#im learning the characters a LOT better this time around
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Împietrite-n ape stele, în lumina lor sub ele, Eu aud cum din adâncuri vocea ei dă din mormântu-i.
Uite ce-a fost astă vară.
leaving terror with a message for erebus, alone by moonlight, unarmed, despite jopson's and lt. little's protests
#my art#the terror#the terror amc#the terror fanart#francis crozier#the 3 songs i have on my playlist for this show r so somehow fr#these lyrics r from astă vara by alternosfera#anyways i been reading the book and theres some aesthetic choices there that dont show up in the show and i wanted to depict that#this book has. issues. but thats fine whatever#im learning the characters a LOT better this time around#ohmy god posting shit to new fandoms is so terrifying anyways go my scarab part two
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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ngl i think i kind of was a genius for being like 'yeah this character is a scary killyou cannibal scary killer who scary kills you' and then realizing that the way my worldbuilding works out is that there's a nonzero chance that if you leave literally any body parts over they can just come back, depending on what they believe in their heart of hearts can kill them. Of course she'd start eating her kills. She probably tried normal stuff first and then realized it didn't work and she had to try harder if she wanted to actually keep them dead.
#red rambles#im working on a character who i made up years and years ago and wasnt even happy with then because he didnt seem to have enough like#interior thoughts he was just like a guy who killed people when he was stressed and his life was constantly stressful and then he killed on#person too many and they were like 'this is fucking untenable and he has to die' and then they killed him#which is soooooooooo absolutely nothing honestly. Like it works as a barebones summary but i want to stress there was actually straight up#nothing else there. the entire rest of his whole whatnot was just being entangled with Haven who is a different character who at the time#ALSO felt unsatisfyingly lacking in interiority but at lesat he had really complex motivations and action flowcharts. that werent just 'i#get grumpy and i just go kill some random person with no regard for what the consequences will be and then i am so mean and i kill you'#now theres a lot more happening. i really didnt. like.#okay so i had a Backstory worked out but it was vague because i didnt know what the fuck he WANTEDDDDDDD right like. i had no motivations a#literally all except 'oohhh i kill people ooohhh i like killing people ooohhh im erratic i kill people' and the background i HAD was like.#Upper class scion of some rich family whose family honest to god just did not like him very much and also [gestures vaguely] i guess he#maybe kicked dogs or something and then he ??nebulous timeline meets haven and then kills his sister or kills his sister and very quickly#thereafter meets haven but i usually lean toward the former because haven LOVES convincing people to kill their whole families its like#cathartic for him because he would love to kill his entire family but physically cannot do it. but like kind of the implications of this#as far as i was concerned given this is set in the mid 1800s was like. ehhh he's getting away with this because he's rich white and male an#it pays to turn a blind eye to his indiscretions or w/e. a genderswap means that she'd be subject to a lot more scrutiny on basis of like#misogyny. LOL. and i already had the preexisting 'hates half sibling' (i genderswapped the sister into a brother because why not) and 'hate#parents' and 'parents strongly dislike her' and 'unsettling' and it worked nicely to start giving me actual fucking. Literally anything to#work with there. because it means that by going off with Haven she walks out of one situation where she has like 0 agency into another one#and like to be clear i respect anyone who is sitting around in haven's general vicinity for snapping and just starting to kill people. me t#but this works. SOOOOOOOOOO much better for real#im still working the kinks out but like also this means that she wins. she wins like multiple times actually. she comes closer to killing#haven than anyone since he learned what fucking species he was and causes him more trouble in the interest of getting the FUCK out of there#than anyone else has and then she fucking gets what she was going for against literally every effort haven could've made over ~five decades#get owned loser.#every time i draw her i cant help it i write some shit like PLEASE JUST GET DIVORCED on it even though i wrote the fucking narrative i know#it will never fucking happen and thats why she does all this shit instead#in another world she'd be like the wildly capable owner of Raytheon 2 or some other shit like that. like she'd never be a nice or good#person but she wouldn't be dead. god she could be in charge of a country or some shit. Alas. Please get divorced.
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70% of my trigun thoughts are abt how plants (independent and dependant) work and what they symbolize and their relationships with other characters and the world and stuff and the implications of independent plants coming with the earth forces and what it says about how earth has progressed since SEEDS left the planet, 20% of my thoughts are "hope those guys (meryl milly vash livio ww knives) are having fun" and 10% is rotating trimax Rem Saverem around in my head at all times
#i think abt rem a lot for a character that is like important but also isnt materially present in the story much#like idk her relationship with grief and regret and the idea of her looking at the shambles of her life and having to say#'well at least i can start over since theres nothing left for me' multiple times (after alex dies and she joins seeds#and after failing to keep tesla alive and getting a 'second chance' with vash and knives) idk its just so fascinating to me#and her idea of a blank ticket to the future and what it means in terms of how vash shapes his worldview in trimax#where it seems to be about how. death stops all future potential of a person. if they die they can never get better they dont learn#they cant change and experience consequence#like smth i find fascinating in trimax is that vash doesnt kill people but he will let somebody that person has hurt punch them in the face#and he thanks ww for killing to save the colony that one time. hes not opposed to killing/consequence entirely#i think it comes down a lot to how rem behaved in the aftermath of him finding out about tesla. how the potential for things to get better#would have died with him or rem and it would have just stayed horrible#idk idk im Rambling im turing things around in my brain#also man my main complaint with the manga is i wish it focused on the dependant plants more. they clearly experienced a big emotional#struggle esp in the final volumes and i wish we got to see more of it#but also i just like the wacky small town hijinks esp in the 98 anime i love when the main cast is just goofin around. i think they should#get to goof more#trigun#.txt#Dont Look At This Post Man its EMBARRASSING nobody should let me talk abt anything#the secret special bonus tjoughts are about chronica bc she fascinates me but i cant draw her good the way i can draw meryl and rem :(
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cass does not know what a good father figure is and thats unfortunate
#OOC.#tbd#'BUT WHAT ABOUT BRUCE'#girl fuck bruce hes literally been paralleled with her atrocious birth father in the way he treats her#i know a lot of people do not like the concept of him being anything besides a 10 star father but unfortunately for everybody#the majority of the rob.ins n cass's plotlines revolve around the mistakes that bruce makes as a father/mentor figure to them#ive really really tried to like... work around it too because everybody really wants him to be worlds best dad to cass and i want that too#but alas#the bulk of her character revolves around how yet another father figure has absurdly high expectations of her with minimal reward and#minimal love.... he does not pay her much attention and what attention she gets is related to her job as batgirl not herself as cass#all she knows is her work this is a repeated cycle for her... he's NOWHERE near as bad as david was to her dont get it twisted he is not#an absolutely terrible unredeemable man but like.#she could do a lot better in the dad territory#also the amoutn of times that babs has to reel him back and be like DO NOT! FUCKING YELL AT HER FOR THAT! ARE YOU INSANE?#is absurd. babs is also not a phenomenal figure for her but i do believe they care for one another and she defends cass after their initia#l rocky ass start to their relationship. however babs has also said things to her that absolutely have stuck with her and hurt to this day#cass stopped talking with her for a bulk of her comic because she hurt her feelings so bad with one of her jabs... even though i get why#babs got to that point! im not even ragging on her like i am with bruce!#it was rocky and stressful and she said things that she regretted because she was frustrated with cass's refusal to learn to read and speak#and write at first and it boiled over. thats realistic and i Also do not enjoy that its swept under the rug#I JUST....#the point of this ended up being that i dont like how cass keeps being reduced to just. nothing. everybody gets along with her she gets#along with them we're all happy!#like NO literally every fuckin batfamily member she interacts with in batgi.rl 2000 she has conflict with and its realistic and im mad abt#it being ignored and erased because its so much more interesting to have her butt heads with people#because she IS somebody who cant relate to any of them and building genuine connections is so hard in her position#especially with how heavy her autistic coding is#on top of her extreme childhood trauma#i love that hse struggles so hard with the people around her and later comics erasing that makes me so GRRRGRGRGR#SJE LITERALLY ONLY CAN RELATE TO LIKE.... AZRAEL AND HE'S NEVER THERE!
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WHAT SET YOU FREE, BROUGHT YOU TO ME BABY.
rdr2 men + short blurbs about their favorite sex positions.
ft. arthur morgan, john marston, javier escuella, and charles smith.
✧ tags : SPOILER HEAVY, fem + afab!reader, unprotected sex, light angst (in the horny post is crazy im sorry fdkjjkds), very gendered language, javier says one thing in spanish (thank u @nanamimizz), a little sprinkle of plot with each (and some canon divergency), john co-parents w abigail, otherwise just horny. 18+
✧ wc : about 1.4-8k each (6.3k total)
✧ a/n : sorry for making a multi character post for the cowboy game its cooking me to death. my john bias is showing rip. title is from rebel yell by billy idol but i listen to the bvb cover
sorry about charles and javiers but if i edit this anymore im going to level an entire city using hollow purple technique. please rb if you enjoyed i worked kind of hard on whatever this is.
sorry for . the THIRD repost of this i promise i wont after this. its just really bugging me. PLEASE
.𖥔 ݁ ˖˚☽˚。⋆ ARTHUR MORGAN + PRONE BONE ;
It’s an odd feelin’ for Arthur.
Wanting something, he means. Wanting anything as much as he wants you. He’s lived a less than quiet life up until now. And he ain’t the brightest, certainly, but living this kind of life teaches you many lessons. One of them being, it’s better not to covet anything. Coveting something you’re not entitled to, well—it’ll lead you places you wouldn’t want to go with a gun.
Arthur has made the mistake of coveting love before, dreamed of a future so completely out of his reach he almost convinced himself it was possible. Dreamed of it so foolishly he’d even go visit a woman he very well ought to forget. It’s his problem, his burden to bear - always desiring outcomes unsuited to him.
He’s just that sort of man he reckons. But he learned his lesson. He tries (tried?) to stay away from it after that. Tried not to pine too much for normalcy when such hopes had failed him twice. The loss of his child completely on his account and the loss of his love at the same fate.
So, wanting you - well, he feels like the world's dullest fool. Really. How is it that Arthur had fallen in love with someone again? It had all just happened so quickly. You were another woman he’d saved from the O’Driscolls, though it wasn’t like you were no damsel. A lot of those men were dead by the time they arrived. That sort of perseverance would stick with you while you traveled together. Much like Sadie, you didn’t take well to housework - you liked to earn your keep. Though you’re not nearly so trigger happy.
You’re quiet, thoughtful, well-read. Plus you’re good at making money. That’s why Dutch don't complain about you joining them, he figures.
(Arthur tries not to pry into it too much at first, but he eventually learns that you’re gambling. Which is how you’re able to make such a fast turn around. A prim little lady like you makes for a fine poker player, and you love to play men out of their money. He thinks it’s one of the funniest and most interesting things about you. He can’t help but love you a little more for it. )
When the feelings in him start to stir, Arthur tries to overlook it. Arthur convinces himself, time and time again - that there’s no way he’ll grow more tender about you. Eventually, it’ll die down. You’re a decent woman is all, a kind one - who’s easy for him to love and even easier for him to confide in. In your time together, you often come to Arthur and you always seem to have some profound wisdom he is so sorely lacking. Someone easy to love, who does not expect much from Arthur at all. It’s only natural a lonely, covetous man like him would start to dream about you. He tells himself, it will pass eventually. Should he simply let it run by him, it will pass. But Arthurs a fool, you’ll remember.
Of course, by the time he understood all that - he already loved you enough that he couldn’t bear it. It was already too late and it wasn’t going to change any time soon. Especially not while everything changed around him.
So, Arthur is undoubtedly a fool, but he’s lucky. He felt divinely blessed when you’d returned his feelings for him so politely. A coy little smile on your face, a laugh like you thought he was silly for being doubtful. Arthur tried to explain himself but you wouldn’t hear a word of it. Maybe that’s another thing he loves so much about you. There’s nothing he ever needs to explain.
In any case, all Arthur seems to do lately is want you. Wants you when it’s inconvenient. Wants you before he wants liquor or a cigarette or some other vice. Any time anything goes wrong, you’re the first thing his mind can conjure up for relief. That pretty smile and that self-assured way of living. It’s hard to get time alone in camp. And Arthur is a man in love, so any touch could be enough to set him on fire. Last week you hugged his waist a little before giving him a kiss goodbye and he had to listen to you laugh yourself into a fit as he waited for…little Arthur to settle down.
He don’t get many chances to be with you. Lay with you in that way that grown folk in love do. Though, if the two of you book it somewhere for a few days - the camp knows better not to ask where you’ve been. But it’s not often you get to really be together, where it’s peaceful to do that. Someone’s always hounding one of you to do something.
Arthur is a lucky man though, like he said. Today he had time. Today he’s alone with you in a beat up little saloon and today he gets to do as he likes. He gets to be greedy. And it’s an odd feeling for him, really, to want something so bad he disregards everything else in the world for a little while.
Feeling you, though - absolves the guilt for wanting. He’d be stupid to want you any less desperately.
Arthur’s favorite way to have you is on your stomach. Laid flat, just barely pushed up against him as he fucks you deep. You’ll fuck like rabbits for a little while and Arthur will wear you out just like this, maneuvering you until you’re pinned all underneath his weight. You lose any fight you might have, too exhausted to worry yourself with pleasing him - and when you’re like that, you let Arthur take care of you.
(He really ain’t talented at much, but he’s good with his hands. Being dexterous is part of being a talented shot. When Arthur has the time to spread you sweet in his lap and make you cum all over his fingers, he does so for as long as he can. At least until you beg him so sweetly otherwise. The same hands, soiled with gunsmoke, look so good so deep in you. At least in his eyes.)
Wet and pliable and helpless. Arthur loves you like that. He knows, he knows you’re anything but - but he’d be damned to pretend this don’t feel best. Tight, wet cunt so welcoming from all the pleasure he’s ripped out of you. Your bodies pressed together, your heartbeat pulsing through your skin. All sticky, honeyed need and animal desire as Arthur lets all of him sink on top of you. His heavy, lumbering form crushing you in - trapping you somewhere you can’t run from him. The curve of your spine pushed against his chest, ticklish.
Every inch of his body that so wholly wants for you, Arthur aches to make you feel. Burn it in you lest anything happens that risks your forgetting.
He can feel his hips meet your ass, backside squished against him - desperate for deeper friction. Whining. You’re whining to him so pretty, a pillow pushed underneath you to give friction to needy clit.
Arthur can feel how much you want more. Maybe Arthur is greedy, but he likes that look much better on you. Your pussy is sucking him in so tight, silken walls pulsing with every shallow little measured thrust. Arthur lets his arm wrap around your neck, your face pressing into his bicep. You moan again and he laughs.
