#important stories

[techmomma]

Speaking of stories that make you feel like dogshit but I think are important to experience, here’s a list of my own.

Fair warning: please friends if you have any triggers, look up the trigger warnings for these. Many of these will be chock full of them, or... will be Very Politically Incorrect, to say the least, aka products of their time or morally grey or addressing topics in ways we perhaps would not do today. You’re all big grown-ups and can do your own research and form your own nuanced opinions of these stories. These stories all profoundly influenced me, or taught me important things, or at the very least, opened my eyes to new, sometimes painful perspectives that are important to be aware of.

Movies

Grave of the Fireflies

Barefoot Gen (1 & 2)

When the Wind Blows (1986)

Persepolis (was originally a graphic novel, so counts for the below categories as well)

Series

Bojack Horseman

Chernobyl

The Haunting of Hill House

Books/Graphic Novels

Farewell to Manzanar

The Diary of Anne Frank

All Quiet On The Western Front

To Kill a Mockingbird

1984

Pride of Baghdad

Misc.

The Holocaust Museum in Washington DC (obviously not a story, but an incredibly important experience in my opinion, and technically full of millions of biographies)

Museum of the American Indian in Washington DC

I will inevitably remember more that I’ve seen and can’t think of right now, so when I do, I’ll reblog this with more additions.

[despazito]

After nearly 20 years of trying to increase the red-headed vulture population, this endangered baby vulture was born in March at the Nakhon Ratchasima Zoo in northeast Thailand. The endangered bird is the first red-headed - also known as Asian king vulture - to be bred in the continent and only the second in the world. X

[wearenotjustnumbers2]

Remember the 6 year old girl who was surrounded by Israeli tanks and the red crescent couldn't reach her? Her name is Hind Hamadeh. Here you can hear the phone call her 15 year old sister, Layan Hamadeh, made with the medics. She was killed exactly a moment later including all people in the car, except for 6 year old Hind who was stuck in the car with the dead bodies of her family, Israeli tanks and IDF surrounding her, shooting, preventing anybody to reach her.

That was last night (29.1.24). Today, still nothing. The fate of Hind remains unknown.

palestine red crescent ambulance team went to rescue her yesterday evening, but they have not returned as of now. We lost contact with them about 18 hours ago, and we still remain unaware of their fate and whether they succeeded in evacuating her or not.

Please, share Hind's story as much as you can on any platform. We need to know what happened to her. Put yourself in her place, how terrified she must be. Don't scroll past this.

This is Hind.

[troythecatfish]

[morningsaidthemoon]

streamer au ??????? video game au ???

[chloesimaginationthings]

Susie meets the friendly yellow rabbit in FNAF..

[secondbeatsongs]

you will never truly know the effect you have on other people's lives

this is both a blessing and a curse

[impishtubist]

I've never been explicit about this because I'm a Fandom Old, and back in the day it was simply understood that anything on the Internet was fair game to do with what you wish, but: if you see a story of mine out there and you like it, download it. Fuck if I care. Keep it for yourself, distribute it to friends, print copies for yourself and your friends, mail it to people, I don't give a shit. As long as you're not exchanging money, I couldn't care less. And tbh you should be doing this with all fanfics you love - print them, save them, put them on a flash drive or a hard drive or share them with friends, whatever. Fanfic authors these days are really fucking precious about their fics, but honestly we're probably going to start seeing queer art being disappeared (especially in the US under the next president) so do whatever you can to archive the things you love to read. Even if that means just printing them out and sticking them in a binder for yourself to read as a bedtime story.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[watchyourbuck]

I don’t think yall understand how meaningful it is to have Oliver say “when you close your eyes it all feels the same” (kissing on screen). The fact that he doesn’t laugh it off, or say he had to push through it, or that it was a little weird like other actors have in the past is so incredibly important. This is him portraying a character and his sexuality, and it’s so validating to have the actor do his job the way Oliver has, in such a caring, positive way. It’s the feeling of finally belonging, of blending in when you’ve been marginalized and picked out all your life. Love is love, and a kiss is just a kiss.

[dyleeart]

How s4ep11 should have ended

[wearenotjustnumbers2]

These two kids are Hamza (the oldest) and Qusai (the youngest).

Their mother shares this video and bids them goodbye. They were both killed by Israeli bombardment 5 days ago. She says:

[Two days before Hamza and Qusai were killed, hamza asked me: "mom, when we die, where will I go?" And I told him: "you will be a bird in heaven, my love." He said: "and Qusai?" "Just like you inshallah."

And indeed, two days later, he left and took his brother with him. It's like he was preparing me for saying goodbye to both of them. Heaven is more beautiful than any place on this Earth, habibi. We will meet and be reunited one day, me, your dad and you two].

Our kids don't deserve to die already thinking about what will happen to them, they don't deserve to die already terrified, anticipating their death because the world failed them and decided their lives mean nothing. We are not numbers. Remember their names and their stories.

[troythecatfish]

[aalghul]

once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.

and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots

[diamondsunbursts-and-marblehalls]

Reaper is everything.

The respect he had for the other tributes. The grave he made for the fallen tributes. He was completely exposed and could have been killed by anyone, but recognizing those kids and respecting them the way they deserve was more important to him. The way he tore down the symbol of the government that was supposed to protect them, and used it to cover the bodies of the kids it failed so badly. His calm demeanor. The love he had for his sick and fragile district partner. The love he had for Wovey. The way he protected those gentle souls the best he could. He didn't even try to fight. He knew he wasn't going to kill any of these kids. He's the original revolution. He wasn't going to play the capitol's games. He didn't let them turn him into something he's not. He is everything good.

[contactlessdrivethru]

just finished opla mood