#instead of actual communication

[dersandmannkommt]

*has loved sign language since childhood* *is more or less proficient in american sign language* *has studied and continues to study Deaf culture and its history* *has met and befriended many d/Deaf people*

*asks deaf person to repeat a fingerspelled word more than once*

omg now they hate me and they probably hate me for trying to learn their language and then failing at it so miserably and i should probably just switch majors and gosh they probably think im just another stupid hearing person. please i can do better i swear i didnt mean to disrespect you

every single deaf person that i have ever met: *does not care* *probably didn't even register any mistake i made* *understands that I am learning an entirely new language and am bound to need a bit of help*

[bebx]

so rude that fantasizing about writing alone is not enough to actually get the fic done. you have to actually sit down and write it. insane.

[bixels]

In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.

He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!

You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).

Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!

But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!

[reasonsforhope]

People ask me sometimes how I'm so confident that we can beat climate change.

There are a lot of reasons, but here's a major one: it would take a really, really long time for Earth to genuinely become uninhabitable for humans.

Humans have, throughout history, carved out a living for themselves in some of the most harsh, uninhabitable corners of the world. The Arctic Circle. The Sahara. The peaks of the Himalayas. The densest, most tropical regions of the Amazon Rainforest. The Australian Outback. etc. etc.

Frankly, if there had been a land bridge to Antarctica, I'm pretty sure we would have been living there for thousands of years, too. And in fact, there are humans living in Antarctica now, albeit not permanently.

And now, we're not even facing down apocalypse, anymore. Here's a 2022 quote from the author of The Uninhabitable Earth, David Wallace-Wells, a leader on climate change and the furthest thing from a climate optimist:

"The most terrifying predictions [have been] made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse. Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.”" -David Wallace-Wells for the New York Times, October 26, 2022

If we can adapt to some of the harshest climates on the planet - if we could adapt to them thousands of years ago, without any hint of modern technology - then I have every faith that we can adjust to the world that is coming.

What matters now is how fast we can change, because there is a wide, wide gap between "climate apocalypse" and "no harm done." We've already passed no harm done; the climate disasters are here, and they've been here. People have died from climate disasters already, especially in the Global South, and that will keep happening.

But as long as we stay alive - as long as we keep each other alive - we will have centuries to fix the effects of climate change, as much as we possibly can.

And looking at how far we've come in the past two decades alone - in the past five years alone - I genuinely think it is inevitable that we will overcome climate change.

So, we're going to survive climate change, as a species.

What matters now is making sure that every possible individual human survives climate change as well.

What matters now is cutting emissions and reinventing the world as quickly as we possibly can.

What matters now is saving every life and livelihood and way of life that we possibly can.

[vectorisheree]

Style test thingy!!

[alchemistc]

Part One

The loft is sadly undecorated. He'd tried, is the thing. Gone to the same novelty store they'd found on a random walk after a date, in late September, where Tommy had spent twenty minutes worrying a foam pumpkin in his hands while Buck tried to decide what sort of decor would fit his utilitarian loft.

They'd spent so long lingering over the sculpted white candles, Buck thrilled because Tommy's straight face broke every time Buck pointed out which ones looked like incredibly expensive dildos, that he'd felt bad enough to buy a whole set of them just to appease the girl at the counter who'd been watching them with a half annoyed, half wistful expression while Buck made a comment about dragons that had had Tommy biting his lip so hard he'd actually gone red in the face trying to hold the laughter in.

But every time he'd picked up a glass tree and thought how much fun it'd be to try to make Tommy go full Tik Tok Paramedic on him, every time he'd found something soft or plush enough that Tommy wouldn't have been able to resist running his fingers over it, plucking it up to toss it between his palms - well.

It wasn't like there'd be anyone in his loft long enough to really appreciate his decorations.

"Why'd you kiss me?" he asks, rounding on Tommy as Tommy takes a tentative step towards the kitchen.

