#is it better to know that it /can/ happen but never does than to just believe it was never possible to begin with

[oceantornadoo]

when you first start talking to simon riley, you want to check yourself into an insane asylum.

you like to think you’re cool, you’re chill, you’re nonchalant. but he takes eight hours to text back, sending you a “come over.” text at 7pm like he hadn’t just ignored you the whole day. you complain to your friends, of course, which is a terrible move when they tell you to drop him and if he wanted to, he would! and you think he does (want to), he’s just so insanely nonchalant about it. so the next time he comes over, chinese takeout in hand after not texting you back since 8am, you go a little crazy…

you open the door for him, stepping back awkwardly when he tried to peck your forehead. he practically shrugs it off, toeing off his boots before setting the food down on your table. “got tha’ dish ya like.” you nod, forgetting his back is to you. simon unpacks the boxes with precision from the bag, not stopping until it’s all laid out on the table. you’ve been quiet for a while, unusual since you’re the talker of the bunch, and that creeping feeling that’s been sliding up his skin finally sets its hooks in him. he turns around curiously, brows furrowing at the sight of you still standing by the door, biting your lip with a timid look and wet eyes. “love?”

you shake your head with a watery smile. “can we talk?” simon follows you as you walk to your couch, feeling like he’s been dropped into an op with no details. he doesn’t know what’s wrong, just that you’re hurting and he seems to be the cause of it. “i just…don’t get it. how you’re acting so normal.” you’re twisting your hands together. “somethin’ happen, love? got me confused.” you give him that small, weak smile again and it’s like you’ve stabbed him in the heart. “you- you barely talk to me all day and then you just come over here like it’s nothing. it’s just so hot and cold and i’m wrecking myself over it when it’s so clear you don’t care. i’m just so confused, si.”

simon runs through his memories. he texted you good morning, you texted it back, then he went about his duties for the day until he was finally free to ask about dinner. hadn’t even picked up his phone in the meantime, security risks or just plain busyness being the cause. “‘ve been busy, sweetheart. ‘s why i asked t’ come over when i was done.” you shake your head, biting your lip. “it’s the modern day, simon. everyone’s on their phones. i don’t think you’re as into this as me, and that’s fine, but i just want to know!”

now simon’s the one shaking his head, pulling out his phone. he might not be tech savvy but he does know this move from johnny, the fucker constantly complaining about his screen time. he pulls up the screen time tracker and turns it to you. “not everyone.” you’re a bit shocked to be honest. his screen time is ten minutes for the entire day. a few in the morning when he texted you and nothing until nighttime, when he texted you again. you’ve never seen anything like it.

“‘m not a big texter an’ we don’t use personal phones for work, so it’s jus’ a brick i leave at home or lug around. ‘s nothin’ on you. been thinkin’ about you all day, to be honest.” your mouth is open, honestly. any other man would have never shown you their minute-by-minute screen time, would have begged off the “busy” excuse while having been on social media for four hours. simon, by all standards, is genuinely different.

“so, you do like me?” he nodded stiffly, gloved hands reaching for you. you slid into his lap easily, tucking your face into his neck to hide your heated cheeks. you’d even shed a few tears over this, how embarrassing. “‘course i like you, sweetheart. an’ im sorry if it didn’t feel like it. let’s have it out, yeah?” you nod into his skin and he takes a deep breath, pulling you closer to his heart.

from that day on, you compromise with phone calls. when he’s got a few minutes and you’ve hit a lull at work, he’ll call you. it’s better than any text in the world - hearing his gruff voice asking questions about your messy coworkers or dinner plans. not so nonchalant as you thought.

-

i wish this was from personal experience but unfortunately for me, it’s closer to the men not responding for days but having a screen time of six hours.

[libraryofgage]

so i wrote this yesterday and now it's become a whole thing

basically: Steve is actually smart but nobody realized it until he just fixes their various STEM related problems

anyway this is Eddie's very first experience with how smart Steve Harrington actually is

also please don't call me out if my physics explanations are wrong. just suspend your disbelief, i'm begging you lmao

also also, if you see any typos, no you didn't

---

"You're going to fail my class, Munson."

"Gee, no need to sugarcoat it," Eddie mutters, shoving his hands into his pockets and avoiding Miss Chester's gaze. His eyes land on one of the posters behind her desk, a cat hanging off a tree branch. Maybe it would like to trade places.

Miss Chester sighs, looking pointedly at the desk closest to hers. She waits until Eddie sits on it, legs hanging over the edge. "I'm serious," she says. "You're going to fail, Eddie. I don't want you to, but there's just some...disconnect happening here."

He appreciates that she's not totally blaming him. Most of Eddie's other teachers would've been berating him for his laziness by now. This, among other things, is why Eddie likes her class even if he can't wrap his head around physics at all. "I don't know, Miss. It just doesn't make sense."

"So I'm noticing." Miss Chester leans back in her chair, her finger tapping against her desk. Eddie immediately recognizes it as the drum beat from a KISS song. "You know you'll probably be held back if you fail, right?"

"Not the first time."

Miss Chester waves off his words, looking deep in thought. "What do you think about tutoring? I think you'll do better in a one-on-one setting. If you understand the concepts better, I can start grading you based on the work you do with the tutor."

"It wouldn't be you?" Eddie asks, frowning slightly. He's not sure he wants some random geek tutoring him. Not that he has anything against geeks, of course, but he's never known one to talk in a way he can understand. They get all...technical and Eddie's eyes glaze over whenever he overhears their conversations.

"No, I don't have the time. But don't worry," Miss Chester says, smiling reassuringly before pulling her roster close and looking down the list. "The student I have in mind probably knows more than me, if I'm being honest. He should be able to answer any question you have."

"What student?"

"His name is Steve."

Of course, Eddie immediately thinks of that Steve. King Steve. Steve "The Hair" Harrington with his blinding smile that's always looked a little strained in Eddie's opinion.

He then dismisses Steve Harrington as a possibility and reviews the other kids named Steve at Hawkins High. There's Steve Paulson, Steve Meyers, and Steve Barns. Maybe it's Barns? He's the only one that Eddie could imagine being somewhat good at physics.

"Are you open to tutoring?" Miss Chester asks. "For one session, at least?"

"Yeah, sure, one session. Won't help, though."

Miss Chester smiles like she knows something Eddie doesn't. Which, to be fair, she does. She knows a lot more than Eddie in terms of physics, at least. "I'll set it up. Just come by tomorrow after school."

--------

On his first day at Hawkins High, Steve realized two things.

One, his parents weren't kidding when they'd said public school would be vastly different from the private group tutoring he'd received up to that point.

Two, if he wanted to have a good high school experience, he needed to be cool. And being cool, it seemed, meant not being smart. He didn't need to be dumb, but he couldn't breeze through his classes, either.

He's done a good job of it so far. He's bored beyond reason in most of his classes, sure, but he's also popular. Nobody bothers him or tries to copy off of him, and it's great. He can even swallow down the weird surge of frustration and annoyance and guilt whenever his classmates assume he's too dumb to be a good project partner, or when his parents ask why he isn't enrolled in AP classes, or when his teachers give him confused looks after he aces tests for a unit he seemingly didn't pay attention to.

Anyway, he almost rejected Miss Chester's request to tutor a student from a different class period. He was just about to say he didn't have the time when she leveled him with a look so profoundly hopeful that he just couldn't. So, Steve said yes and now he's hesitating outside the physics classroom.

What if the student inside uses this against him? Steve thinks he could play it off, maybe convince his friends that the kid is lying, but he's not sure. Nothing dire would happen, but Steve would have to reorient himself to a new place on the social ladder, and that sounds exhausting.

"Just get it over with," he mumbles. Then, before he can chicken out and just leave the other student hanging, he opens the door and steps into the classroom.

Miss Chester isn't there. Steve knew she wouldn't be. She'd said something about a department meeting that would take her time but leave them with the classroom to themselves.

The only other person in the room is Eddie Munson, bent over a notebook and furiously scribbling on the page. He looks up when the door opens and freezes at the sight of Steve. They stare at each other for a few seconds before Eddie breaks the silence by asking, "What, get lost on your way to the locker room, Harrington?"

Steve blinks, frowns slightly, and takes a deep breath. Okay. Fine. Eddie Munson it is. "Nope. Miss Chester asked me to tutor you," he says, because that's the only reason another student would be in this room after school has let out.

Eddie laughs. He nearly falls out of his chair with how hard he laughs. He's wheezing and clutching the edges of the desk by the time Steve moves another desk to face him and sits down across from him. "Are you done, Munson?" he asks.

