#im very incoherently rambling

[terracottakore]

i think false should be able to do anything she wants 💚💛❤️

week one of @shepscapades hermit character design challenge! thank you for hosting this lovely event

[vaniliens]

Long ass opinions / critiques on milgram under the cut before t3 actually hits

Im not even that mad / hateful of mlgrm at all tbh & I think & hope you can tell that from the fact that my main gripe with it isnt really "This project was awful from start to finish it never should've happened" but rather "There were better (& Arguably easier) ways to tell this story & get the point across"

i understand 100% why they thought, on paper, why this would've been a cool project to work on and It Is!! They did their best, i really love how it takes inspiration from the vocaloid community from the abstract symbolism filled MV's, the deco covers, how theres an interconnected story, and the potential of community guesswork & discussion of what this song and/or MV means. I might be a bit biased bc i got into it after being dissapointed in how lacking the virtual singers / vocaloid [community] feels in project sekai besides the commissioned songs but overall i think its really cute, even if its technically just what art as a whole is about 😭 You know, making you engage & think about The Implications. Getting the inspo from the voca synth community allows the project to stand out bc of how its presented. Its unique, its fresh, it keeps you on your toes.

I love how it (tries) to tackle well known & relevant issues in japan (& tbh the rest of the world), like ableism, misogyny, child abuse, call-out culture, homophobia, the entire prison system, etc. and how the victims and perpetrators react to it. Its very interesting. Its very clearly trying to humanize & sympathize even the "worst of the worst", and i appreciate how its one of the main themes in the story even if some of the audience didnt quite catch it. Its showing how simply punishing people who did wrong isnt the answer. Like theres SOOOO much nuance to unpack both in universe with the crimes & prisoners and in a meta sense through the way the story is presented, the way the audience reacts, the discussions, thoughts, developments, etc. Its so cool. They've clearly put a lot of effort into it.

At its core the Milgram Project has always been less about solving the crimes and more about asking the audience "Why do YOU think X happened?" Its basically a bunch of character studies!! You're peering through their hearts, examining their own version of the truth of their crimes, and drawing your own conclusions based on that raw, intrusive data that the system has given you. Aagh.

Unfortunately in my own humble opinion all these elements combined is exactly why it doesn't work as well as it could've And arguably should've for a project all about seeing the good or at least understanding eachother.

It asks "Why did X did it?" but it doesnt give us a platform to actually state Why they did it in any way, only to answer & play into the prisons b&w thinking, and you cant in any way reverse any of their verdicts once its been casted. And thematically it works. I mean its about a warden in a prison full of people who have taken lives, its doing its job to mirror the reality of real life Innocent (No punishment or otherwise legal consenquence) vs Guilty (Punish) verdicts, legally or non officially, as it should. But idk it doesnt really Help us understand why a character comitted their sin. It only introduces downwards spirals, which only makes the characters less willing to provide their actual motive(s) as time goes on. I get that the main thing its criticizing is the legal & prison system but its getting in the way of sympathizing with "Bad" people. Which again IS the point, thats EXACTLY what the prison system does and why its so harmful, it dehumanizes people to hell and boils down their entire personhood to "Guilty" but like???? It doesnt really provide an Out, or anything more Productive to think about. WHICH IS THE POINT & I KNOW THAT BUT IT KINDA FEELS LIKE IN THE END THERES REALLY NOTHING YOU CAN DO WHICH IS PRETTY NIHILISTIC???

Its like "Theres no point in examining why these people are the way they are bc everyones gonna suffer no matter which button you press in the end!! No you cant gain deeper optional insight either bc we're permanently rolling with THIS now." and what doesnt help are the extra contents like the voice dramas & interrogation questions where the characters themselves add more fuel to the fire by threatening eachothers or the wardens lives??? and it leads to people discussing 'Which Verdicts to Vote [to minimize the in universe damage so these fictional definitely-not-representatives-of-real-life-issues-&-its-consequences characters can be safe]' instead of 'Actual Insightful Character Analysis [to help eachother find our own conclusions no matter what it is & to improve ourselves as a person through examining fictional scenarios]' and it leads to COMPLETELY unproductive discussions and flame wars and its so upsetting to see.

