#is perhaps doing also not so good

[thehandwixard]

a keyblade is literally alive. i think sora's keyblade, way to the dawn, and destiny's embrace are all especially alive in different ways

[obsob]

to be loved is to be held!!! print

[poorly-drawn-mdzs]

Out of sight, out of - wait.

[First] Prev <–-> Next

[fraternum-momentum]

ok so maybe we r back,,

[puppetmaster13u]

Prompt 249

Danny tilts his head. The masked figure across the roof tilts their head back, a gold similar to Tucker’s eyes shimmering, though he knew it wasn’t him. He lets out a curious chirp, inaudible to the living, and the masked figure stills, as silent as a corpse for several moments before letting out two clicks. 

A greeting in turn. 

Danny smiles, letting green bleed into his eyes and scurrying over with a croon from his core. I’m here, I’m here, their own core clatters like metal against bone as his responds with the drone of a blackhole. I see you, I see you. I’m HereHereHere. 

Yet another twitters in turn, clicking echoing across the city from shadow to shadow until it’s as though the city itself has a heartbeat. Click-click. Click-click. Click-click. I’m here, I’m here, not alone, I’m Here. 

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[ittybittyremy]

“The white light of Catha is looked upon by the Moonweaver. Great goddess of illusion, shadow, trysts…”

“hidden love…”

“beauty in that regard…”

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[revvethasmythh]

One thing I find really fascinating about this last ep is that the confrontation with Laudna, in Orym's own words, "brought [him] back to himself, a little bit." Because of this, he chose not continue his plan of using Ishta, a blade Dorian refers to as "clearly a threat." Orym turns away from it and admits it's probably a good thing he's been diverted from this path.

Meanwhile, both Laudna and Dorian use Orym and his (now defunct) desire for the sword as a point of comparison and/or mental justification for their own ill-advised risks. Laudna leads with, "Just as Orym wishes to wield that sword, I wish to wield Delilah" (obviously this was said before Orym gave up the sword, but his doing so has not, as far as we know, dissuaded her from this path at all), and Dorian holds the Gambler's Blade "thinking to himself about Orym last night, and how serious he was, how dedicated he was to the cause of wanting this sword that was clearly a threat" and sits with the reality of the situation he's in and decides to take an extra risk on his own life.

All three of them, in some manner, are pinging on the same concept: that the stakes to this fight are enormous and taking a massive risk might be necessary to finish this mission. But in this specific scenario, Orym is the one who backed off, re-evaluated his position, and decided the potential risk (to both the cohesion of the team, and his own mental health/morality, presumably) wasn't worth it. But the impression was already made. Laudna still wants to bring Delilah into this fight (something she'd already basically decided, but chose here to really double down on), and Dorian made the active decision to lower his chance of survival for a better chance to hit. Both of them doing the opposite of what Orym ultimately did, while still keeping Orym in their minds as they do so.

[cowardlykrow]

“don’t lose it now, old boy.”

With @ratb4stard3

[kwillow]

Started this back in February when it was more topical but... I suppose no time is a good time for romance as far as Theo is concerned.

[prettybbychim]

[this became much longer than i intended whoops]

u know i think it would’ve been much better if the ode of resurrection was not shown to us immediately, and wasn’t a main part of their culture. have people die throughout the archon quest, make us believe that there’s no saving them. kill off kachina at the start and convince us that she’s the first playable character in genshin thats not alive.

build up these bonds, forge these friendships, make us care.

just to take it all away

that’s war.

but there’s a tiny flame, that glimmer of hope. maybe it’s something the pyro archons have been working on, passing it down to their successors. something mavuika has been working on. yeah u heard that right she’s actually doing something wow get citlali in there to help out. get the whole goddamn tribe involved idc

there’s a scramble to find the last of the heroes. they don’t want to force it or fuck something up but they’re running out of time. the abyss is coming. it will consume the nation. they need to fucking buckle up and get down to it.

they could probably still go into the night kingdom to search for kachina, so that mualani can get her ancient name. or it can occur under entirely different circumstances. haven’t given that much thought yet. do they find her?

do they find her and can’t actually bring her back to the surface?

for the next part, we’re gonna have to shake things up because we need the captain on our team sooner rather than later. how that happens is up in the air but regardless, we put aside our differences to save natlan.

