#im being very normal about this and am thinking clearly

[prof-peach]

Bit ooc but I have a question. How you do go about planing out your PLA comic? Like how do you actually turn your ideas/ storyline into comic form? Is it chapter to chapter or do you have the whole idea already planned out? Trying to find my own way in comic making so I’m just wondering if you could give any advice. Feel free to ignore if you don’t feel comfortable answering

So, at first this was al i could think to send.

because its incredibly accurate to my process.

Jokes aside, a lot of how i work is back and forth chaos, fighting with ideas until im happy with them. I will start with a list (usually not written down because im unhinged and keep a ot of it in my brain) and organise it in a way that makes sense to the situation, in this case workign with a game with an established plot...not that its a very strong one.

with a set of ideas, and a game to work around i will ramble and rant to a few choice people who i bounce well off, and also stare into space for hours on end building the ideas. This process can be days, it can be years. For context, i have some notes from 2019 about things i wanted to include that are still relevant. I have been scheming how to break and rebuild this OC for ages. Theres no correct time frame, so long as you simply do the work.

Once i have a fairly loose plan, i start to solidify the benning and the end. What is required to make a character compelling, what makes them believable, what makes them human in a way that we recognise. this isnt always a positive thing, people like to call characters who do bad things problematic, but its human nature to make mistakes and be damaged or difficult, the process of the story is not always rainbows and sunshine. For me, this hits even harder, as im trying to tell a story from the perspective of someone fundamentally broken, so showing those breaks and cracks has to be done wisely.

This is the point where i make notes about things that need to change from the start to the end. And ill say one thing, this story in particular, I have not solidly planned the middle. I am allowing space for me to come up with new ideas at points. Being locked into a dead set of ideas can be quite limiting, and as creators we consume and process things constantly to generate new stories. Id be a fool to make a plan and stick to it. everything i do is vague guidelines.

However, I know exactly how the story ends in Hisui, and where it goes to from there. And i think me personally knowing the end goal makes it easier to plot steps towards that, and some of those steps are anything but progressive.

If nothing else, the end was the only thing i saw clearly, and it has only become more complex and loaded and emotional as the rest of this has fallen into place. If you can see the goal, you can work out how to get there with time.

Regarding the chapters, i tend to draft plan up like 3-4 of them at a time, and then go in order to sketch out one after the other, so i have plenty of time to change things while i adjust. its constantly a process of seeing what you make, seeing issues, and scrapping whole parts just to redraw something better or new, unique even. I dont think a single page ive posted has resembled the very VERY first draft thumbnail ive made, and thats just how i do. Every panel, how big they are, the angle you hand the viewer, the way you light things, the expressions, this all dictates SO SO much.

Taking time over it is kind of the job, and let me stress, this is normally a job done by a team, especially the highly popular comics. one inks, one colours, one shades, one handles text, one edits, theres so many people behind it, so dont be bothered by the pace at which things are made if youre working alone like i am. One person means longer production times, if you can, spread the workload out, but its not required. Its why i always say it doesnt matter how long it takes to make, so long as youre still making.

I think its also worth noting, comics are consumed quickly, the bakcgournds and small details can be lost in the ace of the storytelling, pick and choosing your battles is wise, save your time on panels where you want the reader to shift along quicker, keep that pace high, and add in more detail and depth to panels you want to champion or get the viewers to hang around on more. its ok to let go of a "perfect" image in favour of getting content out, if youre being driven nuts by it. Again, time be damned, be happy with it. And if you can let go of petty details, id suggest doing it when possible, so long as it doesnt effect the storytelling.

I mean what else can i even say. This work is a passion project, I love it, more than i can even put into words, and i think you kind of have to, to make comics without monetary motivation. sure you can get lucky and find ways to make it big, but for most of us, its the love of the story. So maybe try not to be your biggest hater, its easy to slip into the behaviour, so try be gentle on yourself and the process. I should take that advice myself haha! but i really do mean it. This is HARD work, so be kind to yourself over it.

anyway, with a rough idea, a bunch of sketches, and time, they get inked and fussed over, i make a billion changes to layout and story, and eventually posting can happen but not after fighting with the monster that is creating. Idk what else i can say. This is not work for the feint of heart, but anyone can learn to do it.

Good luck, comic artists can always use it!

[o3o-lapd-o3o]

part 2 of the dinner scene in this ongoing au! first part here!

*very early morning, the next day*

*odysseus is making his way back down to the hidden cove*

(he totally wasn't kicked sent out their marriage bed by penelope, who was giggling to herself saying how "he should be excited to go and invite his friend to family dinner")

odysseus: *mumbling to himself* how do you even invite a god to a dinner? especially one that hunted you for 10 years?

odysseus: *arrives at the cove's beach*

odysseus: *sighs* well here goes nothing

odysseus: *looking out to the sea* poseidon! i again need to speak with you about something!

*unlike last time poseidon doesn't appear straight away*

odysseus: poseidon!

*still nothing*

odysseus: *rolling his eyes* do i really have to?

odysseus: *red eyes activated* POSEIDO-

*the water starts moving and poseidon is coming out it, and looks...sleepy?*

poseidon: *holding up his hands* i'm here! i'm here! please turn off the red eyes...

odysseus: *red eyes deactivated*

odysseus: ...well what took you so long to answer? you're normally much quicker

poseidon: *yawning* gods sleep too y'know?

odysseus: *surprised* ...oh, uh-

poseidon: -let's just get to the point. what do you need this time, king of ithaca?

odysseus: um.. dinner?

poseidon: *squinting at odysseus*

poseidon: *starts being salty* you woke me up before helios himself has taken to the sky? to get you DINNER?

odysseus: *starts being snarky back* oh yeah! my first thought of the day was, i could really go for dinner now instead of breakfast, GUESS I'D BETTER GO CALL POSEIDON

poseidon: *eye twitching* listen here you little shi-

odysseus: I'M INVITING YOU TO DINNER YOU-

poseidon: *pointing at odysseus* YOU JUST SAID "DINNER" NOTHING ELSE-

poseidon: *now confused* -wait, why are you inviting me to dinner?

odysseus: *sighing and holding the bridge of his nose* look telemachus wants to have a family dinner-

poseidon: *pointing at himself* family?!?

odysseus: -AND he wants me to invite my "friend"

poseidon:

poseidon: ...and if i refuse?

odysseus: *sighs again* look- i know we're not friends, but my son thinks we are.

odysseus: *now looking at poseidon* and as much as i hate to admit it, you really impressed him when he met you

odysseus: *looking down & speaking under his breath* hades knows why-

odysseus: *back to looking at poseidon* so im not gonna force you this time. but i am just going to ask you, if you would please come to dinner?

odysseus: *with pleading eyes* i understand you don't want to do it for me. however as a father speaking to another father, could you please do this for my son?

poseidon: *closes his eyes*

poseidon: *thinking he could just say no and go back home,,, but-*

poseidon: ... i accept.