Its fucking tearing itself (& the fandom) apart by making ITSELF perpetuate the black & white "Theres a CORRECT answer to this EXTREMELY morally gray & heavily nuanced situation!!!" thinking for the sake of criticizing (More like making a parody of) the prison system. Like wow who would've thought that the system designed so that literally everyone in it is turned into mere "GOOD" VS "BAD" caricatures of themselves would be a good sytem to EXAMINE PEOPLES COMPLICATED LIVES with. Does that make sense. Like isnt it ironic how what we call "Meta voting" is, in the end, more about these fictional characters lives than it is about us, as the actual living breathing audience who are capable of accepting things outside the dichotomy and are able to self reflect before its too late? us, the humans whos lives are more fragile and thus require more care from eachother than mere 2d drawings? Isnt that so ironic

AND I WANT TO MAKE IT CLEAR I GENUINELY, WITH ALL (or none in this case) OF MY HEART, DON'T AND CAN'T EVEN BLAME ANYONE WHO META VOTES. BECAUSE THE PRISON. THE PROJECT ITSELF. ENCOURAGES IT. AND IN THIS TRIAL AND EVEN THE PREVIOUS ONE WITH KOTOKO'S BEATINGS, PROVES THAT IT HOLDS WATER. MORE THAN ANY CHARACTER ANALYSIS. MORE THAN GENUINELY UNDERSTANDING WHERE THESE CHARACTERS ARE COMING FROM.

And the beautiful thing about it is that theres ALSO a discussion to be made about this, intentional or not, about how our actions weigh more than our thoughts / feelings which is ofc correct. This also ties in it with its theme, of taking people's lives and under what conditions is it considered something "Neutral" (even "Positive / Good") vs "Punishable" and ofc also the punishing & restraining that comes with getting a guilty verdict part, an action that leads to someone else's forced in-action.

Still though, in what way does this really help support the Actual Main Theme, which is understanding eachother / the prisoners, people who youve seen arguably the worst of? Its grappling between wanting to make the audience GENUINELY THINK and self reflect vs a show about people going through hell and you CAN be both but again!! with way milgram is run, because of the active audience participation it needs & encourages & the way it boxes the audience into these 2 choices, it was always going to snowball & sway more to the latter. Its becoming less of a thinkpiece & more just a shocking spectacle where everything is in "Superhell"

"Oh anyone can die in this prison if the audience messes up badly enough" do you think thats a good way to send your message. Just kill off a character whos arc wasnt even finished yet. When their deaths only serve to make things worse and thus more shocking and "High Stakes"? When their deaths are only punishing the audience who wanted to understand everyone in the prison by

1. forever 'Locking' said dead character(s) out of any new developments

2. Possibly make things more muddy & unclear in the trial, as the rest of the characters would be affected by the death(s) and would most likely close themselves off even more to cope with the trauma?

And. Like. Again I cant even get that mad bc can you blame the writers when theyre all forced to write shit on the fly based on OUR unpredictable reactions??? Ex. Did they expect Amane to get a guilty in the 1st trial despite the sympathetic MV which features a child repeatedly being abused?? They also have to choose and try to balance between making the horror of the situation clear while also providing a way for these present horrors to bring out the characters past crime. Its so complicated.

I really really hate how this happened. Please. If milgram had no audience participation and if it was instead just a linear story or 2 this wouldn't have happened.... everything would've been in the writer's control and thus we would've been guaranteed a more fulfilling story even if it lacks the explicit audience complicity to the violence & abuse. See: come on man, THE OFFICIAL PREQUEL NOVELS.

Alternatively, seeing as the trial 3 curtain call is LITERALLY called 'Route: Your [Curtain] Call,' implying that there were other routes we could've went on, it could've been a video game or better yet a visual novel. Then we'd be able to fully explore the characters as much as we want, even if, by resetting the game multiple times to get the routes to FULLY understand these charaters, it lessens the emotional impacts the deaths will have.

I dunno man i just wish it didnt get this complicated I just wish it was presented better....

"So what do you think happened? Was this justified or not?" I dont know man we're busy making sure people dont die so we dont miss out on any new info even though the act of 'making sure people dont die' is making us Waste the opportunities we have to get said new info. WE'RE in storytelling superhell.

