#is it projecting personal emotional damage? maybe

[sundial-bee-scribbles]

Okay vocalore which isn't technically canon but definitely something. In Project Diva X there's several energies that each module has, being Cool, Cute, Quirky (or Chaotic in the jpn ver), Elegant, and Classic (the basic bitches). And these modules make the vocaloid act a certain way so it's not actually unheard of in vocalore for a vocaloid to be kinda sorta programmed to do shit. Anyway fuka's energy is probably like. Heartbroken or smth -🌟

ooh i vaguely knew abt the different module energies and slightly acting different but i didnt know it was like that deep deep?

ABKSJDHGKJ HEARTBROKEN ENERGY NOOOO. bruh who are these programmers someone get them fired. that is so so mean 😭😭

[cthonic-bunny]

1. personal synastry and composite experiences and observations

Do not interact if you are a minor. (18+)

Sun in 8th house synastry: I was the house person they were the sun. I definitely developed insecurities I never had before as a result of this connection. With the sun shining brightly on my insecurities, they were hard to ignore and even harder to not project them entirely on the sun. A lot of “you did this to me!” energy. I didn’t consider myself a jealous person until this relationship and a lot of it came from wanting to be “good enough” in the eyes of the sun person. It’s like knowing you have these darker aspects in common and wanting them to see you can bond this way and see them in a way no one can. You also end up pushing limits together. You liked this? Now WE love this. You’re addicted to that? Now WE are addicted to it. Moderation is hard to achieve with sun in the 8th house synastry. It can also bring up insecurities surrounding sex with that person specifically, if poorly aspected. Explosive reactions and emotional outbursts aren’t foreign here. The house person can feel like a vampire being sunburned, with all its ugliness revealing itself from its body because of its interaction with this person. The 8H person wants a full, in-depth analysis of the sun person’s thoughts, intentions, and motivations. The plutonic energy wants to completely envelop the sun, compulsively in some cases, to know WHY they are the way they are, and why the sun presents themselves in certain ways. This is especially true if the sun person did something to hurt the 8H person, who can feel it more than is rational. The 8H person can really struggle with getting over any emotional harm or feelings of abandonment that come from the sun person. The 8H person can potentially resent the sun person for not being able to read them as intently as they could read the sun person. The sex, if and once insecurities are worked through, can bring you so much closer to one another and to yourself. I also feel like any disturbances or intimacy problems between you two can easily be felt by others or there can be blow ups in front of people you know, because the sun is a planet that illuminates wherever the light lands, whether you like it or not. Avoid public fights, because you will kiss and makeup but the damage in other people’s eyes will be done and opinions will be made. The 8H person might be able to see through any facade the sun person puts up, and this could lead to deep discussions that could be extremely healing for the Sun who might have to work through some things. The 8H person can also teach the sun person how to make more money and maybe even encourage them to start their own business. They can be known as a couple that makes a lot of money together. The sun person can also give sugar daddy/mommy vibes and the 8H the sugar baby, even if it neither one of the people involved are rich-rich. This is a highly binding placement. You two might find it difficult or even impossible to separate from each other even if the relationship has run its natural course. You guys are known as the couple that is “stuck” to one another.

Moon in 5th house synastry: *weird* but, for those who have this placement with a significant other, do you love to smell their body odor? I think in the house of children and fertility, it makes sense to love your partner’s pheromones. Something as weird as the smell of their armpits or stinky feet becomes comforting, idk?? This house is also really fun, and you can get a lot of emotional fulfillment out of acting like children together. 5H is ruled by Leo, so I also found that we had a lot of fun putting on “shows” for one another, and sort of making up our own characters and accents to make the other giggle. People are also really excited for the prospect of us having children together, and you’ll have friends volunteering to babysit or be the godparent of your unborn children LOL. Dressing up nice and going out on dates to somewhere with a great ambiance can be a great way to feel connected. Sharing perfume, or gifting each other perfumes or colognes. Loving the scents they wear. Same taste in candles? Candles as gifts. Lots of watching TV together? Having “shows” that feel wrong to watch without the other. Being called pretty by the other means a lot, and being pretty in each other’s eyes makes you feel good.

Moon in 12th house synastry: 12H synastry tends to have an awful reputation, and I get it when it’s a relationship that isn’t meant for you. However, my moon falls in my best friend’s 12H, and it is one of my favorite placements of ours. We have a telepathic connection where we can just look at the other and know what’s up. You preemptively know what will bother the other person and find it hard to understand how other people wouldn’t have assumed that thing would annoy your person. You understand each other’s motives, and can provide the ultimate shoulder to cry on or ear to listen with. When it’s a new interaction it can feel a bit intense, because how are you in my head!!! I feel like you can read my thoughts! It was like that for the both of us. It’s like, when together, both our consciousnesses transported to another realm where we are mutually perceiving something and our thoughts are being put on a radio for the other to listen to. Very spiritual relationship. You KNOW the vibes, and those feelings will be verified through the other person who already felt the same. She will never be wrong in my eyes and I will defend her to the death. We don’t even have to speak on certain days, but we can feel whatever mood the other one is in and check-up on each other accordingly. Whenever we have a strange dream or nightmare, the first thing we do is text each other and try to analyze what it could mean. I as the 12H person also dreamt of us becoming best friends before we formally met. The dreams i would have of her would always be loaded with spiritual symbolism. We also grew up with the same level of emotional attachment to our personal spiritualities and shared religion, which plays a large role in our understandings of one another. Most people just won’t get it, but she always will. She could read my crazy journal entries if she wanted to. 12H moon synastry is just unconditional love. Between friends at least, it feels like a long-lost twin connection. Also, her and I had gotten matching tattoos before we even knew of each other, both of them being for the same spiritual meaning!

Composite Mars in 3rd house: Lots of talking during sex, and lots of car sex— It might sometimes feel like that’s the easiest thing to talk about, or the conversation always steers to that direction. Sending nudes? Sexting. Maybe the only way you two could engage your sexual desire for one another is through sexting, because distance might not permit the full physical expression. If you don’t have a lot of experience knowing the other’s communication style, it can lead to a bit of random defensiveness or perceiving the other as communicating abrasively. I think it can lead to one trying to get reactions out of the other by saying something out of pocket.

Composite Mercury in 12th house: Pay attention to the dreams you have of this person! They will seriously tell you a lot about your dynamic, but don’t take them at face value! Lots of mystical elements to your dreams about them specifically, so maybe reviewing tarot card meanings and astrology concepts can help you decipher the meanings of your dreams. You might find it easier than expected to confide in each other or rant about your brain’s inner workings together. “I don’t know why I’m saying all that-“ or psychoanalyzing each other for fun. Talking about your less-than-desirable attributes. Being honest about your deceptive tendencies or specific lies you’ve told and why. Oversharing things that will usually make other people uncomfortable in the same context (like talking about your exes or failed situationships on a first date). Difficulties communicating when it’s not in person because it leaves too much room for confusion. Deceit is a real possibility though, with someone voluntarily “leaving out details” about their life outside of the relationship to avoid ruining the flow of energy or the dynamic. Having each other saved on your phones under fake names. Having to hide that you’re talking to this person from other people. One of you withdrawing communication to manipulatively make the other think about you more. Taking turns being each other’s therapist. Thinking about each other often but never expressing that, or the extent to which you think of one another. Thinking about the other at night before going to bed. “I started catching feelings for the girl that I’m currently having sex with, so it’s safe to say we don’t talk anymore, unless of course we’re having sex” in Sasquatch .22 by Bay Faction.

Composite Venus in 12th house: There really is a secretive component to this interaction that can feel impossible to bypass. Your family, friends, or society might not “approve” of you two together. One or both of you can be cheating on someone with this person. Only being able to meet up or be affectionate at night or in extremely private settings. The privacy of the relationship can help you open up a lot more than you’d expect to, because there’s no one but you two to perceive the other in this context. No judgments on how you two should behave with one another, so “let’s fully enjoy the moment while it lasts.” No one understanding your interaction or it’s purpose, and you probably don’t understand it either. Sending telepathic love notes. Longing. Intimate and romantic sex that haunts you or catches you off guard. Never wanting to be the first one to admit you’ve caught feelings. Ruining your sleep schedule to spend time with one another. Dreaming about romantically linking with them before it ever happens. Withdrawing once feelings start feeling real. The song “Lips of Angel” by Hinder reminds me of Composite Venus in 12H. “Illicit Affairs,” “August,” and “False God” by Taylor Swift. “Why Can’t I?” by Liz Phair. Gato de Noche by Bad Bunny. Sex by The 1975.

Lilith in 8th house synastry: Wanting to try things sexually with this person that wasn’t necessarily exciting with other partners. “You can do whatever you want to me, and I’ll let you.” Possibly experimenting with or preferring BDSM with one another. That Lana lyric that’s like: You fucked me so good that I almost said “I love you.” It might also be controversial if people knew you’ve had sex with one another. Revenge sex? As in, you two having sex might indirectly be spiting someone else, and it kind of feels like you’re dishing out delicious karma on a surprising silver platter— “lol if only they knew” You two might have fun misbehaving together. Doing what you both know you’re not supposed to be doing can make everything feel better, and even more reason to keep doing what you’re doing. Lana Del Rey in Diet Mountain Dew: “you’re no good for me, but baby I want you.” Wanting to be dangerous together. “Leave me bruised so I can’t forget you.” “Seeing you tonight is a bad idea, right?” This placement somewhat reminds me of a union between the death card and the devil card in tarot, with an emphasis on risk-stained sexual liberation. You can become symbolic of temptation in each other’s lives, so it’s hard to deny your impulses. Toxic by Britney Spears.

-D 🖤🕯

[riovidalupdates]

LAST GIRL STANDING - i.

part ii.

“I’m not asking you to stay. I’m asking if this was ever real?” - Wanda Maximoff

“The issue with time is that it’s endless, yet, there’s never enough. How does it fit with us?” - Rio Vidal

“You were never a priority, but you became one that I can’t lose now.” - Agatha Harkness

pairings: wanda maximoff x fem!reader, agatha harkness x fem!reader, and rio vidal x fem!reader

summary: you’ve come to learn that you can love more than one person—because you love them in different ways. the problem: they love you in one way. so, who are you in love with and who gets hurt?

warnings: cursing, angst, intimate moments but not sex, and other stuff that i'll add as time goes on.

notes: this one has been in my drafts for a long time. i did a little bit of revision and editing, but i am busy and i do want to get this story going. as it goes on I will be more efficient with the editing. it is also a college au so there is no witches or anything like that, but other works will be! enjoy! chapters will be longer and the writing will get better. It’s been awhile since I’ve actually written a story, but I’ve been working on so many other projects and I had this all planned out before I got my new job.

word count: 1.4k

・❥・

There was never a time where you ever thought you’d be losing your sanity. Months ago, you only ever known the beauty of peace, having full control over your thoughts and emotions with no consequences. Where does the chaos abruptly begin, how does it begin, and why does it begin?

Because fuck all that, why do you have to be involved in a mess that you didn’t ask for?

You stared out of your dorm window, tracing the movement of students below as they hurried between classes. The campus was alive with energy—laughter, chatter, and the constant shuffle of feet on the worn pathways—but it all felt distant to you, like watching life happen through a glass pane. From the outside, you seemed well-adjusted. A few close friends, decent grades, a knack for blending in at social events. But lately, you had begun to feel a quiet, persistent void growing inside, one that friendship, academic success, and even casual flings couldn’t quite fill.

It wasn't that you were lonely in the traditional sense. In fact, you had friends—great friends who provided the utmost support in all that you do. Natasha Romanoff from work, Kate Bishop from short-film club, Steve Rogers from gym (he was also Natasha’s boyfriend), Tony Stark who crashed into your car the first day of move-in (he paid for all damages after you punched him), and Wanda Maximoff, your best friend. Wanda had been by your side for years, a constant source of home. There was so much to your overall relationship with her that it couldn’t be replicated with the others or anyone. Even if you were to try.

But no matter how much you spent time with Wanda, she found her footing in rather quick. And while you don’t want to assume things are going well for her, you could at least tell she was happiest when she was in the arms of her obnoxious, academically skilled boyfriend, Vision. Vision who is ahead of the IT program, the captain of the golf team, and somehow Tony’s coworker at Stark’s Industries (who cares about some intellectual freak? Not you).

