#in a tone and character building way

[frogs-in3-hills]

yall were right hxh 1999 is even better than 2011

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

[puppyeared]

Atla live action 😐

[itspileofgoodthings]

I don’t even fully know why but “what do I do when I miss you so much?” / “Just wait, and pray desperately” was a knife to my heart in the best way.

[imperiuswrecked]

“It wasn’t really Namor’s fault that Ramonda died” IT WAS. IT WAS. WHY ARE YOU TRYING TO TAKE THIS AWAY? I’M SORRY IF YOU CAN’T STOMACH NAMOR NOT BEING PERFECT BUT PLEASE STOP. For fucks sake, it was by HIS HAND the queen died! Yeah there were outside factors pushing Wakanda and Talokan towards conflict but stop trying to erase the fact he has and would kill people!

[swagging-back-to]

riot finally showed material of isha so;

heres to hoping that isha dies by the end of the season :)

[sysig]

I know you, a little to the left (Patreon)

[existential-dread-in-the-am]

I wonder if my high school biology teacher would regret showing me how to make charts of how plant color genetics are inherited through generations and how different color genes may interact if he knew I'd end up using it with fictional characters instead

[aq2003]

oh btw i get even more why brennan (like me) clocked sophomore year fabian as fucked up and sad even if some of the other pcs were like "what are you talking about dude" . it's because the basic core theses of fabian and leiland eftbk as characters are actually pretty similar

[vaugarde]

oshi no ko is fucking insane like you start it and from the first few pages you think itll be this cute if kinda tasteless story about an idol getting pregnant and her doctor being a fanboy who helps cloak her identity and deliver her kids and its all cute and nice and then the doctor gets bludgeoned by a stalker and reincarnated into the idols baby and his twin is also a reincarnated stan so now the story is about babies doing stan stuff but also going into how toxic the entertainment industry is and how stans interact with idols and how they are treated online but its actually still a pleasant little story and you get used to the wild ass premise and then the idol gets stabbed to death by that stalker and now its a revenge killing story

[mimi-cee-genshin]

how would you describe your writing style? what do you like about it? — @milkstore

LOL. You know I've been seeing this question around and wondered how I would answer it. But you actually asked me. 😂

I'm having a hard time thinking about this because I've been thinking about how I want to improve. Like... I think the things I think I'm good at isn't really a style? Maybe? Like plotting and character building isn't really a writing style? Idk lol.

I'd say my writing is concise and not a lot of fluff. Like if I'm skimming paragraphs in my own story while rereading, I edit it out. And I like my flow and pacing (unless I get lazy and get tired of editting lol)

I also think I've gotten better seamlessly weaving a character's backstory throughout a fic. Apparently one author's advice is to figure out the backstory, put in a drawer, then don't look at it again. lol. I don't go to that extreme but I understood the idea behind it. And I feel like how I structure my fics is influenced by Korean dramas and webtoons lollll. At least for the longer ones. Like giving hints to a character's backstory and then revealing the full picture just before the climax of the story lol. Also having fluff at the beginning of the story before getting to the angst.

[softgrungeprophet]

johnny storm should be a twink and i will die on that hill

[daydreamerdrew]

Iron Man (1968) #131

[sundogsandrainbows]

Each time I have to read " b-but Origins was so unserious and cheery too, because Alistair cracked a joke here and there" I want to stab myself with a rusty fork. Because holy hell the lack of media literacy displayed and not understanding what makes a story work in a coherent way/tone and why, makes me wanna not being able to see/read any longer 💀

also people defending datv’s tonal shift by saying it was actually ☝️ a return to dark fantasy news flash you can’t just slap scary elements onto a setting and call it dark fantasy. that’s not what it MEANS it’s the sociopolitical connotations it’s the bleakness of the setting it’s the outlook of the characters

[thewriteadviceforwriters]

10 Ways to Add Sizzle to Your Boring Writing

Writing that sizzles captures the reader's attention and keeps them engaged from start to finish. Whether you're an experienced writer or just starting out, there are several techniques you can use to make your writing more exciting and dynamic. Here are ten detailed ways to add sizzle to your boring writing:

1. Use Vivid Descriptions

Vivid descriptions bring your writing to life by creating a rich, immersive experience for the reader. Instead of relying on generic or bland language, use specific details that appeal to the senses. Describe how things look, sound, smell, taste, and feel to paint a vivid picture.

In Detail:

Visual Descriptions: Use color, shape, and size to create a mental image. Instead of saying "The car was old," say "The rusty, olive-green car wheezed as it pulled into the driveway."