[cent-scratchnsniff]

grade 9 fixer :) i am very sane :) and havent been incredibly stir crazy and perhaps over analyzing everything since the very moment hes come on screen :) oh god. it is nice to finally draw the guy

[mee1414]

At The Cemetery - Madilyn Mei (ft. Cloudkissed) for a shinyduo ghost AU,,

I cant decide if Gem is the ghost or if Pearl is hmm. Leaning more Gem but really it could go either way

"Would you be my friend / If I told you that I died years ago?"

"I would be your friend / No matter dead or alive / Losing my mind going mad / I'll be around / Til the day that I die / You and I can't forget / Don't regret what we had" something about how theyre together in every universe, how if theyre in the same universe, they find eachother

"I don't want you to know a single thing about me / But I wanna know all there's to know about you"

[seth-ballz]

i fear i may be wrong 🥲🥲

i did some math (quite literally) and i now think episode 7 will end just before the dreaded fight of mayuri vs pernida... so somewhere in chapter 635.

at least we kenmayu shippers get a crumb next episode, this scene is for sure getting animated

[technicalknockout]

Jethro appreciation post

[devotedlystrangewizard]

the school arc to me is so good because it drags ciel out of his position as a powerful figure and literally places him in the shoes of the person he could have been. the circus arc ALSO drags him out of his position as big bad queens watch dog/head of the phantomhive estate but the school arc feels like a mockery of a future that never was. this is what he could have been had his parents not died. and even then its NOT because he will never be that kid.

he never was.

[holland-vosijk-antari]

actually i am going to say a small thing about my love for both holland and merlin because HECK do i love them both and they are BOTH so sad (another badly worded stream of consciousness incoming)

they are both extremely tragic characters that spend their time with a goal in mind that they ultimately can't see through. for holland his aim in life is to heal his world and yet progress is only made after his death, with merlin his destiny is to keep arthur alive so he can unite the land but fails to do so and watches him die. both are forced to watch all those they love die having no time to grieve as their work is unceasing. their fight for survival means they can't let their guard down to someone without risking the life of that person as their very existence (holland as antari and merlin as a magic user in general) are targeted and killed in their worlds. neither have the chance to rest from their duties as merlin is forced to live on until arthurs foretold return and holland does not rest even after death as he "lives on" as a ghost. loneliness is a core aspect of both of them but while merlin is surrounded by people that love him but never truly get to know him, holland spends a great deal of time with people that know him in great detail like the danes but never treat him with any kindness (though he is also around many who dont know him and dont understand him too)

[kijosakka]

and the thoughts taunt me yet again. its just becoming commonplace at this point to ramble on tumblr before i go to sleep uhhh

theres gotta be like, a liiitle bit of established characterization summed up beyond a mess of multi paragraph behemoth rambling posts in a rb chain to rehash canon properly um,,

^ general idea is of noah knowing chris and chef before TD is even conceptualized and growing up in the industry bc of it, if only ever behind the scenes and watching in < all of the posts are actually more character studies about being Wary of the Cameras than anything else but id like to look at canon if only just to try and puzzle out/outline developments and whatnot.

starting out pre-island and segueing into his little time on island (and still being majorly character study-y):

chris, with TD being a new show and all, has trouble filling out the cast, and being fussy about the specifics of his show, is willing to scrape the bottom of the barrel to find those three castmates to pad it out. hence; duncan, ezekiel, and noah

^ duncan and ezekiel both did send in audition tapes, while noah did not, (i'd imagine here something about the TD website having everyones audition tapes release once theyre eliminated as 'bonus content'. everyone, of course, except noah.) cause, you know. up until this point hes only ever been known in The Business as 'that snappy but has surprisingly good insight into the Business kid noah who accompanies mclean', but now hes being asked to join this show he wants no part in. hes perfectly willing to help out behind the scenes, wheres hes comfortable, but chris insists -- and eventually, noah gives in.

the caveat is that he goes into the show both knowing about the resort after elimination and hyperaware of the reality tv aspect. and since, in his mind, hes elimination fodder there to make sure they have a full cast roster, he delegates himself a background character and acts as such.

hes not meant to last long, so he singles out some traits and ideas and detaches his person from them. for the length of the entire show, noah knows he wont be a person. he'll be a character made up of one-liners and quips with no character motivations or involvement in any real plotlines, someone who you see how early they get eliminated and you go 'yeah, that makes sense' and then never think about again.

