#immediately followed by 'so who do you think i am'

[flawseer]

In your last ask, you mentioned misgivings with Book 10's ending, and especially how it pertains to Winter. I absolutely agree, and I know why, but I wanna hear your thoughts on it, too: What's up with Book 10?

The following is a (very long) examination of my personal feelings with regards to the WoF second story arc finale. While it is based on what is in the text, this analysis will be interpretive and fill in blanks with my own thoughts. Keep that in mind.

Hahhhh... okay. Since mentioning it in my last post I’ve gotten several requests to talk about my feelings regarding the second arc finale. There’s probably no way around it then.

If you haven’t read that last post (it was admittedly very long, and so will this one be), I talked briefly about why I didn’t like that part of the story. I have to warn you now, this will likely be the most negative and dour post in the history of this blog. In a few parts it will sound like I hate Wings of Fire, and I want to say now, while I still have the chance, that I don’t. I love this series, thinking about its setting and characters brings me joy.

I also—very emphatically—want to make it clear that I have no ill will against Tui T. Sutherland. I’ve looked around other people’s stuff a bit and there are a huge number of posts wishing violence upon her or threatening her for doing things to her series that people don’t agree with. That is NOT what I am doing here, shit like that is NOT okay! While I will be critical of her choices, I still respect her effort of bringing this vibrant, wonderful world of dragons to all of us.

Also, obligatory last disclaimer: If you liked the finale, that is okay. You are valid for feeling that way. I’m here to share my point of view, not to demand people agree with everything I say. Just be warned that you most likely won’t enjoy what I have to say. If you don’t think you can handle that kind of criticism, this is your guilt-free opportunity to stop reading.

Otherwise, let's get into it.

CW: Discussion of parental abuse, depression, disease, and extreme acts of violence.

In defense of the finale

Before I start to systematically disassemble this narrative and get lost in a quagmire of negativity, let’s talk a bit about the circumstances that brought forth this part of the story. The plot of this arc was a mess from the moment animus magic was unshackled from the restrictions it had in the first arc, and from then on there was no longer any conceivable way to end this story in a clean way. Sutherland had created an invincible, unbeatable, omnipotent villain; he could read minds, see the future with perfect clarity, and anything he could imagine he could conjure into existence at any time with no cost to himself and no drawbacks. She was likely wracking her brain about how to resolve this impossible conundrum. What we got wasn’t good, but I believe nothing could have been. The foundation was rotting and by the fifth book it couldn’t bear the weight of the plot anymore.

The thing about animus magic in arc 2 is that it is so potent, so all-powerful, and so free of restraint that everyone who uses it also HAS to be a simpleton, or they would be able to break the plot immediately and become god. From the moment Darkstalker broke out of that mountain, he could have said “Any and all spells that are cast with the intention to harm me, interfere with my plans, or do something I don’t consent to will not work, from now on until forever”, and he would have instantly won. The strawberry would have fizzled out. The Darkstalker-blocking earrings would not have been created, and no one could have saved the Icewings. On the flipside, Turtle or Anemone could have said “I enchant the concept of animus magic itself to no longer obey Darkstalker”, and his threat would have been neutered. Point is, powers as potent and easy to use as this really need limitations, or they will quickly eat your plot alive.

I don’t envy the situation Sutherland was in at the time at all. If you’re an author, that kind of thing is a nightmare. It really is no wonder she decided to blow up animus magic for good in her next arc, even if I would have preferred it to get more healthy restrictions instead of killing it outright.

The Darkstalker age regression thing

Everyone has talked this part to death already, but if I am to write a thorough analysis of my feelings regarding this finale, I’m going to have to talk about it as well. I’m sorry if I end up repeating a lot of things you’ve already heard.

This final fate of Darkstalker, to have his memories wiped and be reset to an infant, is really uncomfortable. As far as I am aware, though correct me if I’m wrong, Sutherland said in an interview that she didn’t want Darkstalker to die because, in her view, he did not deserve to. We can debate here about the philosophical question of whether anyone is truly deserving of death, and the merits of “justice” and “punishment”, but in general, Wings of Fire did not seem to have any issues killing off its villains prior if they committed suitably terrible acts. That makes this moment stand out as noteworthy.

Who is Darkstalker then--and if we assume villains can be “deserving” and “not deserving” of death--what about him speaks in his favor, or against? The guy had a pretty crappy childhood, coming from a broken home (there is that inadequate parent theme again). He genuinely loved his sister and felt protective of her, and whenever he liked someone he wanted them to be happy and feel affirmed. The thing that Queen Diamond does to his mother is awful and he is justified in hating her for it. He is also portrayed as rather sympathetic in Moon Rising. When he asks Moon to find his scroll for him and not to leave him, he is not manipulating her, he is sincerely begging for her help. He is stuck somewhere underground, trapped in darkness, in a space so tiny that he can’t move. He remains that way for months, lonely and sad. If you just focus on these aspects, it’s easy to understand why he has so many fans who want him to see healthy and happy.

On the flipside, while he is dedicated to the happiness of his friends, he doesn’t always go for the most ethical way to achieve it. He tries to brainwash said friends without their consent whenever they exhibit behaviors he doesn’t like, or when he thinks he knows better and wants to “fix” them. He has very little regard for other people’s autonomy, lies to his loved ones with alarming frequency, and is unhealthily attached to the idea of power. Those things are certainly not good, but they are his character flaws. These are his demons; everyone has them and they make him a person. If this was all there was to it, he might still be a villain, but I’d argue he’d not be wholly irredeemable.

But there are things about him that take him beyond the pale. Things that go beyond the realm of just being misunderstood, or easily excusable.

He is possessive. He wants Clearsight and Fathom for himself, and for them to listen to him primarily. When Indigo makes it clear she doesn’t like him and cautions Fathom against trusting him, he deceives his friends and traps Indigo in a wood carving, just so he can isolate Fathom from his support network and manipulate him easier. He alters Clearsight’s mind to make her more agreeable and stop her from holding him accountable for his actions; while he thinks he loves her, he only loves an idealized version of her that is wholly devoted to and unquestioning of him. This is why, when he later forcibly overwrites Fierceteeth’s existence to recreate her (which is another horrific thing), he tries to excise the parts he finds undesirable to create a perfect version of his lover. But this caricature he has created in his head is not and can never be Clearsight, which frustrates his attempts.

He is vengeful. Not against people who have actually wronged him, like Queen Diamond. That would be questionable, but understandable. What makes this unacceptable is his frequent targeting of innocent people who just happen to be related to the person who wronged him in some esoteric way. He enchants a secret murder knife that kills random Icewings regardless of who they are or what they think about the Queen, just because the one who took his mother from him happened to share their tribe. He hates Turtle and wishes death upon him in Moon Rising just because he is a green Seawing, like Fathom was. And then there is the big one: He tries to kill all the Icewings who are alive in the present day, where Queen Diamond is long dead and none of them have ever even met her. Even his mother, who suffered from Diamond’s actions the most and has the most reason to hate her, is horrified and calls him out on that one.

And lastly, he is sadistic. He revels in torturing those he hates. He forces his father to disembowel himself, while the latter is fully aware and powerless to resist AND the man’s traumatized daughter is watching. Later he sends a magical plague to kill every single living Icewing sans one.

It should be noted that Darkstalker possesses virtually infinite magical power; whatever he declares, with very few exceptions, will happen. Even if he wanted them dead, he had the power to prevent unnecessary suffering. He could have said “Arctic, fall dead instantaneously”, or “Every Icewing will fall asleep and pass away peacefully,” but he didn’t. He wanted them to feel pain and pass away in the most wretched, agonizing ways he could imagine.

So what he chose to do instead is—and I want you to picture this for a moment—Darkstalker sat down, calmly, and said “Henceforth every living Icewing, excepting Prince Winter and those of hybrid blood, will fall ill with an incurable disease. This disease will cause heavy internal bleeding and make its victims cough up blood and waste away for a few days, followed by certain death.”

This spell does not discriminate with regards to who its victims are. The book glosses over the implications, but imagine the ramifications. Young children are notoriously frail, how many newborns got infected and died because of this? How many families were torn apart because they couldn’t get the magic earrings fast enough? Or accidentally got one earring less than there were family members and had to decide who has to die?

Most of the Icewings were physically cured by the earrings, but an experience like that sticks with you for the rest of your life. Somewhere surely, a dragonet watched as his mother put the earring on him and then slowly wasted away because she didn’t have one for herself.

It’s really easy to overlook how horrific this spell is because it isn’t shown or dwelt on. But the trauma, grief, and suffering it caused must have been immeasurable.

And none of those victims have ever even met the person Darkstalker wanted to get revenge on. None of those deaths meant anything to anyone.

The attempted death toll and scale of the calamity here puts even Scarlet to shame. The ones who come closest to it were Queen Battlewinner and Morrowseer with their attempted Rainwing extermination. All three of those died for what they did. Gives you some food for thought for sure.

Peacemaker’s burden

Despite just airing all of his dirty laundry and declaring him an irredeemable villain, I actually do have a lot of sympathy for Darkstalker still. His story is really sad. He was a child born with an amount of power that nobody should possess, and it corrupted him to the point where it destroyed his life before it began. His parents were always fighting and no matter how good his intentions were, he was unable to understand why he couldn’t hold on to his friends and relationship. He kept making mistakes, then made bigger mistakes to fix those, until his hands were covered in blood and he couldn’t stop anymore. My belief is that, after he wakes up in the present and realizes Clearsight is dead, he loses his reason for living and becomes completely lost in his grief.

Therefore, my opinion is that it would have been appropriate for him to die. If not to punish him, then to finally grant him reprieve from all that rage and pain, and let him rest. I think that would have been a dignified end.

But instead he got turned into a baby. ... And then they decided to magically erase his father’s blood from him? I don’t know what it is, but something about that Icewing erasure makes my skin crawl?

The thing that turns this baby twist from weird into highly unsettling is the context. Darkstalker’s mind is erased, then modified into a new person via animus magic. This is the technique a lot of this arc’s villains used to victimize Hailstorm, Queen Ruby, Peril, Kinkajou, Fierceteeth, and Winter. The same technique is now used again, by the heroes, which is a dangerous thing to have your protagonists do if you want them to remain morally upright.

It is also very reckless, because in almost all of these instances, animus mind alteration has been shown to be very unreliable. The spells seem to wear down over time and are susceptible to partial breaking upon encountering certain strong stimuli. Hailstorm—while trapped as Pyrite—seems to retain trace amounts of his former memories, which is why Pyrite is subconsciously drawn to Winter and clings to him all the time. Ruby is able to ignore half of her conditioning because her familial love for her son partially overpowers the magic. Qibli is just straight up able to reason his way out of it.

The thing to note here is that spells of this nature require a very meticulous approach; you can’t half-ass your reprogramming or the victim will just think their way past it. If you alter someone’s mind, the wording of the spell must be ironclad, lest you risk it wearing down over time and even break.

Luckily we have nothing to fear in that regard, because the spell that created Peacemaker was written by a Rainwing with a total of four days of literacy training. No one better mention the name Clearsight to the new baby Nightwing, or next month is going to be rather interesting.

But that’s just speculation on my part. Let’s assume that, somehow, this spell isn’t as unstable as all the others. Somehow Kinkajou threaded all the needles, and masterfully dodged every conceivable pitfall to pen the perfect incantation, despite having been illiterate just a few weeks prior. This one is built to last and Darkstalker is sealed away really thoroughly, for good.

That is still absolutely terrible and morally dubious, because now you have Peacemaker, who for all intents and purposes is a COMPLETELY innocent little kid, saddled with this huge burden of being the certifiable reincarnation of a genocidal ancient wizard. He’s gonna grow up thinking things like “Mommy gets real quiet whenever the topic of the Icewing tragedy is brought up,” and “Why does Auntie Moon look at me like that? One time she accidentally called me a weird name, who is Darkstalker?” “What is this ‘Clearsight’ name my mind-reading friends from the village found in Mommy’s mind?”

In a village that will be full of mind-readers soon, eventually the secret will come out, and Peacemaker is going to learn what was done to him. A huge, messy load of undeserved baggage was forced onto this completely separate, innocent entity. He will be devastated. Whether he then chooses to forgive them for this remains to be seen. To be honest, he would be well within his right not to, and turn resentful.

Poor kid.

Qibli’s callousness

I love Qibli, he is one of my favorite characters. This happens to be his book, and the fact that I fundamentally dislike half of it makes me rather sad. If anything, I hope this tells you that I’m not just hating on it for my personal amusement. I really wanted to like this. I tried to, and I couldn’t.

Qibli is really weird in this one, to be honest. He is suddenly made to be co-dependent on Moonwatcher, fawning over her every third paragraph, saying how much he loves her, how he is an incomplete and dysfunctional wreck without her, how it physically pains him to be apart from her, oh if only the stars would grant his wish and split the mountains apart so that he may fly to his princess, his muse, his goddess of ebony wit. It gets so old.

And it’s not Qibli. He never acted this clingy towards Moonwatcher. It’s more intense than even Winter gets about Moon, and Winter was actually depicted with a crush on her in book 6. Qibli was always just a supportive element, eager to befriend Moon but never desperate, like he is going to keel over if he is separated from his true love five minutes longer. These very frequent love declarations feel so forced coming out of him. It strikes me like it was just written in service of the love triangle. Maybe if we make him confess his love every four seconds readers will overlook the fact that they had no proper romantic build-up.

You might rightly accuse me of bias. I have previously admitted I am fond of Qibli/Winter as a romantic pairing, on the surface this seems like I am just not happy with my pet ship being blocked by Moonwatcher. But I assure you, I am actually pretty flexible and accommodating even towards pairings that contradict my preferences. I have no issues with Winter/Moonwatcher, for example, because the possibility was properly established and they have good romantic chemistry in Winter Turning. In theory, I would have no problem with Qibli/Moonwatcher either if it was ever set up as an interesting romantic dynamic. But to me, it seems like Qibli is written as a good, supportive friend to Moon for four books, only to pivot hard into “Moon moon moon moon moon moon swoon” at the last second, and it just reads to me as obnoxious.

I got distracted. This section is called “Qibli’s callousness”, and I haven’t even talked about the main part.

Qibli and Winter have excellent chemstry together, whether you read it as romantic or platonic—both of these interpretations have merit and are set up. They’re always the highlight of any scene they’re in. Throughout the story arc you get the impression that these two really get on each other’s nerves, but they bond and grow into really strong friends who bicker a lot but have each other’s backs when it counts.

Then there is a scene where Qibli casually tells Winter that he wouldn’t object if someone wanted to mind-control away some of Winter’s more objectionable traits.

