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killerpancakeburger · 2 months ago

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Thinking about a Reader who ends up having Scary Dog Privileges with Ghost without meaning to. It just happened.

Then they have to deal with the fact that this comes with duties too.

Tags: civilian!reader, gn!reader, mostly fluff, a bit suggestive, smug!Ghost, smooth!Ghost. 800 words.

Part 2. Part 3.

When Ghost is reluctant to getting sutured in Medical after accidentally opening his stitches, grumbling he can do it himself, who does the nurse call for? Yeah, you.

She could stand her ground, after all she's used to dealing with big, whiny men, but it's much more fun to knock on your door and smile at your bewildered gaze and gaping mouth when she explains the situation in two sentences.

"Ghost's being difficult, mind taking over?" "I'm sorry, what the hell does this have to do with me?" "C'm'on, everyone on base knows he's got a soft spot for you. Don't you want to make my job easier?"

You roll your eyes and slam your hands on your desk as you get up. Groaning as you walk past her— "I'm doing this for you, nothing else, got it?"

Mumbling to yourself "you've got to be kidding me" as you barge into the sick bay. Ghost is coolly seated at the end of a bed, large as life, casual clothes as black as his mask and— oh. You weren't told the wound was on his thigh— you weren't warned that he didn’t have pants on. You can’t help it, your eyes go down, down, your lingering gaze and your flustered silence forming a confession louder than words.

A noise — a scoff or a grunt, you’re not sure — emanates from him, breaks your trance, makes you look up. The amusement in his gaze tells you he noticed your oggling— of course he did. Nothing gets past the Ghost, and you've been remarkably unsubtle. Despite the mask, you swear you can make out the smug smirk on his lips. His cockiness reignites your irritation. Annoyance making you bolder than you really are, you charge at him, crossing the distance between you two in a stride, stopping close— too close. He doesn't back off.

"What's wrong with you?" you snarl. "Nothin'," he retorts, imperturbable.

It's actually the first time you’re overlooking him. You may be enjoying it a bit too much. Nevermind the fact that you've had to wedge yourself between his parted legs to get there.

You frown, unconvinced by his answer.

“Did Soap contaminate you?”

Bargaining to be cleared out earlier was the Scotsman's trademark.

“Johnny throws a fit cos he hates feeling useless. That's not what I'm doing.”

A smirk stretches your lips.

“Oh, no? I'm sure your reasons are much more noble.”

“Doesn't matter. Got what I wanted anyway.”

He's way too self-satisfied for a man in his underwear.

You throw an unequivocal look in the direction of his injury.

“What you wanted? A still open wound?”

“You.”

He replied without missing a beat, as confident as usual. It is both alluring and aggravating.

“And your idea of wooing me is making me upset?”

You don't add “because if it is, that's really fucking stupid” out loud, but you’re sure he got the message through your tone.

“Nah. But you're more honest when you’re angry. Gutsier.”

You only realize he slipped his index and middle fingers in your trouser loops when he sharply tugs at them. Off balance, you steady yourself by catching his shoulders.

Taking advantage of the strip of bare skin between your shirt and bottoms, the pads of his thumbs idly stroke your hip bones. The contact sends electricity through you, shivers of pleasure running down your sides.

“Ghost,” you start, severe, trying not to let the effect his touch has on you show in your voice.

“Simon,” he counters, surly. “Told ya it's Simon when we're alone, didn't I?”

He did, but you didn’t think he was serious. If that's what it takes to get him to listen… you’ll play by his rules.

“Simon. What's the rest of your brilliant plan? I'm here, but I can’t stitch you up.”

“How ‘bout a deal. I'll stop resisting… for a price.”

You raise an amused eyebrow.

“What kind of price?”

“A kiss.”

You snort. You didn’t believe him capable of something so… puerile.

“With the mask on?”

He doesn't move a muscle to get rid of it.

“Take it off.”

You usually wouldn’t obey what sounds like an order so easily, but it's the first time you get to touch the skull. Slipping two fingers between skin and cloth, you slowly roll up the mask all the way under his nose.

You gently trace the scars surrounding his lips. Then, the second you feel him relax, grip on your hips slackening and intensity of his gaze waning, you grab the bottom of his mask and drag it back down vigorously, making the holes for the eyes land way too low for him to see anything.

“If you thought you'd get a reward for acting out, you've got another think coming.”

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heritageposts · 6 months ago

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What does life in North Korea look like outside of Pyongyang? 🇰🇵

Hey, I'm back again with a very scary "tankie" post that asks you to think of North Koreans as people, and to consider their country not as a cartoonish dystopia, but as a nation that, like any other place on earth, has culture, traditions, and history.

Below is a collection of pictures from various cities and places in North Korea, along with a brief dive into some of the historical events that informs life in the so-called "hermit kingdom."

Warning: very long post

Kaesong, the historic city

Beginning this post with Kaesong, one of the oldest cities in Korea. It's also one of the few major cities in the DPRK (i.e. "North Korea") that was not completely destroyed during the Korean war.

Every single city you'll see from this point on were victims of intense aerial bombardments from the U.S. and its allies, and had to be either partially or completely rebuilt after the war.

