#it does not listen

[holographings]

someone on twitter said Imagine what s2 jayce would give to talk to s1 viktor just one more time. and someone had a time travel alternate dimension fic ready to go. and i read it. and now my face is being eaten by 3750 feral dogs i think

[demaparbat-hp]

That infamous prison escape.

[chloesimaginationthings]

The FNAF Vanessas meet their younger selves..

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push the heel of my palm into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[angelofdumpsterfires]

how i feel about all the changes in s3

[overlymetaromantic]

Dungeon Meshi, or as I like to call it, Marcille's-increasingly-difficult-to-ignore-revelations-that-her-endless-devotion-to-Falin-may-in-fact-be-more-rooted-in-lesbianism-than-she-originally-thought

[mysticalfg]

Saw fanart of gale in a robe n went mildly feral, possibly

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[blueboyluca]

“When I first heard it, from a dog trainer who knew her behavioral science, it was a stunning moment. I remember where I was standing, what block of Brooklyn’s streets. It was like holding a piece of polished obsidian in the hand, feeling its weight and irreducibility. And its fathomless blackness. Punishment is reinforcing to the punisher. Of course. It fit the science, and it also fit the hidden memories stored in a deeply buried, rusty lockbox inside me. The people who walked down the street arbitrarily compressing their dogs’ tracheas, to which the poor beasts could only submit in uncomprehending misery; the parents who slapped their crying toddlers for the crime of being tired or hungry: These were not aberrantly malevolent villains. They were not doing what they did because they thought it was right, or even because it worked very well. They were simply caught in the same feedback loop in which all behavior is made. Their spasms of delivering small torments relieved their frustration and gave the impression of momentum toward a solution. Most potently, it immediately stopped the behavior. No matter that the effect probably won’t last: the reinforcer—the silence or the cessation of the annoyance—was exquisitely timed. Now. Boy does that feel good.”

— Melissa Holbrook Pierson, The Secret History of Kindness (2015)

[poorly-drawn-mdzs]

How much longer 'til your luck runs out?

[First] Prev <–-> Next

[corkinavoid]

DPxDC Alt Rock to the Rescue

[Inspired by this art]

"...Alright, I might have an idea," John Constantine, who was seemingly busy texting someone for the past ten - or twenty, no one really counted - minutes, puts his phone away and snaps his head up.

The room falls silent. Superman blinks in surprise, Diana frowns slightly, and Batman's mouth is pressed into a thin, stubborn line. Flash recovers first.

"You have an idea?" He huffs a short, disbelieving laugh, "No offense, but I'm not sure a magic trick can help us against, you know, an alien fleet." He gestures to one of the screens on the wall, where said fleet is approaching Earth on live.

The rest of the Leaguers present don't exactly agree with him, at least not verbally, but the mood in the room shifts from tense, anxious alarm to an almost palpable annoyance. To be honest, no one was even sure why or how John Constantine of all people ended up in the meeting. It's not like JLD could actually help with an ongoing, massive invasion that was about to happen in less than three- Correction, less than two and a half hours. Besides, it's John Constantine. The man that never shows up unless outright bullied into submission.

The magician winces briefly and starts rummaging through his pockets under the weight of everyone's attention.

"I said I might," he amends gruffly, getting a cigarette out of one of his pockets and sticking it in his mouth but not lighting it. Seems like it wasn't what he was looking for, though, because after that, the man keeps going through the various places on his coat, patting himself down. "I know someone who can deal with it. Granted, I already owe him a great deal, but he won't say no," he pauses and grimaces, "At least I hope he won't."

"I do not think it would be wise to call upon gods in our situation," Diana tries carefully, but John pays her little mind.

"Or demons," Green Arrow adds, crossing his arms on his chest, "I'm not selling my soul to get rid of some rocket ships or whatever they are."

Now, that makes the magician bark a laugh. Or, maybe it's the piece of lime green paper - a sticky note, actually - that he finally finds in the depths of his pockets.

"Oh, your soul's gonna stay where it is."

"Constantine-" Batman starts, but John cuts him off instantly.

"Mine will stay wherever it is as well," he reassures the man, "It's not that kind of entity." And with that, he promptly sets the green note on fire - green fire - and uses it as a lighter for his cigarette.

The next moment after the note is reduced to ash, there's a shift in the air in front of him, and, before any of the heroes have a split second to react, there are two people floating in the middle of the room, backs pressed to each other.

