#no wonder he and laidlaw jumped ship at the first chance
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lafaiette · 5 hours ago
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Your Lavellan breaks through the fog of Solas’s expectations and suppositions of behavior, limits, and nature that he has held and observed as a millennia-old being. Lavellan is a mortal, a fragile, flawed mortal with death looming and immense social and political and military power and yet she does not allow it to corrupt her. She holds steadfast to duty, to what is right, what is ethical. She is open minded in defiance to everything the world has taught her of spirits being scary and unknown.
@yes-these-obsessions-are-healthy THIS, EXACTLY. This is who Lavellan was for Solas in Inquisition. Not all Lavellans are the same, of course - some are ruder, harsher, more cynical than others, but all of them must have an open mind about spirits, want to save people, and not be tyrants to start a romance with Solas. I don't remember if an Inquisitor can ever say they enjoy having been thrust into this whole mess, like "Hey, interrupting Corypheus' ritual was worth it, look how powerful I am now! >:D "
I believe most Lavellan would feel very disconcerted at the sudden position they are in, even if they were not happy in their clan. They can grow to love the Inquisition and their new leadership role, but it's not something they asked for, that they fought for - it happened because they were in the wrong place at the wrong time.
And this is the first difference with Mythal. Morrigan says that Mythal loved ruling, that she asked Elgar'nan to share power, but wanted to do so in a kind way, like a mother guiding her people. However, she was also prickly, because she hated being wrong, being corrected, wanted to be respected as a god, but not in a servile way, wanted to right wrongs, but only if they were just and interested her according to her ideas. Like all spirits, Morrigan says, her emotions were incredibly strong and volatile.
How, then, can Lavellan remind Solas of her? To continue her romance with him, Lavellan must actually face and accept the idea that the Dalish remember many things wrong. One of the first things she can say to him in Haven is "I am sorry - if the Dalish did you a disservice, I will repair that. How can we do better?" - and in being humble, Lavellan makes Solas humble. He falters, accepts her apology and apologies in return, and admits he was wrong, because the Dalish could never recover what is lost. By showing him humility, Lavellan allows him - a spirit made flesh - to reflect that humbleness and embody it. Mythal never did this, she actually turned his very nature, his wisdom, into pride.
When Solas tells Lavellan about the vallaslin, there are several possible reactions. She can be sad and ashamed ("We try to preserve our culture, and this is what we keep?"), angry because she is hurt, react in shock - but she always accepts the truth. She doesn't get angry at Solas because he corrected her ("They honor the elven gods." "No. They are slave markings."), which is what Mythal would have done; she can get angry because of shame, yes, but at the end she knows what he's saying it's true and she accepts the truth, the wisdom, he gives her. And she can choose what to do with it: renounce the vallaslin's terrible history or embrace the new meaning the Dalish gave them.
Lavellan can make decisions that are wrong, according to Solas, like not exile the Wardens or not use Gaspard as a puppet for Briala and her elves. But they talk about it, they can have a par-on-par discussion about it, something it's clear he never could do with Mythal. In all the regret cutscenes we see, he always accepts to do what she asks of him, never once arguing with her. Yes, he starts his rebellion also against her, because she betrayed him and his ideals of freedom, but it's clear he still feels reverence for her and even asks to meet her in secret to warn her about the Blight they created.
Mythal liked ruling and didn't give up power, even when the Evanuris started going too far. Lavellan gives up her power, in one way or another: she can either completely disband the Inquisition or give it to the Chantry. She doesn't keep the power for herself or start a coup to undermine Ferelden and Orlais' demands. She has lost her arm, discovered world-shattering information, and is surrounded by bloodhounds: so she gives up her position and influence, something not even Mythal, in all her "wisdom and kindness", ever did. Something no ruler, Solas once warned her, would logically do. But she does!
Never, not even once, I considered Lavellan to be a foil to Mythal while playing Inquisition. In that game, Mythal is actually described as a foil to Andraste, to Flemeth, to all the women of Thedas betrayed and cast aside. Flemeth announces there will be a reckoning, and Mythal allows Solas to take her power from her without question, because she wants to be avenged. She has been crawling through the ages for this very purpose.
But in Veilguard, the last regret mural shows her suddenly changing her mind and questioning him, with Solas making just the vaguest comment about the elves deserving to get their immortality back, the faintest of threads tying it back to Trespasser. Why then allow him to take her power, if that's not what she wanted to do anymore?
And how can the fragment of Mythal from the Crossroads, that very fragment Morrigan warns being still tied to vengeance and rage, be the one who manages to change his mind? Why should that part of Mythal, still hungry for retribution, tell him to stop and free him from his service?
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So basically one of Solas' murals
is the Crestwood scene, but with reversed roles. Solas is the rejected one, Mythal is the one who walks away, leaving him alone in what I presume was a glade at night, judging from the environmental sounds and hushed tones we can hear.
And, to be honest, I don't know how I feel about it - it feels like it cheapens the Crestwood scene, repeating an abusive pattern, stripping away the romance and softness of that scene. It's, once again, something Solas already went through with Mythal, not something he shares with Lavellan only. It's Weekes saying yet again that Solas saw Mythal in Lavellan, and that's why he fell in love with her. Not because she was Lavellan, but because she reminded him of Mythal and gave him hope that all elves could return to that "level" of wisdom.
What we learn in this game also ruins the kiss scene on the balcony, where Solas say "You have showed wisdom I have not seen since... since my deepest journeys into the ancient memories of the Fade."
Most of us believed he meant "Wisdom I have not seen since my ancient days in Elvhenan", but it's basically confirmed at this point that he meant "Wisdom I have not seen since Mythal".
A month ago, someone here mentioned how Weekes had said there was a specific reason why Solas had falled for Lavellan. I never found the interview where they said so, but I saw many believed it had something to do with reincarnation, lost soulmates finding each other again etc., but once again, it's clear what Weekes meant, and it's bad, cheap writing.
They could have written a god finally learning the error of his ways thanks to his love for a mortal - a love completely different from that of who was basically an abuser, a parent-like figure forcing him to take form and serve -, but instead they went for the easy route: a god still loving another god, feeling love for a mortal who reminds him of her, and changing his mind only because his god finally gives him permission to be free.
The mortal who supposedly "changes everything" serves no purpose - she actually tells him "There is no fate but the love we share" after he's been "freed" from his service, which in this context, in this situation, sounds more like a punishment, another yoke, some sort of "I finally got you, you can't run from me anymore".
I don't know what happened to Weekes' writing - either they were forced to make these decisions due to various constraints, or they completely changed their style/ideas during development, because this is not the Solas, this is not the Solavellan romance, we got in DA:I.
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