“Arthur,” Your words come out in a messy slur. He lets his scruffy face press against your neck, a kiss behind your ear. He wants to kiss you all over. There’s not enough hours in the day. “Oh, god, Arthur,”
“Still feels good, then, I’m guessin’,”
“Shut up,” You huff and press your cheek into his arm. He doesn’t bother stifling his laugh. “Still feels…big. Stretchin’ me out—hicc—so much,”
You really don’t try to rile him up - but you do a damn good job of it anyway. He groans, grunts as he pulls back and pistons himself in you. A gesture half-way between a kiss and the warning shot of a gun. The sound of skin hitting skin echoes, noisy and vulgar. Arthur don’t pay it much mind. He laughs against your shoulder.
“One of these days, that moutha’ yours is gonna get me in real trouble.”
You giggle back at him
“What kinda trouble is that now?”
Even from your side glance, you’ve got that lovely little smile on you. Fuckdrunk and ingratiating, like you know he’s wrapped so tight around your fingers. And he is, like nothing else in the world could have him. A wave of possession curls up over Arthur, makes him press more of himself into you. Onto you. Another deep push of his cock, sliding against the tenderest parts of you. Staking some silent desire in you. He wants and wants and wants, and hopes that whatevers above him can forgive him for making the same mistake thrice.
“Dunno,” Arthur comments, teeth grazing your shoulder and kissing the indentations “Got our whole lives together to find out, I reckon.”
“I’ll hold you to it, Mister.”
Arthur laughs. “Hope you do, Miss.”
.𖥔 ݁ ˖˚☽˚。⋆ JOHN MARSTON + COWGIRL ;
John doesn’t say that he loves you lightly.
Hardly a thing he says can be said that way. Could never afford too. In an alternate universe where nothing goes wrong in his life, maybe - but he has a hard time picturing what the hell that’d look like. A version of himself so untainted, without all of the violence and blood and gunsmoke? Foreign. John can’t picture it worth a damn.
Who John is without a deadbeat father and a dead Ma is somewhere far beyond his reach. Ain’t nothing about his life, at any point, lighthearted.
On top of all that mess, he’s got a boy at age four with a woman he ain’t married too. And that relationship is always on rocky waters, even though John’s decided to do right by his own flesh and blood sometime ago. Most things in the world he should feel good about he doesn’t, and most things he should understand render him clueless. He’s a mess on multiple accounts, and he still doesn’t know how exactly he’s meant to approach this life of his. He knows what he should do, but nothing about how to do it.
John doesn’t come to love you easily ‘cause he wouldn’t know easy love if it hit him in his face. Quickly and painfully, but not easily.
Your return to the gang was an odd one. You were an old presence and your disappearance was an even older story. John thought he’d never gonna see you again for sure. You’d been a part of the gang back long before all of the nonsense that took place in Blackwater and you left about the time Arthur’s boy died. John don’t remember why you left exactly. He thinks it was a fight with Hosea, of all things.
Dutch weren't too happy about it neither, but Dutch back then didn’t make a show.
So you left, and John buried every feeling he ever harbored. You found all them again up in Colter, where you’d been living out your days lately. According to you, in the middle of riding, you thought you’d heard Arthur. So, somewhat recklessly, you went chasing him. Didn’t matter if he was just something your mind conjured. According to you, if it was him, it was at least worth checking to make sure. You’d reunited with Arthur and after some tears, he rode with you back to camp.
Upon your return, the gang welcomed you with open arms.
You’d done a lot in your time alone.You spent most of that time just like that, a ghost wanderin’ the planes. You weren’t gonna stay with ‘em, but Arthur insisted and Hosea did too. That wasn’t enough to compel, so John was last to chip in. You should stay, at least until Valentine.
(Silently he thought, you should stay so John can trace memories of you. It was so long ago, he should’ve forgotten all of it. You were a year older than John and always on his ass but easy for him to talk to. Didn’t fuss over his failures. You just barely grew into your womanhood when you set your sights on running away. You wanted more than this life, and John never really forgave you for it. His first heartbreak, maybe - but it’s all too blurry for that.
You understood him though better than anyone, and one day you were gone. Nothing’s really the same.)
You changed tremendously and not at all. He missed you. God, did he ever. Missed you a long time. Didn’t realize how much until you came back and everything in him felt right again. Your return stirred up old feelings and everyone noticed. He wasn’t trying to keep it a secret, but he really wasn’t trying to fall back into anything with you. Not how he did.
Just like you did back then, you read John like an open book. And just like he did back then, he loved you all too helplessly for it. It was just all too easy again, to be with you.
You stayed out of the way at first, for the sake of his family.
But, John ain’t a half-decent man even when he’s trying to be. So he set himself on being with you. It wasn’t easy - most things with him aren’t as you’ll see. Having you around again straightened what was left of his common sense, at least. He told Abigail before telling you. He figured you wouldn’t even reply unless that was all out of the way. That turned out as well as you’d expect.
It was settled between the two of you thereafter. He’s lucky she didn’t toss him into the street.
Everything works out in a way. As best they can between broken people. You make peace with each other. His boy loves you like a third parent (you’re better with him than John is). Abigail commends you for straightening out such a worthless man though she’s a little melancholy. John just tries to stay out of the way. You’ll be together in the end. There’s a plan with the five of you.
But until it all falls apart, he doesn’t get all that much time with you.
There’s moments like tonight, though. Rare ones. Together out robbin’, cooped out some place in the woods where no one is around. A place so shaded by nightfall that John can absolve himself of every sin he’s ever committed in his life and pray at the altar between your hips. John is convinced he might find worship like he’s always hearing about there whenever he touches you, the marred skin of his hands and knuckles reading the scripture of your body with careful precision.
You might turn him into a literate man yet.
John glances up at you. Only the light of the fire and the moonlight there to accompany as he watches you over him. You’re beautiful. John couldn’t picture a single thing more perfect in his life.
Your hands against his bare chest, nails digging into the flesh as you lean forward. Your palm dug into the dirt, John finds his own hands rested at your hips. John looks at you awe-struck, cock twitching at the mere sight. His heart settles in his throat, but he’s calm all at the same time. With you, he forgets. All of it. The worst of himself.
Bare naked and so close, he watches your face as you strain. You feel soft. Every inch of you in comparison to him is. A bead of sweat slides down the valley of your breasts. John cranes his neck up to catch it with his tongue, licking a stripe up to your neck - letting his teeth sink into the space between your jaw and neck. You want to make it last and John doesn’t blame you. It’s so rare you get to have each other so unrestrained. John can feel all the ways you want him, can see it in your face - all pinched with need. You’re holding yourself back, trying to get it to last as long as the night will allow. It’s cute in a way.
It’s different than how he’s used to seein’ you, all cocky or otherwise. You’re needy like this. Just needy. His stomach turns with lust, jolting through him like a strike of lightning. His cock twitches against your folds, sliding against them. Pure admiration watching the sticky mess of his pre-cum and your own arousal mix together and smear on your mound. You make a soft noise in the back of your throat, faint and tender as you fall forward just a little. John laughs against your neck.
“Darlin’,” He says with a huff. Not malice. Something akin to bliss, where he can rarely afford it “Have I done something to piss you off today?”
You pick yourself up and look down at him and frown. John kisses the corner of your mouth, resisting some crude desire to fuck up into you.
“Just,” You grunt as the tip of his cock passes over your throbbing clit, your whole body wracking to a shiver. John looks awed. “Pent up. Goddamn it,”
John figures it out quickly after that. It’s this part of it he likes. The proximity. The closeness. Feeling the tremble in your hands as they struggle to keep up right, muscles strained in your forearms. Being able to hold you, to keep the pace or let you take the lead. The clear view of your face as pleasure travels up through your spine and melts into you. He grabs your hips, the fat dimpling underneath his fingers as he moves you along. He can’t wait. You don’t bother to protest seeing John can’t seem to bear it anymore. You collapse into his chest, your tits pushed flat against his pecs.
His cock throbs near painfully, sliding against your soft cunt before finding himself lined with you. He thinks to himself that it’s this he was looking for, as he tucks your face against his neck and lets his tip stretch you out slowly. Such a vice like grip, stretching - resisting him like your whole body can’t anticipate the sensation of fullness. You gasp against his throat.
“John,”
What a sweet sound from your mouth, even sweeter as he bucks himself up. Keeps you steady and lets his cock stretch you full, feel you deep. “That’s right, my angel. Didn’t think you’d remember my name when you’re all worked up like this.”
“You’re,” You gasp and John thrusts, thrusts hard until he’s buried to the hilt. You shudder, walls pulsing around him as he bottoms out and John laughs like the terrible man he is. He fucks you again, over and over - a wicked little smile watching “Awful. Just awful, John Marston,”
“Ain’t that the truth,” He hums against your mouth as his hand snakes between your bodies, thumb rubbing against your clit. “Wonder what kinda woman that makes you,”
“A foolish one,”
John laughs.
“I sure do love you for it,”
.𖥔 ݁ ˖˚☽˚。⋆JAVIER ESCUELLA + SIDEWAYS ;
Javier hasn’t thought about much other than surviving.
It’s been like that. Been like that for a while, probably much longer than he cares to admit. He’s sure any sane man would suffer the same plight if they lead the same life. Anything but survival is little more than a pipe-dream, so Javier tries not to go for anything too strongly. In that aspect he’s like many of the members of the gang he’s in, perhaps that’s why he sticks to them. There’s that phrase Hosea’s always saying - that misery loves company. Javier will take any decent company he can get. He’s desperate for it just like he’s desperate for most things - inwardly, silently.
Some of that desperation may be symptomatic of who he is. After he killed a man in a crime of passion for a woman he loved and ran from a government who would sooner exile him than change, Javier decided to not dream anymore. Every revolutionary who dreams too hopefully pays the price in blood.
(Javier thinks there’s probably nothing in the world as true as this. A form of gospel. He remembers the first dream he ever had after his uncle passed. Not a nightmare but a dream. He remembers the exact feeling of waking up, cold and confused. What is a dream, except a memento of survivor's guilt that loyal people cling onto fruitlessly. When hope starts to feel like a debt he’s going to waste his life paying back, Javier loses sight of everything. The beginning of the end in some way.)
His mind doesn’t occupy itself with anything bigger than that. Since Dutch found him starving, there was never a desire to try and live off aspirations. He pays his penance with loyalty and honor. Practices some form of humility and tries, not too desperately, to carve a place for him to fit. All without drawing too much attention or caring too much. If you ignore the bleeding in his fingers, his penchant for knives over guns, and his refusal to talk too long about the place he comes from - it’s nearly believable that none of it matters.
Except loyalty. All Javier honors is that. It’s the only thing he has some part in choosing, so he choses it every time. Living like that didn’t make any difference to him. He was surrounded by mostly decent people. He didn’t hate the life he was living.
It wasn’t important. It didn’t matter. His directionless-ness, his floating. Hadn’t since he joined the gang. At least not to anyone but him. He didn’t know what he’s meant to do or if he was meant to proceed with this forever. He was (is) loyal to Dutch. To the gang.
He hadn’t thought much about what comes after.
And it didn’t matter until he met you
He’d sworn off love after seeing where it got him, at least until he could love more dispassionately. When the women bring you back from their outing from Valentine and beg Dutch to let you stay, Javier doesn’t think much of it all. He thinks you’re pretty, if it counts for anything. But he doesn’t let himself linger on you too long.
But that’s the sequence with you two, really. The whole time. He doesn’t linger until he does. It doesn't matter until it does. He doesn’t think about you until it’s all he can think about.
You go for him first. And it’s in little, unimportant ways that might not mean shit to you but mean a whole lot to him. You have some kind of tenderness about you that you wear deep, runs through your blood like love ran through his once long ago. Some softness he can’t really measure with his own. It’s not that that gets him. It’s that sometimes you look at Javier like he's … someone you want to see. He forgot what that was like all together. It felt foreign to him the first time it happened. Seeing how you light up when Javier is around.
You wanted to see him. You noticed that he’s gone. If he sang by the campfire - you’d sit by him and listen. If he was out in the trees keeping guard, he’d hear the soft call of your voice to Grimshaw ask Where’s Javier? And sometimes the girls will make fun of you - but you wouldn’t deny anything they said. It’s so small and ordinary. He would’ve never considered himself simple before meeting you. Nothing is simple. Nothing.
(But then, Javier thinks of the kinds of songs he sings and the way he takes care of himself and the clothes he wears and maybe Javier has some kind of affinity for preciousness that explains all of it.)
When Javier confesses his feelings for you - he finds the affair to be like most things between you. Ordinary love, not really between outlaws but people. It’s up against a tree while you share a drink and he’s looking at the curve of your mouth and the plum color Karen’s so kindly put on you. And his head fills with kissing you so he does. A breathless confession between alcohol stains and the feeling of your hands curled in the lapels of his suit.
From there, Javier is your lover. He’s not interested in the business of secrets, but he tries not to let it show too much. Not that he doesn’t want to. He wants to show you off more than anything - at least some part of him does. But the other part wants to keep you away from prying eyes, keep his love for you only where the both of you can see. If he could keep that pretty lovestruck face you make all to himself forever he would.
When he gets a chance to whisk you away from everything, Javier jumps at the chance. Not often, but Javier makes time for you. Makes time to indulge in love he thought he’d never find again.
That’s why he’s here with you in the middle of nowhere, a ghost town where no one knows you.. A reserved room with a bed and lowlights all to yourselves.
Javier can’t keep his hands to himself and he doubts you expect him too.
For Javier, this sense of proximity is what intoxicates him most. The warmth of your bare skin in the slivers of yourself exposed. Javier is fond of finding you like this after a long day of horse riding. Of sneaking touches to your waist as you push back against him to sleep, only to find his desire for you - laid clearly. He likes hearing you whimper feeling his length poke against your back, the embarrassment when it dawns on you that he wants you after all. Always surprised, even though Javier tells you it so often. Whispers it along your neck and shoulders whenever you’re at camp together.
You like the feeling of his hands so Javier always starts with them. He squeezes your hips. Planes his palms over your chest before squeezing your chest, pushing the fat between his fingers. You like the way they look when they grope you, his chin resting against your shoulder as you spoon. In the lowlights of a cheap hotel - Javier gets the perfect view of your silhouette. Your body is sensitive over the fabric of your gown, heat prickling through you.
Javier who is always so gentle with you, rouses so deep listening to your whining as he explores your body. The suffocating closeness of a single bed intoxicates him.
“Javier,” Your voice is sweet and thin. Plays in Javier’s head like music and makes his mouth curl up into a catlike grin as you push back on him. You look slightly over your shoulder, lips pushed into a pout. “Please,”
He tugs at the fabric of your nightgown. The top half pulls haphazard underneath your tits, nipples perky and sensitive to touch while the skirt pools at your waist. What gets Javier like this is the desperation. Wanting so much but not being able to look too long. A way for you to mirror him, it’s a matter of possession. In some stupid way. Bunching your clothes up, pushing the fabric of your panties to one side, letting his arm wrap around your waist to touch and tease. All of these are imprints of his longing, tucked faithful into your side as he whispers sweet nothings into your skin.