"You were being annoying." At Buck's look, he elaborates. "Force of habit."

The finger comes up without any input from Buck, his voice tipping into that same flirty, bickering rapport he'd always pushed as far as he could. "I knew you did it to shut me up."

Tommy expression shutters. He recognizes Buck's tone. A few months ago that tone would start with a round of banter that usually ended with at least one of them with their pants around their ankles.

He looks spooked. He's staring at the island stool closest to the door like he's replaying the last conversation they had here, and Buck feels all his ire rear back up.

"You promised me clarity, Tommy." It's an accusation, and they both know it, because he looks ready to fucking bolt.

Slowly, he steps in. Half a yard closer to Buck, close enough to curl his hand over the island, and Buck is struck again by how goddamn unfair it is that Tommy looks this goddamn good in a suit.

"I did."

Buck's pretty sure he has some muffins he hasn't frozen yet that wouldn't actually damage Tommy, if he threw them at him.

"Can we...?" He gestures, vague as his half a question, and Buck wants to throttle him. Or kiss him again, which is -

"I need a beer. You?"

Tommy sighs. His grip on the corner of the island makes his knuckles go white. "Evan."

"No beer, got it." He swings the door open and doesn't wait for the reaction to either his snippy little rejoinder or the stacks and stacks of baked goods filling up the shelves of his fridge. He pops the cap with his back still turned, let's the fridge door fall closed. "Not like you drove here, but sure. One of us should be sober, I guess."

The switch back to Evan doesn't do anything for him at all.

Buck leans back against the counter and tries not to think about how he'd had this half formed idea of getting a real tree this year, finding some novelty kiosk that made those hokey ornaments for people to mark the years they'd been a family. He'd thought -

Tommy blinks guiltily when Buck catches him eyeing the way he fills out his slacks, a toe to groin drift of his gaze that makes Buck ache for when he could respond to that by dropping to his knees.

"That's a lot of bread," Tommy notes, eyes focused somewhere over Buck's shoulder.

"Why'd you break up with me, Tommy?"

Tommy freezes. Shifts from foot to foot. Sighs, and takes a few steps to the fridge, swings it open to grab a beer of his own. It's still the stuff Tommy likes. Buck's not picky, really, and it'd been habit to grab the six pack he always kept for Tommy.

The last five times he'd restocked.

Tommy takes half a step back to lean against the island, just off center from Buck, so they both have to twist their necks just a little to actually look at each other.

"You terrify me," Tommy murmurs, a few swigs in, when the silence is just starting to make Buck's skin itch. "Evan, I'm not -." He grimaces, frustrated. "I'm not some Super Gay who fights for justice and equality and the ability to make horrible television with Hummel doll sopranists."

"I don't know what that means."

Tommy's smile is wry. He'd had a running list of movies Buck's never seen on a note on his phone - every time Buck missed a reference, he'd added it to the list. They'd gotten through maybe twenty before -

"I led on a good woman for years because I convinced myself I could live my life ignoring a huge piece of myself. I hurled slurs with my buddies just to make sure no one noticed me. I fed into every toxic stereotype I could just to avoid anyone realizing I wasn't one of them. I'm not - I'm not some Gold Star Gay, paragon of the community. I didn't do shit. And even when I made the decision to let myself just be who I always was, I waited until no one in my life was close enough to me to question that I hadn't always been this way. I -." He winces. Shakes his head. "I run instead of fighting. I hide every time someone tries to see me. I'm not - this comfort you're so convinced I have I took at the cost of other people who were braver and stronger than I could ever be. Do you - is that an admirable quality, to you?"

Buck wishes they'd sat, like Tommy seemed to have been hinting at. He wishes he'd spent the ride over preparing himself for this, instead of stopping himself from crawling into Tommy's lap and getting a horrible rider rating for his trouble. He wishes -

"Do you think I don't already know all those things about you?"

