#in which i ask myself

[strangersteddierthings]

[To read on Ao3]

It's Saturday evening and Steve is annoyed. He doesn't understand why everyone won't just stop asking if he wants to talk.

It'll be better for you to get it out of your system, Steve. (Nancy) Talking these things through really helped me, Steve. (Max) You know we're here for you, don't you, Steve? (Dustin) If anyone understands, it's us. Me. You know that, right, Steve? (Robin)

Isn't he allowed to have one damn secret to himself!? Robin did almost get him to crack because out of everyone, Robin would understand his ridiculous, almost overwhelming crush on Eddie Munson.

He's not keeping it a secret because he's embarrassed of his crush, but because he's afraid of rejection for the first time ever. Based on past experience, Steve has always been the one doing the rejecting. In fact, Steve would argue he's never been rejected before. Nancy and he broke up, and breaking up doesn't count as rejection. It's just a change in feelings. And Robin didn't reject him because she had told a half truth when they thought they were gonna die, and then came out to him when he confessed, and rejection also doesn't count if you were never a romantic option to begin with.

Eddie is the first crush he's had (that he's willing to, eventually, act upon) that he's uncertain about. Eddie flirts with him, sure, but he also flirts with Robin, Nancy, Jonathan, and Argyle. He doesn't shy away from Steve's touch, but he rarely initiates it himself. Everything Steve tries to test, to gauge Eddie's interest, just falls flat, or doesn't work, or isn't enough to show if Eddie likes him romantically or as a friend.

Anyway, it's Saturday evening and Steve is annoyed. Annoyed because he knows that waiting for him at his own house is an ambush (an intervention, they'd called it) from his own supposed friends. Steve had just listened to them plan the whole thing over the walkie talkie.

When Steve pulls into his driveway, he's a little impressed at that fact nothing looks off. There are no extra cars, no bikes scattered across the lawn. The house looks dark, even.

When he goes for the door, it's unlocked, though, which is the dead giveaway. Steve sighs heavily before letting himself in. He doesn't bother to flick on the light in the foyer, just shrugging out of the Family Video vest and toeing off his shoes, leaving both in a pile by the door before squinting into the house.

It is dark, but he can make out irregular shapes, lightly illuminated by the light from the backyard coming through the large windows on the far wall. It looks like they've rearranged his furniture. He also hears the slight creak of the floorboards, from the kitchen. That would be Lucas, who Steve knows has been tasked with sneaking around and making sure Steve can't just bolt back out the front door (like he's ever actually run away from a confrontation).

They were very thorough with the planning. Steve knows where a majority of people are lurking, cutting him off from 'fleeing'. Lucas in the kitchen, to cut him off from the front door. El at the top of the stairs so he can't hide in his room. Argyle stationed in the hall that leads to the garage. Everyone else scatted throughout the living and dining room.

Might as well get this over with.

Steve makes it about halfway to the living room before a single floor lamp lights up. It illuminates Robin, who has turned his father's favorite chair around to face the front door instead of the TV, arm still up from where she'd twisted the nob on the lamp. "Steve. We need to talk."

"Buckley," Steve answers, calm as he can manage, surveying the room. Everyone else is just out of the line of light from this ancient lamp. He wonders how they managed that. Still. He knows they're here, so with as much confidence as he can muster, he looked directly at an out of place shadow and hopes he's right as he says, "you want to talk, too, I suppose?"

"How-" it's Dustin's voice that starts to speak and is quickly cut off with a smacking sound. Steve's willing to bet it's Max or Erica who slaps a hand over Dustin's mouth to keep him quit.

"Okay, so Dustin's here, too," Robin says, trying to regain control of the ambush but Steve's not having it.

He puts his hands on his hips and says in a voice loud enough to be heard throughout the quiet house, "And Lucas, sneaking though the kitchen to the door. Argyle in the hallway, El upstairs. The rest of you are here, too. I heard the whole thing on the walkie."