odysseus: *in genuine shock* thank yo-

poseidon: *grins* i mean obviously your son is smarter than you, he sees just how great i am. clearly he gets that from his mother and not you.

odysseus: *regretting asking* (¬_¬)

poseidon: so when is this "family" dinner?

odysseus: tomorrow evening.

poseidon: tomorrow evening then. i will take my leave for now.

poseidon: *turning back to head back into the sea*

odysseus: *grins remembering something* oh i just remembered my son will be bringing his friend too

poseidon: *without looking back & waving his hand in a not worried motion* i'm not bothered by another mortal odysseus

odysseus: *shit-eating grin gets bigger* oh no, i'm sure you're not...

odysseus: *in a sing-song voice* this is however no mortal though~

poseidon: *stops*

poseidon: *turns with slight worry* what do you mean no mortal?

odysseus: oh you know, its only... athena.

poseidon: ATHENA?!

odysseus: well i'd best be getting back! don't forgot tomorrow evening poseidon!~

odysseus: *runs back to the palace laughing*

poseidon: ODYSSEUS OF ITHACA!

so.... part 3 coming soon!

(listen i know i said two parts but i ran away with these two and their bickering)

[absolutelyzoned]

i NEED to yap about personal shit i gotta get it out there somewhere

[mbat]

still surprised that the people behind world of warcraft actually really released a race where the women can have beards, and not even just small or subtle beards, but ones just as big and grand as the men have. i dont really ever expect much from blizzard when it comes to anything progressive really, so its always a surprise if they do have anything like this.

and when ive mentioned it before, people have told me that women dwarves (the earthen arent even actually dwarves(?), they just look A LOT like them for whatever reason) usually have beards?? but ive never seen that before this whole thing, and even then, this is blizzard were talking about. its actually just a shock they did something like this at all.

i try not to publically praise them too much for a few reasons, but i just have to say that i like it, and yes i gave my earthen woman a grand beard.

[arolesbianism]

Sometimes I just look at Isabeau and just know that if isat came out and I got into it when I was like 16 he would be my favorite character and I would've gone absolutely buck wild over this man and feel like he was laser targeting me. But alas Odile has a grip of steel on me rn due to her virtue of being a middle aged woman

[jvzebel-x]

🦋

[dangoulains-devotion]

every time I have to wade through inane ship wars where people are willfully ignorant to the depth and facets of cloud strife's character, circumstance, and story just so I can find some cool screenshots or fanart my 'cloud is ace' agenda simply grows more potent out of spite

[jackienautism]

what if i threw up

I love both my wives but ashley could have survived the quarry and abigail could not have survived until dawn

[silverislander]

man im just remembering this one girl i hung out with in high school who was just fucking. wildly lesbophobic. letting her know i was questioning was the worst mistake i made in hs lol

[weirdmageddon]

why i think aradia and john work so well

(with some stuff i’ve been wanting to yap about for ages)

have you guys ever given arajohn / johnradia (idk if its popular enough to even have a standardized ship name) any thought …? i know it seems kind of out of left field. i’ve considered it and i think its. really really good. i have a bunch of thoughts to unpack. come join me. and maybe grab a snack or something because i didn’t realize how much i'd actually have to say about this

(fantastic art by skeletood)

the other day i made a tweet that did rather well where i said, “john and aradia shouldve talked more. its so simple but i like how she actually earnestly answers his questions. so many characters in this comic are so mean to john for just wanting to know more give him a break”

putting it out there now im not big about shipping for the sake of shipping. there needs to be real chemistry. i need to sense that as a reason why two characters would potentially be a good influence on each other. i never knew why i was always so obstinate about this because it’s fictional and not materially hurting anyone, but i think it might be because i’m not sure how to justify it or explain it if not.

i strongly believe john and aradia would have had it made out for them if circumstances allowed it. (what i mean by “ship” or “johnradia” extends to any kind of interpersonal dynamic, even if just a good friendship. it doesnt even have to be romantic, just some sort of dynamic with them.)

unfortunately aradia originally committed herself to staying out of trolling the kids over their timelines, so john and aradia never talked until year 3 on the ship in the dream bubbles but they never had a truly proper one-on-one without outside meddling. i think if john knew aradia better and her story beforehand, she had more time to explain herself and her history, he wouldnt have been unsettled. and also of course if his experience with the trolls didn’t suck so bad because he already had expectations for how antagonizing most of them were.

i found people’s sentiments about johnradia elsewhere too. i remembered that they were both on the song art for ascend, and searched ao3 to see how many fics have been written to gauge how substaintial it’s been in the homestuck fandom. only 17 of them turned up. but the people who do talk about it are either curious about it or really do like it, and that interested me.

clearly it’s pretty niche character relationship to be depicted in any fanwork and i can understand why. despite being so small, from what ive seen it seems universally agreed upon to be nice. i haven’t seen a single person object to it. what ive seen falls into two categories: “wow i didnt think about this before but i actually dig it” or “(starving) finally some good fucking food”

the pattern im seeing is that people think it’s “random”, but i disagree. there is something there substantiating it even if they’re unable to articulate it.

the fanfic these comments are from is chronology of wind. that fic is really, really good, and sadly unfinished. i have more abstract reasons to believe why aradia and john would be good in theory, so actually seeing someone else actually make something with them helped me read it in action, to get a more tangible feel of the dynamic beyond what we have in canon.

i wouldn’t normally make claims about a relationship with regard to homestuck canon by looking at their relationship in a fanfic, because i think you all know by now i am very nitpicky about accurate characterization, and it does not go unnoticed by me when people get it right because for some reason it feels like a one in a million thing (even though it really shouldn’t be?). so this was a special case. the tone was completely consistent with canon. this fic is so in-character i’d basically consider it an extension of canon. to me it’s like they took the same characters and plopped them into this scenario to see how they’d interact. guys… i love that stuff so much. i love fanfiction or fanworks that depict realistic extensions of canon and stays true to the energy and tone of the source, but deepens it. there isn’t enough of it imo. i want to see more of it.

anyway, what i read of their conversations in that fic basically aligned with what i was thinking in my head about what i’d expect it to be like. i was able to compare how aradia and john talked to how aradia and the other characters interacted, their comparative attitudes towards each other—how they’re treated by others compared to how they treat each other.

have you noticed john and aradia’s communication values are both based on sincerity, being in the proper know, treating people fairly, and thanklessly taking on the necessary work that “must be done” in order to have what they really want — a good time that feels meaningful? and they accomplish this without any adjustment in how they talk to each other.

john is always subtly (or not-so-subtly) asking the people around him to answer him soberly and to the point so he knows whats going on and what that means for what his options are. he needs to know to what end he will be applying his absurd energetic drive into making shit happen. aradia honors his time before john can even become uncomfortable with the amount of time being eaten up by conversation. contrast this with rose, who seems to go on for a while with prose-like conversational adornments. in dire situations that need rapid explanation and definitive answers so he knows what to do, this is really the last thing he needs. aradia doesnt waste john’s time. she answers all his questions, and does it politely to boot. his time talking to her doesn't feel wasted.