so, we help the captain find old dragon tech. maybe we enlist the help of kinich and ajaw, maybe we go into ochkanatlan, tie some of that shit in. we can take iansan along too, who is super duper strong and can carry all our fancy dragon tech or smth idk the three of them need more involvement !!! ajaw would drive me up the wall but it’s a necessary evil

in ochkanatlan, we see how the abyss can mimic lifeforms. the twin is in irminsul right? maybe it’s steals the twin’s image, but the traveler knows it’s not them because their twin would never say things like this. we learn that they abyss manifestations are (always?) twisted and mutilated.

we see the dragon. we don’t defeat it, that’s for the world quest lol but we get the image of the dragon in our minds so that when it shows up later down the line, we know what the fuck is happening lol

on our trip, we learn bits and pieces about the captain. it’s all disconnected, nothing makes sense. and since we’re nosey little fuckers, we find correspondence with the tsaritsa in his belongings.

capitano is gentle with his body. maybe a little too gentle. it catches the traveler’s eye but they don’t know what it means, they have no grounds for suspicion. it’s blown off as recovering from his duel with mavuika. (little do we know that he was hit directly in the heart and he’s worried, goddamnit)

ororon lets it slip that something feels off with the captain’s soul. (could the captain be using ororon’s sensitivities to monitor the souls housed inside him? would he eventually tell ororon what’s going on? or would that be too risky?)

ororon receives ancient name same as before, nothing really needs to change there i suppose. more suspicion is thrown on the captain because of the identity of the soul trying to possess ororon. maybe the captain didn’t share his plan in its entirety, he has a lot riding on this, he can’t afford to fuck it up, and keeps his cards close to his chest. he and mavuika can still argue in front of ororon like mom and dad lol

chuychu dies. she doesn’t get to give a long goodbye. she bleeds out in her sister’s arms. (they actually try to stop the bleeding and give her medical care) chasca goes berserk hell yeah, there’s a struggle. she manages to rein herself in, the love between sisters reigns supreme. chasca gets her ancient name

boom u got all ur heroes. they supercharge mavuika to beat back the abyss core thing. what was its name? gilgamesh? i don’t fucking know

the losses are extreme

fast forward a bit bc i’m losing steam and attention span here

we dive back into the night kingdom to track down the “brain” of the abyss corruption. the people we’ve met and lost in natlan help us out. kachina can be added to the mix. the gay lovers, chuychu and her pokémon team, boba and coconut — the whole gang’s here yooo i actually loved this part. favorite section by far

and after our trip in ochkanatlan, we know that the dragon we’re fighting is an abyssal manifestation. the voices of the previous pyro archons are their own but the words are all wrong, designed to discourage and distress us.

we defeat it using the power of friendship (i’m gonna kms)

also mavuika’s kit is completely different. i’m giving her a redesign fuck it. but that’s a post for another time.

traveler seems pretty good ngl i just wish the cons aren’t limited to fighting the dragon. i really liked what i was seeing and then they pooped all over my party (what’s the point!!!)

instead of a big parade, we gather around together at the stadium to finally try the thing all the pyro archons have been cooking. the heroes are a necessary component.

the incandescent ode of resurrection

among the many, kachina comes out of the flames. mualani sobs her heart out and vows to never let her out of her sight ever again

chuychu perhaps? 👀 pls pls she’s the only one besides cap and ororon that i give a shit about pllssssss playable chuychu when? her design is fantastic as is u dont need to touch it PLEASE—

now we can have a party!! after everything is all said and done, we can have One party instead of the five or so we’ve had since we came to natlan. (nation of war? more like nation of fiestas)

ororon, though, feels uneasy, and not because of the atmosphere. he says he’s going to find the captain, but he can’t explain why. concerned, the traveler and paimon try to follow him but are intercepted by citlali, who is for once not freaking out about ororon’s whereabouts, instead…

oh but wait. where’s mavuika gone? oh nooo

plays out relatively the same i suppose. could use some tweaking but not anything significant enough to mention right now.

except now we have somewhat of an understanding of the captain already, all the little bits and pieces we noticed, and the clues we (so rudely) discovered, it’s all starting to make sense now. we’ve also spent more time w him, the emotional attachment runs deeper, and it’s much more painful to experience.

bittersweet

mavuika is confused, especially in the days coming after. she had planned to die then. she said her goodbyes in a roundabout way. she finished the painting of her family, so they’ll never be forgotten. she saved her nation from the oppression of the abyss, resurrected so, so many. there was only one thing left to do… she was supposed to be the one to do it.