"Holy shit, you're serious," Eddie says, his voice slightly strained and his face red from laughing. "No fucking way Steve Harrington is here to tutor me in physics. You probably don't even know what two plus two is!"

"It's four. Do you know what 12 times 40 is?" Steve asks, watching as Eddie blinks.

"I'm not a fucking calculator, man."

"No, you're not. It's 480, by the way."

"You could've just memorized that."

Steve sighs and reaches into his bag, digging around some before pulling a calculator out. He places it on Eddie's desk and says, "Ask me something."

Eddie looks at him like he's grown a second head but still pulls the calculator closer. "1,239 plus 378."

"1,617."

He watches Eddie use the calculator, feeling smug when his face twists into confused disbelief. He then puts the calculator down and frowns at Steve. "So you can add, big whoop. Doesn't mean you can teach me shit about physics."

"Won't know until we try," Steve says, resting his elbow on the desk and propping his chin in his palm. "So, what don't you get?"

"...All of it. Just assume I don't know shit."

"You don't know Newton's laws?"

Eddie snorts, looking back down at his notebook. "There's that motion one and the reaction one," he says.

"Right. Newton's first law and his third. What about the second?"

"It's just...some equation or some shit."

Okay, Steve is starting to get an idea of where things stand. He thinks for a moment before asking, "What kind of stuff do you like?"

"What?"

"What do you like?"

Eddie looks so shocked by the question that he doesn't really think before answering, "Heavy metal. And, uh, D&D, too."

Steve knows heavy metal is music, and he could work with that but the D&D Eddie mentioned might be better. "What does it involve? The D&D?"

"It's a fantasy role playing game. Like, using your imagination to go on adventures with friends and stuff. Needs dice to work."

Oh. Perfect. "Do you have dice with you?" Steve asks. After another brief pause, Eddie nods and pulls one out of his pocket. He passes it over and watches as Steve turns it between his fingers. "Oh, an icosahedron. Cool."

"A what?"

"Icosahedron," Steve says, looking at Eddie. "It just means a twenty-sided polyhedron."

Eddie still looks confused, and Steve is about to explain it again when Eddie says, "Just call it a D20, dude."

"Oh. Sure. Anyway, let's use this," Steve says, rolling it between his fingers before letting it clatter to the desk. It bounces a few times before settling, a 17 facing up. "Do you know what made it stop moving?"

"The desk. I'm not an idiot, Harrington."

"I didn't say you were, Munson," Steve replies, leaning back slightly. "Just...yes, the desk stopped it. This is Newton's first law. If the desk wasn't there, it would have kept falling until it hit the floor. It stopped bouncing because it lost power each time it hit the desk. An object, the D20, will stay in motion, falling, unless acted upon by another force, the desk."

"That...kinda made sense," Eddie says, blinking a few times.

"Great!" Steve says, unable to help the bright smile at knowing Eddie understood him. "Okay, for the second law, the equation is mass times acceleration equals force. Basically, the movement of an object depends on how much it weighs and how much force you apply."

"Aaaand ya lost me," Eddie says.

"Okay, uh, you fight things in that game, right?"

"Yeah, kind of the whole point."

"Right, yeah, and the stuff you fight comes in different sizes, right?"

"Well, an orc isn't gonna be as big as a dragon, is it?"

Steve isn't really sure what an orc is, but he nods anyway. "Right. So if you want to move a dragon, you need to land a stronger hit than you would need for an orc."

"Duh. You're not gonna fell a dragon with a basic cantrip."

"Not sure what that is, but yeah. For this example, moving, or defeating, an object, or a dragon that weighs more than an orc, relies on how much force you apply, which is the strength you use."

"Oh. So, because an orc weighs less, I don't need as much force to defeat it," Eddie says, grinning as he fidgets with his pencil. "This doesn't really sound like math, though."

Steve shrugs. "We'll get to the math part later. Right now is basics. You need to understand those to do more complicated stuff. So, the third law, this is the action-reaction law. Music might be better for it. What happens when you strum a guitar?"

"It...makes a sound. Because it's an instrument."

"Well, yeah, but do you understand how the sound is being made."

"By...strumming it?"

"Yeah, that's part of it. Sounds are vibrations in the air that we can understand. If you touch your throat while talking, you'll feel your voice box, your larynx, vibrate to make the sound of you talking."

He waits as Eddie does exactly that. While holding his fingers to his throat, Eddie says, "Didn't know it was called a larynx. Oh, fuck, yeah, there are vibrations."

Steve nods, waiting patiently as Eddie hums for a few minutes before looking back at him. "So, vibrations. Instruments make sound because playing them causes vibrations. When you strum a guitar, the strings rapidly move back and forth, and that movement is translated into notes."

"I can't believe I'm saying this, but yeah, I'm following you."

"So, the action of strumming a guitar creates the reaction of the strings vibrating. That action of the strings vibrating creates the reaction of air rippling, and those ripples create the reaction of audible noise. Did that make sense?"

"Yeah. It did," Eddie says, his voice soft as he stares at Steve like he's really seeing him for the first time.

Steve shifts uncomfortably, unused to this aspect of himself being known so well by someone at school. He's almost tempted to end things now and apologize to Miss Chester for walking out halfway through a tutoring session. Steve is practicing the apology in his head when Eddie says, "Hey, by the way, sorry for earlier."

"What?" Steve asks, trying to blink away his confusion and failing.

"You know, earlier, when I laughed at you? Pretty shitty of me to do. So, yeah, I'm sorry."

"Oh." Steve stares at Eddie for a few seconds before his shoulders relax. "It's fine. I'm not exactly known for being smart."

"Why not?"

"It's just...easier to let people think I'm dumb. Most of our classmates look at me and think I'm just, you know, a typical jock. They don't expect more from me than that, and I don't expect them to look any deeper."

"Does anyone else know, though?"

"My parents and the teachers. And you."

"Well, don't worry, big boy. Your secret's safe with me."

"Big boy?"

"Don't like it? Would you prefer Stevie?" Eddie asks, grinning as he leans in and exaggeratedly waggles his eyebrows at Steve.

Steve can't help snorting at the sight. "Whatever. Just call me what you want, Eddie," he says.

He tries to ignore the weird swooping in his stomach when Eddie's smile gets wider and he says, "You better not regret it, Stevie."

[alchemistc]

Everything's so damn dark when the blindfold slips off that for a second she can't see a thing.

Don't panic. Don't scream. Don't hurt the baby.

Something groans at her feet and she startles straight into the pipe behind her head.

"'lo?" A voice asks, familiar enough to give her pause, and she wonders for a moment if this is a joke, if this is a trick, if this - "s'there?"

His words are slurred. A concussion, maybe, then. Great. Biggest man she knows and he's gonna be a useless pile of puke to her.

Don't panic, Maddie reminds herself, and then she starts giggling.

"Tommy?"

He groans an affirmative.

"Oh good. I feel a lot better about getting overpowered, now."

A hand grabs for her ankle and Maddie bites back a scream. It's Tommy's hand, big and warm and - fully unbound, which feels a little unfair. "Cunt drugged me," he says, then pauses. Squeezes her ankle. "Sorry for the language."

"No, it's, uh - I think it's warranted this time."

Maddie can't remember exactly how it'd happened to her. Had she been hit? Is she injured? She does a mental tally. Her lip feels swollen. Nose and eyes feel fine, though, so maybe she bit it? Neck, shoulders, all good. She's been bending her elbows and wrists just fine, she just doesn't have the leverage to do anything about the zip ties keeping her affixed to the probably pipe behind her. Hips, legs, knees. She wiggles her toes and in the darkness Tommy chuckles. "Everything accounted for?"

He must have done his own check while she was working through hers. She can hear him rustling around. "I'm still incredibly mad at you, but it's nice to hear your voice," she says, and Tommy goes still. "Tommy? All good?"

"...why are you mad at me?"

"Like you don't know?" Oh. Actually maybe she is more mad than she is glad. "You broke my brother's heart, idiot. I don't have any more room in my entire house for the coping mechanism he's come up with." She kicks, a little. Tommy grunts and shifts. "I hope that hit something painful and non-essential to our escape."

"He's - he'll be fine."

"What exactly is your definition of fine? Because it's been a few months and he's still bringing me baked goods on a bi-weekly basis."

"Bi-weekly like -."

"Do not get pedantic on me, Kinard. Two times a week. What's your status? Moving parts all still moving?"

"I think my balls have taken a vacation, but that's more a reflection on how terrifying you are than on this current situation."