His cock twitches as it pushes past your folds with finality, your hands curling up at your sides. You whimper softly, let your cheek rest against the sheets as Javier takes you on your side. Terribly close, you fuss as you feel him slide every inch into you slow, your hands reaching back for purchase. It’s the fit of you against him so perfect, the silent strokes of intimacy, the hush-hush giggles between the sheets that Javier loves most about fucking you like this. Too enamored with you to look too closely, he lets his eyes flutter closed. He could get drunk just being in your space.
He carves out space for himself inside of you, feels your cunt accommodate for him like it loves him. A feverishness breaks out as his forehead rests on the space between your shoulders, an uncharacteristic whiny quality in his words.
“Ser mío,” Javier says - as a reflection of what he really wants, to belong only to you. “Belong to me.”
Darling as you always are, you nod softly.
“All yours, Javier,” You whimper, finding his hand. “Forever,”
.𖥔 ݁ ˖˚☽˚。⋆ CHARLES SMITH + MATING PRESS ;
Wandering.
He’s been doing it his whole life. Not something he’s proud of. Or ashamed of either, really. Just how things have gone for him until now. Charles doesn’t think his life has been any better or any worse than anyone else's. At least not when he weighs it with the same kind of pragmatism he does most things. It’s been a hard life, and a miserable one in so many ways. Still, it’s not something Charles is too keen to dwell on.
There’s just something thematic about loss in Charles' life in a way he finds completely unpleasant. It’s more constant than anything. Loss of his home, loss of his mother, loss of his father in an attempt to find what’s best for him. It’s some overarching message that hangs over his head like a shadow. Everywhere he goes, trying to rectify his own solitude seems to come back to him. It doesn’t help that it’s an unfair world to start with, and would’ve been if he had just been black or just been native. But Charles is both, and has lived a life that reflects that specific injustice thoroughly.
There’s not really anything Charles can do about it, at its baseline. When he left his father, the name of the game had simply been survival. He was well-equipped enough for that at least. But after survival comes trying to live and trying to live isn’t something so simple. Jumping in and out of gangs who thought they could get away with slighting him or generally being surrounded by unpleasant people. Trying to find something in pages of book and scripture, or in the way water ripples when it rains.
He’s never felt any one way towards the gang. Even when he joined them all the way back in the Grizzlies. Lost in the cold, they’d crossed paths as Charles was out hunting. A lot of it feels like a blur. Of all the folks he’s met in his travels though, Dutch treats him fair and the rest of them (or most of them) are decent, honest folk. Charles stays in the Van Der Linde gang for such simple reasons as trying to stay alive and be somewhere that isn’t actively hostile towards him. He’s a good gunman, and a better fighter. The inner workings of gang politics and forging connection isn’t at the forefront of his mind, with the exception of the kindest few.
The Van Der Linde gang is just a place where he can figure out what his purpose is meant to be, even if he doesn’t find it there. He’s never expecting anything to come out from his loyalties to it.
Of all the things Charles expects of his life in the Van Der Linde gang, love is at the very bottom of the list.
Maybe it’s about time he stops being surprised by these things happening to him one or way another.
You were a member of the gang far before him, and someone Charles took to quickly. You’d joined the gang not too long after John from what Arthur tells him. Though the brunette speaks about you more fondly than he does his brother. A problem child at the start, according to Arthur - always getting into all sorts of trouble. Something you seemingly feel embarrassed about now and refuse to bring up. Charles has a hard time picturing it having only known you as you are.
The woman you’ve grown into is someone else completely, and Charles sees that in you all the time. Compassionate like Hosea but charismatic like Dutch, and clever. And you’re beautiful, too, though Charles feels a little shallow admitting that’s part of what drew you into him.
It wasn’t Charles that approached you first. You were the one who spoke to him, as often as you thought necessary but never in a way he found invasive. He doesn’t know what it is exactly about you that charms him near instantly. You’re enigmatic to a fault. It’s like you always know exactly what to say and exactly when to say it. Even more than that, you’re a terribly pleasant person to be around. Subtly warm and free of assumptions. When Charles talks to you about anything, you listen without making him feel like it’s any sort of burden to you. You don’t pry, don’t make missteps. Treat him fair, and then some.
It’s unbearably simple, just how quickly and how easily he comes to adore you. And, in some ways, Charles knows better than to believe that his purpose is loving someone. There’s more to it than that, surely - after everything.
But then, he’ll watch you do something. Watch you do some kind of menial work that he could do for you instead. Thinks of skinning animals for new clothes and chopping wood and rubbing the soap off of you and all of a sudden it makes him feel anchored. Everything he could do for you. You anchor Charles easily, with a wispy smile. Make him want to find purpose in life with you. He never wants to be somewhere you’re not.
He confesses it to you just like that, and like you do with most things - you accept and reciprocate without making too much of a fuss.
For Charles, making love is an extension of wanting to ground himself in you. A distant siren song - the intersection of lust and bone deep adoration. Like most things, you’re the one to approach first every time. A soft hand on his forearm, a whisper that you want him. It’s with ease that he draws you away. Drags from you camp during nightfall with his horse and blankets and picks a spot with the perfect view of the stars.
Charles watches you under the glow of moonlight, his vision adjusting to you easily. Naked underneath him, laid on your back with your legs folded at your knees - heaving deep breaths. He can see the sweat beading down your skin, your chest rising and falling - and the perfect view of your pussy. His hands and mouth are wet as you breathe out. He finds himself smiling at you, his own erection pressed against your thigh, pre-cum leaking out in a mesmerized haze.
You lift your hands up and he leans down, surprised as you wrap them around his neck and pull him closer to you. Your mouths meet like that, and Charles laughs against your lips as you kiss him so eagerly. You blink at him, pretty. You’re always prettier than he remembers you being the last time he looks.
“Charles,” You frown at him. “It’s impolite to keep a lady waiting,”
He kisses the corner of your mouth. “Sorry, my love. I don’t want to hurt you,”
“Well, I’m fine with it,” You repeat, almost petulant. Charles frowns. “‘Sides, it ain’t my first time taking you, you know?”
“Well, I’m not fine with it.”
You pout, looking at him all endeared. Charles couldn’t help but love you even if he tried. “You ain’t gonna hurt me. C’mon. Please?”
“Please, what?”
You look at him aghast before breaking out into a faux-scandalized giggle. “Now you—please fuck me. Pretty, please.”
Charles feels something tickling against his spine hearing you say it. He couldn’t imagine getting sick of you in his whole life. “Yeah, that’s good to hear.”
You make an indignant noise but it’s silenced quickly as Charles positions himself against your entrance. He has plenty of discipline when it comes to matters like these, but right now - he feels like he’s going to lose his mind. Not nearly enough patience to wait. He lets his hands go up underneath your knees just to have something to hold onto.
You make a little gasp as the tip of his cock pushes into you. Your walls are so soft, likely after all the orgasms he’d given you prior. You stop him in a shocked gasp, and Charles immediately readies himself to pull out. As if sensing his hesitance, you shake your head.
“Charles,” You gasp, the words caught in your throat and hoarse “Deep. Want it deep,”
His abdomen tightens, cocking twitching hard at your words. He agrees silently to your desires.
When it comes to sex, there’s very little Charles dislikes.
But this is his favorite. He’s simple but no other position lets him see you so close. He likes the way your eyes widen as he pushes up underneath your knees and folds you underneath his weight. How you look pinned down under him, the perfect view of your eyes rolling back into your head and the proximity from your face to his. He lets his cock stretch you out slowly, throbbing each time your nails dig desperately into arms trying to keep your composure. Fuck you feel so tight like that. Soft pussy, dripping and sticky. You suck him in relentlessly, and Charles groans as he bottoms out. You take every inch of him so well. So perfect like the rest of you.
Your eyes flutter open as he stays there, buried in you in complete bliss. You’re dazed.
“Kiss?”
Surprise followed by adoration, he abides by your request easily. Overwhelmed with it as he presses a chaste peck to your mouth, he laughs. “As many as you want.”
Anything you want, Charles thinks, he would give to you.
.𖥔 ݁ ˖˚☽˚。⋆
#arthur morgan x reader#john marston x reader#javier escuella x reader#charles smith x reader#rdr2 x reader#rogues love letters#red dead redemption 2 x reader#THIS IS THE LAST TIME. THE LAST FUCKING TIME !!!!!!!!!!!!!!
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⋆౨ৎ˚⟡˖࣪ you know i got a soft spot for you !!
ᝰ.ᐟ peak romance is when you realize that he's got a soft spot for you. alternatively: a headcanon post about the specific things he only does for you or the specific things you do to him that only you can get away with. ( fem!reader & sfw )
featuring osamu miya, tobio kageyama, kiyoomi sakusa author's notes damn, y'all just let hq win every poll, don't you?? haha jk, im happy to write whatever u guys wanna see. keshi's song has been stuck in my head all day (is this my socal abg transformation?? [guys im 100% viet, im allowed to make that joke]) i definitely still want to make a bllk version + if you guys like this, i'm always open to more characters <3
౨ৎ OSAMU MIYA — gives you the first and last bite of his food why it's special: osamu takes being a foodie to the next level. the man can eat, and he loves to do so. ever since elementary, his classmates and friends learned better than to ask osamu to share any of his snacks. he's not rude about it, per se, but you can tell that he packed his food with the intention of him and only him consuming it. him and atsumu even get into verbal altercations over who ate the last snack in the pantry. osamu just loves food — so it's pretty obvious that he must really love you a lot to always offer you the first bite of a meal at the restaurant he's spent weeks waiting to open.
"and anyway, that's when— hey, what the hell!" bits of rice fly out of atsumu's mouth whenever he watches osamu give you the first serving of grilled meat. you and osamu invited atsumu out to eat, to celebrate him joining the msby black jackals, and because everyone was craving bbq, you all agreed on the same restaurant (for once). osamu is naturally in charge of grilling the meats. what throws his twin off guard, though, is the fact that osamu is serving you first. "what's the matter? and finish chewing before you speak, damn." osamu huffs, before beginning to assemble portions of the side dishes on your plate as well. atsumu looks at his own empty plate before looking at osamu's empty plate. "geez, [name], how'd you do it?" you look up from your food to answer atsumu. "do what?" "this selfish, gluttonous bastard never lets anyone else eat first!" atsumu tells you, and you just laugh as osamu starts swearing at his brother. "well," you tell atsumu brightly, once his argument with osamu is settling down. "osamu's always lets me eat first. he insists, really." osamu has to tell atsumu to shut the hell up and stop whining before he doesn't get any food at all.
౨ৎ TOBIO KAGEYAMA — takes pictures of you why it's special: tobio kageyama's camera roll before you consists of screenshots (some are accidental, such as the ones of his lock screen, or it's usually different athletic gear he wants to check out), photos of maps (because he is directionally challenged everywhere except for the court), and sometimes of virtual tickets (for when he actually does attend an event, usually for sports). tobio kageyama's camera roll after you consists of the same stuff, pretty much... except for the fact that there are now hundreds of photos he takes of you. he's not one to take pictures; he's a bit awkward around a camera, really, but he realizes soon after getting with you that he doesn't mind being in front of a camera as long as you're posing with him. he takes so many candids of you, like when you're washing the dishes or drifting off to sleep on the couch after bingewatching a tv show. if pictures are worth a thousand words, he's said "i love you" over a million times.
"oh my gosh, delete that!" you shriek, trying to make a mad grab for your boyfriend's phone. his reflexes are quicker, though, and he holds it out of your reach. "why would i delete it?" he asks innocently. "you look cute." the photo in question is the one he just took. the two of you ordered ramen for takeout, and yours was made spicier than usual. your lips feel swollen, and they're kind of stained red from the spices used, and the image captures that, but also highlights the tears welling up in the corner of your eyes as you're in the middle of a massive bite of noodles. "i look like i'm the thumbnail for a 'mukbangers who took it too far and died' video!" you wail. "delete it, tobio!" "but you look cute." he stands his ground, pouting a bit. "that's not fair. do not make that face." you groan, turning to look away from your boyfriend. honestly, with a face like that, it's no wonder why you couldn't force him to delete any pics of you. he's just too damn good at whittling away your resolve. "i think i'm gonna make it my lockscreen." he muses.
౨ৎ KIYOOMI SAKUSA — lets you make a mess of his things why it's special: kiyoomi is very particular about his personal belongings. he doesn't let his teammates borrow any of his training equipment. he refuses to wash his jersey with the rest of the team's, and instead, gets it professionally cleaned elsewhere. in the beginning of your relationship, kiyoomi always offered to wash the dishes, purely because he would only trust that it was truly cleaned if he could confirm that they were well scrubbed. the closer you two get, though, the more the boundaries blur. soon, his stuff gets mixed in with yours. you're doing the laundry together. he gives you his pillow when yours gets too warm. there's intimacy in that, even more so when you consider how prickly kiyoomi gets with these things.
"kiyoomi! you're home early!" fuck fuck fuck, is what's going on in your internal dialogue. you're baking a cake for dessert, only the mixer had a mind of its own, and you ended up covered in sugar, spice, and everything nice. which isn't that big of a deal. you already wiped down the counters, mopped the floors, and got started on the dishes. the only issue is that when you're at home, you have a habit of stealing kiyoomi's clothes. right now, you've still got on his sweatshirt. his nice, pristine, fresh from the laundry sweatshirt... that is now covered in nothing but flour and cake mix. you were going to wash it, honest! it's just... cleaning the kitchen took more time than you anticipated, and kiyoomi was supposed to stay at the gym for the whole day. he knows that that sweatshirt is his. you expect your boyfriend's eye to twitch, or for him to frown, or to even complain that you just ruined his very nice and outrageously priced hoodie. instead, he walks over to you, and places a kiss on your forehead. you've got flour all over you, including your hair, and surely he's got some flour on his lips now. he doesn't complain or say anything about the ruined sweatshirt. he just says, "thanks for baking. i'm going to go shower."
#haikyuu x reader#haikyuu x you#haikyuu headcanons#drabble#fluff#osamu miya x reader#tobio kageyama x reader#kiyoomi sakusa x reader
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i know it won't work...(rc)
series summary: you're best friends with topper, kelce, and rafe. it has never bothered you to see them with other girls, knowing that they usually only have flings, but, when rafe gets what appears to be a girlfriend, how does this change things?
(not rly canon)rafe x kook!reader, original characters
warnings: none idk, first time writing beware
a/n: the slowest of all slow burns rn. feedback appreciated!! but pls be constructive abt it I can't handle hate
1 2 3
chapter 1: just friends!
It was approaching the end of May, something you were thankful for. Without any more classes to think about, you could focus on the important things in life; the beach, getting drunk, and hanging out with your friends.
Your friend group was one constant in your life that you felt would be impossible to live without. No matter the situation, you knew you could count on them.
Your boy friends, Topper, Kelce, and Rafe, you had basically grown up with. Topper's father is a business partner of your father, and both of your mothers got along so well that, when they became pregnant at almost the same time, they were ecstatic.