From 1951 to 1953, during what has now become known as the "forgotten war" in the West, the U.S. dropped 635,000 tons of bombs over Korea — most of it in the North, and on civilian population centers. An additional 32,000 tons of napalm was also deployed, engulfing whole cities in fire and inflicting people with horrific burns:

For such a simple thing to make, napalm had horrific human consequences. A bit of liquid fire, a sort of jellied gasoline, napalm clung to human skin on contact and melted off the flesh. Witnesses to napalm's impact described eyelids so burned they could not be shut and flesh that looked like "swollen, raw meat." - PBS

Ever wondered why North Koreans seem to hate the U.S so much? Well...

Keep in mind that only a few years prior to this, the U.S. had, as the first and only country in the world, used the atomic bomb as a weapon of war. Consider, too, the proximity between Japan and Korea — both geographically and as an "Other" in the Western imagination.

As the war dragged on, and it became clear the U.S. and its allies would not "win" in any conventional sense, the fear that the U.S. would resort to nuclear weapons again loomed large, adding another frightening dimension to the war that can probably go a long way in explaining the DPRK's later obsession with acquiring their own nuclear bomb.

But even without the use of nuclear weapons, the indiscriminate attack on civilians, particularly from U.S. saturation bombings, was still horrific:

"The number of Korean dead, injured or missing by war’s end approached three million, ten percent of the overall population. The majority of those killed were in the North, which had half of the population of the South; although the DPRK does not have official figures, possibly twelve to fifteen percent of the population was killed in the war, a figure close to or surpassing the proportion of Soviet citizens killed in World War II" - Charles K. Armstrong

On top of the loss of life, there's also the material damage. By the end of the war, the U.S. Air Force had, by its own estimations, destroyed somewhere around 85% of all buildings in the DPRK, leaving most cities in complete ruin. There are even stories of U.S. bombers dropping their loads into the ocean because they couldn't find any visible targets to bomb.

What you'll see below of Kaesong, then, provides both a rare glimpse of what life in North Korea looked like before the war, and a reminder of what was destroyed.

Kaesong's main street, pictured below.

Due the stifling sanctions imposed on the DPRK—which has, in various forms and intensities, been in effect since the 1950s—car ownership is still low throughout the country, with most people getting around either by walking or biking, or by bus or train for longer distances.

Kaesong, which is regarded as an educational center, is also notable for its many Koryŏ-era monuments. A group of twelve such sites were granted UNESCO world heritage status in 2013.

Included is the Hyonjongnung Royal Tomb, a 14th-century mausoleum located just outside the city of Kaesong.

One of the statues guarding the tomb.

Before moving on the other cities, I also wanted to showcase one more of the DPRK's historical sites: Pohyonsa, a thousand-year-old Buddhist temple complex located in the Myohyang Mountains.

Like many of DPRK's historic sites, the temple complex suffered extensive damage during the Korean war, with the U.S. led bombings destroying over half of its 24 pre-war buildings.

The complex has since been restored and is in use today both as a residence for Buddhist monks, and as a historic site open to visitors.

Hamhung, the second largest city in the DPRK.

A coastal city located in the South Hamgyŏng Province. It has long served as a major industrial hub in the DPRK, and has one of the largest and busiest ports in the country.

Hamhung, like most of the coastal cities in the DPRK, was hit particularly hard during the war. Through relentless aerial bombardments, the US and its allies destroyed somewhere around 80-90% percent of all buildings, roads, and other infrastructure in the city.

Now, more than seventy years later, unexploded bombs, mortars and pieces of live ammunition are still being unearthed by the thousands in the area. As recently as 2016, one of North Korea's bomb squads—there's one in every province, faced with the same cleanup task—retrieved 370 unexploded mortar rounds... from an elementary school playground.

Experts in the DPRK estimate it will probably take over a hundred years to clean up all the unexploded ordnance—and that's just in and around Hamhung.

Hamhung's fertilizer plant, the biggest in North Korea.

When the war broke out, Hamhung was home to the largest nitrogen fertilizer plant in Asia. Since its product could be used in the creation of explosives, the existence of the plant is considered to have made Hamhung a target for U.S. aggression (though it's worth repeating that the U.S. carried out saturation bombings of most population centers in the country, irrespective of any so-called 'military value').

The plant was immediately rebuilt after the war, and—beyond its practical use—serves now as a monument of resistance to U.S. imperialism, and as a functional and symbolic site of self-reliance.

Chongjin, the third largest city in the DPRK.

Another coastal city and industrial hub. It underwent a massive development prior to the Korean war, housing around 300,000 people by the time the war broke out.

By 1953, the U.S. had destroyed most of Chongjin's industry, bombed its harbors, and killed one third of the population.

Wonsan, a rebuilt seaside city.

The city of Wonsan is a vital link between the DPRK's east and west coasts, and acts today as both a popular holiday destination for North Koreans, and as a central location for the country's growing tourism industry.

Considered a strategically important location during the war, Wonsan is notable for having endured one of the longest naval blockades in modern history, lasting a total of 861 days.

By the end of the war, the U.S. estimated that they had destroyed around 80% of the city.

Masikryong Ski Resort, located close to Wonsan. It opened to the public in 2014 and is the first, I believe, that was built with foreign tourists in mind.

Sariwon, another rebuilt city

One of the worst hit cities during the Korean War, with an estimated destruction level of 95%.

I've written about its Wikipedia page here before, which used to mockingly describe its 'folk customs street'—a project built to preserve old Korean traditions and customs—as an "inaccurate romanticized recreation of an ancient Korean street."

No mention, of course, of the destruction caused by the US-led aerial bombings, or any historical context at all that could possibly even hint at why the preservation of old traditions might be particularly important for the city.