Flippant. Sarcasm in the face of Maddie trying to get a full picture. Buck had called him funny and charming. Maddie's second kick doesn't land, but only because he's got a hand wrapped around her foot. "Once we're out of here, I'm gonna punch you in the face."

He hums. "For the balls comment, or the cunt thing?"

Maddie shrugs. Remembers that he can't see it. "Which part of 'broke my brother's heart' are you not getting?"

He sounds like he's moving gingerly. She can hear heavy bulky fabric rustle and she wonders if he's in three layers like usual. She could use something warm. "I - figured he'd be over it by now."

Maddie snorts. If she had to make a guess, Tommy glowers at the noise. "Dumbass."

And then it hits her. "The cunt? Skinny, brunette, pretty? Kind of...angular face?"

Tommy hums and takes her weight as she tries to kick again. "Sounds like her."

"Oh, Buck's gonna be pissed and embarrassed. She's rebound attempt number two."

Tommy's silent long enough that Maddie has to check in. He hums, and goes back to silence. "Rebound attempt?"

"If you hadn't noticed, we've actually been kidnapped, so maybe I can save your relationship afterwards?"

"I think she was trying to kill me," Tommy admits. "Otherwise why am I unbound in this shitty Saw knockoff?"

Maddie feels some extra pieces dropping into place. Oh, Buck is never gonna live this down actually.

"Can you overpower her if she comes in?"

"If she's not quick to try to drug me again. If I can figure out where the fucking door is. If -."

"A yes or no is fine. Pretty sure she's the Bay Butcher, if that helps you answer."

His pause is long. "...maybe," he says, and accepts the kick this time without block or protest.

[just-j-really]

Additional Dreamling hanahaki AU idea, which I am fond of enough to make its own post:

Hob fell hard for Dream in 1489, and unfortunately immediately got hanahaki about it. Fortunately, it's a weirdly manageable level of hanahaki. Like, the immortality bit definitely helps, but it progresses much slower than your average case of hanahaki, and it seems to reset, or at least get markedly better, every time he sees Dream.

He still never gets a chance to tell Dream about it. In 1589 he's got a five-step 'Impress him. Have a conversation with him that isn't about immortality. Flirt a little. Use whatever information I get to figure out if I can seduce him. Go from there.' plan that just immediately goes to shit. It's the least of his worries in 1689, in 1789 he doesn't have the chance, and in 1889 he attempts to reach out again (less a calculated 'sweep him off his feet' this time and more a 'hey, we're friends, do you ever see the possibility of us being something more?') and of course Dream balks at the friends part and that goes to hell.

An then 1989 rolls around, Dream doesn't show up, and the once-a-century reset button Hob had been depending on just. Doesn't happen.

He's in bad shape when Dream finally shows up thirty-odd years later.

Eventually Dream gets the whole story out of him (it takes a bit- Hob is afraid of scaring him off again, and once Dream tells Hob why he missed their meeting, Hob's got the additional worry of 'how to explain without making him feel even worse about being imprisoned for over a century').

And once Dream does get the explanation, he immediately connects the dots incorrectly: hanahaki is born of unrequited love, and Hob always seems to recover from his case whenever he sees Dream. This of course means that being subjected to the full force of Dream's unloveable terrible self is causing Hob's feelings for Dream to wane. So he decides to meet up with Hob more often (but not too often, he wants Hob to still want to be his friend, even if those romantic feelings fade).

Cue a horrific misunderstanding. The facts of the situation are that A: Dream is slowly falling in love with Hob. He'd been nursing a tiny little potential crush for centuries, hence their meetings giving Hob that little reprieve, but he only starts actually falling for him when they start spending time together. This means that B: Hob is recovering. It also means that C: Hob's feelings are getting exponentially, monumentally worse by virtue of having his crush nearby so often, and occasionally looking at Hob as though he could possibly feel the same way.

Dream, only aware of points A and B, has confirmed his suspicion that he's horrible and unlovable and his presence has caused Hob to stop loving him. (And like. Yes. The other conclusion, that Hob's recovering because his feelings are requited, is, in fact, right there. Dream is far too primed to believe himself unlovable to make that leap.) He's also having a Real Bad Time emotionally because he's DEVASTATED that Hob doesn't love him anymore and also just. So, so glad to see Hob healthy. The Dreaming is experiencing freak thunderstorms midway through, and occasionally at the same time as, perfect sunny days.

Hob, only aware of points B and C, is confused. He's still in love, so that can't be what's caused his recovery, and Dream hasn't mentioned returning Hob's feelings, so clearly that can't be it either. Dream's some sort of eldritch god-being, it makes as much sense as anything that he can somehow suppress hanahaki. And Hob can live with that, he's perfectly happy with Dream as his friend. (Honestly he's probably three quarters of the way to figuring it out, if nothing else Dream keeps bringing him gifts and it's beginning to make him suspicious, but he just... doesn't think Dream would withhold that information when he knows Hob's unrequited love was factually killing him.)

Thus follows months of mutual pining. They're essentially living together, at least from Hob's perspective- Dream meets him after work, unless he has some other plans, and sticks around until he falls asleep. He's not there when Hob wakes up, but it's overall absurdly similar to living with a partner who works early mornings. Hob is also Having Some Feelings about this.

Thing is, though, they're getting closer (despite the fact that Hob is clearly falling out of love with Dream), and Dream ends up eventually explaining who/what he is.

And then-

"Oh," Hob says. "Is that how you're doing this?"

"Doing what?" Dream asks, nonplussed. They're in the Waking world, at a table in the back corner of the New Inn. Dream isn't doing much besides keeping a curious eye on one of the bartenders' daydreams of social media stardom, and even then, he's not sure how Hob would know that.

"No," Hob says, his voice low. "How you cured me. I've been dreaming of a cure for centuries, did you make that come true, somehow?"

A rush of hurt and anger nearly overpowers Dream, but Hob's looking at him with such genuine, earnest curiosity, a touch of admiration, and he realizes the truth. Hob wouldn't be the first person to fall out of love with Dream and fail to realize it, continuing to go through the motions until every trace of affection for Dream was destroyed.

He isn't sure if it's for his own sake or for Hob's that he says, "Have you considered that there may be an ordinary cause for your recovery?" and waits for the sword to fall.

"Oh," Hob whispers. Dream watches as the realization dawns on his face, only- he doesn't look disgusted, or angry, or disappointed. There's relief there, yes, which Dream had expected. He hadn't excepted joy, but there it is, the same all-encompassing happiness he sees every time he asks Hob what he thinks of his immortality.

Dream should not resent this. Loving him has only caused Hob pain, he should not resent that it is a joy for him to be freed. Still, it takes all his strength to keep the storm that is currently drenching the Dreaming from manifesting in his physical form.

He must not succeed, because Hob's expression is slowly shuttered by worry. "You're sure?" he asks, quietly.

Even when Dream had found him all those months ago, flowers clogging his lungs, unable to seek help for fear of what his fellow humans might do to him, he had not looked this fragile.

"I am Dream," he admits, staring at Hob's hand where it rests next to his on the table. As though it could make this any easier if he refuses to look at Hob's face. "It is not within my power to cure you in the Waking."

Silence. Far too much silence; if there is one thing Hob should not be, it is silent.

Hob's hand reaches out to cover Dream's, gentle as snow covering a corpse.

"Oh, love," he says, his voice just as gentle, "You did."

In a sense, yes, he had, by proving to Hob that he was not a creature to be loved. But if that were true, then why-

"I should have said something," Hob says. "Weeks ago, I should have-" He cuts himself off and squeezes Dream's hand, sending a shock of hope through Dream; he's discovered that the person he'd thought to be dead in the snow is still breathing. And Hob's hand is warm, a hearthfire when he'd lingered so long in the cold.

"Dream," Hob says, as solemn as Dream has ever heard him, "I have never stopped loving you."

He says it with the same certainty he'd told Dream, centuries ago, that he had too much to live for, and once again Dream can only stare at him in awe. There are very few things that a creature such as Dream might consider a miracle, but Hob, he thinks, is one of them. Perhaps one day he will find the words to tell him so.

For now, he threads his fingers with Hob's.