Topper made his own friends, and so did you. So what could be the harm in merging your groups?
Your girls, Stella and Macey, have been your closest friends since you all met in the same class at the beginning of freshman year. The three of you were inseparable, defying the odds of "trios never work".
The group of the six of you got on like a wildfire, which was why you were so excited to spend the whole summer with them.
You had entered your final class of the day, a class that you had with Rafe and Kelce. Assigned seating was your worst nightmare, you being seated in the back and them together in the front. None of your girls were there, and your boys were too far out of reach. So, you decided to focus on what you could, which was probably why you were doing comparatively better in this class than all of your others.
The class droned on for a while, Kelce and Rafe both messing around in the front while occasionally stealing glances at you. Rafe lets his look linger for a split second too long. You had barely noticed, but you heard whispers of the girls in front of you.
"I really don't understand how they're friends" one of them whispered.
"He's definitely looking at you, Amber, not her." her friend replies.
From there, you tuned it out. You were used to the jealousy that came with being close with them, so you try to not let it bother you anymore. But, maybe he wasn't looking at you. Maybe he and Kelce were messing around to get the attention of the girls in front of you. You tune back into the lecture, only letting your gaze drift to Rafe and Kelce a few more times.
As your final class of the day ended, you checked your texts from the "big 3" groupchat with just you, Stella, and Macey.
...
stella may💫
im bored
mace🦋
girl pay attention. how do you expect to learn
anything if ur always on that damn phone
stella may💫
stfu. what r we doing later? need to fantasize ab
something to get me thru the day
mace🦋
idk. thought top was throwing? ask yn,
he usually tells her first��
stella may💫
don't sound so jelly just bc u want topper bad.
yn what's the plan?
...
You looked down at your phone, smiling briefly at your friends' text messages. Truthfully, you didn't know if Topper was throwing, but you hoped he was. Parties are always better when your friends were the first there and last to leave. You reply to the girls, a quick "idk, come to mine after school?", before turning off your phone and packing your things as the class was dismissed.
At the front of the class, you see Rafe and Kelce waiting for you. Rafe is staring at his phone, while Kelce taps his foot, faking impatience with you.
"What took you so long?" Kelce asks, eyeing you quizzically. The three of you begin to walk outside, slowly making your way to the parking lot to meet your friends.
"Just the girls blowing up my phone," you laughed. "They're asking if Top is throwing tonight. They always expect me to have the answer," you say with a sarcastic roll of your eyes. Kelce laughs. There is a silence that follows. Kelce accepts your answer, and Rafe is still glued to his phone.
"What are you staring at dude?" Kelce questions, shoving Rafe lightly.
Rafe replies, "Oh- just a message from my dad. No big deal," eyes shifting so slightly that you almost missed it. He avoids your gaze and changes the subject easily. "So, Topper's throwing then?"
You knew Rafe better than to let that slide, and decided you would talk to him about it another day, perhaps after he had cooled off a little. Though you and Topper were originally the best of friends, you and Rafe have become closer over the few years that you have known each other.
Rafe always found it easy to talk to you. You were like a vault, so anybody's secret would be safe with you. You believed that people's stories were their own to tell, and, if someone told you something, you would never even think about sharing it for them. Because of this, and because of your willingness to trust Rafe, he began to slowly open up to you.
The first instance of Rafe's openness was years ago after a party at Tannyhill, before the two of you had really even become friends. You were more like acquaintances who knew each other through Topper. Most everyone had gone home, a few stragglers stumbling out and your friends already upstairs, but you had started straightening things out downstairs in the kitchen. This party was particularly rowdy, and it always pained you a little bit to let other people clean up a mess that they didn't make. Rafe walks into the kitchen and stops when he sees you.
"What are you doing?" He asks, and you turn, still squatted down trying to sweep up shards of broken glass.
"Just trying to clean up a little, it makes me a little anxious just going to bed and leaving all of this," you reply honestly, standing up and tossing the broken glass into a bucket that you had found outside. You looked into his eyes. The blue of them was much darker in this lighting.
"Oh," he says, shocked, "you don't have to do that. I can take care of it." He breaks eye contact with you, but you speak again.
"It's really not a big deal, just trying to make it a little easier in the morning." There's a silence that follows. You clear your throat. "I just know that I like when other people do this for me, so I figured I would return the favor... as best as I can, I guess. These people really did a number on your house." You laugh lightly.
He scoffs, amused. "You could say that. This is gonna be the last party I throw here for a while." Rafe says, leaning against the countertop behind him. He notices the look that you give him, which propels him to explain himself further. "Ward hates when I party, and after the last one he gave me this huge lecture. I dont know, I think he thinks it's gonna send me down the wrong path." You're silent, just barely nodding along as he speaks. He continues, "I guess he's kinda right, I mean I'm not perfect, but it's annoying that he sees me as this unhinged freak when Sarah does the same things and he sees her as an angel." He finishes. You nod, sympathetically while Rafe begins to wonder why he even told you that to begin with.
He's not the most open person, after his mom died and his father remarried, he's found it hard to open up to anyone. His mother was his rock when he was younger, and he resents his father for just giving up on her like and finding someone new. But, something in your warm demeanor reaches out to him, and he feels like he would tell you anything if you asked.
"I get it," you say, before Rafe can walk away and pretend this conversation didn't happen, "My parents have always been like that with my sister too. Sometimes I feel like I don't really even exist to them, but I know that they just want what's best for us. She just needs more attention, I guess," you reply, shrugging a little. Rafe gives you a small smile, acknowledging what you said. You knew that Rafe had really opened up to you, and you felt like you owed him a little piece of yourself in that way too.
The silence that follows is comfortable, and you both begin straightening things around the house. Rafe is sweeping everything into a pile in the kitchen as you enter from the living room carrying a bag of garbage. It's only been around 15 minutes, but you speak again.
You had been thinking about what he said as you picked things up. "I hope you know that you're not actually an unhinged freak, Rafe," you begin, setting the bag down and turning to face him, hoping to add a bit of humor to make the next thing you are about to say a little less serious than it is. Rafe chuckles, but stops what he's doing to look at you, clearly interested in what you were gonna say next. You continue timidly, "at least, I know that's not how I see you"
"How do you see me, then?" He replies with a smirk, looking you up and down. You knew he was trying to give you a chance out of what you had started, but you don't relent.
"Thats not what I meant," you say with a roll of your eyes, you lean on the counter facing the table, "I just meant that I don't think you give yourself enough credit." You wait a beat, seeing how Rafe is reacting to what you're saying. You wouldn't want to continue if he seemed any sort of uncomfortable, but Rafe seemed to be hanging onto your every word, now seated on the kitchen table. You continue, "I mean, putting a drunk Topper to bed is a skill that few people have been proven to possess," at this, he lets out a laugh, leaning back onto his hands while waiting to see what else you have to say. "And it's almost impossible to remember Stella's or Macey's coffee order, but you do it flawlessly any time they ask."
He playfully rolls his eyes. "It's not that hard..." he responds before you continue.
"And I've seen the way you treat your youngest sister, even if she can annoy you sometimes." You pause, but he doesn't respond, looking down at his feet. "And I know you put on that tough guy act, but your actions toward some people about show that you care a lot more than you let on. So basically... I have a lot of respect for you." you finish, unsure what really possessed you to say all of that.
Rafe is silent, the only sound in the room is some light snoring that you know is coming from Topper down the hall. Was he really that transparent? You think that you may have said too much, but Rafe takes a deep breath before saying, "Do you really think all of that?" You nod, he lets out a surprised huff, and you accept that as your queue to turn in for the night. Maybe you both were too drunk to act sane, which could explain the nature of the conversation, but you meant everything you had said.
"Well, I think I'm gonna go to bed, but thanks for staying up and cleaning with me. Goodnight, Rafe" you say with a yawn.
"Goodnight, YN" he responds, and you swear you see the faintest blush on his cheeks. He was still reeling from all of the nice things you had said to him.
After borderline forcing Topper to host a party tonight, you and your girls split ways with the boys. You all piled into your car, blasting music on your way back to your house. You walk in, saying a quick "hi" to your parents and siblings before heading straight up the stairs into your room. You sit on your bed, while Stella and Macey find spots in an armchair and at your vanity. The three of you sit in silence for a while before beginning to debrief the parts of the day that you had spent without each other. The debrief was nothing to really write home about, until you spoke up after a few seconds of silence.
"You know that Amber girl who sits in front of me in 4th period?" you ask, trying to be nonchalant about your question, though it was weighing on your mind all day.
"I think so," replies Macey, looking at herself in your vanity mirror. Stella just nods along.
"Well, Kelce and Rafe were messing around during class and would look in my direction every once in a while for some attention, and the one time she was like 'ugh I don't even know how they're friends' or something like that," you explain, and you see the girls' faces change, Macey's jaw hanging open. "Usually shit like that doesn't bother me but there was something about it that I lowkey can't stop thinking about..."
A look of recognition crosses Stella's face. "Wait... isn't that the girl who is literally obsessed with Rafe?" she questions, "I swear I remember him talking about her to Top and Kelce the one day."
"That would make sense," Macey adds, while you just look confused.
"I mean yeah I guess," you reason, "but I don't know... it just rubbed me the wrong way I think." You try to articulate your thoughts the right way, but it makes you seem more possessive of your boy friends than you intended.
Of course, they can have other friends that are girls. You would just prefer that you and your girls are their first priority. You continue as you remember another detail. "oh my gosh and then her friend was like 'he's definitely just looking at you Amber' which made me unsure if they were actually looking at her or me. UGH I don't even know what to think. Not that they can't look at her obviously. I just thought they were looking at me, and, I don't know, I feel stupid even saying this."
"I don't know, I wouldn't worry about it too much. You know you're their number one girl anyway," Macey says, while Stella rolls her eyes at her friends bluntness. You blush lightly, not considering it like that. You and Stella exchange a glance before you speak again.
"You know they love you guys just as much as me." You explain, not trying to start a confrontation before what is supposed to be a great night. The two girls just shrug.
"Yeah we know, but I think she's just saying that you don't need to worry about them replacing you with that Amber girl. You're their best friend!" Stella says, trying to reason with you. You understand what they're saying, and you nod along.
You decide to change the subject. "Ok well do you guys want to get food before we leave?"
"Hell yes. Pizza has been calling my name all week." Macey says.
"Yeah I'm down!" Stella exclaims.
You call and order pizza, glad that you were able to change the subject. Just after that, Topper calls you asking for drink requests. You tell him to get you "the usual" and that you'll Venmo him later. He tells you that he will text the group chat of the six of you when they're back and you can come over.
The three of you eat the pizza in what feels like record time, still having probably around an hour before needing to walk over to Toppers house. It was lucky that you lived so close to him- he was always nearby if you needed him, or if you needed to walk back to your house after getting shitfaced.
After Topper's call, the three of you begin getting ready. You put on a black tank top and loose jean shorts, accessorizing with your favorite jewelry.
"Shots?" You ask, raising your eyebrows. The other girls immediately agree, and you pull out a bottle and three shot glasses. You take the shots, wincing. You look between your friends, wondering how you got so lucky, when you get a text from Topper telling you to head over.
(to be continued hopefully. lmk if you like!)
#rafe cameron#rafe obx#rafe outer banks#rafe x reader#rafe imagine#rafe cameron obx#outerbanks rafe#obx#obx fic#obx fanfiction#outer banks fanfiction#outerbanks
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You couldn’t lose each other
Summary: You were pregnant, then you weren’t.
Warnings: ANGST, pregnancy, miscarriage, mention of character death, mention of “putting someone down”, soft Merle, on purpose asshole Daryl, blood, hurt, mental instability, hurt, stubborn main characters, loss, grief, and maybe more. 18+, MINORS DO NOT INTERACT!
A/N: I never experienced miscarriage and am writing everything based on my knowledge through series, movies, soap operas and books, so it may have inaccuracies. If you are sensible to any of those topics please don’t read, your mental health is more important!
It had started about a week ago, heavy dizziness and morning sickness (which didn’t happen exactly only in the morning). On top of that your period was late, which you tried to atribute to the sub nutrition all of you went through while on the road, but as soon as other symptoms started… you knew it was probably other thing.
You went on a run with Daryl to get more baby formula for Jude and just discreetly added a pregnancy test on your backpack, in a part you hoped Daryl wouldn’t look because he never did. As soon as you got to the prison and had some alone time you risked yourself going somewhere, no one would see you or find you, to pee on the damn thing and find the truth. The truth was… you knew it, you didn’t need a test, you were undoubtedly and very much pregnant.
One end of afternoon, Merle sat by your side and didn’t bother to tip toe around you. “When are ya gonna tell ‘im?”
“What?” He took you back with his question.
“When are ya telling my brother ya’re with his baby?” Your eyes widened at his question. “Daryl ain’t the only one with observation skills. Who ya think taught him everything? I saw the symptoms and the pregnancy test you hid on your pocket the other day.”
“Fuck you Dixons.”
“Ya already do it to one of us.” He sassy replied, you rolled your eyes as usually happened during your banters.
“Soon. I’m just waiting the whole governor thing end. He already has too much to worry about, he’ll freak out if I tell him now. He’ll probably put me on bubble of safety and not let me do anything.” You stated, Daryl could have the rough exterior but both of you knew how he was, how he cared about people. Also he had changed so much the last months, and it was for the better. “Don’t tell him, let me do it.”
“Al’ight.” He surprised you, you had learned how to deal with Merle, but he wasn’t the same asshole as before. Still an asshole though. “It’ll be good have a mini Dixon around. I’ll help to keep ya’ll safe.”
“I know, you can be a jerk sometimes but I know you care about your family.” You gave the older Dixon a small smile and squeezed his hand to reassure him. That had been one of the nicest things he ever told you and coming from Merle, that was a lot.
The governor had asked for Michonne to leave your group alone, you didn’t believe a word of it it, but Merle did or at least he had to try. That morning he disappeared with her and all of you knew what he was up to. Daryl went after them, you wanted to go too but of course he wouldn’t “allow” you.
Some time after, Michonne arrived, alone. You asked about Merle and Daryl, and she told everything that happened with Merle. He had set her free and went by himself. It wouldn’t end up well, you could feel it in your guts, and your feeling just confirmed to be true when Daryl arrived alone.
Everyone gathered around him to know what happened and he told you with teary eyes. The others left to give both of you some time.
“Daryl, I’m sorry.” You said, both of your hands cupping his face, he averted your eyes. “Hey, look at me.”
“Leave me alone…” he grumply answered trying to get out of your grasp.
“We’re together in this, huh? I’m here for you, we both cared about Merle.” He snorted.
“Ya cared about Merle? Ya never liked him!”