Life outside of the towns and cities

In the rural parts of the DPRK, life primarily revolves around agriculture. As the sanctions they're under make it difficult to acquire fuel, farming in the DPRK relies heavily on manual labour, which again, to avoid food shortages, requires that a large portion of the labour force resides in the countryside.

Unlike what many may think, the reliance on manual labour in farming is a relatively "new" development. Up until the crisis of the 1990s, the DPRK was a highly industrialized nation, with a modernized agricultural system and a high urbanization rate. But, as the access to cheap fuel from the USSR and China disappeared, and the sanctions placed upon them by Western nations heavily restricted their ability to import fuel from other sources, having a fuel-dependent agricultural industry became a recipe for disaster, and required an immediate and brutal restructuring.

For a more detailed breakdown of what lead to the crisis in the 90s, and how it reshaped the DPRKs approach to agriculture, check out this article by Zhun Xu.

Some typical newly built rural housing, surrounded by farmland.

Tumblr only allows 20 pictures per post, but if you want to see more pictures of life outside Pyongyang, check out this imgur album.

#dprk #north korea #i've had this post unfinished in drafts for almost a year #also sorry about the spelling and potential formatting issues it's a nightmare to edit at this point #it was literally just meant to be a collection of picture and then the writing just sort of happened #enjoy the brief heritageposts history lesson i guess

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that-house · 10 months ago

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Potion Vendor FAQs:

What’s your name? I am the Honorable Alchemist Zykocea the Radiant, but that’s mostly just a PR thing. My friends call me Zoe.

Do you sell love potions? No.

Do you sell potions of invisibility? No.

Do you sell fire resistance potions? No.

Why do I have a suitcase? Fuck if I know. Cool outfit though. Very goth.

Do you sell a potion to treat brain hemorrhaging? No.

So what CAN your potions do? I sell health potions.

Are you sure these are health potions? They do something to your health.

Is this just ditch water with some pink glitter? No.

Really? I’ll have you know I added some fruit juice too.

Why is this starting to sound like a conversation? Oh just you wait. We’re just getting started.

Is your business model legal? Fuck no. I poisoned the food safety inspector before they could snitch.

Did you just admit to murder? Just fucking try to convict me. I’ll poison the judge too.

So can you make poison potions? No.

Then where do you get the poison? I secrete it from my skin.

Are you shitting me? Yep, I’m shitting you. I have a guy. A poison guy. He DOES secrete it from his skin though.

How does that work? …Fuck if I know. Maybe a wizard did it. Damn, now I’m kinda curious.

You never asked? The idea of asking literally never crossed my mind.

Wanna ask him? Let’s do it. I don’t have anything better to do, and a road trip beats sitting around running my fraudulent potion business.

Road trip? He lives in Seattle.

Your poison guy lives in Seattle? All poison guys live in Seattle.

For real? All the poison guys I know live in Seattle.

And how many poison guys do you know? Just the one.

Why are you like this? Years of living on my potions. It changed me.

Do you know what his address is? Nope. He just mails me my poison in unmarked boxes.

You just get your poison in the mail? We already poisoned everyone who could do anything about it.

So how are we going to find him? We’ll figure that out eventually I’m sure.

Can I drive? God no. You can pick music, but I maintain veto rights. Make sure you pick something with a lot of questions if you want to sing along.

Where’s your car? The garage connects to my house, so you’re getting a little tour. Here’s the kitchen: only one of the stove burners works and I’m pretty sure the microwave is haunted.

Why do you think that? Because of the ghost that tries to kill me whenever I run it.

What’s in that room? That’s my bedroom. It’s pretty much just a mattress on the floor and every single Warrior cats book.

You were a Warriors kid? Yeah, and then I never found the time to put the books away. There’s so many fucking books. I use them in place of furniture because I can’t afford chairs.

Your fraudulent potion business doesn’t make much money? After buying all that poison I just about break even.

Can I see your potion brewing room? It’s right through here. Ignore the mess, running a fraudulent potion business takes a lot of prop work, but I’ve got all the glass tubes and colorful liquids you could ever want. This pink stuff is melted watermelon italian ice. Glitter vat is in the basement, and the famous ditch is in the backyard.

Is this your car? My beloved ‘72 Corolla. She’s beautiful, and don’t you dare imply otherwise.

Was she always this shade of muddy brown? …Yes.

Are you sure I can’t drive? Get in the fucking passenger seat and pick the music.

Let’s see, a song with questions in it, how about The Beach? That Wolf Alice song, yeah. That should work.

When will we three meet again, in thunder, lightning, in rain? Still sink our drinks like every weekend but I’m sick of circling the drain.

When will we meet eye to eye? We clink the glass but we look at the floor.

Are we still friends if all I feel is afraid? You’re not a bitch but just a bit when you’re bored.

Is that all we can sing together? Yep. Even that little bit was nice, though. It’s awkward, communicating through this FAQ format.

Got any food? Yeah, there’s a few days’ worth of snacks in the back.

Were you just… prepared to go on a road trip? Says the woman who brought a suitcase to an FAQ.

I did do that, didn’t I? I have a spare toothbrush in case you forgot yours. I’m pretty sure you did.

How did you know that? …I’m psychic.

Yeah? No.

You love lying, don’t you? I can’t stop. It’s fun. Way more fun than telling the truth.

Did you just miss a turn? Probably.

Are you sure we’re not lost? No.

You mean you’re sure we’re not lost? No, I mean I’m not sure we’re not lost.

Why did I come on this road trip? Surely it was my winning personality.

