#im not kidding i fucking love her

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bleakbluejay]

you motherfuckers have no concept of what "land back" or "decolonize" even mean. you're too busy demonizing entire groups of people, terrified, shitting yourselves, that they'll do even half of the horrors to you that you've done to them for decades or centuries. this shit comes off as hella racist for real. you hate arabs so much. you hate first nations people so much. you hate black people so much. even if you sympathize with them, you can't fucking bear the idea of them gaining freedom, independence, autonomy, safety, because you're so, so scared they'll hurt you back and cause chaos in the streets. these same people who just want to rebuild. who just want to go home. who just want to see their families again. who just want food. who just want medical care. who just want dry, warm shelter. you're so focused on the ideas of colonization, of "us vs. them", of one people displacing the other for a state to exist, that you cannot comprehend coexistence, and your only idea of peace is if an entire group of people were just gone and dead.

grow the fuck up. for the love of GOD, grow the fuck up.

[bacchuschucklefuck]

this has been a roller coaster of a design journey but finally I can present you: class swap artificer!adaine and rogue!fabian

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[breach-of-conduct]

There's No Turning Back

[eriochromatic]

Maybe the poison drips through

Succession 4x10 “With Open Eyes”

[emberz7]

fell asleep in class again 🍇

[clowningcrows]

hot take i guess but when i watch the scene with billy and agatha where she finds out for sure he’s billy maximoff and starts tearing up, i perceive it as being bc she’s still a bit (read: significantly) heartbroken that he isn’t nicky. he isn’t hers. sure, she might’ve known from the beginning to some degree that he was wanda’s, but she doesn’t know for sure. we see that every time she panics because he’s hurt. we see that in the way she refused to leave his side when he was asleep. we see that when rio herself has to shake agatha out of it, saying, “agatha… that boy isn’t yours.” like YES logically i think she knew he wasn’t nicky, that he couldn’t be but we CAN see how painfully, hopelessly desperate agatha is to think that maybe he could be. so in my mind, she sees billy maximoff standing in front of her, finally being met with indisputable proof that he could not possibly be her lost son. how could she not tear up at that?

[hercarisntyours]

WOOO

ohmygodshe'ssoprettysheshinessomuch

[treasureplcnet]

btw i love revenge stories i dont think anyone should ever move on peacefully. a bit obsessed with the way weissman went to the synagogue and rabbi and asks, "my choices killed a child. would god take mercy on someone like me?" and the rabbi says "it's not god's mercy you should look for. its the child's" and like you think that would spur this man into charitable activities and to maybe look out for orphans but instead he goes on a 24 hour revenge bender that ultimately ends in two revenge killings and his own death. what's better than righteous anger and wrath and love twisting someone into the worst but also a truer version of themselves <3

[forgotmysword]

Sorry to all the girlies mad about the possibility of alicent going to oldtown instead of dragonstone in the finale but im here for the long haul. I want alicent exhausting every last option before going to rhaenyra. I want her as desperate as possible, begging for forgiveness after fully coming to terms with her life and her sacrifices truly being all for nothing. The day her life ended was the day otto had her go comfort viserys. Her and rhaenyra being torn apart was where it all went wrong. But maybe her youngest son, who she didn’t raise, who wasn’t poisoned by her or life in king’s landing, could be the one who saves her.

But he won’t be.

Bc in the end, even in chains, it will be rhaenyra who sets alicent free. It was always going to be rhaenyra.

[thatneoncrisis]

the expendable child character is a narrative parallel to jinx reconciling her relationship with her sister and younger self. like i get not liking expendable child character but she does have an obvious narrative purpose outside of just being cutesy for sillies and then dying for sads. also she had like a cute hair dye montage and stuff man shit was tragic :( maybe im a braindead enjoyer of media trope slop but have you considered that shit was tragic

spoilersssss under da cut

hey have you considered that throwing a character in a show who barely has any personality or any inner world just for them to die because you KNOW theyre a cute kid that people will get attached to is uuuuuh cheap? like i fully understand why she exists, i get the parallels the show isnt subtle, they LITERALLY dye her hair blue and braid it, and she spends half her screen time being the symbol zaun wants jinx to be. how the fuck am i supposed to register her death as tragic when the writing was on the wall the moment she stepped on screen. how am i supposed to get attached to what is essentially a teddy bear filled with C4.

