#interview with the sonnet

[haveyoureadthispoem-poll]

"AE: Some say that you’re oppressive—you have 'rules'— S: Games have rules, and who do they oppress? The children that are playing them I guess! Rules are the engine powering so much play. AE: But something we associate with schools…"

Read it here | Reblog for a larger sample size!

[starry-sonnet-art]

Fan art of those two amazing versions of our dear Claudia. I just love them both

[mehmetyildizmelbourne-blog]

Meet Lata Kokal

In this interview, Dr Mehmet Yildiz introduces you to one of his favorite authors Lata Kokal. She was known before as Neha Sonney. I have been following her stories and poems for a long time. Her contributions to this platform are commendable. I also enjoy her books and speeches about self-love. Here is the link to the interview: Interview with Lata Kokal (Neha Sonney) A book author, an…

[rustbeltjessie]

A new notebook for a new poetry project.

As mentioned a few posts prior to this one, I save everything. But I downright hoard notebooks/sketchbooks/journals. (Truly, if I were a dragon, I would be a dragon with a notebook hoard.) People gift them to me a lot; also, when I have extra $$ and see a pretty notebook or sketchbook, I buy it. That way, I always have a large stack (hoard) of unused blank books, and whenever I need one for a new project, I have many to choose from.

(May 1, 2023)

[eyestrain-addict]

His He/They aura has bewitched me body and soul

[shittypoetrybutidc]

Amongst the Court

My father told me to watch you, as you entertained the court

Your tumblr and fall, with silly little lines,

You distract them, act a fool, to prevent le mort.

You know the states' secrets but you share only lies.

I know I am meant to love you, even though it is a sin,

I am to be the next ruler, the only rightful heir,

Yet, I hold such desire for you, painfully, within,

But you approach me after the feast, all without a care.

I am told, by you, that the attraction is mutual.

When you make a fool, your objective is me,

And my smile, as I am brought down by an upcoming nuptial.

You'll forgive me, when I wed her, won't you, mon ami?

Unfortunately, that is all we will ever be: friends.

I will rule the country, and you, a means to politcal ends.

[tonycries]

Rockstar! Choso who can’t figure out why every song he writes is suddenly a love song…and what the hell was that last one named after you? He must be going mad.

Rockstar! Choso who feels so at odds with that persona he’s meant to put up - with the tattoos and the piercings and the eyeliner. Hell, at least you liked it…would it really be overkill to get you initials tattooed on his hip?

Rockstar! Choso whose fans speculate that he’s dating someone - he must be, right? There’s no way he’s looking so sappy during interviews and glancing at his phone way too much during livestreams. There’s absolutely no way he isn’t - in fact, more than being heartbroken, they’re concerned whenever he gets that heartbroken look on his face n’ admits he’s single.

Rockstar! Choso subtweeting about you - which only fuels the flames to those rumors. Babbling nonsense about your hair n’ halfway through writing a sonnet about your eyes before management locks him out of his account and makes him a private one instead because DAMN-

Rockstar! Choso who looks for you after every concert, practically running off the screen, shovelling past a few poor fans to meet you all the way at the very back of that dark, dingy club they frequent - “S-so uhh…did ya like the song?”

[two-bees-poetry]

welcome!

I'm Alex, my main blog is @alex-bumble-bee. Like it says in my bio, I'm 20, I'm a butch lesbian, and I write poetry- lots of it is in reference to classic literature or mythology. I feel like I'm slowly growing a little community on here, and I couldn't be happier, so please reach out! I love getting asks and I love meeting new people <3

My linktree to find me on other platforms is here!

My Ko-Fi is here, if you'd like to support.

You can find all of my poetry under #mine, all of my asks under #asks, and all of my thoughts and bloggings under #musings.

Under the cut is a sporadically-updated masterlist of my work, sorted in various ways, to help you find what you're looking for :)

forms

contrapuntal poems -> twenty years across the sea, this has to be enough, can i come home?, sister i, sister ii, the guardian and the searcher, my voice is in my sword, so soft it hurts, my brother, my brother

blackout poems (?) -> are you hungry (medea, alone), i have no words for this (macduff, a girl)

villanelles -> village girl's villanelle, elkha's villanelle

sonnets -> i am become

sestinas -> SESTINA FOR A HEALED WOUND

shakespeare

macbeth -> my voice is in my sword, so soft it hurts, i have no words for this (macduff, a girl), i am become, lady macbeth grants you an interview, there are three witches and they are teenage girls

king lear -> can i come home?, stages of a king waging war on his daughters, my brother, my brother

hamlet -> horatio's epilogue

mythology

the odyssey -> twenty years across the sea

antigone -> antigone was right

house of atreus -> a house tour from electra

medea -> this has to be enough, are you hungry? (medea, alone)

poems about

being a lesbian -> boyish girl, once a month, my main character is a teenage lesbian, i have no words for this (macduff, a girl), a sailor and a siren, in moonlight, breathing (hold, hold), SESTINA FOR A HEALED WOUND

other stuff -> middle, what i was looking for, village girl's villanelle, tesselation, war of attrition, motherhood ismene, elkha's villanelle,

[shantechni]

Some of my observations about Link Click: Yingdu Chapter

⚠️Spoilers for S1, S2, & Yingdu Chapter, but mostly the Yingdu Chapter⚠️

Now that the final episode has aired and finished with a bang, I can properly start another observation and theory post without the threat of immediately being proven wrong💀As per usual, feel free to correct me on anything and add your own info should I not include it.