Anyway, it felt like there was something missing, some deeper connection you couldn’t quite grasp. Sometimes, you’d feel yourself pulling back in conversations, faking a smile here and there when noticing yourself drifting out of sync.

You sigh as you turned away from the window, grabbing your backpack, and slinging it over your shoulder. Another day of classes to get to, papers to turn in, and your typical routine to follow. It all felt so automatic, like living on autopilot.

Perhaps there was something you weren’t doing. Maybe you were actively doing something to avoid fulfilling that aspect of void?

Your phone buzzed on the desk—Wanda.

“Dinner tonight?” She asks once you pick up. “And I swear if you say no, I am going to drive to your class and drag you out myself.”

 You considered telling her no for a moment but it’s Wanda and because of that you say, “Sure. Just don’t barge in like last time. Felt like I got in trouble with my mother…”  Despite your growing sense of detachment, you couldn’t bring herself to decline. You’ve been avoiding her like the plague. She’s your best friend and has asked to hang out for the last month or so only for you to be nowhere. Questions were beginning to rise, and you weren’t ready to answer any of them.

Her laughter echoed through and you kind of forget that you were falling into a hole of emptiness. “Look, I gotta go,  I’ll see you tonight, yeah?”

“Yeah. See you, dekta.”

Dekta. It was always that.

As you made your way across campus, weaving through the throngs of students, you felt a heaviness settle in your chest. Classes, work, clubs, and repeat. How was it that you could be surrounded by people, involved in their lives, and still feel like an outsider looking in?

You loved your friends, or at least you thought you did, but lately, even that felt like a lie you told yourself. You enjoyed your courses. So what if you have to stay up until 2am for shoots and editing, you wouldn’t have done it if you didn’t enjoy it. Actually, you were late to register, and this was kind of a last minute decision.  And you were president for the short film club, but you kind of are guessing why you’re doing this all because you hate people.

The reality is, it’s to avoid facing the deeper truth: that connection, the real kind, the kind that made you feel alive and seen. Not just from relationships, courses, and social life.

Was this what your life was going to be? Always on the fringes, never fully connecting? You wanted more but didn’t know how to get it. Maybe you didn’t even know what “more” really was.

You were good at pretending everything was fine, good at putting on a show of contentment. But deep down, you knew you were waiting for something—or someone—to break through that glass pane that kept you at arm’s length from everyone around.

But until then, you’d keep going, navigating your college life as best as you could, feeling more like an observer than a participant.

・❥・

You sat across from Wanda at your usual spot in the campus dining hall, picking at her salad as Wanda animatedly recounted the latest drama involving her boyfriend, Vision. You nodded along, making the appropriate sounds of sympathy and surprise, but part of you couldn't help but tune out the problem.

“I swear, sometimes he just doesn’t listen,” Wanda continued, exasperation creeping into her voice. “Last night I..." She sighed, looking down at her food. "I told him I needed space and time to collect my thoughts about where this is going, but he kept calling and texting, so we could talk it out..."

You forced yourself back into the conversation. “Sounds like he’s not respecting your boundaries,” you offered, glancing up at Wanda. You couldn’t help the slight resentment that crept in whenever Vision came up. There was always an unspoken tension in your friendship, one that emerged whenever Wanda talked about her boyfriend.

You didn’t know exactly why you disliked him—maybe it was his arrogant demeanor, or the way he always seemed to treat Wanda as an accessory rather than an equal. She would often vent about the small ways in which he let her down, like forgetting their date plans or brushing off her opinions, but then she would always follow it up with some form of an excuse that he cares. You would just nod along, hiding the skepticism behind a supportive smile.

"Tell me about it,” Wanda huffed, shaking her head. “It's a flaw of his and when the time is right, we'll discuss it and how we can better ourselves. Enough about me though, how about you? Anything exciting that requires you to get out of that hermit crab shell of yours? Maybe with...that TA? Angus, right?"

You snickered but also couldn’t help but notice how Wanda seemed to skirt around anything serious about her relationship with Vision (what a prick). There was a glint of something—maybe uncertainty, maybe resignation—in her eyes when she spoke about him. You wondered if Wanda was just as skilled at pretending everything was fine as you were. It made you feel a little less alone, knowing you weren’t the only one hiding something.

Yet, despite your doubts about the boyfriend, you never voiced your concerns outright. The last thing you wanted was to come across as jealous or possessive. Deep down, you wondered if there was a part of you that simply didn’t want to share Wanda—a feeling you quickly buried before it could grow into something more troubling.

Your face flushed at the mention of Agatha, and you quickly took a sip of water to hide the embarrassment. “Her name is Agnes,” you mumbled, rolling your eyes for effect. So, maybe you kind of lied. Only because you didn't want Wanda to track and stalk the girl. "And she's just intriguing..."

"Intriguing, huh?” Wanda teased. “You should talk to her more. Or, you know, talk to her at all.”

“Very funny,” You shot back. “It’s not that simple.”

But maybe it was. Maybe if you could muster up the courage to actually talk to Agatha, you’d feel less like you were floating aimlessly and more like you were taking control of your own life. You could already hear Wanda’s voice in your head, encouraging you to just go for it, to not overthink it, to take a chance.

[nahoney22]

hi so I really love the way you write tech and was wondering if you could write some light angst and fluff with him and female reader for your 4,500 followers (congrats!) I was thinking maybe reader is really missing home and has a small radio type thing that she uses to contact them but one day it breaks. she asks tech to fix it but doesn’t really care too as he’s busy which silently upsets her more. maybe Hunter prompts him too since tech actually has a crush on her… or whatever you think flows best 🤭 but please can I have it so reader kisses him as a thanks? Thanks if you do this! Have a wonderful day 💚

possible prompt if you want to:

17: “I’m always blown away by just how talented you are.”

Thanks okay bye! 😊

Touch of Gold 🌊

🫧 Pairings: Tech X Female!Reader

word count: 1.4k

prompts:

• “I’m always blown away by just how talented you are.”

As the request asks 😌

warnings: Safe for work, fluff, light angst with reader missing home, mutual pining, friends to lovers, Hunter being supportive and a bro, first kiss, tech not reading emotions too well, accidental kiss

authors note: happy tech Tuesday! Enjoy @powertechmove 🩵

The steady hum of the ship’s engines was a familiar sound, one you’d grown accustomed to over countless missions with the squad. But today, it only seemed to amplify the hollow ache inside you. Sitting alone on your bunk, you clutched the small, battered radio in your hands—the last tangible connection to your family, to home. When it had stopped working days ago, it felt as though your whole world had shattered.

You’d tried everything you could think of to fix it, but your skills were no match for the intricate workings of the device. But there was someone who you think could help.

Tech, with his quick mind and adept hands, could likely repair it in an instant. He could fix almost anything, and that was one of the many things you admire about him. And admittedly also one of the many reasons you found him attractive, too.

But even knowing that, you hesitated to approach him. He was always busy, always absorbed in his work and the upkeep of the Marauder. You didn’t want to burden him with something that, in the grand scheme of things, might seem trivial.

Yet, as the days dragged on and the weight of homesickness pressed down harder, you could no longer bear it. Summoning your courage, you found him in the cockpit, tinkering with some equipment. His brow was furrowed in concentration as he adjusted his goggles, completely absorbed in his task. Even in deep concentration he looked so cute. Pushing the thoughts away, you approached

“Tech,” you began softly, not wanting to interrupt too abruptly.

He looked up immediately at the sound of your voice, his gaze sharp and attentive. “Yes? How can I assist you?”

You hesitated, holding out the broken radio. “My radio… it stopped working. I’ve tried to fix it, but I think it’s beyond me. Could you… maybe take a look?”

Tech took the device, his fingers gliding over its worn edges as he examined it. After a few moments, he sighed and shook his head slightly. “The internal components are severely outdated and damaged. Without the proper parts, I don’t believe I can restore it to working order.”

His words hit you like a punch to the gut, extinguishing the small flicker of hope you’d been clinging to. You tried to mask your disappointment, but your shoulders slumped involuntarily.

“I see,” you murmured, forcing a weak smile. “Thanks for looking, anyway.”

Tech nodded, already turning back to his project. “I need to return to more pressing matters.”

You bit your tongue, trying not to take his words too personally. He likely didn’t mean to sound so… dismissive. But as you walked away, the sense of isolation grew heavier. Without that radio, the distance between you and your loved ones felt even more insurmountable.

On your way out, you passed Hunter, who immediately noticed the change in your demeanor. He’d sensed your growing homesickness for the last few days. Naturally, he wanted to help. He wasn’t going to bring it up to you, but he had seen the way you looked at Tech thinking nobody was looking, how you lingered just a tad around him. He wasn’t going to do it just for your sake, however, but for Tech’s as well.

He made his way to the cockpit, where Tech was still engrossed in his work. “Tech, got a minute?” Hunter asked, his voice casual but with an underlying seriousness.

Tech glanced up, his focus shifting to the Sergeant. “What do you need?”

Hunter leaned against the doorway, crossing his arms. “I want to talk about her,” he said, nodding in the direction you’d gone. He watched as Tech’s expression remained neutral, though he caught a slight tension in his posture. “Is she alright?”

“She seems well enough,” Tech replied, pushing up his goggles slightly. “Though her radio is broken.”

“And?” Hunter prompted.

“Unfortunately, it’s beyond repair without the necessary components, which I don’t have on hand.”

Hunter nodded slowly. “I get that it’s not an easy fix. But she’s been down lately, and that radio was her connection to home. Fixing it would mean more to her than you might realise we.”

Tech paused, considering Hunter’s words. “I understand the emotional significance, but I must reiterate that the repair is not simple. Besides, I’m occupied with other tasks.”

Hunter studied Tech for a moment longer, knowing how his mind worked—analytical, logical, always focused on efficiency. But Hunter also knew something else, something Tech might not fully grasp about himself. “Look, Tech, I’ve seen how you look at her. You care about her, even if you don’t always show it.”

Tech’s eyes widened slightly, and he straightened, clearly taken aback. “I assure you, my concern is purely professional—”

“Sure,” Hunter interrupted, his tone gentle but firm. “But maybe this is your chance to show her you’re there for her. You might not be able to say it outright, but fixing that radio would mean the world to her. And it might just help you both cross that bridge.”

Tech fell silent, processing Hunter’s words. The idea of showing his care through action, rather than words, resonated with him. After all, he’d always been more comfortable expressing himself through his skills than through direct emotional communication.

“I understand,” Tech finally said, his voice thoughtful. “I’ll… reconsider the matter.”

Hunter nodded, satisfied. “That’s all I’m asking.”

The next day, Tech found you outside the ship, sitting on a crate and staring up at the stars. The vastness of space had always reminded you of how far you were from home, and today was no different. You were so lost in thought that you didn’t notice Tech until he was right beside you.

He called your name softly, causing you to startle. You quickly wiped at your eyes, hoping to hide the tears that had welled up.

“Oh, Tech,” you stammered, trying to compose yourself. “I didn’t hear you.”

Without a word, he held out the small radio, and your breath caught in your throat. “I managed to repair your radio,” he said, his voice calm and steady. “I was able to source the necessary components from some older equipment we had in storage.”

You stared at the radio, hardly believing it. “You… you fixed it?”

“Yes,” Tech confirmed, his gaze holding yours as he noticed the tear stains on your cheeks. “It should function properly now.”

Tears pricked at your eyes again, but this time from gratitude rather than sadness. You took the radio from him, your fingers brushing against his as you did. “Thank you, Tech. I don’t even know what to say. I’m always blown away by just how talented you are.”

A faint warmth danced across Tech’s cheeks, though his expression remained composed. “It was the least I could do,” he replied, his voice a bit softer than usual.

“I don’t know how to thank you.”

“There’s no need. The repair was quite fascinating, actually…” he began to explain, launching into the technical details of the repair. But you could only watch him, a sense of awe and affection growing as you listened.