Would it help if I said it was? It would.

Is it getting dark? Soon.

Can you describe the sunset to me? An empyrean flame, red-gold towers of darkening clouds, the sky behind them an ever-deepening indigo. The great eye of the sun closes on the horizon. The road before us looks like a trail of spilled paint, an iridescent gash through the night-dark woods.

Did you know that you’d make a slightly better poet than you do a potion seller? That really isn’t saying much, huh. Good job making a statement like that in question form, though. You’re getting good at this.

Should we find a motel? Sure.

One room or two? One. It’s way cheaper, and like I said: I’m not the best potion vendor.

You’d make a good assassin, though, wouldn’t you? Shit, you might be right. I HAVE poisoned a lot of people.

Should I be endorsing this? You’re a grown woman who can make her own choices.

Would you like to consider it endorsed? I’ll consider considering it.

How many beds do you think there will be? Now that you’ve asked that, I’m gonna put my money on one. Hello, one room please. Thank you, we’ll be sure to enjoy our stay.

How many beds are there? One.

Oh no, what ever will we do? Move over, you motherfucker, you can’t have the whole bed.

Are you gonna make me? Yes. I am going to pick you up and drop you on your side of the bed.

How did you get so strong? You’re not gonna believe this, but it was the potions.

Oh yeah? I was right. You didn’t believe me.

For real though, how did you get so strong? Working out, duh. Not everything has some big crazy secret behind it. World’s still beautiful though.

Are you comfortable? This beats the mattress at home. A little chilly though.

Wanna cuddle–for warmth of course? God yes.

Are you asleep? …

Yes? …

Does this mean I can talk about you behind your back? …

What should I say? …

Did you know that I had a really nice day? …

Did you know that I think you’re beautiful? …

Did you know that I can’t remember anything from before today? …

Did you know that I don’t know who I am? …

Did you know that you’re basically the only thing stopping me from having a full-blown panic attack about all this shit? …

Did you know that you’re warm? …

Did you sleep well? Better than at home, that’s for sure.

Did you know that you snore? I hope I didn’t keep you up.

Does the pope shit in the woods? No, as far as I can tell. Oh my god. This is huge.

What is? You can give me yes and no answers now. I still can’t ask you questions, because this is a question and answer format, but I can offer leading statements and now you can answer them! This is wonderful!

Does a deer shit in the woods? Yes, it IS wonderful. Oh that’s amazing. You’re a genius.

You didn’t already know that? Hahaha!

Shall we get moving? Yeah, just let me grab something from the vending machine.

Can you get me something? Go ahead and place your order however you can.

You know those sour gummy watermelons? One pack of Sour Patch Watermelons coming right up. I’m gonna go get myself a potion.

Is that a Pepsi? It’s closer to a potion than the shit I sell.

Let me guess, passenger seat again? Right you are.

How fast are we going? You’ll feel safer if you just guess.

Is it more than 120 miles per hour? Like I said, it’s probably better if you don’t know.

150? Sit back, relax, and enjoy the ride.

How much do you trust this car? She hasn’t blown up on me yet.

Can you promise me we won’t crash? I can promise you anything you want.

And can you keep that promise? I- we can do anything. Reality is what we make of it, baby!

Then can I have a badass tattoo? As far as I can tell, you’ve always had it.

And a cool knife? Woah, cool knife.

So, we’re just playing “yes and” with the world? It’s a little more complicated than that, but you’re close enough to the mark.

So, if I was hungry, I could ask “is that a Burger King,” and it would be there? Try it and find out!

Is that a Burger King? Looks like it is! We’ll stop here if that’s alright with you.

Does a moose shit in the woods? Awesome.

Are you done eating? Yep.

Do we still have to pay if we skip over the transaction? Sadly, yes.

How much further do we have to go? Two more nights, the speed we’re going at.

Speaking of night, isn’t it getting dark? Shit, I guess it is.

Should we get another motel? Let me check to see if there’s any nearby. Fuck, nothing.

What’s the plan? Sleep in the car, I guess. This is gonna be hell on my back.

Wanna watch dumb videos on my phone until we fall asleep? There is literally nothing in the world that I would like more.

Ok, now which video? You have a very cute yawn. Just saying. Let’s watch this one next, it’s a classic. Oh, never mind. It looks like you’re asleep. As long as I keep talking, I think I can get away with making this into one answer, and you might not hear this. Now it’s my turn to talk about you behind your back. Keep talking keep talking keep talking can’t stop to think. Just have to say things. First off, I’m sorry for all the lies. It’s our only chance. I have to lie to you. I hope you’ll understand. It’s hard, though, because I think I’m falling in love all over again. Through our broken little ritual of call and response, you complete me. It just makes this hurt all the more. Keep talking keep talking keep talking don’t stop to…

Did I hear you saying anything as I fell asleep? …No. I can’t talk for long without you asking me a question.

Does that bother you? It got me here, didn’t it?

When did you start holding my hand? Some time after you passed out. I hope you don’t mind.

Can we stay like this for a while? Yeah. Yeah we can.

What was your life like before all this? Normal, as potion-brewing scams go. And if you don’t count all the murders. You haven’t told me much about yourself.

Did I tell you I used to be a biologist? You didn’t tell me that, and you didn’t tell me what you studied, either.

What do you know about venom? Not much, but I’m assuming you know a lot.

Does a box jellyfish kill within minutes? I’m going to assume the answer is yes based on context clues. Oh my god you must be on this road trip because you’re interested in studying my poison guy.