what does she do now?

what does she do with herself now, when she hadn’t planned for her own future? it was supposed to end, she was supposed to die. could she have reunited with her family? could she have seen them once again? she’s sad over what could have been, she’s confused because how did it end up like this, she’s mad because the captain stole it from her, she’s guilty because he was ultimately the better choice

what do you do when you’ve spent hundreds of years waiting for your destined day? when you’re only ambition has been this.

it’s time to learn how to live.

the end~

[obsob]

hmm anyway. holds u in my arms

[bacchuschucklefuck]

Riz has counted four casseroles this week alone. Five, if one goes by the method of cooking, but Yelen's scary when she's crossed, and calling her burek by its proper name is important to her, so Riz does her the courtesy and doesn't include it in his mental tally.

He holds the tupperware over his head to keep it out if the way as he takes careful steps over the piles of notes in his path. The dockman case just closed, relevant documentations handed over to relevant personnels, evidences dealt with as needed; all he has lying around now is just record of the process and traces of himself thinking through it. Unsurprisingly they still haven't invented a surface more convenient for people under five feet who like to pace to put pieces of paper on than the ground.

Actual records go into the case folder with the other documents. Anything else with at least one side still blank is going to the school kids in the block - they chew through an astounding amount of paper just learning arithmetic. The rest is for the recycling basket.

Later. It's his mandated lunch break right now.

Riz sits down in front of the corner file cabinet. In an office often overrun with papers and strings and sometimes even thumbtacks, he's never really managed to clutter up this exact square of surface like every other ones. Ever since the bottom drawer rattled for no discernible reason a day long past, his eyes have always just kinda decided to slide across the space without acknowledging it.

It's years out, now. Riz doesn't know why he thought it such a big deal anymore, back then. He wasn't scared, he doesn't think. Not anymore. Maybe just uncomfortable with the idea that certain things persist despite all efforts to change.

He opens the tupperware. Dame Carabelle's experiment greets him with enough spice in the aroma alone to knock out a small mammal. When he chopped the vegetables for this casserole he couldn't really imagine the eventual heft of it, evident even through just these few ladles' worth, maybe weighing heavier for being still warm. His folk eat more through the smell and the textures and the aftertastes than the taste itself. His folk's meal is really the cooking rather than the eating. The eating is the meal's end.

"Hey," he tells the file cabinet's bottom drawer. "Um."

It's the anniversary. Riz doesn't know the exact date of his dad's death; nobody currently alive does. He and Mom both use the date of the funeral, though as he moved out to Bastion and then got more directly involved with Interplanar he hasn't really been going to Dad's grave as much. Doesn't seem like very efficient use of his time, catching a train or borrowing a car or spending a whole spell slot on going somewhere he knows Dad isn't at. They're sorta coworkers now. They talk on and off every other week between missions. When he goes now, it's just to clean up the place, keeping the landmark tidy and respectable.

Without that work to mark the date he doesn't really know what it serves anymore. But he still remembers it. Still takes note, absently or not, when it comes around.

There's not really a good way to tell the drawer that. Riz looks for another way to start the... conversation, hopefully. The question at play, he'd guess, is why he's doing this. He's been pretty content ignoring all the rattlings and the knocks from inside and the times it sits slightly ajar without him ever opening it himself; hell, he still uses the three drawers on top of it. Space is fucking precious in Bastion.

Precious enough to finally fix this damn drawer so he gets his turn to use it? Riz asks himself. Is that what we're getting to? Then he dismisses the thought - he didn't manage to fix it the times he actually tried, let alone-- now. When he doesn't really care that much to.

That's probably a good place to start. "'s fine if you keep being in there, turns out," Riz says.

The lunch hours are quiet in the block, sleepy and bright with the brief window of sunlight that manages to break through roof overhangs and extended balconies and laundry lines and climbing vines. Riz's work isn't loud here (the loud parts happen away from his office, if everything goes right), but the fragment of early summer heat reflected in the steady warmth his meal still carries compels him to lower his voice even more. It makes the words feel intimate, in a way he's never been familiar with - if he says something he just says it. He doesn't whisper. If he gives his friends something, he gives it open-palm. He's found out, along the way, that people usually don't think of rituals and courtesies the way he does.