(and then they very slowly and cautiously start up a romantic relationship, Dream very worried that Hob will stop loving him and Hob very worried that Dream will get scared and leave, each of them trying to gently reassure the other that no I love you I'll stay as long as you want me. and eventually they both realize that they're on the same page there, and 'as long as you want me' is 'forever')

[luludeluluramblings]

AAAAHHHHH THANK YOU FOR RESPONDING. But your response to the madoka magica question got me thinkin. LET ME COOK. Madoka magica!reader. LEMME COOK. Little warning this might be a yap sesh. Now I have multiple thoughts. Let’s say reader doesn’t do what madoka does and just becomes a regular magical girl. If we follow off of the show/manga. We’re gonna assume reader is gonna be around 7th grade. Which is gonna be such a young age to be fighting those TERRIFYING witches. Lowkey was shivering in my boots when I first saw sayaka’s form. So of course reader is gonna have ptsd. Especially if they were some what in Madoka’s place and watches mami get her head bitten off?!?!? I think the batfam would definitely start to pick up on things. Flinching from touch. Covering up more (covering scars and wounds from battle). Not being as talkative. Distancing herself away from people. We all know Alfred would IMMEDIATELY clock that and try to figure out what’s wrong. Batfamily is gonna take much longer to notice though, and when they do? They feel TERRIBLE. Having to fight some of the most disturbing and hard to beat witches. Having to watch your friends die one by one. I can definitely imagine madoka magica!reader starting to act like sayaka after finding out about the soul gem situation. Depressed and riddled with a LOT of ptsd. The batfam would probably blame themselves (serves them right). And when they try to confront reader to stop fight witches? But what happens if it’s too late. Either madoka magica!reader is either gruesomely killed in battle, or went through the excruciating process of becoming the witch. They wouldn’t know what to do. Some of them letting the guilt eat them alive, letting the guilt control their every thought. Only being able to think about the pain reader must have been in.(Bruce and dick). Some of them denying reader’s dead. They can’t be dead! No no they can’t they just can’t! This is all just a prank to get attention (Damien). Couple of them enjoying anything and everything that remind them about reader. Taking stuff from reader’s room. Just so they can have a little soloist.(Alfred, Tim). Others not being able to stand anything that reminds them of reader. Not being able to be reminded of the neglect reader was put through. That they helped put reader through that neglect. (Jason)

I’d love to hear your thoughts. I have a lot more ideas for this but I don’t wanna yap to much and bother you TwT. But if you wanna have the concept go ahead! I’m not that good at writing so I wouldn’t be able to do. Btw you truly do have amazing writing!! Please remember to never overwork yourself<333

Babe, you have cooked and written this better than I would have. (I confess, I never finished Madoka Magica) And, I about to send all the asks I'm getting over this to you!

But, the way Bruce's disdain for magic would be solidified after this would be interesting. And, if they find out this is still happening to other children still, he'd probably go on a warpath and get the League involved as a way to help ease his guilt.

Or, watching him realize that there's no reversing Reader from being a Witch and that another magical girl is going to come a long an kill them.

I'm honestly wondering if one of the family members would make a deal just for a way to get Reader back.

[yuesya]

“… The hell is this?”

Zenin Naoya looks out into the ruins of an empty city that seems like something straight out of one of Mai-chan’s favorite post-apocalypse films, and frowns hard.

KrrrgkHSSS-!

“Quiet,” he snaps, and stomps down, twisting his heel.

Beneath his feet, the tricky cursed spirit responsible for teleporting him to god-knows-where groans pitifully one last time, and then falls silent. Naoya would like nothing better than to put it out of its misery immediately, but given that he currently has no idea where he is and the cursed spirit is the one responsible for bringing him here… well, if need be, he’ll need to force it to bring him back, somehow.

Naoya sighs, and returns his attention to his surroundings again.

… He’s still in Japan, that’s for certain. A lot of buildings look halfway-to-completely destroyed, but there are still street signs written in Japanese that Naoya can make out.

But it’s quite strange. Because such devastating destruction on this scale is something that people would notice, and Naoya has not heard anything about any cities being leveled by cursed spirits or curse users recently.

The last one who’d attempted to do such a thing had been swiftly torn to pieces by Shiki-sama. Their decapitated head –which remained alive and animated, somehow– currently still hangs over the Disciplinary Pit. There was a marked decrease in the number of people who dared to test Shiki-sama’s patience following her new addition to the Pit.

Naoya has never been cast into the Pit before, and he has no desire to change things on that front. Not just because the new addition to it is creepy, but also because if Naoya was cast into the Pit, then it would mean that Shiki-sama was disappointed in him. Couldn’t have that happening now, could he?

… Shiki-sama wouldn’t throw him into the Pit if he was late coming back from a mission, right?

Naoya pauses, and scowls. This was–

…!

The young man whirls around.

There’s –there’s some strange cursed energy that suddenly appeared out of nowhere, apropos of nothing. Thick and roiling, all bloodthirst and malice, overwhelming and cloying in such a… in such an unrefined way. Naoya remembers Shiki-sama releasing her cursed energy, less a distinct weight pressing down upon an individual and more just the simple surety of you are going to die, and although this cursed energy that Naoya is sensing is… considerable… it still does not hold a candle to his clan head.

But it is definitely unnatural, and not the sort of thing that your average sorcerer can deal with. Most people are weaklings, and as such must look to those who are strong to protect them. People who are powerful, unstoppable forces of nature –like Shiki-sama. Toji-kun.

(And one day, Naoya will also be amongst them. He knows he will be. It’s why Shiki-sama chose him as her heir, isn’t it?)

Naoya locks the cursed spirit beneath his feet in a trap-barrier, then bolts for the source of the unsettling cursed energy. Special Grade, definitely. Was it responsible for the destruction that Naoya saw in his current surroundings?

Naoya rounds the corner and–

“Hah?”

… What the fuck?

Fushiguro Megumi is the source of this vile cursed energy? And he’s… fighting Maki-chan? Wait, why does Maki-chan have burn scares all over her body? And who’s the pink-haired boy jumping into the fray, too?

The sight is so surreal that Naoya finds himself staring at the sight for a moment, dumbfounded.

But the details click together swiftly enough; that’s not Megumi-kun’s energy that Naoya is sensing, and Megumi-kun isn’t fighting using any of the techniques that Toji-kun had taught him. Megumi-kun also has a wide, deranged grin splitting his face –which is not an expression that Naoya thinks Megumi-kun would ever be caught with.

That’s not Megumi-kun.

… There’s something possessing Megumi-kun?

Holy shit. There’s still someone this suicidal out there? Didn’t they realize that Toji-kun would absolutely murder them for this?

Cursed energy swells, and rises. A different cursed energy signature –one that does not belong to the combatants, or to Naoya. One that causes the surrounding temperature to drop drastically, and between one moment and the next, there is a gargantuan, towering wave of ice that sweeps out–

–primarily targeted at Maki-chan–

And Naoya moves.

[gabessquishytum]

The ton of London is abuzz with the latest drama unfolding between Morpheus Endless and his father, Lord Time, over the question of the former’s marriage and just who is meant to meet him at the altar.

From almost the beginning of the Season, everyone had been treated to the sweet and clear courtship of Morpheus by Mr. Hob Gadling. It seemed to be love at first sight, and from a practical standpoint was considered to be a rather good match; Hob might have been new money, but what he lacked in connections he more than made up in wealth, looks, and honest charm. The Endless family are well-connected and well-respected, and while Morpheus could possibly have held out for a more equally-connected match, he was a third child (thus bringing little status to a marriage, when compared to his elder siblings), and furthermore had been considered rather unapproachable, aloof and cold, at least until Hob had managed to melt that icy exterior.

It had gotten to the point where anyone paying attention expected to hear of a proposal any day now, when chaos erupted: Lord Time, who had evidently not been paying any attention to his son or his courtship, heard the match being talked of as a settled thing, and quite firmly announced that he would not allow it. That he had in fact been arranging Morpheus’ betrothal to Mr Roderick Burgess!

Society is shocked by such a choice. The Burgess family was nearly as nouveau riche as Mr. Gadling, but with a much worse reputation (and possibly less rich). And to Roderick, to whom most of the poor reputation belongs, and who has a grown son of his own! By every measure Hob Gadling is clearly the better catch, besides which Morpheus Endless’ honor is quite firmly engaged at this point, and it would be scandalous to jilt Mr. Gadling after such a blatant courtship for such an inferior alternative.

Yet Lord Time refuses to budge on his decision, and no amount of attempted persuasion by his acquaintances, children, or even his wife (who normally presents a united front with her husband), will convince him that this course of action will damage his family’s reputation and his son’s happiness.

Morpheus doesn’t intend to take this lying down however. He plans to put himself in increasing compromising positions with his real fiancée (who is fully on board with the plan), until he is either officially engaged to Hob or considered so thoroughly ruined that the Endless family’s reputation can never recover.