"What! You were supposed to be at work!" Dustin yelps as almost every light flicks on at once. Each light switch has a person stationed at it. Steve can now see Jonathan and Nancy to his right, Dustin, Max, and Mike also to the right, but further into the living room. To the left, Argyle has made his was from the hallway, and Eddie (Jesus fuck, only this group of assholes bring his crush to the intervention about refusing to talk about his crush! (not that they know about the crush)), Erica and Will mirror the position of the others, almost against the wall to stay out of the light from the windows. He hears the stairs creak as El makes her way down.

"I was. It was slow. I got the walkie from my trunk to ask someone to save me from boredom just in time to hear your scheming," says Steve.

"We aren't scheming, Steve," Robin says, standing from the chair now and stepping closer. "We're worried. You don't talk to us."

"I talk to, like, almost all of you every day!"

"Not about important things!"

"I happen to think that discussing the newest releases is important. Tells me a lot about all of your guys' terrible taste in movies."

"Steve!" Nancy steps in now, "this is serious."

"It's really not. You are all making a big deal about this and it's not!" Steve says.

"Why are you keeping this from us?" Max pipes up, "if you can't talk to us about this, then who can you? We understand."

"Look, I know we've all experienced this.... issue, at some point, but that's doesn't mean I want to talk to any of you about it-"

"Issue he says! You can't even say it," Robin challenges him, matching his hands on hip stance, mirroring him.

Steve closes his eyes and takes a deep breath through his nose. This is getting ridiculous. Of course, he can't say it! He's barely gotten through his sexuality crisis and hasn't even come out to Robin yet! He wants to, really, but... "Listen. I appreciate that you are all so invested in this, but you need- sorry, no. I need you to let me do this at my own pace."

"It's been since '83! How much longer do you need!?" Dustin is looking at him like he's grown a second head and that-

What. Wait. What? Steve's brain screeched to a halt. "What."

"What what?" Dustin raises his hands, confused. "You need to talk to someone about what we all went though. The Upside Down! We all talk to you, but you don't talk to any of us and bottling it up isn't healthy."

Steve's arms go limp at his sides and all he can do is blink. They aren't- they don't think- Steve's brain hasn't restarted yet, which is what he blames for what leaves his mouth next. "Wait. This isn't about my crush on Eddie?"

A clatter and the sound of glass breaking, accompanied by Eddie's voice cursing follows that. Steve looked over to see that Eddie seems to have fallen back against the wall he was near, knocking a picture from the wall in the process. He's staring at Steve, though, eyes owlish and he looks like he's about to either faint or run away.

Steve's gut twists because neither of those were the reaction he'd hoped for (but they are the reactions he most expected).

"Your WHAT," Robin screeches and that brings Steve back to his brain.

Oh.

Oh fuck.

He just. He just came out to everyone, all at once, in his living room. This is fine, this is fine. He can deal with this. The room and everyone (oh God, everyone) in it fades away as Steve puts one palm flat on his own chest, focuses on feeling his own touch, on the rise and fall of his chest, trying to remember how he draws breath usually. Normally he can pull himself back this way but it's so much, too much, everyone is watching him-

"Steve. Hand," El's voice is distant but he obeys, hand going out on instinct. El takes it and he feels someone else breathing deep. "Follow. In. In. In. In. Hold. Out. Out. Out. Out. Again. In-" El repeats and repeats, counting each second with a word, and slowly she comes into view, her hand held over his on Lucas' chest. El talks him through it as Lucas demonstrates because it's hard to give instruction and breathe at the same time. This is not the first time El's helped him through a panic attack, but it's usually Hopper who has to demonstrate the breathing for him.

She stops when he calms, allows him to pull his hand away from Lucas but not her own hand. She brings her other to clasp around his, holding his one hand with both of hers.

"Thank you," he whispers.

She gives him a nod, face still serious as she stands next to him.

Steve takes in his surroundings. His panic attack wasn't too long, thankfully, but enough that everyone has moved. He seeks out Eddie subconsciously and finds he's relieved to see that he's taken a seat on the couch, Will next to him all but tucked into his side. No one left, and Steve's glad for that, but they all look so uncertain and off kilter now, scattered across the living room. Robin is a few steps closer than she was before and looks like she wants to finish stepping forward, but not sure if she should.