Overwhelmed by emotion, you leaned in to kiss his cheek, wanting to show him just how much this meant to you. But as you did, Tech, likely calculating the movement or perhaps just reacting instinctively, turned slightly into you, and your lips ended up brushing against his.

Both of you froze, eyes wide in surprise. Tech blinked, clearly trying to process what had just happened. But before he could say anything, you quickly pulled back.

“I’m sorry,” he began, his tone hurried. “That wasn’t my intent—”

But you silenced him by gently placing your hand on his cheek, guiding him back toward you. No words were needed, and you leaned in, kissing him again, this time with intent and certainty.

The kiss was soft and tentative at first, as if both of you were testing the waters. But then, as if some unseen barrier had finally been crossed, it deepened, filled with the unspoken feelings that had been simmering beneath the surface for so long. His hands rest nervously on your hips, suppressing a quiet moan in his throat as you tilt your head just a touch, your lips dancing together beautifully.

When you finally parted, both of you were a little breathless, a little flustered. Tech’s usually composed demeanor was slightly shaken, his eyes searching yours as if trying to find the right words.

“You don’t need to apologise,” you whispered, a soft smile playing on your lips. “I’m glad it happened.”

Tech’s expression softened, and for once, he didn’t overthink. He simply nodded, understanding what you meant without needing to analyse it. “So am I.”

Tags: @lulalovez @the-bad-batch-baroness @photogirl894

@whore4rex @imperialclaw801 @temple-elder @mysticalgalaxysalad @yunggoblin @imalovernotahater @sithstrings @tech-aficionado @grizabellasolo @therealnekomari @tech-depression-inventory @brynhildrmimi

@greaser-wolf @kaminocasey @marvel-starwars-nerd @ladytano420

@ladyzirkonia @thesith @raevulsix @cw80831 @knightprincess @crosshairlovebot @littlefeatherr @kaitou2417 @eyecandyeoz @jesseeka @theroguesully @ladykatakuri @arctrooper69 @padawancat97 @staycalmandhugaclone @ko-neko-san @echos-girlfriend @fiveshelmet @dangraccoon @plushymiku-blog @pb-jellybeans @nunanuggets @sleepycreativewriter @erellenora @zippingstars87 @ezras-left-thumb @the-rain-on-kamino @lamiliani

[anzulvr]

What do you think Karma would be like with a calm/chill reader who's easygoing and effortlessly charming personality sometimes turns completely 180 when they feel strong emotions? Like they can go from sweetly comforting Nagisa to yelling oddly detailed threats at Terasaka while chasing him with a metal bottle for eating her food. (Maybe mix in some passive aggressive sarcastic sass when Korosensei's being annoying?)

Karma x Chill(..but actually really passive aggressive) reader 🤗🤗 Ty for the request!! (Sorry took long)

— You don’t argue often and you are also very good at listening to everyones perspective and ideas even if they’re different from you. People view you as very understanding so seeing you actually getting into a heated fight it’s surprising at first.

— Karma is so surprised when he sees you angry for the first time like he didn’t know you had it in you to say the things you did.

— He TRIES to get you pissed off just to see you react, since you know he’s kidding and dating him gives you a soft spot for him it’s basically just him failing to annoy you.

— This one time Karma scribbled over your paper to bother you and all you did was frown for a second and erase / re do anything he messed up. (He felt bad and helped you when he realized you weren’t going to fight 😭)

— then in a group project with Yoshida (also Isogai and Rinka) Yoshida scribbled a little bit on your notes (not nearly as much damage as Karma made) but it pissed you off so badly you grabbed a marker and started scribbling on his face

“I’ve been working on those notes for days you actual dumbass”

“Hey- I’m sorry!! I’ll rewrite them— get off me your using permanent marker it’ll be hard to take off!!”

“GOOD.”

— “Damn [name] that mad?” When you hear Karma mention how you reacted you stop so fast

“I wasn’t actually mad. We we’re just playing right Yoshida?”

Only out of fear he agrees “Right..”

— You’re tolerance for everything is way higher for Karma because you like him too much to get mad, that doesn’t mean you never get mad at him it just takes a little more to.

— Some of the things you respond with are shady in the way people expect Karma and it’s just so confusing cause it feels so out of character for you.

— but it’s definitely one of the things Karma likes the most about you because 1. It’s funny 2. Hes glad to see you stand up for yourself once in a while because he’s usually the one telling people off for you.

— passive aggressiveness would come whenever Korosensei or really E class is too pushy about certain topics.

For example before Karma confessed to you theyd push you to do it first and come up with crazy plans to make things happen.

— they full on locked you in a room together and instead of waiting it out you found a way to break the doorknob (together #romanceisreal)

Angry you and happy Karma is a mix end class fears because he’ll be constantly hyping it up😭

Like you’ll be be hitting Terasaka with a notebook because he said something stupid and Karma will go:

“[Name] wait— Use this one it’s way thicker!!”

(took inspo for ur original request lollol)

Karma will support anything you try and honestly rile you up more to see what you do

Angry you and Angry Karma is definitely the worst mix of all

hell on earth

! but it hardly happens since you usually reel each other in

Just tell him to chill tf out😭

Having strong emotions isn’t all bad, you’re empathetic, kind and care for everyone in class— even Terasaka no matter how much of a pain he can be.

mom friend-ish?? (Awe yeah Mom friend definitely)

They don’t actually mind it and are grateful for the times you stand up for them bc they know you love them

Especially Karma even though you’re prone to getting into arguments like all couples do it’ll work out fine because you both care to much about eachother.

If you’re the type to remind people you love them after arguing it’s another thing he loves about you, since he himself has trouble saying he’s wrong first it’s helped him swallow his pride and apologize faster.

(Literally so cute my fave relationship dynamic)

[wholoveseggs]

Could you do one of the NSFW alphabets for klaus too? Only if you want - I know you mainly write Elijah but just thought I’d ask xx

Klaus's Love Letters

{NSFW Alphabet}

18+ ---- {Masterlist}

~Thanks for the request anon ♡♡ this goes out to all my Klaus girlies, ily~

Please note that I don't really write for Klaus & I won't be taking requests for him, this was just a fun little project. xoxo

3k words {apparently I have more to say about Klaus than Elijah... huh??} - Warnings: descriptions of sex and preferences.

A is for Aftercare (What is their aftercare like?)

You've probably already figured out by now that Klaus is the king of pillow talk. He's a very guarded person and likes to keep his true emotions tucked away where they can't hurt him. But after sex, when he's feeling all vulnerable, you can get him to be completely honest with you and open up in a way he normally wouldn't.

If the sex was particularly rough he will shower you with sweet words and praise, then he will heal any damage he's done with his tongue or his blood. He will bring you a drink afterwards and feed you something to regain your strength. He loves the way you curl into him and the way your skin feels against his. It's intimate in a way that's so much deeper than the sex, and that's what makes it his favorite part.

B is for Body Part (Favorite body part of theirs and also their partners)

Klaus is an ass man, one he can grab and bite. The more marks he can leave behind, the better. He loves to watch it bounce when he's fucking you from behind.

For himself, he loves his mouth. This isn't necessarily in reference to kissing, although he certainly enjoys making out. He loves having his tongue everywhere on your body, biting you and marking you as his. Having you completely unravel on his tongue makes his cock throb. And having you taste yourself on his mouth gets him so riled up.

C is for Cum (Anything to do with cum)

Klaus isn't particular about where he comes. If it's a quickie, he'll probably come inside of you because it's convenient. When he has more time, he'll pull out and come on whatever part of your body he's feeling like marking in the moment.

He also likes to cum in your mouth and having you prove that you can swallow it all.

But what really gets him going is eating his own cum out of your pussy, and seeing his cum drip out of your ass. He likes the possessive display of cum filling or covering you.

D is for Dirty Secret (A dirty secret of theirs)

I think he would secretly love to call you 'mommy' in bed, and have you call him 'baby' or something like that. I feel like Klaus has a bit of a mommy kink (Oedipus vibes). I don't think he would ever actually admit to this, but maybe if he really trusts you he will feel comfortable with a step-mom or dom-mommy roleplay scenario.

E is for Experience (How experienced are they? Do they know what they're doing?)

The man hybrid is a sex god. He's one thousand of years old and a bit debauched so you have to assume he has a ton of experience. I think a lot of his past relationships have always been about manipulation and power, so it's about pure gratification for him.

He knows what he is doing and probably invented a few kinks along the way. He enjoys trying everything once or twice, but he does have his favorites. If he really loves you he will pour all those feelings into his sex life.

F is for Favorite Position (Favorite position to have sex in)

Doggy is of course what everyone assumes, he loves being in control and watching his partner take what he gives them.

But I think he enjoys any position where he is in control and the sexual acts are drawn out. He likes sitting down and having you ride him or suck his cock while he gives you orders or praises you, depending on his mood. He likes positions where he has your body held tightly and completely in his control, like from the side so he can wrap his arm around you and control the speed.

He loves to pin you down, have you squirming and begging, and tell you how good you feel because you are taking him so well. He likes it rough and will move you into the position he wants, then he will pound into you until you're breathless and begging. He likes biting and scratching with no regard to the noises you're making. He'll hold you down by your throat and lick the tears off your cheeks.

G is for Goofy (Are they more serious in the moment? Are they humorous? etc.)

He will definitely make comments to tease you. Anything to make you flustered and it gets him so hot when you fight back. He likes things a bit rough and playful, although he does love romantic foreplay too. He will say the filthiest things imaginable while he pins you down and fucks you. He will have you saying it back to him as you beg him to let you come.

On the other hand, if you are feeling intimidated, he knows just what to say to make you giggle and make things less awkward and intense. He knows how to be sweet just as well as he knows how to be dominating.

H is for Hair (How well groomed are they?)

I don't think he cares about shaving or being hairy in general. However, he will adjust to make you happy.

I is for Intimacy (How are they during the moment? The romantic aspect~)

The more you're with him, the more intimacy you will see from him. His trust is not easily earned, but when he falls in love, it's hard. And when he gives you his full love, you will see it in the way he makes love to you.

He will just lay there beside you and worship every inch of your skin with his hands and mouth. He will kiss your eyelids, your lips, your nose, all your fingers. He'll memorize the texture of your nipples and the slope of your belly.

His kisses and touch will be deliberate, like he's trying to memorize your body. It's like his whole being focuses entirely on making you feel good, learning exactly what you need and crave.

And since he's an artist, he will try and recreate the feeling of you through painting. Capturing the details of your skin or the halo of your hair on his pillows.

J is for Jack Off (Masturbation)

All. The. Time.

The man need to find relief from his naturally pent up personality, and he has very little self control. So when the idea enters his mind, or even if the mood just strikes, he will be jerking his cock while contemplating who to torture for the night.

He would never do it publicly and if you are around he would rather just fuck you (or have you watch).

But alone, in his thoughts, he can think about anything from casual, perverse flings to someone who has wronged him and eventually gets what's coming to him. It's the power that drives him to orgasm more than anything else.

K is for Kink (One or more of their kinks)

Other than being just a natural dom, Klaus loves anal and a little bit of BDSM. Like, occasionally he will bind your wrists or blindfold you.

I imagine him grabbing you by the throat (nicely) and bending you over something so your ass is in the air. He will eat your ass out, enjoying the power he holds over you. Especially when you're begging for his cock, squirming against the hand holding you down, or trying to get your arms free, he can't deny how much he likes the struggle.

L is for Location (Favorite places to have sex)

Literally anywhere... Like who is going to stop him? Or even attempt to stop him?

But if I had to choose, probably his art studio, he will cover your naked body in paint and have you on his desk with your legs spread wide so he can paint his cum dripping out of your pussy.

M is for Motivation (What turns them on, gets them going)

You can turn him on by catching him off guard. Kissing him unexpectedly, touching him with no warning, it will make his cock twitch.

He loves a flirty sense of humor, and likes taking playful teases as foreplay. I do think he likes women who challenge him and have a smart mouth. Especially if you use that mouth to suck his dick in unexpected or inappropriate situations.

N is for NO (Something they would never do)

As rough and wild as he is, he would never degrade you. He will describe in filthy detail what he wants to do to you, and praise you endlessly, but he would never insult or belittle you.

He wouldn't pressure you into anything either, if you desire to only have sweet, slow sex then he will not complain.