Two teenagers, to be exact. A girl and a boy, both of them so pale that their skin looks gray, and both dressed in grunge, like they just came from a rock concert. Yet, that's where the 'normal' parts of their looks end - the boy's hair is so white it looks blinding, and moves in the air slowly, undeterred by gravity, and the girl's hair is neon blue, her ponytail flickering up like a flaming torch.

The boy nearly topples over as the girl leans her back on him harder and kicks her feet up slightly. The movement is awkward, like both of them were taken by surprise by the sudden relocation, and maybe the guess about the rock concert was not so far from reality; there are drumsticks in the boy's hands, and the girl is holding an electric guitar in her hands.

"The fuck?.." The boy asks no one in particular, as the girl makes an annoyed groan and straightens up, still floating in the air. Her guitar makes an aborted sound. Meanwhile, the boy's eyes land on Constantine, and his whole face scrunches in disgust, "John, for the love of Ancients, I was in the middle of something."

The girl takes a look around while her friend is busy expressing his annoyance and elbows him in the side, "Oi, look, it's the whole Comic Con in the flesh here."

Green Arrow sputters. Flash makes a wordless but very offended sound. The floating boy looks around, taking stock of faces in the room, and the disgust on his face morphs into exasperation.

He turns back to Constantine, "Really? I thought I told you I want no part in your furry parade."

"Alien invasion," the magician decidedly doesn't address any of that, instead pointing his finger to the screen behind him. "Thought you ought to know," he adds, a bit of sarcasm bleeding into his tone.

"Ooh, is it my turn to be your world saving buddy, Phantom?" The girl perks up, turning around and draping herself over the boy's shoulders with a giddy laugh. Her guitar shifts to hang in the air on her side all by itself.

The boy - Phantom - rolls his eyes. Bright green, glowing eyes that definitely don't belong to a human being.

"If I had a nickel every time I had to save the world, I'd probably be able to buy myself my own guitar," he grumbles and looks back to Constantine. "Do I, like, have to? Right now? You know, I don't get paid for this bullshit, and the studio we rented for rehearsal has an hourly rate, so if we can postpone this for about an hour and a half, that'd be real nice."

"The fleet is only two hours away from Earth," Batman supplies suddenly, and, when both floating kids turn to look at him, adds, "I can pay for your next rehearsal. Or a few of them." Evidently, Phantom's comment about nickels struck a nerve. Or, maybe, the man just likes throwing money at any teenager he encounters. Who knows.

The boy blinks, taken aback by the proposition. But the girl grins, sharp and wicked, and shoves her drummer - if the drumsticks are to tell - in the side again.

"Hey, free studio. Better than the last time."

That snaps Phantom out of his stupor, and he groans, "Don't remind me." With a weary sigh, he runs a hand through his hair and leans back in the air, almost like reclining on it. "Okay, fine, sure. Do you want them, like, away from Earth- um, this is Earth, right?" He turns to Superman, surprisingly, looking for confirmation, and the man nods, thrown off guard. The boy nods back and continues, "Or you want them blasted into oblivion, or what?"

"Whatever suits your mood, kid," John waves his hand at the screen as if making a welcoming gesture, "But all the aliens gotta go."

Unexpectedly, that makes the girl's grin even wider, and she reaches for her guitar, floating around Phantom and looking him in the face. The look she gives him speaks of mischief, and the boy seems to understand what she's implying before she as much as opens her mouth.

"Ember, no," he pounts a drumstick at her.

"Ember, yes," she wiggles her eyebrows, "Come on, your wail is boring as fuck as it is, why not spice it up?"

"I'm not wailing," Phantom scrunches his nose, "My throat will hurt for weeks."

Ember runs her fingers over the strings of her guitar, and it makes a comparatively quiet, vibrating sound. A few cords shoot out of the bottom of her instrument, like ones used to plug an electric guitar to an amp. She raises her eyebrows, still looking at Phantom, a silent conversation between them.

Then, the boy huffs and rolls his eyes, twirling a drumstick in his fingers.

"Fine."

The cords fly at him like snakes, aiming at his neck. None of the Leaguers watching the encounter get to say even a word as the metal pins insert themselves into the boy's neck, acting like some twisted kind of collar. Phantom doesn't even flinch.

Ember's guitar, on the other hand, reacts to the connection quite violently: it makes a high-pitched sound all on its own and then changes color from black and blue to white and green, with lightning bolts instead of flames for design. The girl's ponytail flares up higher as she softly murmurs in delight.

Then, she turns to the people around them and smirks, "Which way is the evil alien fleet?"

Flash wordlessly points his finger to the right and up. The girl nods in satisfaction, turning in the air so her guitar is facing that way.

