#independent developers

[14sunnydaze]

Heya everyone, pushing for another round of ads for our game before we close the early access on Steam. We're a very small team of (2) developers from New Orleans who need your help with spreading the word on our project!!

We've been working on this game for about 5-6 years and just sold our 200th copy! We are very excited to push it before we close early access because we've made some improvements already and want to share them with the 🌎. We are hoping to be able to use the funds from this push to finish the game and start developing the next one.

Our game emphasizes choices and replayability. It contains multiple endings and really is a lot of bangs for very small bucks! It's an adorable 3D JRPG with some charming characters and a world that will only become more queer and diverse as we continue to update it over time. It has a fantastic soundtrack that features a few local NOLA artists.

It's the culmination of a lot of work and heart from two people (one of whom is trans) who want to make diverse games that raise the bar and include people who haven't previously been included. And we want to show that it's possible to make good games without a huge studio backing you.

I've included a few teaser gifs so y'all can see what we're capable of and a bit of the world of Aura and Co.

[jettpack]

10 Tarot Cards I illustrated for the game Where the Water Tastes like Wine back in maybe 2017

[bugbeast]

Self promo for my newest card game, Jewel Thief; but you can play it for free! First, though, let's cover the basics...

TL;DR - Its a 4+ player competetive card-matching game with four rule variants; buy it here or look for the orange text in this post to learn how to play it with a regular deck

"What is Jewel Thief?"

It's a card matching game with a villain; one player tries to match jewels in a 36 card grid while their opponent, the titular Jewel Thief, periodically steals cards from the board. You can check out its page on The Game Crafter for more information, but it'll spoil the rest of this post

"What makes it special?"

The game's turn structure would theorettically allow you, perhaps via some kind of infinite cloning machine, to play a round of Jewel Thief til the heat death of the universe. While I wouldnt recommend that, its lack of a player cap (and ease of set-up; seriously, all you do is put cards on a table) makes it a good party game choice.

But that's not all!

There are three extra rule variants that drastically alter the gameplay while keeping card matching and stealing as main mechanics. I believe the cards are versatile enough to allow for many custom games, too

"Okay, but why should I buy a silly game from some bug nerd?"

First off, ouch. Second off, that's the best part; you dont have to buy it to play it! Jewel Thief can be played with a standard 52 card deck. Here's how:

Step 1. Remove the 10s, Jacks, Queens, Kings and Jokers

Step 2. Download the free rules from the shop page

Step 3. Play the game, matching cards based on their values. You'll need to designate a value as the Diamond jewel for game 4

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That's it for my little self-promo. If you dont buy the game, I hope you'll at least give it a try and consider supporting my future projects.

I also post art and photography, which you can find under the bugbeast art and bugbeast photos tags. I hope you check them out

Thank you for your time <3

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Edit (Mar. 25, 2024) : Thank you to everyone who liked and reblogged this; if you play the game I encourage you to share your thoughts in the comments and/or reblogs (even if you hated it). Feel free to share any custom games or house rules you come up with, too. I'd love to try them!

Edit (Aug. 10, 2024) : Final edit most likely; gonna blaze this one more time for good luck then maybe start work on a postmortem for the project, maybe give a little backstory for anyone who cares. Life is a little rough right now, but fate willing, I'll be able to work on/post about my future projects, including the future of Jewel Thief itself

[rika-mortis]

Headcanon: Deep down they both want to be their fairy godparent/godkid again after losing them, but don't believe they deserve each other and feel like they aren't worthy to be their companion anymore

They both need counseling and therapy as a whole package

[kurthummeldeservesbetter]

I feel like something that should have been explored more in Arcane is that despite the dangers and pretty much horrific conditions, Zaun children seemingly grow up a lot more caring and have a larger understanding of family in comparison to Piltover children. And if such a reflection of the real world in a sense.

The kids of Zaun seemingly grow up with a lot more adult support. Ekko is easily welcomed under Benzo’s wings. Vander adopts 4 kids (two of which we learn he knew of before their parents death, two of which we can’t be sure of). Silco, despite all what happened, and his ulterior motives, shows no problem adopting Powder/Jinx. In the alternate universe it seems as though he’s still played a part in the kids lives. Jinx adopts Isha easily and Sevika cares for her as well. Hell, even Mr. War Crimes Against Humanity does well with little Viktor (until ya know, the animal abuse).