john's impatience with this sort of nonsense is also why i can’t see something like dirkjohn working out, for example. to me it feels like @entropicbias also deeply understands this on some level because i literally couldn’t have demonstrated what i mean by it any better myself than that. i'm gonna have to to hit him up about how much i genuinely respect that like tbh hes one of the few i absolutely trust to handle writing and depicting these characters in situations and their interpersonal dynamics. and also care about doing their characterization justice as much as me.

of course people are still entitled to like whatever they like, ship whatever they want to. i dont care. but i just don’t think it would work from the perspective of the minds of the canon characters, how they generally think and approach situations. and i can already tell people might ask me how do i know this? what makes me an expert? i’m not more than anyone else is (although i have been called a "characterization expert" from my friends), but i do know that i can pick up on the energetic chemistry between people, including characters, honestly precognitively, without even thinking? like if it’s stiff or tense or awkward, if people aren’t free to express themselves uninhibitedly, if they feel unsafe or uncomfortable. i can sense this almost instantly. it’s something that’s a visceral feeling in my body i cant express and i have to rationalize it after the fact. like i’m doing now in fact writing this big analysis.

> listen to me talk about my special interest boy

for the next section to make sense, you probably want to read this post. i initially started writing it within this post to explain but there was so much brewing i had to explain the context that it turned into something i wanted to post on its own terms.

> okaaaaaayyyyy i read all that

thank you, really. my main point is using the conceptual tools provided by this system to expIain why aradia and john feel nice together and why i’ve seen people positively perceive the idea of a relationship between them even if it seems “random”.

framing them in this system, it wouldn’t be random! there’s a good reason they seem to fit nicely. this is because john and aradia have complementary forms of information metabolism. information metabolism is talked about in this section.

Jung’s psychic types are the types of cognition, or intelligence. But it would probably be easiest to call them types of IM [information metabolism], since the main difference between the types of people lies in their exchange of information with the external world.

Aushra Augusta, Commentary on Jung’s Typology and Introduction to Information Metabolism

aradia megido’s type of information metabolism (otherwise known as a TIM) is LII. john egbert’s TIM is ESE.

aradia and john’s types are duals. you can read more about what that entails here. in theory, their interactions would reflect the duality dynamic. reading chronology of wind, that one really in-character fic that explored their dynamic made me excited because they do!

michael pierce gave an overview of his impression of the characteristics of this intertype dynamic. despite only rough knowledge in socionics while he wrote this, his understanding of duality was spot on to me from my experience and others and i wanted to share it here. (fittingly, i believe he is also LII.)

Now we have the famous duality relationship: in a nutshell, this role is characterized by two traits: 1) a very close psychological distance or intimacy, and 2) a great ease of interacting with each other. It is sometimes described how meeting one's dual can be the event of a lifetime, because it inspires aspects in each party's character that they had never expressed before: the pair may even drop out of society for a time in order to focus on just each other, and to explore themselves through interaction with each other. The curious thing in this relationship is that these parties are rather different in outlook, and when they are not actually interacting as potential friends it's probably more likely for them to dislike or mistrust each other because of how different they are. […] However, when they are able to interact normally, it is a strange and wonderful discovery to realize that the interaction is unexpectedly smooth and invigorating. It's hard for people to describe, but as I understand it: while both parties recognize their differences on the surface, these differences are created by a root structure that coincides perfectly with each other, so that the differences on the surface are entirely complementary and cause no friction at all.

it’s also meaningful to consider that the structure of my own psyche is LII as well. so i’ve got a bit of a bias towards aradia and john.. not in the sense that what i actually say about them is personally biased, but that the bias is moreso my personal attention to people and characters of these two types in particular to see how my own experiences are reflected in them. i really do feel of a reflection of my own thought and work process in aradia and in the more abstract sense she is like an extension of myself. when people say they like aradia as a character i get secondhand joy from that because shares certain specific traits with me. of course i am still my own person though.

these are some of the most apt profiles i've found for these types at a glance. again, think about these characters as you read these descriptions. [from here (ESE / LII)]

ESE (Ethical-sensory extrovert) - john

The trademark quality of this type is a focus on socializing and guiding social situations and interactions so that the people involved can have fun and enjoy themselves. ESEs are typically in the middle of what is happening socially and know about the latest events and what people think and feel about them. They are skilled at bringing people together in fun and interesting ways and making everyone feel actively involved. Their friends know them as people who love life and feel most at home in social situations surrounded by other fun people. In their pursuit of fun-oriented and stimulating social interactions, ESEs typically neglect to structure their own thought processes and views in a way that would help them know exactly what they think and why. They are receptive to others’ attempts to help them introduce more structure and logical consistency in their life and thinking processes. They gravitate most to people who open up to fun and emotional interaction easily, yet are also skilled at systematizing thoughts and views and explaining ideological matters.

LII (Logical-intuitive introvert) - aradia

The trademark quality of this type is a focus on logical, structured thought and generating true assertions and views. LIIs are typically strict thinkers who are concerned that everything fits together in a logical way. They are skilled at understanding, generating, and criticizing logical arguments and instilling their views in the people around them. Their friends know them as people with well-organized thoughts and opinions who know what they think and can elucidate their ideas to others. In their pursuit of logical understanding, LIIs typically neglect their external social interactions and activities that would help them lighten up and experience a connection with other people. They are receptive to others’ attempts to create these fun and lighthearted situations for them. They gravitate most to people who are interested in their opinions and understanding of things, but are also skilled at organizing social interactions and creating a sense of emotional unity.

ive recently consciously experienced the feeling of duality for the first time since i've been communicating with my mom's high school classmate, and it is definitely a real thing. i even remember mom pointing out she noticed when we were all talking on the phone over a year ago that i perked up whenever he said stuff. here is how i explained it:

its bonkers how only once i experience something for myself i’m able to explain in detail what makes it so great based on what my impressions about it were because i tend to have a peculiar way of describing the qualities of an experience. my specialty is deep precision in my analogies for what it’s like. so now i can tell you how conversations with your dual feel… heres the status report. it’s weightless. its so strange. like the topic conversation stretches into infinity that you can pick right back up at any time. it’s hazy and unfocused but still pleasant (unless you’re particularly self-conscious and need to unlearn hiding your true self). but the best parts of it come when you have a specific issue or insecurity that comes with being your most natural self that the world seems to misunderstand about you, or just not give you what you don't even know you’ve been looking for. i think you might mutually intimidate each other at first because you're lowkey both expecting to be made fun of for your inadequacy with certain types of information that the other is nuanced with (and you’re not), but it never comes. you don't feel like what your dual wants in life is wrong. your dual seems so talented in all the ways you hope to shine but you’re always unsure of. for the introvert (me) wishing they felt their own active presence as an object (Se, Ne, Te, Fe) like the extravert does. for the extravert, wishing they felt their own relationships with other objects (Si, Ni, Ti, Fi) like the introvert does. any other intertype relationship (ITR) vs. duality is like the difference between 99% and 100% totality of a solar eclipse, except it’s the level of understanding with another person, like the eclipsing of your own information metabolism with theirs. of course there are other things that influence how well your relationship with this person goes, but i am talking strictly about when it comes to basic communication, the level of understanding you share. sometimes it might feel like you dont have much to talk about or the topic is unfocused, because you two ARE opposites in many ways after all, especially at a glance (domain of interests usually come with specific macroelements. theories about thought structures—like socionics, for instance—are in the domain of intuition, while physical interests and experiences are in the domain of sensorics.) i’m LII in the NT club (researchers) and my dual ESE in the SF club (social-communicative). so they’re constantly providing you with information from their own niche in life that you may be entirely unfamiliar with, but for some reason still interests and relaxes you to hear. you might not feel like you have a lot to say about the topic since but you are fully amazed by this person’s activity. it also makes you feel more sure of yourself and more confident that people truly appreciate and need your natural abilities.

> let’s break it down

here’s some lightly modified descriptions of the information blocks in LII and ESE's information metabolism models from pyatnitsky so you can get an overarching impression of how their type contributes to the informational sphere. i added some of my own adjustments and borrowed some sentences from stratiyevskaya's descriptions. additionally, you can click on the name of the block for an explanation of the role it plays.

i put about a week’s work into these collages but my goal with them was to actually show where i think these information blocks are most pertinent in these characters specifically and where they apply so it’s not just some abstract thing, just as supplementary examples as needed. (for the meaning of these information elements individually you can refer to cysia’s document.)

LII (Logical-intuitive introvert)

EGO (-Ti? -> -Ne!). Analytical thinking. They are well aware of the interrelationships of some objects or phenomena with others, and what laws are in effect or not in effect. On the basis of a comprehensive analysis, they put forward insights about the global essence of specific objects and phenomena, their possibilities. They acutely charge the situation with potential energy. For every situation, there is an archetype.

Super-EGO (-Fi? -> -Se!). Normative ideas about relationships between people and ways to get out of unpleasant ethical situations. Understands ethics as founded on the principles of fairness; to do to one side of the equation that you do to the other. Volitional manifestations in order to protect their living space are carried out only on the basis of personal experience. Because of the limited opportunities to fight back, they react painfully to attempts of any interference in his life. Does not respond to any arbitrary crudeness or volitional pressuring. Does not compromise goals, stubbornly clings to them. Avoids direct confrontation if possible, would rather talk civilly and earnestly. Uses their naturally strong sense of the conditioning of objects over time to avoid collisions with their material interests. Due to this, they may appear as someone with very little weaknesses.

Super-ID (+Fe -> +Si?) Attracts information about a good mood, a specific positive state, or a feeling. They would like to think that they can eliminate serious inconveniences, make the environment around them more comfortable. This skill needs to be evaluated. They are unconsciously activated when there is a need to make the environment more comfortable, which should lead to a better state, raise the mood at least in the immediate environment. In friendly, comfortable, and informal company, their cool exterior thaws and they start lighting up with joviality.

ID (+Te! → +Ni?). Has developed guidelines and methods that relate to specific practical activities, technological effectiveness, and resource use. Spontaneously feels the correct allocation of resources over time, which allows them to effectively solve tasks at an unhurried pace. This pace is deeply rational in nature.

ESE (Ethical-sensory extrovert)

EGO (+Fe! -> +Si?). Perception of the world is fundamentally emotional. Feels the emotional atmosphere well in any situation, knows the relevance of the way of expression, the place and weight (importance) of the internal state in each situation. Flexible approach to solving problems of managing and expressing emotions. They show bright emotionality both negative and positive. Creatively produces around themself comfort, coziness, conveniently arranges space, surrounds others with beautiful things, changing thereby the general condition and mood. Usually opinionated about their tastes.

(wow i really went all out on that this one that tumblr wont even display it in full resolution, so here. john just has so many more lines to choose from, sorry!)

Super-EGO (+Te! -> +Ni?). Practical and technological thinking is tightly based on acquired knowledge and patterns of solving similar problems. Methods of business activity in both general and specific areas are selected based on the opinion of reputable sources, or adjusted to one of the mastered templates. Predicting specific changes in the sphere of their interests is carried out only on the basis of personal experience. He is not able to compare his own method of forecasting with others, so he is sensitive to criticism of poor timing or deadlines, does not like situations that feel like a waste of his time; he is lost in connection with negative events. Guided by purely personal experience, he chooses specific times and deadlines for various tasks with a normative understanding of business activity in general.

Super-ID (-Ti? -> -Ne!). Attracts information about the order, specific logical relationships in the field of activity or interests. Needs someone to suggest specific ways to make connections between phenomena, patterns, and rules. Tries to be reasonable himself, even though he knows that this is not characteristic of him. Sometimes he openly talks of his actions that were poorly reasoned through, as if inviting other people to laugh at his thoughtlessness. The ordering and systematization of thought opens up a new way of understanding of events that are happening around him, as well as new prospects, potential, and capabilities. He likes to think that he understands the essence of a situation and lights up with new ideas. This skill needs to be evaluated. It is unconsciously activated when it is necessary to create order, clear consistency and clarity on a particular issue, especially if their abilities are recognized.

ID (-Fi? -> -Se!). Involuntarily keeps track of communications in their social circle. Without hesitation, they use a variety of ways to establish and maintain relationships that have been developed in his personal practice. Good relationships are important for personal inner confidence in a situation. To prevent unfavorable relationships, they are inclined, often without even realizing it, to act with pressure, forcing a showdown, forcing the partner to change the relationship for the better. Frequently demonstrates his resoluteness, persistence, and purposefulness, as if proposing his behavior as a model for imitation. Usually tells in much detail what obstacles were created before him, and how he overcame them, what he was told in response, and what he replied with, and so on and in the like.

(full res)

you might be able to see already how they would complement each other's thought process nicely. here are some descriptions of what the communication between these types is like:

+Fe! : program function of ESE and dual-seeking function of LII

The ESE periodically tells emotionally charged "program" function stories, telling of how somebody has acted and what they have done. The main orientation of ESE's leading ethical program is: "No one should be offended." The LII carefully listens to these statements, and, demonstrating a full understanding of these issues, develops logical basis for them, e.g. in calm persuasive voice he explains how the ESE has acted justly and fairly. The effusion of turbulent emotions coming from the ESE is counterbalanced by their absorption by the LII, who breaks them down into fragments by asking clarifying questions of the ESE.