Small voice for a diminished monster. "You know why I think so?" Riz asks. "Because almost two decades ago you kidnapped me and almost killed me, and now you rattle a drawer in my office."

It doesn't sound as much like a taunt as Riz wanted it to; the drawer has made a lot of noises again this morning when he checked the calendar, and he was definitely annoyed at it. Now, though, facing it like this after cooking the whole morning with more grandparents and peers from the block than he can count on both hands to cater for a tenant union meeting, he thinks the annoyance has morphed. Changed shape.

It has the shades of something like pity. Riz is not prone to pity, and especially not at these kinda matters. It's slightly maddening that he coheres perfectly outside of this one spot. That he commands his spaces, except for a drawer.

He puts the tupperware onto the floor between himself and the cabinet. "I know we're aware it's the anniversary," he says at the drawer. "You do this every year. You make a ruckus every time I decide to go do my job instead of mooching off my friends' aircon, and every time I get an invitation to some stupid social thing I want to turn down, and every time one of the old people tries to introduce me to a child or a nibling, because being a bachelor over thirty is weird," he pinches the bridge of his nose. "I have three fucking jobs. I love doing my fucking jobs. I'm forcing funds into infrastructures. You're never leaving, are you."

The drawer vibrates lightly. It's a very, very mild acknowledgement, considering the history of reactions Riz has gotten from this thing. Riz thinks it's emanating joyous agreement, or satisfaction.

It only sharpens the pity. Riz doesn't like that, but it's how it is. That's, ultimately, the lesson he's been taught over and over and over again, just by existing as himself, turned every which way by space after space that don't see him eye-to-eye: it's not like he'd quit living over any of it. It's not like any of it can sand off these fundamental pieces of him.

He's outgrown a lot of things, he's found out. Again, and again, and again. A childhood home, a yearly trip, a monster.

"'s probably scary for you, huh?" He asks. "Because I left."

He thinks he hears joints creak that sound like you did. Probably the way a scorned lover would say it, in a movie or a yellowback. He has no more connection to the idea than he did as a kid. Less, because it doesn't even scare him.

"That's what it is, right? That it's the anniversary, and I'll never be like Dad." He raises a knee from the floor, pulls it back closer to him. Slings an arm over it. "You love to remind me. The thing is, Dad also left. He loved Mom and he loved me, and none of us wanted it to happen, but it still did. Because love does fuckall to make anyone stay on its own."

He's long past being bitter about it. It's just the facts. Once upon a time he looked into the future and the specter of his friends' happily-ever-after casted lightless, fathomless shadow over him. Love, marriage, that kind of devotion, to a fifteen-year-old with more solved cases than friends seemed so eternal. Final.

But you can only watch your friends build up apps' worth of jilted lovers for so long before getting over it.

"You know what I learned?" Riz tells the drawer. "Love doesn't make anyone stay. Project management does."

He stands up, and picks up the tupperware of Dame Carabelle's casserole, that he helped make, that he helped share with a block's worth of neighbors and members of a community he's at home with, and goes sit at his desk to eat. "Last chance to get any," he drops an offer over his shoulder as he walks away.

He doesn't eat all of his share in one go. What he's spared he leaves on the desk when going outside for a smoke break. Baron looks the exact same as when he saw them last, when he catches a glimpse; they haven't grown at all. They aren't there when he comes back inside, but the leftover has gone days-old cold, like someone's sucked the future out of it.

[viperwhispered]

Rest

Guess what? I've got more Jamil x reader for y'all. You can also find this on ao3. No warnings, just 866 words of kinda fluffy(?) caretaking stuff with gender-neutral reader.

At this point, you know Jamil’s schedule almost as well as he does. So, when you have the chance, you head to Scarabia’s kitchen, hoping to spend some time with Jamil while he and the other students prepare dinner. 

However, when you enter, it takes you but a moment to notice Jamil’s uncharacteristic fumbling and the tired look in his eyes. The way Jamil’s chopping the vegetables has you worried about him cutting himself with that knife he’s usually so adept with, and it seems it’s only force of habit that’s keeping him on track.

You frown, and when your eyes meet Jamil’s, you can already see him put his guard up.

So he knows what state he is in, huh? And still, here he is.

It seems Jamil is reading your thoughts, all of him telling you drop it before any words are even said.

