#is that a lot of the episode is about romantic relationships between characters on the show - you see taub and his wife in bed

[russell-crowe]

house, md s05e14: “the greater good”

[puppyeared]

Ouhhhh friendship I love friendship……..

[viralarcadian]

the dic and cloverway dubs need to continue existing or else no one will understand why sailor moon uncensored was a Thing in the fandom

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[ladyloveandjustice]

So I have no stake in ships in Avatar the Last Airbender, I do not have any real ships for the show. But when I was looking in Katara's tag for art and stuff, I saw this reoccuring claim that Katara always supported Aang with his problems and feelings, but that Aang never supported her back with hers.

And I don't care about the ships, but I do really like the friendships in Avatar, and that bothers me. It's a slight on Aang, but also on Katara (implying she wouldn't stand up for herself and break it off if a friend was all take and no give, which doesn't fit her personality at all.)

Aang does support Katara whenever he gets the chance, which is unfortunately few and far between because Katara seems to have a hard time leaning on the people she cares about and talking in depth about her own trauma and feelings about it, though she will do so when she literally doesn't care what the person thinks about her (and both times she opened up to Zuko about her Mom initially were her lashing out at him and not caring what he thought about her in return).

This would be something that would need to be addressed for a romantic relationship between them to truly work, and I imagine it would be part of the journey of finding a way to stay together, but it's very much not Aang's fault. And as I said, when he gets a chance to support her she does. Since I just recently rewatched most of the series, have a list of those times!

-His first time being supportive of her is literally a half hour after they first meet. As soon as she tells him about wanting more waterbending experience, he enthusiastically offers to fly all the way to the north pole so they can find her a master. And this very clearly means a lot to her.

-I don't think Aang knew how supportive of her he was being here, but there's the "I haven't done this since I was a kid" "You still are a kid!' exchange. As much as people accuse Aang of seeing Katara as his Mom (he's literally the one character who doesn't express that he does in The Runaway btw and I think that's for a reason) their first interaction establishes that he sees her as a kid, just like him, and think she should have fun like a kid does. This must have been huge for Katara, who'd been forced to take on adult responsibilities at a young age, who resented having to hold the family together, who thought her childhood was over. Aang helped her have fun and be the kid she is, and he'll continue to do so.

-When she lost her mother's necklace (And Zuko subsequently stole it) he was very concerned for her feelings and seemed to immediately understand the weight of that loss, due to his own experiences with loss. Not only did he make her a new necklace to wear as a way to comfort her, as soon as he saw Zuko had it he said "you're giving that back to me" and risked being hit by Zuko in his attempts to grab it. Then he gave it back to her and she was ecstatic!

-He was so supportive of her during the waterbending scroll episode it's actually ridiculous, despite how she lashed out at him. It's unclear if he actually understood she was upset or if this was just his unwavering respect for her coming out, but when she was upset that he learned the first move faster than her he said "well you didn't have such a great teacher!" and it clearly makes her feel better for a bit. He immediately forgives her for lashing out at him, doesn't judge her at all for stealing the waterbending scroll, or for accidentally dragging them into trouble. He, in fact, goes out of the way to reassure her, looking happy at the chance to work together and reminding her they need two waterbenders. And he appreciates her joke at the end (he's just straight up being simp (affectionate) there, and I get it).

-When Pakku won't teach her he immediately denounces him as wrong and unfair and is willing to sacrifice his own education (which he needs to save the world) because he won't stand for it. He remains upset about it even after Katara persuades him, tries to secretly show her what Pakku taught him, and cheers her on when she fights him.

-When she's crying over Jet's death, he's the first one to notice and reach out to her, putting his hand gently on her shoulder and drawing her into a hug (that becomes a group hug). She smiles and clearly feels comforted. They probably talked about it offscreen too (but this cannot be shown as they would need to directly acknowledge his death to do so)

-He's pretty much always praising her as a teacher, and when she grumbles about him not calling her Sifu, he goes out of his way to call her that.

-He notices that she's mad at her Dad and asks her about it, but she deflects

-He looks really sad when he has to remind her she has to take off her mother's necklace for their Fire Nation disguises, again it's something he very much seems to empathize with her about, he understands the weight of what it means to her.

-He not only doesn't judge her for lying during the Painted Lady saga, but praises her and enthusiastically helps her commit ecoterrorism.

-Both he and Sokka move to comfort her when she's crying after the bloodbending fiasco. Most of the comforting of her happens offscreen, which I do think is a shame, and a contrast to how Aang is handled- but it's more of a "he's the main character" thing, since the same happens for Sokka as well (I'm sure Katara and Aang talked to him about Yue's death and at least tried to comfort him, but we don't get to see that).

-He was trying to support her during the Southern Raiders ep, whether you believe he did it well or not, both according to his beliefs and cultural values and by trying to emulate the ways she's talked HIM down from revenge and hatred in the past. He specifically brings up those two incidents- losing his people and losing Appa- where she stepped in to keep him from losing himself to rage. As this post notes, he also specifically echoes her phrasing from when she was urging him not to lose himself to the Avatar state (she says "watching you be in that much rage and pain is really scary" and he echoes "you're feeling unbelievable pain and rage" while talking to her in this ep.)

It's not just the air nomads he's trying to emulate here, but her. Just like Katara doesn't want to see him consumed by hatred and pain, he wants the same for her. His concern is not for her mother's killer, but for her, he fears this will hurt her, just like her concern was always for him and how this would hurt him in those times he was raging.

He wants to do for her what she did for him. But, Katara is not him. She is not someone who will be talked down by someone else when she is grieving, angry, and looking for revenge. Nobody can stop her when she sets her mind to it. She needs to wrestle with whether to kill him and she needs to come to her own conclusions, because she's the only one that can stop her. And Aang realizes that. He says it's a journey she'll have to take on her own, that she needs to face him doesn't stand in her way.

(I wonder if it kind of hurt, deep down, that he couldn't reach her the way she always reached him. I wonder if he felt upset that he couldn't find the right words like she did for him. But I don't think there were any right words. She needed him to step back. It was her choice to make. So he did.)

And in the end, he was correct that she didn't want to do it. She did choose that based on her own feelings and values.

His assumption Katara not killing the guy = forgiveness is definitely him just kind of applying his assumptions and values, but when she says she doesn't forgive him, he doesn't like, judge her or anything that we can see.

So yeah, quite a few examples! It can feel lopsided because more attention is paid to Aang and Katara's personality affects things.

Katara is both open about her emotions and not. She's someone who will look after other's feelings but not really discuss her own pain with people she cares about, until it all builds up and bursts out.

And it's not surprising she's most concerned about Aang, if my friend had recently (from his perspective) survived a genocide where he lost everyone he loved and was now tasked with saving the world at twelve years old, I'd be pretty worried about him and want to support him too! Aang goes through a lot by virtue of being the protagonist, he has the most pressure on him, he's routinely in the most danger, he literally dies for a few minutes. It's not surprising Katara has more opportunities to comfort him, but he unfailingly supports her in any of her problems of goals (when they're not murder) when he can.

I do think there's some missed opportunities to explore Katara and develop their relationship, but it doesn't make Aang a bad, unsupportive friend, or Katara his Mom and not his peer.

[longing-for-rain]

Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

[becausegoodheroesdeservekidneys]

In response to the Mile High Job post, I hate that Parker implies that poor flight attendant slept her way to a promotion/better shift. Her day is super weird but her cat is fine and her life is saved. That rumor, however, might stick and that didn't really feel like Leverage to me.

Agreed!

The thing with Leverage is that it's a show from the late 2000s; it feels contemporary, but actually it is a bit dated. And, like all shows, it had some problematic elements, which get a bit more Obviously Problematic as time goes by (I am just waiting for someone to write a lengthy call-out post in 5 years' time and for the Discourse to start.) For example, Tumblr loves to declare that Leverage has a "canon" throuple, but if anyone read that and then watched the show they would be profoundly disappointed - while it's a fantastic ship with a great many shippy instances, Elliot has a lot of onscreen No Homo moments, and frequently is shown sleeping with random women (I personally read him as aromantic). Similarly, there are two big relationships in that show: Nate/Sophie, and Parker/Hardison. And we all wax lyrical about the brilliance of Parker/Hardison and how healthy it is, and for good reason; but we gloss over how unbearably "I hate my wife/father I cannot click the book" Boomer humour Nate/Sophie is.

(He literally calls her a shrew in one episode. She throws a tantrum and sulks if he doesn't remember the exact details of how/where they met. She's stereotypically 'romantic' and he's stereotypically 'cynical' and she has to Save Him From Himself, and he self-deprecatingly says he should just know when to stop arguing because she's always right. Like... it is a grubby and uncomfortable dynamic; but, it's also aimed at a different segment of the audience that is older than me, and that's okay, actually. It just means I don't much care for the ship myself.)

Anyway, this is one other such instance. Clearly someone in the writers' room thought that was a funny joke, and not enough people disagreed, and so in it went. What's nice is that Sandi McCree, who plays the other flight attendant that stays on the plane, actually kind of saves that joke for me with her performance. When Parker first boards and declares that her co-worker is not coming in, McCree looks disgruntled at the sudden change to her staff list when she wasn't informed; she's annoyed at management. Then Parker makes the sleeping-with-pilots comment, and McCree looks disgusted and furious -

An expression she then pulls at Parker every time she sees her for the rest of the episode, even when Parker is technically not doing anything particularly weird. It's not necessarily intentional on McCree's part (Parker IS very weird in this episode, so it very much can be a response to that), but to me it means you can read it as "This woman is absolutely furious at the lateral sexism of this white girl because We Love And Support Each Other On This Plane." So, for me, between that and the aforementioned revelations of the day (the plane was brought down by the domestic terrorists of a Fortune 500 company, but saved by... a few unexplained Official People who snuck aboard??? And the other flight attendant was made to miss the plane after all under mysterious circumstances and was not promoted??? What???), I don't think Sandi McCree's character wouldn't put those pieces together.

[sundrop-writes]

Figure It Out

A Criminal Minds Casefic

“All things are subject to interpretation. Whichever interpretation prevails at a given time is a function of power and not truth.” -Friedrich Nietzsche 

Summary:

Since you joined the BAU, you have been keeping a terrible secret from the team.

When the team takes a case in your hometown - your festering secret comes to be known with a vengeance.

Fem!Reader x Gen!BAU Team (Platonic). General Casefic, modelled after a Criminal Minds episode. Angst, Mystery, Hurt and Comfort. Set during Criminal Minds Season 3.

Word Count: 18,000

Criminal Minds Masterlist | AO3 Link

Detailed Warnings and author's notes below the cut.

Warnings: this is a general casefic - there is no romantic pairings in this fic, it is more about the mystery of the case and how the reader character fits into it (if this were a real Criminal Minds episode, this would be the episode named after the reader) - with that being said, the main relationship focuses are between Emily and the reader and Spencer and the reader (because I am biased and I love them) but there isn’t any romantic threads or romantic tones, it is all platonic; the reader character uses she/her pronouns and is described as a woman, but I went out of my way to make sure that there is no descriptions of the readers looks or body type; there is use of Y/N and L/N (as in Last Name); mentions of the reader being from Georgia (because the case takes place in her hometown); smoking/cigarettes - mentions of the reader character smoking tobacco; mentions of the reader character being injured (severely in a past incident, and minor injuries during the course of the fic); mentions of vomit/mentions of the reader character throwing up; lots of warnings for general Criminal Minds topics; murder, killing, somewhat graphic descriptions of dead bodies, violence, guns/gun violence, mentions of rape and sexual violence, mentions of systematic violence towards women; there is no graphic depictions of rape/no rape scenes in the fic, but there is mentions of the event of rape happening to certain characters, references to rape culture, and the shame/guilt/self blame a rape victim feels; mentions of stalking/stalking behaviors - including the delusion mindset of a stalker, obsessiveness, sending someone unwanted letters, mentions of a ‘one sided’ relationship; mentions of trauma/PTSD; descriptions of symptoms of PTSD; themes surrounding the cycle of violence; I did kind of purposefully make the warnings a bit more vague than I usually do, because I really don’t want to spoil the plot of this fic. But as lot as you are okay with the maturity of all these themes, you should be okay with this fic!!

A/N: This is pretty much 100% inspired by the music video for Figure It Out by Royal Blood - which the fic is named after. I highly recommend watching the music video, because it is fucking art in my opinion, but I have taken such heavy inspiration from it in terms of the style, tone, and even storyline - so the music video kind of spoils this fic. So probably watch it after you read the fic lmao. I also feel like the instrumental version of the song goes very well with this fic. This fic is not at all typical and I am terrified that people won't like it, or that they won't 'get it'. But I am very proud of it, so I am going to put it out there and hope that people enjoy it. So - please enjoy!! I really love writing Criminal Minds casefics and coming up with the details of a case, and writing it in this style was so, so exciting and interesting for me, and I really do hope that you can enjoy reading it.

...

“All things are subject to interpretation. Whichever interpretation prevails at a given time is a function of power and not truth.”

-Friedrich Nietzsche 

...

Thursday, August 16th, 2007. Madison Police Department, Interrogation Room #1 - Madison, GA. 3:39AM.

The chilled air of the interrogation room only made the regret more palpable in your lungs. 

The hum of the fluorescents overhead made you feel like a bug about to be zapped - like your entire life was over and you would soon be resigned to a cage. 

You hated it, but you had to wonder what you would have done if you had ten more minutes. Ten more minutes before they had arrived, sirens screeching, lights flashing. Your mind kept replaying the moments over and over again. The knife had felt so perfect in your hand. 

Ten more minutes. 

“I just want to talk.” 

So caught up in your thoughts, your mind so foggy from the hectic night - you had almost forgotten that there was someone sitting in front of you. 

He looked so entirely stiff - wearing his cookie cutter suit and his carved-in scowl. He did nothing to shift your mood. 

“This is just a conversation. Nothing more.” 

He continued on, using a monotone, would-be soothing voice when you didn’t say anything. 

The metal chair felt stiffer underneath you, and you felt further suffocated within that small, concrete box. 

You felt inclined to call it an interrogation, but you wouldn’t be so quick to tell him that. It’s not like you were going to tell him what he wanted to hear. 

“You can smoke in here if that makes you feel more comfortable.” He added on, pushing something from the middle of the table toward you. 

A pack of cigarettes and a lighter. There was also an ashtray. A collection of things that someone had put there, knowing that you would be resigned to this tiny, tiny room. 

“You don’t have to treat me with kid gloves, Hotch.” You huffed, saying his name, using the same technique that he would likely be using on you. You could mirror him, get ahead on the mind games. “I’m not as crazy and detached from reality as you think I am.” 

Perhaps that was a false statement. You weren’t even sure how crazy he thought you were. Perhaps, that in itself made you detached from reality. You couldn’t be sure. 

Nonetheless, you took him up on the offer. You reached out and eagerly picked up the pack of smokes, ripping off the outer plastic before you took one out, shoving the tip between your lips and lighting it up. 

You took a heavy draw, and the nicotine throbbed through you. Seemingly adding to the headache you already had from the large gash on your forehead that they had hastily bandaged before bringing you in here, rather than relieving it. Still, you sucked on the cigarette like it was your only lifeline - taking a moment to tap some of the ash into the small ashtray while you stared at Hotch carefully. 

You wondered if you should really tell him all the gory details. 

“Just tell me what happened. Tell me your side of the story.” Hotch said, trying his best to sound warm and convincing. It didn’t work. “I’m just trying to figure it out. Just like you are.” 

Perhaps your biggest regret was that you were here, cooped up in this hole - and he was in the hospital somewhere, laying in a soft bed, being attended to by nurses, being comforted. The fact that he was still breathing - even with the assistance of a tube down his throat, and not in a body bag.

“You’ll never look at me the same if I do tell you.” You managed to find these words, and these words only. Ominous, almost threatening - more so than you intended. 

“I won’t.” He returned. Shallow, fallible. 

Suddenly, a crash from the hallway broke the tense silence that was brewing between the two of you. The door was thick, but it wasn’t enough to disguise the ruckus coming from outside. 

“No! No! You have to let me through! I have to be in there!” 

The voice was familiar, but that tone of desperation certainly was not. 

“Reid, he specifically told us to sit this one out-” 

“Sit this one out?!” Reid repeated the words back, his voice warping with pure shock, the inability to conceptualize such a thing. “You expect me to just sit out?” He scoffed. “If it wasn’t for me, two more people would be dead, and there wouldn’t even be a ‘this one’! Now let. Me. Through.” 

“Reid-” 

With all his bolstering stubbornness, he shoved past whoever had been trying to stop him, and as you took another heavy puff off your cigarette, the interrogation room door came flying open. 