^ and this is very apparent from his first onscreen appearance -- it takes a good minute for the boat to go back and forth picking up contestants even if most of the spare footage is cut, and as people arrive, even if the camp is a disappointment there's a shared sense of wonder about being the people who made it onto the show they all collectively want to be on. they chat and share excited pleasantries and theres a sense of personality that is immediately apparent to their peers because of it -- except for noah. noah has his one back-and-forth with duncan and then lets himself fade into the background from there on out.

and at first, its a kind of deal where its just like 'alright. hes shy, thats alright!!", but then it continues into when theyre all sent off and distinctly off camera. you try to chat with noah, and he gives you a non-answer or a one-liner than would be great for an audience!...if anyone were watching.

the walk up the mountain for the first challenge is much of the same: no input on the speculation about the challenge, just unnerving blankness. his facial expression is unchanging, not like he was unphased by the challenge, but more like he just isnt there for it. like the plot doesnt demand his presence.

again and again the first impression they get of this guy is a weird, offputting uncanny valley sensation. he doesnt come off as a real person, he comes off as robotic and lifeless. and its weird. i'd imagine in terms of character relationships, a lot of characters would be weirded out by him and completely write him off, while some of the nicer would insist on giving him a chance to get used to everything.

the second challenge comes -- he has his whole fake-faceplant thing that hints at something more, but again. hes a collection of ideas, and one of those ideas could just be potential, overridden by his apathy and laziness; two other key ideas.

noah doesnt touch any of the food provided during that second-first-half bit, just stands blankly off to the side like hes being used for background filler. of course he doesnt, the cameras are right there. (does no one else understand that?)

^ [*]awakeathon comes and goes; noah falls asleep, and that's.... it. no scheme, no strategy, he just separates himself physically from the cast by a few feet, and gets cozy to sleep. and then he wakes up. no insight into the character like with, say, courtney or justin. no plotting like heather. just banal averageness. a play to be overlooked.

and what was he to do? there were no real opportunities for any of his 'collection of ideas' to slot in, so he fades into the background and lets everyone else take up the screentime.

[*there is, i imagine, a kind of alternate version of events where the kiss with cody does happen and can be used as further/a more clear incentive for the events of dodgebrawl to happen.

the reason ive cut it here is because just in the context of noah sticking so hard to his hyperawareness, i would imagine he would know of and preemptively try and take measures against any Sleep Shenanigans that may happen, or may even avoid sleeping for longer because of the possibility.]

and then its dodgebrawl; he sees his chance to really flaunt his non-substance. [*]noah hates physical activity, thats one of his main Ideas in his compartmentalized collection. which better challenge to utilize it in than this one? again, hes elimination fodder. as far as he's concerned, this works out perfectly.

[*this would kind of give you a reason to change his lack of athleticism if you so wished. theres an alternate-alternate version of canon keeping this same noahs background that i might post about on here at some point, but in said AU hes more physically adept bc of his past in behind-the-scenes work. whos to say he hasnt helped carry heavy set pieces or ran around during busy hours?

it could serve to be a) self indulgent to some degree, and who doesnt love that, but also b) further alienate him from his cast, where even one of the barest traits he exhibits is just flat out wrong.

or you could just keep it as-is, and alter his attitude towards anything physical while keeping his unathleticism. or it could just be one of his chosen (truthful) traits that he decides fits with his on-screen character. its pretty ambiguous]

he gloats and inserts his quips where he can, the book hes carrying really just there to really sell it -- in terms of the cast and their thoughts, its again strange.

hes saying Words, but theyre Detached from the character and demeanor. hes putting on a performance and hes selling it pretty well, but its still hard to shake how off something seems about it. but noah does sell it and he gets voted off, off to his long vacation stay which he is absolutely looking forward to.

he arrives at the island, he gives his character interview full of non-answers, and then -- well, thats it. or it would've been it had he not noticed the obscene explosion of popularity the show had from its debut. the general public loved it, and you know what happens to shows that people absolutely adore? they get approved for second seasons.