At least he still lets you lean in and give a quick kiss to his cheek in greeting.

“Hello love. Do you still have a lot on your agenda for today?” you ask, keeping your tone low for at least some semblance of privacy in the busy kitchen.

“Nothing I can’t handle,” is the response you get.

Of course.

It takes a little more pestering before Jamil actually answers your question. Your lips purse. That list is far too long to your liking.

You take a moment to think, juggling your own plans and to-do list against the urgency of the things Jamil mentioned.

“Will Kalim be eating from that?” you ask, pointing at the food Jamil is preparing.

“Yes.”

“Alright, I won’t be touching that one, then. I’ve gotta do a few things but I’ll be back when you’re done here.”

“Don’t,” Jamil says with a glare, clearly aware of what you’re thinking.

Yet even his disapproving look doesn’t have the usual weight behind it.

“Yes. I will,” you say firmly, even as your heart curls inwards with another bout of concern.

Really, when did he get so tired?

And how did you not notice it earlier?

You leave the kitchen before Jamil can protest further, hurrying through the dorm corridors to find Kalim.

Soon you have an enthusiastic – and concerned – supporter for your plans. You have Kalim point out a few reliable Scarabia students to help with a few of the most urgent matters Jamil mentioned – cleaning up the common areas, delivering some paperwork to Crowley, preparing some dorm-wide notices – while you see to Kalim getting his school supplies in order for the following day. You even recruit a couple of third years to help Kalim with his homework.

You’ll see to the rest tomorrow – after all, you do also have a boyfriend to look after.

Your conversation over dinner can hardly be called anything else than an argument – despite Kalim’s best attempts at acting as a moderating force between you two. It is very tempting to ask Kalim to tell Jamil to take the rest of the day off – it’s not like Jamil would be willing to openly disobey a direct order. Still, you really don’t need to remind Jamil of his position on top of everything else that you’re already doing more or less against his wishes.

Eventually, however, Jamil’s had a square meal, the most urgent things on his to-do list are being taken care of, and you’ve managed to drag him to his bed.

“I really wish you wouldn’t push yourself so hard,” you murmur, your arms wrapped tightly around Jamil. You’re telling yourself you really do just want to cuddle, to offer some respite to Jamil. Still, there might also be a part of you worried that if you were to let go, he’d just jump up and get back to working himself to the bone.

Yet, for all his protestations, just the fact that you’ve gotten Jamil to lay down with you speaks volumes of his current exhaustion.

“I can’t just leave my duties, albi. You know this.”

“Making yourself too indispensable, is what you’re doing,” you protest.

Oh, you know it’s not so simple. Not with his background, not with all the expectations and assumptions.

But sometimes you really wish it would be.

Jamil merely scoffs in response to your words.

Still, it is undeniable that he is slowly beginning to relax in your arms, slowly bringing his head closer to yours. His eyes are starting to flutter, too.

“I will still need to help Kalim with his homework, at the very least.”

You wonder who he is trying to convince more, you or himself.

“Amin and Khalil are helping him. They’re basically top of their classes, aren’t they? I’m sure they’ve got it.”

Still, Jamil frowns.

You sigh. He really is not letting go, is he?

“Do you want me to go supervise?” you ask.

And leave you, unsaid yet hanging there right after your words.

“Don’t,” Jamil eventually says, the word barely more than a breath.

It seems he has accepted his fate.

You softly caress Jamil’s hair, listening to his softening breathing.

And when you wake up, wholly unaware of having been lulled to sleep in the first place, it’s to the lightest of touches from Jamil’s fingers.

Tagging @diodellet @twstgo @crystallizsch @jamilvapologist @jamilsimpno69 as per request If you'd like to be tagged for any future works, let me know!

[nounaarts]

I seriously forget I have a tumblr when I’m really active on twitter most of the time! Sorry guys ..!

I did do a bunch of Trolls art over there so if you wanna see that you can go to my twitter @ nouna_arts . Note tho, I rambled bout Trolls. A LOT

But I will show some of my recents here! (I did a lot more)

JUST A BUNCH OF MY ART ⬇️⬇️

BUT THE BRAINROT HAS UNFORTUNATELY ROTTED AND NOW MY MIND IS ALL SONIC AGAIN. curse you sonic prime,…

Anyways here’s my sonic doodles :3

I couldn’t put anymore images. Damn .but you get it😭