#incredibly much i just

[littlemizzlinguistics]

Studying linguistics is actually so wonderful because when you explain youth slang to older professors, instead of complaining about how "your generation can't speak right/ you're butchering the language" they light up and go “really? That’s so wonderful! What an innovative construction! Isn't language wonderful?"

[platoapproved]

louis + cruelty

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[mamawasatesttube]

BTW... PSA.... even if we arent mutuals if youre in my notes regularly theres a Very high chance i am still fond of you. yes im vaguing someones tags on the compliment the person u rbed this from post. but like. positive vaguing? THE POINT IS im weird abt following ppl but IM STILL SENDING U FOND VIBES...

[hinamie]

I'm always pushing you away from me / but you come back with gravity / and when I call, you come home

[fanaticalthings]

Bruce coming home one day to find Robin Jason clinging onto a chandelier with Dick below him cheering him on.

Bruce: Jason what are you doing?

Jason: Dick said that you missed his antics after he moved out and so he’s teaching me how to be a better son

Dick: After this we’re going to drive the Batmobile into the bay :D

Jason: We’re going to what? I mean yeah! Right into the water.

Jason trying to whisper to Dick: Dick I can’t swim though

This just further fuels the chaotic dynamic of Dick and Jason during a time where Dick was still going through his teenage angst and was absolutely not a benevolent role model LMAO

I mentioned it in this post, but it's just so funny to me to imagine a Jason who grew up with an absolutely WILD Dick Grayson as an older brother, while the younger batkids grew up with a more mellowed out and mature (arguable but when measured against the other kids, he wins by a landslide) Dick Grayson.

Robin!Jason era:

Dick: You wanna go out and get high?

Jason: I can't, I have homework.

Dick, sputtering: HOMEWORK?

----

Dick, about to do an elaborate (and totally not dangerous) acrobatic move in the manor: Watch this, littlewing

Jason: You shouldn't do that, it'll make Bruce upset.

Dick, on the brink of angry tears: Why are you like this.

----

Jason, dejected: Listen, I know you don't approve of me because you think I'm not good enough as Robin, but-

Dick: Not good enough as Robin? I don't care about that, I just think you're a little bitch

----

Dick taking Jason out on a hangout for the first time: OK, looks like I got my work cut out for me. Take out a notepad and write everything down. I will NOT have my successor embarrass me like this. So what you wanna do to piss off Bruce-

---

[Years later, Jason returning to Gotham with the fury of a thousand suns and the chaos to match it]: I'm gonna make your life a living HELL, Bruce

Dick, older and relatively more chilled out: Okayyyyy, maybe let's just– calm down a lil, haha, no need for the theatrics

Jason, betrayed, observing a Dick Grayson who is teaching his new younger siblings to behave and be mature: Dick, what the FUCK

-----

Present!Dick, mentoring Tim: Make sure not to be too impulsive, don't wanna raise Bruce's blood pressure

Red Hood!Jason spying on them from afar: Who even ARE you??

-----

Jason: So you teach me ALL of that, only to turn into the ONE thing you despised so greatly all those years ago

Dick, sweating: Well-

Jason: I'm ASHAMED. How can you be worthy of being called my PREDECESSOR?

[dogin8]

[ID: Two screenshots from Queering the Map, taken in Kottayam, Kerala. In the first screenshot there is a map pin that says “Surely, I can’t be the only one!”. In the second screenshot, a second map pin, very close to the first one, says, “No you are not.” The screenshots are from the Tiktok account @/ahecksis. End ID]

[aslyran]

Visions

[poorly-drawn-mdzs]

The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.

(for @frummpets)

[connorsok]

before I played Disco Elysium, I thought Harry du Bois was a co-worker in the precinct you work at and, reading about him being such a fucked up guy, I was literally planning on avoiding him as much as possible in my playthrough... colour me surprised when I found the badge and found out the main character's name

[commsroom]

the u.s.s. horrible unending nightmare 💥 (once again from the incredible @hehearse)

[a-dope-fiend]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[slidehead]

hello online feminist do you hate men as an extension of the hierarchical class they create, uphold and coercively enforce in society or do you hate men because you genuinely believe they are evil through an inherent biological heritage that cannot be mended

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[bivampir]

it's SO funny that when asked what he had to do to prepare for his role in IWTV Sam Reid says he had to learn how to play the piano, learn to speak French, Italian, and English with a French accent. Bailey read IWTV religiously and added her own comments, and kept an actual fucking journal she wrote entirely as Claudia. meanwhile Jacob Anderson, when asked the same question, just responds with “oh nothing, i was already emo”. icons and legends only

[hothammies]

"a fact so true, so loud, that he can’t believe he’d been able to hear anything else before now."  (fic by @campbyler)