It's - actually, it makes him a little furious, to think that Tommy spent six months thinking he'd successfully hid all those things from Buck. And - sure, he hadn't exactly been forthcoming about more than a few of those things, but like -

It wasn't like Buck didn't actively find ways to pry stories from Howie and Hen, even Bobby on occasion. It wasn't like Buck hadn't noticed the clipped way Tommy spoke of his past, his family, always tucking away more than he revealed. It wasn't like Buck wasn't well aware that Tommy Kinard had the capacity to be a total fucking asshole, if he wanted. Just because he'd kept it cool around Buck, made it just flirty enough for plausible deniability -

"You deserve better than that. Than me."

"Then be better than that, Tommy." It's not the best way to get his point across, but... "I've had multiple serious relationships, Tommy. I'm - I've been in love, before, and I've had my heart broken before, and I've had my trust broken before, and I've made people I love feel like shit. You weren't new and exciting, Tommy, we were - we were boring and domestic and it was the best six months of my life. It was what I -."

And this, of course, is where the words start to crest over, too many at once while his mouth tries to keep up and his throat is too tight to -

He swallows. Stares at his toes until his vision swims. Maybe those are tears, or maybe he's just stared long enough to go cross-eyed. His throat feels like he might be able to scrape a few words out

"I go too fast sometimes. I - I get scared I'm falling behind and so I clear a few hurdles too fast to catch back up and it -." Frustration rises through him as he remembers the way Tommy had levered himself up, spun away, broken things off without even a hint of the careful consideration Buck had grown so used to. "And you just - you tell me you want more than anything to be my last but you can't even give me the closure of a clean break! What the hell was that about?"

"Evan, I -."

"No! Okay, no. It's my turn to - it's my turn to be mad. It's my turn to - do you know how lonely I've been? How - how much I'm in my own head about where I went wrong, and what I could have done differently, and why you won't just fucking text me when you clearly want to? Do you know - do you know what it's like to think you've finally found something worth the humiliation of being known and then have it vanish in a single night? Over - you never talked to me about any of the shit you brought up that night, Tommy! You never - if you were so scared of not being enough to keep me interested, or so sure you weren't a good enough man, or so sure I couldn't possibly know what I wanted out of this, you could have saved us a hell of a lot of time and - and hurt by not being exactly the person I thought I could spend the rest of my life with! If that was all a - a smokescreen, some act, then why did you - are you actually so cruel that you convinced me we were falling in love while you had one foot out the door the whole time?"

Tommy's grip on the bottle looks painful.

"It's your turn to talk," Buck snipes, and he takes a little satisfaction in the way Tommy blanches. Just a little. Just enough to ignore how much he wants to rip Tommy's suit jacket at the straining shoulder seams and bite a bruise into that spot below his collarbone that even Tommy's undershirts hid well enough to keep the team at Harbor from putting him on blast for coming to work covered in hickeys.

"Six months with you was more devastating than two decades of hiding who I was, Evan," Tommy says, and it's a horrible opening that makes Buck feel like he's being drawn and quartered but he'd given Tommy the floor, so -

Tommy's eyes are a little too misty to call them anything but welling, and Buck hates it as much as it satisfies the pieces of himself he's spent weeks trying to pick up and glue back together.

"Evan, I lived with Abby for years and I don't think I saw her as much as I saw you. You -." He swipes a hand through his hair, and rustles one of his Superman curls loose to drape tauntingly over his forehead. Buck wants to bite him. He wants it to hurt. "You burrowed in and you just kept digging and I didn't take a second to question it until it was too late."

"Too late for what?"

"For me to take the cowards way out and leave before it hurt."

"Maybe I should have dug further," Buck snaps, and Tommy's gaze flits to his. Holds, for the first time all night. He's breathtaking in the best and worst way possible. He's spent weeks now trying to imagine anyone else ever making him feel the way prolonged eye contact with this man makes him feel.

