#india ink painting

[avesmx]

my most recent painting for class - the fremont troll visits portland (inspired by my own move from my hometown of seattle down here to portland!)

done entirely in india ink and a small amount of opaque white watercolor

[worksbysakaimiyamoto]

Profile of Sakai Miyamoto

Born on January 28, 1939 in Joetsu City, Niigata Prefecture (real name: Motoaki). She studied calligraphy under Yoshizaki Hakuho and Kobayashi Asakai (junior high school and high school), and moved to Tokyo in 1957. In 1957, he moved to Tokyo to study under Kobayashi's teacher, Uchiyama Ukai, and commuted to his teacher's residence for one year. He studied under the name of Shakai. Received the pseudonym "Shakai". He also learned sumi-ga (Chinese ink painting). He graduated from the Department of Chinese Literature at Daito Bunka University and worked at the National Diet Library (Akasaka Rikyu, Miyakezaka). At the age of 28, he became a member of the calligraphy club of the National Diet Library (Akasaka Rikyu and Miyake-zaka). At the age of 28, he married Etsuko Kohinata, a native of the same prefecture. At the age of 30, he became independent and opened his own studio. He has taught at the Ajinomoto Head Office, Daiwa House Nihonbashi and Shinjuku branches, the National Diet Library, Toyo Eiwa, Ochanomizu Women's University Sakurain Kaikan, and other places. Tokyu Family Club, Tokyu Nihonbashi Store, Waseda Ikuei Gakuen, etc. Waseda Ikuei Gakuen, etc. (currently only the following), Joetsu, Ito, Tokyo Atelier, NHK Gakuen In 1976, at the age of 37, he had his first solo exhibition (he was encouraged by his teacher to teach sumi-graphy as well). In 1983, his teacher Uchiyama Amekai died. After that year, he continuously exhibited his works at the Sumi-no-geijutsu (ink art) Exhibition held by Sojinsha, and also served as the director general and chairman of the board of directors. He also served as the secretary-general and chairman of the board of directors. Venues: Bisho Shobo Gallery (Shimbashi), Isetan Gallery in Shinjuku, Tokyu Nihonbashi Gallery, Tokyu Nihonbashi Grand Hall, Toyo Gallery (Shinjuku), and after his death, Tokyo Central Tokyo Central Museum of Art 5F (Ginza for 12 consecutive years) In 1989, he formed Sumi-Cho-Sha (8 exhibitions and catalogues). In 1989, he formed Bokusho-sha (8 exhibitions and a catalogue) and was included in the video "Suiboku-ga Nihon no 10-nin" (narrated by Toru Emori). He has been an instructor of ink painting at NHK Academy (Otemachi Open School). He is a permanent member of the board of directors of the International Calligraphy and Painting Federation. He has participated in the Izu Highland Art Festival (Izu Ichinokura Gallery) for several years with his Suiboku-ga (ink paintings). Participated in the Izu Highland Art Festival (during May 2006) for several years. He has been a member of the ink painting jury at the Myoko City Citizen's Art Exhibition. He has participated in 20 solo exhibitions and group exhibitions. His calligraphy and ink paintings are in the collection of Shinshu Shinmachi Museum of Art. *** Translated with www.DeepL.com/Translator (free version) ***