This is genuinely a terrible thing to say to your friend. Like, it crosses a line and ceases to be harmless banter; you’re just telling them that there is something you hate about them so much that you wish they were someone else. Winter actually WAS mind-controlled earlier and felt (and proably still feels) guilty about having attacked Qibli in that state. And now Qibli says “Hey, I wouldn’t mind if someone did that to you again! Hue hue!”

It is awful, BUT I don’t necessarily object to Qibli saying this here. Qibli is in the middle of his character arc at this moment, so he is expected to be flawed. He is making a mistake by thoughtlessly telling Winter this horrid thing, and it seems like a believable continuation of his current character track. This is a reasonable development as long as the plot acknowledges that it’s a mistake.

Spoilers: The plot doesn’t acknowledge that it’s a mistake. Qibli never has a scene after where he reflects upon what he said and apologizes to Winter. When Darkstalker has Qibli trapped in his mountain jail and mind-wipes Qibli’s grandfather into a toddler (hey, wait a minute), Qibli gets visibly disturbed. Like, this is so off-putting to him that he gets queasy and Darkstalker hastily changes the spell. That could have been a great way to bring this back. Like in the epilogue, have Qibli track down Winter and tell him about disturbing baby grandpa theater and how he realized that wiping people’s minds is actually messed up and should have never said that to him.

But he doesn’t. He just lets Winter go, allowing him to believe he is broken and needs magical intervention to be tolerable. It leaves me to think that maybe he’s still okay with it, and fantasizing about rewriting his friend’s mind. Great.

Moonwatcher’s character death

You will find as this goes on that, I get the impression that the second half of this book takes all of the wonderful, endearing characters I have learned to love throughout the story and replaces them with really mean, or stupid, or otherwise inaccurate caricatures.

Moonwatcher’s relationship with Darkstalker gets plenty of setup and development in Moon Rising. You get the sense that these two could be great friends if their circumstances were a little different. It does a great job at making you think maybe Darkstalker is just misunderstood; maybe Moon should free him from his predicament.

Then at the end of Escaping Peril comes the emotional gut punch. Darkstalker actually IS a villain. He callously admits to Moonwatcher that he used his magic to make his own father gruesomely disembowel himself. Moonwatcher is horrified and disgusted that he would do that. There is no circumstance in which something like that would ever be okay. She ends the scene awash in tears because the person she thought was her friend is a murderer and a sadist. This is good, that is a natural reaction to what she was just told.

A few hours from there, in Talons of Power, Turtle finds Moon again and she is completely cool with Darkstalker walking free, despite crying her eyes out after feeling so betrayed earlier. That may seem strange, but this is still good because later, Darkstalker’s mind control plot is discovered. This scene was obviously written to set that up, Moon is mind-controlled into forgetting that Darkstalker could do something that morally reprehensible, and thus forgives him. This is also completely in line with his characterization in Legends: Darkstalker. It’s a kind of stunt he would pull to get Clearsight to shut up about him slipping into villainy.

In my earlier post I alluded to a moment where Moon is set to narrative auto-pilot and says something so rampantly off-kilter that it does irreversible, permanent damage to her character. It happens here, in the second half of book 10. Qibli gives Moon the Darkstalker protection earring, and Moon, somehow, says “I’m not being mind-controlled, Darkstalker really is my friend.”

I get what the plot tries to do here. It’s taking this concept of mind-control and adding a nuance, in an attempt to flesh out Darkstalker and give his character depth. He is ready to control everyone in the world, but for Moon, who is his best friend in this era, he wants her to remain herself. Perhaps this is his attempt at attonement for playing with Clearsight’s mind and driving her away from him. It is very touching in a way, viewed in isolation.

Unfortunately, it does not work with the full context of all the books. Because Moon is in auto-pilot mode right now, her main character trait is “Darkstalker=Friend,” so naturally she would speak in support of him. But this revelation has devastating retroactive consequences. The earlier scene that was written with Moon under mind-control is now altered into her having been in her right mind! She is completely okay with Darkstalker’s admittance to cold-blooded torture and evisceration, within hours of being so shocked by it that it made her cry and ready to denounce him. That is such a quick turnaround it’s giving me whiplash. And what’s more it turns Moon from a principled, upstanding girl into a sociopath who casually accepts gruesome torture and murder if it is committed by someone she likes.

Did Sutherland forget about the scene two books ago, where Darkstalker’s actions were so inconceivably horrid for Moon to learn of that she started crying? It baffles me that this made it into the final version. Her saying she was never mind-controlled makes Moon come off as so awful. This torture-excusing lunatic is not the same kind-hearted and insightful character I followed in all the other books.

Kinkajou’s character derailment

The world is a sad place when I have to question the way Kinjajou is written. Fortunately she is mostly fine, despite her having the biggest excuse to act out-of-character since she’s the victim of a mind-altering spell. Her only real moment of “what!?” comes at the end.

I already talked about her role in casting the spell that regresses Darkstalker into an infant. But I didn’t mention how her being the source of it is questionable in itself.

The clue is in the first paragraph of this section: She herself has experienced the effects of invasive mind-alteration. She was cursed by Anemone in the previous book to be in love with Turtle, and kind of half-struggles kind of not with it, it’s really strange. Turtle is appropriately horrified and acts like really awful things are happening, but then it’s mostly played lightly for some reason. My assumption is that Sutherland introduced this plot point, but then realized how uncomfortable this premise really is and tried to downplay it until the story got to a point where it could get done away with.

But I think the takeaway is still supposed to be that this was a horrid thing to do (which it absolutely is), and that Kinkajou will have to spend a lot of time trying to untangle her real emotions from the fake ones the spell created.

The point is: Kinkajou knows first-hand how awful it is to do something like that to another person. Ideally she should never even conceive of the idea to cast a spell like that, but if we’re really set on this Darkstalker baby thing and it has to happen, she should at least be a bit hesitant about it. And afterwards she should struggle with the guilt of having resorted to it. Not celebrate it and be proud, like it’s funny.

The assassination of Winter’s future

Now we come to the part I’ve alluded to previously; the part where all of these threads converge to utterly destroy one character and drive him to the brink of ruin. Let’s talk about Winter.

Prince Winter is the son of Tundra and Prince Narwhal, hatching in the same clutch as his sister Icicle. He spent his formative years being unfavorably compared to said sister—who easily took to traits that Icewing royalty considers desirable—whereas Winter struggled greatly to embody those same ideals. He was just a little too kind, too merciful, too gentle. As a result he often had to endure abuse from his parents, who made him feel like he was defective.

Because he was young and didn’t have any other frame of reference, he embraced this abusive narrative and began to drive himself with a vigor unreasonable for someone of his age. He scraped and cloyed for every bit of credit he could get, obsessing over advancing up the circle rankings in an attempt to “purge” the wrongness out of himself. To make his parents as proud of him as they were of Icicle.

This never worked. He was always seen as the runt, poised to embarrass the family name. Whatever he did, no matter how hard he strived, there was always something he could have done better.

The only real source of love and affirmation in his life was his older brother, Hailstorm. Where everyone else only saw what Winter wasn’t, Hailstorm embraced his brother despite of his “failings” and was openly affectionate with him. When Winter was with him, it was okay to not think about rankings all the time, and just be himself for a bit. I assume Hailstorm fulfilled a similar role for Icicle as well, which is why both of them love him dearly, and Icicle destroys her own life to bring him back.

Winter also has a fascination with scavengers, possibly because they are small and perceived as useless, like he himself is. He likely feels a kinship with them and observes them being craftier and more adept than everyone else sees them. This is therapeutic for him, to see that a thing can have merit even if no one wants to see it.

One day, he and Hailstorm sneak into Skywing territory so Winter can catch a scavenger as a pet. This excursion turns hostile when they are discovered by a roaming Skywing troop and faced with the prospect of capture, possibly execution. In a gambit to save Winter from this fate, Hailstorm mirrors the words of his parents, calling Winter pathetic and useless, so the Skywings will not think of him as a threat and show mercy. His act succeeds in convincing the Skywings, but it also convinces Winter, who does not understand Hailstorm only said these things to save his life. He returns home—believing his brother hated him all along—to face the wrath of his furious family for losing them “the desirable son”.

For all of his life, these themes have repeated themselves and haunted him. “I was born wrong and defective,” “I am unlovable,” “No one wants me.”

A few months after the war ends, Winter is one of the five Icewings enrolled in the newly founded Jade Mountain Academy. Shortly after departing, he unexpectedly returns home, having successfully rescued his older brother and bringing him back. He is made to believe that this erases his mistakes, his mother even pays him a backhanded compliment, an uncharacteristically “nice” gesture. He is promoted to the top of the rankings, finally his parents are proud of him.

But of course it is all a trick. The “adoration” afforded to him was all a ploy. Secretly, his parents abused power and tradition to arrange for Winter’s death. They force him into a lethal trial they intentionally rigged against him, all to finally erase that stain on their family’s honor.

Winter finally realizes the true nature of his parents’ opinion of him. Even when he succeeds, and does everything right, he is still defective, unlovable, and unwanted. He will never be anything else to his family. And so he leaves his homeland, pretending he is dead, resigned to live in hiding forever.

During this time, while at the brink of despair, Winter is able to draw strength from one source: His new friends from the academy. He vocalizes that, for all the abuse he suffered at the hands of his birth family, he fervently believes that THEY would never do anything like that to him. They chose to stuck with him, even when he was awful, and told him he was not hopeless. He was not a mistake; he could be deserving of love.

So naturally, he returns to them; they accept him readily, are willing to be his new surrogate family. When he almost burns to death at a later point, they fear and weep for him. When Qibli sets out to confront his own abusive family, Winter, despite being mind-controlled into a placid potato at the time, feels concerned enough for his friend’s safety to insist to come along (returning the favor of them accompanying him in his time of need in book 7). When Darkstalker’s mind control forces Winter to attack Qibli, he is shown ashamed and guilty of it once the control wears off again.

They bicker and struggle, and make mistakes, they break up but always come back together again. Time and time again the one thing that is always reinforced: When the cards are down, Winter loves his friends, and they love him. They would never intentionally hurt each other, or give up on each other.

I want you to keep in mind how wholesome, and loving, and mutually supportive this ramshackle band of misfits has been portrayed to this point... Because we’re moving on to the arc 2 finale, and it will do everything it can to corrupt all of it and consign Winter to a life of misery.

We arrive at aforementioned scene, where Moonwatcher receives her earring. Just a little bit prior, Winter had learned that Darkstalker unleashed a magical plague onto his people in an attempt to wipe them out. Now here is Moonwatcher, revealing that she is not under any spell, and has aligned herself with this guy willingly, speaking fondly of him as if he was a dear friend who never did any wrong. Winter takes this badly and accidentally breaks a vase; the narrative lingers on this moment and really tries to sell us on how unreasonable Winter’s reaction is, how he is overreacting, but let’s examine that interpretation for a moment.

Moonwatcher doesn’t yet know about the attempted Icewing genocide, but she DOES know about Darkstalker being okay with casting spells to inflict immeasurable torture upon those he hates. WE know that she knows this, so her stance here is already suspect. Yet she goes on to praise Darkstalker and refer to him as a friend. Look at this from Winter’s perspective. This “friend” of Moonwatcher just tried to kill his entire tribe, and he actually succeeded in killing his aunt, Queen Glacier, a person Winter greatly respects. Winter is currently unable to return to his homeland for fear of being branded a traitor. Even if he could return, he knows his obstinate and spiteful family would prevent him from attending the funeral, meaning he is not even afforded the basic dignity of saying farewell to his aunt. The aunt whom Darkstalker murdered by making her vomit her own blood until she withered away in her bed. And here is Moon, absolving the person who did this to Glacier from his appalling actions, despite knowing full well what Darkstalker is capable of and choosing to look away.

I don’t know about you, but I think I can forgive the grieving, emotionally overwhelmed boy for shattering a little pottery after hearing his trusted friend—who held his hand when he was dying—say that the guy who makes people disembowel themselves and wipes out entire countries may be misunderstood and not so bad. I think I would have a similar reaction. In fact, I would never want to talk to her ever again.

There is no way I can read this scene in which Moon doesn’t come off as either an absolute lunatic, or critically stupid and callous. In fact, based on her earlier behavior I half-expect her to get over the news of the attempted Icewing massacre in a couple hours, saying “Eh, it’s kinda bad, but you just have to do these kinds of things sometimes, you know? I’m sure he had his reasons.”

Then there is the part where Qibli makes his off-color comment about how Winter’s brain could really use a good wash. I already went into how it could have worked but didn’t. But with the timing here, we’ve already had Moon spit on their friendship, so as Winter’s other closest friend, it naturally follows that Qibli also craps on his feelings.

Consider the context: Winter comes from an abusive household where his parents forcibly tried to change him away from who he was to purge the “wrongness” from him. When they betray him and he narrowly escapes their attempt on his life, he re-affirms his belief in his friends, and the knowledge that they wouldn’t treat him like that gives him the strength he needs to keep going. But now, Qibli asserts that Winter DOES need to be altered, thereby AGREEING with Winter’s abusive parents, rendering Winter’s affirmation from book 7 erroneous. Qibli WOULD treat him like that if it made Winter less “intolerable”.

Neither Moonwatcher nor Qibli ever make an attempt to repair this rift. Winter is left betrayed and alone.

Stuff happens, and the forces of the Nightwings and Icewings come to blows over Jade Mountain. With his two closest friends having written him off and his support network eroded, Winter relapses into thinking he is worthless, seeks validation in unquestioning patriotism, and realigns himself with his abusive family by throwing himself into the battle. Nobody wants him to, in fact his parents still hate him for it, but whatever. His father dies and his mother blames him for it.

Meanwhile Turtle, Anemone, and Qibli are cooking up a solution to the battle problem. They have the idea to make everyone’s minds connect in a huge empathy wave for a few moments, which I think is a pretty interesting idea for what it’s worth. But then they teleport both armies back to their homes, and the spell sweeps Winter up with them, taking him out of the rest of the finale and bringing him to the Ice Kingdom. The characters say “whoops” but aren’t further concerned with the situation. It’s all a big laugh.

Let me remind you that Winter is currently considered not welcome on Icewing territory. His family, whom he was sent back with, is extremely abusive and vindictive. His friends know this. Said parents have previously arranged for him to be killed, and are still on record as wanting him dead. His friends KNOW this. And now he is alone with them and a gaggle of other royal Icewings who all are extremely pissed off at him for ruining their sacred trial site.

