#islamic north

[northgazaupdates]

A group of journalists held a public appeal yesterday for an end to Israel’s siege of the northern Gaza Strip, where practically no food aid has entered since October 2023. People in the north are living and dying in famine due to the complete blockade by the IOF.

To make matters worse, most mainstream media outlets are ignoring the plight of north Gaza, as the journalists and other people remaining in the north are predominantly Arabic-speaking. The north of Gaza is starving in silence.

Instagram user faridaek has been kind enough to repost the appeal with English subtitles added. This is a significant undertaking that we greatly appreciate, and we ask everyone with an Instagram account to share the video.

The journalist speaking is Islam Bader. He and his colleagues are making this appeal on behalf of the people of northern Gaza. The journalists present include Abed Alqadr Sabbah, Mahmoud Al-Awadia, Momin Abu Owda, Mahmoud Sabbah, Mahmoud El-Shareef, Anas Al-Sharif, Islam Bader, Mohammed Ahmed, and Fadi Al-Whidi, among others. The subtitles read

From the north of the Gaza Strip, we, as journalists still stationed here in the north stand today driven by our ethical responsibility and national duty as a voice for all those who remain steadfast in Gaza and its north who are being subjected to a policy of extermination and a policy of starvation which is no less than extermination. The markets have been emptied of all essentials, and there is no flour available except in rare instances. The occupation does not allow aid to enter, maintaining its obstinate siege against our people and our families. We are of this people, and today we speak for Palestinians, for the besieged and for those denied life’s essentials. The most basic necessities have now become extremely rare in Gaza.

Therefore, we issue this call as a final warning, about a severe famine that is unprecedented on a global scale and impacting all facets of life, particularly children, individuals with chronic conditions and society’s most vulnerable groups. We hold the Israeli occupation and the international community especially the United States responsible for this starvation because it is happening in front of the eyes and ears of the entire world without any concrete action [on the ground] to stop it. The occupation’s claims of aid delivery are deceptive and unfounded. In reality, nothing has entered the north of the Gaza Strip.

Therefore, this final call, on behalf of all these people, on behalf of our fellow journalists, on behalf of our families and on behalf of Palestinians and the displaced in the north of the Gaza Strip is for the world to uphold its responsibility. North Gaza is starving, and this famine must be stopped.

Source: Islam Bader et al via faridaek on Instagram

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A post shared by Farida EK (@faridaek)

[illustratus]

The Destruction of Bizerte (Orlando Furioso) by Gustave Doré

[madame-helen]

[iamtheonlyexodus]

North west African muslim weaponry



[noosphe-re]

A small manuscript of prayers, Sudan, North Africa, late 19th Century, Arabic manuscript on paper, five lines to the page written in a cursive script in black ink, significant words picked out in red, boards, loose, folio 9.2 X 7cm. (https://www.roseberys.co.uk/a0369-lot-461547)

[jm-photos]

Great Mosque of Kairouan

instagram

08.31.24 Great Mosque of Kairouan Kairouan, Tunisia

[songs-of-the-east]

Muslim Lak Women and Children From The Village of Balkhar, Dagestan, Russia

[cavalierzee]

Gaza "Genocide Made By The West, Enacted By Israel"

"There is no international community at the moment.

The U.N. is not allowed to act because of the United States and the West.

This is a breakdown of International Law that we are going to pay for in decades to come.

It's basically a Genocide made by the West and enacted by Israel.

They are safe in the knowledge that they are immune, there is no danger of Sanctions or anything at the moment.

There is a great decline of the International Community, there is a great decline of the west, there is a great decline of the U.N., as an organization that should guarantee Peace and Security across the World.

My understanding of what happens now is that:

The West against the rest.

It's the West against the South and everybody else."

[anakinsafterlife]

Thoughts on Dune Part 2

All right, friends. Dune Part 2. I absolutely picked the wrong time to start wanting to return to Tumblr, since I'm currently in the thick of Ramadan, but c'est la vie. I'm a bit worried that if I don't review now that I might forget my specific impressions of the movie, though I have to say that if this weren't Ramadan that I absolutely would be going back to see it again in the cinema, which says a lot considering that it's been at least ten years since I've actually wanted to go back and repeat a film instead of just waiting for it to come out on streaming/DVD.