A post-Bridon interview between director Li Haoling and Hui Xiao Hui revealed that Xia Fei held onto the cat ears hat the whole time and returned it to Cheng Xiaoshi and Lu Guang.

That same interview also had the director hinting at the possibility of Liu Xiao having more than one power, along with the fact that Liu Xiao has planned everything early on and that S3 will reveal his motives.

Considering Li Haoling's comment about the three ways someone could inherit powers (1: genetics, 2: passed through death, and 3: killing to steal), this could mean Liu Xiao has either received a power by having it passed to him from someone on their death bed, killed someone for their power, or is genuinely adopted, chat did y'all manifest this—

One major reveal from the interview was the confirmation of Lu Guang having looped through one timeline, not branching off and jumping to new timelines as many (including myself) grew to believe. A.k.a., there are no parallel universes or multiple timelines. I went over this in the notes, but imagine overwriting a cassette tape or hitting the reset button on a device.

Though there are still a number of discrepancies this fact fails to explain or clear up, Shao Yuanyuan telling Cheng Xiaoshi to not concern himself with investigating her and his father lends credence to him not knowing where they are or when they're coming back in S1.

The person Vein speaks to over the phone certainly isn't Liu Xiao, namely because Liu Xiao spends half of the episode playing faux Tetris on his phone, but also because Vein strictly uses English while on the phone with this mystery person. Perhaps he was in contact with someone associated with Yingdu's Chinese Chamber of Commerce (Vein is the leader after all), or simply an unknown figure that he has ties with and was informed by that person that Wang Qing has possession of the notebook.

Late addition: the show speaks for itself, but Vein needed Wang Qing's student ID, along with any other bits of information Lu Guang and Cheng Xiaoshi discovered about her, to track her down with the help of whoever he remained in contact with.

Another late addition: It's been confirmed in the interview that Vein wants Cheng Weimin's book for himself, just like Liu Xiao.

Wang Qing's power involves faking death, something that's been hinted at by her student ID number translating to "fake death ability user."

The information of Wang Qing's classmates has been blurred out, but it's all unique text and some of it can even be made out. The pages for Amy and Blair (the girls that bullied Wang Qing) appear briefly, and though Amy's information is harder to make out, Blair's is somewhat discernable.

The kid that used his power during the test also appears, but the most that can be made out from his page is a middle initial. It should also be noted that Wang Qing had the most absences among the students we saw pages for, and that Cheng Weimin wrote, "Intervention needed," on her page.

We finally know the fates of Cheng Xiaoshi's parents. While Cheng Weimin is certainly dead from the fire at Bahati (confirmed by the ISBN number of the Sonnet Shakespeare book), Shao Yuanyuan is still alive somewhere.

Shao Yuanyuan's use of possession through a photo confirms that Cheng Xiaoshi received his ability through genetics. While we don't know if she is the original holder of the power or if she gained the power from Cheng Weimin after he died, it's clear Cheng Xiaoshi gained his power from either of his parents.

Li Haoling confirmed that death results in the passing of one's power, meaning there's a chance Lu Guang can still possess someone through a photo they took. But while it certainly appears that Lu Guang possessed Wang Qing and used her fake death power on Vein, it doesn't explain how he could've possessed her without having a photo she'd taken in that very moment (Shao Yuanyuan received the photo she took of Cheng Xiaoshi and possesed her that way). Edit two days later: a new video of an interview had Liu Haoling confirming that Lu Guang did not possess Wang Qing

One user on Twitter pointed out a detail on Liu Xiao's phone: the date on his phone is not the current date in Yingdu (June 2019). They also stated, "This is the evening, probably around 5 pm, which would be the same time as 00:05 September 13 in China."

While the above point could be an error, it should be noted that a box of text appeared during Bilibili's and seemingly only Bilibili's version of the episode: "Three years later, after the Li twins case." This whole thread is interesting actually, give it a go.

Speaking of errors, Li Haoling stated that Cheng Xiaoshi's eyes being yellow as he and Lu Guang run from Vivian's situation in EP1 was an animation error. The entire season, particularly the earlier episodes, are riddled with errors like these, most likely due to the schedule changes (this season was originally set to premiere in April of 2025 at the latest but was rushed to Dec of 2024).