"Um, thank you guys, for not freaking out while I was freaking out," Steve says, reaching out his other hand to Robin. She takes it and he pulls her into a half hug. "So, uhh, I thought I knew what this was about but guess I didn't."

"Of all the things to think we'd stage an intervention for, having a crush on Ed-someone is certainly not that high on our priority list," Robin snorts from where she's buried her head in his shoulder.

"Well, it makes sense now that it's not about- Maria said I should have talked to you guys sooner, like individually, but too late I guess."

"Who the fuck is Maria!?"

"Language, Henderson," Steve snaps on instinct. "She's my therapist."

For the second time tonight, Robin says, "your WHAT?"

"Therapist?" Steve repeats, but it sounds like a question even to himself because he's almost afraid there's a wrong answer here.

"I didn't know you were seeing a therapist, Steve," Nancy says, voice gentle in a way Nancy's voice really isn't usually. "Do you talk about- I don't know how to phrase this without prying."

Steve rescues her from the awkwardness of having to ask. "She knows about the Upside Down. Dr Owens introduced her after Starcourt. Why are you surprised by this?"

"Because we didn't know," says Dustin.

"I see Maria every Tuesday. How did you not know?" Steve asks.

"What do you mean how did we not know!?" Dustin shouts.

"Can you not shout at me?" Steve sighs. He needs to sit down, so he does. Just drops there, dragging Robin and El with him. Neither complains, though. "I've been going to therapy every Tuesday since '83. I guess it just became part of my schedule, so I don't think about it. And I did, like, actively hide I was seeing a therapist that first year so guess that was habit."

"Is this why you don't talk to us?" Robin's voice is quiet.

"Well, yeah. I didn't realize it was affecting you all so much that I didn't. I thought- I am talking about it. I told Maria about a nightmare I had just last week, I'm not bottling it all up," Steve reassures, "You all talk to me. I didn't wanna create some like, trauma loop where we just talk about how awful it was back and forth and never get, like, closure with it, so I didn't share back. I've just been trying to do for you guys what Maria does for me, but I'm not, like, qualified."

"We could all use some therapy," Nancy says in what seems to be a rather agreeable voice for the tone of the room currently, "but why were you the only one offered help after Starcourt?"

"Oh. Well. It was less Dr Owens offering Maria's service, and more my mom barely refraining from murdering Owens on the spot until he gave into every demand she had. Which, being fair to Owens, he was more than willing to help to begin with."

"Your mom spoke to Owens?" Jonathan speaks for the first time.

"Oh. Wow," Steve blinks, feeling a bit thrown. There's so much he's unintentionally hid from his friends, things that could have been helping them (like them talking to Maria instead of him, have any of them even been offered therapy?) but he's also realizing that they've made an awful lot of assumptions about him without talking to him. "So, wait, I need to know something. How did this come to happen?" He half-heartedly waves towards everything around him with the arm he has half wrapped around Robin.

"The intervention?" Max asks.

"Sorta? No. I get why you thought you needed to intervene, but I don't understand why you came to that conclusion without like, asking me things? All of you were like talk to us Steve we can help Steve we understand Steve but how did it not occure to any of you that I might already be talking to someone?"

It seems the only one brave enough to answer is the person who has known Steve the least, because Argyle says, "far as they could tell, who would you talk to that's not them, bro? Like, you come home to a big empty house. On bad days, Nancy can still cuddle up to her mom and just be held even though Mrs. Wheeler doesn't know what's up, but you're like, alone."

"I-what? What's the implication there?"

"Steve, we can count on one hand the number of times you've ever spoken about your parents," Nancy says, "I guess we all came to the conclusion that you were... you felt like you had to be alone in dealing with the trauma, like you're alone in this house. I mean, we dated for a year and a half, and I never even met your parents."

That's true, but it's because his parents were going through a rough patch and trying to work through his dad's... problem while also working on a big deal for the company. Steve's not going to pretend he knows how his dad's business works but it involves a lot of meetings in cities bigger than Hawkins. "You all mock me for being a rich kid, and then act... what, surprised that my parents actually have to run the company they own?"

"No. The only things you've ever told me about your parents was that your dad was an asshole and that you didn't want them to find out about beer at a party you threw!"