-Ti? : dual-seeking function of ESE and program function of LII

The ESE is tuned to accepting information when it's relayed in clear logical form. He issues requests for logical explanations delivered from a point of view of generalized rules underpinning specific life events, which he receives from the LII, who delivers clear unambiguous interpretations, places the dots over all "i's", and demonstrates good understanding of problems that are of concern to the ESE. Not receiving information of this kind, the ESE begins making demands of those around him to be "intelligent" and understand the reasons of his actions.

-Ne! : activating function of ESE and creative function of LII

The ESE feels uncomfortable if he doesn't extend his help to people who are in need of it. His subconscious orientation is: "care and guard the talented", be kind and attentive towards other people. The LII usually meets such criteria by proving in action his aptitude at uncovering hidden capabilities, winning trust, passing on the knowledge. The ESE creates supportive conditions for people who are capable but lacking in assertive "push-through" qualities, among whom the LII finds himself, and a special work regime that protects such individuals from overloads on sensing functions. Newly discovered possibilities inspire and promote the pragmatic and business-oriented activities of the ESE. He can support a new undertaking or initiative with an enormous amount of energy and enthusiasm, light up by new ideas. Only the LII is able to, even having a vague general notion about the subject, construct a developed theory or idea of any issue. This theory shows to be promising in the process of its concrete application within its field.

+Si? : creative function of ESE and activating function of LII

LII tries to take care of their well-being, but may gravitate towards demonstrative asceticism, exhaust himself with work, studies, or exercise. The ESE periodically takes care of creating an environment that "charges" the LII with pleasant sensations: a reception of guests, a good meal, a visit to a theater or a concert, an interesting trip, and so on. At the same time the ESE takes pleasure in this himself.

+Te! : role function of ESE and observing function of LII

The role function of the ESE manifests as business-oriented activity and initiative, supplying interesting information, provision with material assistance to those who are in need, general restlessness and fussy busyness. This function is normative, i.e. the ESE seeks to comply with the norms and accepted ways of doing things. The nuancing of the understanding of these norms, i.e. introduction of activities that go beyond them, is possible only by considering LII's advice and recommendations. The LII serves as a director of this function, adjusting its workings by advocating the necessity of practical application of some beneficial ideas, rejection of useless though spectacular ideas, and the need to ensure standards of life not below average by rejection of equalization.

+Ni? : vulnerable function of ESE and demonstrative function of LII

The ESE poorly feels the flow of time, both physical, which manifests as running late and poor distribution of his strengths over time, and historical, which manifests as poor ability to anticipate consequences of actions and tendency for traditional ways of solving problems. The ESE finds it difficult to make radical choices. The LII fully takes this aspect onto his shoulders. He has an unconscious ability to distribute activities in time, thereby avoiding work stress and overloads, and is capable of making a radical choice. The LII is able to calmly wait and in the necessary moment get to work when the wasteful fussiness of the ESE reaches its critical point.

-Fi? : ignoring function of ESE and role function of LII

On this function the ESE gives advice and makes demands concerning the creation of appropriate psychological distances in form of proper behavior, courtesy and politeness, denouncing rudeness and boorishness. In this manner, the ESE adjusts LII's role function, which in itself contains a set of large psychological distances: a sullen stubborn look, unsociability, etc. With such fine-tuning it becomes easier for the LII to come into contact with people, whereby he becomes more animated, resolves many of his ethical problems that previously frightened him, gains greater insight into human relationships and a more accurate understanding as to whose side to take in situations of conflict.

-Se! : demonstrative function of ESE and vulnerable function of LII

The LII finds it very difficult to exert pressure on other people from his own will and initiative, especially in cases when he needs to attain something for himself. He finds this difficult to do - to press ahead in certain situations, to gather all the required paperwork, to stand in lines and queues, to petition for his own interests, even the ones that are of vital importance to him. He finds it difficult to push a person away, to sharply refuse someone, to quarrel loudly and defend his rights, to put an end to relations that have exhausted themselves. The ESE doesn't directly affect this function, i.e. he doesn't verbally criticize and teach the LII on this aspect, but takes over its functioning completely. The ESE exerts a constant, sometimes intrusive and imposing pressure on other people if there is a need to achieve something, to defend justice and demand fair treatment, to protect interests of those who are close and dear to him. The ESE goes to the right jurisdictions, inspires people around him and directs them towards work and purposeful activity, keeps up a high pace of life himself, and breaks off relations with those who don't deserve trust.

and some miscellaneous excerpts from literature i liked a lot. (i can't remember the sources i used since i've been working on this on and off, for the past week and i was just spilling things onto the post. i think stratiyevskaya?):

Mood - that’s what matters in this dyad - emotions and feelings. Anything that suppresses and overshadows good mood is considered unethical in this dyad and is strongly condemned.

The ESE does not allow the LII to limit him in the possibilities of consuming the amount of pleasures and joys, which he considers to be necessary and sufficient. Fortunately, both partners in the dyad - LII and ESE - are obstinate and unyielding. Both are demanding, unwilling (and not allowing anyone else) to lower the bar of their requirements, unable to give in and make concessions (especially in anything that is of principle for themselves). Both know how to make their partner reckon with their interests and insist on the fulfillment of their demands.

LII is impressed by the emotional generosity of ESE and his spiritual responsiveness. All this finds the deepest understanding in LII, since he is tuned to the same priorities and values. For his part, ESE admires the ability of LII to speak clearly and definitely on every issue. ESE is struck by the harmony of the reasoning of LII, the amazing clarity, accuracy and laconicism of his statements. To ESE it seems that for LII, there is nothing incomprehensible in this world; he can give a comprehensive explanation on every issue. And everything that ESE thought about before is gradually being built into a definite and clear system of views, which he can now very freely and naturally present. Confusion and chaos in his worldview gradually gives way to a stable logical order, as if someone patient and careful was sorting all his thoughts into shelves. Such clarity inspires and activates ESE; he begins to see some prospects for himself, new opportunities. His energy and activity, in addition to emotional and ethical expression, also receives sensory realization: ESE begins to take care of LII and carefully looks after him. If LII is a colleague with whom ESE is especially pleasant to communicate with, he begins to treat him with something tasty, homemade; will make some small, but beautiful and necessary gift (for example: new cologne or a warm scarf).

> okay that's great and all but when are we talking about john and aradia specifically?

yes, that was the point of this post. i just had to build all that up first so i could walk you through my thoughts in a fully substantiated way.

considering chronology of wind again, john doesnt realize it but he needs aradias frankness and insight. even if she’s unable to explicate on vague things, she states the reason why instead of making him feel stupid (it would create a doomed timeline) but thats all john needs to hear. she is self-effacing and only tells him the truth, and we know other people can take advantage of john’s suggestibility in this way. aradia tells john who is or isnt trustworthy, what actions would be useful/necessary and which ones wont, without any selfish personal motive a la vriska or terezi.

