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#issue in translation
What is the Raon arc of Issue Found in Translation if not me using Raon as a peculiarly shaped angst mallet to the back of Rok Soos unsuspecting head?
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ofswordsandpens · 9 months
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I really am obsessed with this Medusa iteration. The snakes styled into a 1950's low bun? The red lip? The hat and veil just covering her eyes? Her voice, soft and beguiling yet always as if she's on the verge of tears? So good.
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19982510 · 2 months
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basic breakup bed
new textures
10 pattern swatches
base game compatible
converted from lovestruck ep to basegame
downloads: simfileshare | google drive | patreon (ALWAYS FREE!)
ps. if i get enough time, I'll make some non pattern/textured recolors for it.
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glith0 · 7 months
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Phil lives in a glorified Pizza Hut...
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link
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tanadrin · 1 month
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Sounds like the DNC fully alienated the pro-Palestinian voting contingent. Combined with RFK jr. endorsing Trump and getting the right-wing crazies all on the same page, I imagine that's the election in the bag for him.
anon are you high
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poorly-drawn-mdzs · 1 year
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Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???
[First] Prev <–-> Next
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greenlakegalpals · 5 months
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thinking about schneider again and how she has truely been through A LOT.
ultra religious catholic family from 1920's italy, born as the thirteenth child, in a storm, her mother remarried(divorce is NOT seen so highly in those times especially when youre ultra religious roman catholic, wouldnt be surprised if she was blamed for that). seen as a bad luck. slap in some religious trauma where she wonders if god hates her.
outright neglected and malnourished because there were too many mouths to feed family and very little food to go around in a country so extremely impoverished at the time. then her family moves to chicago usa of all places, now she has to deal with racism ontop of being an immigrant girl who didnt speak a lick of english. had to learn it by force, had to find odd jobs to support her family. considering shes based off a showgirl, very possible that was one of her many jobs to keep herself and her family afloat. so add sexism and the very real and common threat of sexual harrasment she nost likely dealt with. then she goes into bootlegging, though its helping her family..... this brings gangsters and cops and rival bootleggers who dont like competition.
so she had to defend herself and her families future. she had to sacrifice her own principles. shes not a killer, shes not a cold blooded unfeeling murderer. she loves and feels so deeply, especially for her family that she HAD to do the unthinkable, went against everything she was raised to be just to support them. even if it meant killing and lying and blackmailing.
oh and dont forget the religious trauma that made her think next to nothing about herself. she thinks herself as a sinner, cursed and left by god. the way she talks about herself obviously imply she thinks she deserves punishment.
i cant stop thinking about this girl
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francy-sketches · 9 months
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trying to get better at capturing likenesses so heres a quick(ish) alicent portrait study :3
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excel is a wonderful tool but most people dont know how to best use it and it drives me nuts having to work with other peoples spreadsheets. if you set them up right they do the work for you but so many people use it like word and not like the data organisation tool it is.
where are your dropdown menus? where are your formulas? where is your conditional formatting? etc! and thats not touching on macros because your sheet isnt even filterable! screaming
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stackslip · 1 year
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In 2020, Uma Mirkhail got a firsthand demonstration of how damaging a bad translation can be. A crisis translator specializing in Afghan languages, Mirkhail was working with a Pashto-speaking refugee who had fled Afghanistan. A U.S. court had denied the refugee’s asylum bid because her written application didn’t match the story told in the initial interviews. In the interviews, the refugee had first maintained that she’d made it through one particular event alone, but the written statement seemed to reference other people with her at the time — a discrepancy large enough for a judge to reject her asylum claim. After Mirkhail went over the documents, she saw what had gone wrong: An automated translation tool had swapped the “I” pronouns in the woman’s statement to “we.” (...) Whether automated or not, translation flubs in Pashto and Dari have become commonplace. As recently as early April, the German Embassy to Afghanistan posted a tweet in Pashto decrying the Taliban’s ban on women working. The tweet was quickly ridiculed by native speakers, with some quote tweets claiming that not a single sentence was legible. “Kindly please don’t insult our language. Thousands [of] Pashtun are living in Germany but still they don’t hire an expert for Pashto,” posted one user, researcher Afzal Zarghoni. The German Embassy later deleted the tweet. Seemingly trivial translation errors can sometimes lead to harmful distortions when drafting asylum applications.