Hotch stood up, rushing to block the door, but you smiled. Though you were numb from the day’s events - it was your natural instinct upon seeing him. 

“Reid-” Hotch choked out, trying to block the gangly man from even entering the room. 

“Good evening, Doctor Reid.” You greeted him gently. 

Upon seeing your reaction - so much more open and warm - Hotch allowed him in. This was the wedge that he needed to pry you open. Reid closed the door behind himself with an indigent huff and a glare toward his superior. 

Reid crossed his arms, hovering near the door as he turned his stiff-jawed glare toward you now. Your cigarette turned to a hot cherry in your hands - sucked to death already, and you stubbed it out in the tray before starting a new one. You knew chain-smoking was an even filthier habit than the occasional ciggy, but you had one hell of a day under your belt. If there was ever a time, it was now. 

“What the hell is wrong with you?” Reid asked, his voice stiff and oppositional. 

“Oh, so many things.” You said, your tone clever and unphased. Hotch let out a sigh as he sat back down in his chair. He was glad that you were talking openly now, at least. “Shall we go in alphabetical order, or start at my birth and work or way back from there?” 

Reid let out another nasal thick sound. Apparently, he wasn’t in the mood for banter. 

You were met with nothing but a stony wall of silence, and cold glares of disapproval. It almost made you feel guilty. Almost. 

“Let’s start with this,” Reid corrected you. “Why?” 

Truthfully, you couldn’t give him that answer. You didn’t think you would ever have enough time to conjure it up within yourself. 

“You’re the genius profiler, Doctor Reid.” You fired back coldly. “You tell me.” 

… 

Thursday, August 16th, 2007. Abandoned Country House - Madison, GA. 2:20AM.

Prentiss led the team as they searched through the house. It was the only solid lead they had as to where you might be. It was a house that your parents used to own - a place of significance because you had lived there the summer when it first happened. 

“Clear!” 

She went through the living room, the kitchen, the entire first floor, leading the team with Reid at her side, guns drawn. 

“Clear!” 

As she crested the top of the stairs, she heard sobbing. 

It was distinct - something that tugged harshly on her heartstrings. 

Even though it was against protocol not to clear the rooms in order, she rushed toward it. Reid continued to flank her - obviously he had heard the noise too. 

Prentiss landed a sharp kick on the door’s handle, causing it to fling open. 

The picture on display in front of her almost caused her to drop her gun. 

Hotch had been right. 

You were on top of the man, straddling him. Both you and the man were badly beaten - but right off the bat, Prentiss could tell that he was far worse off. Clearly, you had bested him in the fight this time. 

The contents of the room strewn about; broken glass, busted furniture, the curtain rod torn down. It looked like the remnants of a bad WWE brawl. You were the picture of desperation - heavy, hot tears coming from your eyes, blood smearing down your face from a gash on your forehead as you stared down the man beneath you with fiery madness in your eyes. 

You had a knife to his throat. A large hunting knife - the same kind that all the other victims had been stabbed with. 

You had the tip of it poised to his throat, just barely touching his skin. If you put any amount of pressure on the blade - if you bared down, then you would slice right through his esophagus. It would take almost no effort from you at all to end his life. 

From what Prentiss could see, the man was unconscious. He was completely slack, his body still on the ground. He was bleeding from a small head wound. His life was entirely in your hands. He couldn’t fight back. 

Both your hands shook vigorously as you struggled with the warring inside of you, as you struggled with the weight of the confrontation with your life’s biggest monster. 

Though it went against everything inside of her, Emily kept her gun raised. She kept her arms stiff, keeping her gun pointed at you. As much as she detested that man, knowing what he had done - it was her job to shoot you if you tried to kill him. Right now, she hated that job. 

“Put the knife down!” Prentiss ordered sharply. 

You didn’t move. 

Naturally, Reid, in all of his softness and empathy, slackened his arms and holstered his gun before anyone could blink. 

“Come on, put it down.” She tried again. 

You ignored Prentiss entirely, your hands still shaking, making no moves to lift the knife away from the man’s throat. 

Reid moved to step into the room, and from his view at the top of the stairs, arms stiff and gun pointed in your general direction - Hotch called out to him. 

“Reid-!” He tried to warn Reid against doing this. Of course, he didn’t listen. 

Reid knelt down beside you, posturing in surrender with his arms. Of course, he wasn’t even on your radar at the moment. Your entire gaze, your entire focus was on the unconscious man underneath you - the true target of your agony. 

“Y/N,” Reid said your name calmly, trying to capture your attention. “You don’t have to do this.” 

You hesitated for a moment, and Prentiss worried that even his gentle voice wouldn’t be able to get through to you. 

“I have to.” You sobbed out. More heavy tears slid down your face, and you began to shake more visibly, shockwaves moving throughout your entire body. 

“You don’t have to.” Reid told you, his voice calming, gentle. “You - you can give me the knife, and then we can just… walk away. And then it all ends.” 

“It won’t just end!” You screamed out, your voice a curtling weep that bounced off the walls. 

It made Prentiss’ heart jump inside of her chest. If it wasn’t protocol, she would have dropped her gun and run over to comfort you with a hug. But she knew that you weren’t in the most stable place. You might have tried to stab her with the knife. 

“It can end.” Reid assured you calmly. “You just have to come with me. You just have to put the knife down and-” 

“I have to make it stop!” You screamed, trampling over his quiet voice. “I killed those women. I killed them!” 

“Prentiss!” Hotch edged in, warning her. 

If you didn’t move off of the unconscious man soon, then she would have to take you down. 

“Just give him a minute!” Prentiss fired back. She had faith in Reid. 

“We both know that’s not true.” Reid told you. “You didn’t kill them. You didn’t mean for this to happen-” 

“He killed them because of me!” You shouted, cutting him off. “We both know it’s my fault.” 

“It’s not.” Reid choked out. “Please don’t say that.” 

There was a gutting silence. 

“Please, just give me the knife.” 

At this point he was doing some pleading of his own - but your hands were unsteady and you still refused to look at him. 

You weren’t going to give up the fight that easily. 

… 

Thursday, August 16th, 2007. Somewhere On The Country Backroads - Madison, GA. 2:11AM.

“I want two squad cars down the road, I want state police cutting off all the possible exits to the major highways.” Agent Hotchner was on the scene, doing what he did best - giving orders. “I want to cut off any chance of possible escape incase the suspect tries to flee-” 

“Hotch, do you really think that’s necessary?” Morgan asked. “We’ve got the house. Thermal cam’s got two bodies on the second floor. There’s nowhere to run from here. We’ve got spike strips on all the dirt roads. No car is getting past any of that. It should function as a hard extraction from here.” 

Hotch glared at Morgan as he fastened the straps on his bulletproof vest. The glare of the red and blue lights from the squad cars only made the deep frown lines on his face look firmer. 

“I am not taking any chances.” Hotch said. “We both know this is an incredibly delicate matter. We found one of the victims across state lines. We know this suspect has mobility. I’m not risking finding another body.” 

The air became tense as everyone realized what he meant by ‘another body’. 

“I want tactical swat to go in first-” Hotch began, and was quickly cut off by Morgan. 

“You’re sending in swat when there’s a hostage in there?” Morgan questioned harshly. 

“Even if we go in there blazing, showing force, she might not come in quietly.” Hotch explained.

“You’re serious?” Prentiss replied, hooking the wire of her earpiece around her ear in order to tuck the mic in. “She’s the one you’re worried about? She’s a victim in all this.” 

“You saw the incident report.” Hotch reminded her. “The amount of defensive wounds she had… the first time he attacked her, she fought back hard. She’s desperate, she’s feeling cornered, she-” 

“She’s terrified right now.” Prentiss pressed harshly. “She doesn’t need a bunch of men going in there waving guns in her face.” 

“She could sacrifice him.” Hotch theorized, further trying to prove his point. “This could be her chance to finally get justice. Finally getting rid of the man who’s tormented her for all these years.”

“So we have to bring them both in. Quietly.” Morgan said. “We can’t just go in there shooting. If your theory is correct, then she could use him as a human shield.” 

Hotch nodded. “Fine. No tactical swat. Prentiss, you take the lead.” 

“Yeah, and I’m taking Reid with me.” Prentiss told him sharply. “Somebody with a little compassion around here.” 

Prentiss nodded and scoffed, walking past Hotch, gently whispering ‘what the hell is wrong with you’ on her way to get in the car with Reid. 

… 

Thursday, August 16th, 2007. Madison Police Department - Madison, GA. 1:45AM.

When JJ let out a harsh sigh, Emily turned to her, swiveling in the borrowed office chair with a creak. 

“What is it?” Emily asked. 

“Don’t you feel that?” JJ replied. Emily shrugged, waiting a moment for her to finish the thought. “That… overwhelming feeling of dread?” 

Of course, it was obvious. No leads. No breaks in the case. 

It was hopeless. 

“Come on, I thought you were the hopeful one.” Rossi pointed out, tossing his empty paper coffee cup into a nearby trash can. 

“How can I be hopeful when one of my best friends is caught up in all this?” JJ fired back. “If she-” 

Before she could finish that thought, Reid stormed in, capturing everyone’s attention. 

“Guys, I think we got the profile all wrong.” He announced, a look of worry knit into his features. “And - if I’m right, then I think I know where she is.” 

… 

Thursday, August 16th, 2007. Abandoned Country House - Madison, GA. 1:45AM.

You knew that it was cruel, but you couldn’t help but to enjoy his groans of pain. 

There had been so many others - so many monsters to take down. So many men that you had gotten rid of without a second thought. Men you had put bullets in that didn’t mean as much to you as this. So many others you had easily forgotten about. But he had taunted your soul in a special way. And you knew that you were enjoying this too much. 

“Tell me you like it!” 

You screamed, taking another downward swing with the piece of wood - a leg broken off from the chair he had bound you to. He had been convinced that you wouldn’t break free. Laughable. He should have known better.  

When he didn’t respond, you took another swing. 

You could have stopped. You could have ended it. But you didn’t. 

“Come on, tell me you like it!” 

You screamed in his face, sputtering blood across him. At one point, he had punched you in the mouth. You weren’t exactly sure where the blood was coming from. You didn’t exactly care.

That would be your excuse.  

He had hit you too. You were battered. You were just a fragile woman, after all. 

“You’re a fuckin’ crazy bitch.” He coughed, sputtering out some blood himself. “I… I always liked that about you. It was one of the reasons I fell in love.” 

He grinned - bright red spread out across his teeth, and it gave you the intense desire to see those teeth missing. To make him swallow them. 

“You don’t love me.” You told him firmly. “You just get an adrenaline rush from being around me because I’m not afraid of you.” You explained. “Unlike the other whores, I fight.” 

While you were preoccupied with the words, he flipped onto his stomach and began crawling across the floor. 

He thought you were too stupid to notice, but he was inching his way toward the hunting knife that had been thrown out of his hand during the scuffle. It was a slow, sluggish crawl. You had broken a few of his ribs, his kneecap. It was nice to see him so slow. You had probably severely damaged his internal organs with how hard you had been beating him with the makeshift baton. 

It was worse than last time. You stood above him like a menace - watching and waiting. You hated that you knew you would take an odd kind of joy in removing his hope when you stole the knife from his grip. 

Just as he grazed his fingers across it, you brought another harsh swing down across his achilles tendon, causing him to scream out in pain. 

You still had a lot of strength left in you. He was tiring out. 

He was losing the game. 

“Come on baby, tell me how you like it.” You continued to mock him. “Tell me how good I am.” 

“Fuck you.” He moaned out. 

You felt satisfaction bloom inside of you - those were the words. 

He had finally given up hope. He had finally realized that maybe: he wasn’t going to beat you. Maybe he wasn’t above you on the playing field anymore. He was fucking around with a fellow predator, not toying with his prey.  

“Oh baby. You know I’m only doing this because I love you.” You said, repeating his own words back to him in a cruel mockery. 

That was when he realized: this wasn’t just a lover’s spat. This was a culling. 

… 

Thursday, August 16th, 2007. Just Outside of Madison Police Department - Madison, GA. 1:04AM.

Reid needed some air. 

Working on the case so diligently, not coming up with any leads. It was intensely difficult. Letting the balmy summer Southern air flow over him, getting a good gulp of the fresh air into his lungs - it was a bit more awakening than drinking his sixth cup of coffee for that day. 

He was surprised when he rounded a corner, trying to go for a short walk to stretch his legs, and he saw a very recognizable face hovering near a gray Honda. 

“Mrs. L/N?” He posed, approaching her gently. “It’s late. What are you doing here?”

JJ had promised to call her if there were any updates. Reid didn’t want to disappoint her by telling her that there were none. 

“It’s Miss L/N.” She said quietly. “I never married.” 

Reid nodded at this. “My apologies.” 

She looked deeply troubled. 

Reid waited patiently for her to reply to his initial question - for her to tell him whatever was burdening her. If he was lucky, it could help with the case. It was always the families who could help put those final puzzle pieces into place. That was something Gideon taught him, so he took it as sacred advice. 

“You’re Doctor Reid, aren’t you?” She posed, stepping forward to approach him slightly - still stiff, still stand-off-ish. He easily understood why. He nodded in response. “My daughter speaks very fondly of you.” 

Reid cracked a small smile at this. 

His attention was then brought to a small box - a shoe box as she held it out to him. 

“I don’t mean to bother you at this late hour, but… you said to let you know if I thought of anything that might help you.” She reminded him. He nodded again. “And I - well, the reason I didn’t bring these up the first time… you can understand that I have a need to protect my daughter?” 

“Of course.” He affirmed. “It’s every parent’s natural instinct to protect their child.” 

She looked solemn at his words. 

“I had no idea that… that what happened to her could potentially be connected to these… these murders in any possible way.” She told him, shuddering as the word passed through her lips. “I was just trying to shield her, you have to understand.” 

She handed him the shoebox, and when he took it and lifted off the lid, it took him only a moment to understand. He would need to find a quiet place to fully inspect the contents, but it was all being pieced together in his mind now. 

“Thank you for bringing me this.” He told her quietly. 

“Doctor Reid, you have to promise me that you’ll bring my daughter home unharmed.” She said, tears coming to her eyes. “She’s a good girl. Please, just bring her home.” 

Unfortunately, he couldn’t promise her that. Not under the circumstances. 

“Ma’am… I will try my best. That is all I can promise you.” He told her. 

She nodded in quiet understanding before Reid turned and marched back inside. 

… 

Wednesday, August 15th, 2007. Abandoned Country House - Madison, GA. 11:03PM.

The flint of the lighter flicking seemed to be the loudest thing in the room in that moment - even with the low hum of the eleven o’clock news playing in the background. 

It was so odd. Everything was exactly like you remembered it. Withered - but the same. 

Even the chair you were sitting in. The old wooden chair that had been lugged up from the kitchen, one that you used to sit in for hours and do homework - it was rickety, but somehow the same. 

You took a sharp drag off the cigarette after it was lit for you, continuing to listen to the feminine voice on the radio as the news played. 

“I’m Special Agent Jennifer Jareau, and I’m speaking on behalf of the Madison Police Department. Tonight, we are making an urgent appeal to the public for information. Earlier this evening, a woman went missing in the area of-” 

“I never took you for a smoker.” He said, his voice sharp and confident in the words. 

You tapped your cigarette into the ashtray with your free hand before raising it up to your lips to take another drag. Right now, the smoke heavy in your lungs was the only thing keeping you sane. 

“I never smelled it on you back then.” He added on when you didn’t respond to him. “Bitches who smoke always smell like dirtbags. You just… smelled nice.” 

“I didn’t smoke back then.” You quietly replied. 

He had driven you to take up the habit. 

You took another drag of your cigarette - you wanted to enjoy it. The longer you could drag it out, literally, the longer you could delay the inevitable. 

“-The suspect was last seen driving a blue and white, 1970s Ford truck. If you see the vehicle, please-” 

“They’re lookin’ for ya.” He said casually, nodding toward the radio. 

You wished they weren’t. 

You directed the conversation elsewhere. 

“Tell me how this is gonna end.” You urged him quietly, ashing your cigarette again. 

“You and I both know… this was only ever gonna end one way.” He told you, his voice irritably cocky. 

He had you now. He had won. 

“-We believe that this abduction is connected to a string of recent murders in the area. It is critical that if you have any information, you call our tip line at-” 

He rose from his spot then, and turned off the radio. 

The silence was gutting. 

He moved toward the door, but you abruptly caught his attention. 

“Remember,” You told him. “You made me a promise.” You said quietly. “No more. No more girls.” 

He chuckled at this. “Of course, darlin’. No more.” 

It felt like a lie. 

“But only because I love you.” He gave a filthy grin along with these words, and your insides shuddered. 

