected, “you’re not escaping me today.”

it was a funny sight; your reactions always make him enjoy his time with you even more than he already (secretly) was.

the way his body reacts in mysterious ways when you’re around, is still very much an unsolved riddle to the king of curses. and the reasons as to why you aren’t scared of him and can easily give him all your ‘love’ are also still yet to be discovered.

until then, sukuna will continue to enjoy teasing you.

[sweemmy]

⋆｡ﾟEveryone expresses jealousy in their own way; some choose subtlety, but these three don’t hesitate to be clear and direct when it comes to what they want. ﾟ｡⋆

— VI, Caitlyn, and Sevika.

VI.

When someone dares to invade your personal space, Vi doesn’t hesitate for a second to step in, positioning herself right by your side. Her proximity is a silent, yet powerful declaration: you’re with her, and she doesn’t need words to make that abundantly clear.

She crosses her arms with an air of determination, a faint furrow forming between her brows, as if she’s measuring the other person, calculating every word, every movement. If the tension lingers, her posture stiffens, gradually transforming into something more formidable, like a storm silently gathering inside her, though she strives to maintain a composed exterior, a mask of calm.

She can’t help but release one of her signature remarks, dripping with sarcasm. As the other person speaks, she leans closer to you and, in a whisper sharp enough to be heard, she quips, “Oh, wow! Didn’t know you started a fan club. When did you begin signing autographs?”

Vi doesn’t do subtlety when something bothers her. If the situation gets under her skin, she’ll make it known. She pulls you closer with an unmistakable, possessive gesture—her arm wrapping around you, her fingers intertwining with yours, or without a second thought, she plants a kiss on you, making sure everyone nearby knows exactly where your heart belongs.

Later, when the noise fades and the world quiets down, she gazes at you with a special kind of gleam in her eyes, absentmindedly caressing your hand. With a sigh filled with emotions, she confesses—though clearly reluctant—that she simply can’t help herself when it comes to you.

CAITLYN.

Caitlyn remains calm, but her body language speaks volumes. Her head lifts with a quiet pride, and her posture straightens, radiating a silent authority that requires no words.

Her gaze never wavers, as if she’s evaluating every word and gesture, absorbing even the slightest detail. The conversation flows, yet there’s an ever-present tension, as though she’s measuring the truth of every action, searching for any hidden threat.

Rather than interrupting, she gently touches your arm or wraps her hand around your waist, guiding you with a tenderness that’s still unwaveringly firm. It's an invitation to focus entirely on her, a subtle yet commanding gesture. Her touch is never abrupt, but always resolute.

If the other person misses the signals, Caitlyn has no hesitation in steering the conversation with a seemingly casual remark, but one heavy with meaning: "Don’t you think we could use a little space here, darling?"

When the tension finally ebbs away, she pauses for a moment, then smiles at you with a hint of shyness. "It’s nothing," she says, "it’s just... I don’t like sharing what truly matters to me."

SEVIKA.

Sevika is an enigma, her behavior often difficult to decipher. Yet, when jealousy takes hold of her, her gaze becomes icy and defiant, and her words turn sharp, almost cutting, especially towards the one who has earned her ire.

She places you behind her or by her side, deliberately positioning herself as a physical shield between you and anyone who dares get too close.

When tension fills the air, words are unnecessary for her to express discontent. Her mere presence is enough to make most people take a step back, feeling the weight of her quiet authority.

If she feels the need to intervene, it's done decisively, without fanfare. In a low, dry tone, she might simply say, "Are you done here? Because we don't have all day."

In private, she'll share her frustration with you, but in a way that's brief, honest, and possessive. "I don't do drama, but I can't stand fools who don’t know how to respect boundaries. You're mine, end of story."