On the topic of dates, Lu Guang came to the reset timeline on April 11th and passes the 12 hour mark once the clock hits 5:32AM (meaning he possibly and originally met Cheng Xiaoshi four days prior to the guy's birthday).

Vein interestingly uses darts on Cheng Xiaoshi and Wang Qing rather than real bullets as he's done in the EP1 opener. It's also unknown if he's aware of powers, let alone that Shao Yuanyuan was in control of Wang Qing as they fought.

This is another late additon, but a fan on Twitter compiled a full timeline of S1, S2 and Yingdu, also heavily detailing a lot of the inconsistencies that's been plaguing the fandom in a concise manner.

It's implied that Wang Qing needs a person's real name in order to use her fake death power on them, though it's unclear how she knows Vein's real name.

For once we ended the season without a death, though we have no idea what happened to Xia Fei and his former colleague Jack, who were both reported to have recently gone missing after we cut back to Lu Guang in present day China.

CHENG XIAOSHI GOT THAT DUMPHY

Vein's real name is Xiao Weiying

Back to the book with the eye (the same book Cheng Weimin had in his desk), it's being heavily speculated that the book contains either classified information on the students of Bahati (particularly the ones with powers), or something deeper. Either way, Shao Yuanyuan's statement about the fire being started on purpose supports the idea of someone starting the fire in the hopes of grabbing the book while Cheng Weimin leaves it behind or dies.

The idea of it holding information on the students' powers, or simply being a catalogue of all of the powers Cheng Weimin has crossed paths with, seems likely with Liu Xiao potentially being another seeker of the notebook.

Liu Xiao was the one seen unzipping Vein's body bag in the post credits scene.

Qiao Ling asks why Cheng Xiaoshi changed the studio's name from "Hero Photo Studio" to "Time Photo Studio," and while he gives his indirect answer of being connected through time, we can infer that changing the name is his way of keeping his promise with his mother after leaving Bridon. To make things clearer, a flashback in S1E10 confirms that the name of the studio hadn't changed while Cheng Xiaoshi and Qiao Ling were renovating (which is also when Qiao Ling first meets Lu Guang).

Lu Guang hasn't blushed once in the Yingdu Chapter, but Cheng Xiaoshi has (which makes for a grand total of two blushes from Cheng Xiaoshi and a stagnant five for Lu Guang).

Li Haoling stated in the interview that Cheng Xiaoshi will die in 2022.

When asked if Xia Fei was a survivor of the Bahati fire, Li Haoling dodged the question.

Soon after the fire at Bahati took place, Shao Yuanyuan tasked Wang Qing with allowing her to speak with her son through her someday. Since Wang Qing was still a student and in the hospital at the time, this means she's remained in contact with Shao Yuanyuan for 10 years.

Li Haoling commented during the interview that Lu Guang doesn't know about Vein having come back to life.

He also stated that Shao Yuanyuan would have interactions with Lu Guang in S3.

Actually, here's a full thread of translations for the interview, and a slight summarization of what was said.

The artwork Bilibili released to commemorate the series reaching 700 million followers on their site has this message in the tweet: "The game between "Hunter" and "Mastermind" continues, turning over the cards in the mystery and throwing the final chip." We can infer from past context clues that Liu Xiao is the hunter and Lu Guang is the mastermind.

Cheng Xiaoshi volunteered to play the flower fairy in the third grade despite the role calling for a girl (among other embarrassing stories Shao Yuanyuan told to make Cheng Xiaoshi believe it's her in Wang Qing, she's quite the charcter).

Shao Yuanyuan's speech about saving Cheng Weimin implies she's on a similar journey as Lu Guang (they're both desperately trying to save someone they're close to by resetting the timeline).

Wang Qing goes by the alias "Chris" for her psychiatry business, though it's unknown if her business is still continuing after she disappeared with Cheng Weimin's book.

Considering Shao Yuanyuan's lines when she finds Cheng Weimin in the fire, she was likely not meant to be there at the time, and possibly confused Cheng Weimin. That would explain how blasé he appeared to be about leaving Cheng Xiaoshi in China, if we're to believe that Shao Yuanyuan would usually be in China with their kid while he's in Bridon at the language school.

Cheng Xiaoshi changed the background of his conversation with Xia Fei to a picture he took with him during their modeling gig.

