#im being so dramatic.
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#just binged through buddy daddies (i love that name. literally could not have picked a better name.)#&it made me cry lmao sometimes it hits me that ill never have kids&its like.#i told my mom once that i shouldnt have kids bc the world didnt need another me in it#&she screamed at me for an hour then didnt talk to me for a day bc it was insulting to her as my mother to say that.#&i look back on that basically every time i think about never having kids&its like.#the universe agreed w me mom lmao i guess you did a shit job raising me after all.#im being so dramatic.#im v sad that ill never have a child-- adopted or not. lmao.#i hate the dark. i hate the fucking cold lmao. im so ready for the world to be sunny again.#... buddy daddies was a dope show tho lmao highly recommended for sappy found family vibes. protect rei at all costs.#... this ultra sporadic thought process shit is why i cant hold a fuckin convo lmao.
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finally finished This Wip from Ever ago and so now i ask you ever look into another dudes eyes and suddenly want to do whatever he wants
#xmen#xmen comics#cherik#professor x#magneto#charles xavier#erik lehnsherr#erik magnus lehnsherr#the kids are here too but i aint taggin them vaeLKEVJKLJ#snap sketches#posting this now and not obsessing over the details i need to SLEEP#please click/tap and zoom to read anything im sorry theres so much dialogue#i thought i was gonna finish this sooner but i went grocery shopping with my bro today and that took longer than expected !!!!#ALSO CHAT. if youre up to date on My Lore via my tags ... my prof's lettin me submit my assignment ... life's so good...#speaking of life being good i was giggling like stupid while drawing this . i named it 'this is stupid' and i stand by that#this is so unserious im gonna make myself throw up ITS SO CORNY i make myself sick with what i draw <- will continue to do this#only god knows if this is even how that power of his works i just saw an opportunity and ran with it#the trick here is he doesnt even have to use any 'power' he can just do that to charles by default#however im making them be obnoxious about it. i am making them obnoxious over dramatic grandpas because i can#my only crime is loving the utter cheese and corniness of the 60s comics like God. anyways bye !!!!!!!#maybe one day ill finish that other comic i sketched for this weekend but i fear i wont have time to so next weekend me thinks ....#for now i hope you all enjoy this. goofy as hell nonsense jLAKJVEKLVJ
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chat how are we feeling
#i am not feelign good personally. so many emotions . oh my fucking god i love sanford so much i have to die#(im being dramatic btw. so happy abt this episode but its currently manifestign as me staring into space like a detective on a cold case)#oh my god. oh my GOD#madness combat#madness combat 12#madness combat 12 spoilers#sanford madness combat#mc sanford#deimos madness combat#mc deimos#sanmos#I STILL CANNOT BELIEVE KRINKELS SAID “LOVE WINS” AFTER ALL THAT. IM GOING FUCKGIN INSANE OVER THAT. MY FUCKIGN GOD. CHRIST#my art#simmons likes to draw
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That omake of little Kabru not being able to show off his howetown sweets because of Misril gets to me a lot so...
Here's a happier Kabru (and Lairu)
#kabru#lairu#labru#laios#dungeon meshi#my art#my fanart#fanart#idk why i resort to fluffy fanart even tho i keep thinking and seeing gag/hornt lairu stuff#kabru is just so.. fascinating and actually endlessly tragic#i kinda like that ryoko kui doesnt try to over-explain or dramatize her characters that have tragic backstories. it makes her world that-#-much more believable and realistic. that being said i will devour more kabru stories from her#i kinda cant stop thinking abt kabru (and to an extent lairu)#ik in Lairu/Labru fanart Kabru is usually depicted as humorously in denial guy#but i see it everywhere and it made me think more of their more understanding phase in the epilogue#maybe laios is ooc here but i think he will also warm up to human connection now that he actually has people he cares abt around him#(and maybe because kabru is teaching him tips and trick to be a Normal Guy lmao)#im also not very good at humor so theres only so much i can do with gag lairu 😂
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Since im definitely not gonna finish this... Imma just post my unhinged WhipStone/Stobotnik comic idea I was cooking up at like 4am cuz I couldnt sleep...