^ (juuuust the record my nitpicky ass doesn’t agree with the truth of the classpect interpretation on behalf of the author in the last bit BUT that is beside the point here. the point is that she is answering john’s question in a way that is meaningful for him)

aradia doesnt realize it but she needs john’s friendy goofiness to brighten her up because she is surrounded by people who antagonize her when she’s literally not even trying to get under anyones skin. everybody gets frustrated at her “spooky nonsense” because theyre afraid of their own mortality, basically telling her to put a lid on it because thinking about hard truths makes THEM personally uncomfortable. but to her it’s always just been a fact of life. plugging your ears to reality is ignorance, but at the same time that doesn’t mean there’s no meaning in anything. she wants to help people see this and she dedicates herself to becoming a psychopomp for the deceased and earnestly trying to make people feel emotionally and physically comfortable in their situation through exploring their memories.

john isn’t hostile towards her. by being herself she is immediately able to earn john’s trust when they initially talk. this is also true in canon; the one time they talked when john initially comes up to her, saying “can i ask you something? seem reasonable, and pretty nice.” unfortunately he asked her the one question she didn’t have much to say about, and i can’t blame him for expecting all the troll girls to be basically insane at that point. but i don’t think aradia is insane. yes she is odd, but i think it’s evident that she has a good head on her shoulders with knowledge of the way the universe around her works, and in the end wants to simply bask in watching it play out. i think she deserves to get childishly excited about it, especially considering she was dead for most of her developmental years.

aside from getting his answers answered, john shows curiosity about her and her species and even care about her well-being and state. this naturally comes from their conversation’s ebb and flow. aradia tells this straightforwardly, without bells and whistles and without trying to trick him, unlike the other trolls who seem keen on well..trolling him.. and providing him with unclear answers to those sorts things. maybe aside from vriska, but she did have a little bit of an attitude about it wherein her and john’s dynamic felt uneven or off-rhythm, with a large psychological distance. it’s a different feeling with aradia, however. they exchange information on the same rhythm and so are able to achieve a closer psychological distance in communication.

there are no judgments coming from aradia about john being “stupid”. she doesn’t underestimate him. it’s not just that john wants to understand (although he does), but he needs to understand what he is doing. aradia compliments john about the traits he possesses that allow him to be effective. i guess in a way i’m doing the same thing with john right now.

john is so mobile and strung along by being the action hero going from place to place as a can-do deliveryboy that he never has time to reflect on his losses, think through them, and accept them.

literally who else is more qualified in all of homestuck than aradia for talking to john about these things?

on top of all of this, they have objectively significant connections beyond just mutual self-realization in a way i think could've been fleshed out. there is potential here.

for a story, i can think of a way that a conversation between them could plausibly happen using the systems established in homestuck's mythology. in canon, we see that john never met aradia until year 3 on the golden battleship in the dream bubbles when he goes to sleep.

but john still dreamt out in the furthest ring. that means during those 3 years it was possible for john to have had a dream with her in it, or at least aradiabot. i know john didn't know aradia's name beforehand but let's just explore the possibility that they could have had met before that. remember that all these aradiabots were once this person.

aradia had obtained john's crosbytop, his dads hat, and his wallet quite a while before their sgrub session. theres your entry

imagine john seeing that

memories of dear old dad get stirred up through the link of seeing those items

the dream bubble transforms

john is forced to stand in his memories and explore grief and the meaning of life with aradia

physically being in the space around him would definitely help john reflect easier i think because it will force him to actually exist within the space and talk to someone, taking some time out for this. he wanted to know if anything could've been done or if he was just too late to save them. i know aradia would be able help him slow down and introspect. don't forget the opportunities created by the properties of these spaces that are glubbed out in the furthest ring by the horrorterrors that meld the labyrinthine time and space of their surroundings to the memories of the people and finding others through common points in memory. i would imagine that objects known by multiple people would provide a common point in memory to bring them together.

The bubbles allow the players of Sburb/Sgrub who have lost a life to continue dreaming. The reality constructed in the bubbles is a combination of the memories of everyone inside the bubble accessible to any who has learned the bubble's nature. According to Aradia, it would be quite difficult to exit a bubble to get into a new one, however someone inside a bubble can travel to another one through common points in memory, taking their own memories with them to be integrated into the new bubble. These memories mix and combine, but in general, no new memories are created. Additionally, the bubbles store the consciousness of a player who has lost their dream selves and their original selves, making them double as a form of afterlife; the player is then capable of accessing the memory of anyone else who has gained access to the bubbles. Living players, who have lost or become their dream selves, appear in the dream bubbles when they are asleep. It is in this fashion that the bubbles can be used as meeting places between the dead and the living; even those from alternate universes and doomed timelines can be found in a bubble. Furthermore, in addition to memories, the bubbles can to some extent reflect the thoughts of a player. Beyond that, the bubbles can also behave similarly to Skaia's clouds, showing things that are in some way relevant to the player - such as when coin-flip Dave saw alpha Dave grieving over Bro's corpse - something he was not aware of before being shown it by a bubble.

physically reflect the thoughts of the player…… rubs hands

john and aradia share points in memory related to those objects, and to top it all of they are directly related to john's dad on the same day he died, while aradia grew up with them as bizarre alien artifacts from an archeological dig. the memories are more emotionally charged for john, and i think that distinction would probably be relevant to them both.

to be honest i think after speaking with him for a bit she would readily tell john that she regrets not talking to the kids from the universe her team created sooner before she died, but is glad that she can in the afterlife. in canon, alpha aradia told a doomed dave, "i think its absurd i never introduced myself to you in all that time i spent moping around the lab. guess i wasnt in a very good mood".

now not all the aradiabots would know who john is, because the trolls only found out about the humans once they created the genesis frog and hid out in the lab in the veil from jack who infiltrated their session. the aradiabot in the lab was the last one that survived. so if any one of them would know who john is, it would be the aradiabot that exploded. aradia's dream self ascended to god tier in jack noir's rampage on trolls' derse and took those memories with her which we can assume is what made the last aradiabot explode. its known that any original copy that dies when another rises up becomes a ghost and lives on in the dream bubbles, which would include her. a doomed aradiabot we see in the comic, which was the one that originally landed to alternia in the past, becomes more lighthearted after she dies, a bit more like her alive counterpart.

oh yeah, and the more obvious surface-level connections to top it off? ghostbusters? john ain't afraid of no ghost girl. john would be genuinely interested in what aradia living as a ghost irl on her planet and not as a gaming abstraction in the furthest ring would be like. i imagine she would be able to explain the subjective experience and that she had to prototype herself into the kernelsprite order for her server player to see her. there's also no way john hasn't seen a movie as classic as indiana jones and judging from her poster i can imagine he probably thinks it's sweet that aradia's strife specibus whipkind is a reflection of her own personal tastes, interests and hobbies.

so yeah i've just been chewing on all of this and thinking about it but i know i needed to just get this out there somehow. obviously since i spent two weeks putting this post together i'd be happy to hear your thoughts