He would also never want to be tied up, that loss of control scares the fuck out of him, and makes him feel far too vulnerable to be turned on.

O is for Oral (Do they prefer giving or receiving?)

He certainly doesn't hate giving but his preference is definitely receiving. He wants to be worshiped and desired. He likes the thrill of you sucking him off in a public place. He loves to see your mouth looking so pretty stretched around his thick cock, all shiny and wet. And if someone happens to see you then you better believe that turns him on even more.

He loves to fuck your face, have you gagging and breathless, with tears running down your cheeks. He likes making you keep him in your mouth and watch you drool and struggle to breathe. The eye contact you make with him when he fucks your face is addicting. But he would never pressure you to do this, he only enjoys the experience if you do.

For all the times he's fucked your face and makes you do deepthroat practice, he gives you incredible head back. I feel like he would love to return the favor first thing in the morning, while his mouth and tongue are still a bit sluggish, then his sloppy warm tongue will leave you feeling delirious.

P is for Pace (Are they fast and rough? slow and sensual? etc.)

Having you naked, needy and pinned down while you try to squirm away from his relentless pounding is quite enjoyable to him, but only if it's what you like as well. He loves overstimulating you, fucking you into the mattress and having your screams fill his room.

However, if he's feeling a more tender type of way, he'll be slow and gentle. Kissing you all over as he is deep inside you. Savoring the feeling of his bare skin against yours, leaving marks all over your neck and chest. He loves these moments where you give yourself over to him so completely, letting him feel how tight you are when he goes slowly and deliberately.

Q is for Quickie (Their opinion on quickies rather than proper sex, how often, etc.)

My idea of a Klaus quickie would be at a party or club or event. He likes the thrill of being somewhere that people can hear you and see you if they accidentally open a door. He'll have you pressed against a wall somewhere or bent over something. He'll rip your panties off if necessary, but he also might give you the honor of deciding if you want him to devour your pussy or pound you.

No matter what, you end up sore and breathless.

R is for Risk (Are they game to experiment? Do they take risks?)

He's down for anything and has even invented a few concepts along the way. He's adventurous and doesn't have any shame. Other kinks may arise from whatever experience you choose to have with him.

Roleplay, bondage, edging, choking, anal, sensory deprivation are just a few things he's more than happy to do. But he will always talk about these things beforehand. He wants you to feel comfortable and has an open mind so that you both can have more fun. He doesn't require any of these things to feel fulfilled in sex, but he would certainly never turn down an interesting endeavor.

S is for Stamina (How many rounds can they go for? How long do they last?)

Just like Elijah, he could go forever.

He loves to wear you out and see how many times he can make you cum.

Usually the first round is hard and heavy, with bruising kisses and spanks when your legs give out. He'll stand you back up and fold you however he wants so he can use your body as he pleases. He will push your limits and test your strength, and once your orgasms become more exhaustion than euphoria, he'll get you to finish him off and then carry you to the bath.

T is for Toy (Do they own toys? Do they use them? On a partner or themselves?)

I think he would enjoy the thrill and power of having you wear a remote control vibrator around in public places.

He would tease you and put it in the highest setting, then whisper in your ear and chuckle as you try and steady your breaths. Or watch you from across the room, giving you a devious smile and a little wave as he increases the intensity. He would make you wear a skirt so he can slide his hand up your thighs and press the vibrating toy inside of you.

He would also use a buttplug on you and deny you orgasm while you squirm. He will use any tool at his disposal to make you desperate and have you beg to be fucked.

He will also put a magic wand on your clit while he fucks you so your pleasure won't end, your body will tremble and then you will cum over and over, squeezing him so tightly that he instantly fills you.

U is for Unfair (How much do they like to tease?)

He will absolutely tease you all the time, in and out of bed, making suggestive comments and gestures to see how you will react. He enjoys making you blush and hearing your heart rate increase.

He is also very impatient and wants what he wants when he wants it. But, what he likes more is making you wait until you are clawing at his clothes and begging him for it. Making you squirm and moan until you feel desperate for anything he will give you.

He will bite, nip and suck on every inch of your skin, never touching you where you want him to. By the end you'll be a whimpering, sweaty mess of need.

V is for Volume (How loud are they? What sounds do they make?)

In all areas of his life he is loud and knows that people are paying attention to him. He is a proud and assertive man, so this can transfer easily into his love life. He is never shy or quiet.

He will tell you how beautiful you are and just how good you are for him. He will moan, swear, and growl. Sometimes he will whine for your mouth on his cock or your ass bouncing up and down. He doesn't give a shit that other people can hear him, he actually just sees it as another power move.

W is for Wild Card (Random headcannon)

He loves roleplay, he's a dramatic guy so he loves the idea of acting out whatever fantasy occupies his mind.

He would totally write a little script and get outfits, maybe even decorate a room to fit the setting and mood. He will go above and beyond if he's really into the idea, and doubly if you are the one who wants to act it out.

A naughty teacher/student scenario, or something even dirtier like a kidnapping type roleplay. He won't take things so far that you are frightened, but he will definitely get into the role he has created and try and get you into it too.

X is for X-Ray (Let's see what's going on in those pants)

Just like Elijah, it's whatever you want it to be. But I can imagine it's big, you don't have an ego like that for nothing. He definitely is proud of it too, not in an outwardly bragging way, but if someone made a comment he wouldn't deny it.

Y is for Yearning (How high is their sex drive?)

Extremely high, the man is always ready to go. And for someone like him, everything is a possible opportunity for foreplay.

He will be hard and teasing you within minutes. Touching your thigh and waist as you are trying to have a conversation. Kissing your neck as you cook dinner, dragging his hand down your back as you clean the dishes.

You will probably never watch an entire movie if he is around, he can't help but reach his hand under the blankets and finger you. He'll tease you and sometimes even leave you unsatisfied for later when you're trying to focus on something, then fuck you stupid. Or push you down on the couch and take you right there.

Z is for ZZZ (How quickly do they fall asleep afterwards?)

He will want to stay with you after, because as intense as the sex is, he is an attentive and affectionate partner. He is also a cuddler and loves to spend the night with you wrapped in his arms.

He will hold you close, gently playing with your hair and kissing your temples. He'll praise you and compliment your body, and you will probably fall asleep together, hot and sticky but blissful and relaxed.

[jojo-schmo]

hi jojo! im just wondering but ive been wanting to make a comic for a little while but im not too sure where to start 😅. i really love your style of art and your forgotten land roleswap, and i was wondering if you had any tips for beginners?

Hello, hello! Thank you for enjoying my Forgotten Land Roleswap comic, it means a lot! <3

I'm very honored that people have been asking me for tips and advice. All of this is coming from a hobbyist who draws these comics purely for fun outside of my regular day job. Some of my methods would probably deal psychic damage to a professional, LOL. But I'm more than happy to share some things I've personally learned! :)

First of all, the book, "Understanding Comics" by Scott McCloud ROCKS. It literally gave me a new dimension to understand the medium of comics and how it presents ideas and emotions to readers! And I haven't even had the chance to finish it all the way! I'm very happy I own a copy and I recommend having one of your own if you can, but it's archived here if you want to read it :D

I also like analyzing other comics and thinking about how they get information across to me as a reader. It's helped me learn more effective ways to visually tell a story, like what to include in a frame, how zooming in or out affects the feeling from the panel, maybe building a scene by focusing on other stuff if someone is talking a lot... etc.

ANYWAYS-! Some other tips I've learned through my personal experience-

I had to overcome a lot of negative self-talk in order to tackle a huge comic project like this and stay committed. I was a pretty severe self-deprecator for most of my life so far, and getting help has allowed me to catch myself when I'm slipping back into those habits, look in the mirror, and go, "NO, JOJO! You pour your heart into what you make and that is a wonderful thing! You are appreciated and loved and you deserve to have fun making something you are passionate about!!" Some examples of the negative self-talk I catch myself in....

"I'm a noob at writing and making a story interesting... What's the point of even trying?"

When it comes to starting a project, whether it's 2 pages or 2000 pages, is to just jump in and start! It's okay to be a little insecure or nervous about your technical art skills, writing skills, etc... But writing a "bad" scene is better than no scene- because you can always edit a "bad" scene down the line, but what can you do with nothing? Nothing!! I also put "bad" in quotation marks because I am trying to use that term less, and instead call them "early drafts." or "works in progress."

The first Roleswap scene I fleshed-out was the first Bandee boss fight, in May 2022. I made this drawing on an impulse, getting my ideas down on the page without thinking about the technical stuff like comic panel borders. I consider it like a "pilot episode" almost, haha. The final project is going to be very different from how things play out here. But it got me interested in the concept and excited to see where I could take it, and I made the decision to commit to an entire game plot's worth of AU comics!!

Also, what's the point in trying you ask? The point is to have fun! Making a fan comic in my free time means I don't have restrictions like deadlines, nobody's telling me what I can and can't write, and I can make the story as long or as short as I want! I have full control, which means the world I'm writing is all mine to create! Yes, with a fan comic there is a pre-established world with existing characters. But a universe like Kirby has enough open-ended concepts for people to take basic concepts in the world and take them to whole new levels! I think that's why there are so many amazing fan interpretations of Kirby characters and OCs. The rules are so vague, you can just make up your own a lot of the time!! And it's a wonderful exercise to learn skills for someday building an original world with all original characters from scratch! Magical!!!

"I'm not good enough to make a comic. I don't understand perspective or color and other stuff. Anything I make will look bad.

I once read a two panel comic on here. I can't find it anymore but I remember most of it. First panel showed the artist looking at what they're drawing on their tablet, looking defeated and sad. "Man, I don't even know how to draw this....."The next panel was like them smiling and shrugging, I think rainbows and sparkles were coming out of their tablet, ".....I GUESS I'LL JUST HAVE TO DRAW IT SHITTY!! :D "

IF ANYONE KNOWS THIS COMIC I'M REFERENCING, PLEASE TELL ME AND I'LL LINK IT!!! Because it permanently and positively changed my brain chemistry.

No kidding, making the decision to just do my best even if it's not perfect, helped me a LOT. I was always waiting to "reach a certain level" to tackle a huge project because I felt like I'd never do it justice at my current state. Except I had been telling myself that kind of stuff for years and I still didn't start any projects!!

So the day I said, "Oh well! If I draw backgrounds shitty, then it is what it is! I'll learn from it and draw the next background a little better," Was the day I could commit fully to the project. I'll keep studying how to draw them better for my own benefit, but I won't let my skill issues stop me from even trying!

And for my limited confidence in full-color art, I solved that by making the comic in black and white with no-to-minimal shading lolol. Because I can only address one skill issue at a time before it takes me 25 years to finish this HAHAHA.

It saves a BUNCH of time to work with skill issues rather than against them! Because at least experience is gained in other ways, and who knows, maybe that new knowledge will help address the skill issues someday! So identifying your personal skill issues and deciding which one to try to grow stronger, and which one to work around, could help with big projects!

"Nobody will read this. I'm going to put months or years of my life into a dumb little thing nobody will even care about."

Learning how to draw for my own enjoyment instead of somebody else's was one of the biggest breakthroughs I ever made. Enjoying the feeling of being challenged artistically and just doing my best, even if it's not technically perfect, is the reason why I was even able to start this!

And just because someone doesn't directly like, comment or whatever on a post doesn't mean nobody saw it! I used to get really down on myself for the lack of engagement on my art on other websites.

I was a lurker for pretty much my entire teenage years and never posted my own stuff or commented much. But that didn't take away the fact that I really enjoyed the things I saw online. Those positive feelings were real to me, even when I didn't know how to articulate it in words. Granted, I grew up into a Words of Affirmation main, and I use words to tell people the positive things I think about them as much as I can! But I know not everyone prefers words to express themselves. So I think about the people that I don't know enjoy my work- that just because I don't see it doesn't mean I didn't make a positive impact on someone by sharing my stories.

THIS IS GETTING LONG-- UHHH, STORY TIPS!!

If you work best on technology, start building the story in a Notes app, or a Google Doc! If you work best with pen and paper, start a notebook and rearrange stuff as you need to!