Aight, my well has run dry, and once again I'm certain I'm forgetting something (definitely forgot to go more in depth with the two pieces of artwork that dropped around EP6's premiere), but I hope this is satisfactory in some regards. Again, correct me or add anything I may have missed, time for me to hunker down for the long 2+ year wait until S3 arrives😭

[soracities]

Do you have any recs for beginners who want to write poetry? I love your blog so much!

there's a list of starter poetry recommendations for reading poetry here. For writing poetry I would recommend essays and nonfiction by poets: Upstream by Mary Oliver, Still Life with Lemons by Mark Doty, Now and Then: The Poet's Choice Columns by Robert Hass. If there are specific poets you like and admire, I would read their interviews to see how they themselves approach poetry and writing. I would also subscribe to Devin Kelly's Ordinary Plots substack, Padraig Ó'Tuama's Poetry Unbound (substack and podcast), and the On Being podcast's interviews with poets. There's also this section on The Poetry Society of America which features poets and writers interacting with either their own work, other's work, or simply discussing different aspects of writing and experiencing poetry.

I would also recommend really familiarising yourself with the technical aspects of poetry: poetic structures, rhyming schemes, language and all its textures etc., because those are the essential building blocks more than anything else. Practice writing poems following established formats: try your hand at an abcderian poem, or a sonnet, or a tanka, or a villanelle--the structural limitations are a good way to force yourself to really think about what you want to say and how you want to say it.

At the end of the day, the most important thing if you want to write is to read widely, and read often--and practice and practice and practice again. Learning to write anything is like training a muscle and you have to train and work it consistently. Hope this helps and best of luck with your writing endeavours anon 🤍

[armandaughter]

Interview With the Vampire + Perfumes

i posted about wanting to make this and people were also curious, so here it is :) i absolutely have no qualifications to be making this. i just love perfumes and iwtv and wanted to combine em!! lmk ur thoughts <3 fyi this gets pretty long-winded and analysis heavy at times

louis de pointe du lac (new orleans/paris eras)

very slow world in my mind. i think he'd gravitate to the warm spice of it and the hints of whiskey. this also smells a bit like incense, which i think is fitting for him. louis' religious upbringing will always inform how i approach him. but this scent also reminds me of the clubs in new orleans, cigars and rich drinks, and that transfers over to him exploring new sides of himself in paris with photography and engaging with art and cafe scenes. i question the inclusion of the balsamic top note, it's actually much more tea-aligned! this is also quite masculine to me, which makes sense as, particularly in nola, he had to be a little overly masculine-- older brother, man of the house after the death of his father, business owner, and a black business owner in an extremely racist setting. i like this for him, i'd even go as far as to say maybe it's not quite masculine enough.

runner-ups: full incense by montale, nothing but sea and sky by une nuit nomade (this one is very bergamont heavy, which i also think he'd like) foreshadow by curatrix (this one is in my rotation rn and i am almost out because i use it SO much. musk, tobacco, incense, cypress)

louis de pointe du lac (dubai)

this one isn't similar to the above at all, but i think it sort of stays in line with what we know of louis in dubai. it's a very fresh scent, with residual fruity and cedar/fig accords snuck in there that are more noticeable with longer wear. this feels performative like most of dubai, put-together and appealing to the senses but deceptive at the end of the day. i think it's still something louis genuinely likes, but i see him, when he's happy, wearing something a bit more explicitly sweet-spicy, less wood-spicy. this is an amalgamation of the above scent and other sweeter, floral accords he'd drift to, but not quite leaning into it the way i suspect he'd be were he actually healed, had he actually confronted his past in full and emerged content with his circumstances.

runner-ups: of true minds by liis (this is inspired by shakespeare's sonnet 116, also smells like sooo complex. floral spicy with a bit of suede) angel dust by fugazzi (cashmere, pepper, bergamont)

lestat de lioncourt

i actually took so long to decide for lestat. after consulting @operahouses (thank you for enduring my lengthy perfume character analysis) i'm happy w this. it's very very floral, mostly rose, with jasmine and iris too. there's also the underlying patchouli and according to what i read, a sort of rosewater wine-y feel about it. walks the line of intense and mysterious with an elegant softness that feels very true to lestat coming off of paris and finding his footing (and the love of his life) in new orleans.

runner-ups: l'olympia music hall by histoires de parfums (floral, also the name is very lestat in the vampire lestat to me) baccarat rouge 540 by maison francis kurkdjian

rockstar lestat

this is zoologist, which literally makes perfumes off of animal scents. i think that is so fucking cool. anyway-- this is a very bold scent that takes the sweetness of the initial perfume i shared and expands upon it with some really interesting notes. there's passionfruit, leather, teakwood, and incense. (INCENSE, which i think he'd intentionally wear for the nostalgia it could potentially evoke in louis!!) but, overall, a very impressive and borderline questionable miasma of smells. because of this, it's startlingly unique. verrrry memorable, which is kind of the desired experience of a rockstar trying to get his ex-husband back.