[lesgay-loser]

okay ramblings part 3

disclaimer i am not the first person to talk about this by a long shot these are just my thoughts

while ive been looking through the blogs of transandrophobia deniers, ive noticed something that's really concerning to me, which i am again nowhere near the first person to see, and that is the normalization of radfem/terf ideologies, specifically the hatred of men/masculinity.

its just the whole "man bad woman good" thing all over again, except theres also "trans women are women" so clearly its perfectly woke and okay! /s.

a few examples where i think this is super obvious is the "TMRA" thing (which if you dont know stands for "trans mens rights activist" and is used to compare transmascs talking about their oppression to cis men claiming that they are just as oppressed as cis women), and the general antimasculinity/hatred of men for the crime of being men.

radical feminism is BAD whether it is trans inclusive or not. at its core, it is exclusionary, racist, and very deeply flawed.

hating all men is not okay. its still prejudice even if its not a marginalized group (because hating cis men is ALSO not okay). hating any group of people just because they are a part of that group is not okay. (obvious exception for like. bigots)

stop trying to "reclaim" radical feminism. you cannot reclaim something that is innately flawed and bigoted the way that radical feminism is. a lotta yall seem to think that radical feminism is only bad bc of the bioessentialism and that is. so far from the truth its insane

again i have no good way to end this but im just gonna send it off into the wilds of tumblr

[tom-is-online]

not to be rude but ena and akito are. completely different in terms of personality and overall character😭 maybe someone likes akito but doesn’t fw ena’s personality or whatever. it’s fine

reacting to THIS POST

I don't know what you're reading, but I would never describe them as completely different. Sure, they ARE different characters, but if anything is similar about them, it is their personalities and the role they play in the story.

They are both very dedicated and passionate about their corresponding passions despite neither of them having "natural talent." Instead of giving up, they keep working hard to show themselves that they can follow the path they want to despite what others (Vivid Street (Arata) in Akitos's case and their dad in Ena's) around them have to say about it.

They're both very blunt whether they mean to be rude or not, but they both also care a lot about the people around them, especially their units and each other even if they don't show it in normal ways.

Their inferiority in their talents also brings the fact that both of them experience jealousy for people who show they have more talent which is shown in both of their focus events a lot

Neither of them is very academically gifted mostly through a lack of interest

And theres a lot more which im sure someone less tired than me would love to tell me in the notes :)

the 4komas even riff on them often acting very similar

+ Their BNW quotes literally mean the same thing

the whole thing with them both really like cheesecake and pancakes but hate carrots is also meant to be a nod to their similarities

people have a tendency to demonise Ena for being mean or violent or whatever people want to call her. but what Ena is usually criticised for Akito typically isn't (cough cough this fanbase has a history of being very male-biased which I hate)

Akito is also mean, he was a dick to everyone in his unit in the main story at some point and he often pulls pranks on the people in his school (Tsukasa) just to highlight a few easy things

AND FOR THE VIOLENT THING.

People have a tendency to highlight Ena scratching Akito when she was stressed out in middle school. and not to generalise. but. i am convinced you people are only children AND did not read the VBS main story

siblings fight, it's normal, especially in a household like the Shinonomes with the whole emotionally neglectful dad thing they got going on, i fought with my brother a lot as a kid and it happens. I'm not saying it's great and everyone should be attacking their siblings but the people who focus on Ena scratching Akito seem to magically forget.

AKITO PUNCHED TOYA HARD ENOUGH FOR HIM TO BE BRUISED IN THE MAIN STORY.

I've seen people make the argument that Akito can be excused cuz of the circumstances it happened being stressful and made him angry. But that clearly ignores what Ena was going through in middle school.

saying "Ena scratching Akito was a common occurrence but Akito only punched someone once" just does not feel like a good enough argument at all.

the last post gave a good argument on it so just go read that to lmao

I'll say it again. stop babying the male characters. if you're gonna excuse Akito punching Toya in the head and not excuse Ena when she was in MIDDLE SCHOOL then I don't know what to tell you

anyway.

i think a large part of their dynamic is carried by their similarities - they share a lot of the same key traits and they tend to but heads due to it but they do care about each other a lot in their own sibling way. I also just relate to them both a lot lmao

if someone wants to make a legitimate argument for how the Shinonomes are very different in personality, be my guest feel free to rb with what you think

but in my opinion at the VERY LEAST they share so much of their personalities and with how much Ena is demonised by some of this fandom it's a red flag to me to like Akito and hate Ena.

but yeah please rb with anything else u wanna add cuz I've definitely missed some stuff

[havocskies]

HOBIE BROWN HEADCANONS | NSFW

im iffy on writing actual smut bc id be reconsidering a lot in my life during it but i am not above writing headcanons xoxo

honestly this is kinda jst me rambling but oh well take it anyway

╭──╯ . . . . . ༶•┈┈୨♡୧┈┈•༶ . . . . . ╰──╮

• definitely wouldn’t be aggressive but not against throwing you around just a little (if you’re okay w that obviously)

• i don’t think he’d be absolutely nasty. like he’s clearly a bit freaky, he makes a joke abt biting in his intro but i can’t see him being crazy ??

• sony let us know he’s into biting n everyone jst ignored that we need to think abt that more.

• not entirely serious. he isn’t above making a few jokes every once in a while, especially if you’re a bit nervous

• back to that though if he tries to initiate something and he sees you’re even slightly unsure or nervous ?? it’s off. he’s asking what’s wrong immediately and if it’s solvable great, he’ll solve it if it isn’t it’s off. he has no problem leaving you be if you aren’t up to it, there’s no convincing involved

• wouldn’t be into anything extremely degrading, aggressive, or violent. to him that’s porn culture and he wants absolutely nothing to do with it, even if you asked. i just don’t think he’d get off to anyone being seriously hurt

• however he has no shame with a BIT of pain. he did make a biting joke so i mean

• i think light choking would be the worst he’s automatically willing to do or receive. ofc he’s willing to talk but it’d have to be a very detailed talk abt what both of you are okay w doing/receiving

• honestly i jst think talks like that wld be important to him in general. he doesn’t wanna overstep any boundaries, especially not during something as big as sex. he’d never try to introduce you to something before having a genuine conversation about it first

• aftercare is peak w this man. godsend. you’ll never get any better

• not rough all the time. yg write him to be like absolutely insane n aggressive in bed n i jst can’t see it. like hobie never once even raised his voice unless it was loud, like in his intro. nothing abt him was ever aggressive. i think maybe he’d have no shame being SLIGHTLY rough but i don’t think his intention would be to hurt you/see how much you can take ever

• i think most of the time he’d be pretty normal. he’d be paying complete attention to you jst to be sure you���re comfortable always, he’ll stop immediately if you aren’t

• honestly he’s probably a switch, i can see it. he has no problem giving or receiving, though there wld still have to be some talks abt some things LMAO