That wasn’t true, he knew it wasn’t. He was hurt, he had to put his brother down, there wasn’t anyone else that could do it for him, even if there was… it had to be him. Somehow, in his abused mind, he thought it was all his fault. Merle died because he wanted to be a better person, he wanted to protect his little brother as much as he could in this fucked up world, and that was the way he found to do it. It was just a matter of time for you to do the same and it would be entirely his fault if you ended like Merle. You were the last thing he had from the old world. You were the only good thing he had, and if he had to push you away to keep you alive, that was what he was going to do, because he couldn’t afford living in a world without you.
“This isn’t true, Daryl. You’re hurting, I get it…” he cut your speaking before you could finish.
“Ya don’t. Ya never will!” He distanced himself when you tried to touch his arm. “We should break up.”
“What?!”
“Ya heard it.” He confirmed.
“Ok, when you’re not speaking no sense we can talk, I know you’re not ok, but there’s a limit of shit I can take.” You wouldn’t continue to insist on it if he was going to continue acting like that. You knew he was suffering, but so were you and he was being a prick.
“There ain’t gonna be another talk. I said what I said.” Those words left his mouth as if they were nothing, but each of them felt like a knife in his throat.
“Is it really the moment for you to dump me?” You knew he was emotionally unstable, no one make good decisions like this.
“Did I stutter?” The moment he threw the harsh words, he knew he had got what he wanted, the hurt in your eyes pained in his chest and this time he was sure he had lost you for good.
Since that day, you didn’t talk to him and he also ignored you. You asked Rick to not put you both working together anymore. You moved your things to Carol’s cell, now also your cell. Woodbury had fallen, now the survivors of the town had joined you at the prison.
Your little secret was still yours, or sort of… Carol was a mother. She went through all the shit you were going through, all of you saw Lori going through it. She knew it already, but didn’t tell you anything until one week after everything that happened.
She asked you, “aren’t you telling him?”
This time you didn’t even got surprised and already knew what she was talking about. “No.”
“And when it starts to show?”
“I’ll tell I just fucked someone and was too drunk to remember.” You stubbornly replied.
“You’re being childish, he deserves to know.” She was right, but you were tired and emotionally damaged already.
“ ‘cause he’s being a fucking kid too. I get it, he’s suffering, but he needs to stop hurting people every time he’s hurt. It’s time he grows up and man up.” You said arms crossed.
“You know his past better than I, I thought you from all the people would understand.” The older woman wisely said.
“Carol, I appreciate your concern, he’s your friend too, but you don’t understand.” You said, was it you? Was it the hormones? You couldn’t know. “Please, don’t tell him. It’s not your place to do it.”
“I won’t. You’re the one that should do it.” As soon as she answered, she left you alone.
One week later, or a little more, it seemed like Rick had forgotten his promise that he wouldn’t put you ti work with Daryl as he put both of you on fence duty to kill the walkers. Ok, there were more people with you, but you couldn’t help but feel yourself being watched and you knew the weight of his stare. You could feel it in your soul. Also, you couldn’t help yourself and from time to time look at him, because you would be a liar if you said you didn’t love him anymore or that you didn’t find him handsome and attractive, and what’s beautiful was made to look at.
It was middle of the morning, even though it was starting to get cold the sun was strong for whoever was working under it. You had sweat and few stains of blood from the walkers you had killed through the fence. You were feeling extra tired, you thought it was because pregnant women got more sleepy, so you didn’t think about it so much.
Some minutes after you felt a sharp pain on your lower stomach. Weird. ‘Please let it just be a stomachache or gases’, you thought.
You continued working then you felt the pain in the same place but sharper. ‘Please, don’t let it be anything with my baby’, you thought again.
You kept doing your job, this time more slowly as you felt the pain irradiating through your body, until you felt a stabbing pain in the same place and something hot going down your legs. You looked down and saw blood. “NO!”
You shouted and that called people’s attention Daryl’s specially. He looked at you and all he could see was blood. Did you hurt yourself with the weapon? Did the governor came back and wounded you? Did somehow a walker managed to bite you?
“Nooo-hooo-ooo.” You shouted cried throwing yourself to the ground.
In seconds he was kneeling by your side. “Hey, hey, look at me. What is it? What happened, doll?”
“I lost it.” You said, crying more at your realization. “I lost it.”
“What did ya lose, babe?” He asked, he thought you were delirious due to the blood loss. His hands around your face trying to make you look at him, trying to ground you. He was panicking, where were you hurt? Was he going to loose you anyway and he had spent the last weeks loosing his time with you?
You cried. “Our baby, I lost our baby.” You said between sobs.
It hit him like a punch on his stomach. You said your baby, a baby from both of you, a baby he didn’t know existed, a baby that… his abused mind played with him again. A baby that could be possibly gone because of him. “Stay with me, love. I’m taking care of you.” Who were you? Just you? You and the baby? Was there any chance this was a weird bleeding but the baby would still be ok? He didn’t know. He knew nothing about it.
He didn’t think twice, he took you in his arms and started running. “HERSHEL!” He yelled the doctor’s name again and again, until he found him and had you in the infirmary.
Before getting to the infirmary you had passed out, maybe it was the shock or it could also be the blood loss, you’d never know.
Hershel examined you. Daryl stayed all the time by your side, making questions to the doctor. Teary eyes while he explained everything. You were indeed pregnant, and yes, you had lost the baby. Daryl’s hopes were shattered at pieces, he cried. He the big rough man that didn’t like to show his emotions cried, it was Hershel. He was a friend. He was family after all.
After making sure nothing had stayed in your uterus, the old man had a talk with the younger one. Hershel made sure Daryl knew it wasn’t his fault, at this point he already knew the archer well and knew he was guilting himself for it. He ensured it was something that could happen at this early stage, you were at the maximum 2 months pregnant according to the tissue your body expelled from you. That small tissue was what would be your baby. The feeding poor in nutrients could have harmed your body, it was pretty much a disorder in your uterus so that happened. There was no one to blame, besides the end of the world.
Some time had passed when you woke up, you were as much as clean as they could got you and you had warm feeling on your right hand. You looked to your side and you saw Daryl worried and guilty eyes.
“It’s not your fault.” You said. You remembered everything.
“Maybe.” He said, even if Hershel had already reassured him. “But it doesn’t make it less worse. I could have lived it with ya for the little time we had.”
“I was the one that didn’t tell you.” You turned to your side and extended your left arm till you were touching his face. “I’m sorry.”
“I AM sorry.” He said giving emphasis to that. “I… I dun know what I was thinking.”
“I know.” You knew he was lost at that moment, but it didn’t hurt you less when he pushed you away and both of you needed each other. “Merle wasn’t your fault. The baby neither.”
At the mention of Merle’s name and the baby, your voice quivered and the tears threatened to leave your eyes, and they did. They fell from your eyes and you couldn’t do anything about it. “I ain’t pushing ya away anymore. I… I was so afraid of losing ya too.” Tears also slipped on his face.
“Merle was happy, he knew he was going to be an uncle.” You remembered the conversation you had with him the day before he sacrificed himself. “He noticed it and asked me about it. I was going to tell you when the governor shit was over.”
You also felt guilty about Merle’s death. You knew sometimes he didn’t take some smart decisions, but did he tried to face it all alone because he also wanted to be a better person to his nephew or niece? He had told you he would protect all of you.
You sobbed. You both cried together, now your arms thrown around his neck and your face hiding in it. You both had lost too much already, you couldn’t afford losing anything else. You couldn’t lose each other.
Wanna be added to my tag list? Let me know. (Please tell me if you want to be tagged on everything or just specific series) Everything Taglist: @lilyevanstan1325 @hayley1998 @shadowcitrine @vaniniweenie @cupidelocke
#daryl dixon#the walking dead#the walking dead daryl#twd daryl#daryl x reader#twd#deansapplepie#daryl fanfiction#daryl x y/n#daryl dixon fanfiction#daryl dixon fanfic#daryl#the walking dead daryl dixon#daryl dixon the walking dead#daryl x female reader#daryl x you#daryl imagines
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Have some more language brainrot for your brainrot
Writer reader getting kind of insecure that even if they write something nobody will understand it, so when Al haithem askes you if he can keep a draft or two just for analyzing, there's hesitant agreement but ultimately you tell him to please burn the documents once he's done. They're too awkward to look at now...
Only he doesn't burn them, in fact he ends up recruiting several people close to the creator with knowledge of olden speak to analyze them. A funeral parlor consultant well known for his historical knowledge, a 500 year old shrine maiden who owns and runs her own publishing house, and a bard who somehow butted his way in on the project. None of them could resist the opportunity to witness the creator's sacred scriptures with their own eyes.
Needless to say, the papers ended up being fought over and have been making their rounds around your acolytes. It started with Ei, who insisted that as an archon she also should see the creator's work with her own eyes. Then once Ningguang found out, she ordered they be handed over to a team of literary analysts in order to be properly handled and deciphered. Things got really messy quick, but have luckily come to a halt as none of the acolytes want the creator to know their random writings are being fought over.
Especially when it comes to the creator's sullen additute. Their acolytes first have to convince their holiness that their inability to read and understand the creator's writing shouldn't prevent you from doing what you love. In fact... could they convince you to write some more?
WRITER OR READER WITH TALENTS HAS MY WHOLE HEART LIKE-
On one hand, same 💀 id be terrified for my all time fav skrunklies to see my bs
But at the same time i rlly wanna show them goddamit- THANK U FOR THE BRAIN FOOD IM RUNNING LAPS AROUND MY HOUSE THINKING ABT THIS-
Sun: Gender Neutral Reader (they/them), Writer!Reader
Planet: Language Shenanigans
Orbit: Scenario
Stars: Alhaitham mostly, some of Kaveh, mentions of other Sumeru characters
Comets & Meteors: Content Warnings: Insecure about craft/writing, anxious first pov (not serious),
& Trigger Warnings: Mild Negative self-talk, insecure perspective/reader “you”, possible anxiety depiction.
You were not a very confident writer.
This had been an avoidable feeling ever since you picked up a pen for the first time and were asked to write a story for school.
You were always anxious turning in essays, letting friends proofread them, anything that would expose your writing to more eyes, because you’d learned the hard way early on that as you get older and better at something, the stuff from the beginning… starts to look a lot different than you remember.
things you used to be proud of after having completed them in the moment, were something you struggled not to rip to shreds a year or two after you re-found it.
If it weren’t for other writers advising holding onto old work so you can see your progress over time, you’d have probably literally nothing older than one year on your ao3, wattpad, etc…
So when you had the fortunate luck (no it is not unfortunately, you are very happy to be here tbh) to fall headfirst into your video game you’ve been obsessed with lately,
You were not planning on showing them any of your writing.
Why would you, after all? You’ve got the weapons, the artifacts, everything they need to be more powerful. Why would you show them a silly little story you wrote? Fanfic or otherwise, not that theyll recognize any characters besides themselves, but still.
Alhaitham, bc ofc it was alhaitham, cocky, deviously aware bastard he is, caught you writing in your spare time first.
You’d gotten your hands on an old journal (if made you feel better than something completely new, a nice worn leather journal, sold at a secondhand shop from an old adventurer) and had started to write what you could remember about some of your ideas you’d had drafts for in your old world
After initially walking in on you writing in the House of Daena (it was the closest you could get to lofi girl, god u missed her lmao), you nearly jumped a foot in the air bc Haitham’s a nosy bitch and leaned over your shoulder and scared the absolute shit out of you, mans goes from asking politely, to begging you to let him read some of your writing over the course of 3 weeks (a month really)
Finally, after this 6 ft (about 180cm) man leans down one day (you’re sitting writing again), and gives you the most insanely good?? puppy dog eyes??? you’ve ever seen on a man???
you give in, revise a draft about 5 times in a row, lose sleep bc ur having a breakdown about alhaitham judging ur writing the night before you give him his copy-
and hand over a small short story for him to read. you specifically leave a little note not to judge you so hard for Haitham bc u werent used to people reading ur work/let alone someone as highly academic as him, ESPECIALLY since your speech is already so much more archaic than his/all of Teyvats-
His stupid green eyes with diamonds look into your soul (are they sparkling??) and he braces your shoulders after you give him his copy,
“Mine Greatest Guide, you hath deemed this one worthy of thy trust of your creations personally, I would be a fool to gaze upon it in jest. To take this work as anything less than a masterpiece in its infant stages.”
…you just leave him to it, and are nearly running out of there (u managed to be calm enough to just speedwalk),
and you make a point to not ask what he thought about it, or even bring it up at all
you’re kind of hoping he forgot tbh�� and so nothing happens!
◇
Nothing happens… for 2 weeks after you gave Haitham a copy of your short story.
You still don’t know Alhaitham’s opinion when you see the advertisement, a sign saying something about, a new book? By YOU???
You nearly start a mob because the shopkeeper insisted you sign some copies, but you only signed a few before too many people overwhelmed you, and seeing it was that same draft- !! Oh god, you’d been agonizing over the spelling errors you’d missed when you gave it to Alhaitham, and now it’s just out there???
(luckily it seems the reviews are positive, but dammit you’ve been rereading ur story u gave him for days, and now ur positive it’s shit-)
You make a break for it, and are literally running (more like speed-walking after a while, since u got further away) thru Sumeru City:
you pass by the open patio of a restaurant, the scholars are heatedly discussing ur characterization-
you pass by Dehya, Candace, and Dunyazard, the merc is waving around a copy of ur book, the other two women look excited abt the conversation-
oh my god-
Nahida is relaxing in one of the many little gazebos thruout Sumeru, while Wanderer seems to be reading your story to her-
You fucking track down Alhaitham’s house like a bloodhound.
You are banging the infamous gay roommates’ front door, panting til ur throat burns raw.
“Yes, yes, alright, greetings to you too! I was simply visiting the Acting Grand Sage Alhaitham, tis why I’m here- Greatest Lord?!”
Kaveh is nearly jumps a foot in the air at the sight of you, but recovers, (you’re still not tho lmao)
and invites you in bc apparently, Alhaitham’s been meaning to talk to you about your draft you gave him!
Oh yeah, you’ve got some words to give Haitham after giving him that damn draft privately-
But when he sees you, the fucker just- smiles??
Like he’s done nothing wrong???
You’re about to tear into him when he speaks first to tell you the good news!
He grabs your hands at the table and gets down on one knee, ohhhh no.
Alhaitham is giving you those damn begging puppy dog eyes again.
“My Greatest Lord, Giver of Power, and Guide to All, your exquisite story has entranced all of Teyvat, might I please insist you write a sequel? It is an excellent literary piece to analyze… or perhaps, even better, share other stories you’ve written??”
…
….Motherfucker.
☆
Hello I’m alive! I just took a longer-than-usual break between posts from those last 2 mammoth pieces about gifts,
1: bc they were a lot to write in between writing other stuff like fanfics im already working on lol 2: I got busy with holidays and trying to apply to jobs!
Not that I’m still not doing that.. but you get what I mean!