You knew that he wasn’t actually capable of love. You had known that from the moment you first laid eyes on him. 

You didn’t bother to muster any words in return. 

He crossed the room back toward you and leaned down, planting a kiss on your forehead. Your body stiffened, entirely stony toward it. It was selfish on his part - loving on you like a doll, rather than trying to bring you any comfort. 

He moved back to the door silently. 

You worried about what would happen the moment he went out the door. He turned to you just before he left. 

“Don’t run off now.” He said with a wink. Ego. Sarcasm. 

“Where am I gonna go, Dan?” You sighed. 

You lifted your tethered hand up to drive the point home, and the clink of handcuffs was now apparent in the otherwise silent room. 

He shut the door with a chuckle. You put out your cigarette in the ashtray, reaching for the loose spoke in the back of the chair. This was a chair that you used to sit in for hours while studying. That loose spoke used to bug you all the time. 

It came free after only a few tugs. 

… 

Wednesday, August 15th, 2007. QuitTrip (Corner Store) - Madison, GA. 10:24PM.

The previously dark parking lot of the secluded, back country convenience store was now entirely lit up with red and blue. Four police cars had crowded into the area, surrounding the place where you had last been seen. 

Inside, under the harsh white fluorescent lights of the store, Hotchner and Prentiss were interviewing the store clerk - a young man who had supposedly been the last person to speak to you before the abduction. 

“So, you’re sure that you didn’t see anything?” Hotch pressed the young man - someone who seemed so entirely nervous under his harsh, unmoving gaze. 

“I swear, man, I didn’t see anything.” He said, his voice cracking slightly as he spoke. “She was parked in the back of the parking lot, and once you walk around the corner, there’s no way to see someone through the doors. It’s like - like a total blind spot, man.” 

“The UnSub had to have known that.” Hotch noted quietly, turning to Prentiss. “He approached her knowing that he wouldn’t be seen.” 

“Do you think he was waiting out there?” Prentiss wondered aloud. 

Then she turned back to the clerk. 

“Was there a man in here before she came in? He would have been in his 30s. Very cold, he wouldn’t have said anything. Just paid quietly and left. He might not have even bought anything - he might have just walked around, checking the blind spots. And if you asked him what he was looking for, he would have given you a glare rather than speaking. This man is not sociable. He’s very distant. He likely wouldn’t have looked you in the eye.” 

The clerk shook his head. 

“No, nobody like that.” He explained. “That lady - she was my first customer in, like, hours. She just bought her ciggies and left. And I thought it was weird cause she bought a lighter too. Most smokers already have a lighter on them.” 

“I didn’t know Y/N smoked.” Prentiss said quietly. 

“Me either.” Hotch confirmed. 

Hotch’s attention was captured by a screen behind the counter - surveillance feed, showing several different places inside the store. There was one camera just outside the door. If he wasn’t mistaken, that camera was pointed at that ‘blind spot’ in the parking lot. 

Without asking permission, he raised the partition and walked around the counter, his eyes hyper-focused on the screen. 

“Can you get me this footage from a few hours ago?” He prompted toward the clerk. “The view of the parking lot. We need to see what L/N did after she left the store.” 

The clerk nodded and began typing things onto the keyboard, and Hotch prompted him to stop when he saw you appear on the footage. Prentiss came around the counter as well, leaving the three of them crowded in close to the small screen as they watched the past version of you. 

You walked across the parking lot - toward your car, a cigarette hanging out of your mouth. You were making determined steps - until something stopped you. 

“The UnSub caught her attention.” Prentiss noted. 

Then - something entirely strange happened. While staring at the man off screen, you leaned against your car, and began ashing your cigarette, as if chatting idly with him. 

“He’s not using force.” Hotch thought aloud. “Do you think he’s got a gun trained on her?” 

“Maybe.” Prentiss hummed quietly. 

He was out of the frame, so it was only a guess. 

Then, after a few moments of this - you simply walked off. You walked in the direction he had been standing. 

“Did - did she just go with him willingly?” Prentiss gaped, entirely in shock. 

When she glanced over her shoulder, Hotch was gone. 

He stormed out into the parking lot, frantically gazing around. Prentiss followed him, chasing his chaotic energy. 

“Hotch!” She called out. “Hotch-!” 

“We need more camera angles! We need-” 

“Calm down.” She urged, grabbing him by the shoulders. 

“It just doesn’t make any sense.” He rasped. “Why would she go with him willingly? Why - why? Why would she?” He was frantic. “He must have threatened her. He must have-” 

They both didn’t want to think of the obvious. 

That you didn’t fear him. That - it hadn’t even been an abduction. 

“He must have threatened her.” Prentiss easily agreed. “She wouldn’t have gone with him otherwise.” 

They didn’t bring up the fact that you had a gun and plenty of training on how to use it. They didn’t bring up the fact that the profile said the UnSub couldn’t easily charm - he would have kidnapped you by force. 

Unless you were special. Unless he thought he could talk to you specifically for some reason. 

“Guys, what’s the news?” JJ asked, finally walking onto the scene. 

She hated the grave looks on Prentiss and Hotch’s faces. 

“I want you to put a press conference together.” Hotch said, straightening himself out and turning to her. “Make an appeal for witnesses. Tell them that there’s been a woman abducted in the area, but don’t tell them that L/N a Federal Agent. It could set the UnSub off if he believes that this abduction is being treated with a higher priority. If he feels a higher pressure from law enforcement, he might-” 

“Right.” JJ nodded. Hotch didn’t need to say the words in order for her to understand. “So: release her name and her photo, but act like she’s just a regular civilian?” 

Hotch nodded. “Exactly.” 

“If I get going now, I think I could still make the eleven o’clock news.” JJ said, rushing off with her cell pressed to her ear. 

“Let’s just hope that it brings Y/N home safely.” 

…

Wednesday, August 15th, 2007. QuitTrip (Corner Store) - Madison, GA. 8:03PM.

You felt an odd amount of relief having nicotine in your system again. 

This was the first time you had smoked a cigarette in years. You had quit the habit shortly after you joined the FBI Academy when one of your advisers warned you that it might cause you to fail the fitness test. And you felt like you should just knock the habit, seeing as the only reason you had taken it up was because of… him. 

But - all of this was so triggering. Being back in your same small shitty town. Feeling it suffocating you like a plastic bag. 

The murders. 

You sucked on the cigarette for dear life as you walked back to your car, and just as you were about to get in - the windows of the car open, inviting in the sweet summer air, the keys still inside because you did feel an odd amount of trust in your hometown - something captured your attention. 

“Y/N.” 

Hearing your name in that voice made you freeze on the spot. The warm breeze felt like ice against your skin as you took your hand off the door handle, turning toward him. 

“You’re lookin’ gorgeous as ever, darlin’.” 

“You.” You ground out the word with as much disdain as possible, hot rage boiling in your blood as you looked at him. “I should have known it was you.” 

He let out a sharp chuckle - a sound that made your throat tighten up. He flicked his tongue out across his teeth, grinning his terrible Cheshire grin at you. 

A hand instinctively went for your gun, and your palm hit an empty section of your belt. He let out another sharp chuckle when his eyes followed yours, making the same realization that you did. 

You had left it sitting on the passenger’s seat of the car. Right beside your phone. 

You wondered if you could dive through the open window before he could get to you. When he made a posturing move, brushing his unbuttoned plaid shirt away and revealing the gun he had strapped to his belt underneath - you realized he would shoot you if you moved too quickly. 

You were stuck. 

“Of course it’s me, baby.” He said, casually replying to your earlier words. “You had to know that I did all this for you. For us.” 

Giving into your fate, you propped yourself against the side of the car - trying desperately to steady your wobbling legs without making it look like you were doing so. You tapped your cigarette, spilling some of the ash before you brought it to your lips once again. 

“I missed you like hell.” He told you with a snakeskin grin. 

“I didn’t miss you.” You bitterly fired back. “Not for a fucking second.” 

“Guess I made it difficult to miss me, huh?” He said, cocky as ever. “With my frequent correspondence and all?” 

“You know what I meant.” You fired back.

You glared at him sharply but didn’t say anything more, afraid that he would whip the gun out and shoot you. 

He sucked in a breath through his teeth, something that sounded utterly sarcastic. 

“Ooh, darlin’ that’s harsh.” He said. “That would almost hurt. If I didn’t know the truth.” 

You wanted to argue. You took in another large drag to help hold your tongue. You knew the results of arguing with him - it wasn’t worth it. 

“So… I think you know how this goes.” He announced. “You can come with me now. Or… I can go get another girl.” 

“No more girls.” You told him. “I’m here now. You won. Whatever business you have - it’s with me.” 

You stamped out your cigarette as you walked toward him, and your phone began to ring on the front seat as his truck rumbled to life and pulled out of the parking lot. 

… 

Wednesday, August 15th, 2007. Madison Police Department - Madison, GA. 7:26PM.

“Hello! Everyone, listen up.” Hotch called everyone to attention as the local police continued to filter in, most of them standing around with cups of coffee in hand or notebooks out, ready to take notes. “We’re ready to give the profile.” 

“Yes, and please keep in mind that this is just a general set of guidelines describing the suspect.” Rossi said. “This is not a concrete list of things you should be looking for. A profile is more useful in the elimination of suspects, rather than the inclusion of them.” 

He then turned to Derek, who began reciting the profile that the team had put together so far. 

“This UnSub, or Unknown Subject, is most likely a white male in his thirties to forties.” Morgan explained. “He drives an American made vehicle, something large enough to conceal and transport victims, and something that has off-road capability in order to get to the more secluded areas where some of the bodies were found. So think trucks, heavy duty vans, anything with thick treads on the tires and a large payload. And his vehicle will most likely be in a more discreet color. This guy won’t be driving around in something flashy. He’ll be in something that blends into the background, like a beige or black truck.” 

“So what?” One of the local cops piped up. “We put out an APB for every single heavy duty black truck in the area? This is the south, do you have any idea how many people around here drive a truck? Especially ones driven by men in their forties.” 

“There’s more.” Hotch noted, looking toward you. 

“This UnSub likely believes that he is dating these women in some capacity before he kills them.” You explained. “He has left scraps of poetry at the scenes, pages of romance novels - several of the victims had wine in their stomachs or burns from candle wax on their skin. And it’s highly likely that he turns violent when the women reject his advances, or don’t live up to the fictionalized relationship he has made up about them in his mind.” 

“How does that help us?” Someone asked. 

“Well, it’s very likely that he frequents the same hunting grounds.” Rossi explained. “We encourage you to go to local bars, and nightclubs, even gyms or cafes and pass out the profile to women who fit this type.” He said, motioning toward the pictures of the other victims. “He will be on the hunt again soon, and he has a very narrow hunting ground, living in such a lowly populated area. So we might be able to catch him off guard if his potential victims have the profile as well.” 

“This man is romantic, but he’s not charming.” You added on. “He isn’t sociable. He’s very cocky, very self-centered. He believes that he is God’s gift to women, and he has a very fractured sense of reality in general. If women reject him in everyday interactions, he will get noticeably irritated, and even violent. So he will be remembered as an unpleasant person in most women’s stories.” 

“This UnSub most likely has an inside knowledge of law enforcement.” Reid stated. “But, because he has a very antisocial personality, he wouldn’t do well working with the public. We currently have our analyst combing through files of those who flunked out of the police academy or live in the area and are retired from the military in some capacity. We believe that he might have even been in prison for an unrelated crime or institutionalized at some point, giving him a close look at the inner workings of law enforcement, and also attributing to the large break between the first two crimes.” 

Reid took a breath, and then continued on. 

“He was knowledgeable enough to purposefully dump one of the bodies across state lines in order to get the FBI involved in this case, but it was just one of the bodies, and it was dumped in a very well trackied area where it would be found. So that leaves a heavy insistence that he was fed-up with the local police not giving his case enough attention or - simply not being smart enough to keep up with him.” He explained. 

“He is very cocky.” Prentiss added on. “Incredibly over-confident. He is a narcissist to his core, and he believes that he will never be caught unless he wants to be. He thinks that he has an intricate cat-and-mouse game with law enforcement, and he can go off the grid and disappear at any time that he wants.” 

“Well… isn’t that true?” One of the cops asked. “I mean, the guy’s been at it for years and we still haven’t caught him. There’s no DNA, no real leads.” 

Hotch hummed, nodding. And then he walked over to the evidence board and motioned to the pictures of the two most recent victims - barely recognizable compared to the shining, smiling photos their families had provided. 

“We believe that he’s decompensating.” Hotch explained. “He is growing more violent toward each victim, which means that he is getting more sloppy - eventually, he will go off-book. He will break his routine in some way, and that will be the moment he’ll give us something to catch him with.” 

“So… you’re just waiting for him to kill again so you can actually catch the guy?” Someone asked sharply. 

“No.” You easily replied. “We’re praying it doesn’t come to that.” 

“Thank you everyone.” Hotch said, clearing his throat, giving an unconscious signal for everyone to disperse. “That’ll be all for now.” 

Everyone easily fell under his authority, and meandered back to what they had been doing before, now armed with the profile and ready to distribute it to members of the public, to the potential victims. 

You had a harshly, sickly feeling in your stomach as you gathered some of your files. It was the same feeling that had been turning your guts into knots since you had arrived back in Madison for the first time in years. Your eye accidentally caught the evidence board - the tall, intimidating wall lined with the gruesome photos of all the women. 

Women who looked strangely like you. Same hair color, same skin tone, same body type. All of them horribly brutalized and left for dead. All of them terrorized, tortured right up until their last moments.  

“Hey.” 

JJ’s voice snapped you out of your swirling dark cloud of thoughts, drawing your eyes away from the evidence board with a gentle hand on your upper arm. You huffed out a harsh breath as you let her guide you, turning around to face the blonde woman as she stared you down with a distinct look of concern knit across her features. 

“Are you okay?” She asked. “I’ve never seen you like this.” 

She had a point. You had been doing this job for some time. You had gone to the FBI Academy straight out of college, after getting a degree in criminal forensics. And none of it ever bothered you. You had learned about the study of blood spatter and the decomposition of bodies on live body farms, and you never flinched. 

But this case - it was getting to you. 

It was likely the first time anybody on the team had ever seen you so disturbed. 

“I’m fine.” You lied, trying to shrug off her touch. 

“Come on.” JJ sighed in return. “I don’t need to be a profiler to figure out that was a big fat lie.” 

You rolled your eyes at this. 

“You’re so brilliant.” You let out a sigh of your own, and put down your files on the nearby conference room table. You stretched out your back, deciding that you would give her an inch, hoping that she wouldn’t take a mile. “I’m freaked out. So what? Doesn’t everybody have room for a bad day?” 

“Of course.” She nodded. “Of course, you can have a bad day.” Her lips pursed, and you knew there was more coming. “Is - is it anything more than that?” 

“I’m tired.” You lied again, hoping she wouldn’t call you out on it this time. “It’s been - what? More than twenty hours since we landed. For these guys it’s been years, searching for this bastard. I wanna catch him.” 

“We will.” JJ assured you, sounding rather dull in her declaration. 

“I’m gonna drive down the street and grab an energy drink or something.” You announced, grabbing your blazer off a nearby chair and putting it on. Not that you would need a jacket with the southern weather - but your cash and your keys were in the pockets. 

“I thought you quit Redbull.” She chuckled. 

“It’s been one of those days.” You replied, shaking your head as you walked out of the room. 

…

Wednesday, August 15th, 2007. Madison Police Department - Madison, GA. 5:13PM.

“There’s still one thing that’s buggin’ the hell out of me.” Morgan announced as he walked back into the room with a fresh cup of coffee in hand. 

“That is?” You posed, looking up from the stack of personal files - potential suspects - that you were reading in order to engage him in the conversation. 

“What is with the two year hiatus from this guy?” He said, motioning to the board. 

The first victim had been abducted and killed all the way back in the summer of ‘99, but none of the other victims matched up until a missing person from September of 2001. And from there, the killings picked up in frequency - and the killer had taken over twenty six victims in and around Madison up until now. 

“It is weird.” You commented. “Usually after the first kill is when an UnSub is the most hungry for more. After that first taste for violence.” 

Morgan raised a brow at your strange choice of words and you shrugged it off. 

“Maybe he was hospitalized.” Reid said, appearing seemingly out of nowhere to make this comment, studying the board with his own intense expression. “Institutionalized? Maybe he was arrested for something completely unrelated, like - drugs, outstanding traffic violations?” 

“That’s helpful.” You sighed. 

“It could be.” Reid replied, sipping his own coffee. “I mean, we theorized that this UnSub has pre-existing knowledge of law enforcement - if he was in prison, maybe he was reading up on the law while he was in there? Who has closer knowledge of the law than ex-cons?” 

