#im just so fucking sad arent i

[blazingphantasm]

hgehevexfejececemjegvrbrjrjgevrbrbrvrcrcememjrvvrnrhrcr

[mercurymacaroons]

arrives 15 min late with a latte

......sup

[chronicpaingirlie]

they should invent a way to live as a disabled person without overwhelming shame :(

[dukeofthomas]

"They were never really that close pre-death" "Dick was mean to Jason before warming up" etc etc are the worst Dick&Jason takes possible. Why would you even say that about them

[fiendishartist2]

hauling ass

[radiantmists]

reading animorphs sequentially instead of in whatever random order you can get your hands on them is such a trip because you can see these kids getting progressively better at war and worse at being happy, you can see how traumatic events from one book echo into the next ones but never quite get dealt with because these kids have no real way to take care of their mental health, you can see their relationships deepening but simultaneously gaining friction and faultlines as they learn just how far they'd go for each other but also how far they'd go in general...

obviously this series was meant to be episodic in nature, and i actually think that might be the better way to first encounter it, but the arc of the series in publication order is extremely well-crafted

[reds-skull]

Revenant Side Stories

Story VI: Farah

[Konchar] [Graves] [Gaz] [Price] [Novikov] [AO3]

This was originally going to be a retelling of the entirety of Farah's story in MW 2019, but I underestimated how long that would be, so these are more of snapshots of her life, up until 2019.

Farah is going to be a central character in part two because it will revolve around Urzikstan, so I was very excited to get into her character in depth. This was probably the hardest side story to write because I think the original story was already good (it's easier to write for something that had a lot of flaws in it rather than something good... maybe that's why I like cod after all these months lmao)

Anyway, I also decided I'm actually not done with the side stories, and the last actual one will be of... Roba, of all people. I know I made the comic for Ghost's origin story, but I never got to show what he did to Roba.

Alright That's enough rambling let's get to Farah's story

She doesn’t remember the first time she has heard of revenants. Humans who are saved from death, only to come back with abilities from worlds beyond their own. Of how they are revered, looked up to. And yet, misunderstood.

They don’t look up to revenants in Urzikstan.

The once-dead are not heroes among her people. They’re something to be pitied; people who chose to stay on earth and suffer, instead of move on to a better, calmer existence in the place after death. Take on the burden of the Reapers, dust off the dirt of their graves, and continue the endless fight for freedom.

In Urzikstan, revenants are called “those who sacrifice”.

Her baba taught her and her brother the different names of Reapers, told them tales of those who sacrifice as bedtime stories. She always found them fascinating, as opposed to her brother. They were often grim, their ending tragic and unsatisfying, but they felt more real like that. Felt more like her day-to-day life than any other fairy tale could.

She wouldn’t know how much her story would be like those, before it was too late.

The day she died is muddy, in her memory. Yet another thing she sacrificed, in order to stay in this world. A deafening whistle, followed by walls collapsing around her. Streaks of ash on the bloodless face of her mama. Pain, unlike anything she could imagine. The voices of her baba and brother and uncle, searching. The sickening shifting of concrete above her, whispers praying for mercy, the walls closing in on her-

And she dies.

At seven, before she knew how to write the alphabet, buried beneath the earth with only the pale face of her mother as comfort, Farah Ahmed Karim died. Yet, she did not move on.

The memory of the first time she saw her Reaper was clear. She may have forgotten her mother’s lullabies, or her father’s laughter. She has not been given the privilege to forget her Reaping.

The first thing she noticed was the clean air, an odd odor to it but blessedly lacking the dust she has been inhaling for what felt like hours. The lack of pain was the second - her legs no longer crushed under thick concrete walls.

The monster, was the third. A being made of sharp shapes, glistening metal melting and hardening, flowing through cracks in the stone face of the Reaper.

As the stone face moved, grinding against itself, Farah got up to her feet. Her legs screamed at her to run, but the memory of her baba’s stories calmed her. 

“The ones who take do not mean harm to the ones who sacrifice, Farah.” he told her, whispering as to not wake her brother, “they need each other. They need our sacrifice.”

“What for, baba? Why would the ones who take need to give humans their powers?”

Baba sighs, a small smile on his lips as he tucks a stray hair behind her ear, “we don’t know for sure, but we must have something they don’t. Some say we humans were chosen by chance.”

“What do you think?” she asks, her endless craving to know more yet satiated.

“I think we and the ones who take are connected, somehow. I think we are the only ones that can sacrifice.”

Instead of running, instead of listening to all of her senses, Farah stepped forward, and with a small voice asked, “w-who are you?”

The stone face turns to stare at her.

“I AM MIGHT. THE STONE, THE BLADE, THE BULLET.”

The Reaper tilts its head, metal rivers splashing into an endless void.

“DO YOU KNOW WHO YOU ARE?”

Farah blinks away the tears that have gathered in her eyes, tries to speak louder, “I’m… I’m Farah? I’m a human, I’m-”

“YOU ARE NOT HUMAN, FARAH. YOU ARE DEAD, BURIED, CRUSHED.”

Her lips turn downwards, and she can’t stop the tears any longer, “w-why are you asking if you know?”

