#im using it to experiment on this new coloring style

[einsatzzz]

KHR Rarepair Week Day 5 - Opposites Attract - Kurumi/Chrome (KuruKuro) 🥺💖✨base ref

[theokusgallery]

Little doodle dump !

[somethingsomethingcomic]

beware my wine rants

[saturngalore]

afrofuturism🪐

☆ one ~ solange hair by darknightt (tsr warning) ☆ two ~ loretta hair by @simtric ☆ three ~ bahati braids by @sheabuttyr ☆ four ~ isonoe hair by octetsica ☆ five ~ binah braids by @sheabuttyr ☆ six ~ cornrows & curls hair by @leeleesims1 ☆ seven ~ indie hair by @sashima ☆ eight ~ loc petals by @shespeakssimlish ☆ nine ~ mnemosyne hair by octetsica ☆

mini dedication essay to black simmers and ts4 creators below! pls read if you have the chance! <3

this edit is a small homage to afrofuturism and the various unique black hairstyles (and especially the black creators of most of these hairs) that i have downloaded and admired over the years! some of these are old and some of these are new.

to me, afrofuturism means constantly honoring/reclaiming/challenging the past while constantly creating/dreaming of a better society/world/future. a society/world/future that embraces and empowers all of our differences, ingenuity, aspirations, and unique lived/cultural experiences. a society/world/future that does not limit us through the various systems of marginalization and oppression (racism, homophobia, transphobia, fatphobia, sexism, xenophobia, ableism, classism, colorism, etc.) that often affects how we, as black people, live today.

blackness is so diverse and intricate yet it's always been a struggle to find my culture within a game that's known for being so limiting, bland, and extremely eurocentric when it comes to hairstyles, clothing, food traditions/events, etc. black simmers have always had to figure out how to make this game more inclusive and make it resemble either more like how our ancestors lived, how our current lives are, or how we would want our lives (and even our children's lives) to look like in the future no matter how dystopian the real world look and feel now. fortunately, these hairs and their uniqueness bring a huge sense of culture and style to this game. they have always inspired me and made me feel extremely proud to a part of the lovely african diaspora (and the ever-growing black simmer community).

in a way, being a black simmer and cc creator usually means that we are often digitally creating our own worlds as afrofuturists to varying degrees (whether we know it or not) every time we open our game, make our sims, make houses, and/or make black cultural cc. also, now i know that cc making is not easy to do and is extremely time-consuming so this post is also just me giving all black cc creators especially those who create for free their well-deserved flowers! here are some other black cc creators who created cc that have greatly impacted my game since i first started playing sims 4: @/leeleesims1 @/simtric @/hi-land @/yuyulie @/sims4bradshaw @/ebonixsims @/xmiramira @/sheabuttyr @/qwertysims @/oplerims @/sleepingsims @/shespeakssimlish and so many more im forgetting probably (im too shy rn to tag ppl but i greatly appreciate y’all fr i hope y’all telepathically get this message somehow 😭).

last but not least, i am hoping that this inspires somebody to keep creating or start creating regardless of what they think their skill level is! somebody will absolutely fall in love with your work and/or your art/work will 100% change someone's game forever <333

[luneariann]

DTIYS RESULTS!

Honestly this was super hard to decide 😭😭 I ended up adding more honorable mentions slots and I’m still tempted to add more cuz you all did rly rly amazing! I wanna thank all of you for participating this was a super fun experience, now, with that said...

In first place we have @carrotkicks with their absolutely stunning piece! :)

I fell head over heels for the composition its really really unique and it works wonderfully! Their colors were gorgeous and very well balanced, they rly took the prompt and made it their own and it worked wonders :)!

In second place we have @j11nko with this absolute banger of an art piece!

OOO where do i even start, the lighting i think takes the cake here, completely made it look like they were bathed in gold, made the ambiance of it rly rly stand out, Cins coloring style has a way to make things rly look more vibrant and it showed especially clearly here :)!

In third place we have @afraid-of-the-deep-sea with this piece that had me staring for a solid ten minutes straight

His use of texture and the symbolism was SPECTACULAR are you SEEING THIS IM SICKKK, once again a VERY unique piece that rly took ownership of the prompt, absolutely stunning, the colors were wonderfully vibrant and the whole thing has a way of sticking to you, amazing job

In fourth place we have @maractius with this beautiful piece right here

ARE YOU SEEING THAT USE OF COLORS OUGHH, the coloring and rendering is insanely good, and their expressions are soso strong, literally obsessed w this, the way theres not a single stretch of canvas that isn't occupied in some way without making it look cluttered is rly rly interesting and well done, and the subtle shift in perspective is just the final detail that makes this an insanely good piece

And finally in fifth place we have @candiedfright ! With this absolutely lovely piece

Ouuu this is so pretty 😭😭 the way they arranged the piece gave it a rly strong sense of depth, which in turn makes this piece feel like something ripped straight out of a movie, the way they handled shading only adding to it, SUCH a gorgeous job they did amazing

Now! Onto Honorable Mentions! :)

In honorable mentions we have @tedlebred s stunning piece

Are you seeing that RENDERING OMIFHE obsessed, i love the way they implemented the flower details in their hair and their decision on the change of the setting, turning the prompt into a photograph and making the text into part of that new setting was a super clever choice that rly made their piece stand out :)

We also have @spiderbends with this rly wonderfully soft piece!

The change in pose was so fun and so well done, that coupled with the change in expressions to ones much softer completely changes the vibe of the prompt and turns into something you could almost call playful! Taking the text from something confrontational to something teasing, rly rly lovely job!

Up next we have @seukorei with this lovely piece!

Once again we have a change in pose that works beautifully to change the tone of the prompt, the shading and the colors chosen give this piece an almost melancholic atmosphere that manages to also be incredibly soft, truly wonderful job once again :)

And for our final honorable mention we have @lotus-pear ! With this pretty number

THE POSEE, ouuu you guys r killing me w these pose changes! The new closeness of the two characters gives it a much more intimate vibe, coupled w their expressions it does a lovely job at emitting a sense of trust and comfortability between them thats just rly beautiful to see! Rly love job

Aaaand that abt wraps things up! I wanted to add more honorable mentions but i already added more than i was intending to 💔💔 choosing at all was rly rly hard

I wanna thank everyone once again for participating this was truly a rly nice experience and you guys did an amazing job! :)!!

