#it does not make you a burden

[always-coffee]

The other day, a dear friend paid me a wonderful compliment. And it’s really how I strive to be in the world, as a person, so it made me a bit emotional. The thing is, I’m not a person who runs when things get hard. I don’t run. It’s not in my nature. Good, bad—in between, I’m there. I am really not someone who wavers or hesitates, especially if my heart is involved (spoiler alert: I am all heart, oops). I go into most situations with a firm understanding of what the difficulties might be. I'm a Libra. I know how to assess and be mindful. I may be blundering in, but I’m not blundering in unseeing.

Yesterday, I came across what was meant to be an inspirational meme about how love is great and all, but having someone love you when you’re difficult or a burden or a mess or inconvenient is really what counts. And yes, but I would also argue that if love isn’t all those things, it’s not love. And I hated the bit about the burden, because no one I have ever cared about has ever been a burden to me. Caring for my dying mother was sure unfun (a little over a decade ago), and I really don’t wish that entire experience on anyone. But was she a burden to me? No.

Making meals for a friend going through surgery was not a burden to me. Sitting with another friend when they were having a bad time—just chilling out on the couch together was not a burden. I could go on and on, but the point is this: being there for those you care about is never a burden. And if someone makes you feel as if it is—as if you’re wrong for being messy or having a hard time—than they do not deserve you.

For me, and I’ve said this before, being there for folks is part of what I love about life and relationships. God knows, I can be a messy human who feels too much and talks a lot (when I feel comfortable). But being close to someone is an honor. I love it. Truly. Makes my heart sing. Even on the bad days. Will I try to make you laugh? Sure. Will I sit with you and hug you if you need to cry? Yes. I will definitely try to feed you (Italian American), and probably learn how to make your favorite things. Because that’s love, to me. Here I made this for.

The thing about life is that is never rainbows and kittens and sunshine all of the time. Leaning on each other during the tough times is what gets us through it all. And I don’t understand anyone who thinks that care is conditional. Care and love are not. And if someone has told you that it is, they can go pound sand.

I am the softest person on earth in a lot of ways. But there is strength in that softness, trust me. And I will absolutely use that on behalf of those I care about, no hesitation. Because that's the whole damn point of why we're here.

[hoofpeet]

Cleanup <3

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-

[batsplat]

Casey Stoner, Pushing the Limits

GP11:

GP12:

x

[sushiisiu]

jsbajan i got whiplash bc i followed u for scollace & i haven’t been on tumblr in a while. so when i saw kaishin i was like, HM. THIS ART STYLE IS SO FAMILIAR?? then i realized. you’re posting bangers. another fav ship of mine. i love kaishin sm omgosh. <3 keep up the awesome work & have fun w/ ur art!!!

omg that's really funny since i've been thinking that my artstyle changed a lot (back to normal) after scollace but thank you so much!!! kaishin goated!! even if 73 is making stupid retcons!!! and i will i have so much devious plans for drawing them rn wahahahahhaa

fake ass bitch ^

[hhhhleb]

based on this concept they got soul bond and sans can feel when smth wrong with papyrus

good thing that sans didn't see the actual injury.. grillby knew that would greatly upset sans, so that's why he pushed him away. it also could have trigger some really bad memories for Sans..so grillby did good job x2 (more thoughts in tags)

[skunkes]

the bad: i have been raised without much warmth from my parents in childhood, but also pressured to conform to familial authority, doubt myself always, and value familial connections above all else (<- failed at this, and feel guilt about it.)

but also in experiencing this i have been so isolated from the entire rest of the world and others, that it will be nearly impossible to create my own "family" -> find safety and comfort in anybody else once my family is Gone. despite dis i find it really difficult to break away from the familiar, disobey and disappoint, because, well, why are my wishes more important than anybody else's. why would I cause upset and distress in anybody, and exert so much effort into my doubt filled half decisions, for my meaningless little Wishes. being away would also mean less time with these people who I'll never see again once they're gone. being raised this way is definitely paying off for those who did so.

the good: yaaaay adjacent inspiration for writing talon lore

[codacheetah]

5 for the isat ask game!

5 - What's your favorite optional event?