“Good point.” Morgan nodded. “I’ll call Garcia and have her widen the search.” 

“She is gonna love that.” You mumbled under your breath, already frustrated with the large pile of potential suspects you had to go through. 

Morgan took out his cell and walked into the other room, and you heard a distant ‘hey mama!’ as he chirped to Garcia on the other end. 

Then, you heard another voice that was all too familiar to you. 

“See, you’ve all just been working so hard, I thought you could use some sustenance!” 

It was your mother. 

You rushed out of your seat to find her in the middle of the bullpen, handing out muffins from a large basket that she had in her hand. 

It wasn’t entirely surprising to you, but it made your stomach sink. She was too much of a social butterfly for your liking. She knew about the last time you had been in this police station, she talked too much. No. You couldn’t risk her telling anyone. 

“See, that one’s blueberry, you like blueberry?” She was chatting idly, being her usual overly social self. 

“Yes, thank you so much Ms. L/N,” Prentiss smiled as your mother pushed more food into her hands. 

“Oh please, call me-” 

You knew that you must have looked like a storm, walking toward her with a scowl on your face. 

“Ma!” You barked, much harsher than you meant to, causing her to look up at you abruptly. “Ma? What are you doing here?” 

“Well see, you’ve been here all day, and you’ve been working so hard, so I made dinner for you and your friends,” She grinned, motioning toward a large tinfoil tray filled with mac and cheese that she had placed onto one of the desks next to a stack of paper plates and plastic forks. Naturally, a chunk of it was already missing. 

You wanted to scream when Reid walked over and began scooping out a portion for himself. 

“Ma, they’re not my friends, they’re my co-workers.” You said, exasperation ripe in your voice. 

You knew that this, too, ended up sounding much harsher than you had intended. As if you didn’t think of these people as friends. But you couldn’t stand the woman babying you. It’s not like she did much of that when you were an actual baby. 

“I’m an adult now, and-” You continued on, and she cut you off. 

“Oh yes, yes.” She nodded, reaching out to pinch your cheek in an utterly frustrating way. “Your co-workers.” 

“Please, Ma.” You sighed. “You can’t be here right now. This is a police station, not a bake sale.” 

“She can stay for a few minutes, can’t she?” Prentiss grinned, peeling the wrapper off her muffin. “We can take a break for dinner. I wanna hear some childhood stories about you.” 

Reid looked up eagerly at this, and you glared at both of them. 

“Oh, you should hear about the time she painted her face blue with the paint from-” Your mother began to tell a delightful embarrassing story, but you cut her off. 

“No.” You said sharply. “I’m sorry, but we have work to do. Important work. Once we actually catch the guy, I’ll bring everyone by the house for tea and cookies and you can show everyone my naked baby pictures, the whole nine yards. Just - not now.” 

You unceremoniously ripped the basket of muffins out of her hands and placed them on the desk beside the tray of mac and cheese, and she began to argue with you, calling you rude, telling you that she had raised you with better manners while you ushered her out the door. 

Prentiss and Reid exchanged a particular, concerned look as they watched you and your mother argue through the glass doors of the precinct. 

“Now what do you think that was all about?” Emily asked quietly. 

“For once, I have no idea.” Spencer mumbled in return. 

…

Wednesday, August 15th, 2007. Georgia Highway 72 - Madison, GA. 1:32PM.

“This is new.” Morgan noted as the two of you walked away from the SVU, approaching the dumpsite where the latest victim’s body had been found. “This guy doesn’t usually dump bodies out in the open. You think he was in a rush?” 

The two of you had been sent to check it out while Hotch and Prentiss spoke to the family, and the others went over evidence from the many pre-existing cases at the station. 

“Not likely.” You replied. “Preliminary report says there’s still no DNA, no skid marks from his tires, no shoe prints. He’s not getting sloppy.” You felt a sickly wave of vomit splash up as you looked at the woman - her ankles sticking out of the tall grass just off the edge of the highway, where she had been left, entirely visible for anybody passing by to see. “This was a present. Like a fuckin’ cat leaving a dead mouse on the porch. He wanted us to find her. And he wanted us to find her quickly.” 

“I’ll tell you one thing,” Morgan noted, tentatively stepping into the grass and gently moving the long spokes of greenery back to get a better look at the victim. “He’s definitely escalating.” 

You crouched down to get a better look yourself, and you had to agree. 

Her face was almost entirely caved in, but it appeared to be from a series of blunt hits, and not from a singular swing with a heavy object. Between the pre-mortem swelling and the post-mortem rage, where he had continued to mutilate her even after her death, she was practically unrecognizable from the photo that her family had provided you with. The only reason the team had been able to confirm her identity for sure was that she had been reported missing, and she had been found wearing a unique custom charm bracelet that her parents could confirm belonged to her. 

You wished that you could guarantee they would never see her body in this state. 

“What’s that?” Morgan wondered aloud. 

You hummed back in confusion. 

Before you could wonder any further about what he meant, he reached out and gently pried open the victim’s mouth, fishing out a small piece of plastic that he had seen sticking out from the corner of her swollen, bruised lips. He had to fight to get it out of her stiff, death rigored body, but when he was able to - a small plastic bag came out of her mouth. 

A small plastic bag containing a piece of white paper. 

“What the hell?” Morgan mumbled quietly. 

Naturally, he opened the bag and took out the paper, and you looked on with nervous curiosity as he read what was on the note. 

“You are the stars hidden by clouds.” He read aloud. “I know you’re there even when I can’t see you. Your shine peeks out and reaches me in the depths of my soul. Tell me your arms are long enough to reach me across oceans. Tell me someday we will be together, somehow, some way. Tell me that this love we have can survive being together as well as we’ve survived being apart. Tell me we are more than the chasm of our divide.” 

Bile splashed up in your throat. 

You hated that the quote was distinctly familiar to you. You hated how you knew it. 

You could still hear his voice in your head, and it made your bones quake. 

“Hmm.” Morgan looked over the paper thoughtfully. “It’s another page ripped out of a book. Just like the other one. I’ll call Garcia and have her look it up, maybe-” 

“You don’t have to.” You said, hoping that your throat wasn’t too painfully constricted around your words. “It’s Jacqueline Simon Gunn.” 

Morgan easily saw the haunted look behind your eyes - the years old terror that you were having a much harder time suppressing now. 

Oddly enough, it was a feeling that he knew well. Perhaps that’s why he saw it in you so easily. 

“You alright?” He bothered to ask, even though he knew the answer was ‘no’. 

“I’m fine.” You lied. “We should bring this back to everyone else.” 

You rushed away from the crime scene like a bat out of hell, and even though he knew he should have pressed further - he let you. 

… 

Wednesday, August 15th, 2007. Madison Police Department - Madison, GA. 10:08AM.

“Good morning, y’all.” 

The BAU was greeted by Chief Dalton, the Madison County Chief of Police, as you all filed into the small police department. 

“You can set up in the conference room over there, I hope we got y’all everything you need.” He said, flashing a warm, welcoming smile. 

“This looks fine, thank you.” JJ said, reaching out to shake his hand. “I’m Special Agent Jennifer Jareau, this is Doctor Spencer Reid,” She pointed to him, and he nodded in return - of course, rather than shaking hands. “This is Special Agent Emily Prentiss, Agent Rossi, and Agent L/N. Our Unit Chief Aaron Hotchner and Special Agent Morgan will be here later - they wanted to go and interview some of the families of the victims, get some more background information.” 

“L/N?” He motioned toward you, his eyes becoming fixated on you as you set down your bag and lifted one of the lids off the boxes to get a glance at some of the files. “That name sounds awful familiar to me - are you from Madison?” 

“Oh yes, I am,” You grinned at him, stepping forward and giving him a handshake, to which he grinned back widely. “I grew up here. This is actually my first time back in years.” 

“Well, welcome home.” He said. “I wish it was under better circumstances.” 

“Me too.” You easily agreed. 

You thought that would be the end of it, until: 

“You know I hardly recognized you. Such a pretty face, but the last time I saw you, you was beat to a darn pulp.” He remarked, giving a pained chuckle. 

Your stomach swelled with anxiety, and it felt like a pure balloon of concrete sitting inside of you. You felt all the eyes in the room on you - Rossi, JJ, Emily, Spencer - all of them staring you down as this man aired your dirty laundry like it was as casual as the weather report. 

“You came through here - what was it, the summer of ‘99? I’ll never forget that assault report. I’m surprised you can still see out of that right eye of yours, with the way-” 

“Coffee?” You cut him off when you managed to find your voice, rushing to change the subject and praying he would get the hint. “Where can I get a coffee around here? Long flight. And we’ve had an early morning. Long flight, going over the case.” 

You didn’t even realize you were tripping over your own words, repeating yourself in a rush to fill the air so he wouldn’t speak about the past anymore. 

“Oh, it’s right through there. In the break room.” He said, motioning vaguely behind him. 

“Would you mind showing me, please?” 

You knew it was cowardly, but you were now desperate to escape your colleagues, and wanted to drag the Chief away before he spilled anything else from his loose lips. 

He escorted you out of the room and it was only a mere moment before conversation ensued about the strange thing that had just happened. 

“Am I gonna be the first person to say ‘what the hell’?” Rossi asked, looking around to his teammates, who all had equally shocked and confused expressions. 

“It’s a small town. These people don’t exactly understand secrecy. Or tact.” JJ sighed. 

“Yeah, but why would Y/N keep that a secret from us?” Spencer asked, frowning. “If she was assaulted-” 

“Yeah, in the summer of ‘99.” Emily pressed. “That was a long time ago. Have you told everyone on the team every little detail about your life from ten years ago?” 

“Eight years.” Spencer easily corrected her. 

“Whatever.” Emily rolled her eyes. “We’re not here to profile her. We’re here to catch another scumbag and leave.” 

There seemed to be a resounding nod at this.

“If she wants to tell us about what happened, she will.” Rossi added on.  

… 

Wednesday, August 15th, 2007. Outskirts of Madison - Madison, GA. 9:52AM.

“There’s my beautiful girl.” 

He had a perfect view of you through the scope of his gun. 

Of course, he would never hurt you. There was no bullet in that gun that was intended for you. This was just the perfect way to see you. Up close and personal. Just the way he liked it. 

This was the first time he had seen you in so long. You wore your makeup differently now - your hair was a bit different. But you were still his girl. 

“You’re gonna love the present I left for ya.” 

You spoke his language - violence. 

You wrote your life in blood, just like he did. 

You were perfect. His perfect girl. 

…

Wednesday, August 15th, 2007. Inside the BAU Jet - Somewhere Above America. 7:12AM.

“So, the ME dates eight of these victims from within the last year alone?” Prentiss questioned, looking over some of the files on the table in front of her. 

“Well, it’s difficult to tell with the soil erosion and the heavy rain that the area had recently, but they are significantly less decomposed than the others.” JJ explained. 

“What I don’t understand,” Morgan noted. “Why would he give up his gig now? I mean, twenty four victims in a mass grave in the middle of the woods, and he leaves a twenty-fifth victim in the middle of the road, clearly intending for police to find it. With a damn note attached, giving up the exact coordinates of his mass dumpsite. Why?”

“It is strange.” Reid agreed. “Typically, whenever killers have contact with the police, it is to taunt them for their inability to get caught, believing that the police are stupid and they as killers are invincible.” He said. Naturally, this rolled into a rant as more facts came to mind about the subject. 

“Serial killer Dennis Rader, also known as the BTK killer, standing for Blind, Torture, Kill - he taunted police with letters over a period of three decades, between 1974 and 1991, each one that he sent to the local police simply saying ‘good luck hunting’.” Reid explained. “Occasionally, he would send them graphic descriptions of how he had posed the bodies at each crime scene. And he was only caught when a floppy disc he sent to a local television station was traced back to a computer that he had used at his church.” 

Reid laughed at this revelation, finding it amusing. With all eyes staring at him, he reached the realization that this wasn’t helpful to the case at hand - and then he easily clammed up. 

“So, this UnSub gives up the dumpsite because… he’s feeling remorseful? He wants to get caught?” Rossi theorized. 

“The level of violence across these recent victims has no indication of remorse.” You replied. “One of the bodies found at the dumpsite was missing over half her teeth, and had all ten of her fingers broken in multiple places. Seemingly pre-mortem.” 

There was a heavy silence at this. 

“Perhaps he’s feeling ignored,” Hotch posed. “He feels like his crimes aren’t being well covered by the media and he wants glory. He finally wants recognition for what he’s done.” 

“Well, wouldn’t he have sent some kind of manifesto or another letter to the police?” Morgan posed. “And it seems like the guy went through a whole lot of trouble for a long time, trying not to get caught. He buried them out in the woods, secluded. Wrapped them in plastic, scrubbed the bodies clean so there’s absolutely no DNA. Doesn’t seem like someone looking for glory to me.”  

“Not to mention that he wrote the coordinates for the dumpsite on the back of a page ripped out of a novel.” Rossi said, squinting down at one of the files - a close up forensic photo that had been sent over by the local police department. 

Prentiss held out her hand, and Rossi handed over the photo, and then she began reading the words off the page aloud. 

“-I wish, as well as everybody else, to be perfectly happy, but-” 

“-but, like everybody else, it must be in my own way.” You finished the quote before she could, the words flashing through your mind with a sickly twist in your gut. It was all too familiar to you, in the worst way. “It’s Sense and Sensibility. Jane Austin.” 

Everyone fixated on you with a strange gaze, wondering how you knew this off the top of your head. Especially when usually this would only be something that Reid would be able to recite so perfectly by heart. 

“Maybe he thinks that he’s romancing these women?” Prentiss theorized, trying to move on from the strange moment. 

“That’s plausible.” Hotch agreed. “When we land, Morgan and I will go interview some of the families. JJ, get us their contacts. I want to know if any of these women had problems with an ex boyfriend or even a bad date whom they rejected. It could be someone they once viewed as a potential romantic partner that went horribly wrong.” 

JJ nodded at this, going to look through her files for the information. 

“This level of torture - it’s likely a substitute for sexual gratification.” Morgan theorized, looking at the crime scene photos one again. “Maybe he is romancing these women, but in his mind, this is the ultimate form of romance? Having all of his conquests together in death - it’s a declaration of what a casanova he is. In his fractured world.” 

“It still doesn’t explain why he gave up the dumpsite to the police.” Prentiss argued. 

“Men like to brag about their sexual exploits.” Rossi said, nodding toward Morgan. “If these women are his conquests, in his mind, then he wants his manliness, his accomplishments, to be appreciated by other men.” 

Prentiss sharply rolled her eyes at this. 

“Well, at least we know our UnSub’s not a woman.” She remarked sharply. 

… 

Wednesday, August 15th, 2007. BAU Offices (FBI Headquarters) - Quantico, Virginia. 6:15AM.

JJ stood at the front of the room, ready to present the newest case to everyone. 

“Last night, a body was discovered on the backroads of South Carolina, about five miles outside of the town of Delph. She was found naked, mutilated. Heavy bruising all over her body that insinuates the killer kept her and tortured her for days. Final cause of death appears to be blunt force trauma from multiple hits to the head, but she also had several shallow stab wounds across her body, seemingly from some kind of hunting knife with a rough blade.” 

JJ explained, beginning to present the case as she clicked the small remote, causing images of the crime scene to pop up on the large screen in the room. 

“The victim - now identified as Ashley Prembrooke, hadn’t even been reported missing. She left her parents house in Madison, Georgia, about three days ago to drive back to her dorm at the University of South Carolina. When she didn’t show up on time, her roommate assumed that she was staying at home for a few extra days. Her father has cancer, so she wanted to be there for him.” 

There seemed to be a particularly dark aura in the room at this news. 

“Did the killer know that she wouldn’t be reported missing, or did he just snatch her up by chance?” Morgan asked. 

“Her car was found abandoned at a rest stop a few miles from the border of Georgia.” JJ explained. “So… it seems to be random.” 

“Well, I hate to ask this,” Rossi said. “But why are we being called out for just one body?” 

“That’s the thing.” JJ sighed. 

She clicked the clicker again, and several close-up photos appeared. Photos of the victim’s mutilated body - among the harsh bruising on her torso, there was a piece of white paper, partially stained with blood. It had been folded and stapled into her flesh. 

“The victim was found with this page… stapled into her skin.” JJ said, clearly finding the words disturbing to speak aloud. “Written on the back, was a set of coordinates. Local police discovered that these coordinates lead to a random patch of woods, about ten miles outside of Madison, Georgia.” 

JJ queued more pictures onto the screen. It was those very woods - overturned dirt. And more than a dozen bodies, wrapped in plastic among the soil. 