It is very possible that he is being torn apart and mauled by an enraged mob right now. He could be forced into captivity and flayed. Maybe the interim regent is sentencing him to death and getting the rope ready. There is a million different horrible things that could be happening to Winter right now, while he is trapped alone with people who hate him, things his friends would be reasonably able to anticipate. And nobody is doing anything to get him out of there, to suggest bringing him back, even though it would only take a single spoken sentence to do so! They aren’t even concerned!

Then the climax happens, strawberry thing and all, and we get the coup de grâce. After all is said and done, the group decides that Winter is untrustworthy, and that they must protect the secret of Darkstalker’s fate from him, because they fear if he knew he would kill Peacemaker.

Moon, who read Winter’s mind in book 6 and reached out to him about how the “ruthless Icewing warrior” persona in his head is a facade and how she sees he has a gentle and good heart... Moon, who in book 7 finds out about Winter’s secret deal to kill Glory and STILL trusts him, who calls out his bullshit to his face because she KNOWS how kind-hearted Winter is and that he would never resort to murder... Moon who, again, held his hand while he was dying... thinks that the dragon she has reminded of his compassionate nature time and time again would kill an innocent child.

This is disgusting. Moon believing that is so far off the mark with regards to anything this group has embodied or done for any of the last 4 books, that my only conclusion can be that these are different characters. Maybe the Nightwing library collapsed on top of original Moon, and when Darkstalker magiced her back to health she came back wrong or something. I don’t know.

So after all of this, Winter is left alone. He somehow escaped from the Ice Kingdom; luckily there is a timeskip so we can just gloss over the horrible situation he was put in by his friends. He thinks about Jade Mountain. He reflects on everything that happened, how his parents never really loved him... How they hated him so much they tried to kill him... How he despaired, but found solace in his friends who loved him for who he was.... How those friends then betrayed him too and magiced him away... How they didn’t care about what happened to him... And he decides he is done. He won’t bother going back. A few people, probably Sunny, reach out to tell him he is welcome back, but he says “it wouldn’t be fair to other Icewings if an exile took up a bed”. The decision isn’t hard to make, after all there is nothing left for him there. Everyone has written him off, moved on and left him behind.

Kinkajou visits sometimes, tries to stay in touch, but that’s just how she is. Maybe the others sent her to check on whether he’s going to become troublesome. They don’t trust him. Better to keep an eye on him, he might kill the baby.

With nowhere else to go, Winter moves to Sanctuary, a place for rejects like him. I picture him standing there, at the edge of a cliff staring blankly into the distance. He is completely alone; no one wants to go near him or talk to him beyond the bare necessities. He could probably make new friends with the Talons of Peace if he tried, but there is no point. Why should someone like him have friends? It wouldn’t work. They’d just decide he is too inconvenient to be around. Sooner or later they would just tell him to leave anyway. It's better not to try, so he doesn't get hurt again.

And slowly it dawns on him. His parents had been right all along. It was never them, or the others, it was him. He is the problem. The Icewings said it, Qibli said it, Moonwatcher said it. There is just something fundamentally wrong with him.

He is defective. He is unlovable. Nobody wants him. He will never be anything, or have anyone. And so he stands at the cliff, looking over the broken vase fragments of his life... This is who he is. Prince Winter. A mistake.

And quietly, where no one knows or cares, he does the only thing he has left to do... he begins to weep.

As it is written, the tale of Winter is the story of a boy who is told he is wrong for being alive. He closes his ears and tries to keep walking forward, desperate to prove that he is not an error, that he has merit. But this book comes out and it unmistakably says that he doesn’t. He is nothing, and he deserves to have nothing.

And I just cannot accept that.

Why did this have to happen?

I think that the author was really struggling with the ending of this book. I’ve said before how much of a corner she wrote herself into with such an invincible villain. I think she came up with the strawberry idea as a solution to this problem. But as she was writing it, the characters kept fighting her. It was not a natural solution, not a decision the characters—as they were established—would ever make.

So concessions had to be made to force the issue. Established traits had to be bent slightly to make this plot work. The farther she went, the worse it got. The concessions piled up and turned into contrivances. Eventually the characters were no longer acting like themselves. Their bonds got stretched too far and some snapped. It’s a very tragic pitfall that occurs with long-running series.

I think Sutherland must have also been tired. Writing an entire book is a monumental task, and writing 6 connected ones even moreso. She also comes out with these things really quickly. Maybe she was burnt out? Maybe she wanted to be done and her attention lapsed. Maybe that’s why she forgot that Moon knew about the disemboweling. It seems reasonable to believe when you consider that the next story arc would make a relatively clean break from the problems of this arc, especially with regards to the magic system.

But I don’t know what ultimately happened, so I can only speculate. I reiterate, I bear no ill will against Sutherland for writing this. Even if I kind of hate everything about this finale, and very vocally wish it would be different, I don’t want this examination to generate (or reawaken) any hatred towards her, or to attack her personally. I understand the pain of an artist who gets trapped with something for too long and has to find the means, any means, to see it through to the end. I criticize the story, but I could never hate anyone for that.

But for me, I do not consider this half of the book as part of the story. The characters act too unnaturally for it to have happened. So to me, it didn’t. We don’t know what happened, maybe Darkstalker is still out there. Maybe they dealt with him. Maybe what actually happened is my crappy and self-indulgent rewrite of the ending which I will never show to anyone because it would be really embarrassing.

But whatever actually ended up happening, I am sure Winter never ended up at that cliff, pondering how worthless and meaningless his life was. He is currently at Jade Mountain, surrounded by friends who love him, and bickering with Qibli about the correct solution to their advanced calculus assignment that is due tomorrow.

Is there anything left to say?

Probably.

I didn’t talk about Anemone yet. You know, in the epilogue she enchants herself a bracelet that makes her “not be so mean all the time”. I find that creepy. To me it reads as Anemone voluntarily brainwashing herself with magic to erase her negative traits instead of growing past them naturally because she finds them undesirable and wants to work to change for the better. I would ordinarily assume that this is an overreaction on my part, and I’m just reading the scene wrong. But no, we just got through a part where the heroes brainwashing someone is treated as an unequivocal good and worthy of celebration, so I think my reading may actually be spot on. Why are we letting the little kid alter her own brain without supervision? Hello? Tsunami? Someone intervene maybe? This cannot be healthy.

Turtle stands out to me as the one bright spot in all of this. He (and Peril, but she’s mostly out of focus) remain as the only main characters of this arc who don’t have any mind-boggling out-of-character moments or sudden streaks of uncharacteristic callousness. I really like the part where Qibli goes to free Turtle from his captivity and plans to give him an earful about the comically unhelpful messages he’s been sending him. But when Turtle asks if what he did was helpful, Qibli sees how beaten down and exhausted Turtle is, and wordlessly drops his frustration to tell him “Yeah, they were helpful.” That is the true Qibli shining through for a moment, showing that he cares about the well-being of his friends.

Do I hate the pairing of Qibli/Moonwatcher? No. Well, I DO hate how it happened in the book, and how the story tried to assassinate Winter’s character to resolve the love triangle and make it happen. I don’t hate it on principle though. If you are a fan of Qibli/Moonwatcher and want to write fanfics about it, please do! I absolutely encourage you to do that! Maybe you can fix this mess and turn it into something that’s actually properly handled!

Mightyclaws keeps the power that Darkstalker granted him past the finale. That means all the spells that Darkstalker cast are technically still active. Does that mean the Icewings have to wear earrings for the rest of their lives? Do they get sick again if they take them off? Is Peril forever cursed to think of Darkstalker as a cool old uncle and has to somehow reconcile how everyone else thinks of him? How did the Nightwings relinquishing their powers work, do they have to wear the earrings forever too now?

And there is one more thing to mention.

My confession

You may have already intuited this, if you’ve been following the content of my blog. It is very heavily skewed towards the first and second arcs of the series. I would now like to confess something.

When I read the second half of book 10, I found it so disillusioning, Winter’s fate so upsetting... that I put down the series then and there. And I haven’t picked it back up since.

That’s right, I have not read arc 3. I don’t know if that makes me a fake fan. I know pretty much everything that happens in it, the controversial twist at the end, Pyrrhia coming back into the story later, Snowfall getting brainwashed by a piece of jewelry until she cares about a plot that had nothing to do with her or the fate of the Icewings, etc..

It’s not out of malice, or because it’s a new continent. The opposite in fact; I would have greatly prefered a clean break with a new setting—Bug-themed dragons in a slightly more contemporary, developed environment sounds fascinating and full of potential. I don’t hate Pantala or the new characters.

I just... I can’t really do this again. I can’t handle the thought of Pyrrhia coming back post-Darkstalker, with Winter showing up and talking to these guys again like nothing happened, seeming like a different person, joking around with them like his entire character wasn’t dragged through a mountain of manure to make the plot bend a certain way. I think as long as this is the ending that the story is continuing from, seeing that would just make me miserable.