"You did," Tommy admits, a confession that sounds like it's been gut punched right out of him. "You still -." Another grimace, Tommy pulling back, pulling away, hiding, running, and Buck can't -

"So what is this, Tommy? Is this - are you -?" He shakes his head to clear the cobwebs. Rears up, pushes off the counter, and Tommy's eyes widen like he's just now realized he doesn't have an easy exit. Buck just stands there, though. "If this is it, let this be it. If you don't want - if you're not willing to fight for this with me, tell me now. I know I'm - I know I'm a lot. I know I push for more when I'm scared. I know I'm overwhelming, and I sometimes can't stop talking to save my life, and I know I'm jealous and petty and - I know I'm not perfect."

Tommy sets his bottle on the counter beside him. Worries his lip between his teeth and rolls his jaw.

"You snore. You're a bitch sometimes and every once in a while it's not even charming. You hog all the covers and then you complain that it's too hot. You're vague about every single thing in your past that you think makes you seem like a bad person. You always think food needs more garlic and sometimes you're wrong. Sometimes when I spiral you just give me that stupid indulgent smile of yours and I know you stopped listening two reddit threads ago. When you're grumpy sometimes it takes everything in me not to pick a fight because you're such an asshole. You get cagey every time I pick at a thread you don't want to unravel and I - I hate it. I wanted a life with you and you couldn't stick around long enough to tell me why you were too afraid to go for it. So if - if you think I'm seeing you with rose colored glasses, or whatever. If you think I'm not - if you think being the first guy makes you too special for this to be real then just..." He sucks in a breath. Blows it out through his nose and feels the ache in his chest that's half remnants of his earlier panic attack and half fear that Tommy will actually turn and walk out at the end of this. "If you don't wanna fight for this I'll fill in the hole I dug as best I can and I'll leave you alone, okay?"

The look on Tommy's face is one he's never seen before. They've done this dance, or parts of it, at least. Tommy'd left him outside Micelli's, breathless and confused and aching, before he ever knew what it was like to hold his hand, to press his nose into the join of his neck and shoulder, to curl a hand in his hair or be filled by him - with attention, with affection, with the weight of his body and the stretch of his cock. Even then, this had felt different. Real, in a way the misty edges of his time with Abby, or the way Buck's puzzle pieces had never quite fit with Taylor's had never been. Even then, he'd just wanted so desperately to know and be known by Tommy that he'd taken his second chance and run with it.

"I don't snore," Tommy says, when the silence gets too heavy, and Buck - god, Buck has missed that tone, the snappy little tilt of his head, the blatant lie that passes over Tommy's lips so smoothly it's hard to tell sometimes that he's not being serious.

"I have audio proof," Buck says, and then doesn't immediately admit that he'd played it on a loop two nights into the breakup when he'd wrapped his entire body around the spare pillows on his bed and still hadn't been able to sleep alone in his bed.

"It bugs me that you spent days following scraps of information about a dead outlaw you convinced yourself cursed you, but you didn't even know what a Kinsey scale was."

This is - progress. This is... not Tommy bolting.

"I'm a two. If that's - is that, like, gay enough for you, or...?"

"You go too fast for me, Buckley," he says, and Buck knows that's a fucking reference to something he doesn't have context for just as well as he knows he's willing to spend the next decade waiting for the reference to pop up on Tommy's list. It's a terrifying, exhilarating thought and it's probably exactly what Tommy means.

"I can slow down," Buck says, and he tries to mean it. Nothing about how he feels about Tommy is slow.

"I don't want you to," Tommy admits, and then lets the silence stretch. They're two and a half feet away from each other and the distance feels like the farthest he's ever been from Tommy and the closest he may ever be again. "Living together, making a life together..." He swallows. "Marriage." That stops him short just long enough to recall how he'd blazed right past the I love you and straight into how he could keep Tommy. "You scare the shit out of me every goddamn minute of every goddamn day and I've never missed being terrified as much as I have since I walked out that door."