Well. That does paint his dad in a real bad light. "Well, I was younger and stupider when I said those things!"

"When the Russians drugged you, you made a comment. Something about only doing marijuana, dad," Robin says softly from his side. "it's kinda easy to draw the conclusion that your relationship with your parents might be negative at worst, absent at best."

Steve retracts his arm from around Robin, suddenly cold on the inside. He gently shakes off El as well and shoves off the ground so he's standing again, taking three steps back to be able to see everyone at a quick glance around. "I think it's best if we stop this here. I can't- I'm gonna say some shit I'll regret otherwise."

"Steve-"

"Robin," Steve cuts her off, feeling the need to defend his parents, who he loves so fucking much, from his friends. Anger rolls tight under his skin but he doesn't want to give in, so he goes cold instead. "I call my mom every night. They have a mobile phone my dad pays way too much for, so they can know I'm still alive no matter where they have to be currently. My parents are absent," he spits the word like venom, "because I begged them to leave after Starcourt and the only reason they didn't drag me out of here with them kicking and screaming is because I was 18 and legally, they couldn't! That's the only real fight I've ever had with my mom, you know. I told them they had to go because Hawkins is fucking cursed and I couldn't protect all of you and them and-" Steve clamps his mouth shut, swallows down the words. He's going to have to talk to Maria about his hero complex again (he thought he was getting better). No one says a thing in the silence, even though they all look like they want to. Steve takes a deep breath, trying to calm. "I'm going to go call my parents, because they're gonna start to worry, because they do that, if I don't call soon. Let yourselves out like you let yourselves in."

He doesn't quite stomp his way to the kitchen phone, but it's a close call. He could go up to the master bedroom and call privately but a part of him wants them to hear this conversation as they leave. He yanks the phone off the receiver a bit harder then needed and punches in the phone number he's got memorized now. It rings twice.

"Oh Steve, I was just starting to worry!"

"Hi mom. No need to worry. I'm, well, I'm not fine right now, but it's not any Upside Down nonsense."

"Oh, honey, do you want to talk about it?"

"No, not, uh, not right now. I just wanted to hear your voice. To tell you I love you, and I miss you. Dad, too," as Steve speaks he hears the sounds of movement, of shuffling down the hallway and the front door. Resolutely, he keeps his back to the kitchen entrance.

"We love and miss you, too."

"When will you guys be able to come visit?"

"Honey, do you need us? We can be on a plane in a few hours."

Steve smiles at that, and hopes she can hear it in his voice, "no. But, uhh, I wouldn't mind seeing you guys sometime soon."

"We'll make it happen. Hey, how about we have that barbeque you mentioned before. We'd like to be able to meet the people keeping you safe. I do wish the Byers still lived in town, I'd love to catch up with Joyce".

"Oh! I can't believe I didn't tell you! The Byer's are moving back. Oh God! Mom! Hopper's not dead!"

There's a fumbling noise, like perhaps his mom dropped the phone. Some staticky noise, shuffling sounds, and his father's voices comes through the phone, "Steve, your mother looks pretty pale, kiddo. What did you just tell her?"

"Jim Hopper's alive and kicking. The Starcourt Russians kidnapped him apparently."

A deep sigh and then his dad says, "We'll be home in two days, okay kiddo? Gonna want a full explanation of that, but I've got to go, your mom's going to faint -sit down, Stephanie- We love you."

"Love you, too."

Steve hangs up and turns around to see El, Will, and Eddie still lingering by the kitchen entrance. He's not as angry on the inside anymore, and it helps that these three didn't really pipe in and call his parents terrible people who don't love him. (okay, so he's putting words into everyone's mouths, Maria will frown at him hard when he talks about this, but he's going to allow himself to be a little petty right now).

"I am sorry for being part of this," El says, "I do not want you mad at me."

"Never, El," Steve strides forwards, easily pulling El into a hug. She's probably just worried for him because everyone else was worried, and not because she has some idea about what his parents are like. Honestly, El's probably never even thought out Steve's parents even once. "I'm not really mad at anyone. Just... frustrated, and upset, perhaps. We'll all make amends tomorrow, I'm sure."