runner-ups: triumph of bacchus by argos (this one has such an insanely diverse array of accords i feel only he could pull off) do not disturb by vilhelm parfumerie (this leans into femininity a bunch, which i am down for with lestat. also has some questionable accords but again i think this era welcomes that)

armand

so i'm not even going to pretend i'm not projecting with my first choice for him because i am-- press gurwitz 0.3 is soooo criminally underrated. it's got the knockout combo of the cinnamon and vanilla but when the smoky spice of it hits... it HITS! it also isn't overly sweet at all. the vanilla subdues the sweet notes and leaves sort of a smoky yet clean spiciness over time. i think also the idea of him wearing a gourmand scent has a lot of interesting character connotations in it-- wanting to be desired, wanting to be almost edible, to attract that sort of temptation. if not a gourmand, i can see him preferring fresh, clean, sharp scents-- hence the choices for him as rashid.

runner-ups: milk by commodity (amber, firewood, tonka bean; ultimately the marshmallow accord felt a bittttt out of line for him but this scent is GOOD. a pinch sharp but in a way that's striking rather than obtrusive) female christ by 19-69 (eucalyptus, woody, with cashmere and cinnamon at the base notes, emerging the longer the scent is worn)

armand as rashid

this one has a lot going on but i NEED you to stay with me and hear me out. first of all-- there's notes of pineapple here, which i feel are soooo good given the 'honey and pineapple' exchange. there's also a lot of sweetness here and while the 'honey' part isn't explicit, i feel like it's still reminiscent of it. also, who's to say rashidmand doesn't wear honey body oil with this? wouldn't put that past him. otherwise, this is also pretty floral, fresh, and long-lasting. my one flaw is it is intense, especially for his playing as rashid. my defense here is this: he's already gone with the slutty shirts and the speaking out of turn, so a memorable scent doesn't seem suddenly too far, at least not to me. also, the bottom notes like the vanilla stabilize the intensity. for the first hour or two after application, i'm sure this lingers in a room (which is what he'd want) but as it fades, you'd have to be in closer proximity to notice it.

runner-ups: honey & crocus by jo malone london (this is the honeyed scent that could replace the pineapple one, with traces of saffron and lavender included too which go nicely) fleur de délice by reminiscence (VERY herbal and fresh)

daniel molloy (1973)

ok i am pretty sure i'm not the first to say this but he's SO jazz club. to me. this on top of probably perpetually smelling like cigarettes. and i've heard it's more masculine-leaning, with the rum, spice, and tobacco staying on the longest. i think in devil's minion canon armand would also be all over this like a bloodhound. not much else to say aside from boozy and kinda sexy. the kind of thing you'd wear to go out and score drugs or a fatal vampire encounter.

runner-ups: none! i stand by this one. possibly book by commodity, which uses cedar and sandalwood to come shockingly close to putting your nose in a book. also accomplishes a sort of smokiness.

daniel molloy

this is kind of like if jazz club matured a bit. from what i read (i haven't smelled this one) it's very leathery and dry with a slight sweetness at the end. it has some pine and dates in the list of accords, which works for me too. it is also a bit sensual and i think daniel would wear this in dubai to see louis for the first time since '73. not too intense, which i think he'd prefer. @operahouses suggested a new car smell and i STRONGLY agree.

runner-ups: ombré leather (2018) by tom ford (this went too herbal for me to attribute to him, but i still think leather is good for him)

claudia in new orleans

getting into headcanon territory. this scent is sweet, light, and rosy. i'm imagining this is a gift from lestat before things soured. also something to wear before she branched out and developed her own preferences. i personally think this one is a bit strong and just a tad like a bath, but then again it's very clean and satisfying when the initial scent sits for a little. the sugarcane there brings it together too. this would also contribute to the infantilization both louis and lestat force upon her, the shared--whether explicit or implicit- idea that she's theirs, only the 'girl' part of daughter and too young and naive to be the 'woman.' i feel like she'd grow to hate this smell eventually the same way she grew to resent what lestat and new orleans meant for her.

runner-ups: rose of no man's land by byredo (i didn't think the spices fit, but could be that's a stepping stone for her)

claudia (paris)

i haven't tried this scent but i do love curatrix. so i think in a similar way to daniel's progression this is an older, sultry, woody-sweet rendition of what a younger claudia would enjoy. knowing curatrix, it's probably a bit intense, but for a woman duelling with the reality she will not ever be properly seen as a woman, i think it's very fitting! the cloves and tobacco lend age to it while the honey and vanilla sweeten it up a bit, dries down into a suggestion of ginger. i think the name would attract her as well. claudia owns being a vampire-- she loves it, wants so badly to be loved by the coven for loving vampirism, so the idea of fatale is definitely something she would gravitate to in my mind.

runner-ups: hypnotic poison by dior (similar wood themes with a bit of floral and fruitiness mixed in, but mostly, the bottle is cute) carmilla by immortal perfumes (the name, naturally-- also has a blood accord!! was my first choice until i remembered fatale exists)

madeline

gets a classic. i wore this for years before i started to present less feminine. it's clean, floral, sweet, a bit powdery, and stays on forever. not too overwhelming but def alluring. one of thee ultimate femme lesbian choices to me!

runner-ups: immortelle by chloé (still white floral with some tonka snuck in. i like the name for her a lot!)

santiago

i really have nothing to say other than this scent doesn't get very good reviews and it kind of pisses me off and that's perfect for him. def wears way too much of this and it pisses off everyone in the coven. the HEIGHT of gay man who is about to infuriate you.

okay i had a lot of fun doing this. so if anybody else matched my freak ab this i would LOVE to do more.