"I'm in love with you," Buck tells him, and Tommy blinks back tears. Takes a shaky breath and nods.

"That's what scares me. It's never - it's never been enough, before."

He'd sort of expected this to end with either the echo of his KitchenAid or a frantic rush up the stairs, but when Tommy meets him halfway all he does is sink his nose into the curls behind Buck's ear and breathe.

His arms drag Buck closer, his feet shuffle beneath them, his chin hooks over Buck's shoulder and he breathes, and breathes, and breathes.

---

"Your morning breath is rancid," Tommy tells him, palm centered on Buck's nose when he leans in for a kiss, pads of his fingers curled just slightly so that his hand is nearly encasing Buck's entire face. He wants to be annoyed but it's mind numbingly hot and Buck has missed it. Missed the snark, and the comfortable way Tommy will shoot him down when his head is in the clouds, and exactly how fucking large Tommy is.

"I'm so tired of avocado toast," Buck bats back, and Tommy is distracted enough by his need to make a face at that for Buck to swoop in and press a kiss to his cheek. He makes sure to make it a little wet just to watch Tommy's face crinkle in mock disgust.

He's in one of Buck's hoodies, is wearing the pair of his own sweats Buck had buried in the back of his closet in a fit of pique three days post breakup. He still looks properly debauched and Buck wants to drag him right back to bed.

Except -

"You don't have to go," Buck repeats, for the fifth time since he brought it up somewhere between peeling Tommy out of his suit pants and rolling out of bed to warm a hand towel under the sink so that Tommy could clean the cum off his abs. "But I need to shower and leave in like - twenty-seven minutes."

Tommy catches him by the waist and drags him in. "I won't be able to stay. You baked and I took as much holiday overtime as I could, but if you seriously want me there -."

"I seriously want you everywhere."

Tommy raises a brow.

"I mean that in a horny way and a codependent way."

Tommy snorts. "Good to know we're approaching this in a healthy manner."

"You told me not to slow down," Buck reminds him, and he gets a smack to his ass for his trouble.

"When Maddie pulls me aside, do you think she'll just slip me a poisoned glass of wine, or is she gonna get up on a step stool and make me stand there while she strangles me to death?"

"She won't do that." Buck leans in again, rolls a loose curl between two fingers. "She'll just stab you in the middle of the kitchen and warn my parents not to step in the blood."

"That's comforting."

Tommy takes a utilitarian shower in the downstairs bathroom and doesn't let Buck join him, and then rifles through Buck's closet until he finds all three of his button downs Buck had tucked away.

He has to borrow a pair of Buck's slacks and Buck absolutely does not mind that his ass is definitely gonna stretch them out.

With about seventy seconds to spare, Tommy presses Buck to his front door and kisses him just long enough to screw up Buck's meticulous timing - by the time he pulls back and gives Buck enough room to glance at the time on his stove, Buck knows they're gonna hit just enough red lights to make them late.

"I love you too, by the way," Tommy murmurs, and just this once, Buck decides not to be a brat about being five minutes late.

[captainjonnitkessler]

I chair my union's Women's Committee, and every once in a great while someone will make a half-joking comment about how "imagine if I suggested we have a Men's Committee though", and it's so frustrating because I would fucking love for us to have a Men's Committee!

Construction workers have sky-high rates of suicide, addiction, and overdoses, and I pin a large part of that on a culture that encourages machismo and masculine posturing. I think a lot of construction workers have lowkey trauma about the dangerous conditions they work in, but the culture insists that anyone who cares about safety isn't a real man. People accept that this job will break your body down and cause medical issues down the line, but if you take steps to protect your body - like using team lifts instead of insisting you'll carry 100 pounds of pipe up three flights of stairs by yourself - you're a wimp. Hazing the new guys often crosses into outright abuse, very often focused on ridiculing the masculinity of the victim, but if you stand up for yourself you're a pussy who can't handle a few jokes. Men in the trades are often invested in feeling like they are the provider and protector of their families, but this can make them feel like their self-worth is tied up entirely in what they can provide and not who they are as a person. Guys who have hobbies that aren't masculine enough are mocked relentlessly, because Real Men only like drinking and hunting.