Sound Descriptions: Incorporate onomatopoeia and detailed sound descriptions. Instead of "The music was loud," say "The bass thumped, and the high notes pierced through the night air."

Smell and Taste Descriptions: Use sensory language. Instead of "The food was good," say "The aroma of roasted garlic and herbs filled the room, and the first bite was a burst of savory flavors."

2. Show, Don't Tell

"Show, don't tell" is a fundamental writing principle that means revealing information through actions, thoughts, dialogue, and sensory details rather than straightforward exposition. This approach makes your writing more engaging and allows readers to experience the story.

In Detail:

Actions Over Exposition: Instead of telling the reader "Jane was scared," show her fear through her actions: "Jane's hands trembled as she fumbled with the lock, her breath coming in shallow gasps."

Dialogue: Use conversations to reveal character traits and emotions. Instead of "John was angry," show his anger through his words and tone: "John's voice was a low growl as he said, 'I can't believe you did this.'"

Internal Thoughts: Reveal characters' inner worlds. Instead of "Emma felt relieved," show her relief: "Emma let out a long breath she didn't realize she was holding and sank into the chair, a smile tugging at her lips."

3. Create Relatable Characters

Relatable characters are crucial for keeping readers invested in your story. Characters should have depth, including strengths, weaknesses, desires, and fears. When readers see aspects of themselves in your characters, they're more likely to care about their journeys.

In Detail:

Character Flaws: Give your characters realistic flaws. A perfect character can be boring and unrelatable. Show how these flaws impact their decisions and relationships.

Character Arcs: Ensure your characters grow and change throughout the story. A well-crafted character arc can turn a good story into a great one.

Background and Motivations: Provide backstories and motivations. Why does your character act the way they do? What drives them? This adds depth and makes them more three-dimensional.

4. Add Dialogue

Dialogue can break up large blocks of text and make your writing more dynamic. It reveals character, advances the plot, and provides opportunities for conflict and resolution. Ensure your dialogue sounds natural and serves a purpose.

In Detail:

Natural Speech: Write dialogue that sounds like real conversation, complete with interruptions, pauses, and colloquial language. Avoid overly formal or stilted speech.

Purposeful Dialogue: Every line of dialogue should have a purpose, whether it's revealing character, advancing the plot, or building tension. Avoid filler conversations that don't add to the story.

Subtext: Use subtext to add depth. Characters might say one thing but mean another, revealing their true feelings through what they don't say directly.

5. Use Strong Verbs

Strong verbs make your writing more vivid and energetic. They convey action and emotion effectively, making your sentences more powerful and engaging.

In Detail:

Action Verbs: Choose verbs that show precise actions. Instead of "She went to the store," say "She dashed to the store."

Avoid Weak Verbs: Replace weak verbs and verb phrases with stronger alternatives. Instead of "He was walking," say "He strode."

Emotionally Charged Verbs: Use verbs that convey specific emotions. Instead of "She was sad," say "She wept."

6. Vary Sentence Structure

Varying sentence structure keeps your writing interesting and prevents it from becoming monotonous. Mix short, punchy sentences with longer, more complex ones to create a rhythm that engages readers.

In Detail:

Short Sentences for Impact: Use short sentences to create tension, urgency, or emphasize a point. "He stopped. Listened. Nothing."

Complex Sentences for Detail: Use longer sentences to provide detailed descriptions or explain complex ideas. "As the sun set behind the mountains, the sky transformed into a canvas of oranges, pinks, and purples, casting a warm glow over the serene landscape."

Combine Different Structures: Mix simple, compound, and complex sentences to maintain a natural flow. Avoid repetitive patterns that can make your writing feel flat.

7. Introduce Conflict

Conflict is the driving force of any story. It creates tension and keeps readers invested in the outcome. Without conflict, your story can become stagnant and uninteresting.

In Detail:

Internal Conflict: Characters should struggle with internal dilemmas, fears, and desires. This adds depth and relatability.

External Conflict: Introduce obstacles and challenges that characters must overcome. This can be other characters, societal pressures, or natural forces.

Resolution: Show how conflicts are resolved, leading to character growth and plot progression. Ensure resolutions feel earned and satisfying.

8. Use Metaphors and Similes

Metaphors and similes add creativity and depth to your writing. They help readers understand complex ideas and emotions by comparing them to familiar experiences.

In Detail:

Metaphors: Directly state that one thing is another to highlight similarities. "Time is a thief."

Similes: Use "like" or "as" to make comparisons. "Her smile was like sunshine on a rainy day."

Avoid Clichés: Create original comparisons rather than relying on overused phrases. Instead of "busy as a bee," find a fresh analogy.