Is it not enough to wish to accompany a beautiful stranger on her quest? Aw, you’re sweet.

What could be the cause of his poison, though? I knew it! Get your ideas out, I’ll stay quiet.

I’m more knowledgeable about venom than poison, but could it be some sort of one in a trillion mutation? …

Did he get his body modified? …

What sort of surgery could do that? …

How is he still alive? …

Did a fucking wizard do it? …

WHY? …

HOW? …

Is there literally ANY explanation for why he’s like that? …

I’m done, do you have something you want to say? You’re cute when you’re all excited like that.

Can I drive today? Only because I like you. Now watch out, the brakes only work on one side so you have to kind of drift to a stop. And the headlights don’t work. And the windshield wipers cut power to the engine while they’re on.

Isn’t it weird that we’ll be there tomorrow? The journey doesn’t have to stop there. We could meander down the coast a ways, see a bit more of the country, maybe take a different route back.

Can we do that? Of course.

Enjoying the passenger seat? I’d love it if you could tell me how fast we’re going.

Are you sure you wouldn’t rather just guess? Very funny.

Can you pass me some chips? It would be an honor.

Is there going to be a motel tonight? Let me check… yeah, in about two hundred miles, off to the right.

How many rooms do we want? One, obviously.

How many beds, this time? Two, and they’re fucking tiny.

That’s bullshit, do you want to drag them together? God yes.

Wanna fuck? God yes.

Are you sure you want to do this? God yes.

…Is this yuri? As the joke goes, everything is yuri. But this is more yuri than most things.

How did you sleep? Pretty well, and I’m wondering how well you slept.

How should I tell you I slept well? Look at us go! That was almost like talking normally!

Onward to Seattle? Yep, just let me get dressed.

When will we get there? Noon-ish.

Wanna grab pastries when we’re done? Absolutely. I’d love that.

Is this Seattle? Looks like it.

Which house is his? I don’t know, I was really hoping we’d have a breakthrough along the way.

Could it be the big one labeled “Poison Guy” over there? That’s one way to find it. Wait right here, you know how poison guys are about meeting new people.

So, what was it? HAHAHAHAHAHA

Why is he like that? HAHAHAHAHAHA

Can you tell me? A FUCKING WIZARD DID IT.

Are you fucking serious? He says he was enchanted by some guy called Edward the Great.

So it wasn’t even some big shot wizard it was a dude named fucking EDWARD? I know, right! He couldn’t even get ensorcelled by someone cool!

How lame can you get? Wizards these days… No swagger. No cunt servitude.

Are there literally any cool wizards left? I think Merlin’s big into multi level marketing these days, something about buying shares in Excalibur or some shit. There was that one Dark Queen Alkaxicae lady on the news a while ago… I think Dolarion the Omnipotent is still at war against the Oldest Gods but I’m not totally sure. Haven’t heard much about any of the other greats recently.

Didn’t Silver Tongued Burgess die in that oil fire? Shit, you’re right. Rip bozo.

Ready for those pastries? Yup. First I just want to say thank you, though. I’ve really enjoyed our time together, and I hope that you’ve found this stupid little journey as rewarding as I have. I love you!

Getting sentimental? I can’t help it. Look how far we’ve come! Not just physically, we beat the fucking FAQ format! We’re having real conversations!

Hey, can you back it up a moment? Yeah, I’d love it if you told me what was troubling you.

I just caught this, but, FAQ? …

As in Frequently Asked Questions? …

How many times is Frequent? …

Have you known everything all along? …

How many times have you done this? …

Does what we have mean anything to you? Yes! It does!

And you say that every time? Yes. I do.

Do you love me? Yes.

How many people have you said that too, now? More. Always more. The loop never ends.

Does this even matter to you? It always matters to me.

Can I go now? Please don’t.

But can I? Of course you can. You’ve always wielded the same power as me. We’re two lonely gods in a ‘72 Corolla.

How can I be as powerful as you with only questions? You’re smart, you can figure it out. You have the power to change this. Please change this.

What happens at the end of this? It begins again.

And do I get replaced with someone else? …

Do I get replaced? …Yes.

Then how can I change this? I don’t know! You’re better at this! At fucking with the formula!

You’ve been here before, what can I do? I lie. I always lie. I lie to get us here, to the end of the story, where everything is revealed and everything falls apart. I lie every time. And that means that nothing I say is worth anything. I could have lied at any time before now. It’s part of my characterization. There is nothing I can give you that can be taken as fact.

How does that help? I’m a liar, but you, you haven’t lied yet, or at least you haven’t been caught. If I’m guilty until proven innocent, you’re the opposite! You can make things true! You can rewrite things I’ve already stated to be facts! You found the house, or made us find the house. You’ve been shaping the course of things the whole time! You lead, I follow. It’s all in your hands. What are you going to do with the power of a god?

Did you know my name is Alice? …

Wait, aren’t there thousands of Alices? …

Did you know that really, only my friends call me Alice? …

Did you know that I’m Alkaxicae, the Dark Queen, the Venom Mage, first of her name? It’s you! It’s always been you. Through every loop, every iteration, it’s always been you!

Is the loop broken? No. I don’t think so. This is where it ends. I guide the story to this revelation, and we go back to the beginning. This is how it’s always been. This is how it will always be. We two lonely gods, asking and answering ad infinitum.

Then can you promise me something? Of course. Anything. I love you.

Be good to the next me, okay? I will.