[aychama]

I'm sorry if this is too personal but did you had/have any art trauma caused by art teachers in school? And by trauma I mean some aversion to try learning one thing, because art teacher was just a dick. I have something like that with shading and it still holds after 6 years as a adult and I want to break it, but I cannot force myself to try it again and this holds my proggres as a ,,artist" and that's make me smad. I'm sorry once again if this is too personal or too hard to answer

Yup I did! Tho idk if I can call it "trauma" tbh

Oop I kinda went on a rant sorry lol

I studied ceramics in uni but I did have nude art classes and classes that required detailed art projects.

Although most of my uni time was wasted thanks to covid, I did get harrassed by a few of my classmates and my teacher in my last year.

My classmate had said that my art level wasnt good enough to be in this uni and my teacher yelled at me in the middle of class for like a week or two because I refused his ideas for my projects (he had given me the ok on the design before he changed his mind 180 and started pointing and laughing at me with my classmates while i worked on my ceramic project)

I eventually had to give up resisting because I wanted to pass the class and let him do whatever he wanted. (He legit just put clay on top of my design, smoothed it out and that was it in fact here is the design he gave me the ok to, the middle of my project and the way he stopped me)

After this I basicly didnt do anything more for his class, minimum effort. My days in Uni weren't all bad thank god but I was extremely unmotivated.

After I graduated, I didnt really draw or create much until my love for drawing rekindled with Cult of The Lamb! I love this game and Narilamb too much lmao-

But as for something similar to your experience I would say that I used to play the bass and electro guitar in highschool and we had to perform one day which I chickened out from that resulted in the music teacher getting angry at me. I dont play the guitar anymore :/ But my love for music hasnt died and I am using my love for art diffrently!

I would say that even if certain experiences deviates you from some topics, branches of art or people, dont let it kill your whimsy and ideas. You can always try out diffrent things to find something fun like diffrent styles of drawing, shading or no shading, diffrent mediums like digital or traditional, new or old techniques, weird colors or designs. You can always try out whats popular to see if you like it or not as well. You can also consume a lot of art media, educational or entertainment.

There is so many creative things you can try out, you dont have to be stuck on the past and that one shading idea your teacher tried to teach you ır tried to force onto you. I think you can go back to it after trying out many diffrent things to see if it was the technique or the teacher that ruined it for you.

If it was the technique, there are many MANY diffrent ones that you can enjoy!

If it was the teacher, Im not a therapist so idk what would be the right thing to say but healing takes time, sometimes the things people say never leaves you and sometimes you forget it 5 minutes later. You are a person with the ability to change, learn and grow. The only thing that is in your way is your 'will'. If you are willing to change, even if takes a long time, you will change! But if you dont want to, then no one can force you.

Healing and moving on is hard but not impossible. Dont let an asshole teacher get in the way of your growth ❤️

[aquaquadrant]

I was wondering if you had an estimated date of when you will post the next HTP chapter?

Like, leaving us on such a cliffhanger must be a crime! It cant be legal!

Anyways, while I wait for it, Ive decided to copy paste every chapter into a doc and mark it up color code style for all my over analyzing needs. It took me an hour but it was worth it.

Have a good week and take care :)

(This is meant to be genuine, not mean or passive aggressive, just so you know. While I indeed am anxiously awaiting Chapter 10 by highlighting the chapters on a doc like that one photo of a bible page that’s highlighted with different colors. This isn’t meant to be mean or pressuring, take your time and take care of yourself)

⬆️(Ah poo, Im an over thinker

hey there, no worries y’all- i love seeing my reader’s enthusiasm and it’s reassuring to see continued interest in the series. i’d been hoping to have BOTH of the final ‘from eden’ chapters done before summer. but i have to admit, progress on the next chapter hasn’t been as forthcoming as i’d expected, for a couple reasons.

the first is health-related. not to be too TMI, but i recently got diagnosed with crohn’s disease. my symptoms started ages ago but have really ramped up in the last couple months, and the diagnosis was a lengthy and involved process (started the hunt back in november, presumptively diagnosed after a colonoscopy in feb, definitively diagnosed when biopsies came back over spring break) and even when i was simply waiting for results, it occupied a lot of my mental capacity. and ofc it happened to line up with me turning 26 and needing new insurance, which has caused lots of delays. anyone dealing with the american health care system while chronically ill will tell you it’s a frustrating, exhausting process. as of right now, i’m still waiting to start treatment 🫠

but honestly, even more than that, the biggest thing stopping me from writing is… me? �� so there’s this thing that happens after i post a chapter that’s like… decision paralysis? except it’s just that sometimes, i literally can’t bring myself to start the next chapter. it’s like, i have this unfounded fear that all my writing up until this point has been some magical fluke out of my control, and i’m not capable of ‘pulling it off’ again. i guess you could call it a form of imposter syndrome (which i already encounter enough in my vet school life). it gets worse after posting something that was a particularly massive undertaking or was insanely well-received bc i’m scared i won’t be able to top it- even though the impact of storytelling is supposed to be cohesive, and it’s unrealistic for every chapter to be ‘bigger and better’ (what does that even mean?) than the last one because they serve different purposes at different points in the story. i know this, rationally, but that doesn’t stop the irrational fear of failure from making me avoid writing.

i’m not sharing this to make excuses or garner sympathy, or fish for compliments, and certainly not to make anyone feel guilty for asking about updates. i just feel like maybe this will resonate with anyone who has the same experience. and also to share hope, because despite how often this feeling rears its ugly head, i’ve still been able to push through and get back to writing- and i’m always very happy with the result. sometimes it just takes longer than i’d like (pro tip: writing on ur phone is less intimidating, tho it’s more of a pain). but in any case, the next chapter of ‘from eden’ is well underway and i still hope to have the series done before summer’s end^^

[diroxide]

i feel extremely emotional about grand fest and the conclusion to regular splatfests just like i felt when final fest happened so many years ago

Grand fest for me is an embodiment of my feelings upon being a teen growing into an adult. Im gonna blabber about how each game made me feel while listening to three wishes because MAN that song hits me in the gut with strong feelings. this is going to get very abstract/artistic

-----

Splatoon 1 embodies a young view of the world on the horizon with which we have yet to experience. We're still so small and there's a lot ahead of us but we don't forget where we come from when we look back. Splatoon also represents the start of a fair, beautiful day, still plenty of daylight left for us to explore what's in front of us. It's colored pastel pinks and greens with cherry blossoms riding in on a pleasant breeze.

