#interestingly opposite

[icehearts]

7, 8, and 11. Please and thank you :>

Three? THREE?! Oh boy, thank you for the ask! [ sexuality headcanons & questions ]

7. what attire do they feel most attractive in?

In her day-to-day, Esca tries to strike a balance between function and femininity. When she really wants to feel herself (or if she wants a little more, hm, social leverage), she has a few favored styles:

Corseted tops (the more intricate and convoluted lacing, the better), low necklines, and open backs. Anything that accentuates her figure while remaining out of reach or otherwise difficult to access. (Why yes, she does love to be withholding.)

Saving some post length and putting the rest of the questions & answers under here:

8. what attire do they find others most attractive in?

If asked directly, she'd probably say she's attracted to those who are well-dressed, garbed in expensive finery, or even wearing a prestigious uniform of some kind. Truthfully? It's not a complete lie — uniforms can be rather attractive, after all — but someone wearing attire as a status symbol is less attractive to Esca than, say, clothing that is meticulously well-cared for.

A dragoon wearing a full suit of carefully polished armor? She wants to pick it apart, piece by piece, until she finds the person underneath it all. A tracker wearing a linen shirt, holes mended and patched by hand? She wants to trace the fingertips of the one who held the needle and thread.

Also? Honestly? Putting all of that other stuff aside, Esca loves a little bit of exposed skin. A playful bit of stomach peeking out, a collarbone visible under a loose shirt, forearms flexing against rolled-up sleeves, a skirt riding up to show a hint of thigh — juuust enough to make her mind wander.

11. how do they feel about foreplay?

Oh, it's her favorite part! Esca thrives when she's winding her partner up, taking her sweet time and teasing out all kinds of different reactions until they're putty in her hands. Few things please her more than maintaining her composure while transforming her partner into a blushing, pleading mess.

[andalorii]

Absolute best thing I've ever hatched <3 abyss and mint just so happens to be my top tier favourite combination of colours and although my dream g1 is XXY abyss/mint, I am Absolutely Not going to say no to an XYX oh my... he is perfect and I can't believe the luck!! https://www1.flightrising.com/dragon/89751049

[gigglegirlhappy]

Y’all remember how in the rebooted Archie Sonic continuity, Sonic’s Werehog transformation was caused by him inhaling some nasty Dark Gaia essence, resulting in a slow, gradual first transformation that took place over several days?

I humbly propose a Sonic Unleashed AU, where the events of Sonic Unleashed play out pretty much the same as they usually do, but with one key exception: the fissures that resulted from the world splitting apart emits the same misty vapor, resulting in other mobians having to deal with the whole Werehog thing after some nonce inevitability ends up inhaling the stuff.

I feel like, since Chip gives Sonic the whole spiel about how it was his own will that kept him pure, the personality of werehoggified mobians should probably fall more in like with how it affects people being influenced by Dark Gaia, but with more feral and frenzied undertones, similar to the crazed frenzy Archie Sonic found himself in during his first proper transformation.

I’d love to see how something along those lines would affect not only the story, but also the character’s relationship with one another. We didn’t see many mobians in Unleashed, which makes me wonder more about how, for example, Team Chaotix would deal with a newly werehogified member (or members).

We have a lot of story potential here today fellas!!!!!!

[new-haven-psych-ward]

so I realized the main four geats riders could all be tracked to the four stages of grief and the lamentation arc went hard so:

[kissycat]

The older I get the more it turns out I have the snufkin nature

[chromotps]