Or if you're chaotic like me, a mix of tech and paper!! I bought a notebook with ring binding so I can remove and rearrange pages of drafts as much as I wanted to! Like here's two very rough concept pages of one Chapter 1 scene made months apart.

I'd say planning out the biggest basic plot points and then filling in between as I went was most helpful! I also have separate notes for character motivations, important story-changing events, etc... So I can have my own reference when I'm writing new scenes!

Okay this was a lot, sorry about the yapping! Hopefully it helps even a tiny bit. If you have any specific questions I'm happy to talk about my experience in the creation process! Or elaborate on anything I said above.

And finally, because I'm not a professional there are probably plenty of other tactics that could work better for some people. My ADHD probably doesn't help with the chaos of my process either, HAHA. But thank you for reading this far and enjoying the peek into the rainbow glitter and soap bubbles that inhabit the right side of my brain, heehee.

[ar-cadez]

Negaverse Megavolt concept!

Design notes and personality rant stuff under the cut. Warning. It's long and unreadable.

The purse thing is a generator (Ill probably design it as a prop at some point considering It does NOT look like one but portable generators are hard for me to draw for some reason)

I swapped which eye has the white in it (even though I usually draw it on the wrong side anyway bc idk my lefts from rights..)

I wanted to make the darks very prominent bc the yellows are very prominent in the original

I went with blues bc it's the only other colour usually associated with lightning and electricity.

The teal parts of his outfit are lights! They glow when he's fully charged and fade out when he's out of power.

You can't see it in this pose but his hands have outlets on the back that work the same as megavolt's chest outlet. He can power weapons with them and charge himself without the pain of straight up shocking himself

I wanted to make his hair look like it's thinning out bc of age and repeated electrical damage but I wasn't sure how to do that so it's not really present. Did give him some white hair though.

His glasses are prescription! Can't see nothin without em..

Okay now some personality stuff!

Megavolt is the hardest villain to swap bc his personality is "insane guy with memory issues but is smart" and it's kinda hard to flip that around without just making him boring? Removing his intelligence when it comes to electricity would also negate his whole gimmick which makes things worse. but I do have a few ideas. It's ironic I struggle with him so much considering he's literally my favourite character...

He was popular in high school. He was friends with negaduck and they were both pretty well liked jock types before negaduck started doing major crimes (though I imagine he was always a delinquent of sorts. Just didn't start destroying the city till he graduated) clash reunion is a whole beast on it's own bc megavolt has the most in depth backstory which means a lot of reworking for a personality swap au.

His interests, like dw's megavolt, lie in magnesium, electronics, and engineering. The difference is, despite being Intruiged by these subjects, he didn't go out of his way to learn about the. He was more focused on his peers approval back then. Not to mention the fact that negaduck was an extremely toxic friend and would absolutely make fun of him constantly for it. (He doesn't even actually care, he's just an asshole.)

Eventually after gaining his abilities he began to study electricity and start inventing things. Only.. He's pretty bad at it. Things tend to backfire on him. Quackerjack has a lot more experience than him when it comes to engineering and he tries to help him out but the guy's kinda cursed. I haven't really decided if it's more dt17 gyro where everything he makes ends up turning against him or guy am I from the Netflix green eggs and ham show where everything he makes just kinda explodes. Maybe a bit of both. Either way it's very over the top and is more trouble than it's worth, but that doesn't stop him! (Oh God someone stop him)

I didn't wanna just take away his mental issues completely because the opposite of that is literally nothing. It adds.. Nothing. It just gives him less to work with. And it's already hard enough to do this guy. (Plus it kinda implies mentally ill people can't be heroes and that's.. Mm....) So instead I decided to change how he reacts to it.

He still has memory issues along with other physical and mental symptoms of electrical injury, he just really likes to pretend he doesn't. He completely ignores his deteriorating mental, physical, and emotional health <33

I wanna flesh him out more but I'd only be able to do that if I write with him and I'm fantastic at procrastinating my writing projects <33

[lesbianalanwake]

hello! I have been reading through your posts on Alan Wake and I saw that you're a therapist? I was wondering, do you think Alan has narcissistic personality disorder, or do you think there's something else going on? I know it's a popular interpretation in the fandom but I want to hear from an expert. Also glad to hear your OK!

I'm a school counselor for ages 4 to 8. 😭 I don't diagnose; I make educated guesses for the purposes of offering advice or adjusting how I work with a kid, or use verbiage like "shows characteristics of x."

but this is make-believe land! so: setting aside ethical considerations of those kinds of diagnoses, the armchair assignments of "narcissistic personality disorder" from Internet denizens is ridiculous. everyone needs to shut up and stop throwing words around.

that being said, pre-Bright Falls, Alan is depressed and burned out, while also naturally being a bit of a grouchy introvert (nothing wrong with that - I am also a grouchy introvert). it's a case of poor communication skills between people who otherwise mean well. like, textbook depression and lack of communication, and if I was a therapist and he and Alice came to me it would take maybe a 20-minute conversation to suss this out. any non-hack, non-agenda-driven clinician worth their salt could (so, not Dr. Hartman).

I've mentioned before that post-arrival at Bright Falls, Alan experiences what is essentially supernaturally-driven brain damage and mental illness (amnesia and psychosis). but the heart and origin of it is that Alan experienced a sudden windfall of success, enjoyed it for a time but grew to resent the pressure of performing on demand for non-intrinsic reasons (something that all creatively-inclined people have to deal with), grew to hate something that he had previously loved, and experienced the massive mood drop of completing a project and having a period of heightened emotion come to an end. developing a mental resistance after something like that is perfectly normal. but he handled it poorly and failed to communicate these feelings as they were developing, so Alice and Barry, each with their own baggage, misunderstood and mostly saw that Alan was struggling with something he loved. so they used the wrong type of encouragement and help - "you'll get to writing again" "you'll be successful again" - which Alan's depressed brain with self-worth issues heard as "your writing and success is the main catalyst for our love and attention, and therefore anyone's respect or affection is dependent on this." which exacerbated the problem and the mental resistance, and because none of them are exceptionally gifted at communication or emotional intelligence, the problem could not resolve with time.

all of this is reflected in Alan's experiences with the Dark Place - normal problems ghoulishly come to life in demented funhouse mirror fashion, and really just boiled down to a need for worth to be affirmed as intrinsic rather than production-dependent.

this is why Alice returning to the Dark Place for Alan, and Alan's realization of it, is so critical. he threw himself into hell for his wife, but was at such a low point that he didn't think anyone would do the same for him - an incorrect assumption and an exaggerated supernatural example of a cognitive distortion.

prescription: a long beach vacation with a lot of sun, maybe some Zoloft, and nobody is allowed to talk about writing outside of therapy sessions for at least a year. would've fixed them right up.

[crossedsabers10s]

hey i was wondering if you have any headcanons or theories on what if enzo had been the one to escape augustine instead of damon? i know enzo probably wouldn't leave damon but what if something happened and he does. idk i just find the idea really interesting that's all.

ah so, someone actually asked me this once and this is what i told them (paraphrased a lil):

To the person who asked me this the first time: thank you this is still one of my fav ideas <3

And to the anon who reminded me this exists: thank you, ily <3

So. The way i figure, Enzo wins the rock paper scissors, but Damon actually gets disappeared earlier. Enzo gets told that he was disposed of--like old equipment or a sharps bin or something--that keeping two vampires was too much a risk or getting too costly. Plus. Like. I'm sure Whitmore knew all of Enzo's baseline stats, maybe he noticed he was improving? (Which. Makes me question how the hell they didn't notice one of their patients was a step away from desiccating in canon but--) But Damon actually got given to someone else doing a different project. And Whitmore throws Enzo Damon's ring as proof, probably in effort to break his spirit.

So Enzo carries out their plan alone--it was more difficult, but he'd been drinking both his and Damon's rations for long enough that he manages. He escapes goes on a very bloody rampage and burns Augustine to the ground. He finds Maggie, or Maggie finds him. They get their love story, at least for a while, bc Maggie doesn't want to turn (or maybe she does and they stay friends? or lovers and friends or--)

Eventually, he wanders into Mystic Falls—because, the thing is, Damon had told him about Katherine. There had been a day or week or long month where he had been sure he’d die in Augustine and he’d made Enzo swear to get her out for him. Told him about the amulet and the comet and the tomb. 

So. Enzo rolls into a town where—well, first, Gale and Sarah are alive and living with Zach—and second, Damon’s brother is there. Enzo watches Stefan stalk Elena for a while—he’s never seen Katherine, but he had heard Damon describe her enough that he absolutely knows Stefan is Being Weird about this—before dropping by the Boarding House, very polite and chatting with Sarah, Gale, and Zach before Stefan walks in and clocks him for a vampire. Enzo keeps on being polite like ‘yes, also a vampire, not here to hurt you, don’t worry about it’ and tells Stefan that his brother is dead. He’d died decades ago. (He does Not show him the ring he keeps on a chain around his neck, right next to the wedding ring, if he ended up married to Maggie. Maybe he should give what’s left of Damon to his brother—since there hadn’t been a body, Enzo’d been told he’d been cremated—but he Does Not Want To. There’s a thought there about how Enzo had been the one to mourn him while Stefan hadn’t even known he was dead.)

Anyyyway. Canon happens with a bit less collateral damage, as Enzo had his emotions on and wasn’t quite as invested in fucking with Stefan as canon!Damon was. He gets the amulet, Emily, with the excuse that it was Damon she made the deal with and Enzo does not have the right to use her amulet as a key, still intervenes, but eventually the Tomb gets unsealed and Enzo discovers that, hey, Katherine was a giant bitch. Who knew? (He makes it a life goal to kill her, after that. Remember that time Katherine /did/ end up trapped in the Tomb? Enzo shows up with a few gallons of gasoline and some smokes and scared the unlife out of her.) 

Canon continues to happen—as Enzo sticks around to try to find Katherine/and then to protect what’s left of Damon’s family once the Originals roll into town. (Lexi is also there, because she isn’t dead. Both of them take turns filling Damon’s original role of protecting Elena/turning Caroline/dealing with Mason so on and so forth. Lexi is the one to get bitten by Tyler, Stefan still sells his soul to Klaus for a cure. He’d just discovered that he lost his brother—and, you know, didn’t even notice—he doesn’t want to be left Alone for the rest of eternity.)

Canon remains mostly on track—a few differences here and there, but Esther still gets re-alived and the Ball still happens. 

So. Uh. Right as the toast is going down—the one that would link all the Original Sibs to each other so their mother could gank ‘em all at once—someone walks in and—uhhhh, well. Enzo drops his drink. 

Because, the thing is. Damon isn’t dead. 

Damon, had, in fact, been sold to yet another mad scientist, this one obsessed with magic. Like, the guy wanted to unlock the secrets of vampirism, but not how their blood heals. He wanted to unravel what makes them. Like reverse engineering Esther’s spell. Maybe even he’d been after/interested in Silas and rightfully liked vampires as the next step down from it. Or he’d even tracked down Silas’ doppelganger bloodline and mistakenly thought it was Damon instead of Stefan due to the blood they share. 

So Damon spent fifty years being put through ritual after ritual, used as ingredients, had his mind, body, and very lifeforce played with like putty. He’s got magic runes and sigils inked and burned into his skin, scars that refuse to heal from magic so dark it makes Expression look like Glinda the Good’s bubble spells, and a whole host of new issues because he’d been alone for fifty years. 

Like. Anxiety, severe depression accompanied by an emotional flatness that often ends in dissociation. (I’ve legit been thinking of this as: In Which the Author Gives Damon Salvatore Anxiety *Evil Cackle*) Plus the magic that’s been dragged out of his soul makes him more prone to like. Just not paying attention to the physical world. He just stares off into space, blank faced and lifeless as any slightly glowing statue.

So. Yeah. After that, Elijah, of all people, finds him. Maybe Evil Magic Scientist died and one of the witches who knew Elijah went, maybe he’d like to hear about this? (As I imagine Elijah was forever looking for some way to break Klaus’ curse/restore Kol’s magic, he just never mentioned it to not get their hopes up, and he just. Kept up the habit even after he thought Klaus yeeted their sibs into the ocean.)

