#in this show feel more and more relevant

[katierosefun]

oh there's something particularly painful about my mister in that dong hoon tells ji an that as long as no one knows, it's no big deal, and there's something particularly painful about how ji an tells dong hoon that sometimes, i want [my secret] to play out on big screens for everyone to see, and there's something particularly painful about how the second dong hoon meets the loan shark tormenting ji an, he starts screaming and yelling about how she's just a kid, how could you do that to a kid, and there's something particularly painful about how dong hoon doesn't even let ji an know he did that, but ji an knows. she knows because she was listening in the entire time and she just starts crying because someone actually knows this ugly, sad part of her and still took her side, and something particularly painful about how my mister started with as long as no one knows, it's no big deal but really concludes with there is so much risk in having someone know who you are but there's also so much comfort and peace to be found in that, too and maybe you shouldn't isolate yourself and maybe you should reach for that kind of comfort in being known and loved anyways

[kimdokjas]

We are alive. And we will continue living. So long as you remain by my side.

[thebramblewood]

Exciting news: I now have a story page and a characters page! They're pretty basic at the moment, but I'm hoping to think of some fun stuff to add later. For now, you might find a few new nuggets of insight in the character bios! I just wanted a cute little hub for readers new and old to find everything they need in one place. Let me know if you think anything (or anyone) major is missing or if you notice any errors. Here are all the character portraits. Aren't they cute? And thanks to @buglaur for the incredibly easy to modify template!

[silcoitus]

If I had a nickel for every time Hamish Linklater played a man so convinced he was righteous in his cause that he'd lie and cheat to meet his goals, regardless of who gets hurt in the process...

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[fyreinhell]

thinking about how adam was the first human soul in Heaven bc what the fuck happened to Abel. did he go to hell (for some reason?)

like what happened there. he was the first human to ever die so like would the theories saying Eve is the first person to enter hell be therefore incorrect? Because Adam and Eve had another son to replace Abel, Seth. Eve did not die first.

idk i have gripes and confusion about that stuff.

[maya-caffrey]

can we bring back procedurals? or at least just proper shows like how TV used to be? 5 to 15 seasons, a generous amount of episodes per season, 45 minutes: the sweet spot between too long and too short, pilot episodes that are wildly different from the rest of the show, filler episodes that overall contribute nothing but are extremely fun because that is what god intended, random musical episode, crossovers, waiting an entire week in anticipation to see what happens next, like, this was the PEAK of television, where did we go wrong

[firewolf111]

Based off of a conversation I've had with myself (though slightly changed to fit the characters and because my memory is trash)

Logan: What happened to our dreams? To our goals of success? Why did you abandon them? Why did you give up on them? I thought you were passion. What happened to our drive? We wanted to be something. Now look at where we are.

Roman: You aren't the only goals we had.

Logan: What do you mean?

Roman: Did you forget his dreams? *Gestures to an image of a younger version of Thomas and himself*

Roman: Did you forget his dreams came first. Our want to be an actor, a singer, a dancer, a writer. Did you forget that to them, success was chasing our creative dreams? Our goals of science came later.

Logan: Well, that would make sense. Kids often have foolish dreams.

Roman: Foolish?!

Patton: Now, now. Let's calm down.

Roman: No! I'm tired of listening to him tell me my dreams mean nothing.

Logan: Well, they do. They have no merit to them. We all already know that they will get us nowhere, but our logical goals of pursuing science would have brought us the success we dreamt of.

Roman: We wouldn't have been happy. He wouldn't have been happy.

Logan: He would have been fine. We would have been better than we are now.

Patton: Okay, why don't we agree to disagree? I mean, you both are making great points.

Roman: I'm just trying to pursue something that will make us happy! To figure things out!

Logan: And look where that got us.

Roman: *small and dejected* Why can't we be content with where we are?

The silence is loud. Maybe it's the fact that you could hear a pin drop, or maybe it's the flinch Thomas gave or the disappointed look Patton sent him. Maybe it was the look of hurt on Roman's face. Or maybe it was his own painful self-awareness. But suddenly, he feels guilty. The anger simmers down, and he realizes that Roman was right. He wasn't the only one who had goals for Thomas. He wasn't the only one who had to sacrifice things for the greater good for him. But it's too late to back track, and he was never good at admitting he was wrong.

Logan: Are we content? I don't see why we should have to settle for such a pitiful outcome, just because you decided to quit pursuing better options. Perhaps if you were less lazy or had let me take control, things would have worked out better.

Roman: *defeated and not making eye contact* You didn't offer any compromise. The only option was to quit. We would have been miserable if we kept on the path you wanted.

Logan: *sinking out* Like we aren't now.

And like always, he regrets what he said. And as always, he still doubled down.