The rocks grind in an almost rhythmic way, and somehow Farah knows it is laughing. It makes her avert her eyes.

“Can… can you save my mama?” she asks, and the sound stops.

“I CANNOT SAVE YOUR MOTHER, FARAH.”

“S-she… I think she also died, can you-”

“I CANNOT SAVE YOUR MOTHER, FARAH.”

She grasps at the torn edges of her dress, sniffing her runny nose, “it’s not… it’s not fair…” her face scrunches as she sobs.

The Reaper leans forward, the light surrounding it reflecting with dazzling colors off of its body. Farah closes her eyes, not because she is afraid of it, but because she is afraid for her mama.

“I CANNOT SAVE HER, BUT I CAN SAVE YOU.”

Farah opens her eyes. Baba said he thinks only humans can sacrifice, but maybe not all humans can. Maybe mama wasn’t able to sacrifice, but…

She lifts her hands to wipe roughly at her face, tears and snot smearing on her skin. Her eyes trail up the falling liquid metal, beating heart deafening her ears.

Her voice is steady when she says, “I want to see baba and Hadir. I don’t want to leave them!”

The stones grind once more, a sort of excitement shaking the very ground.

“YOU WANT TO LIVE, FARAH.”

She nods and repeats, “I-I want to live!”

The Reaper tilts closer, its face level with hers.

“I WILL GIVE YOU THE MIGHT, THE STRENGTH, THE POWER TO LIVE, FARAH. AND I WILL TAKE YOUR SOUL.”

The metal drips near her feet, heat emanating from them. It reminds her of home.

“I choose to sacrifice. For you, for baba, for Hadir. For… for mama.” Farah whispers.

The stones shift, circling her. Her breath picks up at the thoughts of crushing walls, but it is not dark here. No one is shouting. She doesn’t smell death.

 Metal singes her clothes, and she wants to jump back, but the stones stop her. It burns. It hurts.

It is not dark, but the bright colors blind her all the same.

“I ACCEPT YOUR SACRIFICE, FARAH.”

“MY MIGHT IS YOURS.”

When she wakes again, Farah doesn’t feel pain. She’s still under ruin, somewhere different from where she was before. All she sees of her mama is a hand, and she holds it. She notices the skin of her own hand glistening in the meager light filtering through dust and ash, like colorful metal. Like her Reaper.

It felt like hours pass before baba found her. She feels hunger and thirst, but the weight of the building doesn’t pain her anymore. Baba is crying when he finds her, pulls her out of the wreckage carefully, asking if she’s hurt.

She tells him nothing hurts. He pulls back from their embrace, his brows scrunched in confusion until he notices.

“I chose sacrifice, baba.”

Baba closes his eyes and hugs her harder, and she knows it would’ve hurt if she could feel it. He tells her everything will be alright. She wanted to believe it. She couldn’t.

They find mama. Hadir tries to wake her up, but Farah pulls his hands away. She tells him mama is in another place now, somewhere better than here. Hadir’s hands shake in hers, but he nods and pulls away.

Uncle and baba rush them home. Farah wants to cover her ears, the sirens don’t stop sounding, the noise pitching up and down along with her heart. Loud explosions make her flinch, so Hadir grabs her hand. It makes her feel safer, for a moment.

They run through the market. There’s a truck stopping in their way.

The Russians.

Baba lifts her in his arms, Uncle taking Hadir. They tell them to cover their mouth, when the Russians throw weird gas at them. It smells like the liquid mama used to clean their house, and it made her eyes itch and burn.

They enter their home, but baba doesn’t stop moving. He gives Hadir a gas mask. He will have to share his with Farah. Uncle leaves, telling baba he’ll meet them later.

“W-where are we going?” Hadir asks, clutching the mask.

Baba grabs a backpack, hidden behind the kitchen cabinets, “we’re going to the bridge, then to the mountains. There will be no sirens there.”

Farah hurries to follow him, wiping blood on her dress. Her skin isn’t bruised, but it feels weird.

“I don’t want to go…” Hadir says with a frown. Baba turns to look at him. He crouches and pets his shoulder.

“I know, dearest. I know. We will return, I promise.” his tone changed, stern like when he taught her not to touch the hot pan, “you need to be strong for your sister now, alright?”

Baba points to Hadir’s heart, “you keep mama here,” his hand moves to his head, “and you keep this clear. That’s how we survive, you understand?”

“Yes, baba.”

Baba shoulders the backpack, and begins walking towards the door, “when we get outside, you stay with me, okay?”

As he goes to open it, the handle moves, and the whole frame shakes. Someone is trying to get in.

“Stay behind me!”

The door slams open, a large man with a gas mask walking in. Farah takes a step back. The man meets her eyes and closes the door, and she stares at his gun.

Baba pleads with the man. He does not listen.

Baba throws his backpack at him, the man shooting a couple of bullets into the floor. They miss Farah’s feet by a few centimeters, and she freezes, breath held in her lungs. Hadir throws himself against the man, but gets shoved back.

The man pulls out a knife, baba manages to take it, stab the man. But it doesn’t change a thing.