And so the ton holds its breath at this game of chicken, waiting to see which happens first: the son bending to his father’s stubborn will and submitting to the sanctioned match, or the father breaking against the son’s determined willingness to drag the family name through the mud in order to marry his preferred suitor.

(Little does the ton know just how unlikely the former outcome is, as Morpheus loves Hob Gadling as strongly as he hates Roderick Burgess. Thus he is fully ready if necessary to bring himself and Hob off in the middle of a crowded ballroom, and make it very clear that this is not the first time they’ve engaged in pre-marital relations, if that’s what it takes)

Yes!!!!! I love these Bridgerton adjacent ideas for dreamling because those two are SO dramatic, you just know that they'd thrive in those conditions.

The nice thing about Hob being new money is that he doesn't really have much of a reputation to ruin, and no family to be disappointed in him. He cares very little about what anyone thinks of him; the only person he's interested in pleasing is Morpheus! And although he'd certainly prefer to save Dream’s reputation, for the sake of his beloved's place in society, Hob has no trouble at all in following Morpheus’s orders and misbehaving all over the place!

And it's certainly convenient, since they've been fucking ever since the Season began. Now Hob doesn't have to bother trying not to mark Morpheus’s neck above the line of his cravat. Hob has some well-placed conversations with some of the most notorious gossips in the ton, and soon enough everyone is craning their necks to see if the love bites are visible on Morpheus’s pretty white neck today...

Finally, Roderick Burgess seemingly can't take the idea of marrying a ruined slut like Morpheus any longer (despite the connections to the aristocracy, and all the benefits that would come with the marriage... Burgess can't cope with the fact that he would not be the first to break Morpheus in, so to speak). He breaks the deal with Lord Time, and what do you know, less than a week later, Morpheus and Hob are quietly married at an intimate little ceremony.

The ton decides to conveniently forget about the couple's scandalous behaviour - they're safely married now, so it's all quite alright. It was for the best that Morpheus married the man he clearly adored! And the honeymoon period seemingly hasn't ended either... at every ball of the next season, the newlyweds are bound to sneak off for old times sake, to some secret corner where they can renew their marital bliss. Not to mention what they get up to on the carriage ride home! It's quite clear to everyone (thanks to all the noises of satisfaction coming from behind the curtains) that Morpheus chose the right husband <3

[suzukiblu]

May I please have a snippet of congratulations, it's a metaweapon?? Thank you!!

“I don’t want anything to do with you,” he says, feeling–off, for some reason he can’t place–and Superboy frowns deeper at him, then just rolls his eyes. 

“Whatever, I’ve got TTK,” he mutters to himself, and then does something infinitely more ridiculous than just grabbing his hand by just grabbing him and picking him up.

Match is actually incapable of processing the fact that actually just happened. 

“What,” he says blankly, and Superboy flies straight up through the collapsed ceiling with him and zips down the hall of the floor above without a single apparent care in the world. “I–you–I know how to fly, you idiot!” 

“You do? That’s great, buddy, we can go play later,” Superboy says, looking–proud, for lack of literally an better descriptor, what the fuck. Match seriously considers breaking his nose. Or his teeth. 

Or his neck. 

He never actually got the kill order, though, so he’s not sure if the Agenda actually has intentions for the idiot or not, and while he can always kill him later, he can’t un-kill him later if they do, so now he’s–now he isn’t–

[creatingblackcharacters]

hi there; first, thank you for making this blog and all the lessons you do, i really appreciate them as a Black person because it highlights a lot of struggles i face with fandoms in general, and why i dont interact more in certain spaces. it makes me feel seen

with regards to your questions, i'd also like answers to them from nonblack fans, especially nonblack anime fans. i don't even mean consuming anime with overtly racist caricatures of black characters (because numerous anime fans pirate their anime and never send a cent to the creators anyway), i mean how can they make fanworks of it?

how can they look at something that they are told is wildly offensive, but then defend with "well, this is how it looks in canon"? where is the line drawn between what's okay and what isn't? as long as it's slow and gradual, is there no line at all?

these are probably just rehashings of your own followup questions, so please excuse that, but i do have an anecdote

i joined a casual anime server the other day and a lot of folks were lamenting one Black character's racist design and how often those on social media will replicate it without thinking/caring. The thing that struck me is that, I've checked this character's tumblr tag regularly for a long time. There are always people who will post art/fanworks of this character with his racist design. Yet hardly ever, if ever, (outside of Black fans) have I seen any of these folks- the ones in the discord server- try to talk to artists/writers/fan creators/etc via asks/replies/etc. There's a notable amount of people in that server and a notable amount that agreed the design was outright racist and that they'll never make fanworks like that, and yet still silence

i'm not entirely sure what would be the line, or the "okay, that's enough" moment to spur any of these folks into action. i'm not sure if there is one. the only reason i don't make my own "hey what is wrong with all of you" post and blow up is because I've made a wonderful little friend group in this fandom who get it, and I don't want them to get caught up in whatever happens if I were to make a post like that

And this is just for getting people to stop using the canon design of the character, i.e., to stop drawing him as a racist caricature. This isn't touching on the people who 1) lighten his skintone [he's been horribly whitewashed over time, which has been reflected in some fanarts and fan merch], or 2) give him a looser hair/straight hair texture, rather than his type 4 hair (there's also #3, which is fanfiction with straight up slurs, and horribly racist writing in it that my friend heavily warned me not to read, but that was more of a one-off case and I've had the creator blocked a long time now).

my point being, we (Black fans) can't even get folks to stop with the caricatures, which we have to start with, and then there's even more of an annoying uphill battle with the other stuff. I'm just so tired of all of this; it makes me want delete my own works and turn away from fandom all together because i can't stand it.

trying for polite and assuming ignorance hardly ever works, speaking bluntly doesnt work at all, making public posts hardly goes anywhere (partly because of how rarely people reblog things anymore, partly because it makes people 'uncomfortable' to share this information with others). Black fans so obviously need help to combat this, and yet it's like sitting at a tea party and hearing all these pretty words in this one setting, yet nobody does anything different/better when the party's over/outside this setting.

sorry for dooming a bit, but like, genuinely i would like to know where the line is for nonblack folks? what is the point/are the points where you would speak up against antiblack racism? have you ever considered speaking up? if there's ever a moment you recognized antiblack racism and didn't say anything, why didn't you? did you consider how your lack of speaking up might affect your fellow Black fans? or how Black fans may be interpret this as silent agreement with the racists/with the racist 'norm'?

..those could maybe be alternative ways of asking your last followup question?

(if i've made any blunders or overstepped here, please let me know!)

No, I'm glad you spoke up! I too would like to see answers!

[spinchip]

What is Nya's relationship w/ Skylor, actually? I think they'd be rlly interesting here, especially with Nya as the more aggressive go-getter like Kai was in canon at that point. What's Skylor's relationship with *all* of the Ninja? Does the Kailor subplot still happen??? So many questions....

Most important question of all though: WHAT do Nya & Zane's personalized rooms look like,,,, 👀👀👀

skylor and nya- I think Nya and Sky have a... more surface level friendship at first. Nya is just excited to meet all these people with powers like hers and test herself and her limits that she ends up only getting to hangout with Skylor a little bit before everything goes to shit lol. I think they're definitely friends- Skylor willing to offer up info on some of the others and Nya eager for any upperhand she can get in the coming fights. but Nyas more focused of winning than she is socializing, so Skylor ends up left behind to her.

Skylor and Kai- i think kailor does still happen similar to in canon, but it's very loose. Kai is there to take care of Nya and then, accidentally, he's there to take care of Lloyd. there's not enough room in his mind to lose focus on Skylor- though he does. he does. i think in this AU kai has a lot more pressure on himself to succeed. he's got to do everything right. put four weapons back on the map, make money to pay bills, give nya a better life- he's had to make sacrifices. he hasn't really had the time to consider dating. he feels a connection with Sky and he wants to see where it goes, but... he's got Nya and Lloyd to look after. i think Skylor starts to lose her nerve to help her father because she sees Kai with his family and knows that she's looking at what she never had- unconditional love and support. she looks at kai and sees a wonderful, responsible, lonely man. she can see herself in him. she admires him. they make me ill

as for the rest of the ninja, she's not really standout. Zane does not know who she is to chen. she's chens best kept secret until it's time to reveal all his cards!!

Nya's room has a personal letter from Chen saying he's looking forward to seeing her skills because Water is an especially formidable element. there is also lots of ocean motifs and weaponry lining the walls.