[notmysophie]

Hozier reading list

Literary references in Hozier music

Alighieri, Dante; Inferno

The story of Francesca da Rimini as told in canto V inspired the song Francesca.

The album Unreal Unearth is arranged as a journey through nine circles of hell as they are described in the Inferno part of the Divine Comedy.

The title of the song Through Me (the flood) is a reference to the first lines of canto III.

Hozier read the translation by Robert Pinsky (https://www.rte.ie/radio/radio1/clips/22285692/) 

Beckett, Samuel; Endgame

The song Wasteland, Baby! Takes inspiration from this play. (5 september 2023) (https://www.pastemagazine.com/music/hozier/cover-story-hozier-unreal-unearth) 

O'Brien, Flann; the Third Policeman

The character of de Selby in the Third Policeman inspired the songs de Selby part 1 and 2.

Heaney, Seamus; At the Wellhead

The song To Noise Making (Sing) contains a8n audio fragment of Heaney reading this poem.

Heaney, Seamus; The Cure at Troy

The line "Or honey hope even on this side of the grave again?" In the song "To Noise Making (Sing) " is inspired by the line "History says, Don't hope / On this side of the grave."  in this poem.

Joyce, James; A Portrait of the Artist as a Young Man

The line "Shaking the wings of their terrible youths" in the song Angel of Small Death & the Codeine Scene is derived from a line in this book. As mentioned in the interview with Zane Lowe for Apple Music (august 28, 2023) (https://youtu.be/y5JpgNIkOz4?si=Yg1GVewfZlHkdVm1)  

Also mentioned as general inspiration in an interview with the Daily Meal (october 28, 2014) (https://www.thedailymeal.com/irish-born-musician-hozier-slithered-here-eden-bring-us-his-gospel)

Mack, dr. Katie

Astrophysicist dr. Katie Mack is mentioned by name in the song No Plan. A quote from the song is used in her book The End of Everything (Astrophysically speaking)

Neruda, Pablo, Sonnet XVII

The songs de Selby part 1 and part 2 take some inspiration from this poem. (Mentioned when introducing the song during a concert)

Ovid, Metamorphoses

The story of Icarus is mentioned in the song Sunlight and inspired the song I, Carrion (Icarian).

The story of Orpheus and Eurydice is mentioned in the song Talk.

Plato; The Allegory of the Cave

The phrase "Adding shadows to the walls of the cave" in the song Sedated refers to this story.

Swift, Jonathan; A Modest Proposal

Inspiration for the song Eat Your Young.

Wilde, Oscar; Chanson

The line "a rope in hand for your other man to hang from a tree" in the song From Eden" is inspired by the line "And a hempen rope for your own love / To hang upon a tree." in this poem.

Yeats, W. B.; The Second Coming

The line "To Bethlehem it slouched" in the song NFWMB is almost directly copied from this poem.

Yeats, W. B.; Leda and the Swan

Inspiration for the song Swan Upon Leda

Other books recommended/mentioned by Hozier

Amis, Martin; The Zone of Interest

Recommended by Hozier in an 'Ask Me Anything' before the release of the album Wasteland, baby! on reddit in 2019

Beckett, Samuel; Not I

Hozier joked the album Unreal Unearth would contain four tracks, two of them being recordings of him reading this play with his mouth full of marshmallows.

The cover art of Unreal Unearth is said to reference this play.

Bukowski, Charles

Mentioned as a teenage favorite (https://youtu.be/e5pFwDvcIGA)

Ó Cadhain, Máirtín; Graveyard Clay (Cré Na Cille)

Mentioned as his current read in an instagram Q&A on December 1, 2021

Eliot, T. S.

https://www.thedailymeal.com/irish-born-musician-hozier-slithered-here-eden-bring-us-his-gospel 

Heaney, Marie; Over Nine Waves, a Book of Irish Legends

(Source? Mentioned on social media?)

Heaney, Seamus

https://www.irishtimes.com/culture/music/hozier-why-seamus-heaney-s-last-words-mean-so-much-to-me-1.3797926

Herbert, Frank; Dune

Mentioned as a current read/audiobook on How Long Gone podcast episode 614. March 6, 2024

Joyce, James; Ulysses

https://youtu.be/s0Ux72N4K10 

Kierkegaard, Søren; The Sickness unto Death

(Source?)