El releases him after a moment and before she's even fully out of his arms, Will is pulling him into a hug just as deep. Steve's not sure why, he and Will aren't particularly close, but Will clings to him and makes this soft, sob noise as he presses his face into Steve's shoulder, and Steve's wrapping his arms around him on instinct, "Oh, hey baby Byers, it's all good."

Will shakes his head no and just sobs for a moment. Steve lets him, rubs his back after a moment, trying to be soothing. It's a long hug but not awkward. Finally Will pulls back, swiping at his eye with both his hands. "I- thank you, Steve."

Steve is bewildered by that, and it must show on his face, because he hears Eddie try and hide a laugh behind a cough. Steve says, "you're welcome?"

Will doesn't clarify. He just steps back and El takes his hand easily, and the siblings leave, presumably to climb into the back of someone's waiting car.

Which leaves him alone in his house with Eddie.

Eddie, who knows about his crush now because Steve blurted it out loud for everyone to hear.

"I'll leave if you want me to," Eddie says, like he can read Steve's mind, even as he leans against the counter next to him like he plans to stay, "but I- I don't wanna start throwing everyone else under the bus, but I really just thought this was a case of Hero Complex where you think you're only good for getting between us and danger and that we were all gonna try and like, show you how important you are to us all so you'd open up to us. I didn't even think about, like, your parents."

Steve believes that, so he huffs a dry laugh, "yeah. I'm sure you're idea of my parents are snotty rich people who look down on everyone."

Eddie's got the decency to be embarrassed about that truth, if his red face is anything to go on. "Sure, but like, I thought the same thing about you and that turned out to be wrong, so I can admit that. Also, I thought you were an asshole who always got what they wanted, and that's not really a bad parent trait, y'know? Caring about what your kid wants."

"Well, thanks for admitting to it, man."

Eddie nods, then looks away, towards the door. "Do you- should I leave? Do you even want me hear?"

Did he? "Yeah, I want you here. I kinda want Robin, too. I shouldn't have kicked everyone out like that."

"No dude, that was fair. But, uh, I can go chase down Nancy's car and see if Robin will return with me."

Steve does laugh, then, "no. We're so codependent as it is. I just... Robin's been here when I've called my mom. She's here all the time. I don't understand how she just... never picked up on it."

"You always call from the kitchen phone, or do you make it a private conversation? 'Cause Buckley and you are stupidly codependent, but if something's meant to be private, I doubt she's going to be eavesdropping on you."

That's true. And Steve knows he's being irrational. He never said anything, he knows he never even talks about his parents, that they're so rarely even in Hawkins these days, it isn't a farfetched idea to assume it's because he doesn't love them, or they don't' love him. That doesn't stop the hurt he feels for his parents. And a little for himself because, yeah, he never said anything, but also, they never asked.

They see their parents every day, have left their parents in the dark about the truth for reasons Steve doesn't agree with, but he'll never argue that choice with them, never assume they have a bad relationships with their parents for it.

"I had to tell my parents," Steve says, because he and Eddie are just standing in his kitchen in silence and he's thinking these things anyway. Might as well think out loud, "when Billy punched me unconscious and I woke up in my own damn car being driven by Max I just- what if I hadn't made it home to them? What if Billy had hit me one too many times, had beaten me to death? My mom was pacing the living room with worry when I did finally get home. They were supposed to already be on a plane to I don't even know where, but she was so worried about me that she stayed. She didn't even know about the Upside Down. Didn't know how close she'd come to losing me."

Eddie doesn't say anything, but he moves closer, to lean against the kitchen island, across from Steve.

"She was so fucking terrified when she saw me. Wanted to know who did it, what happened, where I'd been- she's never had to patch up anyone after getting a beating, so she tried to usher me back outside, to the car, a hospital I guess, but the thought of leaving the house was so overwhelming. After everything that just happened? I wanted to be home.

"I think she caught on to that. Instead, she pulled me into the bathroom and did her best to clean me up. I tried my hardest to hold it together but she- my mom just took my face in her hands, so gently, afraid to hurt me more," Steve mimics the motion, holding his hands out in front of him like he's cupping a face, "and just said you can tell me what happened, honey. No matter what it is. I love you so much. and I just- I broke down." Steve stops, sucking in a deep breath because just the memory of that night brings back the emotions. His mother's fear for his life. Her love for him.