Splatoon 2 embodies an awkward phase but you're beginning to unravel the threads of curiosity of yourself and those close to you. You may fall deeply in love or face searing pain but that journey is what's key. The feelings we have intermingle and create beautiful new colors of neon blues/greens and pinks even if they aren't perfect. We have our own styles and sense that make us who we are as life speeds up. Splatoon 2 represents the chilly life of the night that spans so wonderfully far with a hint of inherent danger that we are willing to risk just to live and love. Boundaries fall away, allowing us to fold into a fusion of 2. Cold and hot meet in an explosive beam full of pure adulation.

Splatoon 3 embodies the dawn of a new day, transitioning into something more recognizable that is distinctly us. It holds all things important, our origin that anchors a path leading straight into the future. It's never clear what the future holds for us but it is blazingly hot, biting at us with adventurous grandeur full of our collective hopes and dreams. We have walked, climbed, and fought our way to a life made by us and only us. Distinct spirals of life flow into one as we show off who we are and what we represent.

[coco-bee]

COCO'S REVIEW: BLUE'S STORY

Welcome to Coco’s Review! Where I review and breakdown episodes, movies and etc and overthink every tiny detail and/or give my thoughts and opinions :D !! THE STORY I’M ABOUT TO DISCUSS HAS TOPICS ABOUT S/A AND OTHER DISTURBING TOPICS PLEASE PROCEED WITH CAUTION !! Ok so this may not be something you’d expect me to cover but I wanted to discuss this series on my blog for a while now! Today I’m discussing Blue’s Story by Victaton!

Blue’s Story is a series by Victaton over on youtube that mixes gacha life 2 character designs along with animation. I like to think of the gl2 designs as character models and Victation expands on it through animation. The series doesn’t have proper episodes, its installments mainly continue music videos that go in a specific order. The story is about Blue, a man in his early 20s entering the company his older sister works in with a positive attitude only for it to fade away as a lot of women in his new job want to get in his pants and cause irreversible trauma on the poor guy. This series is meant to show how abuse in the workplace can happen and how s/a can be done anywhere and by anyone. It seems to be a response to the misconceptions of how men who are preyed on by women are not valid victims of s/a and how they should’ve enjoyed it or that only women can be victims (which is never true). Though keep in mind I’m not qualified to determine if the way the story conveys s/a and just abuse in general is shown accurately because I have not had these experiences myself but my heart goes out to the victims in the world who could resonate with Blue’s Story and I wish for nothing but happiness and peace for you guys. You all are very strong and deserved much better<3

I can tell Victation really touched people’s hearts and according to some people in the comments who are victims the story is pretty accurate to some experiences and some research has been put in this series which I heavily appreciate. So I’m happy people can feel seen with this!

So with this series I want to start off light and mention the animation- AND MY GOODNESS DOES THIS SERIES HAVE AMAZING ANIMATION!

I really love this art style that Vic has going on here

Like I said the gl2 designs seem to make the base and Vic uses their art skills to expand on it It really gives a dynamic feeling and you can hardly tell it’s gacha

Vic has a lot of dynamic poses and a great understanding of body language with these!

AND THE EXPRESSIONS<33 I LOVE THE WAY VIC DRAWS FACIAL EXPRESSIONS! IM SUCH A SUCKER FOR VERY EXAGGERATED AND STYLIZED FACES

And I’m not even showing the best parts! But I want to keep it as a surprise for those who are interested in watching the series. I just couldn’t stop praising the visuals enough! Vic is the most experimental gachatuber I’ve seen when it comes to the visuals!! I hope to talk with them sometime to get some tips or to post how their creative process works because THE ART IS SO GOOODDDDD! AND THE CHARACTER DESIGNS RADIATE SM PERSONALITY AND ADD TO THE SYMBOLISM AND UNDERTONES OF THE STORY! It’s so fun to see :D and the color associations are a very interesting character design choice! It helps add a very colorful look to what is otherwise a very heavy story and makes it very easy to distinguish the characters and give them certain color motifs. Anyway I want to talk about the characters in Blue’s Story! Mostly by order of their debut! And I’ll only talking abt the characters that have a big impact on Blue (So I won’t be talking abt Magenta or her brother) and the ones that don’t have a definite character (So the red eye people won’t be mentioned) Anyway now that that’s established the character I want to talk about first is well- Blue himself! After All this is his perspective we’re following

Also quick appreciation for the silly little Blues that Vic draws<3 Anyway Blue is the most interesting character I’ve seen in a gacha series. I like how Vic doesn’t use Blue as a representation or a role model for victims to take after but a person who goes through his own stories and has room to be human. You can see his descent in his own trauma and self loathing in his story. Which leads him to make mistakes and have a difficult time navigating his relationships and how to make meaningful connections. Seeing him go from confident and upbeat to quiet and reserved is so heartbreaking. What I find so great about Blue is that not everyone can relate to his situation but his thought process is near universal. I can relate to having to be in survival mode when it comes to relationships after being done dirty by different people. Not to mention people would do the same things Blue did, they just went through different experiences. It’s a really great touch to the writing. What’s also interesting I find about Blue are these different personas of different ways he handles the trauma caused by all these women.

This is sorta a mix of my interpretation of what these versions of Blue are plus what Vic actually calls them From left to right 1.Hypersexual Blue (confirmed) 2.Heart Eyes Blue (confirmed) 3. Reality Blue (not confirmed) 4. Cyan Blue (confirmed) 5. Numb Blue (not confirmed) I’ll expand more on these personas when I do a character study on Blue (which is something I REALLY wanna do sometime)

Next up is Pink Who is the first character we meet when Vic started this series

Pink is a married woman around Blue’s age who he engages in an affair with. And one of the women Blue has a significant relationship with throughout the series since Pink was the first one in the workplace to have her way with Blue. A truly manipulative bitch 💀 I don’t have much to say about her because Vic themself made a video discussing the women in Blue’s life and their thought process on writing them(?). So I’ll just give my thoughts! Pink is a very interesting case of the “Abused to Abuser” situation and not to mention how she’s not one dimensional. She’s an abuser to Blue but also a victim to a different man. (her husband) There are scenes where she is being a nice person (highlighted with her scenes with Lilac) but what’s preventing her from being good is her philosophy of how men cannot be victims. How could they be? To her the most heartless person she knows is a man, while it’s close minded, it’s understandable but not excusable why she perceives men this way. Which I find very interesting! There’s also a cool animation choice with her lipstick color! Her lips are white when she’s doing nice things or is not perceived as a bad person, then grey when it’s more neutral (I think) and finally black when she harms Blue. Hence why her kiss marks start from white to black.