VERY TOUGH ONE TO ANSWER. I'm gonna go right ahead and disqualify twohats bc it's a predictable answer. If I had to choose just one though I think it'd probably be the sus event. It really got my goat on my first playthrough bc I didn't realize you had to do it in ACT 4. If I remember correctly I think sus is the only optional event locked to ACT 4??? Now that I've actually done it though I'm quite fond of it.

Sus event is one that you really have to go out of your way to do. It kind of reminds me of the True Ending in SASASAP but More and I'm sure that's intentional. Like the requirements for sus quest necessitate that you're going to do it, if not the loop before ACT 5, very soon before it. You have to know pretty much everything about Time Craft and Wish Craft already, so whatever you're doing in the loops now is basically taking out any optional stuff before you hit the end. You have to pretty thoroughly remember how the script goes just so you know all the best ways to break it. I feel like if the True Ending route is Loop going through the motions so many times that they can't deal with holding their facade together any longer, the sus route is Siffrin waving a big red flag around for help. There's just no way you're going to stumble into sus without preplanning what to do to rack up your points and make Odile aware of how Wish Craft works.

So I think it's interesting how much Siffrin pushes back against Odile trying to figure him out. It's a pattern of behavior that I am well aware of where you're desperately going "HELP ME" but you're not willing to accept it when it's offered to you.

Siffrin spends an entire loop screwing everything up, to a point that's frankly kind of egregious even by Late Stage Timeloopers standards, and then they can't reckon with the consequences of it. I don't think sus event is as intentional of a cry for help for Siffrin as it is the player, mind you. But I do think it's. Very tragic. Yeah of course "it's too late" in the sense that Siffrin's about to talk to Euphie and the whole journey will end, but moreso it's that by the time that Odile can piece together all the information necessary to figure Siffrin out, Siffrin is just far too deeply entrenched in his self hatred and fear of abandonment to be dug out. I think if Odile could somehow figure it out in, like, early ACT 3, or if Isabeau was just a bit more pushy in getting Siffrin to do a feelings talk, maybe they'd actually be able to reach Siffrin a little. But they're always just a little too late, every single time.

I think the fact that you start really getting a bunch of weird points in ACT 3 gives this event a lot of buildup. For potential dozens of loops you'll see Odile brush against the truth of the situation, and then just barely miss. By the time she figures it out, it's too late. Explodes

Expounded upon slightly more in tags bc I don't like typing in post bodies I feel like a fish on land. eek

[pwurrz]

being obsessed with yakumo is a job and baby i’ve never called in a sick day!!!!!

[rubiatinctorum]

I get where people are coming from when they say Diaspro in Winx lost the plot for the sake of being turned into a minor villain and that's all once Valtor enabled her to do what she did in S3, but I feel like that was a reasonable narrative choice. It's only a love potion at that point (while I could go on all day about the ethics of love potions, of course, a later season has her straight up trying to do direct murder). She's a noble, guards will do her dirty work, and I understand that she would feel like getting revenge on Bloom while getting back together with Sky. She was promised a position — romantic AND political — she nearly had and then it was taken from under her by a random fairy who wasn't even "supposed" to be in the running. I don't think what she did was nice, but it makes sense for the story and for her character for her to want to reclaim her position in the way she did. Sky's love was an accessory, in part, to her political ascension, and thus he is again rendered accessory and accomplice by the love spell. And, sending guards after threats seems to be the thing to do in the magical universe if you're a disgruntled noble, so it's probably not unfamiliar for Diaspro to have seen occur before or want to do. It's not a uniquely rotten response any more than Radius' behaviour towards the monster (who, he didn't know it, was Stella). If we fault her for this action rather than only the intention behind it, we need to examine how the worlds in Winx Club deal with threats to their monarchs in general, which sounds interesting but I frankly don't have time for tonight. Diaspro did wrong, but she didn't do uniquely wrong there, and Eraklyon has the punitive security structures in place to have enabled that.