So like... My idea was Stone just goes back working at the coffee shop in Green Hills like nothing happened but hes in stray cat mode and Wade decides to take it upon himself to try and befriend him... cuz while everyone else is cool to just let Stone work there cuz he makes really good coffee no one has actually forgot he was Robotniks henchman so they dont really fuck with him like that.
Wade is too dumb-dog coded to take any hints at all.
Misc scattered scene ideas that I was cookin up ...
Anyways itd be endgame Stobotnik cuz I am who I am.
#Stobotnik#Pwny Sonic fanarts. I guess.#WhipStone#I guess?#Anyways dont judge me for this. Im being vulnerable with you... LMFAO#Its so weird drawing Sonic in dramatic lighting... thats a whole ass cartoon character. LMAO Its so unserious for such a dramatic comic...
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I was told that Rendog would be subbing for Tango and the first thing I could think of was "Cherri is gonna have a field day with this"
MARTYN WOULDN'T LET ME DRAW RENDOG FOR THE THUMBNAIL
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I SENT HIM A SKETCH AND HE DIDN'T EVEN CONSIDER IT! CRUEL AND UNUSUAL HOW COULD HE DO THIS TO ME!!!
#cherri.speaks#inthelittlewood#trafficblr#secret life spoilers#im being over dramatic just so everyone knows
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I just feel like she hopes she'll become someone better but cries knowing she won't.
#sorry if it feels mischarcatery its just been stuck in my head#missy makes me so sad you guys :(#the doctor didnt even really know who she was in the end#and i feel like she wishes that he did. and that she got to keep being herself because Missy was someone she enjoyed being#compared to the master yknow?#doctor who s8 ep11 spoilers#shes so :(#missy#doctor who#the master#myart#im so proud of this actually i did it in ibit paint with a soft zero texture brush which is like woah#its a little dramatic for mtly tastes but oughhhh
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happy halloween! the cast from fist of idol: togenkyo have reunited again to bring us...... a horror movie?!
#in this scenario we of course have eichi as the first victim tori as the heroine and final girl wataru as the villain#yuzuru as the last death in dramatic and painful self-sacrifice because he would. and also the chainsaw is his of course#and last but not least hokuto as the plot twist villain because (points at the title)#(in fact my thought process was ok horror movie tori has a chainsaw now what else. the 13th night would be a great title.#and from then on everything else was pretty obvious)#tori himemiya#eichi tenshouin#hokuto hidaka#wataru hibiki#yuzuru fushimi#mao isara#subaru akehoshi#makoto yuuki#enstars#ensemble stars#of course ideally the dog wouldve been king. but being realistic he's too old to act let's let him rest#and also for my personal entertainment in this movie hokuto would play toris boyfriend#because i really like when the boyfriend turns out to be evil and i get to say DUMP HIM!!!!!!!!!!!!!#its always great#art tag#im technically still a bit early but i wanted to post this so bad
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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I think the dynamic of Steve being so fucking stupidly gone on Eddie Munson and Eddie not noticing because he's trying to not think abt Steve like that "because Steve is straight and his friend and he can't go there (he goes there, he crushes so hard but he will deny)" is so underappreciated
Like so many fics paint Steve as this himbo and he is! He is our lovable himbo! But just
Let him look at the rat feral man that Eddie Munson is and be like "i want this man's dick in me ASAP" and being so obvious abt it
Confident in his sexuality and determined to get what he wants Steve Harrington just flirting with Eddie and, sure, being a cringe fail loser abt it, but like HE'S SO OBVIOUS
Everybody knows he wants that dick EXCEPT Eddie
Steve is in misery, in hell, by this point he thinks that either Eddie isn't into him or just is letting him down
And Eddie thinks he is the one in misery because Steve is just always there™ and trying to be his friend and is so hot™ and jOkIngLy flirting with him and he wants to kiss him so bad but "stevie is straight and totally not into him guys :(("
Robin is just laughing at them "this world is so lucky you two can't have biological children together, because let me tell you, these kids would be so dumb"