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Raon angst that amps up Rok Soo's angst? In Issue Found in Translation? Yeah obviously.
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revenantghost · 4 days
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The way that they put more effort into the cover design than any other aspect of these "deluxe editions"
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sharksandjays · 6 months
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ugh i could absolutely write essays about the fact that tim drake is probably the most depressing out of all the batkids. His birth parents hardly cared about him (he is book definition of neglected) and we see that he didn't have that many friends in school. And then he was pressured into becoming Robin and suddenly that's where he felt needed. While reading all the comics i really noticed how Tim is ignored by Bruce unless he is Robin. The only times we really see Bruce care about Tim is when he's injured. Hence, neglected.
Of course Tim isn't going to point this out because this is how he was treated his whole life. But he subconsciously knows that he is only needed while wearing the Robin suit so that's what he relies on. That's why I think he reacted so negatively to Dick replacing him with Damian as Robin. That's why I think he never switched to wearing the bat like everyone else did and instead changed to "Red Robin."
Tim Drake isn't his own person outside of being Robin, and nobody in the series is helping him change that.
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fycoren · 1 day
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Fearless: Year of Shadow
...I just like Shadow ok?
some close-ups under the cut
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zykamiliah · 1 month
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hey! i haven't seen mha in a looong time and i've never payed attention to bakudeku (mostly because i'm not the biggest fan of bully romance), but i'd love to see your take/interpretation/analysis on it? i've been a really big fan of your svsss metas and so i just thought, "hey, you know what, i'm curious to see zykamiliah's take on a ship i've never been interested in from an anime that i haven't seen in years! maybe i'll see something?"
not too sure if you already made a post explaining it (so sorry if you did!), but i've seen enough of the sudden rise of bakudeku reblogs on my feed from your account to ignite my curiosity lol
i just really enjoy hearing about ships because they're an amazing opportunity to explore dynamics and perspectives i've never given much thought/thought about before (coming from a rare pair lover... oh gyx/lbg, my sweet...) so i'd love to see bakudeku, a ship i don't quite understand (yet!) in a more understanding, different, and interesting light! and in complete honesty i trust your judgement with insightful character and ship analysis stuff, so... yeah!
heeey jade! sorry for the wait, i've been busy with work and irl stuff :DDD but i'm here now!
where to even begin lol... well, it's important to note that the relationship between midoriya izuku, the protagonist, and bakugo katsuki, the deuteragonist, is one of the main narrative lines of the manga, at the very core of the story. katsuki is izuku's narrative foil, their character developments are intrinsically connected (specially katsuki's!), and the same can be said about the themes of heroism, of what makes a hero, who can be a hero, what type of hero society needs, or if it needs them at all, etc., questions that also tie to the evolution of their relationship.
so from the start i was sold on this dynamic because i really like relationships that are at the center of a story!! i also like relationships with a complicated history with lots of drama and ups and downs, and i like that each character has their own things going on in their lives even if they are connected and one of the most important persons in each other's lives. big big bonus guaranteed to get my full attention if they are obsessed with each other lol
the thing is, deku and bakugo are in a bad place when the story kicks in. bakugo isn't an active bully, in the sense that he doesn't constantly seek deku out to hurt him, but he IS horribly mean and hostile, and that's because for years he's felt threatened by deku (and deku's heroic qualities), and wants to push him away, because he also feels that deku is looking down on him. the story doesn't shy away from showing and acknowledging that bakugo's behavior is atrocious and needs to change, and it works towards it consistently: he eventually atones, apologizes, and changes. on the other side of the coin, deku has always been paying attention to bakugo and, despite how the latter treated him, would chase him, observe him to the point he has bakugo's moves memorized, takes inspiration from his fighting style and even imitates him to give himself courage to do something specially daring and when he wants to "win" more than "save"; bakugo is his image of victory, ever since they were kids.