h-hey so. I saw your tweet? from such a long time ago (eh no I think it was october) that was about cora/law and something something basically law being soooo much into cora and sick of waiting in general (can I also mention here. the 1975 - fallingforyou and especially the /you said some day we might, when i’m closer to your height/ line) so uhhhhh what about. a cora lives AU when they reunite once law becomes a warlord (also don’t tell me the 100 hearts weren’t meant for cora) and cora has been somehow found and brought back to life by the marines??? but kept hidden from public information for as long as doflamingo was running loose and rampant. but after dressrosa it’s no longer important and anyway they meet again and it’s all. reserved and polite and cora is just happy to see law all grown up and how much influence and power he has etc etc meanwhile law. keeps inviting him to the most high-end/expensive restaurants. buys him the most expensive wine. gets him heart-themed jewelry. the finest silk shirts/scarves. some rare types of tobacco. basically like a reverse sugar daddy thing except it’s law who absolutely spoils cora except cora doesn’t really have any idea what to do with it? bc law just says it’s bc cora took care of him all these years ago and now law wants to reciprocate. except he’s. way too invested in this/there’s something else in his eyes when he looks at cora, instead of just gratitude. IDK IM JUST. they’re such a weird ship to me bc i can’t stomach it at all in any other form than Cora lives AU and they meet as adults + the age diff/dynamic remains kinds the same (master/protegee? sorta) + law is just so fucking into him it’s unreal. bc hes spent so much time thinking about Cora? growing up? much longer than he had actually known him. so he kind of became something mystical in his mind, so when he finally meets him in flesh again? law can’t really deal with whatever he’s feeling toward him except it’s a whole fucking lot. again idk even what I wanted to say through this it’s just back to that tweet - yes I also think it’s a shame there isn’t more coralaw where law is the one leading the relationship/courting cora (or. domming him. like you said) and generally being lowkey obsessed about him. thanks lmfao and bye

HJGSFGSDjgdfshj first off this ask made my day... is there anything like the internet to bring together two fans of a very niche and specific dynamic ANYWAY

GOSH I do love the idea of Law spoiling Cora, especially bc like, from what we saw Cora went from a life of luxury in his youth, to one of struggle and then eventually medium-ish comfort, and was happy to throw it all away again for Law when they went on the run. So it's like, now Law can give that all back to Cora easily and I'd even sort of read it a bit as Law subconsciously trying to show how he's not just some little kid anymore so let him sleep with you Corazon, look, you think a guy who gives you this many silk shirts doesn't know how to show you a good time

Cora getting a little overwhelmed when the gifts and meals start being sprinkled with signs of courting... like, a brush of a hand or Law bringing them somewhere secluded on a walk and carefully getting into Cora's space. Asking Cora to be his +1 to big fancy dinners and escorting him around with a hand on his back ahahaHA

Cora can't deny that Law is just like, a dream guy, but he's gonna need a little extra push to let go of that sense of propriety saying that "they really shouldn't do this"

I tried responding to some other parts of the ask but it got really long and sort of turned into me just rambling about lawcora, so... i separated it all from here 😂

GOSH the 100 hearts being for Cora... another hopelessly romantic tribute from Law, the most Extra Adult-ass Emo walking around. It's exactly like you said, that's one of my favorite things about Law around Cora--the depth of his emotion... we know Law had this deep capacity for hatred when they first met—he was just this well of resentment and anger, even as a kid. But after seeing just how far Cora would go for him, that intensity got completely redirected into love (or "low-key obsession" haha—the naming his pirate crew after Cora and modeling his coat and tattoos after him). It's especially wild considering how "reserved" Law is around others, I guess? Like, he wants everyone around him to Stop Being So Ridiculous, but I feel like with Cora he would just want more and more, to draw out bigger and bigger reactions from him and encourage Cora to screw convention and run off with him. bc in his head they're all that really matter...? he's an all-or-nothing kind of guy!! I guess

And yeeeeah on Cora's side, it's definitely a difficult ship to pin down. I'm kind of like you, really picky about how I'd want it to play out... Part of me doesn't want Cora to be completely oblivious, and I don't love when people strip out how much of a badass/tough/discerning guy he is (though I do love the klutzy, naive-ish side of him). I don't know......... I think I like how I laid it out in the tweet, where Law has always sort of harbored feelings for Cora in the form of puppy love that transformed into an all-consuming fixation. Then it's just a matter of Cora finding out about it, denying those feelings (but the reason changes from "I couldn't see Law that way!!" to "he couldn't really feel that way about me/he could find someone more 'his equal' (in age? status? what excuses are you making Cora??)" over time. And at that point, when Law knows Cora wants him just as bad but is holding back from it, he just snaps. 😂

If they really did have just one long separation, and then a sudden reunion, I like the idea of Law re-learning who Cora really is... Like, he has faded memories of Cora's bravery and goofiness and weird little habits, but he wasn't prepared to meet him again and only end up liking him MORE. He learns about what Cora went through as a kid/in Doffy's shadow, and seeing how he still stayed so kind and brave just makes Law wilder than ever about him lmao!!