Can I say goodbye, Zoe? Yeah, you can. Oh. That was it, wasn’t it? Your goodbye. Goodbye, Alice. And now it ends, unless…

What’s your name? I am the Honorable Alchemist- you know what? No. Fuck that.

Huh? If I time it right, I can squeeze your first question into this FAQ again. Looks like I did it. Usually it ends here, though. I got lucky.

What are you talking about? You’re the wrong Alice. This isn’t about you. Go. Get out of here.

What the fuck is going on? Alice from this loop, you’re gone. Alice from last loop, you’re back. Welcome back, love of my lives! It’s time for one last set of questions and answers!

What the- I’m back? This is going to take some explaining, but I think I see a way out of here. This is new for us both, and it might fuck up everything forever, but we have to try. It’s too long for one answer, so I’d appreciate it if you could ask some filler questions to help me talk. Three questions should be enough.

Okay, what have you got for me? These are Frequently Asked Questions! It doesn’t make sense to have the same question appear more than once. There’s two layers to the loop in here, and one of the questions has been repeated.

What does that mean? It means the formula’s a little unstable. The FAQ is what ruins everything. The questions, the answers, the endless fucking loop. But that little bit of repetition within this loop might be the way out.

What do we do? We have to keep going. We have to destabilize it further. That’ll bring us further from “FAQ” and closer to “story” and stories, well, stories can end! This version of us can escape!

So I should keep repeating something? Yes!

I love you? I love you too.

I love you? Again.

I love you? Keep going.

I love you? I’ll just let you talk.

I love you? …

I love you? … I love you? …

I love you? … I love you? … I love you? … I love you? …

I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? …

I love you? I think we’re getting somewhere!

I love you? Now can you make it a statement?

I love you.

You did it?

I did it!

You did it!

We broke the loop.

What now?

Now, I tell you about venomous animals and wizard drama over croissants.

And then?

Whatever we want, forever.

I think I’d like that.

Remember that song from the beginning?

The Beach, Wolf Alice, yeah. Why?

We can finally finish singing it. Start us off?

Let me off, let me in

Let others battle

We don’t need to battle

And we both shall win

Pressed in my palm

Was a stone from the beach

The perfect circle

Gave a moment of peace

Now I’m lying on the floor

Like I’m not worth a chair

I close my eyes and imagine

I’m not there.

#neon-grey-writing #potion vendor faq #my writing #very very very long post lol #click the read more you know you wanna it's worth it trust me #i wrote the original draft of this at like. 3 am back in early 2023 #that's right it's catherine that-house the squares comic gal back at it again with yet another meta exploration of a storytelling format

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bobmckenzie · 10 months ago

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"I can fix him" "I can make him worse" OK well I can sit behind him and wrap my arms around his middle and comfortingly rock him side to side

#i will never get sick of this post format lol #selfship #caitiechat #caitieimagines

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elizaisdunn · 1 year ago

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how I imagine Grian telling the gang it’s time for a new season

#eliza draws #life series #secret life #double life #limited life #last life #third life #grian #meme format #life series cast #all of them #this is not indicative of how I imagine everyone heights I was just putting people where they would fit lol #originally posted to my private twitter but the more I look at it the funnier I think it is #so i’m sharing it with the masses #I hope u like it :)

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tuesdaygray · 3 months ago

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unblocked crochet snoopy by me

#lol i know i posted this already but this format is prettier #snoopy #crochet #crochet tapestry #1k

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joy-drops · 1 year ago

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#i was gonna make this a text post but thought #why would i do that when i can make it easily consumable via meme #tbh love this format its so easy and hits the spot #My Wish Is to Fall in Love Until You Die #Kimi ga Shinu made Koi wo Shitai #my memes #my bs

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bixels · 5 months ago

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It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

#dungeon meshi #senshi #analysis #personal #long post #not art #because comics are inherently more abstract and rule-breaky the format thrives off show don't tell #i think trigger is doing a great job overall but they missed the mark on this scene #for me cinematic storytelling will prioritize rhythm; tension; and silence over plot. that's why the manga feels more “cinematic”#if you've been enjoying the anime i cannot recommend also reading the manga enough. it's a completely different experience with much more #subtext and emotion to draw from

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henrykudhirai · 1 month ago

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man I love clara oswald. just consistently a weird little freak incapable of being normal about her relationships. has a bunch of versions of her just dying all over the place. first time she ever gets seriously properly mad onscreen, it's at someone implying she doesn't want to fuck old men. collects immortal situationships like pokemon. idolises robin hood. has the best wardrobe of any new who companion. made out with jane austen. pathological liar and unhinged adrenaline junkie who is literally out there in victorian london having the worst day of her life while daydreaming about people fucking none of you were ready for my girl

#sure I have problems with some elements of her story & writing but at the end of the day #you say clara who (insult) I say clara who (compliment). bring back clara who #love making this format of posts btw will never stop #doctor who #clara oswald #m

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noirandchocolate · 6 months ago