Maybe I will just stay in the parts of the story that I fell in love with. And imagine a version of reality in which Pantala is allowed to exist on its own, where Swordtail was the fourth POV character of arc 3, where Queen Wasp stayed the villain throughout, and Snowfall got her own legends book about how she reformed Icewing society and fixed all the shit that poisoned Winter’s life, so future generations don’t have to suffer through the same stuff he did.

~~~~~

If you’re still with me, thank you for reading this far. I think this is everything I ever thought about the finale of the second story arc, so now I never have to talk about it again. Writing this was difficult. I found it crushing at times. This will probably stand as the only overtly negative post I have ever made on this blog. I love Wings of Fire, and I want to celebrate it. To add to it, not tear it down.

I hope this wasn’t too boring, or painful, or frustrating, or soul-crushing to read through. I’ll see you later, hopefully with a more constructive post.

[yayll]

~ a little something about Dazai surprising you on your day off ~

Dazai's not by any means an early riser... That is unless he gets to see you that day.

It's 8 AM and he's tapping his fingers against his pant leg lightly, but he's actually really anxious and impatient. He’s waiting for you to open the front door and flash him that life changing smile of yours he’s been coveting for all week. Today’s your day off and he's decided to come over and spend the day with you so he can cherish every single moment, totally not because he’s slacking off work and wants to do the only other thing he does with his life other than avoid his responsibilities: Be the bane of your existence. You also have a nasty little habit of being a workaholic and he's here to break that once and for all. He's completely spaced out now, lips pursed and brows slightly furrowed in thought when suddenly-

You finally open the door. His angel, his everything. He immediately switches his whole demeanor, eyes twinkling as he scans your figure. You’re still in pajamas, and your hair looks messy. You look absolutely delectable for someone who just woke up to 3 missed calls and 10 texts. Dazai smirks as he leans in, wiggling his brows in an exaggerated manner.

"Well look who’s finally awake! What a sleepy little thing you are. Makes me jealous of that stupid bed of yours… Did you get my text? Come here"

He looms over you in the middle of the doorway, kissing you softly, tenderly and hungrily.

You blink, and before you can catch your bearings you’re interrupted by the softness of his eager lips. If your mouth opens, he’s pouncing. After a few moments of uninterrupted bliss, you pull back, eyes still drowsy and breathing a bit shallow. You yawn, running your fingers through your bedhead.

“Sorry. I, um… was still asleep until now. I was trying to sleep in-”

He gasps, and tilts his head, as if baffled by this.

“Now why would you do that when we have plans today?”

“... We don’t, though?”

Dazai laughs, dismissing your rightful confusion. He knows you guys never discussed plans, he just doesn't care. He lightly pinches your nose in between his fingers.

“We do! It’s why I let you sleep in for a few extra hours before coming over.”

You lazily swat at him, crinkling your nose. He’s swooning! Dazai feels a jolt of electricity through his body upon seeing the way you respond to his doting. Making you flustered is his favorite entertainment, besides suicide of course.

“But it’s 8 AM.”

“Exactly! That’s like half the day."

"... How long have you been up for?”

He rolls his eyes affectionately as he buffs his knuckles on his tan coat, replying with a nonchalant hum.

“Hmm, not important— What’s for breakfast?”

He lets himself into your apartment and you sigh into a defeated smile that somehow still holds affection for this ridiculous man. You follow him as he strides to the kitchen and fold your arms across your chest.

“You know, I’m kinda grumpy right now. It’s too early, Osamu. I need my sleep."

“And might I say you look absolutely stunning when you’re grumpy? How ever did I get this lucky…”

“Keep it up and I’ll get even worse, you goofball.”

Dazai smiles, it’s sly and dangerous. A challenge, he hears? He pretends to think for a moment, his finger placed on his lips as if really contemplating something. He’s just picturing what you’d look like yelling at him. Heavenly, of course. He flashes you a tender smile as if you just said the most romantic thing and curls his arm around your waist, whispering.

“Ooh, then I can’t wait to see worse.~”

You roll your eyes, unable to help the pink hue spreading over your face. Maybe you're still half asleep, maybe you’re just hopelessly in love with him. Either way you’re screwed. You whine with a hint of annoyance.

“Osamuuuu…”

Oh how he loves when you say his name like that. Maybe it’s time for you two to skip breakfast, he already does anyway, but he knows you actually need nutrients to function. He replies in a singsong voice.

“Yeeesss?”

“I’m making pancakes and you are going to sit down and wait.”

You point at the kitchen counter trying to be stern, and of course, failing miserably.

He looks back at the stool and then back at you. He leans within inches of your face, his nose poking yours. He clicks his tongue disapprovingly and winks.

“No can do, cutie~”

You two spend the morning making breakfast, or at least trying to. YOU are trying to, anyway. Everytime you go to gather ingredients, he’s already handing them to you. When your back is turned to him, you feel his arms snaking around you as you flip pancakes unevenly due to the distracting trail of kisses he's leaving down your neck. You secretly smile to yourself whenever you’re not feigning irritation, you know he loves the banter… Why not indulge the poor man?

You serve two plates and sit down, along with two mugs of coffee. Dazai isn’t allowed to have caffeine around you, but once again, you took pity on him today for some reason… or is it his mystifying persuasion manipulation at play here? He takes a sip of his mug and a satisfying ‘Ahh’ releases soon after. He flickers his eyes towards you as you're about to sip yours as well, and it’s like the world stops. His pupils dilate and he watches intently as the rim reaches your lips, resting his chin on his palm as he leans lazily over the counter. He’s like a dog watching its owner adoringly. During his trance-like state, he thinks about how if you lived together this would be his every day routine. He could get used to watching you drink coffee and eat food. You'd wake up next to each other and hold hands as you watch the sun rise. He would tell you how breathtaking you look with bedhead and make you late for work after failing to keep his hands to himself. Maybe then you wouldn't think he's such an impenetrable wall of secrets. He wonders if there's a future where all of that happens... He snaps out of it, and murmurs.

“Can I have a taste?”

You perk up and look over, tilting your head to the side, amused.

“What, the coffee? You have your own.”

He’s so focused now, staring at your full lips, thinking of a proper answer. He wants to tell you that he's never had intimate moments like these with anyone else and he doesn’t know how long it’ll last before his luck with you runs out, that he’s afraid you’ll see right through his one dimensional facade and leave him for good. That you won’t follow him to his untimely demise should he ever fall, so he has to capture every second of it so he can keep you in his mind forever. He has to lock you up in his heart and throw away the key, otherwise becoming a man of virtue loses all its meaning.

Instead, he opts for the less complicated route, the corners of his lips curling up into a coy smile as he places a gentle hand on your thigh.

“No, your lips, dummy. I want to taste the coffee off of your lips.”

There are no words for the audacity of Osamu Dazai and the feelings thrashing inside you when he says things like that. You smile bashfully and look away, unable to accept his shameless flirting.

“You’re so weird, Osamu…”

“Mm, I'm so yours. No takesies backsies.~"

You slowly meet his gaze, his watchful eyes that ooze devotion practically holding yours hostage… God, you are so beautiful to him. Before you can even register it, Dazai scoops you up bridal style and carries you to the living room, laying you down on the soft couch. His eyes darken as he looks down at you, his fingers tracing the outline of your lips. As soon as you show him the look of love that gives him the consent he’s looking for, he doesn’t think twice about it. He grabs your chin and pulls you into a messy kiss. He kisses you rough, his tongue almost immediately sliding into your mouth as he moans into you. His moans turn into whimpers, like he's been starved of touch for far too long and you're satiating the hunger. He needs to taste the coffee you just drank, and he wants you to know exactly how much he's been aching for this moment. For your much needed day off. For you.

He keeps his hand at your chin, pressing you down deeper into the couch with his hips grinding against yours as he tastes the acidity of the coffee along with the honey you sweetened it with.

Finally, when you literally cannot breathe, you pull away with your dazed and blissed out expression, all red in the face just like he loves. You mumble in between pants.

“Wait— So... What exactly was the plan for today?”

He looks up from running his tongue along your jawline and flashes you that infamously deceptive smile he perpetually keeps on his face, tapping his index finger on your cheek. His voice comes out in a breathy whisper.

“Breakfast.”

“.. But we already had breakfast.”

He sighs deeply and his finger ghosts its way from your cheek down to the waistband of your pajama bottoms as he needily mumbles in your ear.

“Still hungry.. I’m a growing boy, you know.~”

You let out a breathless laugh, shaking your head.

"You're going to tire me, Osamu.. Work wears me out enough as is-"

He wiggles a finger at you, face full of sickening desire as he carefully lowers his head down by your stomach, resting his cheek on your soft flesh. He murmurs in that soft pleading way that drives you insane when he combos it with his reverent touch.

"Listen to me, please. No more work talk... No more stressing out your pretty self, okay? I haaaaate demanding jobs. It only takes you away from me."

You look down and simply nod, your eyes trained on on the way he looks at you from under his lashes and the soft brown hair that frames his face. Your heart races with anticipation as a smile slowly creeps up onto your lips. You don't need words for what comes next.

For the rest of the day, he makes sure you have the best time off, it's the least he can do as your incredibly attentive and not selfish at all boyfriend! A day where you can shut out all thoughts of work... along with literally anything else that doesn't relate to him.

Unfortunately for you, there is no resting involved on said day. Fortunately for Dazai, you look so cute as you writhe under him for hours on end. That'll get it through your pretty little skull not to work so much.

[604to647]

Sniffles

1.5K / Detective Tim Rockford x fem!reader

A/N: Inspired by @bebsjo’s ask about Tim wanting to take care of Shutterbug when she’s sick. I answered it but couldn’t get the thought out of my brain; thank you for the ask, love - please consider this a more complete answer! 💕

This is our The Rockford Portfolio couple but as always with their stories, can be read as standalone (though there is a relationship milestone in this one 😊).

Summary: You’re sick and you don’t want to give Tim your germs.

Warnings: None! Fluff. Snot. Soft!Tim, established relationship, nicknames as usual (Shutterbug, baby, gorgeous).

Dividers by @saradika-graphics 💕 / Series Masterlist

Tim is just putting the finishing touches on the arrest report for a pair of mid-level Pie henchmen when his cellphone starts to buzz with an incoming call.  He picks up upon seeing from the caller ID that it’s you, “Hey Shutterbug.”

“Hey baby,” you croak.

“What’s wrong?  Where are you? Baby, are you okay?” Tim stands up, ready to sprint out of his office to get to you.

Laughing at your sweet boyfriend’s reaction to a simple cold, you try to talk him down from the ledge in a soothing, albeit scratchy, tone of voice, “Don’t worry, Detective - it’s just a cold!  But I left work early so I wouldn’t spread my germs around.  I took some medication and I’m just getting into a bed with a hot cup of tea right now.”

“Can you FaceTime?  Need to see you, gorgeous.”  Not that he doesn’t believe you, Tim would just feel a lot better getting visual confirmation that you’re all tucked into bed, getting the rest that you need.

Your tired but still cheery face lights up Tim’s phone screen, and he exhales a little sigh of relief to see you already in your pajamas even though it’s still early afternoon, “Do you have everything you need?  Soup?  Drugs?  Tissues?  Throat lozenges?”

“I do, Tim – thank you, but baby,” the you on his screen chews your bottom lip and looks at him apologetically, “I don’t think you should come over tonight.”

Tim tilts his head, confused, “What do you mean?  Who’s going to take care of you?”

You start to laugh but it immediately devolves into a coughing fit, “I’ll be fine, Detective!  It’s just a cold – I’ll take drugs, I’ll sleep, I’ll get better.  I don’t know how contagious I am, but I don’t want to get you sick, Tim.  I know you.  You’ll insist on going to work even when under the weather and you’ll be miserable.  While I’m sick you should stay at your place, just to be safe.”

“But-”

“No buts, Detective.  It’s not my first cold!  I’ll be fine, I promise.”

Tim is about to respond when his Captain peeks her head into his office and gestures with her hand for Tim to follow. 

“I gotta go, Shutterbug, but text me if you need anything and I’ll bring it over, okay?  Feel better soon, baby.  I love you.”

“I love you too, Detective Rockford.  Be safe!”

Four days.

You’ve been sick for four days.  Tim takes some solace in knowing that you’ve taken the time off work to properly recover, but still… it’s been four days.

After the first night back at his house, Tim takes to sleeping on the couch in his office.  Even though the mattress in his master bedroom is indisputably less lumpy, the couch is less depressing.  At least his office is something: it’s work.  His house constantly reminds Tim of what it is not: it’s not his home. It’s not with you. 

Every time you and him talk on FaceTime, you’re decidedly still sick (are you actually getting worse?!) and the tiny bit of hope Tim harbours that he’ll be able to come home to you soon evaporates.  He decides not to tell you where he’s been sleeping - you’ll just worry for his back, and then he would have to explain how miserable he is without you and make you feel bad.

Instead, Tim listens as you tell him you took yourself to the doctor to learn that you have the flu, not the cold, and listens at your wheezing laugh at how ironic it is that you had your flu shot scheduled for next week.  Tim nods approvingly when you confirm that you’re having groceries and meals delivered and bites his tongue from saying that he could - wants to - do all that for you.  He watches as you trudge to the kitchen in your bathrobe with your runny nose and messy hair to make food, and he tells you you’re the most beautiful creature he’s ever seen - because you are.  You tell him he’s silly but still give him the biggest smile you can manage in your exhausted and achy state.

You fall asleep every night while still on the phone with Tim as he tells you all about his work day and his current case, lulled to sleep by his soothing baritone voice.  Even after you’ve nodded off, Tim doesn’t hang up right away – partially to make sure your breathing doesn't get too laboured through your stuffed up nose, but mainly so he can look upon your peaceful visage for a little while longer.  He misses you so much.

By night five of sleeping without you pressed up against his chest, Tim has had enough.  After work he makes stops at the grocery store and pharmacy before heading to your place.  Laden down with bags full of soup and frozen lasagna, cold medication, ice packs, a new hot water bottle, cough drops, plus one plushie (something called a "Squishmallow"? Its "bio" on the tag says she’s a nurse) among other supplies, Tim turns his key in the lock of your apartment for the first time in nearly a week.  Immediately, he’s hit with the familiar scent of your perfume and the peppermint of the tea you’re currently making; he knows you're in the kitchen just from the soft shuffling and sniffles he hears - all of it a comfort to his senses.

Now all he has to do is see you and hold you and he can finally feel complete.

At first you think you’re hallucinating when your big, burly detective appears in the doorway of the kitchen.  You must be sicker than you thought - or maybe you accidentally took an extra dose of flu medication?  But the strong, thick arms that wrap around you feel real.  And the rough hands that cradle and massage your head feel soothing.  You melt right into that hard but cushiony chest despite not being 100% sure it isn’t a figment of your fever addled imagination.

“Whhhharrhwudoongnhrrrrtm?” you mumble.

Petting your hair indulgently, Tim chuckles, “Want to say that again, Shutterbug?”

You tilt your head back to look sleepily at your handsome boyfriend, “What are you doing here, Tim?”

“I’m here to take care of you, baby,” Tim says matter-of-factly, “You’re not getting well fast enough for my liking – I’m missing you too much.”

You melt a little at Tim’s puppy dog look, but sigh, “Baby, I miss you so much, too.  But if you’re here, you could get sick.”

Tim presses a soft kiss to your hot forehead, “Shutterbug, when we live together, we won’t be able to escape the other person when one of us is sick.”

Your gasp transitions into a cough and you have to wait until your throat clears before you ask, astounded, “You want to live with me?  Even with all this snot?”

Tim nods as if to say, even with all this snot, adding, “Only if you want, Shutterbug.”

You wonder how long he’s been thinking about this, “When were you thinking would be the right time for you to move in?”

Very aware that you haven’t actually agreed to live with him, Tim answers with truthful, but carefully chosen words, “I’m ready whenever, if ever, you’re ready, baby.”

You look up at Tim wide-eyed, trying to make sure that he means it - that he’s serious about taking this next step in your relationship; when you see nothing but eagerness in the softness of his eyes and the steadiness in his bright, reassuring smile, you throw your arms around Tim’s neck, germs be damned, “I’m ready, Detective!! As soon as I’m better, please move all your stuff in!”

Tim hugs you back tighter than he probably should - absolutely over the moon that he’s never going to have to leave your side again, that he and the woman he loves are going to make a home together.  So lost in his own reverie, he’s jolted back when you let out a whimper of pain, “Oh fuck, Shutterbug, did I hurt you?”

Shaking your head, you’re still beaming at your considerate boyfriend, “No, I’m just achy all over, all the time.  You could never hurt me, Tim.”  You genuinely believe this with all your heart.

“How about I run you a bath with these bath salts I bought and you have a nice warm soak while the lasagna heats up?” offers Tim.

“Will you sit with me while I’m in the bath, Detective?”

“Of course, gorgeous.”

“And we can make plans for the big move in?” You grin, eyes twinkling - you haven’t felt this energized in days.

“Nothing I would like more, baby,” Tim smiles as he hands you the plushie cat he bought you, grinning even wider when you squeal with excitement and crush the stuffed animal to your chest in elation.

You titter with happiness, grabbing Tim’s hand to lead him towards the bedroom. But when he doesn’t come readily, you turn back and to your confusion, you see Tim wincing, the hand not in yours reaching behind to press against his lower back as he arches in a painful stretch.

Eyes narrowing, you place the hand that’s still clutching Cassie the Nurse on your hip and tilt your head suspiciously, “Timothy. Where have you been sleeping?”

Btw this is Cassie the Nurse:

[loggiepj]

To Love A Lannister

chapter 13 | chapter 14

"We'll arrive at Sunspear in a week's time," Oberyn announced, approaching you leaning against the railing on the quarterdeck, facing the vast ocean ahead.

Darkness had started to loom around the ship, waves almost as black as a squid's ink. The sun was almost a quarter visible as it was being consumed by the horizon, obliterating any light. The only thing shining across the distance was the red patch of sky encircling the edges of the sun. If it weren't for the torches surrounding the deck, you wouldn't be able to see the Dornishman standing beside you. "How do you feel about that? A lot has changed since we left home."

"Indeed," you said. "I thought I'd look forward to my warm bed and the fresh air of Dorne back home. Now, it seems like I'm terrified setting foot on some land I thought was my birthplace."

"You don't have to be," he assured you. "You're not alone, you know. And your sister is the Queen—"

"She doesn't even know who I am, does she?" You turned to look at him.

Oberyn shrugged. "She will. In time."

You sighed, avoiding his gaze. The sky had turned blood orange. "And I . . . I don't think I'm worthy to be a Targaryen as much as I'm a Martell."

"Don't be so hard on yourself-"

"I'm a bastard, if any, I'm just good at being a bastard. That's all I'll ever be. You know, I think I probably prefer being a bastard, with no one expecting me of anything—"

"The blood of Rhaella Targaryen runs through your veins," Oberyn interjected. "You don't know yet of its importance but you will in time."

"I—" You immediately stopped talking upon seeing Cersei walk around the deck, with a handmaiden following behind her, her eyes on the horizon beyond, witnessing what little of the sun left before it was devoured by the ocean.

"Because of her, right? You've grown fond of her," Oberyn said, sighing. "You're even wearing her damn necklace."

As if she knew you were looking, Cersei turned towards the quarterdeck, her eyes meeting yours in a tensed gaze. Your hand grabbed against the wooden railing a bit too hard. Oberyn was far from wrong. It was because of the Lannister woman.

This was all too easy and perfect if you were just you — a bastard from the Martell house. You would serve Cersei, even if your family would despise you. But sometimes, people fall in love with someone they can't have.

You missed the Queen Mother terribly, her striking green eyes piercing right through yours, observing what you two could possibly be talking about for making you frown that bad.

All you wanted to do at that moment was hold her, and tell her that you still wish to marry her if she also felt the same about you.

"I . . . I do," you confessed softly, avoiding Cersei's eyes. "She's . . . She's my weakness."

"It will pass, Y/n."

You then turned to glare at Oberyn. "What's that supposed to mean? When you fell in love with Ellaria, did it pass too?"

"That's different, Y/n. You think Cersei will feel the same about you if she only knew?" Oberyn scoffed. "The Lannisters were one of the houses that ended the line of Targaryens. They even paid mercenaries to assassinate Queen Daenaerys herself and she's in another continent. If Cersei knew you were Daenaerys' sister, bastard or not, she'd kill you herself. Did you forget what they did to Robert's bastards?"

Cersei had now walked towards the stern, staring into the darkness ahead. Her golden hair billowing against the wind was the only brightest thing in that ship.

"All I'm saying is," Oberyn went on. "You ought to be careful. End it while it's still early. Cersei is a woman of ruthless nature. She wouldn't see you through."

Oberyn then placed a hand on your shoulder before he left.

You sighed, right hand curling into a fist on your side, mind fighting between leaving and heading towards the woman down below. Yet, the heart wanted what it wants as you began to climb down the stairs leading to the stern.

"You said you'd always want to have your own ship one day," you started, approaching Cersei, her perfume infiltrating your nostrils. The wind gently blew the Queen's hair against all directions, and it was such a wonderful sight.

Cersei raised a hand towards the handmaiden, making the latter bow before leaving you both alone.

"You remember," she replied, her eyes still on the dark horizon.

"Of course." You smiled, walking closer. "How could I not? Did it meet your expectations then, Your Grace?"

"It's not my first time riding a ship, although a lot has changed. The waves are somewhat smaller than I remember years ago. And the sunset has never been that red before."

You were now standing side by side with the Lioness, your hand on the railing, at least an inch away from where Cersei's hand was.

"It hasn't for a long time. People in Dorne believe that red skies are often associated with warnings or change. That whenever a sky is as red as blood, any decision you put forth on that day should be carefully done, unless you don't regard any bad omen coming your way."

She chuckled softly. "And what do you say to these beliefs?"

Cersei turned her head to look at you, expecting your reply, a glint in her eye.

Your eyes never left hers, travelling from her mouth back to her eyes. "I . . . I just think that it's such a beautiful occurrence to see. And I don't care about the consequences."

Cersei stopped smiling, understanding you weren't talking about any Dornish myths or beliefs anymore. Both of your fingers were barely brushing, distance diminishing each second. It would seem apparent that you two were leaning forward to each other.

Until Ellaria coughed behind you, stopping you both. "Supper is ready."