“It was the site of a mass grave with twenty-four other victims - all women around the same age, with the most recent ones all having the same body type, the same hair color, same general makeup as Ashley Prembrooke.” 

“He has a type.” Hotch stated the obvious. 

“And for some reason, he tipped the police off to his hiding place.” JJ reminded them all. 

“Twenty four victims?” Prentiss questioned, clearly shocked by this number. 

“That’s what they’ve found so far. The decomposition on some of the bodies seems to go back as far as a decade, but it’s difficult to date them exactly.” JJ replied. 

“So… the guy is experienced, hasn’t been caught in years, and he hands over his honey pot to the cops? Is he trying to get caught? Is he feeling guilty?” Rossi posed. 

“No, not with that level of violence. There’s no remorse there.” Morgan replied. 

“He dumped Ashley Prembrooke over state lines. We could be looking at somebody with an incredibly wide hunting ground who gave up one of many dumpsites as a way to taunt police.” Hotch theorized. 

“That doesn’t seem to be the case.” JJ explained. “So far, eight of the most recent victims have been matched up with missing persons reports, all of them women from Madison. All within the last year alone. It seems like he targeted Ashley because she was from Madison - that’s his comfort zone.” 

When the pictures of the missing women - now confirmed dead, murdered violently, popped up on screen, your throat tightened. 

You had known at least two of them. You had gone to school with them. You had seen them cheer proudly at high school pep rallies - you had known them lively and bright. And now they were bones rotting in the soil, taken by some monster. 

Beyond that, there was an alarming trend. 

They looked like you. You couldn’t deny that. Same hair color, same body type, same skin tone. 

And they were from your hometown. 

Between this, and the letter, the morning was getting to be too much for you. You wanted to believe it was all a series of terrible coincidences, but… 

Looking across the roundtable at you, Reid was the only one who saw that sickly look come over your face. He was desperate to know what was troubling you. 

“Reid?” Hotch got his attention, finding it strange that the overly talkative man was quiet this morning. “You’ll work the geographical profile?” 

“Yes.” Reid nodded, finally taking his eyes off you. “It’s unusual for the killer to hunt wider than a five hundred mile radius from home. So it’s likely that he lives, works, and operates all within Madison.” 

“Good. We could be looking at a copy-cat who knew about the previous killer’s dumpsite, or… something else entirely. But we need to get on the ground there and find out.” Hotch said. “Wheels up in thirty.” 

Everyone dispersed from the table when Hotch finalized with this, and you found yourself much dizzier than you realized as you tried to stand. As everyone moved to their desks to gather their things, you moved to the counter to get a coffee - hoping to calm your nerves. 

“Y/N.” 

You nearly jumped out of your skin when Reid’s voice came from behind you - your own blood was pumping in your ears, and seemingly, he had snuck up behind you. But his usually quiet footsteps simply couldn’t be heard beyond the nagging thump of your own anxiety. 

“What?” You barked back, knowing it was far too harsh. 

“Are - are you alright?” He asked, hesitant to bother you with the question. 

“I’m fine.” You lied as you dumped the sugar packets into your cup, your shaking hands accidentally spilling some across the counter top. 

“Are you sure?” Reid pressed. 

You let out a heavy sigh and turned to face him, crossing your arms heavily over your chest. 

“What?” You said the word again, sternly, glaring at him. 

All he did was give you a soft, understanding expression in return. 

You hated it. 

You hated how he was so open - it was almost horrifying, how you could have easily told him what was bothering you. 

Sweet, accepting, understanding Reid. 

If you told him the truth, he probably would have told you some statistic that he found comforting. It would have been sweet, coming from him. But then, he would have been looking at you with those eyes all damn day, holding pity in his heart and not truly focusing on the work that needed to get done. 

“Can you look at the shit we see every single day and always be okay with it?” 

You easily made up an excuse, pretending you were rattled by the crime scene photos, even though this murder was no more graphic in nature than any other you had been subjected to seeing recently. 

“I’m human. So what?” 

Reid studied your face carefully. He saw guilt dancing in your eyes - the way you gently bit your lip was your tell for lying, that much he knew from playing many rounds of poker with you on the plane rides home. 

But he felt that simply nagging you more wouldn’t get the truth out of you. Not right now. 

“Okay.” He acquiesced. “I know it’s hard. If you ever need someone to talk to-” 

You stormed off, accidentally slamming into his shoulder on the way along in your haste to escape the conversion. Reid heavily eyed the cup of coffee that you had left cooling on the counter before he turned and left himself. 

… 

Wednesday, August 15th, 2007. BAU Offices (FBI Headquarters) - Quantico, Virginia. 6:04AM.

You walked into the bullpen with your bag on your arm, sipping a strong coffee in a travel mug you had brought from home. 

“You look tired.” Emily commented as you walked over to your desk. “Late night?” 

You moaned in reply, not yet ready to let go of nursing your coffee mug, taking a few more long gulps as you took the strap of your bag off your shoulder and slung it into your chair. 

“Last night, the fire alarm in my building went off at 3am.” You told her, finally surrendering the mug and putting it down on your desk. “I was out of bed in a panic, barely awake, went into the hallway to evacuate - and the sprinklers had gone off. So I ended up standing outside for more than an hour in my little jammies, soaking wet, and it turns out - some teenager from the third floor pulled the alarm because he was having an argument with his mom. He didn’t want to go to summer school.” 

“Yikes.” Derek commented. “Well, you know, if you ever need a calm, cozy place to sleep, you can always give me a call. And you can bring your little jammies.” He told you with a wink. You rolled your eyes, knowing that flirting was his default. “As long as you don’t mind Clooney licking at your toes in the mornin’.” 

That almost made it sound more appealing. You did love that dog. 

“You know, a study was done at the University of New Hampshire that concluded that twenty to thirty minute windows of sleep actually optimize the human brain for functionality the most.” Spencer added on, leaning back in his chair at his desk as he explained this. 

“The schedule of a ten to twelve hour work day, followed by an eight hour sleep period has only been instituted in society as a commonality since the industrial revolution. And it doesn’t actually flow with how the human brain has been optimized by evolution. Before that, most people optimized their lives around a wake-sleep period of three to four hours, taking care of chores in the morning, participating in a midday nap, and then socializing in the evening and partaking in community events before sleeping again in the evening. And most communities functioned around people sleeping and waking at vastly different times rather than everyone having one collective morning routine.” He concluded, giving you a smile. 

You found his rambling fascinating, but you found it ironic that you could barely process half of what he had said - because you were too tired. 

“Well, unfortunately we can’t all live in villages and pick berries for a living.” Emily remarked with a yawn. 

The conversation shifted when Penelope walked in, and gave you a bright smile. 

“Good morning, pretty girl.” She greeted you. 

“Mornin’, Penny G.” You replied.

“This arrived on the mailcart for you, postmarked from a few days ago, stamped express. I figured you’d want to have eyes on it as soon as possible.” She told you, handing you a very average looking white envelope. 

You weren’t sure why, but it invoked a strange feeling in your gut. 

The moment that you saw the handwriting on your front - the script that made up your name. 

The way he had written it. 

Bile rose up in your throat, and you forced yourself to swallow it back down. All eyes in the room immediately knew that something was wrong. 

“What is it?” Emily asked. 

“Nothing.” You quickly replied. 

You didn’t even want to open it, but bitter curiosity was eating at you. 

How the hell had he found your work address? He knew where you worked now? 

“I’m gonna - bathroom.” You mumbled an excuse as you rushed back out of the room again, practically fleeing toward the bathroom, leaving all eyes on your shadow. 

In particular, Spencer’s eyes followed you hard as you retreated. He wondered how a simple letter could upset you so much. 

You secluded yourself safely in a locked stall, your heart thumping in your chest as you began to tear into the letter. The envelope turned to sinew in your hands with your anxious inability to open it properly. In a few moments, you pulled out the piece of paper with a shaking hand, and dropped the shredded envelope onto the floor. 

You barely managed to read its contents through tearful eyes. 

Lover, 

Fate has sent us on such different paths, but I will be with you again soon. 

I still miss you every single day. I remember your smell. 

I know none of the men you have spent your recent years with can measure up to me, which is why I have set you on the path back to me. 

“I wish, as well as everybody else, to be perfectly happy; but like everybody else, it must be in my own way.” 

-Daniel 

Your chest caved in when you realized that there was something taped to the corner of the page. 

You recognized the piece of dark cloth in an instant. 

It was from that night. He had kept it. 

You couldn’t keep the bile down that time. You turned to the toilet and puked up a horrible swirl of black coffee and half a toaster waffle that you had scarfed down while getting dressed for work. 

When you had just barely caught your breath, you heard the door to the bathroom creak open. 

“Y/N?” Emily called out your name. “Are you in here?” 

You didn’t answer. 

Instead, you heaved a large glob of putrid spit into the toilet and wiped your mouth with the back of your hand. 

“Are you okay?” She asked, her voice now coming from right outside the stall you were in. 

“I’m fine.” You handed out that lie, not knowing how many times in the next day you were going to be saying it. 

“You don’t sound fine.” Emily told you. “I thought I heard you throwing up.” 

“Bad sushi.” You lied. “Stopped by the corner store on my way home. You know I never cook. Food poisoning is usually 50/50 with that kind of shit. Just another thing to add to my great night, right?” 

You let out a sour, sarcastic chuckle, but Emily didn’t follow suit. 

You knew that you would have to face her sooner or later, so you wiped your mouth again and then turned and unlocked the stall door. 

“I’ll be fine.” You told her, throwing her a very fake smile. 

“Yeah.” She said, tone flat, entirely disbelieving. “Would it have anything to do with that?” 

She motioned to the letter, which you had almost forgotten was crumbled up in your fist. 

“Can I see?” 

You didn’t even consider how suspicious it would be, but as her hand moved toward the paper, you ripped it up and tossed it into the toilet, grabbing the envelope up off the floor and tossing it into the mess of paper and vomit as well before you flushed it all down. 

“It’s nothing.” You grunted out, another very poor lie coming from your lips as you exited the stall and moved toward the sinks. “It’s garbage.” 

You turned on the tap and leaned down, taking in a mouthful of water to rinse out your mouth while she watched you with careful, piercing eyes. 

“It’s kind of pathetic that you’re trying so hard to bullshit me.” Emily remarked. “Not just because we’re both profilers, but because it’s so painfully obvious that something is wrong.” 

You swirled the water around your mouth, rinsing it out, and then spit into the sink before you turned the tap off. When you rose up to your full height, you caught Emily’s eye in the mirror - pitying. You hated it. 

It was that kind of pity that held you back from telling her the truth. 

She reached over to the dispenser and got you some of the paper towel, handing it to you as she spoke again. 

“You know you can tell me what’s bothering you, right?” She said, reaching up to put a gentle hand on your shoulder. 

There was a small, quiet moment - the words edged on your tongue. 

You truly considered just coming out with it. 

But then- 

A harsh knock on the door cut through the silence. 

“Y/N? Em?” JJ poked her head in through the door, clearly looking for the two of you. When she spotted you, she continued on. “I need everybody at the roundtable in five.” 

“Let’s get going.” You said, wiping your mouth and then crumpling the paper towel to toss it into the garbage can. 

… 

Thursday, August 16th, 2007. Madison Police Department - Madison, GA. 1:45AM.

Reid stormed in, capturing everyone’s attention. 

After being given a shoebox full of strange letters by your mother, he had finally pieced it together. He finally realized the secret you had been hiding - the thing that put you right in this killer’s crosshairs. 

“Guys, I think we got the profile all wrong.” He announced, a look of worry knit into his features. “And - if I’m right, then I think I know where she is.” 

He motioned to something in his hands - it was a worn-out old shoebox, something that made everyone curious and confused. 

“What the hell is that?” Prentiss asked. 

“Come on.” Reid ushered everyone into the conference room, and once the whole team was gathered, he shut the door. 

He opened the box and spilled it into the middle of the table, revealing a flood of hand-written letters. JJ stood back in shock, Hotch observed carefully and silently as usual, and Rossi, Morgan, and Prentiss began to pick through them while Reid explained his revelation. 

“Y/N’s mother gave me these.” He explained. “All of them are addressed to Y/N, and from what I can see, they’re pretty much weekly, and they go back as far as 1999.” 

“When the first murder occurred.” Morgan easily pieced the two things together. 

“Not only that,” Reid added on. “The first murder took place in August of ‘99.” He said, pointing to the picture of the first known victim on the evidence board. “And I think the first letter, or one of the earliest, is from July of ‘99. At least.” 

“So - so she was having correspondence with the killer?” JJ questioned. “What? Was he in prison? Are you saying that Y/N is involved with this in some way?” 

“No-” Reid rushed to correct this assumption, and Morgan cut him off. 

“She was at Quantico when the latest victims were killed. Even if the guy has a partner, I really don’t take her as bein’ responsible for this.” He said. 

“Plus, these don’t exactly read as love letters.” Pretniss pointed out, her expression growing disturbed as she read what the killer had written from the letter in her hands. 

“-every day I dream of you, my love. I remember the way you felt underneath me - clawing for your life, desperate. I remember the way you screamed. Tasting your blood for the first time made me feel alive again. I hope the bruises meant as much to you as they did to me.” 

“The use of ‘I’ language denotes self importance - the author has a natural narcissistic personality disorder, but he pretends that it’s a fulfilling two-way relationship, when naturally it’s a fixation on someone who could never truly live up to his fantasies.” Reid explained. 

The room fell silent as the reality of it hit everyone. You were the target of someone truly dangerous. Someone who was going to kill you when you didn’t perform the fantasy that he had in mind for you. 

“She was being stalked.” Reid declared quietly, sounding defeated. “She still is.” 

“These killings aren’t someone having separate, individual fantasized relationships with each victim; this is about the killer repeating the same relationship over and over again, performing the same ritual killing in order to relive the same fantasy over again, projecting it onto different women of the same type.” Hotch said, coming to the realization as he stared at the different victims photos on the evidence board with a firm look on his face. “He’s been in love with the same woman in his mind for years, but nobody can live up to the real thing. That’s why he gave up the dump site. Because he wanted to lure her here. He wanted the FBI here, because he wanted to get L/N here.” 

“Okay, but the bigger question is: why L/N? What was the incident that got him fixated on her in the first place?” Rossi questioned, asking what was on everyone’s mind. 

JJ’s face was struck with horrible realization, and she ran to the door, ripping it open. She screamed the Chief’s name at the top of her lungs until she got the man’s attention, looking entirely crazed to everyone else in the station. Naturally, she didn’t care. He bustled over, scurrying toward her urgent voice, spilling coffee on himself in the process. 

“Chief.” JJ breathed out. “You said that Y/N came through the station, and she was beaten up the last time you saw her - when was that?” 

“Oh, I dunno?” He creased his brows with concentration, trying to remember. “About ‘98? ‘99?” 

“Did she file a report about the incident?” JJ asked. 

“Yeah.” The Chief replied. “It was a break-in. Poor thing. Summer vacation, her mother wasn’t home, off with the church on a retreat hittin’ the bingo halls up in Texas. She said that she never saw the attacker, though. He was wearin’ a ski-mask.” 

There was a silent exchange among the group that said they knew the truth - you had seen the attacker, you knew him. It’s why you had gone with him willingly this time. But you hadn’t told the police the truth back then because you had been too scared. 

“Can you get me that report?” JJ asked. 

After too many anxious minutes, the Chief came back with an old file in hand, and JJ snatched it out of his hands with a mumbled thank you before she shut the door in his face once again. She placed it down on the table among the mess of letters, and flipped it open. 

“Oh my god.” Emily gasped when she saw the photos inside. 

There was a spread of old polaroid photos, pinned to the sides of the file. They were almost too graphic for the team to look at - one showing the damage to your face; both of your eyes bruised, one of them entirely swollen shut. Scratches, deep gashes, harsh bruising all over your body. You were wearing a dark cotton tee shirt with patches ripped out of it - as if someone had been clawing at you and nearly ripped the clothing off your body to keep you from getting away. 

“This wasn’t a burglary.” Derek mumbled, frowning as he picked up one of the photos and inspected it closer. 

“Get Garcia on the line,” Hotch told JJ. 

She dialed the tech’s number on the conference hub, having to unbury the small bit of technology from some papers before she did it. It rang for a few moments before the woman on the other end picked up. 

“Where’s our girl?” Garcia asked anxiously, talking about you. “Is there any news? You’re calling because there’s good news, right?” 

“Babygirl,” Derek called out, trying to get her to focus, but she trampled right past this and continued to ramble on. 