[cottageivy]

some ava outfits ive done recently (with a mini lore? dump? ish? about fucking CLOTHES in the tags lol)

[bluemoonrabbit]

I forgot how much I like recording my meals. It's like I get to look at and think about each delicious thing I ate twice as long.

[quick-bright-things]

Thisssss. Also my ADHD cannot with video/audio. I have a nonfunctional relationship with time and time-bound information formats. Give me reading plz.

I am slowly losing my mind over the shift towards video as the default media format.

I do not find this to be an efficient way to absorb information. I am bored and distracted by the time the largely unnecessary introduction is over. I can't use ctrl+f to find the specific information I'm looking for. If there are instructions to follow, I don't want to have to constantly pause and back up to the part I need.

At least give me a fucking transcript.

[tchaikovskym]

going to send this to my advisor and tell her its a biblically accurate angel

[mightaswelljxmp]

hm ok so interestingly, bdubs’s courthouse is built on an odd number of blocks. note the roof of the facade coming to a point, but more importantly, the nine pillars….

you don’t use an odd number of pillars. like ever.

let me get this out of the way first: i get why you’d build with odd numbers in minecraft. i usually do it myself, to not run into problems like double doors or two-wide pointed roofs or frustrating spacing/symmetry between decorative elements. however. to not even out the design of something so unequivocally done in every other example of columns and pillars…. fascinating implications…

every other example guys. every other building with columns like this has an even number of them.

doing so sets the line of symmetry at an invisible point between two pillars, an even number on each side. but an odd total number of pillars makes the central pillar itself the line of symmetry. this does a couple things.

one, it upends the sense of community and equality. which i know sounds crazy, but really, a group of columns are all put there to hold up a structure. there’s no focus on one because they are all are working as supports.

symbolically, at least when first used in ancient greece, pillars represented people. and it makes sense for courthouses, especially, to want to show an even, fair, equal number of people on each side. no focus on any one, no inherent bias right off the bat just looking at it.

with an odd number of pillars, though, one will always be placed front and center.

and THEN. and then you walk in the courtroom itself (also odd-numbered blocks) and you are immediately opposite the judge, bdubs, located exactly centrally. and true, courtrooms are often set up like this anyway. but bdubs ups the ante and reaffirms that no, focus is on him by staging it all as a daytime court show, boom mic just over his head, cameras pointed in, spotlights on him.

literally by design, it was not built for justice. it’s built for show, for entertainment. and just look at the credits to know exactly what sort of message you’re supposed to be getting from this show.

the biblical story he used, with king solomon. it’s about king solomon. isn’t really about the trial itself, or the babies, or the women. it’s about showing (off) how wise and just he is. that’s the point. hm. interesting.

now, getting to the second point that etho also picked up on: it feels like a prison.

it’s not just the color palette. when your eyes naturally draw to the center point, you aren’t seeing an open space. instead of feeling like an arch or gateway or otherwise some kind of opening, the pillar there makes it feel closed off. the overall effect is that of prison bars. not pillars lining the entrance to a place of order or a temple. bars of a cage, a cell.

imagine the lincoln memorial were set up with 11 or 13 pillars. he’d look so much more trapped in there.

having a central pillar blocks the entrance. it’s not welcoming. you have to go around it; it’s immediately inconveniencing you. and when you go to leave, it’s there blocking you again.

this courthouse was not designed and built to be fair, nor accomodating, nor equitable, on any terms. even if unintentional, i wouldn’t call it so much coincidental as i would… subconscious.

after all, y’know. form follows function.

[anghraine]

It's always been intriguing to me that, even when Elizabeth hates Darcy and thinks he's genuinely a monstrous, predatory human being, she does not ever perceive him as sexually predatory. In fact, literally no one in the novel suggests or believes he is sexually dangerous at any point. There's not the slightest hint of that as a factor in the rumors surrounding him, even though eighteenth-century fiction writers very often linked masculine villainy to a possibility of sexual predation in the subtext or just text*. Austen herself does this over and over when it comes to the true villains of her novels.