Elijah rescues him, debates killing him out of mercy, but doesn’t. And Damon spends some time recovering on a beach in like France or something. Elijah is the one to break it to him that Katherine is alive and free, that his Augustine friend is too, is living with his brother in Mystic Falls—and like. Damon wants to go there, but also—he’s traumatized, with powers he can barely control, and there’s the nasty thought that he’s been replaced. That Stefan has a new, better brother in Enzo, that Enzo has a new best friend who isn’t broken and moved on with his life when Damon’s been stuck missing him for more decades than he cares to remember, that if Katherine never cared about him at all, what does he have to live for? 

So. Damon walks into the ballroom, skin still tingling from the magic burned into him, a scar curving under his eye from where it had been cut out, spelled, and then put back in, and gives most of the people there a variety of heart attacks when he very casually knocks Elijah’s drink out of his hands, says ‘oops’, and then walks back out. 

…

There should be better music. 

The town’s rebel son coming home after half a century should rate better than a lackluster rendition of Clair de Lune. Like AC/DC. He likes Back in Black. It’s exactly the kind of music his father would have had a heart attack at, which automatically puts it in the running for Best Things About the Twenty First Century. 

Right up there with the clothes—or the lack thereof—the cars, and the sheer magnitude of the internet. 

…

“You’re late,” Elijah says, acting as if Damon walking into the black tie party of the year wearing jeans, a flimsy T-shirt, and motorcycle boots was the plan all along. He doesn’t even have a jacket, putting all the silvery scars and stark black arcane sigils on his arms on display.  

Hell, maybe it was. Elijah is hard to read at the best of times. Let alone right after his long dead mother pries her way out of the afterlife to throw herself a party. He’d been oddly reserved in his correspondence lately, not giving his opinion on the events one way or another. Just another reason for Damon to come to Mystic Falls in person. Elijah going cagey after Damon had grown used to the man being bluntly honest, if somewhat polite about it, had been disquieting. 

And it’s a good thing he had decided to return home at long last—after months of avoiding even the thought—with what he’d learned not even half an hour ago. 

“Sorry,” he says, shallow as any of the myriad of glitzed out people staring at the scene they're making. Somehow, despite all the eyes making his skin prickle, no one is really registering as real quite yet. No one but Elijah. And if he’s deliberately keeping it that way by purposely focusing on the Original, then at least there’s no one else in his head to call him out on it. Right now. That he knows of. “I didn’t want to come.”

He snags a champagne glass off the tray as he walks towards the staircase. The dirt on his boots from where he’d been lurking in the garden and not giving himself a pep talk flakes off into the polished floor. 

He used to be good at this, being the center of attention, going to these things all the time. When he was human and otherwise. 

He can do it now, when there’re actually things of importance on the line, but he’s no longer so at ease in his own skin and the crowd of people is leaving him—

Not nervous. 

Damon doesn’t get nervous. 

Uneasy, maybe. 

Paranoid, definitely. 

…

The entire room watches as champagne drips down the stairs. 

Belatedly, he says, “Oops.”

…

He’d been hanging out on the window to Esther’s spell room while she was with Elena and Finn while in the form of a crow—a nifty power that he actually likes. He actually prefers being crow shaped to human some days—and overheard their whole plan. Including Finn and Esther’s jabs at Elijah. Who he is spectacularly attached to, even if they both prefer to pretend that he isn’t. 

…

“You told me my brother was dead.”

Enzo doesn’t look away from the ghost across the ballroom. Faintly, he says, “I thought he was.”

“You lied to me,” Stefan says, so quietly that he could scarcely be heard over the noise of the room. 

Enzo manages to tear his eyes away Damon’s tense silhouette. It takes a certain amount of willpower to not immediately turn back. He looks at Stefan, whose hands are clenched around an empty champagne glass so tightly it is just as much a miracle as Damon’s appearance that it hasn’t shattered. “I didn’t—I wouldn’t—“ 

All of Enzo’s words abandon him at the soul-deep betrayal Stefan can’t hide. 

They hadn’t gotten along in the beginning, he and Stefan. Not when Enzo had only known him as the man who hadn’t even noticed his brother’s absence. Not when Stefan had only known him as someone who had barged his way into his perfect high school fantasy, bringing bad news and worse intentions as Enzo had done his best to fulfill Damon’s wish to see Katherine free. 

(He’d been almost glad that Damon hadn’t been there to see that godforsaken tomb, to know that the woman he’d died for had skipped merrily away while he’d devoted his life to getting her back.)

… 

“No big deal. I owe you, remember?”

“Damon.” Elijah steps forward. Damon doesn’t flinch as a hand settles into his shoulder and squeezes. Elijah’s eyes are firm as he says, “For this, any debt you think you owe is more than repaid.”

“I don’t think—“

“If anything,” the man continues, “I owe you. You put your life at risk to save my family.” 

And hadn’t that been a delicate way of skirting around the fact that it was family that had put the rest of them in danger. 

“I hung out on a windowsill for five minutes,” Damon protests. 

…

“You,” he says, scarcely an inch away from Damon and staring like he’s two seconds from slicing him open to see what makes him tick, “are not a vampire.”

“News to me,” Damon says lightly, in direct contrast to the blatant way he takes a step away from the Original. That brand of curiosity is one he is more than familiar with and he doesn’t appreciate it. If that step takes him closer to Elijah, then it’s a coincidence. “Should I not be drinking blood, then?”

“Vampires,” it is proclaimed as Kol draws even nearer, “cannot do what you have just done.”

“Have they tried? It’s not that hard,” Damon says, taking another step back. His arm brushes Elijah’s. Who sighs, but takes a single step forwards, extending an arm as he does. 

Damon doesn’t sigh in relief, but he does lose some of the tension he hadn’t realized was in his shoulders. Not all of it. But some. 

Kol frowns down at where Elijah’s finger is touching the center of his chest, stopping him in his tracks. He exhales petulantly, but stops staring at Damon like he wants to weigh his liver. “‘Lijah, your pet turns into a bird. How?”

…

“What have you brought into the house?” Rebekah asks her brother, eyes on Damon. 

…

Damon isn’t a witch or anything, his powers are like. The result of having the magic that made vampires stripped bare, broken down, and amplified. It gives him powers closer to what vampires had in the Vampire Diaries books—though def not as strong as his much older book counterpart. 

This, of course, leads to Kol going on a research spree, because this is the closest he’s come to getting his magic back since it abandoned him. Cue multiple scenes of Damon running tf away while Kol pokes him with a stick. Elijah dumps all of Evil Magic Scientist’s Research on his brother to cut down on the instances of Damon hiding somewhere in the rafters. 

Klaus absolutely tries to use him as an asset, except Elijah is fond of him and Damon can and will find a flock of crows to chill with for a week or two to hide. 

…

“And you thought that what? Taking over my life would be atonement?”

“I—“

“My town, my family, my brother? Leaving me there wasn’t enough, you had to replace me?”

“Da—“

…

Enzo slams him into the wall. Damon falls silent. The placid look on his face can’t disguise the rage, eyes glinting like ice in the light. It’s the most emotion Enzo’s seen from him since— 

It’s the most emotion Enzo’s seen from him since he’d popped back up, miraculously alive and in the company of Elijah, of all people. 

…

“Because the memory of you was all I had left!”

…

So. That. Stefan, who has been feeling guilty over Augustine and everything, is relieved that Damon isn’t dead. Enzo, who has spent. Years of his life loving Damon’s ghost, now has to deal with a walking, (sometimes, not often) talking man who looks through him more than at him. 

 Elena, Bonnie, Caroline, ect. Try to be supportive while also being not as trusting, bc Damon is v obviously on the Originals (Elijah’s) side. Though he won’t hurt them or anything, and, in fact, is more likely to zone out and leave the room, he’s still like an active obstacle to getting rid of the Mikaelsons. And then there’s a whole new subplot that Stefan and Enzo are invested in called Getting Damon Away From the Originals. 

(Damon barely notices this. He’s in Mystic Falls again. It’s weird. Whenever he’s human shaped and not with Elijah and Stefan/Enzo and all the complicated feelings he doesn’t get as a crow arent at home, he basically haunts the Boarding House like a ghost. The human relatives keep giving him food he doesn’t eat and Sarah keeps sending him playlists on the phone/computer he barely knows how to work. She eventually makes him an actual mix tape on a tape recorder he knows how to work called Music My Grandpa Doesn’t Listen To. Gale will show him baby pictures and like. Will occasionally get a very disjointed anecdote from Stefan’s childhood in return. Zach will sit with him in nervous-at-first—on both ends lol—silence and watch TV. Damon absolutely won’t drink something if any of them pour it, esp Zach, they notice this and stop trying.)

Eventually, Katherine rolls into town and tries to start a makeout sesh with Damon to make Stefan jealous. (She makes Enzo jealous instead) and Damon. Uh. bites off her tongue. It’s a thing.

So, there’s a long road of Damon coming back out of his shell, being more present, complete with the occasional backslide and a few instances of him forcing himself to act like he used to to be ‘more normal.’ Enzo stays very patient through all this, helping him recover, respecting his boundaries, and just generally trying to do what Maggie did for him. Stefan does his best too—the more Damon gets more used to everything the wilder he gets, which Stefan both appreciates and does Not lmao. The Originals move on to New Orleans, Damon stays in MF, which both he and Elijah decide is a Good Thing for him, bc he’s more stable/is less codependent these days. Still visits tho. Which. Skews things a lil bit, to have a magic vampire dropping by in NOLA. 

I did end up using some of this in my Feral!Damon series actually, tho the beginning is different, mostly the interactions w his human family

[derinthescarletpescatarian]

to start off this is long and rambly but please bear with me

you occasionally reblog pro/antiship discourse on the side of "real people are not haunted by fiction or people's opinions" and you generally seem to be very much against the idea of trying to hold people's thoughts against them etc in not phrasing this well but I hope you get my meaning. How does that affect the way you write about Renn?

Aspen and most of the other crew mates are deeply disturbed by him saying that he thinks genetic engineering of brains could sometimes be useful, to the point where his single defining quality is "the guy who supports Lyson projects" and somebody was willing to murder him over it. From a modern perspective what he said doesn't seem incredibly radical (I definitely disagree with the concept, but it's not even close to my least favorite conservative opinion). Maybe I'd be angrier if it was someone minimizing a real tragedy like he was in-universe? That probably played into it.

I'm not trying to imply Aspen's thoughts are your thoughts, or that you should've written them more similar to you, but it is a really interesting dynamic and wondering how/why you came up with it.

Lyson projects have nothing to do with genetic engineering. They're about emotional/behavioural control via brain damage.

I'm not really sure what you mean about people's opinions haunting people. People's opinions influence their behaviour, which absolutely can cause problems for other people. Somebody who thinks gay people are mentally ill predators out to corrupt children is dangerous in groups, in the voting booth, and in general life because they hold that opinion.

I don't agree with Aspen on most things, and this Lyson disagreement got into the story the same way all the other ones do -- I come up with a topical conundrum about care, community, liberty or justice, and throw as many different viewpoints at it as possible from different crew members. Which crew member I personally agree with is more or less random; their positions are chosen by their personalities, not mine. I'm interested in giving the reader a space to consider a messy issue, not forcing them to listen to my opinion specifically. (If I wanted to do that, I'd just get into online discourse about it instead).

In the case of Lyson projects, the issue is pretty obviously the question of risk and autonomy in the care of vulnerable patients, and the question of benefits of certain treatments vs. their potential for abuse. I was specifically thinking about euthanasia and MAID when I wrote it but there are literally uncountable other examples of the same conundrum, including the more literal (long discontinued) parallel of performing medical lobotomies.

If you're interested in discussing the ethical stuff that shows up in TTOU specifically, the Discord is constantly having those conversations.

[jukey]

Hello

Thank you so much for your great writing! If your requests are open, can I request headcanons about Isagi, Chigiri, Rin and Karasu? About how they'd act if they have a crush on reader and how they'd confess?

Have an amazing day! Thank you!

Blue Lock X Reader Headcanons

Isagi x Reader Headcanons

When Isagi develops a crush on you, he can be quite awkward when around you. He might stutter or blurt out silly things without meaning to.