• i see comments on edits (even mine) abt how he switches positions a lot n it lowk made me giggle. i think he definitely would on occasion just to catch you off guard, but his whole hating consistency thing imo was a joke jst to mess w miles, half the things he said in his intro were to mess w miles

• probably not very experienced but he knows enough and learns fast. like i don’t think he would be into hookup culture or even care abt sex much but he isn’t clueless, yk ?? he knows what he’s doing at least

• doesn’t really ask for head. if you bring it up, great !! he obviously won’t complain ☠️ but to him i think it’d be more of a bonus, not something he expects from you

• i don’t think he’d be into rough head either. to him it’s about what YOU’RE comfortable doing and what YOU can do. he isn’t going to force you into doing anything. like if his hand is ever on your head it’s to hold your hair back and/or just love on you

• like i said he doesn’t really get off to seeing you struggle

• also idk if it’d be pierced. would he be above it absolutely not but that also involves a stranger handling and piercing your dick. if he did it himself, then maybe

• sex to him isn’t as important. he isn’t going to be all distraught if you aren’t ready or you jst don’t want to. it’s jst a bonus to him, obviously it’s important but your needs and thoughts are SIGNIFICANTLY more important to him than what he jst wants

[snekdood]

i feel like u shouldnt be allowed to say someone has an ideology if they dont even know wtf you're talking about

[yenleak]

A. Remy and her fanbase are the most problematic thing that happened in RC fandom

Not only she is rude to people being realistic/critical about her writing, but also clearly xenophobic and arrogant. I will never forgive her for the fact that she allows artists to draw people of color like this... Why making stories only about them – and their religion... – at all if she can't do any real research and figure out what she should be writing about?

Im also annoyed by the fact that SOTCN has no plot and too many holes in it. How does Livius know about Evthys' presence in that dream, if the dream did not belong to him, but to his ex? And what is generally known about the disease and why don't we hear anything about it? Why buy information about it to find out only the general features that we already heard about in previous chapters?.. It seems like the author herself just kind of threw the whole arc of disease to concentrate on Evthys' runaway.

KFS is weird, also. i am very concerned about the way Remy portrays the atmosphere in the story. The dynamics of relationship between Indians and British are so unclear? At one point they are very normal about presence of the whites, and Devi is so okay with marrying Ian even though they allegedly making plans and so on. I just mean that she has no thoughts other than couple of phrases in the beginning and we see very little of real relationships and historical accurate circumstances. And I think that you should be responsible for portrayal of the whole CULTURE and the least you can do is to make it less fetishized and inaccurate.

The way Remy is fully aware of what shes doing but purposefully ignores the amount of complaints our fandom has. She listens to her russian-speaking followers who do nothing but blindly admire her work without thinking about the representation she gives. And when someone point out on her mistakes she gets mad , subtly aggressive. If you know russian you can just take a look on her telegram channel and replies shes gives. Its arrogant and kind of disrespectful because the rejection of your own mistakes and the eternal justification and blame on others shows your true attitude towards your readers.

My main complaint is only about how illiterate she writes, how much she takes on herself and how she doesn't give a fuck about other cultures. And the fact that so many people love her and then misunderstand POC makes it so much worse

[psychicwavementality]

※ Ch149 WBK spoilers/leaks, endosaku/endochika talk. +my nickname for chika is chiitan btw

Can't believe edsk neg diffed every sakura cp in 4 pages what the fukk

This is really fun for me to interpret...! in my view, i think that endo equates love to full-blown attention and bloodlust. since sakura is known to lock in on his opponents which was painted as a flaw (im unsure when, around keel arc was it? i rmb he realized he had to protect everyone and not just charge in by himself), this very flaw unfortunately pulled endo in

Like, endo practically spent less than 2 hours??? Face to face with sakura???? And then he's already calling him a man he "values from the bottom of his heart" before acknowledging he can never have the things he truly loves (chiitan and sakura standing side by side, and we already know his feelings for the former are Not merely platonic)

If chiitan is an unobtainable god of worship in a higher plane for endo, i suppose sakura would be the human embodiment of said god... and chiitan never gave endo the attention he categorized as love, but endo still fell first after seeing his bloodlust (the other part of his love)

When endo sees sakura with the same bloodlust, this time directed at him with full attention, he realizes for the first time in his life that he also wants to be desired by the person he's taken an interest in; i believe this was repressed after all those years with chiitan. even tho he was satisfied chasing after and worshipping chiitan, he was never truly happy because those pair of eyes would never look the same way as sakura had looked at him, with the same intense fervor.

Yet endo can't have both of them, his feelings will never be mutual. Sakura's whole spiel in the beginning was how he could never meet another person's eyes, but everyone (with "everyone" being the things sakura loves—the people who care for him) was looking at him—and now endo, who never had the eyes of the thing(s) he loves looking at him, experiences it for the first time, and sakura's gaze is trained fully on him. he's looking his way for the first time in his life, but at the same time, what endo wants will never be reciprocated. I think it's ... wow! Wow u make me HOME A PHONIC

Fucking hell this disaster gayfailure makes me insane. I am homophobic now. I hate him /lh

Edit: me and my friend talked a bit...

I like how the image of endo embracing chiitan is religiously inclined (the title, the pose, the robes, the painting). It's the beginning of the chapter, the largest image. It's clearly depicting worship. Whereas sakura's one is in the middle of a chapter. It's mundane, it's human, it's something fleeting yet all-encompassing, a potential pedestal of worship and idolization. Endo's in normal clothes sitting in front of Sakura's bust. There could potentially be more people around him but the spotlight right now is on sakura, his attention has narrowed down to him and him only

I like how Sakura is also a bust and not a painting... he's more 3 dimensional, perhaps more nuanced even, more developed; he's observable from multiple angles and his features are more defined. But chiitan's a painting—and it kind of fits since we don't know much about him at all. We've only heard of him from tales and other potentially skewed perspectives like how religious paintings depict religious figures

My friend mentioned, Sakura being a bust on a mount could be because endo can topple it down and break him, similar to the panel how a sakura twig can be snapped. Paintings are meant to be hung and admired from afar.

Another friend of mine pointed out that the kanji for chiitan's name contains 焱, while the kanji for endo's has 棪. 木 = wood and 火 = fire... It's like he's firewood as fuel for chiitan's inferno, but at the same time, endo's hurting himself and turning into cinders

Fire (chiitan) is beautiful when admired but painful to touch, but endo's been shown to worship and grasp at it even if it almost kills him.

But Endo uses words like "submerge" and "bathe" when it comes to sakura... he's like water if chiitan is fire. I don't know about the JP originals but endo does mention feeling "joy" upon meeting chiitan (a brief spark) and sakura brings "happiness" (a more prolonged thing) if eng TLs are accurate

What I'm saying is... if chiitan is truly symbolized in the painting and endo is searing himself away through worship—i'd dare say that the best way to destroy a painting, too, is to burn it.