i scrolled through my bkdk meta tag, since it's been yeeeeears since i was involved in the fandom, lol, and found this post that tackles the bullying issue specifically and makes some very good points, if you wanted to read it! :D
the manga eventually addresses the problems in their relationship in "Deku vs Kacchan 2" (chapters 117-119), at the time bakugo is feeling turmoils for the part he played in All Might's end. to the question of "why does deku chase and care about bakugo if bakugo is so mean to him?" ch 119 has deku answer that himself:
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this fight is the turning point for their relationship, and for the rest of the manga their individual and dual development is mostly upwards. reading bnha is worth it, if anything, just for the beauty of bakugo katsuki's development.
another big aspect that got me hooked in their relationship from the very first anime episode (and first opening) is that they are
✨Childhood Friends✨
(strap in this is gonna get loooooooooong)
Childhood friends (Osananajimi) is kind of a huge trope in manga/anime, often as a romantic interest. According to some sources i quickly consulted in the internet, and some of the manga/anime I've watched, in Japanese culture osananajimi is considered one of the purest bond formed between people, with a level of closeness equal to that between blood relatives; formed at such an early age, at a time when societal restrictions didn't apply yet, the relationship is genuine because they still didn’t need or know how to hide their true feelings from each other. As the childhood friends grew up together, this is considered a special connection, somewhat different to those formed after societal norms and perceptions take precedence. Or, as makeste put it:
here we have two very young children who are introduced to each other at an age when they’re still young enough to have absolutely no secrets. they’re young enough to have not yet learned to be shy or self-conscious, or to downplay their enthusiasm so as not to let others know they care. kids that young don’t hide anything. they don’t lie or deceive. they don’t have agendas, and they assume that others don’t either. it is, in short, a very pure type of relationship in the sense that it’s honest and uncomplicated, that it is exactly what it appears to be at face value. their personalities are fully out there with no attempt at reining anything in. Katsuki witnesses the full force of Izuku’s boundless hero-worshipping energy and enthusiasm. Izuku witnesses the full extent of Katsuki’s relentless confidence and Peter Pan cockiness. both boys see each other for who they are in their entirety, and accept each other. this is a fundamental bond. there is trust built between the two of them at a critical, formative age. it’s a relationship formed so early on that it’s likely that neither of them can actually recall a time before they met the other. they are and have always been a constant in each other’s lives. they’re a lot like siblings in terms of that kind of closeness and complete understanding of the other, both the good and the bad. in fact I’d say that Izuku’s use of “Kacchan” (and Katsuki’s automatic acceptance of it) isn’t that different from a younger brother’s use of “Niisan” for his older brother. it’s very revealing of the type of relationship they have. and that includes the typical sibling squabbles as well. it’s very much a relationship that’s taken for granted; there’s no filter, no effort to hold back, no attempt at trying to tone down their behavior around one another. there is whining and bragging and squabbling and name-calling and tears, just as much as there is cooperation and respect and trust. because at the end of the day, the assumption is that the relationship will endure no matter what, so they can go at each other as hard as they can and it doesn’t matter. the other one’s presence is just a given. that’s the kind of relationship that this term “childhood friends” really encapsulates, I think.
The sudden change of their statuses when the quirks start to manifest is a major factor that placed them on opposite sides of the social hierarchy, and conditioned the way society and their peers would treat them. But despite this and the misunderstandings that happen between them and the falling apart of their relationship, the subconscious understanding between them remains intact through the years. They always flashback to their earlier memories. They probably didn't interact much in elementary or middle school, and even if they did, they interactions were already tainted by their social status and Bakugo’s hostility. They don't share their innermost feelings with anyone but each other. Like when Deku gets angry or determined to win and to surpass him, or when Bakugo screams and cries out his emotional turmoil at Deku. According to Japanese social rules those are selfish things to do. This relates to the concepts of honne and tatemae.