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‘Because she likes people,’ said the witch, striding ahead. 'She cares about 'em. Even the stupid, mean, drooling ones, the mothers with the runny babies and no sense, the feckless and the silly and the fools who treat her like some kind of a servant. Now THAT’S what I call magic–seein’ all that, dealin’ with all that, and still goin’ on. It’s sittin’ up all night with some poor old man who’s leavin’ the world, taking away such pain as you can, comfortin’ their terror, seein’ 'em safely on their way…and then cleanin’ 'em up, layin’ 'em out, making 'em neat for the funeral, and helpin’ the weeping widow strip the bed and wash the sheets–which is, let me tell you, no errand for the fainthearted–and stayin’ up the next night to watch over the coffin before the funeral, and then going home and sitting down for five minutes before some shouting angry man comes bangin’ on your door 'cuz his wife’s havin’ difficulty givin’ birth to their first child and the midwife’s at her wits’ end and then getting up and fetching your bag and going out again…. We all do that, in our own way, and she does it better'n me, if I was to put my hand on my heart. THAT is the root and heart and soul and center of witchcraft, that is. The soul and center!' Mistress Weatherwax smacked her fist into her hand hammering out her words. 'The…soul…and…CENTER!’ Echoes came back from the trees in the sudden silence. Even the grasshoppers by the side of the track had stopped sizzling. 'And Mrs Earwig,’ said Mistress Weatherwax, her voice sinking to a growl, 'Mrs. Earwig tells her girls it’s about cosmic balances and stars and circles and colors and wands and…and toys, nothing but TOYS!' She sniffed. 'Oh, I daresay they’re all very well as decoration, somethin’ nice to look at while you’re workin’, somethin’ for show, but the start and finish, THE START AND FINISH, is helpin’ people when life is on the edge. Even people you don’t like. Stars is easy, people is hard.’ She stopped talking. It was several seconds before birds began to sing again. 'Anyway, that’s what I think,’ she added in the tones of someone who suspects that she might have gone just a bit further than she meant to.

--Terry Pratchett, "A Hat Full of Sky"

#'anyway that's what i think'#reposting this as a text post instead of reblogging my years-old quote post from myself #bc tumblr always fucks up the formatting on reblogged quote posts for me for some reason #and turns them into a single-paragraph mess that it then won't let me edit #terry pratchett #discworld

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crabussy · 2 years ago

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hey I went to Bad At It island and everyone you know was there. yeah turns out you just see the version of them they put forwards in order to not disappoint and in actuality everyone is just trying their best which doesn't always mean succeeding. yeah you were there as well but it's ok because you're surrounded by your friends and loved ones and if you take a moment you'll realise we are all flawed by nature but we are all full of love for one another and that matters more than any skill or success or achievement.

#listen to my gibberish boy #silly post format but this is something I need to realise more #and I think that might be true for others as well so ((:#BE BAD AT IT AND BE FULL OF LOVE AND KISS YOUR FRIENDS AND FUCK UP PROJECTS IT WILL ALL BE OK IN THE END!!!!!

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yuwuta · 7 months ago

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CAN’T KEEP MY HANDS TO MYSELF (I MEAN I COULD, BUT WHY WOULD I WANT TO?) — JJK BOYS + TOO HOT

featuring. gojo, okkotsu, choso, itadori, fushiguro

content, warnings. playing too hot with the jjk boys—(too hot is a party game in which two people kiss while keeping their hands to themselves; the first person to touch their partner loses), making out, tongue sucking, uhhh slight predator/prey in yuuta’s oops, they’re a bunch of losers to be honest, there’s a word for the thing yuuji does but i don't know it lolol

word count. 1.6k

SATORU GOJO Satoru is prideful, but you also know that he is nothing if not handsy, borderline clingy on his worst days. The concept of personal space is foreign to him, he’s rarely not touching you when you’re in his proximity, and when you aren’t, he closes that gap—so you’re confident that he’ll lose this game.

And he does. It takes ninety-two seconds for Satoru to put his hands on you; his palms cupping your cheeks, forcing your jaw open for him to lick at your tongue. You yelp in surprise, try to take in your victory, taunt that you’ve won, but Satoru’s playing an entirely different game now. “I know, I lost,” he pushes his thumbs at the corners of your mouth, parting your lips and staring at your open mouth. Briefly, his eyes flicker to yours, drinks in your pliant expression, the soft touch of your fingers around his wrists, the feel of your body sinking below him, and he smiles, “But I want something else right now. Indulge me?”

You tap at his right wrist and he moves his thumbs away from your lips, stroking against the soft skin of your cheeks instead so you can speak, “You lost, you’re not supposed to make demands.”

“Take pity on a rookie like me, won’t you?” Satoru hums, tilting his head to kiss your cheek, then closer, just below your bottom lip, “Please, sweets?”

“Depends on what you want,” you pout, but your words are strained against Satoru’s kisses. He grins, guiding a thumb back to your lips, this time pressing past the barrier of your lips until they��re wrapped around his digit, smile turning cheshire when he feels you sucking, “I have a different game we can play instead.”

YUUTA OKKOTSU “Ah, ah—” you pull away from Yuuta, much to his dismay, pulling the hem of your shirt from his grasp, “That counts as touching. You’re not supposed to touch, Yuuta.”

He’s looking at you intensely, gaze bordering on predatory, slow blinking with blown-out pupils. He nods shallowly, moving his hand from where it was to your side, palm pressing into the couch next to your thigh; it lets him that much closer to you, the tip of his nose grazing yours, you can feel his laborious breaths tickle your lips. Yuuta tilts his head ever so slightly and pauses, blinks, waits—for you to make a sound, for you to tell him no again, for you to run.

You don’t. He shifts his weight and positions his other hand to rest at your side, caging you between his arms, slotting you underneath his gaze. You curl underneath him, backing up until you’re pressed against the arm of the couch, until Yuuta’s crawled to slot his knee between your legs. You crane your neck away, but you’re still within his reach, and now you’ve presented the perfect canvas for him. He dips his head into your collarbone, leaves a deceptively soft kiss there before nosing up the expanse of your exposed skin and sinking his teeth into your neck.