Later, he'll pretend like nothing happened. Guilt will eat him up on the inside, and he'll wonder if he is the robot people say he is. Yet no apologies will be said. Later, Roman will cry himself to sleep after staring in the mirror, questioning if he is actually Thomas's hero. He'll create something from the pain and hide it in his special drawer. Later, Patton will play mediator like always. He'll act more cheerful and kind to cover the obvious tension but will not acknowledge it.

And after that, Logan will offer coffee to Roman in the morning and ask if he wants to brainstorm ideas. Roman will accept the extended Olive branch. No apologies said or offered, but accepted all the same. Roman will create a story about a scientist and will ask Logan to help make it believable. Of course, Logan will agree and pretend he doesn't know the reason behind the story. Patton will watch and finally feel relieved at the end of the tension. And the mindscape will once again breathe.

Until it happens again.

Because they are not content with where they are.

But why can't we be content with where we are?

[bidokja]

I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then

SIGHS...

Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.

I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:

There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.

Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.

I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.

No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."

Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).

So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?

This is an extremely significant turning point dressed up as a dress-up scene.

---

P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.

[indelicateink]

the more seasons we get the less and less tom cruise’s face will appear on lestat or iwtv searches, articles, and websites, and the more and more sam reid’s face will show up instead. keep the faith

[imminent-danger-came]

What the Legos Want

MK: "I just- I don't want to let my friends down, you know? It's like, I want to help out in the store, do arts and crafts with Sandy, and party with M-m-m-Mei! Mei! But it's to hard, I'm just one guy!"

(1x02 Duplicatnation)

-

MK: "Okay! I did bad, I just- I really wanted that peach, and I guess I got carried away."

(1x06 The Great Wall Race)

-

Sun Wukong: "Take in everything! Choose what you want to do, and then do it! That is focus."

(1x07 Impossible Delivery)

-

MK: "I just wanted to be good enough—like you."

(1x09 Macaque)

-

MK: "It's like- I want to be strong, and I'm trying to be! But it- it's like Monkey King isn't giving me a chance! *sigh* What if- what if he knows he made a mistake—chose wrong, chose the wrong successor?"

(2x07 Shadow Play)

-

Sandy: "Hurting others isn't a measure of one's strength—took me a really long time to realize that. As long as I'm doing something to help out a friend, I don't mind what it is! I just want to be there for 'em when they need me."

(2x08 To Catch a Leaf)

-

Sun Wukong: "You want me to leave it, and I want me to take it! Eh, it's toughy." Ne Zha: "What!? Don't do this! Sun Wukong: "I'm sorry—it's the only way!"

(3x01 On The Run)

-

MK: “Why are you helping her—Lady Bone Demon—like, look, I get that you’re a bad guy, but you know that she wants to destroy everything, right?”

-

Sandy: "I don't want to fight, but I can't let you hurt my friends!"

(3x04 The Winning Side)

-

Sun Wukong: "What? You got what you wanted didn't you? Not gonna gloat? Monologue a little before scurrying off to your master? Go on! The Lady Bone Demon is waiting." Macaque: "I couldn't care less about what the Lady Bone Demon wants!"

(3x09 The King, the Prince, and the Shadow)

-

Mei: "I can't! I don't want to hurt you—any of you! I'm sorry."

-

Mei: "No! Stay back! I- I don't want to hurt you!"

(3x10 The Samadhi Fire)

-

The Mayor: "All my lady ever desired was a world no longer plagued by pain—until the Monkey King and his companions got in the way. Fate however has gifted her a second chance!"

(3x13 Time to be Warriors) (Desired, wanted, same thing.)

-

Lady Bone Demon: "Save your hero speech child—I've existed long enough to know when it's over. MK: "You still think that the universe really wants anything, from any of us?" Lady Bone Demon: "Don't you?"

(3x14 Destiny Fulfilled)

-

Macaque: "Still the same Wukong, doing whatever he wants with no regard for others!"

(3x14 Destiny Fulfilled)

-

Sun Wukong: "It's actually amazing how quickly you're mastering your powers—when I was your age-"

MK: "-You were fighting the celestial armies and generally swinging your big ol' tail around to get what you wanted?" Sun Wukong: "Well I was going to say making regrettable life choices but yeah, thanks for laying out. I'm embarrassed to admit it but—you might have actually already done more for this world that I ever have!"

(4x01 Familiar Tales)

-

Mei: “What’s the point of having power if you won’t use it? Don’t you have people you want to protect?”

(4x05 Court of the Yellow Robed Demon)

-

Sandy: “But you were too WEAK to be who you truly are! I am a monster! That’s what the world wants me to be, so that’s what I’m gonna give ‘em!”

(4x06 Show Me the Monster)

-

Curse MK: "Hey no no no- I get it man. You want to get back to our monster of the week adventures, get back to our simple missions with Mei, mastering all of Monkey King's powers and delivering noodles for pigsy. Right?" MK: "Yeah...yeah actually that's exactly what I wanna-" Curse MK: "But we can't! Not after all we've seen! All we know and all we don't? *sigh* Right friend?"