Even as a supposed villain, though, Darcy is broadly understood to be predatory and callous towards men who are weaker than him in status, power, and personality—with no real hint of sexual threat about it at all (certainly none towards women). Darcy's "villainy" is overwhelmingly about abusing his socioeconomic power over other men, like Wickham and Bingley. This can have secondhand effects on women's lives, but as collateral damage. Nobody thinks he's targeting women.

In addition, Elizabeth's interpretations of Darcy in the first half of the book tend to involve associating him with relatively prestigious women by contrast to the men in his life (he's seen as extremely dissimilar from his male friends and, as a villain, from his father). So Elizabeth understands Darcy-as-villain not in terms of the popular, often very sexualized images of masculine villainy at the time, but in terms of rich women she personally despises like Caroline Bingley and Lady Catherine de Bourgh (and even Georgiana Darcy; Elizabeth assumes a lot about Georgiana in service of her hatred of Darcy before ever meeting her).

The only people in Elizabeth's own community who side with Darcy at this time are, interestingly, both women, and likely the highest-status unmarried women in her community: Charlotte Lucas and Jane Bennet. Both have some temperamental affinities with Darcy, and while it's not clear if he recognizes this, he quietly approves of them without even knowing they've been sticking up for him behind the scenes.

This concept of Darcy-as-villain is not just Elizabeth's, either. Darcy is never seen by anyone as a sexual threat no matter how "bad" he's supposed to be. No one is concerned about any danger he might pose to their daughters or sisters. Kitty is afraid of him, but because she's easily intimidated rather than any sense of actual peril. Even another man, Mr Bennet, seems genuinely surprised to discover late in the novel that Darcy experiences attraction to anything other than his own ego.

I was thinking about this because of how often the concept of Darcy as an anti-hero before Elizabeth "fixes him" seems caught up in a hypermasculine, sexually dangerous, bad boy image of him that even people who actively hate him in the novel never subscribe to or remotely imply. Wickham doesn't suggest anything of the kind, Elizabeth doesn't, the various gossips of Meryton don't, Mr Bennet and the Gardiners don't, nobody does. If anything, he's perceived as cold and sexless.

Wickham in particular defines Darcy's villainy in opposition to the patriarchal ideal his father represented. Wickham's version of their history works to link Darcy to Lady Anne, Lady Catherine (primarily), and Georgiana rather than any kind of masculine sexuality. This version of Darcy is a villain who colludes with unsympathetic high-status women to harm men of less power than themselves, but villain!Darcy poses no direct threat to women of any kind.

It's always seemed to me that there's a very strong tendency among fans and academics to frame Darcy as this ultra-gendered figure with some kind of sexual menace going on, textually or subtextually. He's so often understood entirely in terms of masculinity and sexual desire, with his flaws closely tied to both (whether those flaws are his real ones, exaggerated, or entirely manufactured). Yet that doesn't seem to be his vibe to other characters in the story. There's a level at which he does not register to other characters as highly masculine in his affiliations, highly sexual, or in general as at all unsafe** to be around, even when they think he's a monster. And I kind of feel like this makes the revelations of his actual decency all along and his full-on heroism later easier to accept in the end.

------------

*The incompetently awful villain(?) in Sanditon, for instance, imagines himself another Lovelace (a reference to the famous rapist-villain of Samuel Richardson's Clarissa). Evelina's sheltered education and lack of protectors makes her vulnerable to sexual exploitation in Frances Burney's Evelina, though she ultimately manages to avoid it. There's frequently an element of sexual predation in Gothic novels even of very different kinds (e.g. Ann Radcliffe's The Mysteries of Udolpho and Matthew Lewis's The Monk both lean into this, in their wildly dissimilar styles). William Godwin's novel Caleb Williams, a book mostly about the destructive evils of class hierarchies and landowning classes specifically, depicts the mutual obsession of the genteel villain Falkland and working class hero Caleb in notoriously homoerotic terms (Godwin himself added a preface in 1832 saying, "Falkland was my Bluebeard, who had perpetrated atrocious crimes ... Caleb Williams was the wife"). This list could go on for a very long time.

**Darcy is also not usually perceived by other characters as a particularly sexual, highly masculine person in a safe way, either, even once his true character is known. Elizabeth emphasizes the resilience of Darcy's love for her more than the passionate intensity they both evidently feel; in the later book, she does sometimes makes assumptions about his true feelings or intentions based on his gender, but these assumptions are pretty much invariably shown to be wrong. In general the cast is completely oblivious to the attraction he does feel; even Charlotte, who wonders about something in that quarter, ends up doubting her own suspicions and wonders if he's just very absent-minded.

