#insane boy talks !

[sophfandoms53]

Anyway shout out to Dewey who constantly looked like he was having the worst time of his fucking life in the pitches

Just an 11 year old pissed off at the world it seems😭

[cptnwynnie]

Pop quiz! What do you do when you come home and find a kid in your office who is actually an alternate version of your best friend from another universe who has somehow ended up here via vague hand-wavey undefined circumstances?

[skitskatdacat63]

Mark bragging about Oscar's tire management skills aaaahhh

[mrparable]

*cracks open google docs and it releases a cloud of dust*

[24bughours]

Maybe the real gravity falls fanart i made for pride month was the fiddleford watching madoka magica piece i made along the way

[mikakuna]

imagine being so insensitive that you would blame a child for their death and openly talk about how badly behaved they were right in front of their grave. oh and on said child's birthday-- the day he would've turned 18 years old. you spend your first official late child's 18th birthday calling him brash and impulsive, implying he got himself murdered, instead of mourning the fact that today is the day your dead son would've reached a major milestone in his life.

[harrowharkwife]

i'm so used to there just being random unidentified bones laying around everywhere in these damn books that it finally occurred to me, just now, to wonder where the bones on new rho came from. y'know, the bones palamedes always tried to teach nona necromancy on.

they're his.

palamedes, who always loved teaching, living on borrowed time in a body that's not his own. palamedes, mentoring, teaching- parenting, by sixth standards, mind you. and that boy is sixth, through and through.

and the entire point of teaching nona necromancy in the first place was to try and determine if nona is, well, nonagesimus, right? so it has to be bones, it can't not be bones. bones are, like, her whole thing.

but they're not in the nine houses, anymore. things are different, on new rho.

they burn bones here. dig up the cemeteries. a society terrified of zombies will evolve to dispose of its dead differently.

the only bones he has access to now are his own. (camilla wouldn't let anyone take them- skull or hand, doesn't matter. they're still him, and she doesn't let go, remember? it's her one thing.)

palamedes woke up every morning wearing someone else's body to then gently place the shrapnel of his own in the cupped palms of a girl who's the closest thing he'll ever have to a daughter and try to teach her- how did the angel put it, again? normal school, as much as possible, for as long as possible.

(but hey, in a roundabout way, at least it's a chance for him to touch camilla again, right? nevermind that she's not there to feel any of it because he's in the driver's seat, that he can only stay for fifteen minutes at a time. it's atoms that belong to camilla touching atoms that used to belong to him, and that's close enough. he'll take what he can get, these days- if she can be their flesh, he can be the end. so what if holding his own bones is a mindfuck? so what if looking at them makes him nauseous? surely he can suck it up and deal with it for fifteen minutes. it's the least he can do— his poor camilla was the one who had to scrape the bloody pulp of them off the floors of canaan house.)

(speaking of, here's a fun fact: we actually only see nona practicing with the bones one time, on-page. camilla's final line in that scene, before palamedes takes over, is none other than: 'keep going. there are some bones left.' ow!)

remember, too, that the only part of dulcinea, the real dulcinea, that palamedes ever physically touched, was her tooth- the one that ianthe gave him, pulled from the ashes cytherea burnt her down to. he only ever touched dulcie once, and it wasn't until after she was already gone, but that doesn't matter- it still happened, and you can't take loved away.

in this same roundabout, bittersweet, by-proxy sort of way, palamedes has been physically touched by nona, too: the atoms she currently occupies, touching atoms that he used to occupy, and never will again.

the main interaction we've seen between palamedes and his mother took place back on the sixth, with her acting as mentor and him as pupil: the two of them studying a set of hand bones, juno encouraging him every step of the way.

we know that harrowhark's "most vivid memory of her mother was of her hands guiding harrow's over an inexpertly rendered portion of skull, her fingers encircling the fat baby bracelets of harrow's wrists, tightening this cuff to indicate correct technique."

they're still small for a nineteen year old, but the wrists are bigger, in this new set of memories nona's making. and it's not an inexpertly rendered portion of skull anymore- it's a hand, now, albeit one crafted from [a piece of skull reassembled (painstakingly—passionately—laboriously reassembled) from fragments, manually, and not by a bone magician, from the skull of someone who, soon after death or symptomatically during, had exploded.] and the identity and origin of these bones is no mystery at all. they belong to palamedes, and he's consented to their use for this purpose, and that matters.

but the details are just set dressing, really. the foundation of the memory is the same.

palamedes and his mother, juno and her son.

harrow and her mother; pelleamena and her daughter.

nona and her father-mother-teacher; palamedes and his daughter.

[tobernaut]

Narilamb but it's like. The Lamb has feelings for Narinder from the get go and it's clear, painfully obvious to Narinder who decides to encourage these feelings in order to strengthen The Lamb's devotion to him. He compliments them more freely, vaguely flirts back, all to fuel The Lamb's rampage against the other crowns. All to free him sooner.