i dont like her bc the show knows how to write kids- violet, powder and mylo bounced off each other and the adults in their lives in such a natural way (excluding the other boy and ekko bc frankly they dont get enough screen time for me to judge them and the first guy was clearly doing double duty as comedic relief/oh wow another dead kid). i do not like child death as blatant manipulation, i do not like pretending that kid was a real and interesting character whos death i should be invested in, i do not like acting like recognizing what a show is doing is the same as them executing it well in any way. i understand CONCEPTUALLY why jinx likes her, omg the baby is just like me fr, they spell it out by having her look at the camera and go wow you remind me of powder who is who i used to be but then bad shit happened but youre cool, but thats not the same as like. building a bond with them, a rapport, shes just kind of this amusing Thing jinx has around and doesnt really care about outside of "kids dying is bad"

finally, do not do that fucking thing where youre like "oh well maybe i just like shitty poopoo tropes but i thought it was pretty good 🥺" how the fuck am i supposed to respond to that. im not like, upset at arcane for fun i like it when stories are told well and get frustrated when the pieces are there and just never connected. i feel like this show has reached a breaking point with how many people it can take from her without it meaning anything after a certain point. half the time its not even her fault it just kind of happens to her in some greek tragedy twist of fate, shes not allowed to have good things and instead of it being like, a conversation about children of war and how unfair shit is dropped on their heads constantly, jinxs motivations and energy is only tangentially related to zauns sovereignty movement.

theyre so like. fixated on her having this overly unserious attitude about everything around her, and i get its a coping thing to distance herself but it RARELY lets up during pivotal moments. its like a story is happening to her rather than her actively contributing- the people would have been taken to stillwater whether she was at the rally or not- sevika would have figured out a way inside that building with or without jinx, they did not escape stillwater thanks to her ingenuity, but because that guy summoned a big ass zombie werewolf who happened to also be her father. the ONLY reason she goes to that building is bc thats where the baby is, i dont think isha as a symbol of the inner child, was inspiring jinx to be a good person, shes just like, a creature of convenience. i guess while im here i can let you guys out or whatever. and what does it mean when that inner child, the living embodiment of whatever goodness and innocence may still exist in jinxs heart, is ripped away from her in a violent explosion exactly the same way as last time? she did the opposite of what vi did last time and the outcome was identical. is history repeating itself, will jinx change? is there any change that can happen that will negate the absolutely comical amount of bad shit that happens to her? this show does not in any way give me the confidence to believe that will happen

basically i think jinxs development thus far is repetitive and gives very little consideration to her as a character rather than an archetype, and isha suffers greatly for it. why show a relationship when you can simply imply it? why make the child any harder for jinx and the audience to project on? why does she need a history, or goals or any interests that arent a giant blue flag that shes powder 2

[bacchuschucklefuck]

[silentsockfeet]

with the obvious addendum that act 3 isn’t out yet and we can’t form true opinions until the show’s officially done, i’m still really feeling like it could have maybe benefited from a third season. they’re hitting all the right plot points and those moments are full of really intense emotion, but everything in the middle feels so underwhelming in comparison and so much of it still feels rushed to me. idk

[bucket-puns]

Ishmael death stranding au stuff I was cooking. Also a faust kromer and Before team Ishmael doodle.

[densewentz]

hear me out, post-divorce girl!Dad Crowley

im not even kidding you guys, the best thing for Crowley after all this is just for him to be a girl Dad. Go find himself the weirdest most unhinged least likely up for adoption daughter to dump all his love onto. One who thinks snakes are awesome and who screeches happily when Crowley drives too fast and who thinks her Dad's the absolute coolest person on or off earth. She'll constantly be stealing his sunglasses or demanding her own pair so they match. No doubt she's obsessed with fungus and she probably draws the most fucked up stuff that Crowley then hangs around the flat, and she'll yell at the plants too with her hands on her hips. On nights after goofy dinners, Crowley will hoist her up on his shoulders and help her accurately place the glow-in-the-dark stars on her ceiling and softly answer every question she ever has. And it won't even phase her when sometimes her Dad is her Mom or her Parent for a while or vice versa. And she'll be ready to full on throw hands with anyone who gives her Dad sad-face. She probably ends up biting Aziraphale when he eventually staggers back into the picture, and the Angel will have to contend with the fury of a real hellion for a while before she trusts him enough to let him anywhere near Crowley. Also i think her name should be Hanna.