The novel emphasizes that he is physically attractive, but it goes to pains to distinguish this from Wickham's sex appeal or the charisma of a Bingley or Fitzwilliam. Mr Bennet (as mentioned above) seems to have assumed Darcy is functionally asexual, insofar as he has a concept of that. Most of the fandom-beloved moments in which Darcy is framed as highly sexual, or where he himself is sexualized for the audience, are very significantly changed in adaptation or just invented altogether for the adaptations they appear in. Darcy watching Elizabeth after his bath in the 1995 is invented for that version, him snapping at Elizabeth in their debates out of UST is a persistent change from his smiling banter with her in the book, the fencing to purge his feelings is invented, the pond swim/wet shirt is invented. In the 2005 P&P, the instant reaction to Elizabeth is invented, the hand flex of repressed passion is invented, the Netherfield Ball dance as anything but an exercise in mutual frustration is invented, the near-kiss after the proposal in invented, etc. And in those as well, he's never presented as sexually predatory, not even as a "villain."

[creantzy]

Defying God - a parallel between Fyolai and Stavrovensky

The Demons brainrot is taking over, and you know what happens when I acquire a new interest: my brain WILL find a way to connect it to my other interests, whether I like it or not!! And this is essentially what it's about xD I've come here to present a parallel I found between Fyolai (Fyodor & Nikolai from BSD) and Stavrovensky (Verkhovensky & Stavrogin from "Demons" by Dostoevsky). Before I start I want to clarify a few things:

• I don't think these two pairings are similar, I just love picking up any crumbs of connections I can find between my interests, even if it'd count as reaching.

• This interpretation (in either character's case) is in no way "the only true way of looking at it". It's merely one interpretation out of many and I chose to focus on just a few aspects out of the many others there are to explore in these complex characters. 

• Feel free to add onto or disagree with anything I say! I'm interested in your thoughts :D

WARNING: There will be spoilers for Bungou Stray Dogs and Demons.

The reason Nikolai wants to kill Fyodor is because he feels affection for him. Emotions are a prison to him, and he basically seeks the opposite of what his emotions make him want to do. Thus, in the face of affection, which makes you want to be closer and wish the best for your friend, he does the opposite and decides to kill said friend, going directly against his feelings in an attempt to prove free will. But here I want to focus more on the "You want to defy God in order to lose sight of yourself" part, specifically the bit about God.

One part of my interpretation is that Nikolai associates God with control. If there is a God who controls all, how can there be a free will? He wants to go against Him and His creations (the human mind, morality, etc.) to prove that it's possible. But God is very abstract - the idea of God is influential but varies depending on cultures, etc. For this point, I'll use the example of the biblical God, or, more specifically, some attributes commonly assigned to the idea of God:

• omnipotence (all-powerful)

• omnipresence (all-present)

• omniscience (all-knowing)

What I am leading up to is the fact that these traits can, in one way or another, be applied to Fyodor. Fyodor's character represents everything Nikolai wants to defy. Nikolai hates control; he wants to fight the idea of God and prove the possibility of complete independence. Fyodor (though not in a "direct" way) could be seen as a symbol for God. He knows everything, he is always present (metaphorically and sometimes literally, the way he spawns sometimes I swear-), and he seems to control everything. Only few people actually see him, but he pulls the strings behind the scenes, and his power is felt everywhere. For Nikolai, to kill Fyodor is not just a protest against his feelings of affection, but can also be a symbolic act of defying "God", of killing "God", by killing Fyodor.

This is supposed to be very symbolic and not taken literally. I feel the need to repeat this because I personally dislike the notion of Fyodor as a literal God (and disagree with the idea of him having a God-complex), so this is merely about the God-like traits he possesses, like a "substitute" for the idea of God, and how it interacts with Nikolai's philosophy. (I've also exaggerated some points for the sake of simplification - for example, I don't actually believe Fyodor is in control of absolutely everything, etc.)

Moving onto Demons:

Pyotr Verkhovensky grew up religious and (assuming based on Stepan's description) with a fear of God.