So the movie is good. It is in fact very, very good. It's the Empire Strikes Back of the Dune duology (possibly trilogy), and (much like Empire) in terms of cinematography, music, scripting and acting it's nearly flawless. There are, however, issues, things that might not occur to a majority-Western audience but which are immediately clear to anyone who either comes from an Arab or Muslim background.

What follows here is a deep dive into some of the historical and cultural sources of Dune and some of the ways in which the movie producers, and in some cases fans, have failed to acknowledge those sources.

First of all, it's obvious that the Fremen are meant to be based on the Arabs, but of the the entire main cast there is only ONE actor with an Arab background, and that is Souhaila Yacoub, the half-Tunisian actress who plays Shishakli, the female Fremen warrior who is executed by the Harkonnens. Now, I have to say that this woman was fantastic. Her attitude is completely on point for an Arab, especially a North African Arab: forceful, loud, a bit brash and mocking even under fire. Nicely done. Points to the producers there, but I have to take that point away again because she is literally the only Space Arab who is actually Arab. Javier Bardem, the Spanish actor who plays Stilgard, does have some interesting moments and one of the reasons why I feel that the screenwriters were advised on Arabic traditions/culture. The incident during which he warns Paul about the Jinn in the desert like it's a joke but then immediately turns extremely serious when Paul starts smiling is so in character for an Arab and honestly just a brilliant bit of scripting, but much of the time he also acted more or less like what people *think* a fanatical religious Arab acts like--loud, frantic and unstable.

Not only this, but the "Muslim" behaviour/traditions in the film are at best...vague. People are praying, but in any direction at all. I do realize that this would be a complicated issue on another planet, where the Ka'aba couldn't be pointed to, but there are Islamic rulings for EVERYTHING. Check out the one about praying in space:

Even if they had as a society simply picked a random direction for prayer, they should all be praying at the same time and in the same direction (they seem to do this in larger crowds, but not in the smaller group where we first see people praying). They also definitely shouldn't be talking during prayer or trying to make other people talk to them during prayer (as Chani does), since talking breaks your prayer and you have to start over all over again (during obligatory prayers).

Language, too, is an issue, and a big one, because while I do understand that a conlang was developed for use in this movie, the linguists consulted did know that the language was meant to be heavily influenced by Arabic. Consequently, they've included a lot of fragmentary Arabic in their work. Unfortunately this Arabic is poorly pronounced at best, to the point where I was looking words up and laughing at what they're meant to be based on. For example, "Shai Hulud," the word for the Worms, is based on the Arabicشيء خلود, which means "immortal thing," and should be pronounced with "shai" rhyming with "say" followed by a glottal stop, and the 'h' in "Hulood" is actually a guttural sound like the infamous "ch" in Bach, followed by a long U. Another example is Mua'dib مهذب , a real word in Arabic that means "teacher," but is is actually pronounced with a "th" sound instead of a d and emphasis on the second syllable, not on the last as in French. (Note: I made an error here. There is a word مؤدب , pronounced mostly the same in the movie, but with a glottal stop after the 'u' sound and a short 'i' after the d sound rather than a long vowel, that is usually used to mean polite, urbane, gentlemanly, etc. but which can also mean teacher, although I have never heard it used in this context) "Usul", أصول, Paul's other Fremen name, was likely not, as I had previously guessed, based on the word "Rasool," meaning Prophet, but on أصول الفقه the Principles of islamic Jurisprudence, which also ties directly into a religious/prophetic them. Again, this is pronounced on the long vowel, so with a short first U and a long second U.

I've included the Arabic spellings in here, by the way, so that you can drop them into Google translator and hear how they actually sound.

Now, I do realize that the story itself is set 8000 years in the future and that spoken Arabic as a language would have changed considerably in that time, if it existed still at all, but Arabic is a liturgical language as well as a vehicle for conversation, and Muslims all across the world today use it as a tool for worship. Muslims who have no cultural connection with Arabic often still learn it in order to connect more deeply with religious traditions and simply to perform prayers and other religious duties. Religious scholars consider it to be a necessary duty of the Muslim to learn at least some Arabic:

And keep in mind that the Arabic spoken today across the MENA region is very different (and different in different places) to the Arabic spoken 1400 years ago by the Prophet Mohamed (peace be upon him). Given Islamic traditions, the chances of the Fremen using liturgical/classical Arabic for their worship would be quite high, even if their spoken language had evolved past the point of being recognizably Arabic.

