#interacted w a few

[rambles-about-minecraft-ocs]

one of my favorite things about zedaph is that on a server full of people that find strange and oft-overlooked minecraft mechanics or rare events and then see just how far they can push them in the name of spectacle or efficiency or world-breaking, zed is over here finding these mechanics in order to do the weirdest things he can think of in as entertaining a manner as possible

like i 100% have faith in zedaph's theoretical ability to be just as efficient or spectacular or world-breaking. if he wanted to do that stuff, i trust that he absolutely could. but thats so far from being his priority. instead, hes going to spend around a week of irl time focused entirely on eventually having the good luck to spawn in something insanely rare so that he can convert it into something even rarer, the result of which being something that 99% of the server reacts with complete and utter shock that it even exists in the first place, just because its zany and funny and he wanted to. and i love that

[aardvaark]

tara cole my beloved

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[hermitcraftx]

The problem with a lot of traffic life interpretations in my opinion is they don't understand character foils or don't employ them in their writing. Grian-Martyn and Scar-Ren are genuinely pretty good character foils for a series that is not really scripted or planned out like a book is. I could go on and on about how they parallel each other and the similarities between them. Even the smaller details between the four usually match up

leaving the rant in the tags so I don't have a huge block of text again ueueue

[lalluviadeanoche]

Arthur:why are you using that blanket to sleep? It’s so small..

Merlin, running on 3 hrs of sleep for the past 4 days and all beat up from stopping the villain of the week and is now currently lying on the first surface he saw: like my temper!!😤

Arthur:…

[were-you-whittingtons-friend]

obsessed with them and this episode actually

[yardsards]

his name is professor plum and he's high on catnip

[flowerakatsuka]

Do you have a fave hesokuri au or skit au and have you kuroba’d them 👀

HI EVAN, THANK YOU SM FOR THE ASK!!! 😊✨

and yes, i do!! a few actually, heh. i've talked a little bit about the youkai & denki mystery aus i have for kuroba before and i really love those, but i think my favorite might actually be their royalty / prince au. which i haven't really talked about before so uh. i hope you don't mind, but i'm gonna use this as a excuse to ramble about it.

i'll put my infodumping under a cut bc it might get long, but here's their designs for the au. 🤭

SO. kuroba comes from a commoner household, but because their grandfather was the royal gardener to the matsuno family and they acted as his apprentice, they've basically lived their entire life on the castle grounds in spite of their status. they've gotten to meet and come to befriend quite a few people of a higher social status than them, the most notable being the 2nd prince of the matsuno royal family, karamatsu.

they first met as children, when karamatsu ran away from his caretakers to hide in the gardens and cry by himself. kuroba had been helping with cleaning up the rose beds that day and stumbled upon him. they've always been the meddling type and can't leave others alone when they're upset so they sat with him and tried to comfort him to the best of their ability, ( even if it was just providing him company and a hand to squeeze while he cried. ) after that, karamatsu became very curious about kuroba and would often visit the gardens in the hopes of spending time with them. the two became very close over time, with him following them around the gardens as they worked and running to them whenever he needed a shoulder to cry on ( which they were always happy to provide. )

they're still very close as adults despite some things changing, like karamatsu adopting a more flashy personality to stand out more amongst his brothers and kuroba taking over their grandfather's role as royal gardener. a lot of the things stayed the same, though.

however, their close friendship starts posing some issues within the royal counsel. one of the princes having such an intimate relationship ( and obvious infatuation ) with a commoner is unsightly in the eyes of the nobility and could make them question the integrity & stability of the crown. so iyami, ( who's a sketchy noble adviser to king matsuzou, ) proposes that karamatsu be engaged to duchess dobusu to help quell the rumors going around about kuroba and him. matsuzou agrees and even though he tries to protest it, kara eventually agrees to go along with it for the sake of his family and kuroba.