Hell, up until Vander dies (the first time) there seems to be a large understanding of if there’s an orphan or a kid in need of guidance, take them in! (And certainly don’t inform them of your plans to turn a giant pink salamander into drugs and be confused when a nine year old doesn’t understand). If a kid wants to be your apprentice, let them! For the most part, until things all went wrong in the end of act 1 of season 1, the worst parts of Zaun seem pretty typical for any city in poverty.

Match that with what we see with how Caitlyn and Jayce grow up. Caitlyn is given adult support, yes, and it’s clearly a good adult mentor, but it’s not entirely by her choice. It’s been chosen for her. She’s safe, but there’s a lack of freedom of choice. Meanwhile, when Jayce gets older, and that same accident in Act 1 happens, the family that supported him and his mom turns their backs. His own mom doesn’t support him either, because she’s afraid of what he’s talking about, but also because he’s damming them to being outcasts.

Conversely, Vander is more than willing to take the fall for what Claggor, Milo, Vi and Powder did. He’s willing to go to prison for a long time, in order for them to have a better future. Despite Vi’s best efforts, he’s not going to listen to her (she is just a kid) and he’s not letting his family go down and get hurt.

Meanwhile, a man who grew up in this mentality, where there’s a wide sense of family support from people who aren’t your biological family, is the one to go to Jayce, a stranger, and tells him he believes in him. It’s why it’s such a shock to Jayce; his own family and family friends denied him. They didn’t support him.

I think that’s what makes all the difference. Piltover and Zaun have wildly different understandings of family and forgiveness. For Piltover, it shuns and damns the lives of those who upset the balance. For Zaun, it provides safety and never ending understanding.

Just. I’m thinking.

[larkingame]

hello friends! the first version of larkins demo is up and ready to play!

features:

create your character

chase vampires through the city of saint laurent

interrogate guild hunters after you

meet wyatt and a vampire character that really bites <3

a note: this is the last version of the game that has me as the sole person working on it (as is a good chunk of this has been edited by the lovely @gwaha) i really hope you enjoy :)

[theerurishipper]

Honestly, I do love Dick as Nightwing and Bruce and Dick's complicated relationship, but sometimes I like the old days when things were sweet and simple you know? When it was just them and Alfred and they all had fun with each other. Like when they blew off boring parties to go on patrol by using Dick's bedtime as an excuse. When Bruce let Dick go off on his own and said he was allowed "a little escapade" and ruffled his hair. When Alfred always brought coffee and "turkey sandwiches with Swiss cheese" to the Batcave while Dick and Bruce happily talked about their nightlife escapades. When Dick would make Bruce laugh regularly.

When they discussed Hamlet while riding in the Batmobile. When Alfred picked Dick up from school and dropped him off on dates and helped him go behind Bruce's back on cases. When Dick and Bruce would play fight with each other. When Dick made Batman's meetings with Gordon "more optimistic." When Bruce was being a helicopter parent and wanting to know why Dick would want to go to a public school. When Dick would sneak off with Clark when Bruce wanted him to stay back to finish his homework, and Clark did it for him before Bruce noticed. When Bruce teased Dick about his failed date, and they talked about it and their love lives. When Bruce apparently told stories about Joker to Dick during rides in the Batmobile. When Dick was actually the one who named the aforementioned Batmobile. When they would banter even in between a serious case. When Dick would cling onto Bruce to annoy him. When Dick was contemplating how alone he felt, and Bruce just showed up to catch him and do a routine on the trapeze with him. When Bruce would call Dick "kiddo." When Dick even called him stuff like "Bruce-ter." When Bruce used to call Dick "chum." I miss those days.

Yeah a lot of these are from Robin: Year One but that's just because it's the one I remember most. But there's a lot of them just having a good time and it doesn't feel like we see a lot of that anymore.