Our Women's Committee focuses on issues that impact women the most, but the membership and the help we offer is open to anyone in the union regardless of gender. I would love to see a Men's Committee that works under the same idea, addressing these issues! But on the one hand, yes, I do think our business manager might reject the idea as appearing sexist or pointless. And on the other hand, I don't think the men who make those comments to me would actually be interested in a Men's Committee if we did have one, they just wanted to take jabs at me because they feel like I'm getting special treatment just for being a woman (never mind that this committee is essentially a part-time unpaid job for me).

The one guy that actually DID care about reaching out to and helping young men eventually left the union to focus on running a city-wide initiative instead, because he wasn't getting any support from his union brothers. It's fucking hard to help people who won't meet you halfway.

[beetlbi]

Gravity falls httyd au, is that anything? Transcript under the cut, more thoughts in the tags

Texts says “red” “very protective of Stan, messes with him a lot” “doing much better than in canon bc he isn’t alone + has someone to take care of”

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[neon-kazoo]

Villains I dont see very often; mute. Mute villains are the best, nothing can convince me otherwise.

One idea thats been on my mind is a mute villain confessing to the hero, either through sign language, or a perfectly executed scheme. You’re choice :))

Not sure if this counts, but I ran with it. Might try this again after I gather some ASL knowledge. Hope you enjoy :)

A Silent Movie

It wasn’t exactly easy to get Hero sat in front of the cinema screen. In fact, the planning for this trap had taken over sixth months. Not to mention the money it took to buy this building off foreclosure, and the multitude of investments into Hero-proofing the location.

It was even harder to get said hero to stop yelling long enough to pay attention to the image being projected from the back of the room. Not that their sense of hearing was needed for this experience, but Villain imagined Hero would appreciate the lack of noise-based distractions, including sounds they themselves were making.

The theater was notably large, probably the most expensive showing room of its day. That is to say, the upholstery was a little outdated. The popcorn had been swept off the floor, the swirling carpet surprisingly clean. The velvet of the seats did not appear stained, and the cupholders were absent of any discarded snacks or tickets.

The glow of the emergency exit lights were the only thing illuminating the room, and they revealed a dim image of the hero situated in the center of the third row, which was optimal seating in the villain’s opinion.

Clearly, Hero did not agree, considering how hard they were pulling at the restraints to try and exit their carefully selected theater chair.

It was futile, of course, and the hero finally stopped straining when the villain appeared a row below them, quiet as a mouse, standing with a finger pressed to their lips.

Villain retreated when the hero quieted, letting their attention shift to the screen and this special showing. Images flicked past, and Hero became engrossed in the story unfolding on the screen.

Shown was a news reel Hero recognized as the time Villain had crashed their Election Day speech. A zoomed out map of the city, marking City Hall with a red square. Grainy footage of two figures dancing around next to a dumpster. Once again the map appeared, now with two squares pasted on top. The pattern continued, and Hero was amazed.

It was an agglomeration of every moment they had spent together, every public battle, every nighttime-shady-alley encounter.

There was only one reason to collect these momentos, these reminders. It had all meant something to the villain.

The complete lack of kernels on the carpet certainly pointed to a level of dedication and commitment to this scheme.

Maybe, they were hoping it meant something to the hero, too.

Another scene zoomed out a final time, revealing all the markers spread across the city. Only, now, Hero noticed, a rather distinct pattern had formed.

Villain moved like a phantom, appearing again, this time at the hero’s side. The ropes at their wrists fell away like magic while Hero gazed at the awkwardly hovering villain. They presented the hero with a glittering object hung from a chain held loose around their fingers. It was a large ruby gem, expertly cut into the shape of a 3-D heart.