“Please don’t tell me she’s dead!” Garcia shrieked on the other end. “Cause I can’t keep losing people! And I know it’s selfish to say that I can’t lose her, but she’s one of my best friends, and I’m gonna be a mess! And she promised to be the maid of honor and my wedding, and I know I’m not even engaged, and I don’t even have a boyfriend, but I need to have her around for big milestones in my life like that, she’s like the best person I know, and-” 

“Garcia, we need you.” Hotch told her firmly, cutting off her emotional ranting. 

“Right.” The tech replied, sucking in sharply, trying to catch her breath. There was some scraping in the background - the wheels of her chair on the floor as she scooted her chair into her desk. “What do you need? I’m here.” 

“I need you to look up reports of rape in and around Madison County between 1991 and 1999.” Hotch told her. 

“Rape?” Garcia replied, seemingly shocked by the topic and how it might relate to the case at hand - how it might relate to you. 

“Come on, babygirl.” Derek encouraged her. “Work your magic.” 

“Yeah. I got it.” She said hesitantly, and then there was the clacking of her keyboard as she worked. 

“Oh. Ugh.” 

“What is it?” Rossi was the first to ask. 

“There’s over five hundred cases.” Penelope told them, clearly disgusted by this number. 

“Can you narrow it down to women in their twenties? With similarities to the victims who have been targeted by the killer. Same hair type, same race, same body type.” Hotch told her. 

“Turning on the creep filter.” Garcia said, using her usual sense of humor that she turned on to shield herself. “That leaves us with… about twenty cases.” 

“Were any of them prosecuted?” Hotch asked. 

“Two of them.” Penelope replied. “A couple of sorority sisters from the University of Georgia were held at gunpoint and raped by a pizzaman in ‘95. He went to trial, got ten years. And he was paroled for good behavior in 2003. Yikes.” Emily rolled her eyes in agreement with his comment. “And shortly after his parole, he crashed his car into a tree in a drunk driving incident. Looks like he’s probably not your guy.” 

“What about the other eighteen cases?” Reid asked. 

“Um… no.” Garcia replied. “None of them went to court. A lot of these say that the victims were attacked by a stranger… that he broke in through the back door. Hold on.” 

“What?” Derek prompted her. 

“There is one here. Terry Driver. She said that she was raped, and she identified her rapist as someone she knew - Daniel Matthews. But he was never arrested because his brother gave him an ability for the night of the incident.” Garcia explained. 

“I bet that one was air-tight.” Rossi scoffed. 

“What type of injuries did the victims have?” Hotch asked. 

“Um… nothing major.” Penelope replied. Hotch frowned. “A black eye… a few scratches.” She hesitated. “Ligature marks… from being tied to their beds. God. That sounds like the most horrible night of your life, doesn’t it?” 

Hotch shook his head, sweeping a tense hand over his face. “He doesn’t fit the profile.” 

“Wait.” Reid swallowed thickly, staring at the photos of you that were sitting in the middle of the table. 

Battered. Bruised. Broken. 

“Some of the letters refer to him having an awakening. ‘An awakening in my soul. A bond through blood.’” He explained, naturally reciting the words from memory after having only read them once. 

“She fought back hard.” He held up one of the photos - one of your arm, showing deep, bloody scratches. Defensive wounds. “She found back so hard - he must have liked it. It-” 

“It gave him a taste for violence.” Prentiss finished off the thought, fear written all over her face. “She - she was the one who made him realize that he could use violence to replace sex completely. So he switched from rape to murder.” She came to the shocking realization aloud, her eyes flickering from the photo of you to all the photos scattered across the evidence board - all the victims he had practiced on in the wake of you. 

“Oh - oh my god.” Penelope gasped, having heard all of this over the intercom. “He’s gonna kill her? He’s gonna kill Y/N?” 

“Garcia, What can you get me on Matthews?” Hotch asked. 

“Um, right - Daniel Matthews…” There was more clacking of keys, and then Penelope replied. “He grew up in Madison. Looks like he went to the same high school as Y/N. He used to play football. He has a juvenile record for… vandalism, underage drinking. The usual. Oh…” 

“Oh?” JJ wondered aloud. 

“He had a very brief stint in the FBI Academy. He was kicked out 2001 when he was accused of sexually harassing fellow female applicants, and he was flagged on the psych eval as having a possible narcissistic personality disorder.” Garcia explained. 

“Bingo.” Rossi sighed. “That’s our UnSub.” 

“Oh my god. The hiatus.” Morgan said, his eyes fixated on the evidence board now. “‘99 was the year he attacked Y/N, when he first got a taste for it… and then… he followed her to the Academy?”

“And he resumed the killings when he got kicked out.” Rossi picked up on the thought. “When he couldn’t be in close contact with her anymore… he couldn’t get a high off of retraumatizing her, reliving that night in his mind, he needed to relive it through the other victims.” 

It all fit together now. 

It was a horrible puzzle, but it all fit together around you. 

“Reid, you said you might know where he took her?” Pretniss said, turning back to the very tired looking genius. 

“Yes,” Reid shoved aside the file with the graphic photos of you, and went shuffling through the letters for something. When he found it, he handed it over to Prentiss. “A lot of the earliest dated letters make reference to ‘our special place’. Or-” 

“-the bed I first made love to you in.” Prentiss read it off the page, clearly holding back vomit. 

JJ grabbed up the file with the report about the break-in, shoving aside the photos, looking for an address. “It’s here. I’ve got it.” 

“Okay, I want squad cars, tactical swat, I want spike strips on every road in or out of that place. I need everyone mobile in ten minutes.” Hotch ordered sharply, causing everyone to jump into action. 

…

Thursday, August 16th, 2007. Abandoned Country House - Madison, GA. 2:20AM.

It should have felt like a victory to hold a knife to the throat of your rapist - someone who had been taunting you for years after the incident. 

But somehow, you still felt small. You still felt so chaotic and out of control. 

Both your hands shook vigorously as you struggled with the warring inside of you, as you struggled with the weight of confronting your life’s biggest monster. 

In the back of your mind, you were aware of the guns pointed at you. You would have liked to believe that because Emily was your friend - she wouldn’t shoot you. 

Part of you thought it would be worth it. To kill this man and take a bullet in the process. 

You just hoped that she would aim to wound and not to kill. 

“Put the knife down!” Emily ordered, her voice sounding muffled in your ears as blood thumped hard through you. “Come on, put it down.” 

“Reid-!” 

You heard his name being called out, and you saw a figure moving from the corner of your eye, but all you could focus on was the blade in your hand. The sight of a thick, unmarked neck, ripe for the taking in front of you. The idea that all you had to do was press down and slice through flesh - and then, this would all be over. 

No more torment. No more letters. No more taunting. 

“Y/N,” 

His soothing voice spoke your name, and you held a sob inside of your chest. 

You had grown so much of a life beyond this. Beyond him. He had tried to ruin you, he had tried to keep you in some little cage in some shitty town, and you had outgrown him. You had friends. You had people who loved you. 

But you still couldn’t escape him. 

“You don’t have to do this.” 

Your hand shook as you held the knife. 

“I have to.” You replied, unable to hold back your sobs. You barely noticed the tears coming out of your eyes - barely able to identify why your vision was blurring, why your face was suddenly wet. 

“You don’t have to.” Reid told you, his voice calming, gentle. “You - you can give me the knife, and then we can just… walk away. And then it all ends.” 

“It won’t just end!” You screamed out, your voice a curtling weep that bounced off the walls. 

If you let Daniel walk away from this, he would come for you again. He would. 

Or he would keep killing other women in your place. And you couldn’t let that happen. 

You couldn’t let your cowardice be the reason that so many women had died. You should have killed him the first time he had ever touched you. You should have been brave enough then. 

“It can end.” Reid assured you calmly. “You just have to come with me. You just have to put the knife down and-” 

It just sounded like noises in your ears at that point. 

Spencer just didn’t understand. 

“I have to make it stop!” You screamed, urgent to make him truly hear you. “I killed those women. I killed them!” 

“Prentiss!” A voice called her name, but it was so distant in your ears. 

“Just give him a minute!” Prentiss fired back. 

“He killed them because of me!” You shouted, cutting him off. “We both know it’s my fault.” 

“It’s not.” Reid choked out. “Please don’t say that.” 

There was a gutting silence. 

“Please, just give me the knife.” 

You couldn’t give up. 

You had come too far to let Daniel win now. 

“It was my fault. I know what happened. If I had just been a good little girl… if I had just laid there and taken it… it’s all my fault.” You quietly wept, your arms still shaking - muscles ripe with hesitation as you struggled with your grip on the knife. “I have to be the one to make it stop.” 

By violence it was done, and by violence it would be undone. 

You could be brave enough this time. You could be the one to end it. 

“No, no you don’t.” Reid told you. “You don’t have to do it alone. We can make it stop together. Just give me the knife. Please.” 

You had been alone your whole life. What was one more thing? 

Just press down. Something in your mind screamed. Slice his throat. End it. 

“Please, just look at me.” Spencer begged, his voice growing more desperate. “Please.” 

You didn’t look up at him. 

You knew that you couldn’t. 

If you took one look at those soft, pitying eyes, then the tiny bit of bravery you had gathered up would crack away. 

“Y/N, please.” Spencer continued. “I know why you think you have to do this. I know that his face is the one that’s been in all your nightmares since that night. I - I know you were all alone then, on the night that happened. You must have felt so alone.” 

You let out another sob at this. 

You had been so alone. 

“But you’re not alone now. You’re not alone now, okay?” 

Spencer’s gentle voice delivering the words made them feel so true. 

“We’re here with you now. I’m here with you. You don’t have to do this alone. You don’t have to fight by yourself anymore. You don’t have to be strong.” 

You heard a crack in his voice for the first time - his own tears. 

It wasn’t pity. 

It was genuine sadness for you, as he thought about what had happened to you. What had happened in this very bedroom all those years ago. 

“Spencer-” You choked out his name, and your body betrayed you. 

You finally collapsed, your hand dropping the knife, and Spencer reached out and grabbed you as you fell, helping to move your shuddering form away from the unconscious, horrible man as the others finally moved in. 

You heard more voices, more shouting - maybe Hotch giving orders. 

But all you felt was Spencer’s arms around you, creating a shield as he rubbed your back and gently hushed you, letting you sob as loudly as you needed to, giving you a kind of comfort that you had never felt on that horrible night. 

… 

Thursday, August 16th, 2007. Madison Police Department, Interrogation Room #1 - Madison, GA. 3:39AM.

The chilled air of the interrogation room only made the regret of it all more palpable in your lungs. 

Maybe Reid had saved you from yourself, or maybe he had caused you to make the biggest mistake of your life. 

You should have killed Daniel. 

You hated it, but you had to wonder what you would have done if you had ten more minutes. Ten more minutes before they had arrived, sirens screeching, lights flashing. Your mind kept replaying the moments over and over again. The knife had felt so perfect in your hand. You should have sliced his throat. 

Ten more minutes. 

The hum of the fluorescents overhead made you feel like a bug about to be zapped - like your entire life was over and you would be resigned to a cage. 

Daniel had been hauled away in an ambulance. He had been entirely unmoving. In ‘critical condition’. They would likely charge you with manslaughter if he didn’t recover - it wasn’t likely that he would. You had overheard Prentiss remark on the irony that he was an organ donor. Because you had beaten him so badly, but not killed him, it was likely that his comatose state would lead to his organs being donated, and saving more lives. 

It could be viewed as a beautiful thing. 

But you had to wonder if the poison he had in his veins was contagious. Should the heart of a killer really live on inside someone else’s body? 

“Let’s start with this,” Reid asked you sharply. “Why?” 

Truthfully, you couldn’t give him that answer. You didn’t think you would ever have enough time to conjure it up within yourself. 

“You’re the genius profiler, Doctor Reid.” You fired back coldly. “You tell me.” 

You let out another puff of your cigarette, and he frowned at you. 

“No.” He said. “No more bullshit. No more games.” 

You definitely were not used to this version of Reid. 

You were surprised that it had taken you almost killing someone to bring out his cold side. But you supposed that everyone had a line. And you had crossed his. 

“Why didn’t you tell us you had been raped?” He asked. “Why didn’t you tell us that the rapist lived in your hometown and was a viable suspect in all of this? Why didn’t you tell us that the letter you received the other morning was just one of many your rapist sent you over the years, stalking you, obsessing over you after-?” 

“Why?” You said, your voice scraping against the word harshly as you tossed it back at him, cutting off his ranting. 

He gave you an impatient expression as it hung in the air - eyes wide, pursing his lips. 

It caused you to flare with anger. 

You let the cigarette burn down to a hot cherry between your fingers, the harsh sting against your skin being the only thing keeping you from lunging across the table and strangling him. 

You stubbed it out in the ashtray before you answered him. 

“Why didn’t I want to suddenly announce to a group of my intellectual peers that I was raped?” You echoed back, more tears gathering in the corners of your eyes - you knew that you must have looked quite crazed, especially when Hotch stiffened, and Reid’s expression dropped. “You know, when I first came to the BAU, it was the only time in my life that I wasn’t viewed as a victim.” 

“Y/N-” Spencer said your name in that gentle tone again, but you weren’t having it this time. 

“My dad left us when I was only a year old. And everybody viewed my Mama as this fucking martyr because she raised me by herself. ‘Oh poor girl. She doesn’t have a daddy. Poor little girl, all alone. Her mama does such a good job.’” You said, ranting in a crazed tone. But the floodgates had opened, and you couldn’t stop it. “Nobody wanted to talk about how my Mama was off half the time, drinking at bars, out partying with friends. She got pregnant at sixteen and she didn't want to stop having a life. God forbid I get in the way of that. I took care of my damn self! I raised myself!” 

You knew you were screaming, but you couldn’t stop it. 

“L/N-” Hotch tried speaking to you in a firmer voice. 

But you couldn’t stop. 

“Daniel only broke into the house that night because he knew I would be alone.” Your voice warbled harshly on the word, and you hated it. 

You hated the look that Reid and Hotch were giving you. 

Pity. 

That look you had been trying to avoid for so long. 

“When I came here that night and made the police report, they all knew I was bullshiting. They knew that it wasn’t a fucking burglary.” You pressed on. “But none of them said anything! They didn’t care.” 

There was a tense moment. You swallowed thickly around your own tears, holding back sobs once again. 

“Why didn’t you tell us?” Spencer tried again, seeming to be personally stuck on this point. “I asked you if something was wrong. Why didn’t you tell me?” 

“That look in your eye.” You told him, entirely honest. “That look you have right now. I - I couldn’t stand the idea of you looking at me like that forever.” 

“Daniel approached you in the parking lot of the corner store.” Hotch stated calmly. “Why did you go with him willingly? Did he have a gun on you?” 

“He had a gun.” You told him. “He did have it pointed at me. But - I didn’t have mine. I didn’t like the odds.” 

Hotch nodded at this. 

“I didn’t want him to take another girl.” You added on. “I knew they were replacements. At that point, I realized what it was. I figured nobody else should have to die because of my mistake.” 

“Mistake?” Spencer echoed back quietly. 

“Not killing him the first time.” You said, knowing this was likely a bit too honest. “I should have killed him the first time he ever put his hands on me. I should have. I wanted him dead.” 

Tears leaked hot from your eyes at this, and Spencer’s eyes grew glassy - he blinked back his own. 

“You wanted him dead, but… did you want to kill him?” Hotch posed. 

“I don’t know.”

...

“That is how heavy a secret can become. It can make blood flow easier than ink.”

-Patrick Rothfuss

...

A/N: This is a oneshot, meant to function as an episode of Criminal Minds, so please respect it as such. Please do not ask for a sequel or a continuation, because there will not be one. If you are going to comment about the work, please comment about the body of what has been written. I highly appreciate reblogs and comments if you enjoyed it, and if you want to see more of what I have written for Criminal Minds, definitely check out my Criminal Minds masterlist.

[hanahanumana]

From AnaMaria Abramovic on Fb

Paste magazine has done an article about Michael and how underrated he is in Good Omens and I found a transcript since it's behind a paywall. Here's the link if anyone wants to subscribe. 💙

https://www.pastemagazine.com/tv/amazon-prime-video/good-omens-michael-sheen-underrated-performance-explained-streaming

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

[meanbossart]

I have another intense ask about bhaalist AU drow...

Would drow be “forced” to procreate? And how would Asatrion take that information? If Astarion is his consort, would he be jealous of concubines? Would this also contribute to his overall dissatisfaction during his time trapped at the bhaal temple? Or Would he be happy that his lover has distractions, so he can have time alone - maybe plotting his escape?

I’m overall curious about how drow and Astarion’s relationship falls apart in your AU

I don't think so! Not that I care about biblically following canon or anything like that, but there was nothing throughout the story that made me think procreation was a requirement in Bhaal's plan. If you take the scrapped ending into consideration, it seems to be more of a punishment first and foremost.