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宮本　沙海プロフィール

・1939年(昭和14)1月28日、新潟県上越市に生まれる(本名＝元明)。 ・吉崎白峰先生、小林朝海先生(中学・高校)に書を学び、1957年(昭和32)、上 京し、小林先生の師・内山雨海先生に入門し、1年間師邸より通学す。沙海の 雅号を受ける。以後、墨画も習う。 ・大東文化大学中国文学科を卒業、国立国会図書館(赤坂離宮、三宅坂)に勤 務し、依頼により書道部を作る(25歳より40年間指導)。 ・28歳で同県人・小日向悦子と結婚。 ・30歳で独立し、教室を持つ。 味の素本社、ダイワハウス日本橋店・新宿店、国会図書館、東洋英和、御茶ノ 水女子大学桜蔭会館、東急ファミリークラブ、東急日本橋店、早稲田育英学園 ほか(現在は以下のみ)、上越、伊東、東���アトリエ、NHK学園 ・1976年(昭和51)、37歳で初個展(墨画の指導もするよう師に勧められる)。 ・1983年(昭和58)、師・内山雨海没。この年以降も濹人社の墨の藝術展に連続 出品、事務局長・理事長を務める。会場：美松書房画廊(新橋)、新宿伊勢丹画廊、 東急日本橋店画廊、同グランドホール、東陽画廊(新宿)、師没後は東京セントラル 美術館5F(銀座　12年間連続) ・1989年(平成元年)、墨調社を結成(社中展8回、図録あり)。 ・ビデオ「水墨画日本乃十人」に収録される(ナレーション＝江守徹)。 ・NHK学園水墨画講師(大手町オープンスクール)。 ・国際書画連盟常任理事(毎年、中国・ヨーロッパ海外移動展に作品参加)。 ・伊豆高原アートフェスティバル(会場＝伊豆一ノ蔵ギャラリー)に水墨画で数年 前より参加(2006年五月中)。 ・妙高市市民美術展水墨画審査員。個展二十回ほか、グループ展。 ・信州新町美術館に書、墨画作品収蔵。

[minimavisibilia]

Sebastian Jefford Dust mote dusk 2023 Acrylic and india ink on canvas 200 x 170cm

[dianamations]

Affirmations of a Dead Olorotitan

[hertist-art]

[Hollow Knight] Hollow Knight & Silksong posters

Dates: 12/20/2022, 2/20/2023

[igottatho]

Art for almighty algorithm, but this sacrifice is on behalf of my friend. Please help him and his family stay alive in . 🙏🏼🍉🇵🇸

https://gofund.me/89084520

This one is called identity issues.

I hate the imagery a lot after being exposed to the gen0c!de.

Autumn has begun to reach where I live.

[engelart]

“woman”, 1994 by Norman Engel

[coreyalite]

Bug :3

[motherofsephy]

India Ink, my Splatoon OC. He’s just looking up.

I really want to improve my art, so I did this study and hopefully will continue to do so so I improve. Drawing is a bit hard for me, but I want to get better and faster at drawing so badly. This is hopefully just sketch one of many.

[nameless-is-nameless]

Still trying to figure out gouache, still having a good time

[killyridols]

garden of the innocent delights i & garden of the innocent delights iii by agnes waruguru, 2021, fabric dye + acrylic ink + india ink + cotton & spray paint on paper, 41 × 39 cm & 41 × 31 cm each

[oncanvas]

Er und sein Milieu (Him and His Environment), Hannah Höch, 1919

Watercolour and pen and India ink on paper 19 ½ x 15 ⅝ in. (49.6 x 39.7 cm)

[luna-loveboop]

Linktober day seventeen- dragons

Doodle of Farosh! Trying to get caught up <3

[kiell-r]

For Inktober 2023 Day 12 prompt: Spicy

[snitchfeather]

India Ink painting practice with Batman

[milomilesmib]

Trauma

(image description: a mixed media art piece of a person holding several stacked square boulders engraved with words. The person is much smaller than the boulders and is struggling under the weight, bleeding from their hands and a gash in their chest. They have light skin, short brown hair, and grey clothes. The background has grey streaks and faceless grins. There is text in all caps across the page, the letters are black outlines with white over red-orange streaks. At the top, there's the text "all day, every day". On each of the boulders, from top to bottom, there is one word: "therapist, mother, maid, nymph, virgin, nurse, servant". On the left of the person, there is the text "just an appendage". On the right of the person, there is the text "lift to attendance." Beneath the person, there is the text "so that he never lifts a finger". The piece is based off the song "Labour" by Paris Paloma. End description.)