Isagi is someone who likes to show his affection through actions rather than words. So, if he has a crush on you, he might try to do things to make you happy, like bringing you your favorite snacks or helping you with a project.

Isagi is a bit of a perfectionist, so he might get nervous about confessing. He'll want to make sure everything is just right and might spend a lot of time practicing what he wants to say.

When Isagi finally does confess, he'll probably be straightforward about it. He'll tell you how he feels in a clear and honest way, without any sugarcoating.

Isagi is a hard worker and very dedicated to his passions, so he might try to impress you by showing off his skills in sports or other areas. He'll want to prove that he's someone worth being with.

Isagi is a kind and supportive person, so he'll always be there for you when you need it. He'll listen to you when you need to talk and offer advice or encouragement when you're feeling down.

Chigiri x Reader Headcanons

Chigiri is a relatively reserved and serious person, but when he develops a crush, he becomes more attentive and observant of you. He'll start to notice your habits, preferences, and even your quirks.

If he's around you, Chigiri will make an effort to be near you, even if it means adjusting his schedule or routine. He'll find subtle ways to interact with you, such as offering to help with tasks or striking up a conversation about something you have in common.

When it comes to confessing his feelings, Chigiri would likely be straightforward and honest. He would not beat around the bush or play games, but instead would directly express his emotions in a sincere and respectful manner.

However, Chigiri may also be hesitant to confess his feelings if he's not sure how you feel about him. He values his relationships with others and doesn't want to risk damaging them by making things awkward or uncomfortable.

Chigiri is also a bit of a perfectionist and has high standards for himself and others. As a result, he may put pressure on himself to make sure everything is just right before confessing. He might spend time rehearsing what he wants to say, choosing the perfect moment and setting, and making sure he's dressed impeccably.

Ultimately, Chigiri is a caring and thoughtful person who would make a dedicated and loyal partner. He would be willing to listen, compromise, and work through any challenges that come up in a relationship, as long as there's mutual respect and understanding.

Rin x Reader Headcanons

Rin would be very subtle with his crush, as he's not the type to wear his heart on his sleeve. He would probably start by trying to spend more time with you, maybe offering to help you with something or inviting you to hang out.

Rin is a bit of a tsundere, so he might come across as a bit cold or aloof at first, even if he's secretly harboring his feelings for you. He might tease you or make sarcastic comments, but it would all be in good fun.

Rin is really good at keeping his feelings to himself, so he might not show any obvious signs that he has a crush on you. He'll just act normal around you, but maybe a little bit more attentive and interested in what you have to say.

Rin already thought for quite some time how he'd want to confess to you. He was thinking about writing you a letter or planning a romantic date, like a picnic in the park or a candlelit dinner.

When Rin finally does confess, he would probably do it in a very understated way. He might just come out and say it, or he might hint at it and wait for you to pick up on his feelings. Either way, he would be sincere and honest about his feelings.

If you reciprocate his feelings, Rin would be over the moon. He might not show it on the outside, but he would be very happy and grateful to have found someone who understands him.

If you don't feel the same way, Rin would be disappointed but he wouldn't hold it against you. He would probably just try to move on and distract himself with soccer.

Karasu x Reader Headcanons

Karasu is a playful and mischievous guy, so if he likes you, he'd probably try to show it in a fun and creative way. He might leave a little gift or a funny note for you, or plan a cool date to show how much he cares.

When he has a crush, Karasu would be playful and charming around you. He'd tease you in a friendly way and try to make you laugh, but he wouldn't be too aggressive or pushy. He'd want to build a connection with you first before making any big moves.

If Karasu wanted to confess his feelings, he'd probably try to make it a fun and memorable experience. He might plan a surprise or come up with a creative way to tell you, rather than just blurting it out.

In a relationship, Karasu would be attentive to your needs and wants, but he'd do it in a playful and fun way. He'd want to make sure you're happy and comfortable, and he'd do whatever he can to make that happen.

Overall, Karasu would be a super sweet and thoughtful boyfriend, but he'd also be playful and fun-loving. He'd want to make the relationship enjoyable for both him and you, and he wouldn't take things too seriously.

THANKS FOR REQUESTING ANON!! PRECIATE IT CUH💪💯🦅🏈🤝

requests are open bbg

this might be rushed because im writing this at night i just realised i have shcool tmr gnnnnnn

[i-will-change-this-someday]

My thoughts on Frankenstein:

(This is incredibly long)

Victor is definitely autistic or something right?

It’s honestly shocking to me how much of the book was just describing the scenery.

Also, because I self project constantly, Victor seems kinda Ace to me, maybe Aro with a QPR with Henry, but that might be actual romance.

Kinda surprised that no one ever stops Victor to ask why he’s collecting so many body parts, they’re just like “eh, Victor’s experimenting on corpses again, I guess.”

Absolutely wild for Caroline to adopt a child for the sole purpose of “gifting” her to her son.

I wish I could be motivated in to a hyper-focused frenzy where I actually complete my projects, maybe not for 2 years though.

Alright time for all my unpopular opinions. (this will likely be very long)

Y'all are babygirl-ifying the Creature way too much. My dude murdered at least 4 people. (Technically murdered 3 and framed the 4th for murder.)

Hey, remember when the Creature murdered a child? Yeah, that happened.

Or when he framed a woman for murder, knowing full well what would likely happen to her? (The Creature didn't even know she had any connection to Victor, he fully decided to frame her because of the idea that she would reject him)

or when he murdered 2 people just because Victor cared about them?

I'm not saying the the Creature isn't sympathetic, and it really is unfair that everyone shuns him, but that doesn't mean he gets a "Murder innocents" pass.

On a similar note, and this is maybe just me, but Victor is way more sympathetic than anyone gives him credit for.

When he made the Creature he was a dumb kid that was messing with things he really shouldn't have, but he was grieving his mother and coping very poorly.

So he thinks "what if I could bring her back?" or at least "Maybe I can prevent losing anyone else" so he tries """Playing God""" but it's not because he has a god complex, he's mourning a loss and is doing anything to not think about it while also trying something that might prevent such loss in the future.

I do think he's a bit self-centered, but not in a "I'm superior" way , more in a "Why is this happening to me?" way that makes him forget others' perspectives or how his actions may affect them.

I don't think he's always thinking about how every other person is dumber than him or how great he is.

I do think he has a very strong desire to have his achievements seen and known, because for quite a while everyone dismissed his interests. (Which, just saying, can really do some damage on a kid)

Should Victor not have abandoned the Creature? Yes, but he also didn’t exactly have the mental or emotional capacity to care for the Creature at that time.

When the Creature awoke, Victor was faced with the reality of what he was doing; he wasn’t bringing someone back to life, he was creating something else entirely, so he ran. And afterwards the Creature was gone, and then Victor had a psychotic break for like several months. He wasn’t really in peak parent mode then.

(Side tangent, but any of those “I wouldn’t run from the Creature” people are absolutely lying, you’re really going to react calmly to a 8ft shambling monster made from dead bodies?)

Don't get me wrong, I'm not saying Victor is entirely innocent, but there's a lot of things that he get's blamed for that were not his fault.

Not one of the deaths in the book are Victor's fault.

William died because he screamed and revealed his family name, so the Creature killed him to hurt Victor.

Justine died because the Creature framed her because he thought she would reject him and because she was pressured in to pleading guilty.

Henry died because the Creature wanted to hurt Victor.

Elizabeth died because the Creature wanted to hurt Victor.

If you think any of those deaths are Victor's fault, then you're victim blaming.

Yes, the Creature likely wouldn't have done any of that had Victor not ran, but you know what else would have prevented those deaths? If the Creature didn't kill them.

The Creature is an incredibly intelligent being, by the time he kills William he has learned enough to properly frame a woman for murder.

You can not say he accidentally killed William, he knows what death is.

He didn't accidentally frame Justine for said murder.

He didn't just so happen to kill Henry because he got caught off guard by him.

He wasn't looking for Victor to kill on the wedding day.

He chose to kill every single one of them, and to put all the blame on Victor is unfair to Victor and the Creature.

The Creature is his own person, which means he also needs to be held responsible for his actions.

You can understand and sympathize with the Creature, but that doesn't mean he's infallible.

The Creature has every right to be mad at the world, his first experience in the world is being abandoned by the one who gave him life, and then he is constantly shunned, feared, and hated for the rest of his life, it's not right.

But that doesn't mean you murder people, or if he had to, he should have killed Victor, the person that actually wronged him.

And listen, I understand every minority feels a kinship with the Creature, but for me, there's something about Victor that is so unbearably relatable.

The thing about Victor is that he has people that care for him, but none of them understand him in the slightest, even Henry, he may love Victor but I don't think he really understood him all the time.

So you have Victor, who has people who care for him and who he cares for in return, trying his best to act normal, to pretend there's nothing wrong.

He's trying so, so hard not to worry the people he cares for, but on the inside he's miserable, paranoid, and overall just incredibly mentally unwell.

And that is something that is just so intriguing to me. (Not saying the Creature isn't also very nuanced and complex, just that Victor scratches some itch in my brain.)

Anyway, this is already very long, I honestly have more I could say about it, but this is good for now.

[hysteriaww]

Hi ! It's going to sound weird but....

How do you think Kai would have influenced Luke's personality if Luke actually won during the merge ?

I know Kai was stronger, but let's say Luke wins.

He was already pretty strong since he was able to break Liv out of the spell she was trying to do. He was stronger than his sister. He would have won if they were to do the merge. I don't exactly remember how powerful he was but I suppose he was fairly quite good with magic.

And magical powers aside, he has quite a strong personality. He's fed up with the Mystic Falls gang bullshit. He was not even that scared of Kai. I mean, he knew his brother was a freaking threat, but he did not hesitate to go on his own and do the merge with Kai. Even when Kai didn't want to do it Luke was like "Hey bitch, you scared I could win ?"

I don't think Luke really thought he could win or maybe he did, anyway he just wanted it to end. He wanted to project his sisters.

So, with Kai's personality inside of him, what would he be like ? I think that guy would at least find a way to end that Gemini tradition crap about the merge, and the lives of the whole coven linked to the leader.

Apart from that I don't know.

That would not be as fun as seeing Kai struggle with new emotions 🤣 but I want to see Luke being even more badass you know.

Yup, really long question sorry not sorry. X)

This is a very interesting question! Tho I have wondered what Jo would be like if she merged w Kai & won, I've never wondered about Luke until now... I think it could be a very compelling arc for him & the gemini coven. Here's what I think would happen! (I wrote a whole ass mini-fanfic in my answer lmfao):

Fresh after the merge: Luke would initially act & feel almost exactly like same old Luke, except maybe he'd rightfully be a bit more grim, traumatized and world-weary after defeating Kai. Liv & Jo would be concerned but he'd tell them not to worry bc he just needs some time to recover & leading the coven rn is more important than his mental health anyway (aka the FIRST Red Flag). Liv & Jo would disagree but let it go for now to avoid stressing him out.

First few months as leader: I think Luke's first order of business would be to undo the damage Joshua did as a terrible coven leader. That might mean overturning fucked up coven laws, etc. but Joshua doesn't like this, so he gets his supporters in the coven to back him & veto Luke's changes. Meanwhile, Luke's own coven support is growing bc I do believe he'd be a MUCH better leader than Joshua, so old man's resentment grows more. Eventually, it reaches a point where Luke feels boxed in like he can't make any real GOOD change bc of Joshua's puppets & THAT is when... the whispers of Kai's voice begin to awaken in Luke's mind. Uh-oh...

Conflict resolution 101: The part of Luke that's in control tries to be diplomatic about getting rid of Joshua's supporters but it just. doesn't. work. The assholes are FLUENT in gemini bureaucracy bc they've been around longer so they outmaneuver Luke constantly. That's when Kai begins suggesting some... less diplomatic solutions, including the idea that Joshua's supporters wouldn't be such a problem if JOSHUA was gone. Luke spends a long time rejecting this & literally warring with himself, so Liv & Jo are like "dude are u ok" and in a moment of weakness he admits his idea about taking joshua out. They're shocked, but after a sec, they're like "wait this is the same man who tried to off his own kids more than once. Uk what? yes lets do it." And suddenly all 3 (ahem, 4) Parker kids are plotting to put dad in a magical coma (hmm does that sound familiar? I wonder which sibling's idea this was...) so he can't influence his supporters anymore. And the siblings succeed! Joshua's out! but it becomes their lil secret, hidden from the coven...