(4x07 Pitiful Creatures)

-

Azure Lion: "No no—this isn't what I wanted! All you had to do was wait, after this was all over I was going to release Sun Wukong, help him see reason! That is now impossible—not after what you've done!"

-

MK: “No matter what I do, it’s going to lead to pain. It’s like the Lady Bone Demon said—it doesn’t matter if I want to help people or not! Everything I do just- it just makes things worse!”

(4x08 The Brotherhood)

-

Macaque: "Point is, it’s time to start making your own choices—something I wish I would have learned a lot sooner than I did. You don’t want to fight Azure because people might get hurt, you don’t want to not fight him because people might get hurt–so do something else! Only you get to decide who you are kiddo.”

(4x10 The Jade Emperor)

-

Sun Wukong: "Ah, don't be like that! Eat some fruit, soak up the sun—that's why I've been training so hard!" Macaque: "What, so you can be the strongest?" Sun Wukong: "Nooo! Well, maybe a little bit—but that's not the point! It's so we don't have to worry about anything or anyone ever again! Just living a lazy life, sitting in the sun, eatin' fruit, and doing whatever we want!"

-

Sun Wukong: "I just wanted to protect the people I cared about—to be strong enough. I lost sight of why I was doing any of it."

-

Macaque: "You did it for yourself! You've become this like, obsessive demon! I told you going against the Jade Emperor was a bad idea, but no, Wukong doesn't listen to anyone, he just does whatever he wants!"

(4x11 A Lifetime of Mistakes)

-

MK: "That's what you were pretending to be right? To be my friend? To care about me? When really you were just using me to get what you wanted! To turn me against my own mentor! Put your hand in the monkey cage, and expect to get bit son!"

(4x13 Rip and Tear)

-

Sun Wukong: "Azure just stop, okay? You've won—you're going to destroy us just like you wanted! Us an the entire universe." Azure Lion: "Huh? No. This is not what I wanted! I can still fix this, it's- it's the whole reason I'm here at all!" Sun Wukong: "Wait, how are you here!?" Azure Lion: "What? What kind of a question is that you know exactly how I'm-" Sun Wukong: "-No! Here and now! I put you in the underworld myself. How'd you get out, how'd you get the scroll? I know for sure you didn't steal it—you couldn't have! Azure, who gave you that scroll? Because whoever it was they must have known this would happen, wanted this to happen! And they used you to do it."

Azure Lion: "I just wanted to make the world a better place!" MK: "You still can—you're the only one who can."

(4x14 Better Than We Found It)

-

Welcome viewers, to a shadow play the likes of which have never been seen! It follows the tragic tale of a legendary warrior, and how those who bring light into this world inevitably bring darkness to those they hold dear whether they want to or not.

[heir-of-the-chair]

Lowkey hyperfixating now and I’ve come to the devastating conclusion that Jacob the main character of Water For Elephants… doesn’t really have a character arc

[bonefall]

Briarlights death makes sense to me. As much as I love her character, the movement technology you’ve come up with wouldn’t be enough to keep her alive in a society where her nether regions are constantly exposed to the outdoors. She would get UTIs and kidney infections very quickly, which would be fatal when you can’t feel pain. My partner has to use catheters to avoid them (he is paralyzed in the same spot Briarlight would be.)

I think it’s disingenuous to have a character that’s paralyzed but have no other health problems or concerns regarding it, even if it’s uncomfortable to think about for some readers. It’s just as ableist to minimize the additional struggles she’d face as it is to kill her off unnecessarily.

Not accusing you of ableism, but expressing my concern. They’d need to find a way for her to poop and pee in a way that’s sanitary and a way to combat infections long term - even if the thought is “gross” to some people it’s the reality she’d have to live with. She should, at the very least, remain immunocompromised.

That is a valid concern. I will keep this in mind-- I'll make sure to note her immediately being cleared out of camp at the first sign of sniffles to avoid it. My cats can do some very minor building and there are now several cats on Jayfeather's Garden Patrol, it wouldn't be too much of a problem to make that area into a comfortable "satellite camp".

I do want to add though that my most important guiding principle is a stronger narrative which includes better portrayals of disabled characters, not perfect rugged woodsman realism. The medicine I add and the guides I write are in the hopes of better representing the lives of the real-life people who see themselves in the fantasy battle cats.

Realism does factor into that of course! But it goes out the door the minute it would smash up against a disabled character's inclusion. This is a series for human beings like your partner; as close to it as I can get by bending the setting when needed.