It doesn’t save him, when the man pushes him to the floor, and shoots one, two, three, four bullets.

Only then do her feet unstick, and she mutters to herself, “hide!”

She runs back to her and Hadir’s room, crawling under the bed. The man shouts angrily and she hears something break.

Hadir. She needs to help Hadir!

As the man talks to someone on his phone, Farah crawls towards the kitchen, finding a knife. Mama always warned her not to play with them, but if the man catches Hadir…

In her heart, she asks for forgiveness from mama.

When she finds the man, he’s leaning against a wall, his hand clutching his side. Before she can think it over, Farah lowers and slashes at his legs. The man screams in pain, shooting a few bullets at the ground, and turns around to slap her.

It doesn’t hurt, but she drops the knife, so she runs away again.

One of baba’s tools is on the ground, must’ve fallen from his backpack. She grabs it and continues running, the man on her tail now.

The man says mean words to her, in Arabic, but her ears are pounding, her own heavy breaths the only thing she can hear. Her grip on the tool tightens.

“I’m going to kill you!”

Farah watches the man stumble in the hallway, searching.

“You’re going to see father soon, you piece of shit child!”

He trips on the rug. She sneaks closer.

“You’re dead, you hear me?! YOU'RE FUCKING DEAD!”

Farah runs forward, aiming for his other leg, but he turns around and grabs her hand before she can stab him.

“There you are!” he grabs her by the neck, slamming her to the floor, “got you!”

She can feel his hand wrap around her, crushing her windpipe, but it doesn’t hurt. The man grunts, before he freezes.

“You’re- you’re one of them?!”

Hadir jumps on the man’s shoulders, screaming, “get off her!!!”. He uses the knife she dropped to stab him in the neck, “get him, Farah, now!”

Farah grabs the tool, and uses all her strength to stab it into the man’s chest. He screams as flesh gives under the metal.

“It’s working! Again, sister!”

She pulls it out, and repeats.

“Good, Farah!”

And again.

Four times, until the man stops moving and making any sound. Farah takes his mask, the gun too heavy and tool buried in his gut.

Farah and Hadir return to baba. Hadir tries to help him up, but baba stops him.

“I can’t… I can’t go with you.”

Tears well in her eyes. Baba is leaving as well.

Hadir wraps his hands around baba’s, “what do we do?”

“You survive. Whatever it takes.” he turns to look at Farah, “even… even your sacrifice. Never give…up…”

Baba’s head drops. He’s gone.

Hadir stares at him for a moment longer. He gets up, “let’s go.”

They weave through the town, a murky green tinting the air. People are gasping and coughing around them, until a gunshot silences them. Hadir says it’s not fair. Farah knows.

It’s not fair, that they pass by people who get shot, and don’t get back up. It’s not fair, that she has to kill twice more, just for them to get a chance at freedom.

It’s not fair, when a man drags both of them away from it, a cruel smile on his lips as he inspects her.

It’s not fair, that she knows to recognize the malice in his eyes.

The soldiers take them to a prison. They find out she is one of those who sacrificed.

It’s not fair, she tells to the Reaper in her heart, that her sacrifice was not enough to save anyone.

She learns very quickly to hate Barkov. He learns, quicker, that his usual torture methods don’t work on her. He finds her weakness not in her own flesh, but in the flesh of the others. Hadir, in most cases. They keep the men and women separated, only allowing her to see him once every few weeks, and every time she gives them trouble, he takes the punishment. He tries to hide it, but he can’t hide his limp, or his bloodshot eyes, or the scars that keep multiplying upon his skin.

Contrasted with her flawless arms, glistening oddly in the light.

She gets into fights with her Reaper, in the earlier days. Demanding answers, for the simple question of “why?”.

Why her? Why this power, that only protects her? Why taunt her, tell her she’s under the Reaper of Might, yet show her every day how weak she is?

There are whispers among the guards, of a person by the name of “Karim”. A Commander, aiding the prisoners, attempting to contact foreign forces by transmitting messages from the inside. Barkov spends hours torturing her and the others, trying to find them. After a while, Farah notices a glint of playfulness in the wretched man’s eyes.

He knows who Karim is. He just wants to break them, annihilate the sense of fragile hope Karim gives the prisoners.

Barkov wants their spirit broken. Farah knows he will fail, because as long as any of them stand, they will not give up. For those who can't fight any longer, for those who are still with them in this hell, for Urzikstan.

They think one can uproot it from them. What they don’t know, will never understand, is that you can’t kill an idea. You can’t torture the memory of freedom out of them.

The soldiers seem on edge, mumbling in Russian about rumors of enemy forces invading Urzikstan. One of them slaps the back of her head when she stares too long.

The cycle continues - Barkov interrogates her, always keeping another prisoner in the room to torture in her place. Today it is Azadeh, younger than her by two years. Azadeh doesn’t flinch at the glint of a knife, but she screams as Barkov buries it in her thigh.

Farah’s guts burn at her wailing, at Barkov’s cocksure grin, his hand easily yanking the knife out of spasming muscles.

She breaks. Tells him she is Karim. It feels like an end.