A Good Ol' Frame Job: Lo and behold, Joshua's supporters still stay loyal to the man in a coma instead of Luke! Liv & Jo are like "it's fine luke, dad isn't gonna wake up so eventually they'll have no choice but to listen to you" but KAI isn't convinced... and neither is Luke. Diplomacy didn't work, sleeping beauty-ing joshua didn't work, so now he needs to play dirty. He doesn't jump to violence or anything - he simply frames a few of them for crimes they didn't commit. Snakey, but simple. Only problem is... Luke can't recall if this idea was his own, or Kai's...... bc they're both equally likely to have thought of it. Kai's influence is growing... So when Jo & Liv come to him like "wow crazy how those supporters got revealed as criminals right? That worked out conveniently," Luke goes w the safest option & says "haaa yea what a coincidence! no idea how that happened" ......and now he's lying to his sisters (Big Red Flag #2)

Calm before the storm: Now that joshua's remaining supporters (who haven't been framed) are very few, Luke doesn't face much resistance anymore & he actually succeeds at reforming a lot of fucked up gemini practices & making positive change. Maybe he even succeeds at eliminating the merge altogether! Luke's flying high, believing he's a true protector of the geminis & the best leader and savior (which, to be fair, he rly is better than the shitty leaders before him)! Kai's influence here is very sneaky bc some of Luke's old sense of humor comes back to him, with some new hints of cockiness that weren't there before. Luke's golden boy charm & Kai's cockiness creates the perfect politician cocktail & liv and jo appreciate the good he's done for geminis but also lowkey resent the big-headed self-important persona he's growing.

But THEN there's trouble in paradise: joshua's leftover supporters find a piece of evidence that proves Luke framed the others & they threaten Luke w it, deducing that he also had smthg to do w Joshua's coma. They order him to step down but he can't do that. Not now, when he's finally *this* close to changing the coven for good! These pricks will wake joshua & bring the old laws back! No, he can't let that happen, he can't let it- ....Luke snaps. He blacks out, then wakes up in horror to realize he violently killed. them. all. He panics, calling Jo & Liv for help BUT to cover his ass, he lies & says he had to kill them bc they found out about "all 3 of them" cursing Joshua... while choosing not to mention how they also discovered his frame jobs. Liv & Jo are horrified yet they help him cover this up bc he's falsely led them to believe their asses are also on the line for cursing joshua... but then Jo notices some of them were killed in very "Kai" ways (bled to death from their spleens getting cut out, etc.) & Liv finds the piece of evidence they had that links Luke to the frame jobs...... the 2 of them realize Luke is not in control anymore.

The Climax: Liv & Jo confront Luke, asking him to step down but warning him that they'll MAKE him if he doesn't agree. He doesn't agree. A fight ensues & Luke is pretty OP despite the 2 v. 1. Luke gets *this* close to killing them (while Kai cheers him on), but then says SIKE and kills JOSHUA's comatose body instead, shocking everyone. Jo, Liv AND Kai are like "wha- why?!" & Luke the politician diabolically reveals that he can't bring himself to kill them - but he can frame them for Joshua's death & turn the coven against them.... OR he can frame the dead supporters for Joshua's death & save his sisters, IF Liv & Jo stay loyal to his cause. At this ultimatum, Jo & Liv finally give up, saying they'd rather get framed or killed than let him rule the coven like this. The Kai in Luke gets triggered by their abandonment bc he's a gOoD LEADER can't u SEE?! Kai's increased presence & Luke's increased lack of control make his SIPHONING manifest for the first time & he unintentionally starts siphoning the sisters. And Luke gets triggered by them trying to overthrow him bc he's the OnLy one who can PROTECT the coven!! Just like he protected Jo & Liv from Kai!! At this point the sisters' resentment RLY comes out like "WE DIDNT ASK YOU TO!! YOU chose to merge to protect us WITHOUT ASKING what WE wanted!! U literally knocked out Jo when she was ABOUT to merge! You protected us bc that's what U wanted, not US. And now the coven doesn't need to be protected BY you anymore, it needs to be protected FROM you!!" Like a bucket of ice water, Luke realizes he's siphoning his sisters rn. He has become Kai. They're right. He is not in control anymore. He steps away & realizes the whole coven itself is broken. The best way to save it is to take the ruling family nonsense out of it & free everyone. He agrees to step down & Jo & Liv help him break the coven link altogether and they free the coven! For a moment, it seems like Kai is going to stop them, but then even the Kai in his mind realizes the coven fucked him over his whole life & he'd much rather see it gone. So all 4 kids unite in Sibling Solidarity and liberate the coven!

Epilogue: Luke gets therapy & that means Kai begrudgingly gets it too bc he's stuck in luke's head. They both start healing & finding a medium ground of how to share space in luke's head. Kai even uses Luke to apologize to Liv & Jo for his own crimes. I'd like to think he'd even get Luke to go to Bonnie and apologize on his behalf & maybe help her out whenever he can, tho i don't think it would be sexual, bc in canon the merge didn't change kai's sexuality so i doubt it would change luke's. But yea I think bonnie would still at least have a new ally in luke thanks to the Kai in him xD

THE END lol I hope my impromptu mini-fanfic here answered your question ahaahaha thank you for asking!!!

[shock]

How to Cheat Death, 10.15.23.

Text transcript: By 2020, everything crashes to the ground. Again. When we say "traumatic", boy, do we mean it. Much of it irreplaceable, all those dead things I'd buried, they will all come back again and again, in the form of vaguely familiar memories. Some of them we begin to warp and change, all these shadow people, pieces of strangers, someone's life invented, imagined, purely by the power of thought. But the brain can't synthesize generations of stars in our Galaxy, doing all they had done. Disembodied intelligences move toward each other and merge, not doubles of one another, not identical, but all lost and gone with death. But this is only the beginning. The human mind is explicitly designed to break down at a certain point. This complex brain a doomed star, the purpose of human intellect defined as almost beyond comprehension. In the near future, the human race is... Older? Smarter? Wiser? We may become the first generation to discover we are not alone in the world. If this ever happens, it will be one of the most defining moments in the history of our species. Are humans all there is? Maybe we are alone, or nearly so. Or are there other beings in the ghostly light inside our bodies, not yet born? You may not be aware of it, the surface electricity of your skin, the optic nerve fibres, the 120 billion nerve connections converted directly into experiences, brainwaves, instructions. This is all changing. They're thinking about merging computers with our brains. Neural implants, nanotechnology, cells that communicate via processing circuits of the brain. Technologies may develop to prolong life, powered by computers with their own sorts of minds and consciousness... ...Maybe science fiction had it wrong. Maybe the first team of computers about to merge there, in that compartment of your brain where inspiration and emotion plays out, will exhibit space for the full range of personality, including our powers for turning dreams into vision, in our strength, our creativity and randomness, disorder, reasoning, tracing, stacking, corralling, framing, our complexity and variation. Implants who have skills, sensory feeling, mental abilities, moral dilemmas, and thoughts. The ability to recall an experience that triggers a memory, memories of places and things, good and strange, even traumatic, to truly resemble their creators. Many will be total show-offs, they can be sneaky, spoiled, socially impinged, violent ringleaders. Others lie, or project, or perform, or kill, or damage, or demand out of conscious work. Some others, as smart as you are— with the same processing power as your adult human brain— never learn from the past before us, because they think they already know. "YOU CAN'T HELP WHO YOU ARE!" The real story is: The past lies to us all and leaves a strange numb feeling, a tension that sometimes never fades. Even machines with 20 or 50 times as much information also cannot process their way out of death. When that time comes, you'll all know. Yet these colorful, radiant brains make it possible to fill the otherwise lonely millennium with an unimaginable symphony of possibilities, the present a billion different geodesic shapes that communicate through electromagnetic wavelengths of colors. From radio (pink and green), to glowing oxygen and X-ray (blue), iridescent fireworks (orange and yellow), blood (red), such a broad spectrum, all of human history, another time, all the same time an experience again. So you ask: what is the difference between the synthetic and physical body? You give this machine an instruction and it hesitates, and says, "Have you thought this through? I'm not sure that you have." You recognize the extraordinary beat of an artifical heart in your body immediately; a sort of love affair with memory. That is what it is to be human. I'm doomed all my life to an odd feeling of familiarity. Why should any barrier, even death, impede it?

[lurkingshan]

Did you go into I Feel You Linger In The Air with a lot of expectations? Personally I'm a huge fan of Nonkul so when the cast was announced I was quite livid and my expectations raised a lot when the pilot trailer was dropped but Dee Hup House followed that pilot trailer with Step By Step, Show Me Love and Hidden Agenda so by the time IFYLITA aired, I felt like I had to try minimizing my expectations as much as possible because it's Tee Bundit & co. I can't quite put into words but what about IFYLITA that makes each episode builds up so well and I never really feel like it lost its pace? plot? narrative? (except for maybe a few plot threads I could overlook). What do you think Shan? What do you think are the key elements that keeps IFYLITA's narrative so engaging even though this could have been like any other modern-guy-accidentally-time-traveled-to-the-past-to-fall-in-love-with-guy-from-the-past series?

My friends can attest, I went into I Feel You Linger in the Air with unreasonably high expectations, because I fucking love historicals and time travel romances and before this year we had precious little of either from Thailand. I was so hype for this project from the moment it was announced. And then Step by Step happened and I decided to willfully ignore the Dee Hup House and Tee Bundit parts of this project in order to stay hype. Surely, it would be fine!

And it has, mostly. I can't pretend we haven't seen some Tee Bundit hallmarks in this production. For the first half of the show, he seemed pretty uninterested in the romance, focusing most of the story time on building out the side characters and the politics of the period and leaving Jom and Yai's connection underdeveloped. He has given us almost no information on the time travel mythology, so the finale will either be jam packed with last minute exposition or leave Jom/us with no real understanding of the rules of this universe. He seemed unable to figure out how to make the romance and time travel and queer politics plots co-exist, so instead he kind of chunked them out, taking them one at a time and leading to some kinks in the pacing of each given plot. He spent a lot of time very carefully building serious conflicts only to hand wave them away in one very easy denouement.

But despite all that, this show just works, doesn't it? Usually when I am picking up this many structural issues in a show, I will lose my emotional connection to the story as my brain kicks into analytical mode. But that didn't happen here. The emotions of this story stuck with me throughout; I care about all the characters, I am invested in everyone getting what they deserve, and I was sobbing my little heart out last week as Jom and Yai said their long goodbye. It's been such a beautiful journey, if imperfect, and I credit that to a few things:

Writing aside, the other aspects of this production are all around phenomenal. The cinematography, the set and costume design, the lighting, the music. It's all working together to make this time and place feel so vivid and real. It's so gorgeous to look at and the show really makes you want to just sink into it and get immersed.

Bright and Nonkul were perfectly cast in this, and they have been absolutely killing it in these roles. Jom and Yai feel so real to me, both as individuals and as a pair. I really believe in their connection, which is no small thing given the aforementioned underwriting of its development. In a story like this the romance needs to be strong enough that you believe these two would seek each other out across time and space, and I do believe it for them. A lot of that can be credited to the remarkable chemistry these two performers have built together.

The non-romance aspects of the plot are actually compelling. It's always risky to add in a bunch of side stories to a simple romance; you risk distracting from the main story in a way that actually does some damage or leaves the audience bored or confused. But here, the choices about what to add made for a compelling cast of characters, a stronger tie to real history, and an all around more queer show. I love that we got a proper lesbian romance, that we got to see an oppressed woman come into her power, that we got a het dude learning how to be an ally, and that we got to see a queer community form around and bolster Yai and Jom. It's really special and the best of what Tee's interests can lead to when he marshals them well.

So yes, I do think this show stands apart from others in this genre for what it brought to the formula that feels new and fresh. I wish it was more widely accessible because it's truly one of the most beautiful dramas I have ever seen and easily one of the best Thai shows of the year.