~~~

Being a Martell, you thought travelling by water would have made you immune against seasickness, but maybe it was the remnants of The Mountain's strength that had weaken you.

The trip to Dorne would take almost a week, and it only took three days before you started feeling nauseated. Going back and forth to the head just to eradicate the upset churning in your stomach had drained your energy. Ellaria had took mercy, bringing you a bucket to use beside you.

Cersei's presence was the only thing that made it bearable. You would join her at the dining cabin at night time, talking for hours that even Oberyn had almost fallen asleep on the table.

On the fifth night, you had excused yourself from dinner and surrendered to the confines of your cabin. Maybe it was the way the ship was swaying against the huge tides from the forecasted storm or the stale food you ate during breakfast. Either way, you had secluded yourself to recover.

The Queen Mother was having none of it though, knocking against your door some time later that night and bringing you a steaming hot bowl of soup.

"It's Venison," Cersei said, as she sat on the side of your bed. "I had our cook made it. Hot liquids can help calm an upset stomach. Tommen would always have them when he's sick."

"Thank you, Your Grace," you replied, straightening yourself as you leaned your back against the headboard of your bed. "You shouldn't have troubled yourself."

But instead of giving you the bowl, she insisted to feed you with a spoonful, leaning closer to you. With cheeks flushed from the act of endearment, you let the woman coddle you.

"You never come to me as someone who gets sick travelling by sea," she teased, a smile on her face.

"Well, I normally don't," you argued, making the Queen laugh.

"Quit being cocky and let yourself be taken care of."

One of the Dornish servants suddenly barged through the door, eyes wide upon seeing you not alone. There was a crate of supplies for your wound on her arms.

"Leave it," Cersei ordered, making the servant drop the crate unto a table nearby.

After you have finished the bowl, Cersei brought her hands to the hem of your tunic, attempting to pull it off you. Heart skipping a beat when you felt her fingers brush against your skin, you immediately stopped her, wrapping your hand around her wrist. "What are you doing?"

The Lannister woman smirked as she stood and walked away instead, taking the crate of supplies from the doorway. "I'm changing the dressing of your wound."

After a few moments of hesitation, you finally let Cersei get rid of your tunic. Her eyes softened upon the sight of her necklace's golden lion pendant on your chest and the bruised skin, now had gone purple close to healing.

She then began delicately cleaning the wound on your chest, her thumb purposefully brushing your nipple, every touch bringing you shivers. You swallowed, cheeks red as you attempted to move away from her.

"Stop moving," Cersei said, giggling.

"Stop teasing me then," you countered back.

After she had managed to change your dressing, you noticed a tent growing under your breeches. Everything seemed to freeze at that moment as you quickly took one of your pillows to hide it when Cersei was looking away.

Yet, there was nothing the Queen could miss as her curious eyes began wondering why there was a pillow on your lap. She sat back on the side of your bed, leaning forward and closer to your body.

Her sultry voice near your face made you harder than you were before, your cock straining painfully from the weight of the pillow. "Do you also need help with something else, My Lady?"

"Your Grace, I don't think—"

"Stop thinking," she whispered into your ear, her hand slipping inside your breeches and stroking your hardening cock. "Just breathe, Y/n. Let yourself go. Take pleasure in my hand."

Letting out an embarrassingly loud groan, you threw your head back against the headboard, eyes rolling deep into the back, hands clutching against the sheets on both sides.

Cersei's eyes darted towards your cock when she managed to pull it out from your breeches, twitching against her touch. It had never looked this painfully hard before, you thought you wouldn't last a second longer.

"You have a pretty cock, you know," she cooed, her lips nipping the skin on your jaw and neck. Her hand moved expertly, squeezing you tight as if milking you, and she did manage, her thumb tracing over the small cum leaking from your head then spreading it on your entire length.

"Cersei. . ."

The sound of your whimpers made Cersei turn to stare at you, observing your every reaction, with your eyes shut close and mouth agape. "You looked so prettier under my control."

"Cersei, I'm close. . ."

"Good," she said.

You opened your eyes to see what she meant, but what you saw only made you lose it. The Queen took the entire length of your cock into her mouth, bobbing her head up and down in a fast pace. The sight itself, the wetness and warmth from her mouth and the moan she let out when she took you made you explode right into her.

And she took it all, swallowing everything there was to milk. You cursed profanities into the silent night, grunting your release, releasing a lot more when she took you deeper.

It seemed like eternity when you had finally come down from your high, watching Cersei clean your shaft before licking the side of her lips from any residue. She then tucked your cock back into your breeches and leaned forward back to you.

"I would have hated wasting a single drop," she finished with a smug smile on her face.

I truly appreciate your continued support in reading my stories. You can help me create more stories by supporting my writing thru this link. Thank you so much ❤🥰

[smoozie]

Grian and Scar are both loyal to an extent. They don't let their loyalty consume them nor overstay it's welcome. But they have different ideas of when loyalty ends

Grian is not a traitor. It's odd to see him depicted as one when the only precedent in canon is his rendezvous with Bigb. In 3rd Life, Grian explicitly declares his loyalty as to Scar and Scar alone. His alliances with others are tenous. He goes all in one and lets other arrangements fall to the wayside. He wasn't ever loyal to them though, they were a means to an end.

Scar has a bad case of "friend to all is a friend to none" which we will see again and again. Scar is by no means a friend to all in 3rd Life, but he still puts his brief friendship with Bdubs above his weeks long dedication to Grian. And this choice is so interesting because he clearly betrays Grian because he is on yellow not red. (I mean yes the no kill pass, but that likely would have never come into play had Grian been red). However, he expects Grian's anger when he returns. Or it seems that way because he immediately surrenders himself. So what was the point? He gets Grian down to red, only to kill Bdubs and hand him the victory. Not to mention he waits for Grian to return before he moves against Bdubs. His loyalty to Grian most definitely surpasses his brief alliances in 3rd Life (he literally tells Grian he can kill him for "keeping [him] alive this long"). But Scar is not so loyal as to consider himself above killing an ally. Scar plays a very dangerous game of balance with his alliances, he wants everyone to be allied with him despite the improbability of such an arrangement.

In last life, people seem to have a different interpretation of Grian's actions (particularly pertaining to his loyalty), than I do. I don't think Grian is betraying anyone when he kills Jimmy and Mumbo. Last Life requires all non-red alliances be severed once a party reaches red. Grian takes this very seriously, only "faltering" once when he tries to preserve his allyship with Mumbo. But even then he's trying to kill him, so I'd hardly count it. Grian removes himself from the southlands when he goes red, and on red he remains loyal to Joel. He rejoins the southlands when he returns to yellow and is back again to Joel when they're both reds. He is consistent in his loyalty and as I've said, doesn't let loyalty overstay its welcome. He knows when to let go, and he does so.

Keeping in mind I haven't watched Scar's Last Life in a hot minute, this is from memory and a recent rewatch of Joel's. Scar makes an unfortunate alliance with Joel at the beginning of the season, unfortunate because of the fleeting nature of their alliance. Scar proves again he is more than willing to set loyalty aside to do what needs to be done when he attempts to murder Joel as the boogeyman. Upon finding out Joel is also a boogeyman, he instead later tries to help Joel as he embarrassingly fails to kill anyone over and over. Even avenging Joel by killing Mumbo for his boogey-kill. When Joel is on red continously placing traps around their mountain for Scar, Scar chooses to take little offense to it. He knows he would have done the same. Scar does what needs to be done. He is a survivor first and foremost

Double life is interesting because it shows a break in Grian's loyalty habits. He doesn't stay loyal to a faction he declares at the beginning nor does his loyalty follow the games rules. Grian "cheating" on Scar feels out of character. It almost seems like an act of revenge for Scar's betrayal in 3rd Life. An overdue comeuppance. Which is a fun interpretation I like. You could also see it as an act of defiance against the watchers, to say "no I am not playing by ur rules anymore. You cannot choose my allies for me". Whatever floats ur boat. I get people who downplay the "affair" as not the serious because they just call each other secret soulmates and send presents, but I think that interpretation misses the most important part: how it is presented to us. Grian and Scar both portray the secret soulmate bit as akin to cheating, so it makes the most sense the audience interprets it as such.

Double Life Scar is often misinterpreted to be happier with Grian than he actually is. In the beginning, Scar doesn't care to find his soulmate. He doesn't even realize it's Grian until the end of the episode. First thing Scar does the next episode, is try to introduce Grian to his Jellie-pandas. Which are immediately rejected by Grian. Scar then decides he will torture Grian with pain as payback, which he also teaches to Pearl. (A really great parallel imo because had Scar been tied to Scott I think he would have also been rejected). Interestingly, both Grian and Scar understand loyalty as a necessity to survival, especially in this particular game, as such they stay together despite BOTH being displeased with each other.

Grian stays firm with the bad boys until their early deaths. Despite his button pressing habits and that one fight they had over falling off ladders, he doesn't betray them. But he doesn't let grief consume him. That's the way of the game. His allies die, he needs safety. He moves on. And he once again proves his secondary allies (not nosey neighbors as they are now his primaries) mean little to him when he kills Scar. Again. And calls it the ultimate betrayal Grian when I fucking catch you

The clockers actually seem to be the perfect alliance for Scar. Bdubs who he can betray a million times over and always be forgiven, and Cleo who has still not forgiven Bigb for his choice to kill her two seasons ago. Scar has no reason to betray these two and never does, but he does believe Bdubs will betray them.

Grian in Secret Life is interesting because it is the first time we see him struggle to get an alliance. He kinda just shows up on Cletho's doorstep one day and asks to be let inside. Scott implies he lacks loyalty because of his quick departure from the bad boys last season, but I have emphasized I disagree with this interpretation of Grian. Grian remains loyal all season. When he dies he doesn't know both Cleo and Etho were taken out just moments before him, and celebrates the amount of damage his final stand caused Gem and the Scotts. He will sacrifice himself for loyalty.

Secret Life is by far the most telling for Scar's stance on loyalty. He goes where the wind takes him. He tries to blend in for as long as he can and hopes no one notices he shouldn't be there. He only chooses the mounders over Gem and the Scotts because he is currently standing with them when the question needs answered. Friend to all friend to none. He could have easily picked either side. He refuses to take Pearl's offer for hearts, tho this is most definitely out of respect. He wants a fair fight with Pearl, and he gets it. He very quickly turns his blade on Pearl after Gem is gone. Because he was never too tied to one.

So uh tl;dr: Grian and Scar are quick to kill loyalties when necessary, but Scar will always prioritize his survival over being loyal

[saintsenara]

THE AUDIENCE CLAMOURS FOR YOUR VOLMIONE TAKE!!!!!!!!! In all seriousness the curiously is piqued tenfold by the fact that you go hard to bat for the other two voldemort/golden trio ships

i've definitely been putting this one off, anon, but it's hermione's birthday, and since the requests have kept coming...

maybe i have to grit my teeth and get through it.

i am, like my good pal @yorickofyore, broadly a tomione/volmione disliker - which is a spoiler for what follows. there are - obviously - huge numbers of people who are not, and they may sit happily in their ecosystem while i flop around photosynthesising in mine.

and the reason why i don't like tomione/volmione is right there in the last three screenshots: it relies - like several other hermione pairings, snamione and sirimione chief among them - on a portrayal of hermione's intellectual expression which bears absolutely no relation to how this is written in canon.

across all seven books in the series, hermione's intellect primarily manifests itself in a sincerely impressive ability to retain and repeat information [very usually verbatim from the source she got it from]. she is able to use this ability to retain information to understand the theoretical components of magic in a way neither harry nor ron ever manage, and she is then able to apply this retention - that is, to repeat the information she has acquired - of knowledge to the performance of magic which is [often considerably] ahead of her expected level both in terms of the hogwarts curriculum and in terms of what would be seen as the median ability of an adult witch or wizard.

but hermione is never shown - at any point in canon - to be a particularly radical, creative, or experimental thinker.

she places an enormous amount of intellectual trust in disciplinary authority - not only in the respect she has for following textbooks and teachers to the letter [hence why she won't attempt any of the modifications in the half-blood prince's textbook, she thinks it's offensive that they contradict the "official" peer-reviewed and sanctioned instructions] but also in her agreement with the gatekeeping imposed by the state and/or its authorities on academic inquiry.

[hence her disliking the invented spells in the half-blood prince's textbook because they're not ministry approved, or her easing her discomfort at having read the books from which voldemort learned to make a horcrux by insisting - undoubtedly correctly - that dumbledore wanted her to do it and she therefore has the permission of an intellectual authority].

she's immediately mistrustful of anything she can't find [something she regards as] an empirical source for - which is why harry's mental connection with voldemort frightens her so much, or why she thinks that harry's lost his mind when he begins to insist the deathly hallows are real and important, or, most famously, why she thinks divination is bullshit.

she's never shown to be able to synthesise her knowledge [she never answers questions in class in her own words, she always goes massively over word limits], or to use it in ways which are considerably removed from its typical application.