Not to say I don't believe it to be a part of the man-made gospel in some form or another. Sarevok seems fairly invested in this idea of generating bhaalspawn that are pure of blood, and this is an agenda that he subtly pushes onto DU drow throughout their years operating the temple: that said, like it often is, Bhaal is silent on the matter.

There seems to be a lot of conflict within the cult about what Bhaal wants and how he wants it, and I choose to interpret his failure to clarify as part of the Murder God's nature, as well as a fun nod at the (dys)functionality of real-life cults where you have several people claiming to have a direct connection to a god.

But back on topic, there IS the heavily implied Dark Urge To Multiply. A few instances where durge or someone around them suggests that, eventually, having children will be an irresistible biological necessity. There are a few ways to interpret this! But I can't help but notice that this theme is absent in a route where you do willingly become Bhaal's chosen - maybe its a failsafe Bhaal cooked into The Dark Urge in case his child became a weenie? To possess them with the need to spread their seed around until SOMEONE down the family tree stepped up to the role?

This definitely turns out to be the case in DU drow's redemned route, where he is plagued with bouts of breeding-related mania and depressive episodes that come and go as a result of a nest remaining empty, But I hadn't really considered this for his Bhaal-embracing self He definitely harbors an obsession with procreating in that AU - but... I'm not sure that's Bhaal's doing anymore. I think he just wants for there to: A) Be more of him around. B) Create a tangible, undeniable connection between himself and Astarion that cannot be severed.

A theme with DU drow is that he is aggressively monogamous. This remains constant in every possible iteration of him and it's a pillar of the character - he is devout to a partner until the end whether they want him or not, and so, Bhaalist DU drow would be violently opposed to the idea of being sexually involved with anyone besides Astarion. If Sceleritas or members of the temple insisted otherwise, he would balk and them push them off into a Chasm. If Bhaal demanded him do it, he would jerk off into a vial and hand it to whoever he deemed pretty enough to mix up with, and then probably kill the child as soon as it was born, anyway - because it's not right.

DU drow (again, in all iterations) almost believes there to be a magical component to true love that affects a person's life beyond just their choice in long-term partners. Just like he once decided that Orin was his forever-mate, he's now decided him and Astarion are intrinsically linked, that they are stronger together than they will ever be apart again. And It is particularly romantic to him (a matter of ironic fate, really) that the Murder Prince's true love would be undead. In DU drow's mind, and SPECIALLY in his Bhaal-embracing version, this is simply the universe's plan for him, and to divert from it in any way (by, for example, procreating with someone else) would be blasphemous.

Now, obviously him and Astarion can't have biological children for a plethora of reasons. But this is fantasy. Bhaalist DU drow would simply not stop until he found the best way to create someone that could be, spiritually and physically, considered their functional blood-offspring. Through Alchemy, magic, ritual, whatever it may be - as long as it works and works according to his high-standards. I suspect he would have specialists shipped in from wherever they may be in the realms to look into the issue, and probably someone who's sole job is to research the matter, though I'm not sure he would ever be satisfied with the results.

I think Astarion would be utterly checked out of the matter.

[blossomthepinkbunny]

Vivzepops fetishization of queer men and the lack of Sapphic content in HH and HB

I found it a bit dissapointing that Charlie and Vaggie had very little interactions that could be read as romantic or sexual, especially since they are the supposedly the main couple of Hazbin Hotel and have been together the longest out of most of the couples in HH and HB.

Of course having more casual representation is also fine but the most memorable thing about their relationship was the quickly resolved argument they had when Charlie found out about Vaggies past. I've seen different opinions about how they were handled as a pair.

I understand when someone says that they enjoyed a more relaxed couple with subtle, realistic interactions, interactions that are often overlooked just because both characters are female.

But I can also agree, that they were really not a stand-out couple (wich is weird since Charlie is the main Character) and that it was a bit dissapointing to not see a lot of content for them.

Now the main issue I found with this is that in Vivzepops stories there is a definitive lack of sapphic content. It sometimes seems like women are sexless unless they are with a man. But two men can be sexual and openly affectionate (romantically too). At first I didn't really understand why I felt weird about Chaggie as a couple, so I looked at all the implied/canon ships in Helluva and Hazbin (including past relationships).

Implied/canon couples between a man and a woman:

-Millie and Moxxie

-Blitzø and Verosika

-Stolas and Stella

-Millie and Chaz

-Beelzebub and Vortex

-Sir Pentious and Cherry Bomb

-Adam and Lute

-Lucifer and Lilith

Implied/canon couples between two men:

-Stolas and Blitzø

-Asmodeus and Fizzarolli

-Moxxie and Chaz

-Angel Dust and Husk

-Vox and Valentino

Implied/canon couples between two women:

-Charlie and Vaggie

Now please tell me if I missed any, but these were the ones I could think of.

Honorable mentions include Loona & Vortex, Blitzø & Striker, Blitzø & Chaz and Blitzø & Fizzarolli. But I didn't put these on there because they're either one-sided or don't have enough romantic content.

Now it's very easy to see the difference between representation for queer men in comparison to queer women in these shows. The only relevant (im not counting Background characters) Sapphic relationship there is, is Chaggie. And it's completely underrepresented when compared to the content the man x woman or man x man ships get (not to mention the total absence of gender-queer characters).

One of Millie's and Moxxie's jokes is that they're so in love, that they're almost always cuddling, holding hands, talking sweet or just straight up making out with eachother (I'll talk about Millie a bit later). Sir Pentious had multiple scenes dedicated to him trying to confess to Cherry Bomb or just crushing on her in general.

Stolas' and Blitzø's relationship has become one of the main topics of Helluva Boss and they get a Backstory and explicit aswell as dramatic scenes for them as a couple. The same goes for Asmodeus and Fizzarolli (except that their love isn't as important). Angel Dust and Husk get a song and part of an episode for their relationship to develop.

Here i'd also have to mention that by the list I made Vivzepop's fetish for queer men is very prevalent. Most of the couples between men and women are either past relationships or they get very little attention to them. The only ships that often get special focus, development or explicitly romantic/sexual focus are ships with two men (no matter if their dynamics are even good, healthy etc.).

Now for Millie there are different ways you could talk about her situation with relationships. In general I think that everyone can agree that Millie lacks Character and is a good representation for the neglect of the female characters. Most of her moments revolve around Moxxie in a way and she hasn't had precise characterization so far.

Millie's relationship with Moxxie is sweet and simple and is generally one of the better things about Helluva Boss (if you ignore Millies lack of personality wich really pulls the couple down for me). Now the Episode "Exes and Oohs" shows the mutual Ex of Millie and Moxxie. Chaz dated both of them and as we see in the episode affected both of them very negatively. At the start we literally see Millie freak out and destroy a bunch of stuff, just because she saw Chaz on the street.

Yet Millie's relationship with him is never explored further. All we know is that she dislikes him and that he's a giant asshole. Whereas Moxxie get's a whole Backstory and episode plot about him and Chaz. No focus is given to Millie at all even though Chaz is the ex of BOTH of them.

Another thing that I wanna point out is Millie's possible Bisexuality. Now im not so sure for this point because I couldn't find genuine confirmation on wether Millie is actually confirmed to be Bisexual or if it's just a headcannon. So take this with a grain of salt BUT if Millie is Bisexual then she perfectly shows how little Vivzepop cares about Sapphic representation. What does Moxxie get to confirm him as Bisexual? An ex of the same gender (also multiple explicit flashbacks with him), a whole discussion about his queer identity and a scene where he literally says that he's Bisexual. Moxxie is pretty good Bisexual representation in that regard.

What does Millie get? Nothing. Again I don't know if she's genuinely also Bisexual or if it's ever been confirmed but it'd also be pretty weird if Vivzepop apparently cares so much about queer representation and then doesn't confirm any female characters as actually queer.

I think a lot of people have talked about her blatant fetishization of queer men and I think that that's also mainly why I feel weird by the lack of attention on Vaggie and Charlie as a couple.

I sorta wish I could enjoy a more toned-down and realistic couple in these shows, but when I see that a ship like Vox and Alastor (wich isn't canon nor would it even happen since Alastor is Aroace) is talked about more than the actual main character's relationship I just don't like it.

There's so much more you could say about poor queer representation by Vivzepop (like the fact that she's fine with people ignoring Alastors Aroace identity, and the stereotypes etc) I mainly wanted to talk about the neglect of her female cast in terms of sexuality.

[michelle-is-writing]

Interview, Matthew Gray Gubler

He's so goofy, I love him

Word Count: 2.1k~

(C/n) : Character name for the show

I think even after all the years of doing acting, I will never be able to feel completely comfortable in an interview. Over time, it's gotten easier, but the lingering feeling of nervousness still creeps up into me. I always worry I'll say something that can be taken out of context, or I'll blurt out something I wasn't supposed to reveal just yet. However, if I'm with friends or co-workers during an interview, the anxiety isn't so prevalent.

Thankfully, right now, I'm in one of the rooms on set with four of my closest friends as a reporter from a nearby magazine publishing company interviews us. Kirsten, A.J., and Shamar sit along the largest sofa while Matthew and I share the loveseat in the room. It's fitting, actually.

Over time, Matthew and I have formed a relationship with each other outside of filming Criminal Minds. It wasn't planned, of course. We met on set knowing our characters would soon be forming a romantic relationship, and so, we started a friendship to better portray the chemistry on set. However, that chemistry went farther than I could've expected in such a short time, and now we sit as two lovers who can't reveal themselves to the world just yet.

In the show, my character, (C/n), and Spencer still haven't gotten together. They're perfect for each other, my character having been written specifically for Spencer's character, but they have issues like any other two people trying to get together. It's lead to a lot of ups and downs with many fans going online to tell us to just kiss already. Luckily for them, the next episode that's next to come finally breaks through that relationship barrier and our characters get together. Because of this, the producer has told us that it was alright Matthew and I could be together off-screen - however, we must keep our relationship secret and hidden away from the public to avoid any spoilers about the episode being released.

Due to the pressure of trying not to do any of the things I would usually do with Matthew, I'm a bit scared of this interview. I know the interviewer is going to ask us questions about our ever growing on-show relationship - that's a definite. With the increasing romantic tension between our two characters, I don't even think she has to ask any questions to get the answer she wants. It's happening, and it's obvious.

Once the interviewer enters the room, she introduces herself as Lacey and greets us all with a welcoming smile. Sitting down in the only arm chair in the room, she starts off by talking about the recent season to the camera while other cameras pan around to catch video of us all. With all of us being watched and recorded, Matthew waits until the cameras are pointing away from us before sliding his hand discreetly over to mine and linking our pinkies together. The simple action, makes me a bit calmer as a smile soon makes its way to my lips.

"So, JJ And Will," The interviewer starts, facing A.J. with the same smile as before, her arm draped against the arm rest while her leg is crossed over the other. "Are they thinking about having any more kids after this recent one? Maybe another boy, or a girl for change?"

At the question, A.J. smiles with a small laugh. "I think for now, Henry and Michael are enough for Jennifer," She explains, folding her hands together and placing them in her lap. "Plus, I think Mekhai and Phoenix are enough for me at the moment too," A.J. adds, causing all to laugh with her. The boys are wonderful, but with Phoenix barely six months old at the moment, I can understand why she would be apprehensive over thinking about another baby so soon.

"They are adorable kids, A.J.," Lacy tells her, earning a warm 'thank you' back. Turning toward Kirsten and Shemar, Lacey asks them her next question. "What about your characters?" She asks, "Are there anymore developing things to soon come along?"

"Just the same ol' incessant flirting from this old woman," Shemar jokes, earning a slap to his arm from Kirsten much to our amusement. However, Shemar quickly earns his friendship back from Kirsten with a hug as she struggles to keep her angry face. "But it's the flirting that I love! I love it! I'm glad it's incessant!" He further clarifies, taking Kirsten in his arms and swaying her as she laughs at him.

With that, our laughter grows until finally quieting down as Kirsten is back to wrapping her arms around Shemar's neck in a non-threatening gesture. This time, the interviewer turns toward Matthew and me with a smirk on her lips, his hand having already left mine moments ago as we felt the questions coming.

"Now," Lacey begins, her voice slow and calculated. I can't help but feel a bit anxious under her unmoving stare. "We have seen the relationship between (C/n) and Spencer grow and have breakthroughs on-screen, but, my question is..." She then pauses, her smirk turning into a grin. "What all do you have to say about yours and Matthew's relationship off-screen?"

Her question takes me by surprise. All of the questions we've been asked before were centered around the relationship between mine and Matthew's characters - never are they about me and Matthew in real life. We always chalked it up to the fact that we make sure we're careful in not revealing that we do have a relationship, but maybe Lacey just kind of sensed it. Although, how could she not?

"Oh, well," I start, looking over at Matthew as he smiles at me. To the others, it's just a plain, nonchalant smile, but to me, I can see the corner of his lips turning up into a smirk. "Our relationship is nothing more than friends," I lie, my voice calm as I continue lightly grinning. "We play around and joke around with each other constantly. We're very close," I add, being truthful for once. I know that Matthew desperately wants to stop hiding our relationship from the public, as do I, but we can't. At least, not for another week.

Lacey hums a response with the smirk back on her lips. "So, Matthew's arm around your shoulder was just a friend thing?" She can't help but ask.

"Okay, so, we're best friends!" I exclaim, rolling my eyes before letting out a small laugh. "Two friends can put their arms around each other without it meaning anything else. Right, Shemar?" I add, hearing the man in question agree with a 'I know that's right'. Meanwhile, Matthew has his own way of dealing with the unwanted questions.

"Whoah!" Matthew states, leaning back with a blank look, his hands help up in surprise. "Did you just friendzone me, babe?" He asks in a ridiculous voice, making me stifle a laugh. He's so goofy, but I guess he's trying to help me play it off all the while calming me down too. Like anything else he does for me, he's doing it successfully.

"You're lucky I even said 'best friend,' buddy," I add, crossing my arms with a smirk as I lean back against the couch rather than Matthew's arm like before. Meanwhile, Matthew just stares at me with his mouth agape, trying not to laugh at my words.

"Bu-buddy?!" He questions, purposely stuttering the word for a dramatic effect. "My heart!" He shouts, slapping a hand to his chest. This time, everyone begins laughing at our exchange as we smile at each other and slowly settle back down.

Thankfully, realizing that she won't get the answer she was wanting, Lacey doesn't question mine and Matthew's relationship again, nor does she ask anything more about Spencer and (C/n)'s growing relationship either. In fact, her attention is so far away from me and Matthew at this point that she doesn't even notice our new position with my back against Matthew's chest and his arm lazily strewn across my lap. Any other time, this wouldn't be happening, but with us establishing that we're just "friends" like Shemar and Kristen (funny enough, the only two that actually do know about our relationship), I feel as if we're in the clear.

After the interview is over and we're all released to head back to our dressing rooms, I make my way to mine with the intention of taking my makeup off before heading home and taking a nap. Of course, when I say 'home,' I mean mine and Matthew's apartment. Unfortunately, it's yet another thing we have to hide from everyone else.

Just as I toss my used makeup wipe into the trash bin, I hear my dressing room door open behind me before shortly closing afterward with a click. Turning around to see who walked in, I'm greeted by the person whom I want to see the most, and we can't help but smile at each other as soon as our eyes meet. Barely a few seconds pass before Matthew's arms are around me and my lips are on top of his.

Despite our touches being soft and sweet, they soon turn into something more as I find myself pressed against my dressing room counter with Matthew in between my legs and his hands planted firmly on my waist. "Matthew," I murmur in between kisses as his lips move down to my jaw. I know that if we don't stop now, there will be no stopping at all.

"Matthew, we can't," I whisper, pulling myself back to look at him. Staring back at me with lust blown eyes, I watch as he tries to catch his breath while I do the same. Having to hide our relationship everywhere we go builds up a certain passion that sometimes comes out in situations like now. Although, it's usually at home and not where practically anyone can catch us. "Not here."

"Why? No one's going to hear us," He quickly points out, shrugging as if it were nothing. Diving back into my neck, Matthew presses his lips onto the skin of my collarbone, prompting me to move a hand to his head and tug his hair back. Thankfully, this brings a halt to his actions, and instead of crying out in pain, Matthew jerks his head back into my hand and sighs through his nose, smirking. "Unless you keep that up."

Resisting the urge to laugh, I shake my head at him. "That's what I'm saying!" I almost exclaim, moving my hands to the sides of his smiling face. "Besides, we haven't come out as official yet. We were told to wait until next week's episode that way we don't give away our character's relationship at the same time," I remind him, feeling my heart slowly break as his smile falters.