Orwell, George; 1984

https://www.thedailymeal.com/irish-born-musician-hozier-slithered-here-eden-bring-us-his-gospel/

Rubin, Rick; The Creative Act

Mentioned as his current read in an interview for WNYC Radio, 17 March 2023

https://youtu.be/Cd2uxpD9Hc8?si=cJ8bKrfFeXk_WS2F 

Salinger, J. D.; Catcher in the Rye 

https://www.thedailymeal.com/irish-born-musician-hozier-slithered-here-eden-bring-us-his-gospel/

Wilde, Oscar

https://youtu.be/s0Ux72N4K10 

https://www.thedailymeal.com/irish-born-musician-hozier-slithered-here-eden-bring-us-his-gospel/

Williams, Niall; This Is Happiness

Mentioned as his current read at a fan meet & greet (Bristol, 6 August 2023)

Yeats, W. B.

https://www.thedailymeal.com/irish-born-musician-hozier-slithered-here-eden-bring-us-his-gospel/

Poetry/stories read by Hozier in livestreams/videos (and the books he read them from)

3 July 2020 Instagram live

Seamus Heaney; Postscript (the Spirit Level)

Seamus Heaney; A Kite for Michael and Christopher (Station Island)

W. B. Yeats; No Second Troy (W. B. Yeats Poems selected by Seamus Heaney)

W. B. Yeats; To a Friend Whose Work Has Come to Nothing (W. B. Yeats Poems selected by Seamus Heaney)

Ovid, Daedalus and Icarus (Metamorphoses, translated by David Raeburn, penguin classics)

Sinéad Morrissey; & Forgive Us Our Trespasses (Being Human edited by Neil Astley)

Also mentioned; Staying Alive edited by Neil Astley

Seen on the table; Fear Not by Stephen James Smith

10 July 2020 Instagram live

Seamus Heaney; HÖFN (District & Circle)

Seamus Heaney; District & Circle (District & Circle)

Stephen Dunn; Sadness

Stephen Dunn; Sweetness

Ovid; Orpheus and Eurydice (Metamorphoses, translated by David Raeburn, penguin classics)

T. S. Eliot; The Love Song of J. Alfred Prufrock (Collected Poems 1909-1962)

Brendan Kennelly; Begin 

17 July 2020 Instagram live

Ezra Pound; And the Days Are Not Full Enough

Wilfred Owen; Futility

James Joyce; A Flower Given to My Daughter

Pablo Neruda; Keeping Quiet

Langston Hughes; I, Too

Imtiaz Dharker; They'll Say She Must Be From Another Country

W. B. Yeats; When You Are Old

Stephen James Smith; On the Bus (Fear Not)

Seamus Heaney; Saint Kevin and the Blackbird

Seamus Heaney; Sweeney Praises the Trees (Sweeney Astray)

Maya Angelou; Touched by an Angel

Garrison Keillor; Supper

Pablo Neruda; Sonnet XCIV (If I Die) (100 Love Sonnets, translated by Stephen Tapscott)

T. S. Eliot; Ash Wednesday (Collected Poems 1909-1962)

Ovid, the Four Ages (Metamorphoses, translated by David Raeburn, penguin classics)

Also mentioned; Ireland, My Ireland by Stephen James Smith

25 July 2020 Instagram live

Anne Stevenson; The Spirit is Too Blunt an Instrument

Katie Mack; The Slow Fade to Black (the End of Everything, Astrophysically Speaking)

Pablo Neruda; Sonnet XVII (One Hundred Love Sonnets, translated by Mark Eisner)

Kahlil Gibran; On Love (the Prophet)

Sharon Olds; True Love

Rita Ann Higgins; The Did-You-Come-Yets of the Western World

7 August 2020 Instagram live

James Joyce; Araby (Dubliners)

Also mentioned A Portrait of the Artist as a Young Man by James Joyce

17 march 2021 Tiktok live

Brendan Kennelly; Begin

Derek Mahon; Everything is Going to Be Alright

Sinéad Morrissey; & Forgive Us Our Trespasses

Faisal Mohyuddin; Prayer (The Displaced Children of Displaced Children)

Pádraig Ó Tuama; How to Be Alone

Stephen James Smith; Dublin, You Are

Paula Meehan; Seed

Various reads

Seamus Heaney; At the Wellhead

https://youtu.be/uIBpT_rqUfA

Patrick Kavanagh; Peace

https://youtu.be/Iz1OXOFua4w

W. B. Yeats; He Wishes for the Cloths of Heaven

https://youtu.be/e5pFwDvcIGA

W. B. Yeats; A Coat

https://youtu.be/e5pFwDvcIGA

Seamus Heaney; Miracle

https://x.com/seamusheaneyest/status/1253626839316279296?s=20 

[rustbeltjessie]

Love is not all; it is not meat nor drink Nor slumber nor a roof against the rain, Nor yet a floating spar to men that sink And rise and sink and rise and sink again; Love can not fill the thickened lung with breath, Nor clean the blood, nor set the fractured bone; Yet many a man is making friends with death Even as I speak, for lack of love alone. It well may be that in a difficult hour, Pinned down by pain and moaning for release, Or nagged by want past resolution’s power, I might be driven to sell your love for peace, Or trade the memory of this night for food. It well may be. I do not think I would.