Barkov freezes, before he pounces. Knocking her out of the chair, he covers her mouth, pinches her nose, deprives her of air.

Not many things can hurt her, but Farah still needs oxygen to live. Her wrists twitch roughly against the bindings tying her to the chair, Azadeh calls for her. Barkov snarls.

“I will not let terrorists like you ruin my country.”

My country… My country?

Urzikstan will never kneel to the likes of you.

As the edges of her vision darken, a soldier bursts into the room, his movements rushed as he informs Barkov the prison is under attack.

Barkov, always needing to have the last laugh, tells her she hasn’t saved anyone, that Karim’s role was only to doom her people, and orders his soldiers to the warehouse, to kill everyone.

Air fills her lungs as she inhales for the first time in over a minute. Barkov tells the man to take Azadeh to the warehouse, and her to solitary confinement. She gives Azadeh an encouraging nod, before they’re separated.

Karim hasn’t failed yet. As long as they’re still alive, she hasn’t failed.

Solitary is part of the older section of the building. Farah has been here enough times to know the rebar in the far corner of the cell is loose, and she herself have made sure, should the need arise, it will be easy to extract from the cracked concrete floor.

The moment the soldiers leave, she gets to work, pulling the metal with a grunt. With a few well-placed hits, Farah breaks the lock, and opens the door.

It is silent outside, in the way a graveyard is. Something sick spreads on her tongue, as she sneaks out of solitary. A few soldiers are making their way to the main cell block, to take the remaining prisoners to the warehouse, Farah assumes. The rebar feels lighter in her hands.

The first soldier she hits over the head screams as he goes down. The rest instinctively start shooting her. It doesn’t do much to stop her from caving their skulls in, besides ripping a few new holes into her clothes.

Searching the bodies yields her a key and an extra mag for one of the rifles. All of them were either empty or jammed, the frantic soldiers not recognizing her.

For them, all Urzik are the same.

Her sisters are relieved to see her approach. The gunshots scared them, fearing it was anyone but her. She opens the cell, freeing them. She uses the key to open a gun locker, and orders them to take up arms. No hesitation is visible on their faces. They all know this is an end.

Of the soldiers or theirs, it is yet to be seen.

“Our brothers have been taken to the warehouse to be executed. We are not going to let that happen.” Farah snarls, fingers aching as she grips the rifle, “are we?”

“No, Commander!” her sisters yell in unison.

Farah feels pride bubble up within her. They haven’t broken their spirit.

A series of far away explosions makes their little group flinch. Ayah asks, “who is attacking us, Commander? Are they on our side?”

“I don’t know. And as long as they distract Barkov and his dogs, it doesn’t matter. We need to move before it’s too late.”

They slam open the doors, Russian soldiers already ready at the other side. Her sisters’ aim is wobbly, the recoil more than they’ve experienced, but they have one thing the Russians don’t.

They don’t fear death anymore.

Nadia was injured in the firefight against a sniper. Ghalia has been limping since an explosion knocked her down. Darine and Azadeh are tired, they’ve been in solitary for days with little to no food or water.

They manage to hole up in the warehouse, but there’s no one there. Farah shouts for Hadir, her echo the only answer.

“Commander!” Azadeh calls, “there’s a way through here, this is must be where they are!”

Farah kicks the door open, turning right to clear the hallway, when a body slams into her from the left. She falls to the ground heavily, teeth bared as a barrel lines with her forehead. The other two soldiers aim at her sisters, Azadeh screaming in horror, “please don’t shoot!”

For a moment, Farah loses hope. Her mind supplies her with Barkov’s words.

“You haven’t saved anyone.”

In the next, the skylights shatter. Precise bullets take out the three soldiers, not a single wasted shot. Ropes are thrown through the broken windows, and men wearing gas masks repel down. One of them looks at her, “Whose Commander Karim?”

Farah huffs as she pushes a dead body off of her, “I’m Karim.”

The soldier swings his weapon to the side, “we got your message” he lifts the mask up, revealing a pale face, “Lieutenant John Price. Where are the others?”

The Lieutenant offers her a hand, and Farah grunts as he lifts her, “in there. Straight ahead.”

Price looks at the dark hallway, before turning back and lowering his mask, “stay close!”

Azadeh’s expression is uncertain when Farah stops her from following them. Wordlessly, she nods and returns to her wounded sisters’ side. They both know the path ahead is meant only for trained soldiers.

Trained soldiers, and those who cannot die to a bullet.

Farah keeps her rifle up as the soldiers and her scan the hall. Tanks with warning signs plastered on their exterior line the narrow passage way, and she doesn’t need to know Russian to know what’s inside.

“Got two!” Price warns, and takes out one of the guards. The other doesn’t waste time watching his partner go down, and before one of Price’s soldiers puts a bullet in his head, he aims and shoots Farah.

Straight shot to her heart. These guards are more skilled than the ones she fought through to get here.

Two hands clamp onto her shoulders, and Price’s wide eyes stare at her through the gas mask, “you’re not wearing armor- Karim, sit the fuck down, I saw the bullet hit you-!”

Farah frowns, following his line of sight to the hole in her shirt.