Diaspro's later appearances seem to flatten her motives and the symbolism behind why her relationship with Sky was important and what she does about it (who cares what Diaspro's political aims are and how her status might reflect how she deals with problems, the audience needs to see Bloom thrown into fire I guess), but I feel like seasons 4-8 weren't really that good anyway, so I can't even claim this as a fault of the writers doing Diaspro specifically wrong instead of them just doing the whole show wrong at that point. It might be related, and it might be a coincidence, but a lot of the writing choices seemed to become more flat to me right around when the art shifted to that lifeless godawful Flash simulacrum of S1-3's art.

Also like... idk but if some long-haired hottie wizard in a sick coat and contemplative eyeshadow told me he could help me get my promised chance at both romantic and political success back, I'd at least hear him out, yknow, see what he had to say (<- don't trust me I simp for Valtor)

[whereismyhat5678]

Okay. I watched Spooky Month 6 and I loved it! I truly did!

…..But god…it’s gonna eat at me alive if I don’t say anything about Pump.

I feel bad for Pump…and Susie- I truly do!

Which is why I have to rant, about how much I HATE their parents!

(Spoiler warning at the bottom, oh and I swear a lot too-)

You may not hear how angry I get but god damnit was I fucking angry at Pump’s parents each time they were mentioned.

It hit me the moment Pump ran to the phone immediately thinking it was his parents calling but got sad only realizing it was just Skid’s mom. And I can say with certainty that he WAITS for the day they call him. Remember the 4th ep where he said, and I quote: “Call them, they never answer!” so NONCHALANTLY.

Not only that but his Grandpa even looks back to him and you could clearly see, the GUILT on his face. That man does not only feel bad but I KNOW he feels guilty for their absence. HE has to take care of them, HE has to practically raise them now because their parents can’t come home. And HE had to fake bringing Pump a toy saying it was from his parents when in actuality HE was the one that bought it for him!!

I’m sorry- WHAT THE ACTUAL FUCK?? What do you mean Grandpa has to literally fake bringing him a gift from his parents?? What do you mean they never fucking call them??? I’m usually not one to get so angry BUT THIS HAS ME ENRAGED.

What type of low-life down right shameful parents can’t contact their own fucking kid??? No matter how busy they are, no matter if they can’t visit them- because you know what? I would’ve given them a pass if their work was the reason why they couldn’t come home which probably still is the case- I won’t blame you! Some people just gotta travel for work!…BUT YOU’RE TELLING ME THEY CAN’T SPARE ONE FUCKING SECOND TO CALL THEIR CHILDREN??? Let alone they’re what- 6YEAR OLD KID??? (I think that’s Pump’s age-)

You’re telling me they can’t even send them a letter?? Not even one fucking letter??- Just letting their children know that they still give a fuck about them- THEY CAN’T EVEN DO THAT??

And don’t even get me STARTED on how they make Pump feel- HE FEELS LIKE A BURDEN?!?! A CHILD AT HIS AGE SHOULD NEVER- AND I MEAN ABSOLUTELY NEVER FEEL LIKE A GODDAMN BURDEN (same thing does to Skid!)!!!

CALL. AT THE LEAST CALL YOUR FUCKING CHILD!!! Show them that you still care!- SHOW HIM THAT YOU STILL LOVE HIM!!!

It fucking infuriates me…

Listen, I get it…If you gotta work and travel fine!- Do it!….But you can’t just do that without consoling your children!! At least tell them- message them- at least show that you CARE. What type of dipshit parents just ignore their children like that??…

Listen, I might be getting it wrong so go ahead, explain and I mean THOROUGHLY explain why Pump and Susie’s parents aren’t bad. Because to me, this is the shittiest move you can make to your own children.

The Grandpa cares more about them. HE takes care of them. If that doesn’t show how fucked up their situation is I don’t know what is. Never be like Pump’s parents. Do better. And shame on you if you are.

Thank you.

[jasontoddenthusiastt]

The New Titans #55 (1989)

Batman (2010-) #641

…

Red Hood and the Outlaws (2016-) #6

…

…

…

Batman and Red Hood (2011-) #20

…

Batman (2016-) #138

They sure do bAT&Tman. They sure as hell do.

Yet Jason never thought this way about you.

[anjasitdown]

I have so many Thoughts I wanna say before I move on from the Public Safety Arc. There'll be manga spoilers by the way.