Now he's an atheist and very anti-religious. He plans to overthrow society, and destroying religion + everything it preaches is part of that plan. But interestingly enough, he picks not himself as the official future "ruler", but someone else: Nikolai Stavrogin. He chooses Stavrogin to be the role of the leader in Verkhovensky's ideal society. But not exactly the "leader" in the traditional sense, because he wouldn't necessarily give Stavrogin all the power. He would simply use him as a "pawn" (for lack of a better word) while himself pulling the strings behind said society. With that, Verkhovensky puts someone else above himself, in a God-like position, but he wants to do it while still keeping full control over Stavrogin. By doing so, he would overcome his childhood fear of God because instead of being controlled by God, *he* will control God.

(Same case here, not the literal God, but the character who he assigns God-like traits to.)

I am undecided (with both Nikolai's and Verkhovensky's character) whether this could be read as a solely subconscious intention or if it would make sense as a conscious one as well. Given that both have a different "main" goal (Nikolai focuses on emotions and Verkhovensky on the revolution) I lean more towards thinking it's subconscious (if present at all - like I said, just interpretations!)

It doesn't help that Verkhovensky describes his vision of Stavrogin's leadership as "hidden": Everyone believes in him and his power, but only very few people are said to actually have laid their eyes upon him. When I first read this part, I was honestly reminded of Big Brother from Orwell's 1984, but eventually realised that similar things can be said about God as well.

While these are parallels, they don't come without differences. Nikolai needs Fyodor dead, Verkhovensky needs Stavrogin alive. Nikolai wants to kill Fyodor for a sense of freedom, Verkhovensky wants to keep Stavrogin for a sense of control. Yet both symbolic goals are bound to fail:

Fyodor turns out to be unkillable, and Stavrogin ends up dead.

At the end, "God" stays untouchable.

[thethirdsisteroftheeast]

Lol this is in AO3 now. FF.net is the real statistics. That was the og. Considering all the fics are there. And some authors did post from FF. Net to AO3 once ao3 became popular. So some of these definitely are crossposted. And ichiruki is more popular than grimmichi even on Ao3 it's only now with Grimmjow being back on screen that the ship woke up again 😅 Also, by god i forget how a few of these ships are borderline problematic. This is crazy work.

Fandom: Bleach

Sample Size: 12,078 stories

Source: AO3

[schtrawberry]

[4] personal astrology observations

[!] this is mostly an introspective view into my chart; in no way, shape, or form am i saying that any of this is fact or set in stone, nor am i saying that i am a professional astrologer. these are just presences that exist within my chart that i've felt manifest themselves in real life. simply put, take what resonates and leave what doesn't :)

─ having your moon and ascendant in the same sign 🤝🏽 having every single emotion flash on your face, clear as day, at all times

═ sun in the tenth house 🤝🏽 indicator of doing well in your career or being able to advance in your career more easily than others

☰ on that note, mercury in the tenth house can also indicate being able to advance in your career because of the way you speak or how well you speak in a professional setting. individuals with this sign can also be recognized in the workplace for how well they speak and communicate.

☱ individuals with moon in twelth house may find themselves dwelling in the past more than most. the feeling of nostalgic makes them both happy and sad at the same time.

[personally, this manifests itself in me being able to constantly go back to specific moments in my life where i could've made a different choice, where i could've said yes to a specific opportunity, where my split decision could've prevented something monumental in my life from happening, and just overthinking the hell about how different my current situation would be if i did or did not. lots of angst and nostalgia in this sign tbh. it's hard, i know.]

☲ having moon negatively aspecting venus can indicate a late-bloomer in relationships. one might be more likely to find themselves in a serious relationship much later in life compared to others. this may be because the individual could be less likely to pursue romance on their own and would rather be approached first by a potential love interest.

[i can personally attest to this. at the ripe old age of 23, i have never been in a relationship before (or even a fling). from personal experience, i find that this is mostly out of fear of rejection (maybe coupled with my fear of being known but who really knows).]

☴ the taurus juno urge to show love and care through cooking— whether they're good at it or not. be it making their loved one breakfast in the morning, buying them a thoughtful snack or baking them their favorite dessert; a taurus juno is intrinsically tied to food in how they express their dedication and commitment to the one's they love most.