[the protean charm on the da coins, for example - the magic she's using is sophisticated, and is being applied in a way which wouldn't necessarily be classroom-sanctioned, since she's using it to defy umbridge, but the evidence of canon is that it's not magic which is being used in a way which is removed from the spell's original purpose. terry boot is impressed because he's looking at a flawless execution of newt-level magic by a sixteen-year-old, rather than because hermione is using that magic in an unusual way. the same is true of the polyjuice potion - it's impressive because she brews it flawlessly aged thirteen.]

this is a very logical, rational, and scientific approach to learning - and one which the series, which tends to take a dim view of anything which deviates too far from the status quo, views extremely positively - and it is intelligence. i know some people think that when i say this about hermione i'm saying that she isn't clever - or that i'm saying she's less clever than the characters [all of whom are male] that the series permits to be "brilliant" - but that's not the case. hermione is clearly extremely clever - and her logical, empirical, careful approach comes in clutch for the trio throughout the series, right from philosopher's stone. her intellectual expression just isn't the only way intelligence can manifest itself - and it isn't an intellectual expression which will automatically mesh with another very clever person's approach.

which is to say... lord voldemort, both as a teen and an adult, is - intellectually - the complete opposite of hermione.

he is someone - as he tells us - who thinks of magic as a creative force he has every right to shape as he sees fit, something whose boundaries he has the inherent right to smash through. he rejects disciplinary authority [his loathing of dumbledore - as an adult, at least - is because he thinks that dumbledore is a petty-minded gatekeeper who attempts to repress the dark arts - magic, snape tells us, which is inherently ever-changing, unfixed, mutating - because he's afraid of them and their refusal to be neatly contained in disciplinary boxes; his appeal to slughorn's authority is purely a manipulation technique]. he is an adaptor and inventor, and he uses magic in ways which radically deviate from its intended purpose.

and so the common "teen tom riddle and hermione are at school together" trope that they'd both get off on being academic rivals is, in my view, impossible to justify while keeping either of them remotely canon-coherent. she's going to think he's a cunt. he's going to think she's irrelevant.

indeed, i genuinely think the most likely scenario if the two are at school together is that the teen voldemort wouldn't be able to pick hermione out of a line-up - not least because she has very little to offer him when it comes to his plans for world domination.

when it comes to those he's "nice" to, the teenage tom riddle targets the socially prominent, rich, and influential, whom he can use parasitically to his own ends.

he's happy, undoubtedly, to have minions who are less useful to him from a social-advancement perspective, but who come in handy as pawns in his schemes - as dumbledore puts it, "the weak seeking protection, the ambitious seeking some shared glory, and the thuggish gravitating toward a leader who could show them more refined forms of cruelty" - but this is the only thing he sees them as. hermione has a capacity for cruelty he would undoubtedly see potential in [even if he would probably be wary of her "run and tell teacher" vibe], but as someone who does his bidding only, rather than anyone for whom he's willing to fake [or, indeed, to actually feel] any degree of mutual affection.

and i do think this - in and of itself - is interesting. hermione is someone - as i've said elsewhere - who has a tendency towards blind loyalty, which often causes her to accept people she likes and/or respects treating her cruelly [something we see in canon particularly in how she reacts to snape's behaviour towards her]. she's also someone who is incredibly deferential to authority, fairly naive, convinced she's always right, convinced she's not irrational, superstitious, or emotionally-driven, and capable of pretty egregious cruelty in pursuit of being rational and correct.

or, in other words, she's very easy for a flesh-and-blood voldemort to manipulate.

[she's not at risk from a horcrux because she's possessed of the empirical fact that they can't hurt you if you don't let them get emotionally close to you, which impacts how she behaves around the locket.]

on the rare occasions when i've enjoyed fics with this pairing, then, they've tended to be ones which actually acknowledge this - and which have hermione completely destroyed by a voldemort [usually in adult form] who has never cared one iota about her, all because she was convinced she'd be far too clever to fall for his tricks.

[my rec: enigma by devdevlin.]

and this is the main way my view of tomione/volmione deviates from my view of tomarrymort or ronmort - i don't think there's any circumstance where it can ever work as something mutual, whereas the entire point of tomarrymort is that the relationship is something voldemort perceives as equal, and ronmort sees the dark lord running headfirst into ron's ability to disarm and confuse him by possessing a crumb of emotional intelligence. i don't think voldemort would hate hermione - or even be particularly irritated by her - but nor do i think he'd find anything about her interesting enough to make him want to keep her around for any longer than she was useful.

but - like so many hermione pairings - the default in tomione/volmione tends to be "omg, hermione is so hot, brilliant, and fascinating that [insert man here] becomes completely obsessed with her". whether the story leads to voldemort becoming a better person or hermione going over to the dark side, the way the pairing is written always assumes that hermione is someone voldemort would consider [often very quickly] important to him [even in circumstances where she is a prisoner]. only very rarely do fics ever explore the much more canon-justifiable - and, in my view, much more interesting - idea that voldemort is somebody hermione could and would consider important, while he wouldn't give a single fuck about her.

[neither of them give a shit about dead rabbits though. it's the only thing they have in common.]

[youcouldmakealife]

Do you ever mix up names? I love your stories, but I am shit at names and as your pantheon/league grows I find myself increasingly turned around by all the north american dude names (first, last, AND hockey nicknames!!!). I can usually keep track of the on-going series names and names that are less common in North America (Kiro, Sven), but if I'm reading, say, an ask or rereading I usually have remind myself who is who first.

I don't mix them up between themselves and other characters in either a similar name way (James vs Jake, say) or roles (mixing up say, Wheels and Craney and Matty).

(This got so long and off topic, why does this always happen)

What I do mix up is sort of more of a...muscle memory thing, maybe? I'm writing the word, say, gorgeous, and I have to delete georgieous first, because my fingers apparently have become a phone's autocorrect function. I actually did write James as Jake a few times when I was deep deep in editing BTT, but again, it was just sort of like...an autofill error between my brain and my fingers.

The names themselves I'm pretty good with, though I do worry about whether I'll continue to be as a) the pantheon continues to expand (I love this by the way, and now I'm probably going to spend the rest of my evening mentally assigning characters places in the pantheon) and b) I get older. And both things seem pretty inevitable to me.

Unfortunately, the two things I appear to have in common with Leo Tolstoy are brevity and 'these people have three names, and I'm going to use them all interchangeably'. (ie Vinny is Thomas to himself, but Vinny to literally everybody else including me. And sometimes Tommy but only to Anton and his parents and only sometimes. Anton's alternately Anton, Petrov, Tony to Vinny and teammates, or Antosha to his family.)

I'd honestly apologise for it but it's one of those things that's really inextricable from the sort of...falling into a perspective way that I write, the same way I write in American English for American characters and Canadian English for Canadians, or use Christian (and specifically Catholic) references in Robbie or Georgie's POVs but never, say, Mike's or David's, unless we count Mike's very liberal usage of the word goddamn (and it's lowercase with him, but it'd be Goddamn to Robbie.)

And the different vocabularies extends to names. Like William Dineen is William to Robbie, he specifically asked to be called that when he was a teenager who wanted to feel more adult, and Robbie respected that then and continues to now. Georgie respected it in another way -- he was Willy to him, and now he uses Will, which William is fine with, but only with immediate family.

But in the text itself Georgie would never use William, because it'd feel distant to him, and Robbie would never use Will because he'd consider that disrespectful after William specifically requested to be called that, and me choosing one or the other wouldn't be in character, so he's Will and he's William, but never Willy (that's Tate Williams).

I make this all sound like a much more conscious process than it is. A lot of this stuff I've only figured out via metacognition of my writing process, which is, by necessity, done in hindsight.

My original answer to questions like 'why did you do _____ that way?' is invariably '*shrug* felt right', and people tend to find that...unsatisfying, so I often investigate further, and the answer becomes 'felt right because of <this reason I was in no way consciously aware of during the writing process>'. As I've said to my poor beleaguered editor, a lot of my writing process is 'just vibes'. I follow good vibes. Bad vibes tell me something's not working, and I adjust accordingly. I think a lot (I cannot tell you how many times I've been accused of overthinking things), but when it comes to writing, most of it's happening beyond my own perception, so instead it feels more like gut instinct. (which is, indeed, what gut instinct often boils down to: pattern recognition going on beneath one's conscious awareness)

[beauty-and-passion]

Did you see Thomas Sanders' YouTube community post about his plans for videos, including Sanders Sides?

... well, it looks like something happened in the SaSi fandom. Jeez, I cannot leave for a couple months to celebrate the Gravity Falls renaissance, that Mr. Sanders decides to pull up some stunts while I wasn't looking :P

Maybe he hoped I wouldn't notice. That I was gone. Well, unfortunately for him, I am always around - and if I lose something, there are always nice people ready to give me a heads-up. So here I am again, ready to give my unrequested two cents about the latest updates.

A lot of things happened since dear anon wrote me this ask, so I will not talk about one single post (also because I have no idea what post the anon was referring to :P) but I will briefly talk about the latest info taken straight from the ts_criticism tag, which is always the most updated place regarding SaSi.

No, Mr. Sanders' updates do not count, considering they're non-existent.

_____________

Season 2 finale: to watch or not to watch?

There was a survey going on in the criticism tag regarding the season 2 finale and whether people would watch it on YouTube, another platform, or just ignore it.

Now we can tell ourselves all the stories we want, but at the end of the day, we know everyone will watch it - no matter if on Thomas' YouTube page or somewhere else.

And even though we already know it will never be worth the years of waiting, I am sure everyone will still give it a chance. The view count will be high.

But if that's true for part one, who knows what will happen for all other parts? What if part 1 is not worth the wait? Will people still be willing to give a try to the other parts? Will they be willing to wait who knows how long for them?

_____________

The hilariously bad Brei Grace situation

Is it so surprising, that Thomas lost another person working for him? It's basically a constant, considering people keep being laid off, disappearing or not getting paid enough. By now, you would think this man learned something from the past but hey, it looks like I overestimated his intelligence.

What I find incredibly funny about this situation is not that Brei herself had to tell the truth to the public because Thomas, as always, refuses to be honest about anything. It's about this specific part of his post regarding Roleslaying with Roman:

Oh my god, this is so bad it's hilarious.

So Thomas laid his last writer off, but apparently he wasn't clever enough to find a proper replacement before doing it and he openly admitted in a post, to his fans (including his investors) that he has no writer to replace Brei and will have to keep following/begging her to get more of the script, because there's no one else who can develop the story in her place.

Do I really have to explain why everything about this is so stupid? Do I? Okay, then:

Thomas was apparently very quick at firing Brei, but not quick enough in finding another writer before doing it. That's not how any competent person works: when I left my last job, my boss asked me to stay for a couple more days, just enough to get a replacement. But hey, I suppose "finding a replacement" and "not leaving a vacant position" were too complex, too difficult thoughts for Mr. Sanders.

Mr. Sanders showed his investors he's so disorganized and impulsive, he fired someone with no backup plan and, as a result, had to put the series on hold. One of the series people are paying him to produce. If I were still paying him, I would stop immediately after this: if you're this unprofessional, you don't deserve money.

After laying Brei off, Thomas still wants to reach her for details regarding the story. The same story he fired her from. If he was so desperate for more of her work, he should've found a way to keep her around, not laid her off, then waste more time trying to find a way to get more of her.

If I were Brei, I would ignore Thomas forever and refuse to write even one more word regarding Roleslaying. But I'm a cold, heartless person, so I don't count. Still hope Brei will have some self-respect and refuse to share her work for free just because he's begging.

Or, at least, I hope she will ask for pre-payments first.

Thomas thought it was a great idea to show how unprofessional and disorganized he is via Twitter post. And refused to say the whole truth too. And no one was in the room to tell him: "Hey, what if you get a replacement first, so at least you won't have to admit you are dropping a series because you have no writer left?".

That's so stupid it doesn't even make me mad. It simply goes all the way around and becomes pure genius.

It also (involuntarily?) reconfirms a thought I had long ago, when Joan left. When I watched the goodbye video, I expected Thomas and/or Joan to tell us: "Hey, Joan is leaving, but here is the person who will replace them!".

But nope, no introduction of a new writer, no update post. Literally nothing. Joan left and no one came in. Only vague mentions of other people and names, but mostly Thomas confirming he was the main SaSi writer.

Thomas. Who is not a writer - let alone a competent one.

That's so stupid it's hilarious.

So, since now Thomas got rid of his last writer, what will he do? Learn how to become one? Considering his lack of progress in general, I suppose not.

So what? Will he hire another one of his friends? Will he think he can do anything and write RwR himself? Or will he keep trying on SaSi, a series that is so difficult to handle and with so many stakes, that even a competent writer would have problems with?

The incompetence has just reached a new level and I can't wait to see how deeper we can go.

_____________

The spoilers for the next SaSi episode

Thanks to @t-slanders, who appeared out of nowhere and decided to feed us something more than the absolute nothing Thomas gave us for years, we know what the next SaSi episode will be about.

And look, it's a plot in which:

The main topic of discussion is Thomas and Nico's relationship

Roman is ready to push things further

Janus and Virgil are not

Virgil is hiding he's on Janus' side

Wow. Wow. That's what Thomas came up with, this is what he's working on for 4+ years and hasn't finished writing yet.

Now, I'm not saying he should've created another plot: that's the only possible plot he could've developed. The only one that made sense, considering how WTIT ended and what was hinted during the 5 year anniversary special.

Why am I so sure of that? Because those are the exact same plot points for the season 2 finale - part 1 I came up with: in my version, Thomas was questioning if he was ready to have a relationship with Nico, Roman wanted to push things further, Janus wanted Thomas to be more cautious, Virgil was siding with Janus but refused to admit it.

Sure, some elements are different of course, but the plot points are the same. The biggest difference is that it took me a few months to develop them into a plot, not 4+ years.

And since those are the plot points, I already know how they will develop too. And not because I'm a genius but, again, they can only go in one direction: Thomas will eventually agree with Janus, it will become obvious Virgil is siding with him, Roman will feel betrayed and his arc will start in the next parts. It's already all written here, it can only go this way. The time travel idea is an "embellishment", but the plot can only go one way.

However, that doesn't mean the season finale will be automatically bad. A lot of stories I can predict end up being great anyway. So no, I won't judge it for its predictability. I will judge it for the production time and the characters' personalities.