“Lieutenant-”

He holds her as if she’s about to collapse, muttering, “why are you not bleeding…”

Farah grabs his hands, and the Lieutenant’s brows shoot up.

“You’re a revenant.” his hands loosen, and drop to his side.

Farah nods, “no bullet or blade can hurt me.”

Something odd passes by Price’s eyes, but he doesn’t say anything to indicate what.

“Lieutenant, the prisoners are here! We need the breacher for the door!”

They run towards the back, and Farah slides to a stop at the scene.

In a room with large bullet-proof windows, where fire wars with the Russian’s sickly green gas, her brothers pound on the glass, their screams muffled.

They were going to watch them suffocate and burn.

She shakes out of her stupor when she notices Hadir. Slumped in the corner by a door, unmoving.

“You haven’t saved anyone.”

Farah runs to the other side of the door, where Price and his men are attempting to pry open it. They don’t have time for this.

“Stand back!” she grunts, and Price barely pulls the other soldier away before she shoots 4 bullets into the lock.

She barely manages to catch Hadir when the door slams open, her brothers running out towards fresh air. She should feel happiness, that they were fast enough to save them.

But in her arms is the still body of her brother, the one who has been through this hell with her from the beginning. The one with their mama’s eyes, and their baba’s kindness. Farah feels tears run down her face as she presses two fingers to his pulse. Nothing.

There are voices around her, speaking to her. She doesn’t hear a thing. No sound is worth hearing when her brother’s heart does not beat.

Price crouches in front of her, his mask off despite the gas filtering in from the room. His voice is gentle when he speaks, “Karim… we need to move.”

She shakes her head. It reminds her of how Hadir didn’t want to leave their house, when baba knew they had no choice. She has no choice but to leave him.

Oh, how could she leave him like this?

As the Lieutenant urges her again, as her brothers and sisters start to realize what happened, as Farah’s fingers stay on a paling wrist, she feels it.

A heartbeat.

Hadir gasps, his hands shoot up to claw at his neck frantically, and he jumps away from Farah. Everyone is watching him carefully as he catches his breath, silent and knowing.

Farah clenches her fists, failing to quell the shaking, “...why…?”

Why did you choose this over seeing mama and baba again?

Hadir turns to face her, but his eyes don’t meet hers. They’re not the blue-gray they were before, she notices. Green, like the gas that killed him.

“You survive, whatever it takes. Never give up.” Hadir repeats their baba’s last words. “Not even death will come between us, sister. Not anymore.”

“May your soul find rest.” she says, and her brothers and sisters murmur it with her. Hadir then lifts his gaze, and he gives her a sad smile.

Price and his soldiers stand back, looking properly shaken by seeing a dead man return. For them it is an anomaly.

In Urzikstan, they all know what a sacrifice looks like.

Farah gives herself a moment more to mourn Hadir, mourn the peace he refused to receive in death.

She gets up, grips her rifle, and orders her people, “collect survivors and supplies. We’re leaving.”

“Sister.”

She stops cleaning her knife for a moment, acknowledging Hadir’s presence with a nod, before continuing, “any sign of Barkov?”

Hadir drags a chair to sit in front of her, “no, we’re secure here. The Lieutenant cleared the area well.” he watches her hands work on the sharpening metal, “I… I wanted to tell you about my powers.”

Her hand freezes. “Immunity to the gas. I know.”

“No.”

Farah opens her mouth to question him, but when she looks up at Hadir…

Mist flows from his eyes and nose, pouring down his features. Green, toxic, smells of chemicals and death.

When he speaks, more gas flows from his mouth, “I’m not only immune, sister. I can create it.” fear paints his words.

“Enough.” she orders, though to her ears it sounds more like begging. Hadir stops using his power all the same, and it is with shame that he looks at the thin level of gas coating the floor of the run-down room.

Farah puts the knife and whetstone away, and hugs Hadir. He presses closer, and she feels his body tremble with silent sobs.

“You will not use this power. We do not need weapons of the enemy to win this war.” Her brother may be doomed, cursed forever to bear the gas within him, but it does not mean he needs to continue Barkov’s legacy.

Hadir doesn’t respond for a while, but when he pulls back, he nods. “Yes, Commander Karim.” he says, pride in the title. “What are your orders to our brothers and sisters?”

Farah sheaths the knife, her voice strong and clear, “Barkov must’ve had more prisons. It’s time we find more hands to help our cause.”

Alex Keller is… odd.

He had a surface level knowledge of the situation in Urzikstan when he arrived. Not from a tactical standpoint - CIA doesn’t let details like those escape them, of course. But from a human’s, and perhaps a revenant’s, it was clear Alex was not used to seeing such disgusting levels of violence unhidden for all to see. Barkov doesn’t need to hide it. America already knows.

The world already knows.

Keller’s abilities as a revenant proved advantageous from the very first mission they had. Infiltrating has never been easier, with a man able to become invisible to the naked eye. Later on he has told her of his weaknesses, that his form is still corporal even when see-through, and that electronic optics are able to catch traces of him. His honesty doesn’t go unnoticed, and Farah appreciates the trust he puts in her.