Zanes room is... pretty plain, all things considered. a big, comfortable bed. a nice ornate chest of drawers he can unpack his bag into. mugs and tea and a teapot. a perch for falcon. it's designed to be very comfortable and homey.

[hexedwinchester]

Supernatural S04E21 When The Levee Breaks

This my favourite episode ever! Can you guess why?

of course it means it will also be heavily anti Dean. Dean girlies, this ain't for you.

God, Dean getting pissed about Sam lying, as if Dean hasn't lied to Sam before is getting me pissed off

Sam's angry "Dean!" Is so hot

it makes me so angry that Dean and Bobby left Sam to deal with the detox all alone. How could they? And the fact that it didn't occur to Dean that Sam could die during that? Like wake up!

no Bobby, he is not here because you love him too much. He is here because you are scared of Sam!

Poor Sam, all alone, screaming for help, terrified of everything happening to him, not sure what's real what's not and they left him to rot in there! What's even worse? They cuffed him to the bed and left him to wake up alone again ?! 😤

at least Bobby had the sense to doubt their actions whereas Dean was busy being self righteous. Pull that stick Outta ur ass, Dean

ahhh Jared played the junkie role so well! The tremors, the trembling hands, the blinking eyes, the seizures, the agitation!!!

I know Jared's a professional but don't tell me he didn't have fun manhandling Ruby a bit!

Sam had no right sexualizing drinking demon blood 😍 sorry, I'll allow the demon blood drinking if it's this hot

Dean, honey, you did exactly what Ruby did. Left Sam alone. You're not better than her just because your eyes don't flash black. Yet.

that exchange between Sam and Dean is so important to me. Despite Dean locking Sam up, he is glad to see his brother and wants him to join him to bring down Lilith but Dean.. he just can't give up control, can he? The one time Sam's begging him to trust him but nope. Sam is still so understanding but the moment Dean calls him a monster..damn!

Woohoo!! That punch was so long overdue! Anyone else noticed that sexy roll of Sam's shoulders?

Dean should be glad Sam doesn't get physically violent as often as Dean does. He would get his ass handed to him

no matter how much of a dick Dean has been to Sam, the one thing that I never liked was Sam strangling Dean. Like, honey, no! You are better than this

seeing all the shit Dean has pulled through the seasons, i realised just how forgiving Sam is. He doesn't punch him back everytime Dean hits him. He never brought up Dean calling him a monster or the corrupted voice mail. He trusted him even when Dean said he was going to say yes to Micheal. He moved past Dean killing Amy. Sam is too good. Dean.. eh!

[alpaca-clouds]

Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

[rhaellatully]

I don't know if someone already did this but here's my translation of Ma Meilleure Ennemie (I'm french):

Intro (sang by the chorus, heard in the background through out the song):

Je t'aime, je t'attends (x8)

I love you, I wait for you

First verse (sang by stromae):

T'es la meilleure chose qui m'est arrivée

You're the best thing that happened to me

Mais aussi la pire chose qui m'est arrivéе

But also the worst thing that happened to me

Ce jour où je t'ai rencontréе, j'aurais peut-être préféré

That day I met you, I would have probably prefered

Que ce jour ne soit jamais arrivé (Arrivé)

That it never happened (happened)

La pire des bénédictions

The worst blessing

La plus belle des malédictions

The most beautifull curse

De toi, j'devrais m'éloigner

From you, I should pull away

Mais comme dit le dicton :

But as goes the saying

"Plutôt qu'être seul, mieux vaut être mal accompagné"

"Rather than be alone, better to be in bad company"*

Refrain (sang by both):

Tu sais c'qu'on dit

You know what they say

Sois près d'tes amis les plus chers

Be close of you're dearest friend (this part is sang by stromae alone)

Mais aussi

But also

Encore plus près d'tes adversaires

Even closer of your oponent (this part is sang by pomme alone)

Mais ma meilleure ennemie, c'est toi

But my best enemie, is you

Fuis-moi, le pire, c'est toi et moi

Flee from me, the worst, is you and me

Mais si tu cherches encore ma voix

But if you still search my voice (sang by pomme alone)

Oublie-moi, le pire, c'est toi et moi

Forget me, the worst, is you and me (same)

Second verse (sang by pomme):

Pourquoi ton prénom me blesse

Why does your name wounds me

Quand il se cache juste là dans l'espace ?

When it hides right here in the room**?

C'est quelle émotion, la haine

Which emotion is hatred

Ou la douceur, quand j'entends ton prénom ?

which is softness, when I hear your name?

Je t'avais dit : "Ne regarde pas en arrière"

I told you "don't look back"

Le passé qui te suit te fait la guerre

The past that follows you is at war with you

Refrain (sang by both) x2:

Mais ma meilleure ennemie, c'est toi

But my best enemie, is you

Fuis-moi, le pire, c'est toi et moi

Flee from me, the worst, is you and me

Outro (sang by chorus):

Je t'aime, je t'attends (x16)

I love you, I wait for you

*the real saying is "mieux vaut etre seul qu'être mal accompagner" or "better to be alone than in bad compagny"

**the word used here is espace wich can mean a room or space, I choose to translate with room because I interprete it as Jinx hearing an echo somewhere it reminding her of ekko, and the word space is associated with well the space outside of earth where there is no sound so...

[airas-story]

Stephen tries very hard to temper it but he can be rather possessive of Tony. In a moment of weakness, he snaps and lets it show, only to learn that Tony finds his possessive streak absolutely enchanting.

Okay, so I've been SO good about keeping these to the 100-300 range, but then this idea hit me and wouldn't let go. So... not a drabble.

Stephen’s gaze darted to where Pepper had just entered the room, perfect smile on her face.

Instinctively, Stephen wrapped his arm tighter around Tony’s waist, pulling Tony into his side. Tony glanced up at him, amused. Stephen leaned down, pressing a kiss against Tony’s lips, an almost painful need to claim Tony surging through him. It happened almost any time he saw Pepper, saw her and remembered the life that Tony had almost lived.

Would have lived, if Stephen hadn’t interfered.

In front of them Rhodes sighed and Stephen realized that he’d completely interrupted whatever conversation Tony and Rhodes had been having.

He didn’t have it in him to feel guilty.

Tony pulled back from the kiss eventually. “I know I’m irresistible, Stephen. But if we’re not careful Rhodey’s going to put a ban on all public displays of affection. He’s like a nun, ridiculously chaste and virtuous.”

“I’m not chaste,” Rhodes argued. “But the two of you are ridiculous.”

Tony met Stephen’s gaze and rolled his eyes fondly, but turned back to Rhodes. “You are so chaste. You never liked the stripper pole.”

Rhodes gave Tony an exasperated look, shaking his head as though Tony was being ridiculous. Which, technically, could very well be argued as accurate. “Tony, it was a stripper pole.”

“And I looked damn good on it.”

That caught Stephen’s attention. “Wait, you got on the stripper pole?”

Tony smirked at him. “I’ll have you know that I’m quite flexible and I had excellent teachers.” He leaned forward. “I’d be more than willing to show you at some point.”

“Oh, would you,“ Stephen purred, letting his hand drift down Tony’s side.

“Nope, no.” Rhodes held up his hands. “Not happening. You two are not having this conversation in front of me.”

Tony stuck his tongue out at Rhodes in what was a completely mature response. “See what I mean? Chaste.”

Rhodes rolled his eyes. “You know what, I’m leaving you two sickening love birds alone; I need a drink.”

“Chaste,” Tony sang-song after him. When he turned to Stephen, however, his face was serious. “You know Pepper and I were over long before you came around, right?” Tony said, lip quirking up in a smile that was meant to reassure. “You don’t need to feel threatened by her.”

Stephen hadn’t realized that Tony had put together Stephen’s displays of possessiveness with the presence of Pepper, but he wasn’t surprised, either. Tony was far more perceptive than he pretended to be. “I’m not threatened by her,” Stephen countered. It was true, he wasn’t. He was entirely certain about Tony and him. He brought his hand up to Tony’s face, cupping it. “You love me. I know that.”

Stephen had made sure of it. Fascination was a powerful thing, and it’d been such a little spell.

It had faded, eventually, but all Stephen had needed was an in.

“I do,” Tony agreed, easily. “So why do you act as though she’s going to steal me away every time she so much as walks through the door?”

Guilt.

Because he needed to convince himself that Tony was better off with him. Safer with him. Happier with him.

“Do you really mind that I’m a possessive bastard?” Stephen asked instead of putting any of that into words. “Does it bother you to know how much I want you?” And by the Vishanti, did he want Tony. Everything he’d done was for the want of Tony.