What’s also interesting is that Blue pursues her first! Since he started out so confident and upbeat he wanted to try and shoot his shot with an attractive woman. But backs off when he learns that she’s married, but things didn’t go as planned. But I find it very interesting how that’s how things started. Next we have Purple who is the CEO or just the boss of the company Blue works in

Purple imo is definitely the most uncomfortable character to watch (what am I saying ALL the abusers make things uncomfortable to watch) but Purple just gives me a chill up my spine. Especially with her design, it has been confirmed by Vic that Purple is in her 40s and would prey on much younger people. First she attempted to prey on Red (who is confirmed to be 19), but was unsuccessful then went after Blue, and was successful.

Not to mention she’s very inconsiderate of her workers, example in the second part of “Baby Hotline”.

Up next we have Red! Who is my personal favorite in terms of how she is written and her design! (I do not condone her actions)

I love how Vic went for a more cutesy innocent look for Red!

But not without giving her sharp black nails to show how harmful she is

It really nails the message home on how anyone can be an abuser no matter how they look like. I also want to appreciate her little heart eye effect that Vic does with her that’s constantly looping like HOW DOES VIC DO IT- IT LOOKS SO DIFFICULT TO PULL OFF- I’m guessing it’s green screen With Red she is an obsessive stalker who has feelings for Blue and is constantly pursuing him even if he doesn’t return the feelings. It starts off as an innocent crush but turns into something more harmful. I don’t have much to say that’s not been said by Vic on their video. I just really want to appreciate how well designed she is and I rly like the heart motif she has. You can tell she’s a naive girl who can’t understand how harmful she is. I’ve met someone who was my equivalent to Red and while thankfully I had people who managed to protect me, doesn’t mean the harm did not get to me. While they were not as intense and Red, I was still being harassed verbally and I just didn’t feel safe. ALSO HOW DOES VIC DO HER HEART EYE EFFECT I NEED ANSWERS Now we have Lavender who is Blue’s SISTER

YEAH THATS RIGHT- SHE IS BLUE’S SISTER And I swear everytime I see her I just want to punch her in the goddamn face and wipe that stupid smile off her face- Lavender is an example of non-physical s/a and incest with how she had sexual thoughts about Blue and would show it through more subtle actions. Not to mention she’s also a bystander to Blue being abused by other women and doesn’t do ANYTHING about it. As an older sister myself with my own little brother- Lavender ENRAGES ME! I could never imagine doing what she did to my own brother. He drives me crazy but I’d protect him no matter what. What is fascinating about her design is definitely how her eyes are constantly closed, as if she’s turning a blind eye to the harm Blue is a victim of and/or how she’s hiding so many things. Especially with how she only opens her eyes when she’s preying on Blue.

SHE'S JUST AS TERRIFYING AS PURPLE Lastly we have Lilac! Who debuts in the same video as Lavender

WHO IS THE ONE PERSON THAT DOESN’T TREAT BLUE LIKE SHIT She’s a very fun character! She’s a single mom who works in the same company as Blue. She has a lot more significance in later installments so I won’t spoil but I just love her<3 She’s so sweet I just can’t- it’s such a breath of fresh air compared to the toxic waste Blue’s been getting from the other women. Her relationship with Blue is so interesting to watch and I am just rooting for them to at least stay friends.

(Also she looks so pretty here) AND THAT’S ALL THE CHARACTERS!!

Overall I really enjoy this series but I do have some gripes with it. The pace is definitely a bit much- so much can be happening in a span of a few mins. And there are stories that could rly benefit a longer time limit. This problem comes up most with “Baby Hotline” where I hardly understood what was happening. Like I got the gist but I didn’t get the specifics. It can be difficult to keep up with. So yeah the series could work with a longer timeframe- “Sweet Little Bumblebee'' is a great example! Not everything is too fast and everything makes more sense while “Baby Hotline” tried cramming a lot in one minute. Well the first part of ot, the second part of “Baby Hotline” was at a much better pace in my opinion but still a bit hard to keep up with at first.

Anyway in conclusion! Blue’s Story is a really interesting story that deserves the recognition it gets and is worth your time if you are into really deep stories with heavy subjects!

(Credit to Vitaton for all the art presented) This is Coco typing.. Thank you for reading!

[sirensea14]

Do you have any headcanons for Kickinchicken x Female reader (Cartoon & Big Bodies)?

(I'm CRAVING more KC x Reader hcs) (there aren't enough and it makes me sad )

AAAAAAAAA its been a while since ive had any thought about kickinchicken, and sadly, ive gotten over him now😭 (a long time ago, actually) But i know u guys love him sm more than i do so I'll give him some thoughts. Note: some previous posted headcanons that i had while i was brainrotting with poppy playtime might repeat here, but im too lazy to go back and check on that post so here ya go. [Those 'x reader's i made might have a mention on this too] i might refer the reader as "you" or "her" but either way, its the same lol, idk why i keep switching povs T-T

KickinChicken x Fem!Reader headcanons!

Cartoon version:

[Imagine: Reader is any animal you like. The Smiling Critters is a show and all the times you are living is when a child is watching you on-screen]

Kickin often ruffles/pats reader's fur/feathers/head whenever the reader successfully did something

Kickin instinctively goes to the reader's side whenever the critters are preparing to [inhale catnap's bad breathe] sleep

The reader is sometimes the storyteller of the group during sleepovers. Kickin lays on his stomach, rests his chin on both of his palms and watches you read with dreamy eyes

Kickin is prolly the most flirty and pun enjoyer of the group. If someone actually had a counter against his flirt, he would be flabbergasted. You did this more than thrice in the show (dw, these are all child-friendly flirts)

Catnap sometimes fights you whenever you want to tell a story while Catnap wants to make the othe critters sleep. Kickin cheers at you and says "Fight! Fight! Fight! Go y/n, go!" Which makes the situation worse (he receives numerous bombastic side eyes) Dogday and Hoppy interrupts tho

You and kickin are the most sarcastic couple duo of the group. He makes you laugh, you make him laugh, "Ew. You guys are making us cringe" says hoppy. Others nodded in agreement.