Hadir didn’t trust him at first. Despite his relation to Captain Price, he was wary of the American. It didn’t matter much to Farah, as long as they were amicable enough to work together, but seeing Hadir slowly let his guard down over the weeks was a moment of happiness in her days.

It helps most in days when Hadir seems distant, when a fog she can only call a thirst for revenge clouds his eyes. It feels like the times she has to fight against his violent suggestions double every new mission.

Something is brewing in his mind, she can tell. Hadir doesn’t want to share it with her.

At least Alex doesn’t push back against her orders with no good reason…

They’re on ground now, Alex using Hadir’s Sniper to scope the Highway of Death, and Farah spotting for him. They’re waiting for forces of Al-Mudahiyn, The Sacrificers, to pass through.

Al-Mudahiyn and the ULF used to be one and the same, until they weren’t. They share the goal of liberation, but where the ULF chooses to prioritize the safety of the people of Urzikstan, The Sacrificers choose the retribution on the Russians to be theirs.

Liberation will not be achieved peacefully, Farah knows that. But revenge won’t bring it either, and as much as she would hate it if it were to happen, if she had the choice to free her country but let her oppressors walk away unharmed, she would. She is sick of seeing her brothers and sisters die, and sacrifice, and bow their heads to men who see them as lesser.

In that, Al-Mudahiyn and her disagree. The militia focuses its powers on creating chaos among the Russian’s ranks, within Russia itself, and anywhere where its sympathizers live. And while they both deal in violence, Farah cannot agree to it being the objective.

It is a tool. One she will wield only as long as her enemy does. 

The SAS and CIA have begun to retaliate against Al-Mudahiyn, as has Barkov, their actions too flashy to ignore. Stealing several containers of Russian experimental gas was the last nail in the coffin.

The ULF along with Captain Price’s team decided to work together to stop them.

“One vehicle approaching from the east!”

On her mark, Alex takes down the two snipers that attempted to set up on the roof. Killing them is a calculated risk; it could alert their target and cause them to change course, but leaving them alive could’ve risked Hadir and his team, who are nearer to the road.

Two fighters from Hadir’s team take the truck and park it in the middle of the highway as a makeshift blockade. She watches as they rig it up with explosives, and orders them to wait for her signal.

Their target, as do many in The Sacrificers’ ranks, is a revenant. According to Alex’s sources in the CIA, they’re just a Revenant of Flesh. Their healing powers could save them from some injuries, but an explosion should kill them.

And if the explosion doesn’t do them in, bullets will.

They were ready for an ambush. Armored trucks, snipers, mortar teams.

“We need help! Where is Captain Price?!” Farah shouts as she fires on a few fighters making their way through the ruined house they’ve taken cover in. Alex pops up to shoot as well, but she pushes him behind her when a few bullets hit too close for comfort.

Her clothes are riddled with holes.

Hadir shouts from the rooftop beside theirs, “we cannot wait! I’ve got more firepower in the truck!” an explosion shakes the foundations of the house, “Alex! Follow me!”

Alex looks back at her, and she nods. Hadir’s intuition never failed them, his habit of preparing for the worst saved operations more than once. He’s not her second-in-command just because of their blood relation, she trusts him more than anyone else.

That is why, when green, toxic gas started covering the abandoned village rapidly, Farah didn’t dare think it was him. Hadir wouldn’t do that, he promised her.

She hears him shout to Alex that there are gas masks in the bunker. It should’ve tipped her off. It didn’t.

Coughing horribly, she ran towards the bunker, her steps unsteady as the gas coats her lungs. She has never forgotten the way it claws down her throat, burning, seizing her muscles.

Alex comes into view just as Farah’s vision begins to fade, and the last words she hears singe worse than any chemical could.

“H-Hadir… You’re… a revenant?”

When she comes to, it’s to the smell of dust. Her throat still burns, but as she coughs, she feels clean air filter through her nose. Farah blinks her eyes open, to see Hadir equip a gas mask on Alex’s face. He notices her eyes following his movements.

“Sister…” Hadir leaves Alex to approach her, his arms open. Before, she would’ve taken comfort to see he is not injured.

Now, all she sees is anger. Green, sickly, violent anger.

Farah pushes him away, but she is weakened, so his arms don’t leave hers, “how could you do this?!”

He tries to placate her. It makes her shake with exertion to get away. “I had no choice, Farah! I-”

“No. Not like this.” her eyes roll back, and before she loses consciousness again, she mumbles, “you promised…”

“-Farah!… Alex!”

She grunts. Her arms feel weighted when she pushes the dusty gas mask up and off her face. Alex does the same, trying to get up on his feet and failing.

Price’s voice invades her mind, and she winces. It is an unfamiliar feeling, still. “You’re alright, Farah. You’re alright.”

Still unused to the powers, she chooses to speak, “where is he…? Where is he?!”

Price finally reaches them, helping Farah get up, only for her to push off to rush out the crooked door, “he’s gone, Farah…”

She snarls. How dare he run, how could he leave- “no… Hadir… HADIR!!!”

“Farah!” Price follows her, catching her when she stumbles on the steps outdoors, “Farah, stop! Stop, he’s gone!”