this is the fact that tips noah straight into barring himself from all interpersonal relationships, as he was already wary simply by virtue of them being his castmates --theyre on screen, on set with him. that changes a lot about your dynamic with someone. -- and that he never really knows if theyre being watched on the playa; it is network-owned at the end of the day. so both the uncertainty and 'confirmation' of a second season lead him to avoid the cast entirely. literally.

nobody sees anything of noah beyond flashes in peripherals, disappearing books from the living area, and dirty dishes -- until theyre called for filming of haute camp-ture. and while its obvious to everyone else that theyre treading lightly around him since they, you know, havent seen him at all, noah acts completely unchanged. no acknowledgement of his absence, just the same dynamic with his castmates hes always had on-screen.

afterwards, someone tries to get his attention, to be like 'hey?????', and noah dismisses them extremely flatly. like npc dialogue. and then he disappears again, until i triple dog dare you, which im going to say they just gather everyone outside and let them do their own things until someone spins them and they have to give a dare. noah sits himself on a pool chair in his swim shirt and trunks with a book and Does Not interact with the cast at all.

^ you could spin it where they get a bunch of dares from the contestants individually and just read off from where theyre listed or whatever but this would be a chance to have alternate povs noting exactly what the characters think of noahs separation from everyone

anyway theyre called on the island for the [*]finale between owen and gwen, and he lets himself fade into the background. his work is done, it has been done, and now he just has to wait for what the segue into the inevitable second season is so he can wipe his hands clean of it (or so he thinks)

[*i think it could be written both ways, one where when the cast cheers he cheers and when they scream he screams, or another where despite the frenzied emotions around him, noah remains unaffected.

perhaps it could be used as a kind of 'well even people like zeke and eva are rowdy about this' contrast where either way it comes off as incredibly uncanny; one way, hes showing distinct emotion where he never has before, while never having shown any emotional investment in the winner. and the other way, hes completely detached from the emotions around him, to the point where he acts like its not even happening; his lack of investment in the winner is offputting, esp when compared to very early eliminated contestants who still do care.]

[rivilu]

You know for as much as I jest about Ulbrig's fey related shenanigans, it has to be noted just how incredibly fucked Daeran would be if Ellu were literally any other fey

[sleepimimzi]

we're so close with Full Moon. i haven't really been enjoying season 2 that much because the Blitz/Stolas plot was always weighed down/ damaged by awful the Deal (specifically the context in was made in. It wasn't proper consent from Blitzo, he was under pressure by both wanting to keep his business as well as literally in a life or death situation with no time to think and Stolas was aware of that fact).

i think this episode does an okay job at opening that conversation

HOWEVER

imo when Blitzo goes to apologize to Stolas, Stolas has to apologize again, especially for how the context behind the Deal and acknowledge the class difference and struggles that Blitzo has, cos Blitzo is extremely valid in his feelings

[kindafooey]

two wolves type situation. one is telling me to not go overboard with the historical research because it can and will come off as annoyingly pedantic and a bit of a weird flex that might potentially estrange a part of the audience. the other is making me look up maps showing the specific dates on which railways in the invaded areas were fixed and reutilized for military use

[sweetmage]

Okay, I think I've processed and digested enough... time for me to write Neve sitting down for dinner with Eddi's parents (the short, chipper Hero of Ferelden Edan Cousland and his very big, stoic, and intimidating husband post-canon Ser Gilmore)?

[mini-ism]

hello civilians thank you for 400 of you… so glad the population is growing. we will take over this site soon 👽 and then the next 👽 and then the

[technicalknockout]

O SWEET RELEASE OF DEATH FREE ME FROM THIS ACCURSED FLESH PRISON THAT IS MY MORTAL BODY (has fallen victim to menstrual cramps and is slowly losing any trace of coherent thought)

[bylertruther]

smth abt eddie telling dustin to look after the little sheep -> s5 is going to return to s1 form -> dustin tells mike in s1 that his obliviousness blows his mind -> the whole painting & confession & obvious general fiasco that is willelmike -> dustin's going to have to put on his bob the builder / "the world is full of obvious things which nobody by any chance ever observes" sherlock holmes hat and get involved