when karamatsu tells them the news, kuroba takes it pretty well and congratulates him with a smile... or at least, that's the reaction he gets out of them. in reality, they're fucking devastated because they've been harboring feelings for him for years at that point. they already accepted the fact that they could never be together, but that doesn't make the reality of the situation hurt any less. still, they want to support karamatsu and be happy for them so they're taking the truth about their feelings for him to the grave. ( that's what they planned on doing, at least. )

they slowly drift apart after that ; karamatsu's visits to the gardens become less frequent, kuroba stops personally delivering fresh arrangments to karamatsu's quarters, they barely even greet each other when crossing paths. it doesn't help that iyami got into kuroba's ear, warning them that they should keep their distance from kara to preserve his reputation and not lose their job — which they really can't afford as the main breadwinner for their family. neither of them are happy with how things have changed, but there's not much they can do about it.

as karamatsu and dobusu's engagement party draws closer and kuroba has to help with the decorations, their discontent really bubbles to the surface. one of their noble friends, ( i haven't decided who yet lol, ) finds them crying and tries to comfort them, eventually convincing them to sneak into the party and dance with kara so they at least have one unforgettable memory of him to hold onto. with their help, they manage to do it with their identity hidden behind a mask.

things seem to go off without a hitch ; they'll be able to have to moment with karamatsu all for themself and basically no one will be the wiser. that is until they slip up and speak while dancing with him. they start to leave when he almost says their name, but he stops them and gives them the pine-shaped brooch he was wearing before letting them slip away. to make matters worse, iyami sees this all go down.

the events after that are a lot less plotted out, but i imagine some standard historical fantasy romance webtoon bullshit going down. like karamatsu trying to confront kuroba about that night, but them telling him to stop and leave them be. it's be some wild melodrama, which i do kinda live for.

the climax would probably be iyami staging some villainess-esque condemnation event to expose kuroba for sneaking into the party and get them kicked out of the castle. but queen matsuyo and some of the nobles kuroba had befriended come to their rescue. basically, they argue that if there's someone who's willing to be with karamatsu's annoying ass, then why would you force him onto someone else? none of the other nobles want him, please let kuroba have him so they don't have to deal with him. this includes dobusu, who agrees to give the royal family her duchy's support if they break off her engagement with karamatsu and let kuroba take him off her hands. so after getting matsuzou's approval, they live happily ever after theeeeeee end. there's probably other factors that could play into them getting together at the end, but yeah.

anyways thank you for coming to my rambling, i am so sorry it got this long. this is one of the aus i've thought about A LOT so i ended up having a lot to say. 😭

[riacte]

so hey guys i finished dungeon meshi yesterday and i'm still thinking about it

[liquidstar]

sleepovers save money on hotel rooms while on missions 👍

[waywardstation]

We are mutuals 🫵 I see you

HELLO HELLO SUBMAS MUTUAL!!🫵 I SEE YOU TOO

Honestly I meant to follow you a lot sooner!! Been going around following submas blogs I see around a lot and trying to interact with fandom again like I’ve meant to over these past few months, so I can only apologize for not doing so sooner haha! ^^;

[chisungie]

FINALLY 🥺 i got anbys the other day and im happy abt that but NICOLEE <33

[chryblossomjjk]

just found out that jungkook interacts with people who aren’t me

[hi-i-just]

Zack is so fun as a character bc when it comes to his relationships, whether the nature is romantic or platonic it still works. The chemistry is so fire, the feelings of love and care are sincere. Zack loves the people in his life, the people loves him back. Whether they're similar to him in personality or complete opposites — it still hits off. Zack and Aerith? The OG, first love forreal. Zack and Cloud? The loyalty, the dedication. Zack and Cissnei? Genuine appreciation and trust. Zack and Sephiroth? Treated each other like actual people. Zack and Tseng? The extra mile, the exception. You genuinely can't lose when it comes to shipping with this guy

[lord-squiggletits]

Thinking about IDW Optimus again and the fandom's aversion to even acknowledging he exists bc he's a cop or whatever and like. Most of the time people literally just replace him in fic with some white bread knockoff archivist/librarian, not even bothering to keep in IDW OP's personality (which just bolsters my theory that the problem isn't him being a cop the problem is that he's too multifaceted but I digress).

And it's annoying because you could totally write IDW Optimus as not a cop while still keeping his canon personality. You just have to realize that the reason IDW OP became a cop in the first place is because his formative experiences when he was young shaped him to basically have two priorities: 1. To help people and 2. To do it by being on the ground actively doing something about the bad things happening to people.