Her fists clench on dry earth and she screams. Coward, liar, monster. No curse is bad enough to describe that fucking dog.

She feels Price wrap an arm around her, not to support, but to comfort. It reminds her why they’re here in the first place.

“There is no thief.” she tilts her head up, staring at Price’s blue-gray eyes. His brows knit in confusion, and she continues, “he created the gas. I’m sorry, Captain, I didn’t know, I didn’t know…”

She feels Price pull images from her memories. She lets him.

The Captain looks through her interactions with Hadir for the past few weeks. At first, Farah thinks he doesn’t believe her word, but Price relays to her that he’s not doing it for himself.

He’s proving her she’s not at fault.

“There’s no way you could’ve known, Farah.” he says out loud.

Alex joins him behind them, leaning on another soldier, “it’s okay, Farah. We’ll get him.”

She wants to bristle at those almost meaningless comforting gestures, but the look in Alex’s eyes is pleading her to let it go, for now.

Price helps her up again, shouting to Alex, “we need to un-ass this target- NOW!”

As they board the helicopter, Farah looks down.

Corpses line the desolate streets, no bird dares to sing at the sight. Both Al-Mudahiyn and ULF fighters lay still, eyes bulging and throat scratched raw. She grits her teeth, but her eyes don’t stray from the sight, even as the aircraft rises to the air.

Alex places a hand on her shoulder after a while, a questioning hum following.

She shakes her head, and with it his hand.

A voice that has haunted her for the last two decades drifts closer to her, whispering into her ears a sentence she hates to acknowledge has never been wrong.

“You haven’t saved anyone.”

At twenty-seven, Farah Ahmed Karim has lost the last remaining blood relative she had. There was no one left to mourn, except her.

In a dusty helicopter, with the smell of noxious gas still in her every breath, Farah promised to find him, the walking corpse of her brother, and stop him before he drags more of them down.

And unlike the man who once was her brother, Farah keeps her promises.

[comradecowplant]

whenever i see people defend having ai in everything because they believe we are on the cusp of the great singularity blah blah sci-fi magic future that does not (& most likely will not ever) exist:

[ghost-bard]

Love being an arcane warrior in dao i love swinging a giant maul around and being in armour but also casting walking nightmare and horror on my enemies i think swords are cooler but the affect of a maul is funnier than big sword in my opinion. I have like 3 affects (at the minimum) going on at all times and then i do an aoe chug some lyrium just in case and bludgen some guy to death. What.

[panncakes]

the tragedy in night and day doesn't lie in the accident because day doesn't blame night for the accident (not really, not in the way night blames himself). the tragedy in night and day lies in day having wanted night to be his big brother but feeling like he had to take on that roll for night instead and night having wanted day to be his little brother who is as proud of him as he is of day but being unable to figure out how to get there before the accident. the tragedy lies in day not understanding why night couldn't step up until after day went blind ('im just so damn lucky to be blind') and their mother and the world started treating him like a tragedy; leaving him feeling like night has always been jealous of him and is only stepping up to take the place of the golden son of the family now that it's up for grabs. the tragedy lies in night not being able to communicate to day that he was always proud of him and that him showing up to his sporting events only after day went blind isn't because day is blind now but because he has always loved him and supported him ('this is my little brother. he's a junior athlete on the national team') but now it's impossible to convince day of his sincerity and night can't forgive himself. the tragedy of night and day lies in these brother not having been given the time to naturally grow out of this crooked brotherly dynamic that was put upon them and now they're stuck under all this weight both unable to leave the night of the accident when they're around each other. the tragedy in night and day is that tomorrow isn't guaranteed and they are too stuck in the past to look at today.

[vehemourn]

i just wanna know. what does anyone want artists to do. im really just curious. Like if u steal all of our work and chase us out of all of the jobs and crush every single one of us until we either die or quit. Whats the end goal. artists provided their work for free for 2 decades and built their lives in digital spaces. And in a few years the landscape is changing drastically away from that :/. I'm fucking tired. I'm tired of artists being disrespected. And yet its not going to Stop. Our spaces are still snuck into and scraped, our work is still stolen, and we still have people that are just outright fucking nasty to us just bc u draw a furry animal or are queer. what is anyone supposed to do. our communities were destroyed. our spaces were destroyed. so many artists are Gone and scattered to the winds. What is anyone Doing.

[puppyeared]

Atla live action 😐

[rouge-the-bat]

"i need to know if this character is an adult or not so i know if i can selfship with them!" ...my dude you clearly are already attracted to them ??? like. gurl theyre FICTIONAL. do whatever the fuck you want god damn.

self ship with them with them aged up. or with an imaginary version of you aged down. or just hc whatever gd age you want for them whether or not it ends up being canon (or its already stated in canon but doesnt match ur view of them). or selfship yourself with them through a character in canon. you can literally just see your fictional other as aging with you. who fucking cares. its fiction. the specifics of the relationship is whatever the hell you make it.

its literally so sad to see people being afraid to just SELF SHIP because they dont know if its potentially ~problematic~ depending on stuff they can easily just rule out of their own view of canon 💀 canon is your sandbox you can tear down the castle and build it anew however to your liking