And speaking of personalities...

_____________

The tweet video

I watched it at 2x speed, because didn't want to waste too much time on it.

It was... okay. Just okay. The characters' personalities are just okay. Everything is just okay.

Sigh. I'm tired of everything being "just okay".

And no, I cannot shake the feeling that Thomas pulled out this video in 0.2 seconds, only because he had a sponsorship to do.

One last thing I want to tell now, so consider it a warning: if the next episode and/or eventual season finale part 1 are "just okay", I will consider it negatively. From a canonical episode, I expect more than to feel "meh" while watching it.

_____________

And now?

We do the same thing we do every night, my dears: we wait forever for Mr. Sanders to finally decide to update us, to work on SaSi, or to do some stupid shit worthy of a discussion.

Of course, that doesn't mean we should burn him at the stake or cancel SaSi: we are all adults here, so we will simply highlight the shit Thomas does, because if you do stupid shit, you deserve to be criticized. That's not a personal attack, that's just being objective. I hope, one day, he will learn that too.

And maybe, who knows? He will also learn from his mistakes, hire someone competent, pay them properly and not lay them off without finding a replacement first.

Or, maybe, he will just find the perfect excuse to drop SaSi/put the finale on hold forever, so he will be finally free from the burden he clearly feels. When that day comes, I wish him to find a series he will be truly passionate enough, to keep it on until the end.

And sure, of course I will be around when the supposed next episode will supposedly come out: one part of me hopes it will be good, while the other part loves shooting a fish in a barrel. So... well, at least I will be satisfied either way ;P

[philomenie]

KILLING ME SOFTLY

Hitman!Jolly fic

CN murder, violence, sex, organized crime, blood, angst, 18+

@jilliemiw86 @nojoyontheburn @reyadawn @dsireland86

Fifteen

Jolly waits and observes everything around him. Casually, his eyes keep wandering to Inga, who is sitting at the table not far from him, pale and frozen.

Before long, she leans over to Kolja next to her and whispers something in his ear. Kolja nods and gets up, helping his mother to stand.

Jolly has been waiting for this. He sees Kolja leading Inga to the stairs and supporting her.

It takes almost an eternity before Kolja is back downstairs with the guests and followers.

He sits down next to Jolly.

“How's your mother....” Jolly asks quietly.

“Shitty.... As usual!” growls Kolja, brushing his hair out of his face.

“Hmm, of course, what am I asking.....” nods Jolly.

“Listen.... We have a few things to sort out. My father's plans.... We should change them!” Kolja presses out, ‘Besides....’ he looks at Jolly with narrowed eyes.

“Yes?” he wants to know.

“Oh... we'll talk about it tomorrow!” Kolja sighs and downs another vodka down his throat.

“Fine... whatever you say!” Jolly nods, but something is making him uncomfortable and he can't put his finger on it. Kolja's comment, his tone of voice? Something about it feels wrong.

Nevertheless, he sticks to his plan. He knows it's a once-in-a-lifetime opportunity that won't come his way again any time soon.

So he continues to wait until Kolja next to him is completely drunk and the others present are also beyond good and evil.

Jolly gets up and pulls on Kolja's arm, “Come up! I'll take you to your bed!” he explains firmly, which only makes Kolja shrug his eyes.

Under Nadja's attentive gaze, Jolly drags Kolja to the stairs. Just before Jolly goes upstairs with him, his eyes meet Nadja's.

Nadja nods to him and Jolly nods too, before dragging Kolja up the stairs.

Two bodyguards are standing at the top and want to intervene immediately to help, but Jolly waves them off, “Just open his room door for me!” he grumbles.

The bodyguards do as they are told and Jolly throws Kolja onto his bed. Then stands in front of him, indecisive.

He knows he doesn't have much time and has to get rid of the bodyguards somehow without anyone noticing.

“Have you boys had enough of a toast to Semjon?” a voice is heard at the door and everyone turns around.

Nadja is holding a vodka bottle in the air, with three glasses in her other hand.

The two bodyguards look at each other uncertainly, one shrugs his shoulder.

“Come on... let's have a drink, or several, to Semjon! Everything's quiet here, only friends present.....” smiles Nadja and wiggles the bottle seductively.

“Hmm,” one of them grumbles and sets off, the other follows him.

“THANK YOU!” Jolly forms his lips to Nadja, who smiles at him and hooks onto the two bodyguards, pulling them with her.

Jolly waits a moment, heart pounding, until he leaves the room and closes the doors behind him.

Not today, Kolja, he thinks to himself grimly, today it's your mother's turn to follow your father!

Jolly walks quickly, but quietly, to Inga's room, takes his latex gloves out of his trouser pocket, puts them on and then presses the door handle and waits. Nothing can be heard, so he opens it a small crack. There is no light coming from inside, so she must be asleep by now. Just as well, Jolly thinks to himself and nimbly squeezes through the gap and immediately closes the door behind him.

He holds his breath for a moment until his eyes have adjusted to the darkness.

Inga is curled up in the wide bed she shared with Semjon, Jolly realizes as he steps closer to her.

She has a pillow pressed against her and her face buried in it. Semjon's pillow by the looks of it, which must still smell like him...

FUCK, Jolly has to swallow. He didn't think this scene here would affect him so much, touch him so much that he feels a lump in his throat and has to swallow.

FUCK.... He is paralyzed.

But he knows that if he doesn't act now, he might lose his future, because Inga would pursue him to the ends of the earth with her rage and hatred and only give up when he and Olivia are dead.

The thought that Olivia could be in danger if he lets Inga live makes Jolly act again.

So he takes the pillbox from his inner jacket pocket and pulls out one of the white capsules inside.

They are his own. Semjon has handed them out to EVERYONE in the organization, including himself and his family, his wife.

Cyanide, as a last resort.....

Jolly breathes in and out deeply, bracing himself for what lies ahead.

All at once he becomes very calm, his facial features appear cold and emotionless.

He carefully kneels down on the bed next to Inga's body. He knows that she has taken a strong sleeping pill, because its can is right next to her on the bedside table, as is a drunk glass of water.

That should make things a little easier. He gently grabs her chin and turns her head towards him, causing her mouth to open automatically. Jolly pauses one last time, closes his eyes briefly and then puts the capsule with the cyanide into her mouth, so that when he presses her jaws together, she has to bite the capsule open.

So, he presses Inga's lower jaw onto her upper jaw, holding her head with an iron grip.

All this makes Inga wake up. Irritated, she looks sleepily at Jolly. When she becomes aware of his grip and the bitter taste of bitter almonds in her mouth, she opens her eyes in panic and tries to free herself from his grip, but Jolly holds her tightly.

Inga has no chance. Her movements become jerky, her body rears up until it goes limp. Trembling, he feels for her pulse. Nothing.... No more heartbeat can be felt.

Jolly only now realizes that he has been holding his breath the whole time. Shaken, he sucks fresh air into his lungs and remains kneeling for a moment, trembling.

FUCK....

With his hands still trembling, he brushes Inga's hair out of her face, arranges her body and the bedding so that there is nothing to indicate any outside involvement, and heads for the door.

He peers out cautiously. The corridor is still deserted, so he can leave Inga's room unnoticed.

After closing the door behind him again, Jolly takes off his gloves and puts them in his trouser pocket, adjusts his tie, smooths back his hair and straightens his jacket.

As if nothing had happened, he strolls down the stairs and rejoins the other mourners.

Nadja and the two bodyguards are still toasting Semjon. When she sees Jolly, she nods to him and pours another glass.

So that he doesn't draw attention to himself, Jolly also takes a glass, pours himself a generous gulp of vodka and pours it down his throat with deadly contempt.

“You drink vodka?” Alexei next to him, who seems to have appeared out of nowhere, is amused.

“Hmm,” Jolly shrugs his shoulder.

“What was the problem you had to solve today, so close to Semjon's funeral?” Alexei wants to know.

“Is it enough if I say something private?” Jolly is vague.

“Hmm,” Alexei looks at him skeptically.

“Fuck.... I was with a woman and forgot the time....” snorts Jolly and is pretty close to the truth.

Alexei's face falls apart before he laughs uproariously and punches Jolly on the shoulder, “Damn... you're more cunning than I thought.... Knows Nadja.....”

“Yes!” growls Jolly.

“And she doesn't mind?” gasps Alexei.

“Christ, I'm not her fucking property!” growls Jolly, pouring himself another vodka and downing it.

“All right.....” grins Alexei, but then becomes serious, ”I've been thinking about our last conversation.....”

“Hmm” nods Jolly and waits.

“You're right... Nadja IS the better candidate!” snorts Alexei, ”I'm not the only one who thinks so!”

“Hmm” nods Jolly again.

“But many people think YOU are even more suitable!” adds Alexei.

Jolly snorts in amusement, “Forget it! I'm not in the mood for that kind of shit! I have absolutely no ambitions for that!”

“Think about it!” Alexei shrugs his shoulder.

“Thanks, but I don't need that. Put your money on Nadja. She's the one!” he explains seriously.

“Hmm,” Alexei nods, ”but what about Kolja?”

Jolly shrugs his shoulder, “He'll take care of himself... just wait and see!”

“You may be right... I just hope he doesn't throw everything into chaos first!” growls Alexei.

“Hmm.... We'll see!” muses Jolly, looking at his watch, ‘Bloody late....’ he declares.

Alexei grins, “Your bed must be warmed by now... right?”

“Possibly.....” Jolly explains, stretching, ”I'm going to disappear anyway. Kolja wants to discuss some things with me tomorrow and I want to get at least a few hours' sleep before then!”

Alexei laughs softly, “I'll take your word for it!” and slaps Jolly on the shoulder again.

Jolly quietly closes the front door behind him, kicks his shoes off his feet and drags himself into the living room. He drops onto the large, dark green, cozy couch, rests his head on the backrest and closes his eyes.

He needs a moment before he joins Olivia in the bedroom.

“Joakim?” the thin voice from the side behind him makes him jump and turn to face her.

He smiles at Olivia, “Min Liv...!” he sighs and holds out his hand to her.

Immediately she is with him and snuggles against his chest on his lap, “I couldn't sleep...” she whispers.

“Hmm,” Jolly mumbles, stroking her hair, ”I'm back with you now!”

Olivia nods and wraps her arms around his chest, “Now everything's all right again!”

They sit together in silence in the dark, enjoying each other's closeness.

“Let's go to bed..... Tomorrow, or rather today, could be a stressful day!” sighs Jolly, noticing how Olivia stiffens at his words.

“Why?” she breathes.

“Well... Inga.....” Jolly presses out.

Olivia nods slowly, “Just Kolja....” she whispers.

“Yes..... just Kolja!” confirms Jolly bitterly.

“Then it's all over!” gulps Olivia, tenderly stroking Jolly's cheek as he leans into her gentle touch and closes his eyes.

“Yes..... then it's all over!” he confirms harshly.

As Jolly expected, all hell breaks loose in the morning. He is not yet fully awake when his cell phone buzzes incessantly.

He looks at the display with a petrified expression. The messages and missed calls add up ad infinitum.

Olivia looks at him anxiously as Jolly looks through the messages and finally answers the next incoming call.

“Hmm,” he grumbles.

“FUCK, how long have you been asleep?” hisses Alexei, ”You have to come right away. Something terrible has happened!”

“I've only just woken up... what's going on? Where should I go?” Jolly wants to know.

“To the house... the private house... Inga....” Alexei breathes in and out deeply.

“What about Inga?” asks Jolly.

“She's dead....!” gulps Alexei, shocked.

“What?” gasps Jolly convincingly.

“Yeah, man, dead... Kolya found her. She was lying peacefully in her bed... she must have bitten her cyanide capsule.... It's unbelievable!” Alexei explains, shocked.

“Fuck.... I'm coming, just give me a moment until I'm dressed. Then I'll be right with you!” explained Jolly.

“Hurry up. Kolja is beside himself and I'm afraid he's losing his mind! The doctor has injected him with a sedative!” Alexei swallows.

“I see. I'll be there as soon as I can!” Jolly promises and hangs up, then stares at his display for a long time without saying anything.

Olivia looks at him questioningly.

“You're not on duty today, are you?” he wants to know from her.

“No.... Why do you ask?” Olivia wants to know.

“Because I want you to stay here today. Pack the rest of your things... I have a feeling that a quick departure might be necessary!” gulps Jolly.

Olivia's eyes widen, but she nods, swallows, “Do you want Kolja.....”

“I don't know... if the opportunity presents itself....” Jolly shrugs his shoulder.

Olivia wraps her arms around his neck, “Whatever you do, be careful! Please! I still need you.....”

Jolly has to smile at her words, “You know... I will ALWAYS come back to you!”

“Swear it!” Olivia intensifies the pressure of her arms on his neck, pulling him closer to her, “Swear to me!”

“I swear to you, on everything I hold sacred!” Jolly whispers tenderly, kissing her tender lips.

Regretfully, he breaks away from her, “I have to go, min Liv! Lock up well behind me, put the bolts forward and have the gun I gave you handy!”

Olivia turns pale at his words, but again she nods, “I will... don't worry about it!” she tries to smile.

Jolly kisses her again before getting out of bed, getting dressed as Olivia watches him silently.

“I probably won't be able to report....” he explains.

“I know!” she gulps, ”It's all good....”

Jolly leans towards her one last time, “See you later, min Liv!” he kisses her and then tears himself away from her. He goes from her apartment to his and changes his clothes, because he can't possibly show up in the same suit from yesterday. He also puts on his gun belt, just in case....

“Thank God you're finally here!” growls Alexei as Jolly comes through the front door.

“Hmm, where is he?” he wants to know.

“In his bedroom.... The doctor practically shot him up with some stuff. He's asleep or unconscious...” Alexei explains.

“Hmm” nods Jolly and thinks about it.

“Damn... this is all absolute shit!” hisses Alexei.

“Who's all here?” Jolly wants to know.

“Nadja and Sergej are in the living room... Kolja's entourage is loitering all over the house. Hanna is with him....” Alexei informs him, ”Otherwise the bodyguards and the staff!”

“Ok... and Inga?” Jolly wants to know.

“She's still in her room..... Kolya didn't allow her to be picked up!” Alexei swallows.

“Hmm,” nods Jolly and a sinking feeling spreads through his stomach, ”Maybe we should do that first... make sure her body is taken away.”

“Kolya will freak out, ....” Alexei warns him.

“Then I'll go to him now and try to talk to him!” growls Jolly and starts to move.

Two bodyguards are standing outside Kolya's room and nod at Jolly, who nods back.