Safe Travels Anon,
That being said, as you’ve probably noticed, I’ve made a kofi! so if you ever liked my writing (hot mess it is) and want to show me some love, feel free to leave a tip! :]
Iced coffee?? :0
💀♒
☆
♡the beloveds♡
@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche
#hello i live#i just took a longer than normal break between posting bc the gifts were vv big and i had holidays/job searching to do#which i am still looking#but its better now#also gonna start linking my kofi if anybody is feeling generous! :]#sagau#genshin sagau#genshin isekai#my asks#genshin imagines#gender neutral reader#self aware genshin#sagau x reader#genshin impact sagau#genshin impact isekai#genshin x reader
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Thank you for the 5 stages of grief response! I recently found this and thanks to your writing I have now passed away from joy.
Anyways, you know how each of the dorm leaders like to use their power to spoil their own s/o's? I need that for Jamil. Let's say 3rd year rolls around, character development happens (particularly on Kalim's part), and Jamil is the housewarden just the way God intended. He's great at it, puts Scarabia back in the running with the other dorms, and now has more free time cause Kalim is actually being a helpful vice (ah character development) and he's learned to delegate (sweet sweet character development).
Point is, how does Housewarden Jamil use his newfound privileges to spoil his s/o?
SUMMARY: you're dating housewarden jamil!!
COMMENTS: IM SO GLAD YOU ENJOYED IT!!! i had lots of fun writing it ehehe <33
anyways, you know how each of the dorm leaders like to use their power to spoil their own s/o's? my first thought was getting more of tart because you're dating riddle JSDJSDJD
Jamil looks back on everything that has happened to him over the past year with a lens of scrutiny. He still isn’t sure if he’s dreaming or not, just like the day you confessed, just like the day he was announced as Housewarden, just like the day when he received a position over Kalim because of his own talents, not pity or underhanded tactics.
He still cooks meals for the whole dorm, but he swears it feels different. Maybe it’s because you’re there, staying out of his way as he works and handing him utensils and spices he asks for. Maybe it’s because it’s a choice he makes now, a way to keep some semblance of routine, and not an obligation he has to shoulder.
He gives you the first taste every time. He hand feeds it to you, watching with lovestruck eyes as you smile and hum, cheeks stuffed full and the corners of your eyes crinkling in bliss. It’s domestic and it’s so him, the love in each dish pouring into your mouth and warming your very soul.
When Kalim insists on holding a parade, you’re front and center along with Jamil. He insists on having you by his side, wearing your dorm uniforms as you cheer and clap to the music. Rest assured, if you’re not in Scarabia, he’ll have a uniform fitted for you just so you can participate and not overheat.
Kalim insists on using his own power for you too, much to Jamil’s chagrin. It doesn’t matter if you tell Kalim it’s fine, you don’t need what he’s offering—he’ll still find a way to give it to you. Some things may change but others stay the same, and you’ll know that all too well when you see another gift from Kalim on your bed.
Speaking of the people who surround Jamil, it’s kinda funny how Azul hasn’t eased off his flattery even though Jamil is Housewarden now. It’s nice that Jamil can shut him down with the “I’m literally Housewarden.” line, but that doesn’t stop Azul. His persistence makes you giggle whenever Jamil brings it up with exasperation.
Now that Jamil is older, he feels more confident with you. He still has a lot to learn and a lot to get used to, he knows, but he doesn’t feel like a blushing schoolboy anymore when he holds your hand. Right now, he’s just a man who loves you.
He certainly thinks he’s lucky to have you, someone who stuck by him after seeing the ugliest parts of him, the parts he tried to keep under wraps and hidden away in favor of his persona. Originally, he doubted whether you really loved him or Kalim’s servant, but with time you pried him open and slid into his heart.
It leaves him in a daze, to be honest. He isn’t sure how he let this happen—how he let you in, far more than he was planning to. He watches you as you brush your teeth, as you eat, as you stare up at the night sky and point to two stars and say “look Jamil, it’s us,” and thanks those two stars that you’re with him right now.
He knows when he has a good thing in his life. He knows when his life is better because of that thing. He knows it’s you and everything you embody, from patience to resilience to love. And he’ll love you in its purest form, giving with expecting anything back, because it's you and he knows you’ll never leave him hanging.
-> jamil's jewels . . . @vivigoesinsane @identity-theft-101 @dove-da-birb
#auburn's fics <3#twisted wonderland#twst#disney twst#twisted wonderland x reader#twst x reader#disney twst x reader#jamil viper#jamil viper x reader#jamil viper fluff#jamil x reader#jamil fluff#twst jamil#twst jamil x reader#gn reader
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hhhhhhh i love your art so much man it's just so rrrrrrrrg words can even describe it 💥💥💥
butt like like genuinely how do you figure out poses and shit that fit who you draw so well likeee
idk me personally i just struggle with that stuff, yk always stuck with the -looking front on with hands in pockets- or the dreaded -peace sign with hand in pocket- fjdjdj
sorry for the yap sesh butttt any advice would be like so cool
also the way you portray killer and nm is like godly just 💥💥💥💥💥💥💥
HDHDHHDHD THANK YOU <333333
And oooh that’s a very valid struggle, cause the thing is, I used to struggle a lot with posing characters in a way that actually satisfied me, going for the stiff front look a lot dhdhhdhdh
But the thing is with art, is that it isn’t just lines on a page y’know? At least, I stopped treating my art as such, every time i draw an artwork i want the artwork to tell who sees it something, I treat every artwork as a story in of itself
Ok imma generally give you what I learned from my art journey so far, i’m gonna start with a more general advice and then get to how I choose poses for certain characters, and imma try to explain the best I can but I can be really bad with wording things so bear with me
Art can be difficult cause different art concepts are interconnected with each other, so sometimes you need to think of so many things just to be able to do something as simple as posing a character
Before we start tho, here are 2 tips:
-everything you know about anatomy? Throw it out the window, no i’m not joking I’m being completely serious
The reason many artists suffer with making dynamic poses is cause they think too much about anatomy, they think the anatomy should look correct and perfect, and no, anatomy is the biggest reason the pose you draw is going to be stiff, you need to forget “correct” anatomy if you want your poses to feel alive and dynamic
- practice gesture/figure art, IM ON MY KNEES I BEG YOU, cause it teaches you to let go of perfect anatomy and actually learn how to draw figures in motion (which is extremely important for fluid and dynamic poses!)
———
With that in mind, here are a few things i keep in mind when posing a character:
1- line of action
You hear these three damn words a lot yet no matter how much you research them you can never find a good explanation for what they mean (me after i researched this bullshit so much shbdhdhhs)
But simply put, think of the action line as the spine in a human, the more you bend it outta shape the more dynamic the pose is going to be
And it’s genuinely so important cause it can make a very simple pose such as a character standing doing nothing much more dynamic when you put line of action in mind
Even a very slight bend in the line can make the pose more natural/dynamic, because an action line dictates the movement of a character
So if you want to avoid a stiff pose? Avoid a straight action line (you gotta make that action line Queer af💅✨✨✨✨)
But here’s a mind fuckery, the tricky thing with action lines is that it’s better if you keep them in mind but not consciously think of them if that makes sense
You gotta understand them and implement them and practice them, but when you draw a character posing a certain way, thinking too much of the action line can actually make it difficult to maintain and in turn, makes your art stiff af too
Like you got to internalize this concept and to keep it in your subconscious rather than actually consciously think about it when you draw your artworks
Ok Anó, how the fuck do i do that? Start with practicing them consciously by actually drawing the action line and then the pose in art studies, and then level yourself up by practicing them by drawing characters posing a certain way WITHOUT putting an action line first, i’m sorry to say there’s no way around it, there are no short cuts
Here’s a helpful visual guide/summary of what i mean by the paragraph above cause words suck
(but sooner or later, what you learned gets burned into your muscle memory, and your hand would start doing all the work without you consciously thinking about it, then congrats!! Action lines are now part of your subconscious)
Ok but does that mean straight lines are bad/should never be used?? NO
I can never emphasize how important straight lines can be
One thing that’s beautiful in art is that there’s no such thing as “bad” or “wrong”, art is subjective, and something that’s perceived as “wrong” by one artist, can be right/ something implemented in another artist’s artstyle that makes it unique
In fact, straight action lines can be great to use depending on what you wish people to take/understand from your art (a simple example: a turn around reference sheet for a character tends to use straight lines, cause in a reference sheet you focus on clarity, and drawing with queer lines can cause that clarity to be thrown out the window)
But I especially love to use straight Action lines with Killer, I sometimes make him stiff as a fucking rock and it’s completely intentional on my part, cause i love to use stiff poses to enhance the uncomfortable/unnatural atmosphere Killer gives, or to further emphasize an already uncomfortable situation
So to summarize, if you wish your poses be more natural/dynamic and to avoid stiff poses, use queer Action lines, but straight lines are also great to use depending on what you want people to understand from your art
———
2- perspective (camera angle)
Variety is key!
What is the perspective you want to focus on? I know this seems like it doesn’t have anything to do with posing a character, but it does, (remember, art concepts are interconnected!) cause the perspective you decide to draw from can also influence the pose you decide to draw or vice versa, and help you make the pose more dynamic
Hell sometimes, perspective can do the poses justice even if they’re literally the most boring stiff poses you’ve ever drawn chchchhcch
Like are you going to draw the character from an upper perspective? Lower? Fish-eye? Third person? First person?
Is the perspective tilted? Is it normal?
What is the perspective you want and why did you choose it? What are you trying to tell the people who see your art?
Here are a few tips when it comes to perspective:
-More dynamic perspectives (upper/lower) are good for artworks that have tension in them, or have some sort of stakes going on (fights, horror, uncomfortable situations)
That of course doesn’t mean they can’t be used to simply make your artwork look cool :D
-choosing how many vanishing points there are (one,two or three points perspective) can also make your art tell a different story depending on the situation you’ve chosen them for
-and most importantly, when you draw a pose, foreshortening is going to happen to the body depending on the perspective!!
But my point is, I make sure i draw in variety, sometimes I draw the character from upper, lower, tilted or even a mix of all of them, all to enhance my poses to look more dynamic/natural
Ok Anó, got it, but what if I don’t care to include a crazy perspective and i want to draw in a normal perspective? Then how do i make my poses more dynamic?
That brings me to my next 2 points
———
3- camera shots
Same as perspective, there has to be variety!
Your art doesn’t always have to be full body, try to draw different shots, draw a headshot, draw closeup shots draw half bodies
If you go for different shots then you’ll be forced to think of different poses to fit such shots :D
———
4-bodies are like little toys, break them
One thing you can do to bring more variety to your poses is to have different body parts facing different directions, not all limbs have to face the same direction >:)
Generally the characters don’t have to face front! Try to mix it up and draw from the side or back
———
5-emotional weight and a story to tell
And this is where i’ll bring my point about treating my art as a story back
A really good way to actually put variety in your poses is to treat any sort of artwork/sketch you make as a story you’re trying to tell
Before you draw a character posing a certain way ask yourself, why is this character posing this way? What are/were they doing before that pose? Are they alone or are they reacting to something/someone?
Is there a point to them posing this way? (It’s ok if there’s no actual point to it! But the poses still would need to tell a story regardless)
Cause if you’re posing them reacting to another character (off screen for example), you pose them in a way that makes sense for their emotions of the other character right? (So if the character has negative feelings towards the other one then it makes more sense to draw them in a defensive stance or a fight or flight pose)
If you’re drawing them all alone then what are they doing alone, are they doing something important or is it their off time? If it’s their off time what are they doing for their off time? Do they like to spend it reading a book for example? What are they reading? Is it a horror novel that makes them scared? If yes then how do they deal with fear? Do they throw the book across the room or do they hide under a blanket?
Cause a pose also holds emotional weight, it shows you what emotions the character is exhibiting, it’s not just the expression of the character that tells you about their emotions, it’s their body language, and body language can be translated through poses
Let’s say they’re doing a peace sign pose for example, why are they doing it? Are they taking a picture with someone they love or are they doing it to annoy someone? Hell maybe they’re being forced to do it, and so they do it half heartedly maybe?
Get what I’m trying to say?
———
And now with all of the above in mind, time to get to the most important thing and the main point of this post
How do I choose poses for certain characters?
6- personality
who am I sketching? Cause each character is unique and each character is gonna act a certain way other characters won’t, and depending on the situation, the poses change too
Understand the character and how they act, try to analyze them and take in their quirks and behaviors, and before you draw a pose for them actually ask yourself, would this character EVER do this pose?
Like you say you fall in the peace sign trap right? Now think about a peace sign pose, but with Nightmare… it doesn’t make sense right? Cause the pose is an absolute striking contrast to Nightmare’s personality, like Nightmare would never do a peace sign till the day he dies, hell i’m sure if he’s forced to choose between death and doing a peace sign he’d choose death (it’s a lot more mercifull than the humiliation he’d feel making a peace sign hcchchch)
See what I’m getting at?
For example, I draw Nightmare with his hands behind his back a lot, but you won’t see me do the same with other characters often, not cause other characters would never put their hands behind their backs, but because it’s a quirk in Nightmare’s character, Nightmare TENDS to do that a lot, he acts so formal and royal like, and so i draw him do it a lot
But here’s the thing, if i draw other characters having their hands behind their backs like i do with Nightmare, i do it in a way that makes sense for them! An example is how i draw Nightmare and Dream with their hands behind their backs :D
But I also keep in mind Nightmare’s character, so whenever I pose him a certain way, I ask myself “would Nightmare actually stand/sit/lie down like that?” If the answer is yes, then I continue, if not then i change it to fit Nightmare
To further explain, I tend to think Nightmare is defensive in nature, so you’d see that I also pose him in a way that reflects that, with his hands crossed in front of his chest for example or generally his hands close to his body, sometimes hunched in on himself, I also think Nightmare is egotistical and self centric, but most importantly, he sees himself as an elegant King, and so I draw him crossing his legs or generally have him sit in such a formal manner or a hand on hip kinda pose etc
So when you draw a pose ask yourself if it fits the personality, mindset, and pattern of behavior for said character!
———
With all that being said, while it’s amazing to be able to do a variety of poses, I think it’s also important to keep in mind that art is supposed to be fun, take your time trying to learn, don’t overwork or frustrate yourself with learning new things, and it’s completely fine to not do poses that have meaning sometimes (do that peace sign to your heart’s content <333) it took me 10 whole years to get where i am today, and compared to many other artists my own progress is extremely slow, and it used to bother me cause I treated art like there was some sort of deadline above my head and that I should learn things in a timely manner (which is absolute bullshit), my point is, take your time with learning poses, even if it takes you years, the important thing is that you will get there eventually <33333
———
Finally, here is one art resource for poses that i think is really good/useful
Keep on creating and hope my endless ramble helps a lil chchchchchch <33333
youtube
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RWBY and Trauma
So, i want to talk a little bit about RWBY. Specifically, with regards to its thematic storytelling. I think I made a post about this a few days ago but im gonna make a longer one here.
RWBY tackles a lot of themes in its storytelling. Death, grief, fear, trust, etc. to name a few.
One of the bigger themes is "keep moving forward", which was also Monty's motto. It is exemplified through the characters, both heroes and villains, and how they handle trauma and suffering.