[the-kipsabian]

watching old stuff (like, beginning of aew) and this is kips first match of tv/dynamite. the fact that he can hang with the fucking elite says so much of the level of talent he actually has

the crowd is chanting "this is awesome" while hes in the ring, having winning offense against matt jackson

hes being put on notice here. he makes people take a double take. he doing well in a tag match against the elite. he had a banger before with hangman. he won the first ever singles match in aew history

so fucking by god tell me why is kip sabian still overlook, under rated as all hell and not given opportunities to prove himself when back FOUR YEARS AGO he was this fucking good and now hes even better

[bechloesupercorp]

“Oof-” Ava slammed straight into the grass, sending plumes of dust up in her wake. Her muscles ached in protest as she dragged herself off the ground. Nope, not as young as she used to be. Reya’s realm had felt like centuries. To her, it literally had been, slowly aging her as she fought God herself to go back. What didn’t make sense though was Michael. Maybe he’d just taken the term “growth spurt” a bit too literally and just ran headfirst into adulthood. Nevermind that. Ava shook herself off, a jumble of emotions climbing up her throat at the sight of Cat’s Cradle. She was almost home.

The sisters were nice, but wholly unfamiliar. No Cam, no Lilith, not even Mother. And definitely no Bea. A trill of joy ran up her spine – maybe Bea had listened, and actually went to live her life. A spike of fear wedged even deeper at the same time – what if Bea didn’t want her in her life anymore? What if she had gone and done all these amazing things while Ava was stuck in another realm. What if Bea had outgrown her, like plenty of roommates had before, being adopted out or leaving for school and bigger things than Ava and witty banter. 

She still had to try. Beatrice had left almost nothing. No phone number, no email, just a P.O. box in familiar writing, paper aged with the tendrils of time. Even then, Ava could see that the strokes were sure, certain, like the Bea she’s always known. But they were lighter too, the ends of her letters lifting up just a bit, like even she didn’t know exactly what was coming next.

So Ava thanked the sisters and rushed on out.

She didn’t move as fast as she used to anymore, even with the halo thrumming in her back. But she trudged along, feet drawing her closer and closer to her final destination. The sunrise broke over the horizon as she plowed up the mountains. Of course, Bea would go back to the one place they’d shared. Not Ava-the-Halo-Bearer and Sister Beatrice, but simply Ava and Bea. 

The sun glowed against her cheeks and she felt like she was nineteen-just-turned-twenty again. Tears pricked at the corners of her eyes when she realised that this could all be gone. Bea’s, but not hers. Who wouldn’t love Beatrice? She probably had a whole new life, new family, new love, just conveniently in the same place they’d learned to love each other. She planted herself on a park bench, just across from the pool she’d spent almost every free second she’d had at, and the doubt wormed into her chest, shredding at her heart til she could barely breathe.

“Ma’am, are you okay?” A young voice drifted in in German, accompanied by someone settling on the bench next to her.

It took her a second to respond, “I’m fine, thanks!” The language felt odd on her tongue. Thirty years had passed, but her mouth still moved, falling into a routine that was natural, but a bit misshapen, like clearing the cobwebs of an old hangout.

The young man had looked straight through her, with a funky little mustache and mischievous eyes. Ava wasn’t quite sure why, but in seconds she was pouring out her life’s story to this random stranger. She could almost hear the music in the background, like she had done hundreds of times to Hans before. 

“It’s been years, and I don’t even know if she’d wait for this long. It feels selfish to want it but–” The boy stopped, glancing as another figure settled near the pool, “Sorry, my father sends me each morning to watch–” Ava followed his line of sight and everything faded. Bea. Streaks of grey laid where the blond used to be. Hair still up in a bun, a few strands hanging loose and framing her face perfectly. Ava’s hand itched to tuck it back behind her ear. To trace the soft smile lines at the edge of her eyes. Good. All Ava had wanted was for Bea to be happy. 

She couldn’t help but launch herself at Bea, Halo giving her a little boost. Bea’s head shot up at the movement, cycling from alarm to immediate recognition as Ava’s feet pounded against the grass. Bea shot to her feet, arms reaching forward, crashing together in a tangle of limbs. 

“Ava?” Bea’s voice cracked, a slight tinge of disbelief, as she clutched at Ava’s spine, drawing them together as close as she could.

“Bea,” she whispered, gripping at anything she could. She buried her nose in the crook of Bea’s neck – she smelled exactly the same. A flood of relief washed down her muscles as Bea pressed her lips against the side of her head, tears dripping against Ava’s face and mixing with her own. It took a few seconds of stunned relief, multitudes being said without any sound. “You came home,” Bea sniffled, voice thick with emotion.

Ava drew back, hand gently tilting Bea’s chin, eyes searching for the truth she already knew. “I’m home.”

[swordfaery]

anyway my favourite thing about dead men fanfiction is the wildly different characters we all write. like. not even the ones who have been dead for years and have so little actual characterisation but even the ones who were alive in canon were probably very different one hundred, two hundred, three hundred years ago. also theyre under characterised in fiction. also we are all just having fun