Edna St. Vincent Millay, Sonnet XXX from Fatal Interview

[cowboy-heart]

also, i recently gathered all of my favourite poems (by other writers) into a single PDF for myself and decided to share it on my ko-fi!

it’s 106 pages, 62 poems, with an index, and links and credits to all the writers! and it’s free!

it’s a mix of published poets, blog excerpts, and internet poets, covering themes of love, grief, living, butch-femme, LGBT, nature and justice! - full list of contents in read more :)

it’s free since it’s not my own original work, but if you wanna tip for making the PDF then it’s much appreciated!! 🧡

(sidenote: if you/your work has appeared in this and you want it removed or edited, let me know and i’ll do so immediately!)

After The Threesome, They Both Take You Home’ - Sue Hyon Bae

‘Come, And Be My Baby’ - Maya Angelou

‘Witness’ - Crystal Wilkinson

‘lady macbeth-macbeth’ - @two-bees-poetry

‘how to spend an august afternoon in love’ - @cheruib

‘Chocolate Chip Pancakes’ - Caitlyn Siehl

‘The Teapot’ - Robert Bly

‘Little Weirds’ (excerpt) - Jenny Slate

‘Writing Prompts for the Broken-Hearted’ (excerpt) - Eden Robinson

‘Perhaps The World Ends Here’ - Joy Harjo

‘The Serious Downer’ - Jill McDonough

‘Summer Was Forever’ - Chen Chen

‘For Grace, After A Party’ - Frank O’Hara

‘A Vow’ - Wendy Cope

‘Laura, I Want You Pulling Your Hair Back’ - Natalie Dunn

‘Watching you talk on the phone, I consider the empty space around atoms-‘ - Rhiannon McGavin

‘Gram Loves You. Please Call’ - Amy Gotliffe

‘The Quiet World’ - Jeffrey McDaniel

‘the undone cowboy writes to his sweetheart’ - Silas Denver Melvin ( @sweatermuppet )

‘Song of the Anti-Sisyphus’ - Chen Chen

‘RURAL BOYS WATCH THE APOCALYPSE’ - Keaton St. James

‘A Possible Exit’ - Jarrett Moseley

‘poem on my fortieth birthday to my mother who died young’ - Lucille Clifton

‘ANSWERING HER QUESTION’ - Alice White

‘when the one you thought, finally, wouldn’t, does’ - Marty McConnell

‘fourth grader’ (excerpt)

‘Poem’ - Langston Hughes

‘For M’ - Mikko Harvey

‘A Drink of Water’ - Jeffrey Harrison

‘Cold Solace’ - Anna Belle Kaufman

‘Boot Theory’ - Richard Siken

‘Love letter as an autism diagnosis’ - Arden Kowalski

‘Tea’ - Leila Chatti

‘Night Walk’ - Frank Wright

‘Don’t Hesitate’ - Mary Oliver

‘For A Student Who Used AI To Write A Paper’ - Joseph Fasano

‘Rain’ - Raymond Carver

Unnamed/‘who’s afraid of hoverflies?’ - @a-chilleus

‘The Orange’ - Wendy Cope

‘Failing and Flying’ - Jack Gilbert

‘Can’t Get Enough Of My Love’ - Shuyler Peck

‘Invitation’ - Mary Oliver

‘Dead Rat’ - Mervyn Peake

‘Wild Geese’ - Mary Oliver

‘I Imagine The Butch’s Stripper Bar’ - Jill McDonough

‘FEMME SHARK MANIFESTO’ - Leah Lakshmi Piepzna-Samarasinha

Unnamed (fake interview) - @llovely

‘Butch Please: A Letter To Baby Butches’ - Kate

‘ROUND TWO: the body as protest’ - Joelle Taylor

‘ROUND SEVEN: the body as uprising’ - Joelle Taylor

‘Angel’ - Joelle Taylor

‘Catallus 16’

‘15. Fan Letter’ - James Crewes

‘Make Out Sonnet’ - F. Douglas Brown

‘Hey Cowboy’ - Silas Denver Melvin ( @sweatermuppet )

‘Fat Top/Switch’ - Emilia Phillips

‘On a Night of the Full Moon’ - Audre Lorde

‘The Gardens’ - Mary Oliver

‘Want’ - Joan Larkin

‘Social Skills Training’ - Solmaz Sherif

‘Bullet Points’ - Jericho Brown

Unnamed - Marwan Makhoul