A wry grin crossed Tony’s face. “You know I don’t mind the possessive bits. Probably should. But don’t. In fact, I probably like it a little too much.” His eyes glittered teasingly. “Honestly, it’s a bit of a turn on, knowing you want me the way you do.” He paused. “I just worry about you, I don’t want you to feel like I might run back to an old relationship the moment your back is turned.”

“I know you won’t,” Stephen said slowly. “I’m just not used to being able to keep good things.” He’d lost Tony once. He leaned down to kiss Tony again. “You’re one of the best things to ever happen to me.”

A faint flush crossed Tony’s face. “Well, you get to keep me,” he promised. “I’m not going anywhere.”

[o3o-lapd-o3o]

okay! part 4 is here! still no dinner scene but hey, who doesn't like a telemachus and athena moment? huh? huh?

the post/thread that started this whole au

dinner scene: part 1 | part 2 | part 3

*later that day* *telemachus walking around the palace ground and speaking with athena about poseidon & also tomorrows family dinner*

telemachus: so, you said lord poseidon is your uncle, right?

athena: *under her breath to herself* unfortunately

athena: *to telemachus this time* he is indeed my father’s brother.

telemachus: what does he like? what’s his favourite food? does eat with you and the other gods on olympus?

athena: *not expecting to play 40 questions about poseidon*

athena: HU- *coughs* why do you want to know? i thought you studied the gods when you were younger?

telemachus: i mean yeah, but those are other people’s words. what better way than to ask his actual family?

athena: *regretting this conversation, but answers because it is telemachus asking*

athena: if you are looking to strike a conversation with him, i can say for certain he will be interested in anything about his kingdom, the sea.

athena: as for food, i’m sure you know we gods, do not require mortal food for sustenance.

telemachus: *confused and stops walking*

telemachus: *turns and looks up at athena* but you ate breakfast this morning with us? and other meals?

athena: *stops walking also and laughs a little at his confused face*

athena: *ruffles telemachus’ hair* yes i did. we can find it enjoyable, whether it be an offering, during a feast or with…

athena: *stops ruffling his hair & smiles warmly at telemachus* family.

telemachus: *smiles*

telemachus: *continues walking*

athena: *continues with him*

telemachus: so, you still never said what his favourite food was?

athena: *shrugs* i don’t know, fish?

telemachus: *laughs* well we certainly have plenty of that!

*both continue talking and walking together*

*a short while later*

telemachus: ok so even though he does have a place to live on olympus, he doesn’t live there? how come?

athena: the sea is his domain, i would expect he feels more comfortable being always part of it. he knows everything that is happening on and in it then.

athena: also, i’m sure that having my father be king of the gods while also being his younger brother, is not something he would personally want to be around all the time.

athena: i think if it were my younger brother…

athena: *imagines ares as king of the gods* *shakes the thought immediately away*

athena: *waves hand in front of her in dismissal* never mind that thought.

telemachus: *eyebrow raised in confusion* uh ok.

athena: as i was saying, my father, while he is a great & wise king of us gods, occasionally having to sometimes deal with his...

athena: *thinks to the lighting shaped scars on her face and body*

athena: …games, does not always end up good for those who play them.

telemachus:

telemachus: so, he just prefers living in his palace under the sea basically?

athena: pretty much, yeah.

athena: maybe you could save some more of your questions for my uncle at dinner tomorrow?

athena: trust me, i’m sure he’d love to talk about himself.

telemachus: yeah, i’ve got so much to ask him!

telemachus: not just about himself, but how he and my father came to be such good friends!

athena: *laughing to herself as she knows the truth of said friendship*

athena: oh i too would like to know…

athena: *has a thought* little wolf, you’re helping your mother and the palace servants plan everything for tomorrow, correct?

telemachus: yeah i am!

telemachus: actually, i probably should go and find mother to discuss things.

athena: *gently holds his arm before he can run off* before you go, i believe it would be best if we sat your father and my uncle right next to each other don’t you think?

athena: i normally know your mother and father would sit together as king and queen, but this is a family dinner, is it not?

athena: *grins* friends should be with friends.

telemachus: *holds hand up for a high five* that sounds like a great idea athena! that means you’re next to me, right?

athena: *hive fives and then smiles at telemachus* of course.

telemachus: *smiling back* okay, i’ll go and let mother know!

telemachus: *waves before heading into the palace* bye ‘thena!

athena: *waves back* goodbye telemachus.

athena: *now to herself* oh tomorrow will be fun indeed.

[maxwell-grant]

Didn't realize you've read Riddler: Year One, any thoughts on it ? Also, in a more general way, what are your thoughts on the Riddler ?

Someone sent me an ask the past week or so saying that The Penguin is everything that the Joker movies should have been, and I don't think I agree on that in regards to The Penguin specifically. But if we're talking about a "Batman-less Batman villain origin story about a lonely suicidal man struggling with poverty and mental illness exacerbated by child abuse, who is pushed down through the cracks of society deep into the pits of his own mind until he can only save himself by becoming a horrible force of social upheaval and political terrorism, finally discovering joy and a reason to live at the expense of everyone around him, and now he will be Batman's problem someday", well this just completely embarasses Joker (2019) on every level. Impressively drawn, impressively written, impressive on it's own and as a prequel to the movie, WAY better than a movie actor's comic book tie-in has any right to be, and one of the greatest Batman comics ever made. Issue #5 in particular is one of the best and most harrowing comic issues and format breaks I've ever seen in the medium, and even if it's entirely self-contained, it very much belongs in the exact same conversation and should be considered inseparable from The Batman and The Penguin.

We spens 4 issues boiling the frog over every painful corner of Edward's childhood and humanity and misery, taking us through painfully intimate views and perspectives inside his headspace, seeing how and why he justifies his worldview and how easy it even is to do so, feeling truly sorry for this hopeless wretch even though we know he's losing it bad bad baddy bad bad and is going to step off the deep end forever. And then Issue 5 happens and suddenly you are one of the people in Gotham City tasked with sifting through this serial killer's personal diary and you can hear that creep shouting with that distorted voice, you can feel the final death rattle of Edward Nashton's soul ending where The Riddler begins to scream in your head 'I NEVER KNEW I HAD A REASON TO BREATHE", and by Issue 6 you fully understand why and how nobody was prepared for him, and why what he is and does and embodies is going to drag the city into an abyss it may never recover from, and why this was never going to stop even after his arrest, even after his defeat and humiliation in the movie. Everything here adds layers of sympathy and tragedy and heartbreak to the character, while simultaneously making everything he is and does in the movie so much more harrowing and disturbing, holy shit he really staked EVERYTHING, everyone's lives included, on being noticed by his savior.

I was already very much on board with Dano Riddler in the movie, whose execution absolutely sold what should have been, on paper, a storm of unadvisable fandom pitches and uninspired trends and straight-up bad ideas ("What if The Ridder was the Zodiac Killer", "What if The Riddler was a 4chan mass-shooter type", "What if The Riddler was a political terrorist with legitimate grievances but whose final goal was to kill off scores of people for little reason", "What if The Riddler was a creepy fascist responsible for a QAnon cult that ends the movie by metaphorically storming the capitol", "What if The Riddler was really, really, really obsessed with Batman", "What if The Riddler was another Dark Opposite Batman", fucking "What if The Riddler was Hush" even) worked into just this miracle magic bullet of a new take on the guy, fully capturing a lot of the essential bullet points of what makes The Riddler tick as a character while spinning them into new and significant ways befitting this increased role he has in the movie. Rereading the story now, so much of the movie even feels like it's specifically referencing the first Riddler story - The Mayor of Gotham City as a target, Riddler misdirecting Batman with a big target while his real plan involved a flood, Edward putting on a costume and naming himself The Riddler specifically because he wants to get Batman's attention, the glass maze, the written letters to police headquarters, The Eagle's Nest that is a nightclub and also the home of a millionaire with a bird last name (Falcone), a driverless vehicle careening wildly into a public place, even how the very first thing we learn about this fucker is that he cheats to win.

The guy in the movie is a version that fully works on it's own, but it clicks SO much more strongly and cohesively when you read this comic and what it establishes for him. It's the scene in the movie where the section of his diary reads "I must become something more" while Bruce finds the panicked desperate bat rattling against a cage, the thematic parallel between them that is the scariest thing he finds in the entire movie, but developed across six issues. This even begins with Eddie living through his version of the Wayne murders, with the first time he's felt anything other than crushing despair and misery, in part because he's seen the first hint of the puzzle he needs to solve, and where he needs to go. The moment the world stopped making sense for Bruce is the moment that the world started to make sense for Edward.