Stolen, no doubt, Hero suspected possibly from the large jewelry exhibition that had just entered town.

The screen flashed bright, and lit up the hero’s face as it contorted in surprise. They processed the scene as fast as they could.

A heart of red markers, a heart of ruby, a heart fluttering in their chest, a heart laid open in front of them.

“Oh,” Hero breathed, “Oh.”

Villain sucked in a breath.

This was it, this was the moment they got rejected because they couldn’t-

“I had no idea.”

Of course they didn’t know, it’s not like Villain had ever spoken about it.

Preparing automatically for the rejection, Villain started to withdraw their hand, cold-as-steel demeanor returning to them with all the familiarity of a security blanket.

It was so stupid of them to think that they deserved any kind of reciprocation, so stupid to think that the hero could possibly-

The hero snatched the charm from their fingers before they fully withdrew.

“I didn’t say no,” they spoke softly, and the villain’s heart skipped a beat.

They reached out their other hand, wrapping their fingers over the still-outstretched hand of the villain. Instead of elaborating, Hero pulled the frozen criminal closer, connecting their lips in a gentle proclamation.

Actions spoke louder than words anyway.

[bebx]

“okay I will try to finish this fic I’ve been working on and see if I can post it today!” says the girlie as she continues scrolling aimlessly through tumblr

[inkskinned]

you were raised in comparison.

it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.

you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.

you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.

what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.

it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.

you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.

you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?

a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.

you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.

it's just - when it died, it curled up into a tight little ball.

something kind of uncomfortable: you do that when you sleep.

[scoriarose]

She came up with a new activity

[poorly-drawn-mdzs]

Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???

[First] Prev <–-> Next

[palilious]

Have any of your listener designs become the canon version? And for who if so?

Listeners are definitely tricky as they're supposed to be audience stand ins, BUT there have been a few cases where my listeners have become the VAs personal canon!

First one that comes to mind is Faith Koria from @goodboyaudios Bastard Warrior!

I came to GB with the concept that she had more African features, and he loved the idea and made it canon to his canon! Hence why the official art of her brother is also black! Now that Faith has an official voice, she's more of a character then a listener. So you can consider this art accurate to her character!

Another option would be Raven from @escapedaudios Neon Noir, but that's a more complicated story

I headcanoned that Raven got a Crow tattoo on her back, shoulder and neck to memorialize Crow at the end of the series and going into Neon Wings. Escaped really liked the idea! but my headcanons had already infected enough of that series and I felt bad, so I asked him to not include that one lol You can blame a lot of Ivan's look and backstory on me though! I came up with his birds and their names, his prosthetic leg, and his actual design!

[bugsbenefit]

forever annoyed by the wannabe activism that got so much worse during the pandemic that so many younger people seem to primarily abide by now. where almost all their "action" is online-based and heavily focused on media consumption and "problematic people". it drives me so crazy. i don't know how to tell you that going after a musician or actor or comedian because of their views or statements is the least productive form of activism and i honestly wouldn't even count it as such. if you want to call yourself an activist you actually need to ACT. not just talk online about how person xyz is evil and be done for the day, or say book/movie xyz is problematic and then log off, that's not enough, that doesn't actually DO anything

call local officials, go to protests, talk to people at your uni/school, boycott brands. hell, even talk to your parents about what's going on in Palestine, or other current events, many older people have conservative views, not because of inherent bigotry, but because they don't have enough information and grew up in a media propaganda bubble. or just talk about ongoing events online, keep the pressure on the public and don't let people lean back and forget. all that are actual forms of activism

i'll never stop being mad at the new wave social media wannabe activism that lets people think they're done with their Activism Activity of the day if they called timothee chalamet or noah schnapp a bad person. girl, yeah they are, but actually do Anything else too, that's not the activism you apparently think it is😭