[edenprime]

One of the strongest points of Mass Effect, if not the strongest, is just how well written the characters are. From Shepard, to the squad, to the side characters like Anderson and Bakara, to barely-there NPCs like Ereba and Charr the lovers, Etarn Tiro the enthusiastic turian merchant, Kargesh the krogan who wanted a fish, Lia'Vael, the quarian who gets falsely accused of theft, and the Salarian who wants to buy a memento to his asari lover to remember him by once he's dead.

I feel like so many of them are memorable, and they all serve a purpose to the overall world building. The krogan show that they are not the violent thugs the galaxy has made them out to be. The salarian shows the struggle born out of building relationships with people of a species with a life expectancy so beyond your own. Lia'Vael illustrates what Tali says about the quarians being treated like second class citizens. Those small little side quests have a meaning and a purpose, it doesnt feel like they are Just There, and they add more to the lore of them game to those who care about that stuff.

[usercelestial]

okay but literally what if buck and tommy end up together? like what if we get to see them moving in together or saying i love you for the first time or getting engaged or getting married? what if we get to see buck having a husband? literally what then...

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[luxaofhesperides]

For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?

He has no idea how his parents did it. 

Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 

Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.

That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 

This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 

So here they are. Standing in the empty living room of their new apartment in Gotham. 

Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 

Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.

It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?

Ellie smacks a small palm against his cheek and babbles lightly.

“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”

He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 

“Can you be good for five minutes?” he asks Ellie. 

She babbles again and smacks his shoulder.

“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”

Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 

He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 

This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 

He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.

He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.

Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 

“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.

It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 

A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 

It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 

Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 

Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 

Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.

He’s finally feeling more settled, energized from sleep and food.

In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 

. . .

Four months ago, Danny had hope. He was optimistic. 

Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.

He had just gotten Ellie to sleep. She was actually peacefully taking a nap.

And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.

They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 

“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 

Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 

“I know it was scary, but you’re alright. You’re always safe with me, El.”

Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.

The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 

“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”

“Hey, you alright?”

Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 

The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”

Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”

“I’m Duke, by the way. I don’t think I’ve seen you around here before.”

“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”

“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”

Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”

“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.

“I’m so sorry. That drive by woke her up and it’s really rattled her.”

“Hey, no need to apologize. I get it, Gotham is rough to kids.”

Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.

Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”

“Thanks. Um, actually, I might need help opening mine?”

Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 

“If I could just get my keys,” he starts.

“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 

Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 

“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”

Ellie babbles lightly, and Duke turns his head to futilely hide his grin.

He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 

“I can’t believe this. Betrayed by my own blood.”

Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”

“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”

“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”

“Family,” Danny says in a tired, fond tone.

“Family,” Duke agrees.

With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.

The key word being tries. 

Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.

“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”

Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 

She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 

“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.

Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”

“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”

“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”

“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”

Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 

As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 

It should make him nervous, but Duke is calm and easy going and kind. 

He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 

Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.

All he needs to do is take that first step, reach his hand out, ask Duke to stick around.

He can do this.

[monabee-draws]

Caitlyn's slow but inevitable decline into facism was painful to watch but it's Vi's tacit support of that that REALLY hurts me.

Cait was raised at the top of the hierarchy and it only took her being the one 'in danger' to flip from sympathetic to the undercity to desperately angry and wanting to return to the status quo where she and piltover are in power/control/oppress the weak 'for their own good.' I expected this to happen from the moment her rhetoric began to shift (us vs them, calling Zaunites animals, general dehumanisation.)

Vi knows that the issue is structural and the structure that's used to exercise violence against the oppressed is the enforcers, yet she still joined them anyway. It's excellent writing but the implications that has for her as a character who has been shown to have strong convictions and morals is so heartbreaking. It feels like her years in prison have eroded at the heroic spark in her to the point where she'll justify anything to return to the past. I keep asking myself how Vi could justify using The Grey as a weapon against the undercity, and her parotting what is probably Caitlyn's justification - that they used it to clear the streets and keep as many safe as possible - just rings so hollow. She felt like a lost soul just vaguely drifting through life in Act 1, and of course she did. She has no one left BUT Caitlyn. She has no place in the Undercity because it grew away from her. Her base of motivation as a kid was to fight for and protect the Lanes and now that the Lanes are gone who even is Violet anymore? If only she could rewind time and restore the uncomfortable uneven past.