We understand, around the same time he understands, the childish nightmare that must become the pattern of his entire life from that moment onwards, how Edward Nashton would have killed himself, and no one would have cared, had he not become The Riddler, and how the only alternative to "Hey Edward why don't you crawl into the black hole inside yourself" is to, in fact, find this black hole inside of you and shaped like you and push other people into it instead. Become the creature of the night who can punch crime forever, become the avenging force too great for the Falcones to handle, become the kingpin whose name alone will live forever, become someone that the entire city will never again ignore or forget.

We see how it's less that he's been planning for this for so long, and more that his entire life has been broken and hammered into a Riddler shaped hole, and then when Batman dropped into it, he could start to understand what it is and put a name in it, in the fact that he's been training his entire life for this without knowing. Getting comfortable with flushing rats and making bombs at the orphanage, getting intimately and painfully familiar with self-loathing and alienation and misanthropic contempt for this city and it's people who sit by and allow all of this to happen, surviving his suicide attempts without being able to explain why, searching for answers as to why it hurts so much to live broken and unfulfilled and miserable and why he even bothers to keep on doing so, having nothing to love in his life but numbers and puzzles, spending his entire life invisible while trying to get Thomas Wayne and then his boss to notice and praise him, and then being the wrong man at the right place to begin his campaign, a little nobody accountant who noticed an inconsistency in the numbers, put the pieces together, and then decided he was gonna do something about it because he knew it could be done, because there was someone out there who showed it could be done, and if Eddie joined in, maybe this someone would notice him, let him be his friend.

Batman and R, forever.

(People don't talk nearly enough about how this Riddler's entire life ambition was to recreate Tim Drake's origin story, and they should, it's pretty funny)

And to be honest, I think this is the first Riddler origin story I've ever really liked. Some of the others, particularly the first, have their charms, and this one certainly wouldn't fit most takes on the character, even most of the ones I like, but I've never really been fully sold on the idea of a Riddler origin story until this one, he's always been a very backstory-proof guy to me. This doesn't have any particularly obvious shorthand moment as to why Edward became The Riddler, so much as an entire life twisted and torn and abandoned and rotten in ways big and small until this is what came out of him. No immediately abusive fathers or test cheating scandals or major company backstabbings as defining tragedies, just life for a poor orphan in Gotham City who can't figure out the answer to what's missing from his life until he does.

Still a horrible nerd hopelessly trapped in a life of trying to intellectually one-up everyone as the only thing he lives for and, like every horrible nerd, knowing that one day he will be recognized for what he is and then they'll all see how wrong and stupid and savage these stupid savage idiots all were to look down on him. Still a man driven to impose order on the world the way he believes it has to be. Still a cheater who loves puzzles and answers and the thrill of intellectual stimulation and victory more than anything else (and in this case, having had absolutely nothing else to even love about his life), and still very much this guy at the end:

I do have a lot of thoughts on The Riddler, and I think part of why I might not talk about him as much is because he's not a character I tend to have really exclusive or particular preferences for. There are a LOT of Riddlers out there, maybe more so than there are Jokers out there, and there's not really with him the definitive must-be-like-this that the other Batman rogues have. Everybody approaches the puzzle differently if they do so at all, and I like a lot of these Riddlers! They connect with each other surprisingly well even, in spite of being incompatible as the same person.

He's gone through some real ups and downs over the decades: given stardom in the Adam West show that made him a definitive Batman villain and spread his modus operandi across all the others, sacrificed in the altar of camp insecurity along with fellow snooty oddball Penguin, defanged and turned into a parody of himself, refitted for joke status, re-refitted for surprise baddie status, given a whole new lease on life and his own gimmicks with the arrival of computer puzzles and the internet and given his fangs back and then amplified, pushed back to the big leagues more horrible and topical than ever before and exponentially increasing as such until his next big movie showing, torn in multitudes across multiverses of takes and ideas, almost too many to even consolidate them all.

I like the first Riddler of Bill Finger's original story in Tec #140, this curious satisfaction-seeking master cheater growing exponentially more dangerous and more varied and more assured the more he fades into his endless barrage of traps and toys and puzzles,. I love Frank Gorshin's Riddler, and everybody loves Frank Gorshin's Riddler, he is the reason The Riddler became an iconic Batman villain overnight. I like John Glover in TAS, and I like Robert Englund's cold ghostly showman in The Batman (2002) much more. I love the Arkham games version of Riddler, probably because I never actually played the games and had to collect his dumb trophies. I love Paul Dini's Detective Riddler, and I especially love Brent Spiner's take on the guy for Justice League Action. I LOVE the more classic take on Riddler as played by John Leguizamo in The Batman Audio Adventures, and I LOVE Paul Dano's Riddler in The Batman, and they couldn't be more incompatible with each other.

I love the Riddlers who continuously undermine themselves in the name of criminal artistry and who look down on the profit-seeking rubes who think any of this is about money, and I love the Riddlers who are ultimately con-men doing money heists because they want to be the only crooks in town smart enough to have something to show for all their work at the end of the day. I like Riddlers who are widely despised and regarded with annoyance and disdain by the city and their fellow rogues, and I like the Riddlers who have good professional relationships with the other rogues, and the Riddlers who managed to become darkly inspiring figures in their own right. I love the Riddlers who've subsumed themselves into the mysteries and horror they embody, and I love the pathological pattern-finders trying to find a way out of this weird pathetic life, even if their efforts will be doomed to failure - The Riddler couldn't out-think his way out of Batman's toybox no matter how much he tried, and he has no desire to - where would it leave him? Down there with all the troglodytes? Please.

I can get on board with very human, conversational Eddies, the Eddies that did stints as sideshow carnies, that can tell on some level that they should be doing better things than this, who'll do bored stick-em-ups to fund the attention-seeking tantrums they're actually passionate about, and I can get on board with Eddies who are truly uniquely vile and scary even compared to the other Rogues in the room, who uphold this terrifyingly cold perversion of fairness, imposing a stark and utilitarian worldview on the city by which the penalty for falling short of his games is murder, that sheer calculated murderous menace that Frank Gorshin brought when he ended his first episode leering on a helpless Robin strapped to an operating table. And if I ever thought I couldn't get on board with the Riddler as a major serious scary existential threat to life on Gotham, well, The Batman sure proved me wrong. I may not love him as passionately as I do The Penguin or Hugo Strange, but I love too many versions of this guy to ever be able to narrow them all down, and there are even more still to be discovered.

Endlessly adaptable, able to change and mutate with the times on the same kinds of grand orchestral shifts and minute beats that Batman does, a greater variety of personalities than the Joker if not quite the same versatility (and where would we be without these two always pissing each other off or making out or both, living in each other's respective negative spaces), always an enduring and entertaining opponent regardless of whether he's the most pathetic man alive or a malevolent genius beyond understanding who routinely puppeteers an entire city and it's greatest hero into putting on their greatest performances for him. Always an adapting puzzle box, always leading into the next version of himself, always beguiling, and always becoming the most frustrating thing that Batman has to deal with, whether he's systematically destroying Batman's rationale and will and ability to be Batman or just being naturally the worst guy to deal with at the most unfortunate possible moment, in itself another key to his endurance. The Joker can murder sidekicks and torch the city and routinely try and drive Batman to breaking points of rage and indignity and despair - but sometimes The Riddler can get Batman there just by being himself, as anyone who's had to deal with this asshole in the Arkham games can attest.

It is imperative to believe in and understand Batman's worldview that his villains can be saved because everyone can and must be saved, just as it is to understand that, out of everyone in his Rogues Gallery, if The Riddler was drowning, Bruce would be inclined to throw him a cinderblock, and The Riddler would be glad to receive it, so long as his last gasps of breath could be spent laughing at Batman's inability to match wits with him.

For a villain who is meant to be fixated on knowing the one correct answer to every riddle, he’s uniquely able to be reinterpreted in endless new ways. He’s gone from being a camp and colorful performance artist to one of the most sadistic and sinister villains Batman can ever go up against. There is no one way to write a Riddler. There’s no single solution! And writers will always like the challenge that presents.

Just when readers think they’ve seen everything the Riddler has left to offer us, and the character is finally exhausted… a new lime-green envelope pops through the door of Wayne Manor to challenge us all once again. It seems we’ll never get tired of trying to unravel the Riddler, and writers will never give up on unraveling the character’s fullest potential. It unites readers, writers, and caped crusaders alike: this time, surely, we’ll crack him. - Batman's Greatest Enemy is...The Riddler, by Steve Morris