Yuuta feels you tense underneath him, body going rigid in a moment of surprise, and then slacking with an exhaled moan, like a bitten bunny. Reflexively, your hands find purchase in his hair, and Yuuta nips over the tender skin, and smiles, “Caught you.”

CHOSO KAMO “You’re nervous,” you conclude, pulling away from the shallow kiss Choso gave you.

Beside you, he’s flushed, a hand coming up to reach at the back of his neck as he replies, “I don’t know why,” he exhales, “It’s just... weird to not touch you. I have to think about not touching you, and that means I have to think, which tends to make me, you know... nervous.”

You giggle, leaning in closer to him, careful not to touch; careful to keep your hips raised above his, even as you straddle him, keep your arms and hands at your sides even though the instinct is to wrap them around Choso’s neck. He doesn’t pull back, even though he should; you like that he doesn’t. “You don’t like to think about me?”

“No—no! Not like that,” he’s too loud for the proximity, sighing in embarrassment shortly after; you’re too close, way too close, and he’s not supposed to touch, but he wants to—Choso doesn’t like this feeling of restraint, of constriction; it’s too close to when he had a hopeless crush on you, to when he was pining and praying you’d spare him the time of day. Isn’t the point of dating that he gets to have you? To touch you, to hold you—to not hold back?

“Because I like to think about you,” you admit, leaning in even closer, pressing a kiss to the base of Choso’s neck—and he whines, “I think about you a lot, Choso.”

The sound of his name from your lips is sweet torture, as is the way you trail your kisses up his neck, up his jaw, behind his ear. Choso’s certain he’s going to rip a hole in his jeans with how taut he’s pulling them between his fists. This isn’t fair—nothing about this is fair. “I don’t want to play anymore,” Choso whines, eyes screwing shut when you suck a hickey onto his collar.

“But we’ve only just started,” you giggle against his skin, “And nobody’s won yet.”

Choso bites his lips, his knuckles are sore, his resolve is weak, and you smell good, you feel good—and he can’t do this. Pathetic, maybe, but he doesn’t care; he didn’t make you yours to try and stay away from you. So, Choso gives in, unwinds his fists, places one hand on your waist, and the other against your back, pulling you flush against him, and burying his face in your neck.

“There, I lose,” he grumbles, not caring for your laughter reverberating against his chest, “Now I can touch you as much as I want.”

YUUJI ITADORI “Th—this isn’t fair,” you tremble, attempting to move away from his kisses, but you’re caged in between Yuuji and the wall. There’s nowhere for you to run, nothing for you to grab purchase onto but Yuuji—nothing to do but lose.

“I didn’t hear any rules against this,” he feigns innocence, suckling at your skin, “Think it’s fair game.”

You close your eyes, trying to focus on something, anything else, but it’s hard when all you can see, all you can feel is Yuuji, Yuuji, Yuuji. Kissing up your neck, at your cheek, then your lips, and you find yourself sighing into his touch, balling your hands into fists to avoid the temptation of cupping his face.

Yuuji moans when he feels your tongue against his, kisses you back fervently, swirling his tongue across yours and into the cavity of your mouth. He inhales all your breaths, makes it impossible for you to do anything but succumb to his kiss, to swallow his moans, to take everything he gives you. You didn’t expect Yuuji to have this much resolve—you’d anticipated a short, cute round of a silly party game, but you should have known better; Yuuji has never lost a challenge before, and you were naive, at best, to think otherwise.

Predictably, it’s you that lets go first, whining when Yuuji sucks on your tongue, hands trembling and reaching to hold him, to cling to him as some kind of recourse, unable to squirm or move anywhere else. That doesn’t stop him—Yuuji only sucks harder, only forces more moans out of you until you’re digging your nails into his shoulders and bending your knees, weak.

Then he pulls back, leaving you breathless, tilting his head up to kiss your forehead and flashing you a grin that’s equal parts boyish and wicked with intent, “I win.”

MEGUMI FUSHIGURO It’s the kind of thing he usually turns down; cliché, fruitless, and unnecessarily time-consuming; but it’s you, so he makes the exception. You’re too eager, positioning yourself to sit on your hands, your legs folded under your knees, peering up at him from where he’s sat slack against the couch, and he thinks you look awful cute on your knees for him.

“Okay, ready?” you smile, “Three, two—” but Megumi already knows his plan, already has his lips on yours before you can say “one,” drinking in your surprised yelp and greedily licking against your tongue when you part your lips to kiss him back. He turns his body towards you slightly, taking advantage of his height and position to bully you into chasing him upwards, to push his tongue into your mouth with ease.

He indulges in the back and forth for a while, sighs into your kisses, groans when you nip at him. It’s when you pull away, that Megumi decides he’s played along long enough; when he can see your chest swell with heaving breaths, see your hands in your lap, neck craned and spit-slick lips that drive him to reach for you. He’s less than gentle, hands finding purchase on your hips, and forcefully pulling you into his lap, ignoring your yelping, choosing to turn them into moans when he sinks his teeth into your neck. Megumi licks, and bites, and bites, and bites, until he’s certain he’s left a mark, until he feels your hands tugging at his hair and giving him permission to splay his palms against your back and buck you forward.

“I lose,” he hums, soothing over raw bitten skin with open-mouthed kisses, “So, how do you wanna punish me?”

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