Vi and Cait are actually the same person, the only difference is that Caitlyn has the power to enact her vision and Vi doesn't. I'm so sore.

[beaulesbian]

i was rereading some water 7 chapters, and the introduction of kaku was so funny. i love when luffy and zoro are using the same braincell even at a distance

luffy meeting kaku, ch. 325 "usopp?"

and zoro meeting kaku, ch 326 "oh, just usopp"

vs. Egghead arc and meeting kaku again post time skip - with nothing really changing of how luffy perceives some people (ch. 1078)

and also kaku meeting zoro on the sunny on Egghead prior the scene above and their lines echoing the first meeting on Water 7 - "I'm sorry. Did I wake you?" vs here "Who dares to disturb my nap?"

[physalian]

On Hyper Independent Characters (and how not to make them the bad guy)

So many characters with “trust issues” are painted out to be cynical little gremlins who just need to ~open their hearts~ and ~let the love in~ like doing so, repeatedly, has only proven them right every single time, but this one love interest will swoop in and save the day.

The people who write these characters tend to do so in bad faith, as if their fears and trust issues are unfounded nonsense, like they’re wrong and Negative Nellys for being wary.

So!

From experience (thus this is hella biased), here’s some thoughts on writing an independent character with trust issues that isn’t belittling.

1. It’s likely not that kind of trust they have issues with

I said this before a while ago, but “trust issues” paired with an extreme sense of self-reliance isn’t “I think everyone is a liar,” but rather “I think everyone is unreliable”. It might stem from a place of constantly being let down, of constantly having the people in their life drop the ball on major events, but also little things, even something as simple as “hey yeah I’ll totally do the dishes” and then they continue to sit there, forcing the person to be a nag about it, or just do it themselves.

These kinds of personalities tend to grow up surrounded by unkept and empty promises, where, while it might not be every single occasion, it happens one too many times for them to keep giving the benefit of the doubt. Even when people have the best of intentions and mean it when they say they’ll do XYZ in the moment, and they really just forgot, the person they made the promise to is impatiently waiting for them to remember 12-day-old dishes.

2. Why don’t they just remind people to keep their promises?

If you’re in my boat, many people with commitment issues are also narcissists or just mean, who, if you even gently remind them, make you out to be a nagging, impatient brat. And to avoid hearing that again, you just don’t speak up. Too many times where ‘forgetting’ has been from a source of a weird power fantasy, intentionally screwing you over, leaves people sitting in a state of unknowing whether it’s benign neglect or very much on purpose, and afraid to voice their concerns to be proven right.

If you’re not in my boat, chronic “forgetters” aren’t going to change without intervention. So if I ask you to do the dishes once, and you forget, that’s one thing. If I ask you twice, three times, four times, nagging over and over again, then the benefit of the doubt is shredded, and I can’t help but assume that the “forgetting” is on purpose. Either weaponized incompetence or something more benign, doesn’t matter. Even if you have some executive dysfunction, that's an explanation, not an excuse, and the people you live with aren't your maids.

Either way, these personalities might grow up with a whole slew of self-worth issues, and be reluctant to make plans with people, invite friends to important events, or get excited about big milestones, because they’re so used to people they care about “forgetting” or canceling last minute that the only one they can trust to reliably show up is themselves.

3. Why don’t they just communicate these fears?

See the “narcissists” in point 2

4. Isn’t it lonely never letting people in?

Fuck yeah, it is. The thing is, though, that if you spend your whole life learning how to do everything alone—pay your bills, do ‘couple’ or ‘friend’ activities, run errands, take yourself out to places—the idea of having to squeeze in the wants and needs of someone else might start to sound incredibly inconvenient.

If you’re so used to being on your own schedule and reaping the benefits of being a party of 1 in crowded spaces (I just took myself to dinner at a place with an hour long wait, able to be seated immediately at the last remaining barstool), of not having to wait for someone else to confirm plans, negotiate who’s driving, negotiate a time to meet up, food to order, a movie to see, a roller coaster to ride, a game or streaming service to buy—everything is entirely under your control, sacrificing convenience for the chance that the person you invite actually shows up on time and is invested as you are isn’t really worth the risk.