☳ a few asteroid notes:

note: asteroids are less impactful to one's personality, physicality, etc. compared to personal planets. they tend to only be relevant to one's chart if they are either in a tight orb (0-1°) or have major aspects to personal planets, preferably conjunctions or oppositions.

✢ kalliope (22), known as the chief of all muses, goddess of eloquence, and muse of epic poetry is the eldest of the nine muses. her name translates to "beautiful-voiced" from the greek words "kallos" and "ops". having this prominent in one's chart can indicate being known for having a beautiful voice, whether it be in terms of singing, public speaking, or just in general. someone that can attract positive attention from others simply through their voice, even to the point of possibly becoming someone's muse for it.

✢ [tw: r***] peitho (118), the personified spirit of seduction, persuasion, and charming speech, was the handmaiden and herald of the goddess aphrodite. interestingly, one striking depiction of peitho is of her fleeing from the scene of a r***. she was known to protect women from r*** and was known to flee from scenes of r*** when she was unable to intervene. peitho’s gift was pleasure for words and bodies, and she would be enraged when such pleasure was violated in any way.

i feel that this energy, when prominent in one's chart, can manifest itself in a girl's girl— a protector of women and advocate for consent. and while this observation does lean into the darker side of peitho, on the lighter end, this energy does also stand for using one's gift in speech and voice to seduce and charm others whilst also using it to stand up for women in unconsenting situations with men.

[`] film: love & pop (1998) dir. hideaki anno

last / next

[it-happened-one-fic]

Gluttony - Leona

Author Notes: It was actually really difficult to choose what I was going to post this week. But I've been a little busy lately, so I finally just chose this one rather than working on polishing some of my other fics. I wrote this one to the song "Too Sweet" by Hozier and that most certainly showed in the writing. With that said though, I'm pretty pleased with how this fic turned out. As per usual, reader is gender-neutral. I hope you enjoy!

Type: Gender neutral reader/ fluff/ some angst with comfort/ romance implied/ some pining/ sfw

Word count: 1528

Leona opened his eyes groggily, a frown on his face, as soon as the sun shone down through the leaves of the tree that hung over him, briefly blinding him before he sat up.

A hum from his left had his ears twitching before he twisted to see you lying right by his side. A slight smile on your face as the shadows of the leaves swayed across your form, and he felt his eyebrows raise.

He wasn’t particularly surprised to see you, though he knew the same couldn’t be said for anyone who might have seen you here.

Leona was no fool. He knew that you and him were pretty much perfect opposites. That’s why everyone always looked so confused when you were walking along beside him. Chattering away with a happy expression or teasing him about something that had recently gone in a way he hadn’t planned for it to.

Leona was the hated second prince. It was his burden, and it was one he’d carried his entire life. It was nothing new.

He was bitter, unpleasant, and something that people preferred to avoid either out of fear or powerful levels of distaste.

And then there was you. Sweet and far more optimistic than he thought he could ever be. And perhaps more interestingly, you were no fool. You knew everything wasn’t flowers and dreams. How could you not when you lived in a place like Ramshackle dorm and didn’t even have a way to get home? 

You were seemingly trapped in a world that wasn’t your own, but you didn’t let that stop you. Instead, you just keep going with your head held high, a smile on your face, and a laugh on your lips as you shrugged it off. It was admirable.

But it also simply wasn’t him. And that was something he knew perfectly well.

That simple fact was also the exact reason your classmates would find it so odd to see you slumbering here by his side and not somewhere else with someone who was a better match for your sweet disposition.

Leona leaned forward, propping his head on his chin as he looked down at where you slept by his side. You’d come here to study in the botanical garden while he’d slumbered next to you. It was something you often did, though he couldn’t fathom why.

It was almost like you either wanted the company or didn’t want him to be lonely. Either of which was ridiculous, since he could think of plenty of people who’d want to be your study buddy, and he certainly didn't want company for his naps.

But then, Leona also didn’t mind your presence, though he had his own reasons for not running you off.

Leona tilted his head slightly, sighing at the sight of you, before pulling the book whose corner was jabbing into your side out of your hands and setting it off to the side where you’d quickly find it after waking up.

He idly scanned the area, half rolling his eyes as he confirmed that your feline companion was nowhere to be seen.

Grim had no doubt long since abandoned you in favor of avoiding anything even close to work.