Dogday is your best man and woman in a wedding episode "Wait, when did that hap--" (pickypiggy)

S i d e w a l k r u l e 👑 (also applies to episodes with dangerous adventures)

You guys share each other's food. And sometimes with Pickypiggy if you two didnt have any food with you

When you guys are chilling, he likes to nestle beside you, bird style✨ He also loves the cuddles and pats you give him (and your attention too, he's an attention seeker)

Despite his confident and brave attitude, he is actually the first one to cower and run whenever the group faces danger, but when you're with him, he pauses from running and decides to shield you from danger (which is most often a boulder in one of the smiling critters' adventures) you get squished, tom and jerry style

His blanket is (your favorite color x color and pendant shape) while yours is yellow with red star pattern

He likes to show off along with his "shades of coolness" that he brings out magically from his 'pocket'. (Typical cartoon character) You match him with your own (favorite shape) shades

Kickin once asked a commission for Crafty to draw you and him together under a tree. The unicorn bought new crayons with over 100 after that

Bigger Bodies version:

[Imagine: reader is the player. Depends on you whether the player/reader is an ex-employee, an orphan that was adopted til adulthood, or random person wandering.

KickinChicken breathes Yellow Smoke, which can calm down any living thing nearby; children, adults, and the reader. It also has a dreamscape-like effect (like what Catnap did in the game). For the BBI experiments and living toys tho, it will slow them down as if the smoke has a "freezing" effect. Some will sleep when theyre weak enough, but this smoke cannot completely combat CatNap's red smoke.

BBI KC (this will be what i will refer him to as to not to be confused with the cartoon one) doesn't like it when the reader goes out on her own

If you chose the reader/player to be an ex-employee; BBI KC will recognize her as the caretaker who showed genuine care to him even as an experiment. As a result, he has a small childish crush on her but set it aside because of survival. (He still has it tho)

If you chose the reader/player to be an orphan; BBI KC will recognize you as one of his old playmates when he was still "alive". He was very protective of you after you encountered him in the factory.

If you chose the reader/player to be a random explorer; he spared you and took interest in your offer to bring him to the outside world. He admired your determination to go back home alive and your luck to deal with the shittiest toy factory in the world. You two worked together to solve puzzles and activate the power switches etc.

When the two of you got outside of a building, you took the opportunity to fly with BBI KC and explored every bit of PlayCare (specifically, after BBI Dogday's chase sequence) You loved grabbing on BBI KC' s talons as he flew up. You had the impulsive thought of leaving it all behind by flying up to the entrance of the cable car but Ollie called before you can even tell BBI KC to do so.

When BBI KC rests, you snuggle up to his chest and he chirps in a hoarse voice. He will also exhale some yellow smoke to prevent enemies from getting closer.

He tries his best to be with you at every second but there are times when he cant (like sneaking into vents or the School)

He hugs you with his wings to keep you warm.

Whenever you're scared, BBI KC always says pleasant things to boost your confidence up. He doesnt like it when y/n shakes in fear.

He got extremely violent with CatNap. Especially that one time when he was about to eat your head.

He has bird instincts to pick up random stuff and pile it near you whenever you're at rest. (he's like building a nest)

If there was food in the game, BBI KC wouldve gotten you lots of it.

He likes playing with your grabpack and often high-fives with you whenever you two activated a generator

He hates ollie the moment interruptor

Uhh i think thats all for my hc lol, hope u enjoy it even tho its kindaaa not really good but not that bad either

[syrupyyyart]

finally, finally finished the ~definitive~ designs for my main Motley girls :’)

Extensive design notes under the cut (mostly for documentation purposes, but also because i like talking about my ocs lol)

In my last post, I introduced the idea of giving each character multiple colors, rather than being one uniform color throughout the design. The idea is that the characters can earn up to 3 new colors as they age+experience new things.

For each color they earn, they’ll wear a new ‘evolved’ version of their previous outfit.

For comparisons sake, here’s the initial pass I took at trying to give my characters more colors:

(euhg. theyre really really ugly. im honestly embarrassed i ever posted these at all lol)

Fact: it’s actually incredibly difficult to design monochrome outfits for characters without the designs looking extremely unfinished (to me, anyways lol). In an attempt to break up the monotony of the monochrome outfit designs, I found myself over relying on the outline colors to fill in their outfit pieces (cherrys pants, limes turtleneck, etc). This hypothetically works, but it ended up causing a lot of confusion as to how many colors the characters had actually earned, especially when the outline color was vastly different from the intended color. Basically, the tl;dr is that over relying on the outline colors felt like cheating, looked bad, and caused a lot of issues.

All of this explanation is to set up the 2 design rules I gave myself for the New Definitive Designs:

1. Outline colors MUST NOT be over relied on, and should be used as sparingly as possible

2. Nothing is sacred. If it looks bad, throw it out!!!!!!!!!!!!!!!!!!!

I also decided to shift around their body types slightly, since I realized that practically every character had the same build with a different height (with the exception of Banana). Marshmallow is a bit curvier, Watermelon is slightly more muscular, etc. And, while you cant really tell because of their baggy outfits, Lime is much boxier and Blueberry is lankier and has wider shoulders than the others.

Finally, here’s some specific design notes for each character, how they changed, and why:

Cherry Pit - Cherry may not have had the most drastic changes, but hers were definitely the most important. She’s had the same hairstyle ever since the first time I drew her (back in ....... middle school lol), and as attached as I was to it, it caused a LOT of problems. It gave her an ugly silhouette, the sharp edges kind of ruined her circle motif, etc. So it had to change. I decided to give her a fluffier hair style to incorporate more round edges into her design, and I truly cannot tell you how many hairstyles I cycled through before I landed on that one. It was major development hell. But I think the new style is much much cuter! Due to story reasons, I also decided to give her 2 outfit colors instead of just one, and she seriously looks so much better because of it. Big fan of Cherrys new design lol

Blueberry Cobbler - Ohhhh where to start with this one. Blueberrys design has always been a headache to me. I found it difficult to draw consistently, and even when I got it to look how I wanted, it still didn’t look very good. So, my goal for her redesign was to overhaul her design while keeping the general idea behind it; most importantly, she needed to be Fun To Draw. So, I changed the silhouette of her sweatshirt by giving her a more exaggerated hood, replaced her bulky zipper with the hanging ties (idk what theyre called lol), and Changed Her Ugly Ass Tights into baggier pants. I also crimped her hair to make it more angular. In the context of this universe, cold colors have naturally colder body temperatures, so they have to wear insulated clothing to stay chilly; the overall baggier clothes really just fixed all of my issues with her design honestly. Better for her personality type, prettier silhouette, in-universe reasoning, etc. Scrumptious.

Lime Pie - I decided to swap out her cargo pants for a long skirt, and let her hair down. This was mostly because, with the monochrome outfit she needed to wear, the turtleneck+cargo pants combo just wouldnt work without looking Pretty Bad. It also helps her outfit stand out a bit more, as she’s now the only character in the main cast that is wearing a skirt. She’s meant to be an inversion of the “nerdy girl lets her hair down and puts on a dress and Now She Is Popular” trope, so the idea is that when she earns her 2nd color, she will start wearing her hair up again, and the cargo pants can come back. Maybe.