Japanese society is more regimented than one might believe just from watching anime. By middle school age, and even to some degree in primary school, children are expected to interact with their peers in a relatively professional way. This is especially true of relationships between students of opposite sexes. Such requirements aren't held for family or close friends, but for everyone else one is expected to be polite and not share their true feelings or say things too directly. This concept of dividing people into an in-group and an out-group (内外, uchi-soto) is somewhat hard for non-Japanese people to understand, but is central to interactions between people in Japanese culture. In fact, you can find plenty of examples of this and of the related concepts of honne and tatemae in anime if you look, but if you aren't looking for them specifically it's easy to miss. (source)
So, for example, you shouldn't show your true feelings/thoughts to other people, even more if they aren’t socially acceptable, because that may disturb the peace in the community. But because Deku and Kacchan are osananajimi that have known each other their whole life, that doesn't apply to them. By stating from the very beginning that Kacchan was Deku's childhood friend, Hori put them in a close relationship with each other with a level of intimacy, trust and a subconscious understanding not like any other. Kacchan is, in fact, closer to him than All Might himself.
Like, Deku has been calling Bakugo by his childhood nickname, Kacchan ("Ka[tsu]" from Katsuki + "-chan", which is usually used to address children or females in an affectionate way), even past the age he was excepted it to drop it. When they were 4 years old, the other kids called him "Kacchan" too, but growing up it would be seen as childish or disrespectful so they start to call him "Katsuki" or "Bakugo". This puts a level of distance between him and his peers that, regardless of what happened between them, didn't extend to Deku and Katsuki. And it had to cross Deku's mind at some point ( "Should I start calling him Katsuki/Bakugo too?") but he didn't or simply couldn't. Despite everything, he wasn't willing to put even more distance between himself and Bakugo. He deliberately refused to put formal distance between them, and more importantly, Bakugo just LET THAT BE.
___
Like, this was a great set up from the beginning for me. I knew there was a story there from the first episodes, and then "Deku vs Kacchan 1" happened, showing their childhood flashbacks and the misunderstandings that would persist until DvK2, and i was really into that lol They relationship was one of the main reasons I followed the manga.
i mean LOOK at THIS!
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how i could NOT ship it i mean come on
Even their color schemes complement each other, and their costumes have the same/similar colors. they are are complementary opposites that share the same core: to become a hero, their admiration of All Might. Each of them has a quality the other lacks and needs to work on to become the heroes: heroes that win and save, as All Might put it. Selflessness and Selfishness: to help and save others, in one side, and to care for one's personal victory, in the other. Bakugo was obsessed with victory and glory, and Deku was willing to do anything to save others, to the point of self-destruction. These isolated qualities didn't made them good heroes, but combined, as the two learn them from each other, by the end of the story they really become two of the greatest heroes.
This connects with their rivalry, which is richer than any other in the manga because of the many layers to their relationship: they are obsessed with each other, want to compete with each other (for the rest of their lives!!!) and don't want the other to fall behind, specially after their misunderstandings are resolved. They also don't want to be left behind by the other. Because they love each other too much! Whether people interpret it as platonic or romantic or whatever in between (secret third they are like like four different types of greek love categories combined), they are each other's More Important Person outside of family members. Hell, Kacchan getting hurt is basically Deku's berserk button: he punches All Might in the face to save Katsuki during the end of term exam; he goes crazy protective and possessive when Katsuki gets kidnapped by the League of villains(Mr. Compress even calls him out lmao)
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he goes crazy when Katsuki is hurt in front of him
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and when he thought katsuki had died...
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i mean. look at this romantic shit.
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_
lol and i feel like i'm leaving many other stuff behind, like Bakugo's apology, and all the little moments after DvK, and all the times in the last arc where Bakugo was thinking about Izuku constantly, and the finale where Katsuki cried because Deku had given up OFA and was going to be quirkless again, and the fact that he was at the heart of the mecha suit years-long project because he wanted Izuku's dream, their dreams, to come true. but tbh I only read them the one time and need to reread the whole manga again to refresh my knowledge. and i already shipped them before all this haha.
they are amazing characters in a really well done shonen manga they have a beautiful story 🧡💚
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echotunes · 6 months
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oh yeah another tidbit from hugo's stream yesterday is that he was Baffled foolish thought he was smart. like once he was alone after the whole convo with yd he was rewatching a clip of the moment where foolish hugged him and called him smart and he went "I can't believe that one motherfucker thought I was smart. I'm going to reinvent myself. gonna start making content in English and become a new person on this server"
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