To be honest, I put off watching Chainsaw Man when I heard the protagonist's sole aim in life is to... touch boobs. I thought Denji was just like any other shonen MCs with perverted tendencies. I tried watching because it was animated by Mappa, but I stayed because of Aki, Denji, and Power (and Meowy). But as I reached the ending of Public Safety Arc, I realized Denji's more complex than that.

All his life Denji was deprived of basic needs; he couldn't even afford the bare minimum. He didn't get to experience love from a parent or admiration from his peers. Denji craved so much for love and affection, but the only way he knew how to get that was through sexual intimacy with a woman. Receiving affection from friends is completely foreign to him. That's why when he and Power did that in the bathroom, Denji's like, "Wait a minute... that's it?" Deep down Denji knew there's more to love than that—there's more to affection than just touching breasts. The moment he started to realize that, Makima just had to twist his mind and turn him back to his sexual urges (screw u for that makima btw).

Throughout the whole arc, Denji continued to believe in his idea that love is just about touch and sex. He ran after women after women who fulfilled that but left him feeling hollowed because, well, they tried to kill him afterwards. It's actually entertaining to watch Denji finally gets his first kiss only to get barfed on the mouth and his second got his tongue cut off. And Makima, the woman he truly loved, not only used him but also discarded him when she got what she wanted. Most of those women don't see Denji as more than a dog. Denji is just some dumb boy who doesn't deserve the normal life he's having.

But Denji really is just some boy. But he's Aki and Power's boy. There's nothing special about him. Aki and Power know that because they looked beyond the Chainsaw—they saw Denji as he is, and accepted him. People treated Denji like a dog and no one saw his worth as a person. But not Aki and Power. Aki gave him a house, taught him and Power manners, cooked for them, and taught him how to cook. Aki treated Denji and Power as his own. And Power, as unhinged and selfish as she is (affectionate), relied so much on Denji. I think that trust taught him to be a better person. To have someone rely on you can make you feel loved and respected. That's why helping Power overcome the fear of the Darkness Devil felt so natural to him. Sleeping with her on the same bed, taking a bath together, and Power walking in on him while he's on the toilet didn't feel naughty (as Denji said). The love Denji's searching for everywhere has always been in front of him: Aki and Power.

Makima can tell Denji she fabricated everything for all I care, saying everything has been a lie and that she set it all up to destroy Denji's mind and heart. But what Aki and Power felt toward Denji was real because they were the only ones who truly loved Denji without asking for anything in return. They saw him as he is, and loved him.

My precious children 🥺🥺🥺 I'm going to miss them

[blueskittlesart]

I genuinely can’t remember or not if your botw/totk link knows sign language or not…or am I thinking of a different link?

my personal headcanon is that he knows basic sign and uses it when he's completely nonverbal, but that for most of his time as a soldier pre-calamity he limits himself to basic signs that are well-known enough for anyone to understand and not much else (thank you, please, basic combat orders, occasional fingerspelling) and uses them VERY sparingly if at all. I personally believe that the lack of communication he displays pre-calamity goes beyond just physical muteness, and I think that removing the communication block by having him sign freely removes some of the nuance of his relationships with other people pre-calamity, so while i think he CAN sign, i think he only uses it when communication is absolutely necessary.

[mortysmith]

rick becomes super into multiversal travel after prime introduces him to it, very hyperfocused on it and the opportunities it presents (like how the gotron episode establishes that rick can get carried away unless someone reels him in). diane might initially be supportive of this but as rick's appearances around the house become more shoddy, she gets fed up and they separate. after a much more complex deterioration of their relationship obviously rick considers this a win at the time, since he's now free to dick around and do whatever he wants, essentially adopts prime's life philosophy and hangs around him. him and prime would eventually have some sort of falling out, which leaves rick extremely bitter and annoyed. he ends up spending most of his life alone, still living by his pop nihilistic ideals because he thinks this is what he wants. eventually he'd still end up squatting in prime's dimension and realizes that he actually Prefers this family life. his infatuation with prime could develop into resentment when he realizes that he essentially robbed rick of a comfortable, idealistic life