Knowing that I'm right, Matthew sighs before laying his head against my chest in defeat. "I know, but I'm tired of waiting," He murmurs, his voice gentle and almost in-audible. Out of the two of us, I think Matthew's the one that this affects the most.

"Me too," I agree, my hand that had previously pulled at his hair now soothingly combing through the longer locks. "But, it's just another week, just one more," I point out, reminding us both that we don't have to wait that long anymore. "And then we can finally kiss and hold hands and hug without having a finger waved at us."

Nodding with a chuckle, Matthew continues resting against my chest as I massage his scalp. Although, a flip is switched within a matter of seconds and he's back to smirking. "You know, we could always just give them a sneak peek, nothing more," He suggests, turning his head to nuzzle further into the exposed skin from my v-neck blouse.

"Matthew, you are an animal!" I quietly exclaim, laughing as I have to once again push him away. With him grinning playfully, I move to stand back up in front of him, a similar grin making its way onto my face before I lean up and press my lips to his in a soft, but quick kiss. "I do love you though."

Smiling at my comment, Matthew tightens his arms around me and holds me close, my face now pressed into his chest for a change. "I love you too, (Y/n)," He murmurs, lowering his head as I feel him press a kiss to my hair. One more week is all we have to wait before revealing anything, and honestly, I don't know if this man is going to last that long.

And to be honest, I can't blame him.

[fandomapocalypse]

Love and relationships in Hazbin Hotel

Episode 7 has something interesting and in the song that is called "Out for love" is sung by a character that is referring to a type of love different from a romantic or sexual one, Carmilla is openly talking about familial love. Vaggie of course relates this to her romantic feelings towards Charlie and how she wants to help her. But something else interesting happens in episode 7, Rosie is properly introduced as Alastor's bestie. This leads to showing another type of love: platonic love.

Now to the main point of this post: Alastor. It's canon that he is aroace and as an ace myself (I'm still questioning whether I'm aromantic or demiromantic but this post isn't about me lol) I'm extremely happy to see myself through him. Plus, the fact that the perfect Tumblr sexyman is aroace is genius and hilarious, you can't possibly top this type of humor.

Alastor for me has been a great ace representation and I've seen myself mainly in how he acts around his friends or other people.

When it comes to Niffty it looks more like a relationship between someone with their feral cat or their crazy little sister. But it's still a genuine connection and a fun chaotic one at that, he even lets her touch his hair and climb on him. In regards to Mimzy, he has shown he cares about her and welcomes her with open arms. He openly hugs her, which shocks everyone in the cast. This is extremely important because Alastor usually only starts physical contact to mock others or to pretend physical closeness as a manipulation tactic (like he often does with Charlie). When it comes to people he hates Alastor may touch them but will quickly wipe his hand on his clothes, like what he did with Lucifer. Personally, I don't like personal contact and only accept it if I start it and usually I use it as a way to show affection with close friends. Also, they have known each other since they were alive, so Mimzy probably knows a lot about Alastor that the rest of the cast doesn't. Mimzy also says that they used to dance together. But that doesn't exclude the fact that she uses Alastor's friendship and affection to save her own ass and taking into account how Husk reacted to Mimzy, this isn't the first time she does this. Also, the relationship between the two starts to crumble after what happened in episode 6 and Mimzy seems to be the kind of friend who will pretend that they are still on good terms and still ask Alastor for favors in the future.

Now jumping back to Alastor's true bestie: Rosie. They probably bonded at first over their cannibalistic natures but it's clear that it evolved beyond that. Personally, I don't ship Alastor with anyone, but when it comes to Rosie I headcanon they are in a QPR.

There are various reasons why this relationship is so great and wholesome, the first one being that there is no power imbalance, they are equals. Both are cannibalistic overlords and are on equal footing in terms of power. When Rosie first sees Alastor she is genuinely happy which is something new because most people react badly to him out of fear or hatred.

Alastor respects Rosie, he even compliments her, in her introduction he says she is "the most darling, delightful, and dangerous Overlord of this side of the pentagram". Considering how self-centered and narcissistic he can be, it means a lot. Alastor would rather die again than compliment another Overlord who isn't Zestial, which he respects but out of fear. Alastor respects Rosie as his close friend. When they stand next to each other they give an air of equals, something that never happens thanks to Alastor's ego and sadism towering over everyone else. With Rosie it's different and Rosie can openly tease Alastor with the "Look at you, so polite! Alastor you can learn a thing or two" when comparing him to Charlie when meeting her, or "I'm just kidding, I know you're an ace in the hole" to tease him about his asexuality. This is something that not a lot of people can do because Alastor is obsessed with control and respect. After all, we see how badly he reacted when Husk insulted him.

He also harmonizes with her, he willingly makes a duet with her in "Ready for this". He isn't interrupting her, instead, he agrees with her and they sing together in unison. This is the first time he doesn't openly hijack a song or fight for control over it, like he did with Vox and Lucifer (although this also happened because this is Charlie's song, but who cares the point still stands). Also, this is the first time we see him dance with someone, instead of forcing them to join his musical number (like he does with Charlie on various occasions). Alastor and Rosie are in perfect sync and it's so wholesome and precious to see him being so openly happy with her. Many have pointed out that the only times Alastor is genuinely smiling is when he is with Rosie and it shows by his expression in his eyes.

Finally, Rosie is the only one capable of bringing the most human emotions out of him, the most obvious one being confusion. In the scene of "ace in the hole" Rosie manages to confuse and surprise Alastor for a solid second, which is a huge change of his persona around everyone else of control and manipulation. Also, it's hilarious that Alastor doesn't know what being aroace is, he probably thinks he is above all that.

He is openly relaxed around Rosie and lets her touch him in an affectionate way, something that not even Mimzy can do. It may be because of the height difference but Mimzy only touches Alastor to hug him and to emphasize he is a "heartless son of a bitch" and Alastor clearly gets irritated by her touching him that way and even moves her finger away from him. This never happens with Rosie and he even welcomes her touching him by not having any walls with her. It's Rosie the one starting the physical contact and Alastor doesn't seem to mind and he never tries to use physical contact to take advantage of her like he does with other characters. Rosie is one of the few people who can touch Alastor without losing an arm and instead have a positive reaction out of him.

The most genuine relationship Alastor has is with Rosie, he even has the confidence and comfort to stop his elegant and reserved persona of not swearing. Which he only does when he is truly angry, like what happened with Lucifer. Or when he is threatening someone like he did with Adam. Or when he is shocked when his microphone breaks. He swears to insult Susan, which is someone they both despise equally. Something that you would only do with your closest bestie.

Finally, let's talk about Alastor's breakdown in the last episode. We've already seen that Alastor is capable of having friendships that aren't based on an end goal. Alastor knows this but he rejects it because he is at the hotel originally for selfish goals and doesn't want his emotions to get in the way. He is terrified of ruining his reputation as a sadistic killer and becoming an altruistic who cares about his friends. Alastor wants to stop himself from starting to care about the crew the same way he cares about Rosie, Mimzy, or Nifty to some degree. This is confirmed by his conversation with Niffty, where he admits he has grown accustomed to the main crew and perhaps he is growing feelings of affection towards them in his own way.

In regards to shipping him with Rosie, I see it as a platonic ship or a QPR. Some people have a headcanon that if they had known each other when they were alive they would have married for tax benefits and to avoid the social stigma, which is the only right answer. When they first met in hell they probably had dates in cannibal town where they ate human flesh while gossiping and trash-talked about the other overlords. Which is exactly what an ace person like myself wants from a close friendship.

As an ace, I really like Alastor not because he is the ultimate Tumblr sexyman or see him as hot but because he is an extremely fun character that I can relate to. I'm grateful for the crew and VA that take into account he is aroace and take seriously that aspect of his character. I don't mind that the aroace representation in Hazbn Hotel is a narcissistic psychopath, if you want a more wholesome ace representation you can check Todd in Bojack Horseman or Saiki in The Disastrous Life of Saiki K.

I don't mind people shipping Alastor, after all, it's just people having fun, but you can't ignore that he is aroace and how this affects his relationships. So yeah have fun and respect and aroace community :)

ok thanks for hearing my rant bye

[eddiespornstache]

The entire point of 7x04 TO ME

is that Buck has no context for the feelings he’s experiencing. He knows he’s feeling jealous but he INCORRECTLY assumes the jealousy is targeted towards Tommy over Eddie because that’s what makes sense to him. He’s “allowed” to be jealous over Eddie in his own mind because that fits in with their best friend dynamic. It doesn’t cross his mind that he could be jealous over Tommy because he’s not operating from a framework where that’s a conclusion he could draw since he’s never verbalized to himself that it’s possible for him to have a crush on a dude

That’s why Buck’s conscious actions like buying the basketball and getting Eddie’s attention when he’s on the phone are about Eddie. Because Buck doesn’t know what’s going on in his brain yet and he thinks it’s about Eddie. It’s his subconscious actions like shoving Eddie (since he clearly didn’t intentionally mean to do that) that point to the fact that Eddie isn’t actually the one Buck is jealous over, he’s the one he’s jealous of.

It’s not until the scene in the loft where Buck is feeling sufficiently embarrassed by his behavior, and Tommy’s right there getting closer and closer, and the flirtation between them is getting more and more apparent, that he finally realizes that it was, in fact, always about Tommy. Part of the reason getting his attention was so exhausting was because Buck spent the bulk of the episode barking up the wrong tree because he didn’t know what he was doing!

Yes, it is stuctured a bit as a bait and switch for the audience because we spend the whole time following Buck’s pov, and he’s an unreliable narrator right up until Tommy kisses him. And I feel like I see a lot of people stuck on the bait part because it reinforces their preconceived notions when the episode itself and the way Bucktommy plays out for the rest of s7 very clearly emphasize that it was a misdirect, both for him the character and us the audience.

And this is not coming from a place of anti Buddie at all! If Buck wasn’t aware of his crush on Tommy he’s certainly not aware of any deep seated feelings towards Eddie at this point. Buddie absolutely could develop in the future. But in 7x04 the emphasis on Buck and Eddie’s relationship, even with all the jealous feelings, is very clearly laid out within the platonic bounds that, as far as Buck is currently concerned, it exists in. He was always jealous over Eddie as a friend, and he was always crushing on Tommy. That’s the takeaway that the episode wants the viewer have. Anything else, to me, is shipping goggles. If the show’s narrative ever gets to a point where it intentionally wants the viewer to understand that Buck has romantic feelings for Eddie, it will be explicit about it, it won’t make it a secret message that undercuts the main storyline of an episode.

But right now the canon pairing is Bucktommy. Right now Buck is explicitly romantically and physically very into Tommy. It’s okay to hope that changes later, but insisting on a reading of the show where that isn’t the case is intentionally not watching what the show is trying to tell you, which is odd to me because wanting to watch the show should be why we’re all here imo

[habken]

If you're willing to share can you give a few reasons why you think Bakudeku works so well as a ship? (I also ship them and love your art!)

okay...

I think they just naturally fall into each other’s orbit. Living in each other's minds rent free 24/7. Their entire lives are so intertwined. Even when things were bad between them, there's never been a point where they haven't been part of each other's life in some capacity.

They've influenced each other so much you can see little habits they share and behaviours they've picked up from one another. Izuku acting more like Katsuki when he wants to win is the obvious one, but even little things like the way they think out loud and pinch their lips and stuff are similar.

I don't think it's right to undermine Katsuki's bullying and the falling out between them, but coming from a place where there's a lot of animosity and hurt and then having that turn into a relationship where they both mutually care for each other and challenge each other to do better and be better is really interesting.

I think that's part of the reason it's such a compelling relationship in general, not just in a romantic way. They start off at the lowest point - we see them at their absolute worst and then we get to watch as they mend that fractured friendship and build up a genuine and healthy bond.

To me personally, the trajectory of their relationship was evident as soon as episode two, when Katsuki chased after Izuku after the sludge villain to let him know how much he "didn't need his help." That's the point that I decided I was interested to see how their characters developed as the story kept going, and I think it was such a huge payoff.

I think it also made for a lot of interesting fanworks. In the earlier days especially, you really had to work at it to make things good between them. Canonically, their relationship really is a slow burn lol, so if you wanted to write something that followed close to the actual story, there had to be tons of build up. I've read stuff where the beats felt so similar to what happened in the actual series which is crazy. It's a ship that lends itself to deep and lengthy analysis and a lot of people ended up being pretty spot on because of that.

I also think what's special about them is how intentional they work to make things right between each other again. They want to know each other's feelings, they want to be rivals and fight alongside each other, and be neck in neck and constantly chasing after each other. They want to be close again. Izuku offering Katsuki an olive branch and asking him about his fighting style after their bout at ground beta and Katsuki finally grabbing onto it is such a turning point for their relationship. It's a conscious choice on both their parts to work towards mending what was between them.

And I could go on and on about Katsuki's character arc, but that's a different post lol. For simplicity's sake, his arc is about recognizing for himself where his weaknesses lie, seeing how his actions hurt and shaped Deku, and working not only on himself, but on repairing the rift between them that he caused. He works with Izuku, shares and keeps his secret, trains with him, and eggs him on more and more lightheartedly as the series goes on.

His choice to care for Izuku, let him into his life again, and make up for what he's done is really important. Nobody is really forcing him to atone for his past and it's his desire to do so despite the lack of external pressure that makes that change feel genuine and meaningful. Training with Deku to master his quirks, sacrificing himself for Izuku during their fight with shigaraki, apologizing to him in front of the entire class and letting go of his pride, choosing to call him by his given name, dying with Izuku's name on his lips, fighting the big bad and continuously repeating that when Izuku can't handle it, he'll step in for him - all of these things are so telling of the kind of care he purposefully put into their relationship, and the way he grew and changed throughout the story.

And I think that in light of everything else, the fact that they remain important to each other right until the end is what makes it such a beautiful relationship, no matter what context you want to see it in. They love each other! They can't imagine a world in which the other isn't part of their life, and they actively and continuously work to make that a reality.

They're soulmates that intentionally chose to be so.

[romchat]

The Time of Fever (Ep. 1-3) visual analysis: The Metamorphosis

Ho-tae: "I woke up to find myself transformed into a monstrous insect, lying in bed"...What is this? A story about a guy turning into a bug? Dong-hee: If I turned into a bug one day, would I still be Kim Dong-hee or just a bug?

From this piece of dialogue and the cinematography alone I know The Time of Fever is going to cause me a lot of pain. The only way to describe its style is palpable.

The moment our two main characters, Kim Dong-hee and Go Ho-tae, appear together, we can see the friction and unnamed longing between them.

Notice how often the first episode uses shots with three distinct compositional layers to provide depth and complexity to the relationships portrayed on screen:

In most of these shots, the composition places Dong-hee in the background with Ho-tae on another layer completely--they're distant and never quite aligned on what they want out of the relationship. Despite how these two characters were brought together by their mothers' friendship--I love how the second screenshot uses their bodies in the foreground to frame Dong-hee and Ho-tae--it's that very connection that also creates a wall between them. Although Ho-tae is excited about rekindling their friendship after moving away two years prior, Dong-hee doesn't want to betray his aunt's trust by admitting his romantic feelings for him.

And so he recedes into the background, alone and inscrutable.

The fact that Dong-hee also compares himself to Gregor from Franz Kafka's The Metamorphosis hits like a sucker punch.

Like Gregor, Dong-hee lives a sort of transient and almost functionalist lifestyle. After being kicked out of his home by his abusive father, he focuses on his school work and trying to get by. He is isolated and his queer awakening only makes him feel more disoriented and misunderstood--he feels like Gregor in his insect form.

And yet we still see moments where he allows himself to yearn for something more and how Ho-tae begins to do the same.

(Side Note: I love love love the show's use of backlighting to highlight the lines of the actors' bodies. It's so simple but intimate and erotic as if the camera is acting like Dong-hee's artist-eye trying to memorize Ho-tae's muscular beauty.)

One of my favorite stylistic choices of The Time of Fever is how it uses close-ups to represent the characters' subjective POV and desire.

Like Dong-hee's sketches, these shots are the fragments of everyday life that are so small yet feel oh so significant while on the path towards self-discovery.

They're gloriously tactile, the shallow depth of field eliminating extraneous detail, allowing us to experience the heady excitement of accidentally grazing your crush's skin or looking into their eyes during a rainstorm.

I don't think I've seen desire that achingly displayed in a hot minute.

And so it makes sense that as Ho-tae begins to undergo his own metamorphosis and understand his own feelings, we see more and more visual parallelism in how their desire manifests.

(Side Note: The second screenshot above is such a gorgeous shot. That inky black negative space not only showcases Ho-tae's gaze at Dong-hee's lips but also his reaction to the realization that hits him. Great 2 for 1.)

I can't wait to see what visual storytelling the next three episodes bring.