Keep in mind, also, that Dune as a whole is an allegory for colonialism, economic exploitation of poorer nations (or making rival nations poor through the same), as well as dehumanization of the views and needs of native peoples in order to make that exploitation palatable to the occupying forces (I thought that this was done quite smartly in Jessica's part of the story; although she is sympathetic to the Fremen, she feels that manipulating their religious traditions is the best way to protect her son, and in doing so she allows herself to dehumanize the people who come to rely on her).

It is, therefore, incumbent upon us not to distance ourselves too much from the intended message by claiming that Dune is fiction and need not too accurately reflect the culture and religion of the people that the Fremen are so clearly based on. The fact that the producers have done little to hire Arab actors or induced any real effort to accurately pronounce the Arabic words or accurately portrayal Islamic practices seems to indicate that they are concerned about identifying too closely with the economic and cultural struggle between East and West, properly because they fear the potential economic backlash, and this despite the fact that Frank Herbert clearly wrote his book to illustrate the fallout of that struggle.

Here is a wonderful article written by a culturally Arab woman:

There are numerous other articles addressing the same issues, but I like this one because it's written by a Muslim woman, who also addresses the "hijab cosplaying" in the movie. I didn't get into that much, but I definitely recognize that it's a problem when Muslim women worry about potential violence while wearing hijab in the streets of Western nations, but the same article of clothing is fetishized in movies and fashion.

I've also seen some comment about the Mahdi mention in particular. This is a saviour-figure in Islam who will come near the end of the world. There is no emphasis on this figure in Sunni Islam, but Shias seem to have a significant body of literature concerning this figure and, from what I understand, believe that he may perhaps have already come, and so there has been some poor reception in that community to applying the label of Mahdi to Paul. Criticisms ranging from insensitivity to outright blasphemy have been levelled regarding this usage. Now, there was some tip-toeing around the prophetic theme in Dune, and rightly so, I believe, since the Prophet Mohamed is the "seal of the prophets" in Islam, meaning the last and final. The fact that Paul was essentially set up as a false prophet by the Bene Gesserit does avoid some of the potential fallout from this, and also makes sense of Chani's rejection at the end of the film, since she felt strongly about Paul acting as a false Prophet.

Again, I am aware that there is internal cosmology within the series itself, and that some fans object to the religion of the Fremen being referred to as Islam, but when the inspiration for the entire ethnicity, religion, and the natural resources at stake are as clear as they are in this series, it's also futile to expect that people will not draw those associations, nor that people belonging to the religion or ethnic group in question may not acknowledge the beauty of the movie, the gorgeous cinematography, rousing music, and tightly plotted story, but still take exception to what is clearly Orientalism.

And it is frankly such a shame that we have to place this movie under that header, because the story of Dune is so sympathetic to the Middle East and its peoples, and as I said in the beginning I actually loved the film and found it very beautiful. It was also exciting to see Islamic themes used creatively in mainstream media, but while Frank Herbert clearly wrote the story as an exposition on the exploitation of natural resources, particularly oil, in the MENA region, the truth is that the racism and exploitation that he was protesting are very much alive today and contribute to the oppression of millions. It's particularly disappointing to see the message of the movie sail over the heads of people watching it when Arab Muslims in Palestine are being dehumanized and obliterated at this very moment, and while Libya was one of the latest Arab nations to be targeted for its oil resources, only a decade ago, with European oil companies moving in directly after the downfall of Ghadafi (which makes the timing extremely suspicious, one might say):

And even after the US finished their occupation of Iraq, Western oil companies remained en mass to continued drilling:

Egypt to this day remains economically destabilized while Western nations exploit its oil stocks, to no benefit at all of its peoples:

I'm sure I could cite dozens of other cases, but it's clear that there is a one-on-one parallel between spice melange and oil, making any protests of apoliticism in an inherently political story utterly vain.

I could go on, but I needn't. In short, this beautiful movie could have done so much good even beyond its obvious artistic merits, but instead it is still towing the political line. Much as was the case for Jessica and Paul, sometimes you can be a Harkonnen and not know it.