That's not to say I don't enjoy when I get to do things with friends, but I can equally enjoy doing things alone as opposed to whining about it.

Personally, while I can daydream about having a romantic partner, that thought is always immediately followed up by the understanding that they’ll be an inconvenience to my independence. But I’m someone who’s always had to do the emotional labor in a relationship, who’s always the most organized, the most mature, the most level-headed in tough situations. Always been the person in groupwork who does all the work. The idea of being “a team” is a fantasy meant for other people. “Team” to me is “me and this deadweight that I have to drag around”.

5. How I’d like to see this represented in characters

Dropping “the one” into their lives and having this person swept up, broken out of their little pessimistic shell, in some epic romance, as if they only needed to find the right person and nothing at all goes wrong… is bad faith.

It’s bad faith because it minimizes this kind of independence as just a little mood problem that can be fixed right quick, that it’s inherently wrong—what was all the fuss about?

What I’d like to see is examples that prove they’re not crazy. Big and little things. Dishes, and big events. Then, they can meet “the one,” but not without some trial and error. A lifetime of “people suck and are unreliable” isn’t going to be snapped away bibbidi bobbidi boo after one good date. This magical person will have to show up, and keep showing up, and keep showing up, and the one time they don’t, because they won’t, then A and B can hash it out like adults.

6. How this person might act

I’ve never actually met somebody like me and we’d either be best friends or loathe each other. But this person might be the most reliable friend you’ve ever had, because they’re so afraid of becoming like everyone in their life who let them down before. If you ask a favor of them, it gets done with supernatural haste.

This person might also have their own commitment issues, where instead of failing to keep their promises, they punish themselves by keeping promises they hate, showing up out of spite and resentment because they said they would, lest they be called a hypocrite.

They might under-share or not speak up about accomplishments in their life until the time for hype and anticipation has passed, lest they share expecting the same level of excitement only to be met with apathy. They might not show visible excitement about objectively exciting things, because they’re so used to plans falling through that they won’t believe something is happening until they are physically in the location and it’s staring them in the face.

Thus, they might look frequently bored or unhappy and unmoved by something important to you, or something you thought they’d like (especially if you’ve let them down before, trust is a privilege, not a right).

7. What I’d like people to understand most of all

First, that some of us tend to live by the “if you want something done right do it yourself” mantra, so actually asking somebody for help with something is admitting that X cannot be done alone, which makes failure to keep a promise even worse. As in, if A goes out of their way to admit they can’t do F alone and risk being let down to ask B to do this one little thing for them, and B still drops the ball, A is going to sit there and think “this is why I have trust issues”.

Can’t speak for everyone, but yes I do acknowledge that the suffering in silence isn’t helping anyone and am working on it. Counterpoint: Weaponized incompetence is very real and an adult should not have to remind another adult to keep their living space clean, at the bare minimum. Agreeing to do a thing is at least equal responsibility on the inviter and invitee and "you didn't remind me" isn't a valid excuse.

But most importantly, if you have a friend or relative who is fiercely independent, I’d implore you to learn one thing: Do not make promises that you can’t keep. And if shit happens and you have to cancel even when you had the best of intentions, have the decency to tell them and make the best effort you can to reschedule ASAP, instead of putting the impetus on them to do the rescheduling. Make it absolutely clear that you do, in fact, care, and weren’t going out of some apathetic sense of obligation.

I cannot count the amount of times I have asked a friend to do something for me, they eagerly agreed, and then my very real deadlines come and go and they say absolutely nothing, so I have to nag them, and nag them, and then they turn it back on me with a “obviously you can see that I’m busy and you’re not paying me for this” when all they had to do was say “no I can’t help you” (two whole humans; we are not friends anymore).

The ability to be approached with a request for a favor, step back and think about it, and go “No, I don’t think I can do that in that time frame/at this moment I’m going through a lot/with the skill the task requires” is apparently ridiculously rare. I’d infinitely prefer a no upfront than a yes, bank on that yes, and then wait around hoping someone follows through.