"I told her everything. Just started talking and couldn't stop. And when I was done, a crying mess on the bathroom floor, she just... just sunk down beside me and held me as I cried. And the craziest part of all, she believed me. The next morning, when I thought for sure she was going to ask what kinda drugs I took to come up with that story, instead, she asked me if she could call Hopper. Wanted to talk to another adult about it," Steve swipes at his eyes, getting misty at the memories before continuing, "the only reason they aren't here right now is because I basically begged them to leave. To go grow their company, I'd said. I'd be here, and I promised to call every night, so they know I'm safe."

"Is that why you've never redecorated?" Eddie asks, out of left field, "'cause having their things around reminds you of them?"

Steve shrugs because he's not sure. "They told me I could change whatever. Make this house your own home, Steve my dad had said but, it's always felt like home, y'know?"

Eddie nods. "Not even a little tempted to change the wallpaper in your room? 'Cause it's pretty fuckin' atrocious man."

That makes Steve bark out a laugh, "ok, yeah, that's just me being lazy."

"Well, if you ever want help removing that wallpaper, count me in. The sooner, the better. How you can stand to look at it, and with those matching curtains, yikes," Eddie is grinning at him and Steve sees what he's doing. Distracting him from the heavy topic. Steve appreciates it. "I won't be caught dead in there until you change it."

"Oh? Hoping to be in my room sometime soon, Eddie?" Steve asks, quirking an eyebrow.

"Well, I did kinda just learn that my crush has a crush on me, so maybe I was hoping," Eddie gives a shrug, aiming to sound indifferent and aloof, Steve thinks, but he can see the grin Eddie's trying to fight from forming on his face, and the way his hand has gone to his hair, pulling some strands to hide that grin behind.

Something sweet and happy spreads through Steve's entire body. Steve opens his mouth to say something, he's not sure, but what comes out instead is a big yawn.

"Alright, bedtime for you I think," Eddie says.

Steve nods, because he is tired. The rollercoaster of emotions and events have worn him down. "You wanna stay over and watch terrible movies until we fall asleep?"

Eddie looks delighted to have been asked.

Today was a shitshow, and Steve knows he'll need to reach out to everyone and talk. Individually, because he's not sure he can handle everyone all at once again. But he needs them to know he was just angry and doesn't hate them all or something.

Tomorrow's got promise, though, so that's good enough.

[inkskinned]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[corpsentry]

a glass sun 1/2

[slushglow]

the price of your mercy

[risibledeer]

take a joel i did on the magma thingy *insert thumbs up emji im too lazy to find it* WILD LIFE WILD LIFE WILD LIFE and joels

[ao3-crack]

(x)

[emry-stars-art]

I would love to see more of the aftg characters in the rodeo au thing. Especially more rodeo clown Andrew

Chibi cowboy Neil with chicken and more rodeo clown/bullfighter Andrew for u (and @ittyybittybaker ) dear anon

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[shushmal]

"Are you going to break my heart?"

Eddie almost drives them off the road.

It's late, nearly 2 am, and the country road is narrow and winding, and this thing between them, fingers twinned above the gear shift, radio turned down low, Stevie Nicks singing to them softly, is new. Eddie wants to live in this moment forever, wants the smell of lake water and dying August heat to live in their clothes, wants the warmth of first kisses and whispered confessions to last in tingling sparks in their skin, the memory of touch to be permanent. It won't be, it'll all fade, but Eddie can visit it again, rewrite them into the cotton and the softness of Steve's mouth.

It's late, and this is new.

"It's okay if you do," Steve says, so quiet. He's holding on to Eddie's hand like he's dangling off a cliff. "I can handle it. I'd just like a heads up, so I can prepare."

Eddie almost feels guilty, basking in his joy when Steve was sinking into something else. He thinks, if he were a kid still, if he hadn't died, hadn't lost everything and managed to get it all back, he'd be angry. But he's not. He's not, and he did, and it's late and this is new—but it's not unfamiliar. The same, but more, an extra free scoop with whipped cream and sprinkles, a cherry on top.