[weldnas]

-

[kelluinox]

Listening to westerners is becoming increasingly like listening to vatniks and it's frightening and depressing

[northgazaupdates]

Islam Bassam Barbari is currently live on Instagram with an update on conditions in north Gaza

[eretzyisrael]

by Joshua Klein

Jews — who are “tyrannical” and the “brothers of apes and pigs” — should be “annihilate[d],” according to a Florida Islamic cleric, who also accused Israel’s army of being “worse than the Nazis.”

During a sermon at the North Miami Islamic Center in Florida in late April, Imam Dr. Fadi Kablawi called for Allah to support “our oppressed brothers” in Palestine, as well as for the total annihilation of Jews, whom he referred to as “apes and pigs” — a phrase that radical Islamists have historically used to describe Jews.

“Oh Allah, annihilate the tyrannical Jews… for they are no match for You,” he said. “Oh Allah, annihilate the brothers of apes and pigs… [and] cut off their seed.”

A clip of the sermon, which was originally streamed live on the mosque’s Facebook page and later published by the Middle East Media Research Institute (MEMRI), garnered nearly 80,000 views as of Monday afternoon.

In it, the North Miami imam can also be seen accusing the Israeli army of being “worse than Nazis,” attributing wild and baseless allegations of soldiers stealing Palestinian skin and other organs.

“[Israel’s army] is the most immoral army… they are worse than Nazis,” he claimed, adding that he “apologized to the Nazis last week because these people have been proven to be worse than the Nazis.”

“They steal the skin of the Palestinians. It is not enough that they stole their land; now they steal their skin,” he added, claiming that organs are “missing from children [and] from adults.” 

Kablawi, who called for Allah to “show us the black days that you inflict upon the Jews” just weeks after the October 7 massacre, then suggested identifying just “who is behind organ trading” both in the United States and around the world, reviving conspiracy theories alleging that Israeli rescue and medical teams sent to Haiti after the devastating 2010 earthquake participated in organ trafficking.

“Go ask the Haitians, when they had the earthquake, what happened there with these Israeli organizations going under [the guise of] medical help,” he said. “Go ask them, those who know, [how a] guy will come limping into their tents for treatment [and then] he will be carried out dead, organs missing.” 

According to the Florida imam and dental practitioner, the barbarism of the Jews can be attributed to the fact that “there is no God for these people.” 

“These people look at you as nothing but a mistake or, at best, you were created for their service,” he argued. “That is what they believe. That is what they say… and we don’t spread propaganda.”

[jewkbox]

Dating back to Ancient Mesopotamia, the Hamsa Hand is a symbol in Hinduism, Judaism, Christianity, Islam and Buddhism.

[illustratus]

Barbary pirates terrorising the coast of the Mediterranean, kidnapping the inhabitants to sell as slaves

by Albert Robida

[tortiefrancis]

arab women!! struggled with the kufiya and thobe but i hope it looks ok.

[ ID: A digital, stylized drawing of four women standing next to each other against a pink background, surrounded by white hearts. Above them, there's hot pink text, which reads: "you can be everything". A pink filter is over them. Individual descriptions:

1) A thin woman with light-medium tone skin and green eyes. She wears a turquoise hijab, a white, long sleeved shirt, a blue blouse over it, flowy, dark blue pants and blue shoes. She smiles, one leg bent, and does the peace sign with both hands.

2) A chubby woman with medium tone skin, acne and brown eyes, in a manual wheelchair. She has long, coily, dark brown hair and wears red eyeshadow, two small earrings, a red and white kufiya, a black sweater, a long, dark gray skirt with colorful stars, and red shoes. She smiles, looking up.

3) A thin woman with light tone skin and dark brown eyes. She has long, straight, light brown hair with a blonde streak and wears a pair of golden earrings, a black and red thobe and black shoes. She smiles and frowns, one hand on her hip.

4) A fat woman with dark tone skin and dark brown eyes. She has coily, black hair and wears a white veil, a light blue sweater with white stars on the elbows, a lifht yellow bag with a yellow star in the center, blue jeans with white wavy doodles at the bottom, and yellow shoes. She smiles and winks, one hand behind her head and the other on her bag.

/End ID ]