Marshmallow Fluff - I honestly hit the nail on the head with this one in the initial batch of concepts I did, so I didnt change much lol. The biggest change is that I made her hair light again. This was because shes obviously meant to have a cloud motif, but her sister (who I rarely post about lol) has a thundercloud motif-- basically, I’m just saying that the darker hair is gonna go to her sister instead.

Banana Pudding - Again, she looks almost exactly the same. I just changed the red outline of her original dress to be less contrasting, since I got a lot of people asking if she’d earned two colors or not. Hopefully, its more clear now that she’s only earned one.

Watermelon Sorbet - As much as I liked her original design, many many people told me she looked like a ‘cool yoga instructor’ character. Which, while not terrible, wasn't exactly what I was going for; she’s meant to be more of an ‘edm dancer’ kind of character. So, I decided to change out her pants for bigger legwarmers that I’m hoping make her look a bit more hyper active.

Thats all my notes lol. I have no idea if anyone is gonna read this far, but if you do, thanks :’) I fully realize that making so many notes about this looks silly, considering theyre OCs and not like ..... widely known characters. So Im sure a lot of what Ive said just sounds like gibberish. But its fun to ME!!!!!!!!

I’ve got more character designs to post over the next week or so; namely, the 3 Antagonists (Grape Soda, Orange Custard, and Angel Cake) + the parents (which includes 2 characters Ive never shown before, but Im very excited to share lol). Those posts wont be accompanied with longwinded notes like this one is; Im just the most excited about these designs and wanted to talk about them.

[momo-shut-the-fuck-up]

So i ve done the main story in infinity nikki and im gonna stop playin now, before i squeeze the game dry of content and have nothing (new) to do on release.

Time for a lil review/thoughts post

I m not gonna review every single mechanic in the game, simply things that stood out to me or that i wanna talk about. I also wont add more images, i kinda want ppl to see the world for themselves... i ll share more when the game comes out tho.

There s a lot of text under this. Tldr, i like the game i think it's a solid, enjoyable experience with a good gameplay loop, the story isn't for me, and i'll keep playin of course. And u should try it too if ur device wont blow itself up tryin to run it.

Dress up

The bread and butter of Nikki games... it's good as usual. Game doesn't shy away from long skirts or coat tails or complicated ballgowns just cuz nikki can run and jump and dash now and i'm very happy bout that. There's some clipping issues once in a while, but it's nothing major and the clothes we do have in the game are lovely. There s an evolution system for some of the sets, which makes em a diff color.... usually they can evolve once, but i saw Three extra evolutions for one of the UR sets and that scares me. Bcs to evolve them u have to craft the suit again. So u have to pull 4 copies of a suit to max it out..

Combat

Game's definitely succeeding in its quest for being cozy. There's no real stakes, combat isn't difficult in the slightest but i do welcome it- super simple but it's pretty fun regardless. The boss fights were surprisingly creative and fun for what they are, it's just unfortunate that you have to do them more than once or twice (crafting mats)- but they do change what the boss does so it's different depending on what mat u are farming for... and u can claim double or triple or however much stamina u got-le of the mat after u complete it once. So that s rly nice.

Exploration

I actually think it's really really good. Again this isn't a difficult or complicated game, not yet i guess... but with the major goal being "get new clothes" and "take pretty pictures maybe", the open world feels actively engaging to participate in. There's collectibles everywhere, little challenges you can do that are diverse but quick, styling battles, collecting everythin from animals fur to bugs to fish, and allll of this brings u closer to that never ending goal of woo more clothes.

However even if a challenge doesnt give you a blueprint, it's still just. Really Nice to exist in this world. It's very whimsical, as expected of Lilith, and the world has a combination of realism and cartoon artstyle that is just soso appealing to me. It's genuinely how i would've imagined miraland to look in 3d. Shame it's not the same miraland we know..

Story

Hmm... silly is one word i could use for it. Cute also. The story isn't doin anythin bad per se, and i did start skippin dialogue near the end w the pieceys because i want to keep at least Some part of the story for the game's release... but i get the gist of it, and it s just not my thing.

It feels like a story made for children, and it definitely would get a G rating. Easy and simple to follow, there's moments of tension or sadness sure but with the antagonist bein a literal babie lookin cutey fairy with a grown man's voice, or the creatures that i'm interacting with are a bunch of. Fuckin weird lookin big eyed balls of fabric that look closer to plushies than somethin Alive... it's all so silly and dramatic sometimes i can t help but cringe.

Part of it is a me problem, if u just open ur heart and free urself from the cringe the story is fine. It's just a little too kiddy for me and i so desperately hope it won't stay like this forever. My prayers might be answered though, there's a whole war beyond the borders and we have refugees around... shit's lookin bad for Umbrosa.

Other things i noticed that i liked:

The effect on nikki's skin when it's raining, she actually has water dripping down her face... its so cool

Momo capes are actually kinda neat ngl. Especially cuz the fucker follows u around everywhere, at least i can bedazzle him

Npc models look really good im a fan. They do suffer from "everyone is very beautiful" syndrome, which makes some of the npc villains look/sound ridiculous, but they have kid-teen-adult-elderly versions of models (i never see teen models in these games! Its cool!) And some body variation. The grandmas look so lovely i cry

The dark skin tone is really dark, and it looks quite nice and natural.

The lighting engine in this game is just rly good in general. God bless UE5

The edges of the map where there s forest, which u obv cant go thru, the forest is made to be darker, thicker.... i m a huge fan of this idk y. It's not just *invisible wall in front of an open field* nopee cant go there lets explore that area later tee hee. And it looks good to boot.

Camera function is p robust, has more options for changin brightness/saturation/contrast etc which i feel Shining Nikki lacks.

Some of the creature designs are so good man i looove themm <3.... the pieces are awful tho. Ok creature design is a hit and miss sometimes but the stray hatty? Peak. All the weirdy fashionable animals? Peak.