Not saying anything is really rude. If you agree to X, the person who asked you is fully expecting you to do X. They shouldn’t have to be lining up backup plans and last minute helpers scrambling to do the job you promised would get done.

—

Not exaggerating when I say it happens in so many areas. I’ve needed very important things like recommendation letters, or actual paid beta readers on a very hard deadline and still scrambled at the last minute to find replacements that sometimes cost real money for rush fees. I’ve been left waiting at an event for an hour minimum only to finally receive a ‘hey I can’t come’ text and then go home. I’ve told people multiple times, “hey, if you’re going to do X, please do it like this and have some consideration for my things that you’re borrowing” and just… be ignored.

As somebody who gets whatever’s asked of me done immediately, no matter how busy I am, man is it hard to keep accepting “sorry I forgot” as an excuse, from multiple people, multiple times.

The nice thing, though, the big benefit of hyper-independence is that I have learned so many skills out of a compulsion to just do it myself instead of gambling with the accountability of another flighty human. Handyman things for my home and my car, but artistic things, too. So there’s that.

[thefalloutwiki]

Fallout Release Date: October 10, 1997

On October 10, 1997, exactly 26 years ago from today, the first Fallout was officially released!

Happy 26th anniversary Fallout! And thank you to all the developers who have worked on the series as a whole to create something we all cherish! 💜

Here are some excerpts from the development team leading up to the game's release, from the old Fallout website!

You can read more about the first Fallout here:

https://fallout.wiki/wiki/Fallout

[ivanttakethis]

For context, this a follow up to @crustyfloor’s great addition to my post about wanting Ivan to live for Ivan and not just for the sake of IvanTill.

My response just got so long, I thought it’d be better to make it a separate post so here we are!

“‘I wish Ivan lived for Till’ His relationships aren't all there is to him.”

THIS. RIGHT. HERE.

There is so much more to Ivan and it pains me that people don't see it or don't care.

And I get it, like @rockwgooglyeyes said there is a fair amount of focus on shipping in fandoms, and relationships are an integral part of the larger narrative of Alien Stage, but there's more to these characters than that.

Ironically enough, even Ivan views himself as nothing more than someone in service of Till. Ivan doesn't think he's much of anything without him.

Having Ivan live and be rescued by the rebels is the perfect opportunity to change all of that.

He would be completely cut off from his previous life (the aliens, Alien Stage, Till, etc.) and forced to reckon with who he is as a person when nothing is demanded of him anymore.

Let him finally drop the mask and get more comfortable showing his true personality.

Let him get his hands dirty with the rebellion, build his self-esteem from the ground up, and grow to live for himself.

Let him reconnect with Mizi! Have him realize that there are people who care about him and would miss him if he was gone. That there can be more to his life than always chasing, endlessly giving, and never receiving.

I would LOVE to see him have an arc of character development like Mizi. I’d pay for it, even.

This is probably controversial for me to say, but one of my main criticisms of Ivan canon-wise is that he doesn't grow much as a character, if at all.

From the beginning to where we are now, Ivan has always been laser focused on Till. Everything we learn about Ivan is tied to Till in some way. Even in the comics or art we get involving him, they almost always include Till.

I was joking before with my tags about Ivan not thinking about anything other than Till. But what do we know about Ivan that doesn't have anything to do with Till?

We learned that he's the only character that wasn't bred and lived his early years on the streets as a stray, but nothing beyond that???

Like that's such an interesting story idea to include and we know next to nothing about it!

And then Ivan sacrifices himself for Till. Something he would've done at any point in the story.

Nothing changed. His arc is flat. His character is static.

(And to be honest I kind of feel like this was done just as a means to further Till's character development—*runs away*)

There's still a chance to show people who Ivan is.

Not Ivan Unsha. Not "Till's lover boy".

Ivan.

I hope we get to see him.

Shoutout to everyone in the notes of the original post, your takes are all incredibly based! @unshallow-feelings @nottoonedin @paradisedisconcert @atrophiedemotion @m1zisua @hoisinblackcat