However Narinder does not take into account just how abnormal this lamb is. Upon his defeat, he is faced with a newly created god that is under the impression that Narinder is deeply in love with them. (Authors note that this idea is not entirely false.) Now Narinder must live with the consequences of his own actions. The wedding is scheduled for next week. Oh, and how does he feel about kids? The Lamb was thinking at least two.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[mblue-art]

once again i was fueled with coffee (did not sleep the whole night) but this time i doodled college au to cope bc ofc i did (also did not feel like sleeping wooo)

[turtleblogatlast]

I like to think that Leo one day decides to really play around with his portaling and teleportation abilities and see the full extent of them.

Like - continuously throwing one sword and teleporting to it while throwing the next one immediately and repeating this as long as he can to see how far he can keep it up without stopping.

Making little portals in the air that lead right up against the ground so he could potentially just stand on the portal in the middle of the sky.

Ultimate storage system - anything anywhere at any time is available if he knows where to get it (personally my headcanon for why he goes from two satchels to one in the movie.)

Phasing to avoid attacks - like, he could lightly toss a sword a single centimeter and teleport to it, and in that short amount of time he can completely avoid hits.

If they ever do go to space and end up on different planets, with enough training he can just…go there, whenever. Not only would this be great for being well traveled and having more places to go in general, but this also opens up more room for connections and allies that could assist them the next time they need help against a grand foe.

Leo can easily remove injured team members from a fight and get them help without having to account for transportation times.

On that note - Leo’s teleportation in particular acts on a particle level. It’s quite literally breaking him down into particles and remaking him every time he uses it. Both for him and for anyone he uses it on. Who’s to say it can’t be used for healing? At least for basic wounds.

None of this even touches upon the offensive potential of both portals and teleportation. Leo’s abilities flourish more as a support main, but that doesn’t mean those abilities can’t easily be used as weapons - and I don’t think I need to get into how exactly they can be. Portal chopping alone can take on a very different meaning…

Furthermore, I gotta wonder if he’ll always need the swords for this, or if he could one day be able to achieve the same results without them.

My point being - teleportation and portals are super OP. Even with the abilities Leo has in present they are so unbelievably adaptable and so fun to think about in terms of basic mechanics.

[judasisgayriot]

there's so much to unpack here (@predoom found this while I was searching for a different video from this time! <3 <3 thought it needed to be immortalised...)

[cat-at-a-writing-desk]

Four has been affected by Minish magic and spent/spends a lot of time around them

Time was raised by the Kokiri and the Great Deku Tree for his formative years and is close with fairies

Hyrule has a spell that literally turns him into a fairy

How fae/fae adjacent are these boys? Do they have a weird relationship with hearing or telling lies and truths? Do they have a thing for names? For favors? Do any of them exude an Otherness that may unnerve others?

Does Sky have an aura that makes the air around him heavy? He killed a demon god and got together with Hylia's incarnation, how deity adjacent does he feel?

Does Twilight feel like an eldritch horror given his proclivity towards the Twili and their darker magics?

Does Legend, with everything that has affected him physically, feel Not Of This World? Does his entire being scream that he is "off to the left" just a bit in an uncanny valley way?

Does Wind's ease in interacting with the dead make him feel like an incarnation of Death?

Does Wild's entire self make him feel more like a being adjacent to Satori than any mortal Hylian?

Does Warriors have anything that would affect him like the others? Or is he the mortal of the group who marvels at these Other beings who have decided they love him enough to call him brother? Does this connection give him bits of the others? Do the people in his era watch him slowly become More as the Chain's journey continues on?

I have thoughts and questions about these boys and how outsiders perceive them. About how they perceive each other or themselves. To us and to each other, they seem like silly goofy bois. But what do their eras see their individual Links as? What do their eras see the entire group as? I dunno, I just think it's fun to talk about

[korixae]

also also the way yeah simon and wille got to be together yeah 1000% but sara and felice!! god it’s so rare for any media to portray friendship and platonic relationships as just as important if not more important than romantic. but!!!!! they were also in that car!! they were endgame too!! it just brings me such joy that this silly angsty little romance can also put such value in friendship too <3 oh young royals writers just kill me

[pinacoladamatata]

as they say in the sims... woo hoo! local vampire spawn seduces younger sister of Minthara. more at 11....

[thekidsarentalright]

i literally carved out a space in the world for two but it's empty without You. i've got ALL THIS LOVE i've got to keep to Myself, all this effort to make it look Effortless!!! ALL THIS LOVE i've GOT to keep to myself!!! all this EFFORT to make it Look Effortless!!!!! if you even Care!!!!!!!