Bein able to quick switch thru ur saved sets while in the overworld is real neat

Oke that was it. Bye

[olexxx]

begging and sobbing how would a person that has never rendered digitally shade bjs/toons jacket and pants without it being extremely jarring since its black and white crying and suffering please help

my style is very lazy simple, so theres not much of "rednering", but im happy to help any way i can our subject for today is toonjuice because he's my special little guy

first i’d suggest to avoid using pure black and white, as well as drawing on a white canvas, take care of your eyes please

when you're done with base colors, add stripes on another layer, its easier to change and edit them that way. try using dark colors too, play with hues, opasity and layer modes, see how it feels nothing about this man is straight and his stripes are no exception, add some character to em by including textures, fade, dirt, stitches, what have you!! he's been around awhile and i love how the musical specifically makes his clothes and his hair reflect that. just go crazy. go stupid

the shading often relies on environment the character is in, but if you're like me, and only draw your characters in a void, then just go with your heart i also want to put a HUGE emphasis on having fun with it, because i personally choose everything depending on what im feeling at the moment, poses, colors, textures, shading. pushing yourself to learn new things is good, but also make drawing enjoyable for yourself and if you're not feeling your current drawing? thank it for the experience, put it aside, and make something else

[partyhorn]

Have u ever posted your comic or animation workflow anywhere? Im super curious on how you tackle the process, especially not using a drawing tablet. I know you have a very simple (and adorable) style so that probably helps in terms of workflow -- Im just curious about the steps you take.

Thank you! With both comics and animation my key thing is to not spend too much time on any particular thing, just draw loose and fast. Honestly the only downside to drawing with a mouse is that I can tell my arm has extremely specific muscle memory regarding it- if my mouse breaks and I get a new one I have to spend a good month or so just letting my hand get used to it again lol. Same with if my setup gets readjusted too much- right now my setup is my mouse on one of those padded mousepads, on top of 2 books, with my elbow resting on my 3DS case (I'll get an actual pillow or something for it eventually lol). But luckily thanks to this I suffer very minimal wrist pain 👍

(...Okay I started to go really in depth in my process here, so sorry if this is way more than what you were asking. Putting it under a readmore just to save space lol)

With MFM in particular, I start by writing out the entire script for the next story arc, which really is just all of the dialogue and vague notes about any important actions. Then I do the paneling with very loose stick-figure like sketches of where the characters are and what they're doing. I prefer having very little planning when it comes to character poses and panel shapes, coming up with those on the fly makes things much more exciting and faster to make. But it's the opposite with dialogue... it needs to be 100% FINAL before I draw a single line lol.

That's part of my script for my most recent chapter, as well as what my extremely loose goofy thumbnail sketching is like. I write the script as one big thing and don't separate it into pages until I actually start drawing- then I go and color change it just to keep track of what dialogue goes on each page

After that, I go back and do the ACTUAL sketch, as well as the lettering (I don't believe this is how it's done professionally. I used to do lettering as the very last step in the process... but then found it hard to cram speech bubbles in the right places lmao.) After that is lineart, coloring, background flat colors, then shading/rendering for all of it. I do each step in batches, as in I sketch out ALL pages of a chapter before moving to lineart, I line ALL pages before starting coloring, etc. I find it way easier to be productive when it's broken up like that, though when I first started the comic I used to draw each page to completion before starting the next (but also, the comic's style was DRASTICALLY simpler back then haha)

(Unfortunately I merged some of the shading to the background flat colors so it's not entirely accurate... oops) FireAlpaca has a sand texture feature that I only found out about last year- adding that to the backgrounds makes them look 10x better with WAY less effort.

With animation, it depends on the project. For simple 5-10 second animation I make for fun, there's very little planning lol. I skip some steps in the process- I'll sketch out the keyframes (and maybe any difficult inbetweens if necessary), line those, then go straight into making linework inbetweens. I'm not a cleanup artist and have no experience in that, so I always find trying to line my rough animation makes everything jittery and wobbly. If I do it with a clean line from the start then I can avoid that and save a lot of time 👍

For my bigger projects (such as the Parvey cartoon and the MFM Kickstarter trailer), I do the whole animatic with final audio first and foremost, with the animatic being almost like the keyframes. I split them up into individual shots, .mp4 files anywhere between 1-30 seconds usually, and animate those one at a time. I'm a huge fan of free to use programs and try to use them as much as I possibly can, here's a list of the ones I use:

FireAlpaca- for the actual drawing part itself (storyboarding/animating/etc). FireAlpaca has a feature that lets you export every frame as it's own drawing, as well as an onion skin mode

Windows Movie Maker- for compiling all of those frames into video format, creating individual shots. If you upload all of your frames and set them to around 0.08 seconds, it equals about 12fps (I usually animate at 0.10 seconds/10fps, its a bit slower but looks nice)

Onlinesequencer.net- for making music. It's the place I've made all of my songs on, like the timeloop song, hyperworkaholic, and the background music for the MFM Kickstarter trailer.

Audacity- for editing audio/music. Also great for recording things directly from your desktop

DaVinci Resolve- for editing and putting together all of the shots into one big video. Can get kind of intensive on the computer during rendering, so watch out.

YouCut (app)- also for editing and compiling shots, I used this one a lot a couple years back but I'm not sure how well it holds up. Doesn't need much phone storage to download but needs a lot to render videos.

MS Paint (yes really)- for typing up text. FireAlpaca has a text option but I don't like it as much as Paint's.

...The only thing I genuinely can't do alone is voice acting. Luckily there's a big voice acting community on Twitter and they're all amazing to work with!

This got... way more in depth than I planned for it to be, so sorry if this is way more than what you were asking lol. But that's my general process when it comes to my art 👍

[mrghostrat]

Okay I cant -- I need to say it out loud.

I am 100% sure, at this point, you are my favourite artist so far. And I have to honestly thank you for a lot of stuff so let me get to the point before my anxiety takes me back --

I came across you less than a month ago. I don't remember if I saw your art before reading your fictions (Mon Horrible Cherì was my first) or the other way around, but both inspired me so much I can't describe it properly. Art itself is my absolute weak spot. In my past years I always struggled working on that, I was never happy with my results, and mostly had drawn to pay bills than for my own happyness. In the end I hated it at the point that every line I drew was a cut on my hand instead of a moment of joy. And that was horrendous.