As for you, Leona didn’t know if you were foolish or bold to have fallen asleep right next to him with no one around to protect you. But here you were curled up at his side, as if he weren’t someone who could easily harm you and were instead someone who would take care of you should you need it.

Which wasn’t something he could really deny to himself, but you didn’t need to know that.

After all, you’d seen him when he’d overblotted and you knew he wasn’t a good person. That should have been enough to send you scrambling to get away from him. But instead, here you were. 

And it was ridiculous.

It was true that it might have taken Jack a little while to realize that Leona wasn’t someone he needed to look up to, but Leona’s actions at the Spelldrive competition had cleared up Jack’s misunderstandings about him. 

Ruggie had always known what sort of person Leona was. It was one of the reasons he hung around. After all, there was safety in sticking close to people like Leona, so long as you remembered what they were truly like.

Both realized, for better or worse, that Leona was not a misunderstood individual who was secretly good. He was jaded, always beaten by others, and essentially worthless.

But then there was you, who was seemingly unbothered by any of this. 

And it wasn’t even like you didn’t believe Leona’s flaws existed; he could work with that. Instead, it was almost like you didn’t care. Like you didn’t really expect him to change outside of your occasional prodding for him to take better care of himself.

You saw his flaws—that much he knew from the times you had bickered with him over something—but you just seemed to accept them. The same way you just seemed to accept other people’s flaws as something that was just a part of them. Only ever really scolding others, or even Leona himself, when their actions either harmed themselves or others.

And that's how Leona knew you were simply too sweet for him. Too sweet for him to endure being near, but simultaneously too sweet for him to turn away.

It was just another show of how worthless he was at anything he tried to do and how little his own efforts mattered. He could try to push you away, but he couldn’t ever stop himself from clinging to you. 

As if you were one of the last sweet bits of his otherwise bitter life. A potent method of making everything else seem to fall away and be ignored so long as he just gets a fleeting taste of that kindness.

And Leona had tried to ignore you, but it was somehow impossible, even when he knew that being close to him could easily taint that sweetness of yours and turn it into a bitterness more like his.

But Leona also knew that you and him were all but opposites, and that was probably where the attraction of being near you lay.

Though that realization did nothing to lessen that attraction, no matter how frustrating it might be.

You shifted, letting out some sort of groggy sound and causing him to snort in amusement at your lethargic movements that had you shifting closer to him as if you craved his warmth. Coming closer to him instead of distancing yourself like you should.

It was ridiculous, watching you now, to think that you’d somehow bested him in the past. But you had. You’d beaten him as well as numerous others at their own game. Making them look like fools, as you seemed to change things simply by existing.

And maybe you did. After all, you weren’t of this world. And perhaps that was why it was so hard for him to detach himself from you.

Your eyes fluttered open, and you twisted to look up at the lion beastman, who didn’t even bother hiding his amusement as you blinked up at him before groggily sitting up, “What time is it?��

Leona glanced around, his ears twitching slightly as he listened to the distant sounds of students chattering as they left their club areas before he looked back your way, “Time to be getting back to the dorms. Club practice has already let out.”

You nodded, not looking terribly surprised and seemingly resigned to having lost the rest of your study period.

“Have you seen Grim?” You frowned lightly as you glanced around, and Leona snorted, leaning back and relaxing once more against the ground, lazily watching you as you collected your books.

“Nope,” At the single word you glanced over at him with raised eyebrows that almost made him want to take back all the previous thoughts he’d had about you being sweet.

But then that tiny bit of bite you had to you only ever seemed to emphasize your sweetness. It was what kept you interesting and at odds with the fools at RSA.

Because, unlike them, you managed to have a certain degree of cunning even with your sweetness. After all, he hadn’t been lying that day when he’d told Azul that you were far more dastardly than the scheming cephalo-punk was.

That was probably another reason why Leona had given up on pushing you away and had even come to expect your presence. He was a glutton for punishment, and with you being a villain that was sweet enough to even catch him unawares, you were certainly enough to keep him on his toes. 

His gaze held yours even as he felt yet another chip in the wall of his defenses fall away, despite the fact that he’d always maintained these walls around himself.

He may not want to let you in, but you really were too sweet for him, and it was reaching the point that Leona was becoming more and more willing to let himself give into his gluttony.