"You trust me?" Eddie asks. He rubs his thumb along Steve's knuckles, feels the scars under his skin, little tears in someone so perfect.

"Of course," Steve croaks. Eddie can't look at him, because the road is dark and narrow and winding, and he has to get his boy home safe.

"And I trust you," Eddie says, brings Steve's hand up, presses a kiss like a seal to his skin. "And I love you, and you love me. I got you."

Steve's quiet for a long, long moment. Eddie can tell he's watching him, so he presses another kiss to Steve's hand, lets his lips linger on hard tendons and dark veins. Kisses in his promises to the place they're linked together.

When he speaks again, it's soft, and Eddie can hear the love, living and leaving in the air between Steve's teeth.

"Okay," he says, giving Eddie everything. "You got me."

[fandom-geek]

i think the thing that really gets me about pre-canon durge is their absolute sense of duty, and their utter isolation outside of the cult of bhaal.

most of the cultists seem eager to see durge upon their return, and one even says they were the first to feed him flesh. gortash tells them of an exhibition of a bhaalspawn's corpse and another bhaalspawn's creations and durge immediately plans to attack the hall of wonder to recover them. they then apparently entrust said bhaalspawn's corpse to sceleritas fel to "restore" through taxidermy. they deride orin for her artistry with corpses explicitly because "bhaal will never care" and because orin "[does] not understand lord bhaal".

even their infamous prayer for forgiveness is framed around their absolute submission to bhaal's plans, and the crime that requires forgiveness? admiring his rival's chosen. that's one line, and the next three paragraphs are swearing to carry out his plan exactly as they've been told to, all for his forgiveness.

hell, even their room reinforces this. orin has barely touched the place aside from installing her mother's corpse and her manifesto - and that is some of the only decoration. what was it before orin, an empty room with skulls, a bed, a desk, some chests and a wardrobe?

the durge didn't have any semblance of a life outside of bhaal, aside from gortash. and is it any surprise? the only other hint they ever had a life outside of the cult is the flashback of kid durge murdering their adopted family, all thanks to their father's urging.

bhaal even tries to force them back into isolation after they've been tadpoled by forcing them to kill alfira, and then trying to force a durge who resists him to kill their lover. if they continue resisting, bhaal kills them. bhaal will not allow them to have a life outside of him and, if it weren't for jergal, he would've succeeded.

[theceaselessidiot]

Eloise Bridgerton being an absolute mood:

and Cressida's reaction of 'this girl is so weird, but I'm into it??? Wait am I into this??'':

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[catkin-morgs-kookaburralover]

if you struggle with mental health, one piece of advice i would genuinely give you is learn to knit.

or crochet: something repetitive to do with your hands, assuming you're capable of it. if you're like me and learnt to knit as a kid but let it lie fallow for a long time, it may be that starting a large, simple project (for me it was a cloak, but a blanket could work too) gets you back into it. or maybe doing something smaller, idk. i personally found socks really hard for a while because they felt smaller than my cloak but weren't getting Done quick enough for me. as i've sped up i find it more interesting to knit socks.

regardless, a repetitive task is great for emotional regulation (also see: autistic stimming), and something that you can look at and go hey i've done something, unlike simply using a fidget toy, can also help to pick your mood up when the brain is being cruel.

it's also useful as a conversation starter or distracter if you don't know what to talk about. if you're wanting to talk to older people also you're more likely to reel them in with knitting (i work better with older people, and 99% of people who ask what i'm knitting are older than me). it also gives you the opportunity to not make eye contact because you're busy knitting, even if you're still carrying on a conversation. if you're absolutely stuck for conversation you can count your stitches and people might stop bothering you.

if you have trouble focusing without doing something with your hands, you can knit! i knit a lot in church, and it helps me to focus on what's being said.

i probably have more reasons you should pick up knitting, but i can't recall them right now, so yeah.

[sleep-nurse]

loop

[oifaaa]

Realising that my idea of what it means to be in a fandom might be a little skewed so help me out here what is your baseline qualification for being part of a fandom