He enters quietly. Kolja lies curled up on his bed, his head in Hanna's lap. She looks up when she notices Jolly. There are tears in her eyes and on her cheeks, which she wipes away with a sniffle, “He's not well!” she whispers, stroking his hair.

“Hmm” nods Jolly, ”I need to talk to him..... Inga... she can't stay here!”

“He won't allow her to be taken away!” replies Hanna immediately.

Jolly sighs, then sits down at the foot of the bed and waits.

An hour passes before Kolja stirs and slowly sits up.

“Where have you been?” he wants to know from Jolly.

“In my apartment.... I came as soon as Alexei reached me!” explains Jolly.

“Yesterday.... Did you notice anything suspicious after you brought me to my room?” Kolja wants to know quietly.

“What do you mean? Suspicious?” Jolly wants to know, irritated.

“My mother....... Did you see anyone at her door?” Kolja wants to know.

“No... nobody!” Jolly replies immediately, Kolja looks at him blankly.

“You think someone else has her....” asks Jolly, stretching.

“Murdered?!” Kolja finishes the sentence, ”Possibly......”

“Heavens.....” gasps Jolly and he feels sick, ‘Do you have any suspicions?’ he then wants to know.

“No..... just a feeling!” swallows Kolja, ”She loved my father, very much.... But I can't believe she would kill herself .....!”

“Well.... People don't always react rationally or as usual when they're grieving....” Jolly tries to explain.

“My mother would never have left me alone... not by choice!” Kolja blurts out, hurt.

“Hmm” nods Jolly and the uneasy feeling in his stomach increases.

“I.... I want you to question everyone who was here last night.... Guests, staff, bodyguards, our men... EVERYONE!” orders Kolja.

“I will!” Jolly nods and stands up.

“So?” Alexei wants to know from Jolly when he gets back downstairs.

“Hmm, he doesn't believe in suicide, he wants me to ask everyone if anyone went into Inga's room!” grumbles Jolly, her eyes downcast.

“FUCK... do you think so too?” Alexei wants to know, stunned.

“It doesn't matter what the fuck I think, Kolja thinks it, so we'll ask everyone.... All the guests from yesterday. Take care of that. I'll start with everyone in the house!” growls Jolly.

“The surveillance cameras.....” Alexei reminds Jolly.

“Hmm, I'll look through that footage first....” nods Jolly and he gets freezing cold. FUCK, you moron, he thinks to himself, you brainiac didn't think of that.

So he gets moving and goes into the technical room of the house, where all the recordings are stored.

He quickly searches for the relevant recordings. FUCK.... He is clearly recognizable.

He quickly deletes all the footage from yesterday so that it looks like a technical error.

God, Karlsson, he curses himself, concentrate at last... mistakes like that are fatal!!!

Still thinking about the mistake he made, he goes back.

“I've sent some men out to question yesterday's guests!” Alexei nods at him, ”What about the recordings?”

“There aren't any!” growls Jolly.

“WHAT?” gasps Alexei in disbelief.

“Hmm, either a technical error, or they've been deleted.” Jolly nods and realizes that his heart is beating in his throat.

“FUCK... if Kolja is right with his assumption?” hisses Alexei.

“Hmm” Jolly shrugs his shoulder without responding further, ‘I'll talk to Nadja....’ and simply leaves Alexej standing there.

“We need to talk!” he growls to Nadja and reaches under her arm.

Nodding, Nadja lets herself be pulled away with him.

“Why don't we go out onto the terrace?” she suggests loud enough for everyone else to hear.

“What is it?” she immediately wants to know from Jolly outside.

“Kolja doesn't believe it was suicide and wants to question everyone. He'll find out that you practically lured the bodyguards away.....” Jolly explains quietly.

“I see....” Nadja nods slowly, ”I'll think of something!”

“Be careful! Kolja is more dangerous than usual right now!” Jolly warns her.

“You should remember that too!” snorts Nadja, ”Or you can kill him as quickly as possible and solve the problem!”

Jolly snorts, “I can't march into his bedroom and just shoot him. I'd be dead on the spot!”

“I'm not talking about that.... But hurry up, for God's sake!” Nadja hisses at him.

“I will!” nods Jolly, ”Time is the deciding factor now!”

“That's it!” nods Nadja, ”What do you want to say to Kolja now?”

“Well, I've deleted all the footage. There's no more picture evidence. I'll tell him that you were drinking with the bodyguards on Semjon, that I was there after I dropped him off in his room and that I didn't notice anything suspicious!” explains Jolly.

“Sergei will confirm it!” nods Nadja.

“You're getting used to him?” Jolly grins at her.

“He's..... well... he's nice... a nice guy. I don't know how that's possible in this environment. I get the feeling he really likes me. He's attentive, courteous and he's not a head case,” snorts Nadja.

“But?” grins Jolly.

“He's nice... NICE!!! Jesus, I find myself really starting to like him....” Nadja hisses and rolls her eyes.

Jolly has to laugh, “Well...who would have thought that possible, right?”

“Oh, you shut your stupid mouth!” Nadja hisses at him, but then has to smile.

“I'm really happy for you Nadja... you deserve someone who likes you, for your own sake!” Jolly explains seriously.

“Thanks....” nods Nadja, ‘But he's not you!’ she adds quietly.

Jolly looks at her, “Give him a chance, a real chance. Who knows....”

“Save your relationship advice!” Nadja growls at him.

“Okay... I'll shut up!” laughs Jolly.

“Your friend.... Is he really reliable.... Trustworthy?” Nadja suddenly wants to know.

“From what I can tell so far, yes!” nods Jolly.

“Good, then ask him to get in touch with me. Give him my home number!” Nadja explains seriously.

“I will!” nods Jolly.

It is late evening by the time everyone has been interviewed.

Exhausted, Jolly drops into an armchair and pours himself a drink, which he takes in large gulps.

Alexei drops onto the couch opposite him.

“So?” Jolly nods at him.

“Nothing... and you?” Alexei wants to know.

“Nothing either...” Jolly shrugs his shoulders.

“Kolja won't be happy with that!” Alexei muses.

“We can't pull anything out of a hat if there's nothing!” sighs Jolly, ”I've informed the mortician. Inga can't lie up there forever!”

“Yes.... Does Kolja know about this?” Alexei wants to know.

“Not yet... I'll go and see him in a minute!” growls Jolly and stands up.

“Good luck!” snorts Alexei, ”I really don't want to swap places with you!”

“I wouldn't want to swap places with me either!” growls Jolly and goes to Kolja.

He knocks softly on his bedroom door and enters.

Kolja is still lying in bed, his head still in Hanna's lap.

“No one has seen or noticed anything suspicious!” Jolly explains immediately, ”Besides, I've informed the mortician, he should be here any minute!”

Kolja shoots up, stares at Jolly in bewilderment, then wriggles out of his blanket and slips out of bed, stumbling towards Jolly with his fists clenched.

As he comes to a halt in front of him, he punches Jolly in the face with full force, causing him to stumble backwards slightly.

Jolly stoically wipes the blood from his lip. You little fucking asshole, he thinks to himself hatefully, but at least your punch isn't as hard as your cursed father's, may he rot in hell!

“YOU HAD NO RIGHT TO DO THAT!” Kolja yells at him and punches him in the stomach, causing Jolly to collapse slightly and gasp for air.

FUCK, another punch.... Jolly angrily clenches his fists and has to control himself not to punch back.

“Kolja... I'm sure your mother didn't want to rot in her bed!” Jolly hisses, which earns him another punch to the jaw. Blood runs down his lip and chin again.

Liv will have a fit, he thinks to himself with a sinking feeling in his stomach, if I turn up bleeding again.

“Kolja....” tries Hanna, who puts a hand on Kolja's shoulder to reassure him.

But Kolja pushes her away so that she falls back onto the bed and raises a fist against her.

Jolly grabs hold of Kolja's arm, “Come to yourself!” he growls coldly at him.

Jolly's hateful look seems to bring Kolja back to his senses, as he blinks at him in irritation.

“Don't take your anger out on Hanna!” growls Jolly, ‘She didn't do anything!’ and lets go of Kolja.

Kolja narrows his eyes and looks coldly at Jolly, turns his head slightly to the side, “Get out of here!” he hisses at Hanna. She gets off the bed, trembling, and hurries out of the room.

“Don't ever do that again!” Kolja grumbles quietly, coming damn close to his father, Jolly has to admit.

He nods slowly.

“I'm serious... NEVER disobey one of my orders again, NEVER stab me in the back again! Do you understand that?” Kolja hisses at him again.

“I did!” Jolly nods as calmly as possible, even though he would love to beat Kolja up.

“Artur always said you were headstrong....” growls Kolja, ”That's probably why he had you watched....”

Jolly's face stiffened and he felt sick that Kolja had to come here today of all days.

“Fedor.... Artur's surviving man, he said Artur had ordered his two men, the ones who are also dead, to watch you.....” Kolja looks at Jolly lurkingly.

“Hm” grumbles Jolly, feeling his stomach turn.

“You didn't notice anything?” Kolja wants to know.

“Well.... I noticed a black car... that's all!” Jolly shrugs his shoulder, ”When it was gone, I didn't give it a second thought. Why did Artur have me watched?”

“He didn't tell me... only Fedor, after my father died.... I guess he was afraid of my father!” Kolja still looks Jolly coldly in the eye.

“And what does Fedor say.....” growls Jolly, who is trying to regain control of his emotions.

“Just that you were under surveillance....” shrugs Kolja.

“Hmm, and now what?” Jolly ventures.

“When Fedor is fit again, I'll ask him if he knows more!” he looks at Jolly again, lurking.

“Is he ill?” Jolly wants to know, stretching.

“The idiot has pneumonia....” snorts Kolja and goes to the bar cabinet in his bedroom, pours himself and another glass full of vodka. He holds one out to Jolly, who reluctantly takes it.

“You're my brother.... Right?” he wants to know from Jolly, ”My right hand!”

“Hmm,” nods Jolly, who would have liked to vomit on the floor.

“Sa sdorowje!” Kolja toasts Jolly and tips the contents down his throat.

Jolly follows his example - what else could he do? The alcohol burns like fire in his mouth and on his lip, where his flesh is exposed.

Trembling, he wipes his lips, staining his hand bloody.

“Do you still need me?” he wants to know quietly from Kolja.

“Where are you going?” he asks with narrowed eyes.

“To my flat....” Jolly explains, stretching, ”It's late.... Yesterday was a long day, and so is today!”

Kolja looks at him again with narrowed eyes, then waves him off, “As far as I'm concerned, get out! But be ready when I need you!”

“Hmm,” nods Jolly, puts the glass on the table in the room and leaves.

He has to control himself not to slam the door behind him. Son of a bitch, he thinks to himself angrily, and wipes the blood off his chin again.

When he arrives downstairs, Nadja looks at him with wide eyes.

“He takes after his father!” Jolly snorts angrily.

“What did you do to upset him like that?” Nadja wants to know.

“Called the mortician and stopped him from beating Hanna!” growls Jolly.

Nadja looks at him for a long time, “You haven't learned to mind your own business all these years, Jolly!” she then smiles, “You still have a good heart. I love you for that.... But that can also be the death of you, you know that!” she gently strokes his cheek.

“Hmm” grumbles Jolly and lowers his eyes, ‘I'll make sure it's NOT my death....’ he whispers, then looks up, ”I'm going home now. Take care of yourself, Nadja!”

[rearranging-deck-chairs]

wait what did he mean by this

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[thenwethrowitonthefire]

Shout-out to everyone who survived a "fun" easter with the family

[livvyofthelake]

i don’t mean this to sound homophobic or whatever but some queer people literally cannot conceptualize that they actively look down on things they consider “basic” or “straight” with an insane level of contempt no matter how much they say they support everyone and everything. like. if i tell you i love riverdale because it’s campy and fun and you give me that look of disgust because you perceive riverdale as some basic lame straight people show. that’s not very like. nice. and then you refuse to hear me out in my show’s defense… and you just wave me off with a “whatever like whatever you like” but you’re still looking at me like i’ve just ordered a pumpkin spice latte while wearing ugg boots and listening to taylor swift. like at a certain point when will you admit you’re not actually very nice about people’s interests that don’t align with yours.

[baejax-the-great]

Sometimes I think writers are more prone to the "If I'm not perfect at this on the first go, and if I don't get incredibly popular immediately, it was pointless and I quit forever."

I totally get that impulse. I have it, too.

Writing, like anything, requires practice and time. I think this is difficult to internalize, because unlike art, the difference in quality is not immediately obvious to your eyes. Two chunks of writing side by side just look like two chunks of writing.

I think I was writing for three years before I felt like my writing was noticeably better than my earlier stuff AND I had started writing much more quickly. That is a long time to wait to see improvement. Moreover, that improvement wasn't reflected in my AO3 metrics at all, because I had gone from writing a more popular ship to a less popular one (and from there a rare pair, hah!). If popularity had been my goal, then improving my writing was far less important than writing ships and tropes with wide appeal.

I started drawing in 2020, and I'm still terrible at it (which absolutely reflects my lack of dedication to practicing). I think for me, the difference was I had never picked up a pencil with the intention of drawing something, so that first monstrous picture I made wasn't discouraging at all. I was surprised I was able to make anything that looked remotely like a person.

Most of us have been writing in some form since we were children, even if that writing was never specifically fiction, so we feel like we should be automatically better at it than a 30yo who picks up a marker for the first time and can't draw a straight line. But writing a story is a different skill than academic writing, and much like drawing, if you don't practice it with some regularity and intention, your improvement won't be that noticeable.

This is not meant to discourage people by saying you have to write for an hour a day if you want to be any good at it. I don't believe that. My point is more that when nobody likes my fail-drawings, my reaction is pretty much, yeah, not surprising. I'm drawing for niche fandoms and I still have a ways to go before my compositions have any sort of universal appeal. Popularity and "success" (whatever that means) was never the point.

I could choose not to post any of my drawings until I'm an expert some ten years from now or whatever, but I don't really mind if my flops are out there on the internet. I drew them with love.

Writing is much the same. And if the love is there, others who share that love will find you.

[theres-whump-in-that-nebula]

When British writers come up with an American character’s dialogue and give them the most painfully British things to say with their American accent and inflection and it makes the actor come off as stiff. :P

[unproduciblesmackdown]

billions(tm): it's incredible how we just provide a little snippet of material designed to be "guy we all want to push down the stairs immediately somehow" and through this amazing acting alchemy it becomes gold. electric. magnificent. we can't get enough so we will just keep writing this loser character and the actor will somehow keep bringing the dazzling transmutation through his ability

actor will roland: [is aware autistic people are real]