9. Create Suspense

Suspense keeps readers on the edge of their seats, eager to find out what happens next. Use foreshadowing, cliffhangers, and unanswered questions to build tension and anticipation.

In Detail:

Foreshadowing: Drop subtle hints about future events. This creates anticipation and a sense of inevitability.

Cliffhangers: End chapters or sections with unresolved tension or unanswered questions to compel readers to keep going.

Pacing: Control the pace of your story to build suspense. Slow down for crucial moments and speed up during action scenes.

10. Edit Ruthlessly

Great writing often emerges during the editing process. Be willing to cut unnecessary words, tighten your prose, and refine your sentences. Editing improves clarity, pace, and overall readability.

In Detail:

Cut Redundancies: Remove unnecessary words and repetitive phrases. "In my opinion, I think" can be reduced to "I think."

Focus on Clarity: Ensure each sentence conveys its intended meaning clearly and concisely.

Proofread: Check for grammar, punctuation, and spelling errors. A polished manuscript reflects professionalism and attention to detail.

[s0dium]

THAT'S A RED FLAG BABY

JJK MEN AND RED FLAGS

A/n: Yessirrrr MINORS DO NOT INTERACT

Synopsis: Jujutsu men and their red flag in a relationship or generally and how it shows through when they fuck

Characters: Gojo Satoru, Geto Suguru, Yuuta Okkatsu, Sukuna Ryomen, Choso

Warnings: Emotional abuse, narcissism, controlling behavior, dub-con, semi-public sex, spitting, fingering, rough sex, male masturbation, degrading, praise, teasing

~

Gojo Satoru- Narcissist  

Since he was a kid, Gojo has been praised and called many things

The honored one, the strongest, gifted and so on

But what people don't see is behind those beautiful sapphire eyes, is a goddamn narcissist through and through

He thinks, no he knows that he is the best, best at everything

This includes what goes on in bed.

And its not only that, the white-haired fox only cares about himself too in the sheets, abusing his unnatural stamina and using you like a cock sleeve for his own taste

At least he can be nice about it sometimes

Gojo is relentless. Its almost like your his personal cock sleeve, his dick shaping your insides and abusing your cervix despite your choked sobs and whines for him to stop, to simply slow down. He holds the back of your head with his hand, allowing you to look down at the way you two are connected; how he retracts his hips until his tip barely pokes out, admiring the slick coating his shaft before slamming back into you again.

"Ahhh~ P-please Satoru please...."

Gojo rolls his eyes and scoffs. Why were the people that surrounded him always so weak? Even you. It's a good thing you feel like heaven he could almost forgive you.

Tears stream down your face. Every time the tip of his dick rams against your cervix a powerful feeling mixed with pain and pleasure that surges through your body making you tremble and shake. You're losing your mind. Everything is so good, and, God, you can't ignore how handsome Gojo looks right now. His white hair is sticking to his sweaty forehead, and the muscles of his toned abdomen are flexing and unflexing. He is gorgeous, and, boy, he knows it. Even the way your pussy squeezes and spasms around his dick sends more bolts of electric pleasure to dance through your skim.

"Shhhh, just take it 'kay? You're doing so good for me baby." Gojo coos.

Geto Suguru -Controlling

It starts off small, a comment here and there on your choice of friends, a small criticism on where you were going to spend the evening because wouldn't you have much more fun spending it with him?

Then he's starting to pick out outfits for you. Modest but pretty ones for outside but short skimpy clothes for when you're only with him. It even gets to the point where he is controlling your finances, making you only use his credit card, and its not about the money, you can use as much as you want for all he cares. It's about the control, you being helplessly reliant on him.

And Geto has such an easy time getting away with his controlling tendencies, showering you in praises and sweet nothings about how he just wants to protect you. And the way his violet eyes gleam at you, you almost always believe him.

Don't for a second think that he's insecure because it's far from it. The raven-haired man just wants to have you all to himself, he just wants to protect you from the cruel cruel world out there.

"Didn't I tell you to ask me first if you are going to wear an outfit like that?" Geto whispers in your ear but you can barely focus on his words. The curl of his fingers inside you is just too numbing; the way it hits, prods, and massages a spot deep inside your walls that you can only dream about reaching on your own. Geto's fingers are so thick too, almost filling you up as deliciously as his dick does. Almost. "Mmm- I- I, I didn't-" You gasp for air and try to bury your face into your hands. He currently has you against a wall of some bathroom stall but that fact seemed all but lost to you right now. The pleasure was building in your core and fast. Your legs were starting to shake and a numbing electric feeling had taken course throughout your body. You didn't have to open your eyes to know that Geto was smirking.