The villains have pretty much all suffered. Salem, Cinder, Hazel, Mercury, Emerald, Roman, Neo, even Watts, all suffered. They experienced trauma, and hardship, and it shaped them.
The big difference between them and team RWBY is that they cannot move forward. Where team RWBY learn to grow and change. Salem couldn't accept loss, and grief, and instead turned those emotions to anger, same with Hazel, Adam, Neo, they all refused to move beyond their trauma. Yang put it pretty well in V8 - all this death and destruction because something bad happened to you once upon a time?
Trauma is inevitable. But the difference between the heroes and the villains is how their trauma impacts them going forward. And not just in a "the villains react negatively and the heroes don't" because Ruby reacted poorly, as did Blake, and Weiss in the early volumes. Qrow drinks to deal with it, and Ozpin let the betrayal he experienced define him.
The difference here is that the heroes try to grow and stop making their suffering everyone else's problem. You cannot use your trauma to justify lashing out at the world and other people. I think Kratos in God of War put it quite well - "Do not be sorry. Be better." You can't hurt people because you are traumatised, because all that does is traumatise everyone else. It isn't a justification for lashing out. Salem was traumatised, and she murdered so many people, and traumatised a bunch of other people, who will only continue that cycle.
It is worth noting that some of the antagonists do grow and change and become better. Ilia, Emerald, Hazel, and Neo are the big examples. They were all hurt by the world, and they turned to anger and violence. But Ilia is convinced by Blake that it isn't what she wants, and Blake is right. So Ilia turns away from that path. Hazel and Emerald both change and grow, and whilst Hazel gets the noble sacrifice, Emerald has to make amends for hurting people by being and doing better, and trying to make a positive impact on the world. And Neo had an entire arc culminating in her seeking revenge, and getting it, and realising that it was a hollow victory that left her with nothing but directionless grief and anger. When she had nothing to pursue, she was forced to confront the fact that she was just running from her actual feelings and lashing out. In the end, she chooses to go to the tree willingly, which is essentially willingly giving in to change and growth, because that's what the tree does.
The central conflict of the show is essentially that everyone has suffered, and experienced trauma. But it is the hero's ability and desire to grow beyond it and be better, so that they stop hurting the people around them, that sets them apart from the villains, who refuse to keep moving forward and instead just let their suffering infect everyone else, perpetuating an endless cycle of violence and conflict.
#rwby#very curious to rewatch v9#its the one im most eager to rewatch#but im currently on v8 in my rewatch#its a good show#highly recommend#btw if you are arguing in bad faith on this post i will block you because if i wanted to see a clown#id go to a circus
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hedonic
18+ DARK CONTENT BELOW, MINORS + BLANK BLOGS DNI
pairing: laios x fem!monster reader word count: 5k warnings + tags: general yandere and/or dark themes, kinda gory descriptions, cannibalistic ideas/thoughts/temptations, probably ooc laios, delusional ideas, monster reader w/ large breasts (i mean, it comes with the kind of monster she is tbh but this is the only physical descriptor of the reader), brief bodily mutilation + removal mention, breast milk consumption, accidental peeping (?), breast fixation, blood kink kinda, biting mention, all characters are 18+ synopsis: he's always been the type with an insatiable appetite when it comes to any monsters, but he promised to never ever eat any demi-humans when it comes down to it. the temptation when it comes to you has became irresistible to try and ignore. a/n: in request of 🌷 anon and my fueled want for laios, i have made my first dungeon meshi/delicious in dungeon yan fic! i decided to do it in laios pov cause i feel it'll make for an interesting perspective. not really nsfw this time around lol since i'm still new and keeping up with the anime and learning about the characters SO IM ONLY CAUGHT UP ANIME-WISE OK LOL AND THE MONSTER I'M USING FOR THE READER ARE CONSCIOUS BEASTS THAT CAN COMMUNICATE AND SHIT LIKE THAT CAUSE IT'S SO VAGUE ON THE WIKI 😭😭 also i'm making shit up as i go okay so anything food related is like entirely made-up 💀 AND YEAH I MADE IT ABOUT BREAST MILK OKAY LMFAOOO tbh i've always wanted to try a dnd-related game but literally have no where to start (ik there's baldur's gate but i am a broke full-time student lol) hope y'all enjoy and hope i can make some more of laios cause he's so 🏃♀️💨💨 note: please keep in mind of the tags above and do not proceed if triggering or uncomfortable, especially if you are a minor!! do not read my or any other writers' dark content if you are underaged. this is a fictional work and does not reflect irl morals, do not believe this is how a real romance works or functions.
─── ・ 。゚☆: .☽ . :☆゚.───
Laios made a promise to never consume a demi-human, no matter the circumstances. It made sense, they were on the cusp of something that was human but not. They could have similar features like the races they respectively belonged to, could bleed red and have had a beating heart, yet in the end, they were still a monster inside and out. Morally or ethically — whichever which belonged to which — according to Chilchuck, it was still wrong to try and consume them.
He understood that completely once it got explained and stuck into his head, but then you came into question.
When you came into Laios's party during the search for his sister, you were almost attacked from how you meekly approached the small group in one of the dungeon’s levels. They were right to be cautious of course, many human-like monsters had previously attacked them when their guard was down, but once they realized you genuinely meant no harm, they let you join in. Marcille was overjoyed that another girl had joined the party, though both Laios and Chilchuck had their valid doubts about you. Senshi didn't really mind, long as you could pull your own weight and never tried to attack them.
Were you trying to play the long game? Did it make them taste better when you waited to strike? Were you eyeing your pick in the group? Senshi and him both have a lot of meat on their person, Chilchuck was definitely the least desirable since he was so small and had less meat on his body; to be honest, Marcille was in a similar boat as him too.
Food-wise, you ate whatever Senshi made with a happy smile, not even being deterred once from having to eat something that was considered to be closely related to you. He wondered if it was something you were used to, something that you had to be doing in order to survive down here. Then, if it came to other parties that came before them and being forced to defend yourself, did you ever had to... consume them?
Laios hoped it never had to occur, but he couldn't blame you if you had no other choice. He could imagine you being trapped for days before your kind could get to you, maybe one or two bodies from an adventuring party were with you from a previous scuffle and the pangs of hunger were getting to you. The thought of the remaining party members finding the torn apart limbs and strewn, chewed on bones surrounding a bloody starving monster made his stomach flip and a shiver go down his spine. Maybe it's because that's how he last remembered Falin right before she teleported them out of the dungeon, her midst of her body trapped in the toothy maw of that Red Dragon.
Because of this now since your alliance with them combined with the many questions in his head about your diet, there was one that he can't quite get rid of, no matter how much he tried.
What did a human taste like to a monster?
It's been a few weeks since they've ventured in the dungeon and Laios still had some doubts with your intentions for joining. A monster is a monster and cannot be trusted no matter what, but you didn't cause trouble or held them back from their search so he let you be... for now at least. He'd be a hypocrite for not letting you stay since he's been keeping Kensuke around, but it's only temporary and it can't really harm him without the other parts of the Living Armor. You're a moving... person? Half of one. Actually more a third-fourth of one? He doesn't quite know but still rather fascinated by your existence.
You were similar to them in conscious thought and speech, as well as appearance-wise. Well, appearance-wise, you definitely weren't human. Small, bilateral curved horns made their home on the sides of your head, floppy brown ears swung around with every step you took, a long bovine tail whipped around the bottom of your legs, and finally, your legs were curved into two thick cow-like stumps with hooves at the end as a replacement of feet. Minotaur, or that's what you said what you were, though you were smaller than those massive farm animal adjacent beasts, about a few inches taller than Marcille.
And not to sound like a perv or anything remotely similar to that, but you didn't really have udders either, unless your more than well-endowed breasts compensated for the lack thereof.
"Ow! Laios!" He snapped out of his thoughts, looking down at his metal shoe and seeing the fluffy end of your tail on the bottom of it.
"Oh, sorry." Slowly, he lifted his foot off of it, the appendage whipping around and twitching. It wrapped around your waist, almost completely hidden as a fuzzy brown and white belt.
"It's bad to get distracted here, are you hungry? Thirsty? I have some bread and milk in the pack if you want to snack on it." As you walked on forwards, you pulled the bag off of your shoulders and began to rummage through it with one hand. You finally found what you were looking for, handing it over to him without hesitation, slinging your bag back where it belonged. He stared at the milk as he chewed on the bread, the texture soft and light with each bite.
Did... did this come from you? You mentioned to them before in the beginning stages of joining that they can drink your milk if they needed to, but the horrified looks of both the elven mage and the Half-foot locksmith prevented you from trying any further. Both him and Senshi was of course curious, Minotaur milk was both difficult to come across and retrieve, but the two told the dwarf that they absolutely refused to eat anything that he cooked if it came from your body.
"Gross, don't tell me that came from you Y/N." Chilchuck grimaced as he walked on by and you shook your head.
"No! Of course not. I know you people humans are a little weird but I wouldn't give something that came from me without telling you. It's just cow milk, er... not from me." Laios felt a little disappointed as he opened the top of the bottle, wondering if it tasted different from normal cow's milk. According to the Dungeon Gourmet Guide, Minotaur milk was thicker and sweeter compared to the average cattle's; then again, this precious book of his wasn't really that accurate unfortunately.
What about your flesh?
He came to a sudden standstill, almost causing Marcille to bump into him.
"If you're gonna stop out of nowhere, at least move to the side Laios!" She grumbled, moving past him as he stood there in confusion. What was he thinking? Why would he even go so far as to think that? He started moving again, carefully watching you click on forwards. His mind began to wander at the thought again, which parts of you would be edible?
Your legs definitely, there's so much muscle built upon you there. He'd seen you strike down stone pillars and enemies in a single blow without even flinching. Maybe even your thin tail, could be tough and stringy though. Your ears would take a while to feast upon, cartilaginous but still a good source of protein. Horns are a no-go, too small and were most likely hollower than meaty. Cow hooves are a delicacy in some parts of the world, so it was possible that yours were consumable too.
Would the "human" parts of you count? You hadn't revealed if you were full or half-monster, maybe even if you were cursed, so it was hard to truly determine what you were. If you were a full monster, that meant that every bit and piece of you was edible meat.
Meat.
Meat.
Meat.
"Laios, you’re drooling! I can hear your stomach rumbling too," Your giggling voice rang clearly in his mind, his gaze snapping downwards as he wiped his mouth quickly. "I have more bread if you want."
"No, no. It's better if we stop now and make something more nutritionally beneficial to continue forwards," Senshi stopped with the two of you, turning his head around to find a suitable room for cooking. "Think I still have some of those Harpy eggs and Kelpie flesh, would you two be so kind to try and find some more ingredients on this floor? Any vegetation would do this meal some good."
And here the two of you were, walking around the floor's grounds to spot for anything of use. It was almost completely quiet minus the shifting of his armor and the clicks of your hooves echoing throughout the stone hallway, reducing that awkward silence just a little. Your weapon, a sharpened scythe, swung around on your back as if you were a cow grim reaper; the thought of a cow dressed up in a black robe with a menacing skull mask made him chuckle in his head a little.
"Oh! Up ahead, I see something leafy." The hoof-clicking went faster as you picked up your pace, ducking your head from the fallen wooden structures that were in the way. Compared to the average Minotaur, you moved and reacted quicker, most likely because of your smaller stature and having a little less muscle in your body to heave around. That could make you vulnerable on the other hand, having less muscle everywhere else minus your legs meant diminished strength and being unable to defeat enemies in a more timely manner. Interesting.
"Laios, do you think this enough for all five of us?" You shuffled out of the crevice in a huff with bundles of thick purple, triangular leaves in your arms and he took a pinch from one of the leaves, inspecting it before placing it in his mouth. He winced, his face contorting to a pucker as you laughed at his expression. Dungeon oxalis, edible but strongly tasted similarly to citrus.
"We could work with it, could make up for lemons since they're pretty sour. Here, place it in your bag and we can search for other things." You nodded after wiping your eyes from your boisterous laughter, following his instructions and getting back up from the ground.
You dusted yourself off before picking the bag back up, smiling at him as the two of you began to move deeper into the dungeon. "I hope we find some Night Lucernes but I think since we're already so low underground, it's getting more unlikely they can grow here."
"Oh we can't eat those, they make us sluggish and gives us stomach cramps for weeks."
Blinking at him, you tilted your head in confusion. He never noticed how long your eyelashes were, is that common in your kind? "Really? They're like vitamins for me or was it something about the blood—"
"Why are you not like the other Minotaurs?"
"Huh?" The question was out of the blue, interrupting her talking as the two of you had stopped in the middle of the hallway, eyes locked with one another.
"Why are you not like the other Minotaurs?" Laios repeated, not skipping a beat and leaning down closer to you. "You're not massively built, you don't have a cow's head, you don't have large horns. You don't strictly eat vegetation, is it even good for you to eat monster meat so often? There's so very few things that are Minotaur-like on you, are you really one of their kind?"
Your eyelids fluttered in shock, each question wrapping around your brain before you leaned away from him, scratching the back of your neck. "Well... I-I don't really know why myself."
"...What?"
"Uh yeah. One day, when I was still young, I woke up in this dungeon alone without a single memory in my mind. I don't even remember who named me either, but I vaguely remember being told that I'm a Minotaur. Maybe it's the Mad Mage's fault but I'm sorry Laios, I really can't explain why I'm not more like them."
Did that even satisfy his question on whether you were edible as a Minotaur or not?
"I do know is that I am a monster," You put a hand over where your heart is, clenching it tightly into a fist. "I ain't like you people humans and I'm sure not like those other animal humans you coexist with, so I am nothing but a monster. I may look a little different from my kind but inside and out, I have the Minotaur’s blood in me. And the strictly herbivore thing isn't really true, I can eat meat if I have no other choice to, it's not all that bad though. Doesn't really freak me out and I'm always grateful to have the opportunity to eat a good meal."
"So have you eaten other adventurers before meeting us? I won't judge, I'm genuinely curious and I won't tell the others if you have."
You froze, eyes casting downwards suddenly as your fists gripped onto the coat you wore. "I... I don't really want to talk about it Laios, sorry. I'll answer your other questions but some things are better left off unsaid, okay? Please respect that."
His lips were pulled into a thin line, the nagging voice in his head still ever curious on whether you've eaten human before, but you really did seem uncomfortable talking about the topic. "Sorry."
He then put a hand under his chin, thinking about what you've said previously slowly. Inside and out... Does that mean you are edible? I mean, you basically said it yourself, despite you being more on the human-appearance spectrum of monsters. Then again, they met more human-like monsters like the Harpies and the Dryads, and they've eaten them before! (Well... sorta.) The mermen were edible too (despite Chilchuck stopping him from taking more of the parts), so that means—
"Can I drink your milk then?"
"Wha— H-huh?!" The apples of your cheeks glowed a dark shade of red, but his gaze remained determined, sparkling in excitement even.