IDW OP would not be a fucking librarian or archivist because even though those are noble pursuits that can help people and change the world, and Optimus is educated/smart enough for the profession, he wouldn't be satisfied just teaching people or spreading information about activism or social-historical studies or whatever. He's a mech of action: he needs to be doing things right now, in front of him, to people he sees/interacts with in his own eyes, improving society with concrete actions rather than indirect action or abstract inspiration.

So basically the alternate job ideas I can think of for IDW Optimus are something like being a firefighter (or any first responder really) or even whatever the equivalent would be to international charity organizations, those ones that send volunteers across the world to do stuff like build housing/infrastructure or distribute food or whatnot. I mean I can't imagine that the equivalents to these things would be exactly the same in IDW Cybertron, so you'd have to get a little creative with it, but these are just some ideas of jobs that would fit IDW Optimus' personality while still filling the niche of "not a cop" for people who are just that opposed to it.

Though I think the revulsion against coptimus is annoying in general tbh because IDW is already a continuity that rejects the idea of easily defined good/evil people or groups. It feels like people really want Optimus to be a good person in a very sanitized and academically approved way, so he has to be nice and squeaky clean but also like, a perfect leftist who knows theory and holds the most progressive opinions on every single issue....

There is no room for the idea that good people join bad institutions, there's no room for the idea that the reason people think cops are good guys who help people is bc of the government propaganda everything is saturated with. Hell there's even later issues of the Optimus Prime series by John Barber where Optimus like, MULTIPLE FUCKING TIMES, is shown in flashbacks grappling with the fact that he as a cop/Zeta's regime that he works for might not actually be improving society like they say they are, and dealing with the fact that he feels more like a lesser evil compared to the Decepticons (perhaps not "lesser" at all).

It's like there's this idea in fandom of like, fictional media and opinions on media having to strictly adhere to progressive ideals at all times. So people just go "cops bad, this character is a cop, therefore they suck" without being willing to engage with the idea of like. IDW OP is born wanting to fight injustice and protect people -> a good way to protect people is to fight the people who are hurting them and committing crimes -> surely following the law is a reliable moral code to guide him in this -> becomes a cop because he's been indoctrinated into a society (much like our own) where he was told that the state/the law exist to protect the people and being a cop means you get to fight bad guys that hurt people. There's really so many interesting concepts there that could be (and CANONICALLY IS) explored about how good, well-intentioned people can be led to harmful actions simply because they have been fed the idea that the things they're doing are good/helpful/noble. Which is especially important for a character like Optimus, I think, who has a cultural icon status as The Irrefutable and Perfect Good, so it's really important actually to use IDW Optimus as an example of how even the most noble people you know have held problematic beliefs or done bad things at some point in their life. You know, because no one is born perfect and ideologically pure, and in fact society is constructed in exactly a manner to make people drink the kool-aid and believe that the systems designed to hurt them/others are just a normal, if flawed, society.

I mean the writing in IDW literally has Optimus deal directly and indirectly with the harm he's done as a cop and how people don't/didn't trust him because of that. I don't know what the fuck else this fandom wants if the source material literally saying "OP realizes that cops suck and he hurt people and earned their disdain by doing the things he did" doesn't stop them from going EW cop bastard sucks and is the worst Optimus. Like the narrative barely stops short of outright saying ACAB and Optimus himself would agree with this sentiment.

At that point, the collective fandom beef with IDW OP isn't because he's a cop and the narrative didn't do enough to condemn that. The problem is literally just that people don't read and don't care

TLDR: Consider the fact that good people can do bad things sometimes especially when living from birth in a corrupt society that thoroughly disguises its vices/oppressive structures as completely normal parts of existence

[moe-broey]

Got inspired to revisit this FEH comic redraw I did when it first dropped! Specifically these panels:

Ended up freestyling that second Xane though LMFAOO he is just so impish to me...

If you wanna get Old Art Jumpscared I'll also include the original sketch under cut!

AAAAAAAAA JUMPSACRE AAAAAAAAAHHH!!!!

In a way though, I'm glad that I dropped it and picked it up again later... like I feel like this isn't even from that long ago (guy who has no sense of the passage of time voice), but the characterization and even design of Moe is so different. The Scrunch and :< face were game changers for it LMFAOOO (also just making it autisticer 👍)

Beyond that I think everyone looks a lot better and closer to how I envision them, esp Loki!