Suddenly, Goto curls his fingers in a way that deeply presses your g-spot and the dam of pleasure that had built inside you breaks. Your jaw goes slack and your whole body trembles with electricity.

"Didn't expect for you to crack so easily" he chuckles against your ear, and you collapse into his chest. Yuta Okkatsu- Too obsessed

You would think this is a good thing right? You could never love someone too much, but it was different with Yuuta

Sure you had a crush on him, sure you touched yourself to him plenty of times (which Yuuta knew of very well) so the feelings weren't all that unreciprocated

But theres a line, there's a line that Yuta always seems to cross

From taking pictures of you to texting you constantly, christ you even found your panties in his drawer, yuta love was overwhelming.

Yuuta knows that he should wake you up, but he cant bring himself too right now. You just look so beautiful, so perfect under the soft glow of the night sky. Also, he just feels so good right now, Yuuta can barely think so much as speak. "Mmmm-mmm" he whimpers against the pillow, slowly grinding his clothed erection against your bare leg. How would you react if you knew your boyfriend was humping you while you sleep? Would you push him away? No no you're too kind for that, you would probably help him, probably pet his hair and whisper sweet nothings until he finished. Yes, if he knew for a fact that you'd help him when you wake up, what's stopping you from helping you now? Careful not to wake you up, he picks up your hand. It's so small compared to his but wraps so well around his throbbing member. He glides your thumb across his red tip to collect the precum before slowly sliding your hand up and down. The pleasure is immediate. It makes him bury his face into your neck to to press sloppy, wet, hot, and bitten kisses along your skin.

Sukuna Ryomen- Sadist

Where to start with Sukuna. Sukuna is the red flag.

Actually, even that is a complete understatement. Sukuna is straight-up cruel, rather he is a sadist through and through.

Manipulation, degrading, humiliation....although he wouldn't physically abuse you, with emotional abuse he won't hesitate.

You expect compassion, sympathy, and kindness from him? Fat chance. It is hard to see Sukuna being in any relationship at all.

Sukuna certainly doesn't love you, but he sure does love the sex though

Like any good sadist, his sexual pleasure derives from your physical or emotional suffering.

"Aw look at you, fucked you dumb did I?" Sukuna chuckles. A tattooed hand snakes between to your cunt, lightly rubbing your clit before delivering a sharp slap to the nerve.

Your eyes widen and your hips instantly buck up, unintentionally sending his dick deeper into you. The position he has you in is brutal. Both of your legs are thrown over Sukuna's shoulders and pressed against your chest, effectively folding you in half. "Open ya mouth" He orders, but you are too lost in the pleasure that is blooming in your stomach, the pleasure that is making your cunt flutter and squeeze desperately around his fat cock. "I said open." Sukuna delivers a particularly harsh thrust before stilling inside you; keeping the tip of his dick smushed against your cervix. The sudden movement snaps you out of your haze and you obediently widen your mouth letting your tongue hang out. Sukuna lets a glob of spit fall from his lips onto your awaiting tongue. You don't need to be told to swallow, you do so on habit, giving him a soft smile as you do so.

"Fuck, ya so perfect, such a good girl."

Choso- Jealous 

Choso is the type of man who keeps to himself. The type of man to blend in a group or fade into the background.

But that doesn't mean he notices things. In fact, he notices things a bit too well.

Was that your coworker who touched your shoulder? You say that he is just a friend but who should a friend be able to touch you so easily?

He won't hesitate to bring up what he notices either, he says he's not accusing you of anything, that he trusts you, but he totally is.

He hates it when people get to close to his brothers so it posits that he loathes it when it comes to his lover.

How did you get here? How did an argument turn into this?

You want to scream, you want to thrash and tell Choso that he's got it all wrong, that you didn't mean to see your guy friend when you went out to have lunch. It was just a harmless bump-in that turned into a long conversation. Thats it. But the feeling of Choso's dick filling you up, his harsh thrusts and the fucking delicious friction of the drag, Jesus, it's just- it's just so good your mind that your mind is a white sheet.

You are on all fours but you don't know how much longer you can keep the position up. Not with the way he's ramming your pussy from behind.

“You are mine," he grunts out, pumping into you, the length and level of his arousal is brutal. "Mine," he swears, and he pulls you up so your back is pressed against him and you are upright. Choso doesn’t slow his movement though, giving you full, hard thrusts, your breasts bouncing up and down from the harshness of it all.

“You wanna cum? Good, cum."