"You offered it before, didn't you? Chilchuck and Marcille aren't here so they won't judge us and I've been curious since my book said that it's different from normal cow's milk." You looked around, even peeking behind him, before sighing and bashfully pouting.
"I did! I know I did! But, I have to make it fresh since I threw out the ones I had on hand a week ago and I don't have any on my person right now so..."
"It's okay, I can wait." He bluntly replied, oblivious to your wording. Laios just wanted a little taste, nothing more and nothing less.
You mumbled something under your breath, his ears catching a few words of him being 'too eager' and 'quick to answer'. Was he? He was just answering your question honestly, and he’s been ever so curious about it ever since you’ve offered it before.
"Let me find a room, just wait outside for a bit."
You were flushed, clicking away to find a place to hide out so you could produce what he wanted. Of course he followed shortly after you left, staying outside just like you told him to and it would serve as extra security. If Minotaur milk tasted as good as they say, he might just keep asking you for it when some certain party members aren't nearby. Hell, he might even be able to sneak some to Senshi since he's been curious about it too! It's only right to share a magnificent discovery to the best monster chef. Actually, he might be the only monster chef he knew but he was still the best by default.
He waited.
And waited.
And waited…
Laios started to sit down next to the door due to how long you were taking to produce a small bottle. Was it difficult to get milk out of the body by yourself? He had to ask about that too since he’s only seen male Minotaurs depicted in his book; there was nothing but a small and vague paragraph that explained about the female Minotaurs, but it was mostly about their milk.
He closed his eyes, leaning his head against the stone wall. You really were a strange individual, someone that he can’t quite understand. Your very being makes his mouth salivate whenever he thinks about you as a next meal, even if it shouldn’t. Was it because all they’ve been eating has been monster-related? His strange fixation on trying them was slowly being satiated with every step down the dungeon, so he chalked it up to just being morbidly curious.
It has to be that reason, it must be, because what kind of sick individual constantly thinks about consuming his friend?
Opening back his eyes, he took another quick glance at the wooden door. Laios was extremely curious on how the whole process worked, if you really had extra udders or if the hidden parts of your body were furry or skin. Plus, you really were taking a long time, one of the three were bound to come over soon and he wouldn't be able to try the milk! Actually... you know what? What if you had gotten attacked in there by a whole group of Mimics?! Or any other monster group, like the ghosts! You were strong but you can’t take all of them at once, and monsters aren't able to revive here. Wait...
Monsters don’t revive here.
He scrambled up on his feet at the realization, quickly knocking on the door, the sound of stumbling and thuds causing him to immediately panic and start pushing it open.
"Are you oka—" Laios froze, his eyes widening.
Your eyes were wide open as well, mouth partially parted open in dumbfounded shock. At least you looked okay and it seemed there wasn't any harmful enemies around, just some old furniture that had fallen over. It's weird though. There you sat on the ground in the midst of the mess, one arm covering your bare chest while the other was holding a partially filled glass. He stood there in puzzlement as your face grew redder by the second, placing the glass down slowly before reaching for your weapon that was right next to you.
Oh.
Oh...
OH!
"LAIOS!!!"
"I'M SO SORRY!!!" He slammed the door back shut as the scythe made its way towards his head, the sharp blade slicing through the old wood, the tip just barely missing his nose. His heart pounded against the metal chest plate like a beating drum, his lungs completely drained of all air. He began to kneel on the ground for some support since his legs started to give out from the revelation. His body was burning up, like he just got lit on fire from the Red Dragon or was a little too close to one of Marcille's explosion spells.
He just saw you naked. Not completely, but still, he just saw your breasts. He was used to and never cared about seeing others nude or topless, whether they be male or female — monster or not — it's just parts but seeing you?
Despite being here for most of your life, the skin from what he saw was quite smooth and rather mostly unblemished. It's like scars weren't able to attach onto the surface, as if they weren't allowed to. And the curvature of your heavy breasts, the noticeable suppleness of both when you moved and inadvertently squeezed them with your arm. They weren't udders at all either like he thought they were, they were undeniably humanlike, no fur included. He imagined biting into them, wondering if it'll be easy to sink his teeth into the squishy fat while he sucked on both the spilling blood and milk, thinking about the mix of sweetness and tangy that'll occur if he did. He'd be especially lucky to leave any mark on your pristine skin during the process, his body tingling at the idea of being the only one — the only human — to permanently leave something behind.
Laios couldn't stop salivating, a hand over his mouth to prevent him from drooling all over himself. He's shaking, why was he shaking? Was it from the fear of these unstoppable thoughts of his? Because of the leaf he ate not a moment ago? No. It's because of these recent developments and the answers he was getting from them, he was becoming... excited.
What the fuck was wrong with him?
‘•.¸♡ ♡¸.•’'•.¸♡ ♡¸.•’'•.¸♡ ♡¸.•’
The door finally creaked open, a small glass bottle being pushed towards him from the barely ajar entrance. He looked up to where your head would be, your eyes nervously staring down to the side. You started to apologize in a soft mumble as you slowly revealed yourself, now completely dressed.
"Sorry for throwing my weapon at you earlier, but this is all I can give right now. If I had eaten Night Lucernes prior, it would've been better quality. Um... enjoy I guess?"
"Thank you for the drink." Laios smiled and took the bottle in his hands, staring at the liquid. It was warm, which was expected since it just came out of your body, and it wasn't fully white like he thought it would be, the color just had the faintest tinge of yellow that could be missed if he wasn't looking close enough. He took the glass's edge to his lips and finally, he took a small swig of it.
Sweet, precisely as he thought it would be, but not as overtly strong to make him sick or give him an immediate cavity. The book was right to say that it was thick, almost similar to a honey-like consistency but still light enough to not choke at the heavy feeling of it go down his throat. He didn't realize that he quickly drank all of it at once, his tongue running across his lips to catch any remaining liquid left. You said that this wasn't the best quality, but he couldn't imagine it being any better than what he just drank.
"That was..." Laios paused, smacking his lips to try and remember the taste once more. Your face slightly fell, eyebrows worriedly scrunching together. "Amazing!"
"R-really?" The slightly-afraid look melted off in relief, your eyes glowing in happiness. "No one ever said that it tasted amazing before... Actually, no one actually tried it before except you Laios."
He... he was the first one that tried your milk? The fleeting thoughts he had prior ran through his mind again, his cheeks flushing a slight pink. If he really was the first one that drank something of yours... then it's only right that it would be specially reserved for him right? It's really selfish of him to keep this amazing beverage from his dear party, but something like this should be cherished by the one that adores you the most.
He quickly grabbed your hands, holding them up as he squeezed them tightly in excitement. "Can I have more later? I won't tell our party, it'll be our little secret exchange between the two of us."
Laios watched your expression turned from complete shock to shy awe, your tail twitching around and thumping against your legs. You were silent for a bit before looking up at him, a determined glint in your eyes. "W-what's in it for me? I can't just be the only one giving you something.
Shit. That was fair of you to bring up but him as a normal Tall-man, there was very little he could give you in return for your breast milk. "What would you want from me anyway?"
His mind immediately went into the gutter: you wanted to eat something off of him. It could be considered a fair exchange, consumable body part for consumable bodily fluid. Maybe you were getting tired of eating monsters, needing your actual nutrition from people. He started to get nervous, what would he be able to give you from his body? Would a finger satiate you or would you need something larger? Laios can't really give up his arms or legs, he'd need them in order to get through the dungeon and save Falin. Tongue was completely out of the question, he can't imagine not being able to taste food in both normal and monster dishes.
The idea of giving you his dick to consume suddenly popped up in his mind, the thought of trying to cut it off caused him to pale. He didn't use it much compared to his other body parts, only needing it to use to take a leak; he wasn't really the sexually active type either, being able to count the partners he previously had on only one hand. Technically and hesitantly, that would be the only large body part that he can give up for you.
Briefly, he imagined how'd you eat it. You weren't an messy eater when it came to Senshi's food — despite having to learn how to use utensils but still preferring to make use of your hands — so you'd probably be as neat as possible with it. You'd eat it raw, as soon as he managed to slice it off his person, warm crimson slipping down your fingers as you bite down through the layers of skin and muscle.
Or there was the possibility that you wanted to take it off yourself, kneeling right down in-between his legs, hands slowly sliding up his thighs to his hips as you approached his lower half. He'd be forced to watch you take his soft cock into your mouth, probably struggling if he accidentally got hard during the process. The last thing that Laios would feel would be your mouth's warmth wrapping around it before chomping down.
A shiver went down his spine, though it didn't feel as horrid as it was supposed to be.
With your big lashed eyes, you slowly blinked once more as a small smile grew on your lips. "Knowledge. I want to learn about the outside world. I've never left the dungeon before, all the adventurers that came before your party prevented me from ever trying."
Oh... That's actually not a bad exchange request, simple in nature. At least he gets to keep his junk, despite his heart still pounding from what his fucked-up mind just mustered up.
"Okay deal. I'll teach you about my world in exchange for milk." He put out his hand, letting you reach out and shake it. Your eyes relaxed as you smiled warmly up at him, finally letting him go. Laios then went over and patted your head, rubbing the top gently. You stiffened lightly at the gesture, his fingers brushing over the horns. They were smooth with faint ring-like indentations, almost an ivory-creamy color. Truly a fascinating feeling.
"There you guys are! You've been gone for so long that we were starting to get worried." Marcille. You batted his hand off of your head quickly, turned around with a tautly-pulled grin towards the elven girl.
"Must've lost track of time finding what Senshi wanted, sorry about the wait. You guys must be starving by now." The two of you started to chat walking back to the temporary camp, Laios watching and following from behind. You pulled out the oxalis in your bag to show her, a proud expression beaming off your face as you brought up his face when he first tried it. His stomach twisted, his hand resting on the top of his armor-covered abdomen.
There were very few monsters he found cute, most being out-of-this-world frightening to gaze upon, but you truly were one of the cuter ones around. He felt hungry again as your hips swayed from side to side, tail flicking around. He brushed the fingers that he touched your horns with against his lips, reminiscing on the texture. How sensitive were they? You did go rigid when he brushed against them, but it could be just from the shock.
Saliva was building up in his mouth again, and he could only harshly swallow back the feeling.
Deplorable he was with this appetite, the desire to consume you piece by piece. Would you accept that as one of your final fates? Rather than being killed and left behind with little to no chance of being revived, he'd pick up every raw part of you and eat it, savoring each bite in respect for what you've sacrificed to help him find his sister. Laios would try to bring the inedible bits of you with him — bones, teeth, horns, nails, hooves, hair — for the rest of this dungeon's journey and back into his world. Your wish would be granted, despite not being able to fully witness it yourself; you might even thank him for that bit of kindness too.
This thing the two of you had was special, unbeknownst to the others. A friendship that couldn't be understood by the other members of the party, but was completely comprehensible to only you and him. Symbiotic, just almost mutualistic. A love of one's flesh in exchange for the love of another's world.
Love.
Though Laios has expressed his heavy interest and passion in monsters, he never had said he loved them. Most were mindlessly dangerous, no matter how small or large they were, acting on base instinct. Yet, you were different. In fact, he could say that you were the opposite of him. Instead of being grouped together with your fellow monster-kind, you were more interested in being around outsiders. Different sides of the same golden coin.
A realization hit him, his eyes widening. The strange feelings in his body, the perverse, obsessive fantasies he's been having about you... It could only mean that he—
"Jeez Laios, you've been spacing out all day. Are you okay?"
He snapped out of it, staring at the concerned looks of both you and Marcille. Laios only smiled, his golden eyes focused completely on your form. Both your ear and tail tip was twitching, flicking in the air as if a fly was nearby.
"I'm just hungry, that's all."
#love-reply#tw: yandere#tw: cannibalism#tw: body horror#yandere#yandere delicious in dungeon#yandere dungeon meshi#yandere laios touden#yandere laios#yandere x female reader#yandere male#yandere x reader#yandere male x reader#yandere imagines#delicious in dungeon imagines#dungeon meshi imagines#laios touden#laios touden x reader#reader insert#fem reader#🌷 anon
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im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.
the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.
in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.
stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.
this bothers me.
in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.
alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.
putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏
some examples/recommendations:
- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.
- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)
- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.
that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.
#genshin#alhaitham#kaveh#alhaitham x kaveh#kaveh x alhaitham#kavetham#haikaveh#fanfiction#fandom discussion#meta post#i finally used a readmore are you proud of me#as an avoidant attachment girlie alhaitham is my oshi#pls just allow him to not emote#let the man vibe#i feel certain there must be a real word for the concept of... socially enforced emotional conformity#unrealistic societal expectations and for your inner world which is none of their business#but i sure couldn't find it#if anyone has any words for this pls let me know it's kind of killing me#anyway#i get so mad when the avoidant attachment coded character is forced into (independently by themselves) the arc of:#i realize now that my way of interfacing with people is wrong and bad. yay! i will change that immediately for the big emotional finale#like! with what therapy!!#and why is THEIR world view the incorrect one!!#i have seen fics where it was all a big misunderstanding and actually alhaitham loves kaveh deeply#and kaveh just has to get over his insecurities and understand alhaitham's love language or whatever#and sure. good effort.#but i feel like a lot of those fics aren't very accurate to alhaitham's character#they're retrofitting alhaitham's core personality to better suit the traditional romance narrative#i also think part of the problem is that alhaitham is a pov that's divorced from regular emotionally well adjusted people#and it's difficult to understand or write povs that are drastically different from your own
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how do you deal with. like. being out as transgender in public spaces?
school started this week and lots of my teachers have been kind enough to give opportunities to change your name and pronouns, and im agender so i use a funky little name and they/them pronouns. but i feel like, with such a negative experience with being out to people i don't know, that so many strangers all at once Knowing im transgender isn't a good thing. my classmates and teachers all know now that im not cis. when they call me by my preferred name i do a mental double take because only my friends call me by my preferred name. i feel like a spectacle. i feel like if i try to be comfortable as transgender in public then people will make fun of me for "thinking im the main character" or something. ive only dealt with bullying on the level of a few people at a time; ive always been friendly and confident around the people around me, but being publicly out has made me nervous and want to sink back into the background as much as i can to not rock the boat.
you always seem so confident when it comes to your presentation, in ALL aspects. and i know you are out as trans to a lot of people. how do you deal with hate/the idea you have a judgemental audience that in reality isn't there?
i wish i had better advice but honestly it's just. years of allowing myself to be the person i want to be and not letting other people's opinions of me discourage me from that. i learned the hard way that you will never be able to convince everyone to like or even accept you, and that it's not worth letting that define you. the people who really matter will love you more for being true to yourself than for trying to be what you think people want from you. it's hard, but it's like building up calluses on your hands from practicing a sport or a craft. the longer you live as yourself (as long as it's relatively safe for you to do so), the easier it gets to find joy in that even when you face opposition, and the stronger your sense of self-identity becomes. i hope knowing that helps a little.
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