"You might want to cover your ears," Phantom advises, a sly smile on his face and a glimmer of anticipation to his eyes. John Constantine follows that direction immediately, and, taking his move as the best course of action, the other heroes follow as well. Except Batman, who only narrows his eyes and looks at both teens in the air apprehensively. Phantom shrugs, "Or don't, I don't hold any responsibility for your shattered eardrums."

"Pick up where we left off, then," Ember tells him, and the boy blinks:

"Wait, I thought you'd just-"

[For some wholesome experience, put your headphones in and listen to 'KULT' by Jisaiah, grandson, and Steve Aoki]

But the girl has already started a tune, nodding her head to the rhythm of it and slowly picking up the pace. Phantom huffs, but doesn't protest any further, floating up as much as the cords allow him and spinning a drumstick in his hand.

"Maybe I should join a cult

At least they'll tell me it's not my fault

That the world's a fucking circus

That my life feels fucking worthless," he spits the words out with a sneer, slowly rotating in the air until he is hanging upside down. His eyes are closed, and his voice becomes more and more staticky with every new sound. The volume of Ember's guitar gets up, higher and higher, until the walls and the floor of the room around them start to vibrate.

Then, Ember's voice joins Phantom's, and the boy brings his drumsticks down on thin air, mimicking the moves. Only, even with the actual drums not there, the air around him ripples like they are, and they all can hear the beat.

"Maybe I should join a cult

At least they'll tell me it's not my fault

When it all comes crashing down

We'll see who's laughing," both kids pause, just for a beat, and Ember uses that split second to spin the volume knob to the max before strumming her guitar in one wide, sharp move.

"NOW!"

The sound wave is not only palpable, it's visible. A wave of toxic green ripples through the air, knocking everyone present - sans the two kids in the air - to the ground, and goes beyond. The screens on the walls flicker and turn off, sending sparks in the air, and the comms give off loud, screeching noises, and-

The following silence feels almost deafening.

Batman, unsurprisingly, is the first one to stand back on his feet and see a few of the screens come back online.

Just in time to see that same green wave of... sound? energy? power?.. decimate the entire fleet like a wet cloth over a chalkboard. One moment, the spaceships were there, and the next they are gone, wiped out of existence.

Ember laughs, leaning back and almost doing a backflip in the air.

"That was nice, dipshit!" She shoves Phantom in the shoulder, and the boy snorts, plucking the cords out of his skin and grinning.

"Yeah," he agrees with a smile, not even looking at the screens around, "Maybe we should try rehearsing in space next time. Sing to the stars and all that crap."

"Sing to the stars?" Ember raises her eyebrows mockingly as the rest of the heroes scramble to their feet, bemoaning their ringing ears. "Na-ah," she clicks her tongue and turns to Batman, "You still up for paying for our studio?"

The man just grunts in a semblance of affirmation.

"Sweet," the girl grins and offers Phantom a hand for a high five, which he returns instantly. "Cheers to the world being saved once again!"

The boy just rolls his eyes and turns to Constantine, "Next time, be a dear and text me before summoning, or I'm going to sell your soul to Morpheus, and who knows what he'll do with you."

John Constantine grimaces. "I did," he offers grudgingly.

But both unearthly teenagers are already gone without a trace.

[Edit: I want everyone to know there's ART now!!!]

[thriftdyke]

it really does bother me how no one can seem to answer the question “what even is romantic attraction, really.” like some people are like “it’s who you wanna kiss and cuddle <3” and I’m like ok well kisses and cuddles can be either sexual or platonic depending on context. “It’s who you feel passion/desire/arousal for” well that just sounds like sexual attraction which you can have without even knowing somebody so I fail to see how that’s romantic. “It’s who you want to go on dates with” I go on dates with friends all the time plus “date” is a social construct anyway there’s really no innate difference between a date and hanging out. “it’s who you have deep feelings for” great news for you that can be literally any type of relationship. my friend told me she defined it as “who you wanna give roses to” and I’m like do u hear urself??? like the more I talk to people the more I’m convinced romance and romantic attraction is an elaborate socially fabricated illusion that has no real defining characteristics. and like there’s nothing Wrong with it being a constuct but why people are so attached to defending the supremacy of it is something I cannot for the life of me figure out

[chloesimaginationthings]

Pit Bonnie is doing his best as a FNAF dad..

[phinnking]

just occurred to me that maybe yall would appreciate my incredibly dumb unoriginal meme i made months ago lmao

[goldetrash]

Related to this post