For example, Epilepsy

Epilepsy was deadly before modern medicine. Full stop. The herbs I created for that guide would not save someone like Shadowsight, whose convulsions are at extreme risk of turning into Status Epilepticus. It would help manage, but Shadowsight's life would have been very brief.

All the chamomile in the world wouldn't replace phenobarbital... or even the older medications, barbituates. Barbituates have been replaced and good riddance, but it's important to understand that even this drug known for causing EXTREME lethargy and horrible side effects was revolutionary. It saved countless lives.

But I'm not here to write a story for the real-life horror that is epilepsy in a pre-modern society. I'm here for the parent who personally thanked me for making their daughter feel less alone.

Evil spirits attacking the living! God knocking over trees! Attacking a bulldozer! That all happens; there's no reason they can't help Briarlight too!!

But I'll make sure to include her being immunocompromised. And I'll include ways they handle that. Just like I included a cat engineer who made a blanket sled.

So... suggestion accepted! I will keep this in mind.

Briarlight's Canon Death

...I will maintain though that the canonical death of Briarlight was one of the worst, most short-sighted, cruelest decisions that has ever been made in this series.

Because ultimately Briarlight is not a real person. She is a writing choice. She is a character based on Vicky's paralyzed cousin, "Dan," and Briarlight was directly modeled on Dan's personality and recovery.

What did the new writing team do, the minute they were writing a series without Vicky? Killed Briarlight to fucking greencough. For shock points. Narrative moves right on back to the MAIN conflict-- Alderheart having feelings for Velvet and Jayfeather enforcing the vow of chastity. ShadowClan officially falls apart in the background lol

It was never about realism, or realistic portrayal of disability.

This series doesn't care about realism when cats have bloody Freddy Kruger deaths in their sleep, or when shadow goo starts eating cat hell, or when lightning strikes Shadowsight. But they suddenly care about how realistic it is that the only paralyzed character survives greencough?? No! Of course not!

In the middle of the CONSTANT "Ohh she's finally in heaven where she can run and jump and not have a disabled life"? And the infamous Squirrelflight's Hope line, "You don't want to be alive again, Squirrelflight! You might become disabled like BRIARLIGHT"

(WHICH BTW THEY STILL HAVE NOT REMOVED DESPITE PROMISING IT YEARS AGO)

I absolutely do not believe for a second that they had a realistic portrayal of an immunocompromised cat in mind when they did it! Hell, screw it. I'll just say it outright;

I firmly believe that the new writing team killed Briarlight because they did not want to deal with her.

I flatly refuse to give them charity towards this choice. At NO POINT did they earn a speck of good faith. They continued every negative trend that was set up by the previous writers (including Vicky herself tbf), and went a step further by killing her to "we need to get rid of some randos" disease.

Not only that; but the Clan dynamics were NEVER the same after her death, because there was no character who could replace her personality. In this cast of cardboard cats, they plucked out one of the few optimists with a clear, unique perspective, not shared by ANYONE else.

My ire wouldn't JUST be because they happened to kill a disabled character in the way they did (though that is frustrating on its own imo). It's because it was Briarlight.

I hope every writer involved with the decision to kill Briarlight in the "Nothing is Happening! Quick! Kill Someone!" book of AVoS chokes on it. I will DIE on this hill and my blood will never wash out of the grass.

[valeechtine]

The thing is "forced diversity" only became a real thing after people online got called out for only ever having like white ocs or just Never making women [ESPECIALLY TRANS WOMEN] and now sometimes I see a character lineup and its like Oh I can like actively see the diversity checklist you were crossing off in your head specifically to try and get tumblr woke points because you are being so fucking Weird about this. Like in an effort to be like LOOK LOOK AT HOW DIVERSE MY CAST IS I AM ADVERTISING THIS BY JUST TELLING YOU ABOUT HOW DIVERSE EVERYONE IS YOU DON'T NEED TO KNOW GENRE OR THEMES they make it so clear that making characters of color or women or disabled characters etc has to be a Conscious Choice instead of just. Something that comes naturally because that reflects our real world.

[ruvviks]

// wip day.

tagged by; @adelaidedrubman, @katsigian and @hibernationsuit, thank you so much!! tagging; @reaperkiller, @envergothash, @dickytwister, @shellibisshe, @secondsundering, @devilbrakers, @dekariosgale, @velocitic, @necro-hamster and YOU!

thought i'd do something different for this today :^) i'm working on a powerpoint (inspired by ezra velocitic thank u for the idea ^-^) to hopefully one day be able to explain the cyberpunk extended blorboverse that red reaperkiller and i have been working on for over a year now! it also includes my own story with vincent and his friends since the two stories eventually come together sometime in 2083 and 2084 (yeah i know the game is called 2077 i don't care leve me aloe). here's some slides to give you an idea of what kind of lore to expect :^)

[fishyartist]

So mad about me just realizing the color pallet despite being in Sonic mode for the past like week