#im telling you EVERY TIME

[mangoxangel]

And of course we got a safety car

[chiisana-lion]

[yetanotherknitter]

i know that chilchuck saying there's not much interesting for him to say about his daughters and then saying, like, two sentences about each is Very In Character but what would have been funnier is if he was like. hm. it's not very interesting. and then smash cutting to, like, five hours later and he's still going on about them (marcille listens attentively with sparkly eyes. we've done it. we've found how to make him talk)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[puppppppppy]

good morning sifloop nation

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[antlersish]

Perks of dating a goblin rogue: him stealing enough jewelry and trinkets to make you feel pretty again (even with the new horns)

EDIT: faces :)

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[brucie-baby]

bruce calls a press conference in which he tells the world he's batman. nobody says anything. it's silent. not a single flash of a camera. "no, seriously," he says, "i'm batman."

the press starts yelling and snapping photos and bruce is relieved because for a moment there it really seemed like they wouldn't believe—

"mr. wayne! mr. wayne, is this a publicity stunt?"

"mr. wayne, did you lose a bet again?"

"are you taking the fall for someone? is it your mystery partner?"

bruce just stands there. he tries to form a sentence until dick eventually comes up laughing. "are you still drunk from last night? jesus, bruce!"

•••

he tries again at a wayne enterprise meeting. he thinks that maybe starting smaller is the way to go.

"i'm batman."

"yeah, and i'm superman," someone says. the room laughs (even lucius, the traitor).

•••

he calls the chief of the gotham gazette, refusing to let it go through anybody else. "how about an exclusive interview? been a while since you've had one of those."

the chief says, "mr. wayne, would this exclusive interview have anything to do with batman?"

"...it might. you'll have to find out."

he sighs. "let's talk schedules."

finally, bruce thinks. somebody is taking me seriously.

the headline reads: "prince of gotham genuinely believes he's batman. covering for a special someone?"

•••

several articles follow, attempting to identify the mystery man that bruce has been spotted with prior to the press conference.

•••

he goes out for patrol without his cowl. it's a quiet night. a video goes viral on twitter, and it's of him tripping on his own cape. the caption reads: "he's really dedicated to this whole batman thing💀💀"

•••

his phone rings a few days later.

"this is bruce wayne."

"hi, bruce."

"clark? whose phone are you calling from?"

"police department. i've been arrested under suspicion of being batman."

[sunnythedawg]

Waterfall

[rbtlvr]

anyways ive only ever talked abt this on discord but the world needs to know so: hey guys did you know? loop's attacks in the twohats fight ALL do damage based on a percentage of your hp. did you know? the maximum base damage they can do in phase one is 17% of your health. did you know? even if you went into the game files and changed your own level to level one, loop could not one shot you from full health at any point in the fight. did you know? did you know about this?

[starry-bi-sky]

clone^2 twitter memes. just bc :)

non-canon to the au but still funny

[mr-malumm]

Cringetober day 20: tumblr sexywoman!!!!!!

Golbetty my beloved

[m0thwinged]

Cozy!!!!!

[orpheuslament]

getting reaaaaaally tired of people on this webbed site who assume that reading/watching/creating stories that deal with incest is like. a White European thing fr