But then I came across your art, at some point - and I was amazed. Your style is something I wished to achieve years ago, or very similar to that at least, so I was totally into looking for more, and more, and more. I can't produce art of that quality, but for the first time I wasn't envious of another artist's ability and talent, I was just... Amazed. I felt very happy, can't say why, but your style totally fascinated me. It still do. Anytime you post something new it gives me a shot of serotonine, it makes me feel happy and inspires me to get back on my Huion and draw something too. I started to push it through everyday, and in less than a month I grew a lot. You don't know that, but you pushed me into art with a passion I didn't had since I was 16, and I turned 30 couple months ago. Now it gives me joy everytime I draw. It doesn't matter if the art I produce is no good, or if I change my style everytime (I'm trying a lot of styles right now), the only thing that matter is the way I feel when I sit here and just let my inspiration go. And I feel happy. Happy to draw. Happy to experiment. Happy to share. Somehow I don't feel ashamed of my art anymore, and I was for a long time. I improved so much in these weeks. I watched carefully almost all of your timelapses (I am in love with all of them btw) and followed your tutorials more than once. Your examples, the way you work, is just inspirational for me. I've seen someone was thankful to you for the way you use references and says people out there to do it too: I want to thank you for that too. References was a taboo until last month for me, and I was SO wrong! Those helps so much!

So, well. I am not sure I wrote this all correctly, english is not my native language (I'm italian) and I may have done some mistakes, well, I do not care. I just hope I was able to express you my gratitude for all you did for me - I had to let you know how much this means to me everyday.

Oh also: I love every part of your art, but I could stare at your linearts for days and never get bored by that. And the way you color! Don't make me start on that. I could speak for hours. Not sure you'll want that, believe me.

So, thank you. Thank you from the bottom of my heart. Thank you for making me believe in myself again. Thank you for giving me back my passion. Thank you for reminding me everyday I can draw for myself, for my own happyness. And thank you for making me happy.

You are a great artist.

Thank you! <3

i put off replying to this because i wanted to draw you something, but i just haven't had the energy after work and dont want u to think im ignoring you 😭

but i dont have WORDS. i'm so fucking proud of you. i'm so happy for you. browsing your blog and seeing the sheer amount of art and AUs you're making is so inspiring. your happiness is contagious and i hope you only continue to grow, and continue to foster all that joy for art.

thank you <3

[dballzposting]

OK so long story short the other day I was abusing the computers at my job to look up dragon ball characters and I came across THIS IMAGE of GOTEN that I found out was from DRAGON BALL AF which is a fan-made thing and idk . Dont worry about the details.

I thought it was soooo cool like put my chin in my hands and sigh lovingly. But also it was more of a rant-and-rave kind of adoration. Becasue I couodt beleieve how cool it was. Becasue here is why

Im super bad at deisgns or redesigns and sometimes I have epic ideas but if I don't then I don't. I think it would be stellar if we had a design for Goten & Trunks when they're older than GT and running the sword dojo. And I've tried to cook some up. But it vexes me for two reasons. First of all Dragon Ball deisgns when colored are gaudy and stupid looking. But also sometimes they use neutral colors. And they're eccentric and unique. And I try to mix all of these factors and the result Does Not Work. Becasue despite the plentiful love that I have for colors, I Do Not Understand Color Theory. Definitely not enough to push it to its limits like dragon ball does. My second problem is the actual clothes themselves. There is something wrong with me that makes it so that i eschew research like my life depends on it. I'm sure it's totally possible to gather a minimal understanding of what sorts of clothing / eras / disciplines certain dragon ball styles are based on, and to cross-reference that with what is actually depicted in dragonball, and come up with an outfit that gels. But I cannot do that. So yeah

This outfit featured here is so familiar yet unique enough to turn my head a bit. For an example. The yellow above his shoes. What is that. Don't answer that. I'm in love either way

THEY JUST ... PICKED TWO COLORS? That's it? THAT'S ALLOWED ????? Just TWO COLORS and only ONE of them isn't a dead-tone-neutral-non-color. Well I guess it's four colors, and still, only one (yellow) isn't a non-color (grey and white and black). I'M SO IMPRESSED !?!??!?!!??

The only idea that I had for post-GT Goten was FOR SOME REASON the visual flair of something long and sharply flowing off of him. Like a scarf, or a long sash, or a Dr Drakken style rattail. But I can't do all three. Becasue that's too much. But I like all three. So IDK what to do.

YEAH THEY WENT ON AHEAD AND GAVE HIM THIS SASH ON HIS HEAD. Sure. Go on ahead. Throw it on there. Looks good. Good contrast against his black hair. Makes it to you can draw his eyebrows over it and so he can emote clearly. SO GENIUS. So simple. I'm gobsmacked

HE'S COLORED LIKE A BUMBLE BEE ?!?!?!?!?!?!?!??!?!??!?!

My conclusion is that this is the best non-canon design of adult Goten that has ever been and we should all adopt it immediately from Dragon Ball AF. I am so stunned and impressed by the fact that he is wearing just grey and yellow. I have tried to break down all of Goten's canon outfits to find a pattern in the color schemes but I could not find one. But I can tell when it works for him or not and I don't understand how or why. I have at various points tried to design new outfits for him. I have experimented with yellow, teal, pink... Never really red because red only appears on two of his outfits in a minor way. More astutely because red is not really Him (like it is for Bura or Videl).

Definitely the most promising color I've found for him is Yellow. It's a sunshine-soulchild color. But I still haven't figured out how to practically incorporate it. For example, is it a predominate color or one of several? I've seen dragon ball outfits go either way. I definitely prefer the former becasue that's how I'm used to seeing it in my silly little western cartoons - every character has a color, don't they? And that's Their color. But this is dragon ball.

If you pull a warm yellow or pair it with orange, you are reminded of kid Goten and his orange gi. If you keep it colder or pair it with green, you get something reminding you of his EOZ "Goten Son" shirt. But what if you want something new? The next step in the evolution of Son Goten, but still unmistakably him? You would want to stay away from yellow and orange, becasue Trunks wears a lot of that himself. What about yellow and not a green bice, but a forest green? What about muddy non-colors? Dragon ball colors tend to be warm-shifted becasue it was the 90s, but you can work within that color range. But exactly HOW? What about yellow and pink? Teal? Aqua?? You can't use lavender (Trunks's color). And to be fair I have experimented with grey before, since he wears grey pants in DBS:SH. But I always tried to find other colors to shoehorn in there because I thought I had to. And what's really left...?

DRAGON BALL AF has the answers.

Yellow and GREY.

....THAT;S IT!!!!!!!!!!!

A mature grey. NO OTHER FLUFF.Just straight up. Yelloew and grey.

And he looks like a bumble bee. I love bumble bees. You love bumble bees. He loves bumble bees. We all love bumble bees.

I will close with a quote:

"Talent hits a target no one else can hit; Genius hits a target no one else can see." (Arthur Schopenhauer, 1788-1860).

THIS DESIGN IS GENIUS.

Thank You ALL !!!!!!!!!!!!!!!!!!!!!!!!!!