#i just like bi steve being in misery and dramatic abt it#and im a eddie is so fucking dumb when recognizing someone he likes is flirting with him truther#he just thinks they're friendly or smh and just never considers that they like him back#he's so stupidly oblivious but so hot - steve harrington at some point probably#steve harrington looking at eddie munson doing something so dumb Robin is feeling secondhand embarrassment:#'i cant belive i have to fuck him'#robin with disgust: 'you really dont have to'#steve: no im gonna#steve harrington#eddie munson#steddie#stranger things
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i think the way the book became 3rd person pov when kim dokja got off the train is one of the most fucking genius literary moves ive seen in years
#maybe im being dramatic#but im sooo serious i thought it was fucking AWESOME#orv#omniscient reader's viewpoint#orv spoilers#kim dokja#sorry im just so#i think about it a lot#it was SO SMART#i was like oh???? why is it 3rd person????#is something going on????#and then fucking. then yes!!! something WAS going on!!!!!#screams#that being the last chapter before the epilogue made me scream#if there wasn’t an epilogue it would have been such a fitting end too but then you check the page count#and realize there’s like 500 left and you’re like ‘WHOAH WHAT THE FUCK’#and keep reading and with dread in your heart you turn the page and are like OH SHIT#god i fucking love this book
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Its so so fucked that the tablet was literally made for Ahkmenrah, to bring him back to life, and he spent over 50 years listening to everything around him live while being stuck in his sarcophagus and getting more and more desperate every night while Cecil yelled at him to stop trying to get out because it "wasn't happening any time soon"
#ahkmenrah#night at the museum#we're not even gonna talk about how cecil and the others probably treated all the exhibits like shit#especially the animals#i mean#they just did not seem to care at all#maybe im being over dramatic but those guys were so UGH#in the bad way#sal's tagging tag
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The moon requires a sacrifice 🌙
#moon knight#phases of the moon knight#Sol#Fist Sol#fist of Khonshu#listen. I haven’t had the will or ability to pick up a pen in over 8 months#I wasn’t even sure when I sat down to do this if I could even still do this#but my fucking god I had to draw this precious man#how dare Marvel give us the best thing since Hunters Moon and he only be for one issue#😭 im sobbing. he and Khonshu’s relationship is so good#i want more like this not stuck in the ass Marc Spector#I could read 20 more issues of him#poor precious being hunted down#he’s using the lunar temple from 2099 too#he’s seriously the most wonderful and interesting thing to happen to MK since Badr. 😭 I want more!!!!#I love him. Khonshu is clearly very attached to him. 10000 stars.#not to be dramatic#but I’d die for more Sol and Khonshu content.
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I'm gonna be a little bitch for a second GOD it's so so so fucking exhausting being a non USAmerican online. Like. Jesus fucking christ the levels of defaultism are just,,,, god. The 'default' audience for every post is Americans. American pop culture is universal obviously, and god forbid you bring up a show from your own country because no ones ever watched that! The millions of kids in your country don't count clearly. When American places are mentioned it's always Town, State, Country, but when anywhere else is mentioned you're lucky to get State, Country, or the closest major city if you're really lucky. Fahrenheit and MM/DD/YY and American spellings dominate even though they're the only country that uses them. People constantly talk about how x and y 'breaks the law'. They mean American laws, because those are obviously universal. American news and American politics are everywhere. You *have* to care about this. If you don't, you're a monster. The only time my country makes it is when we're literally burning to the ground, and even then they don't even touch the political side of things. Even international incidents somehow get brought back to America - call your representative (I dont have one). Go to these protests (they're on the other side of the world). Sign this petition (it's for US residents only). Im going to go insane.
#sigh#yes this is inspired by the fucking CONSTANT 'what do you think of this american state!!1!' posts#i Dont.#I Do Not give a shit aboit fucking ohio or whatever#and the assumption tjat everyone everywhere has thoughts on these states (KNOWS these states) is just#gh#what do YOU think of tasmania? or the act? or queensland??#what do you mean you dont know them?? everyone does!!#god#i know im being a bitch and over dramatic but im so fucking tired man#me.txt
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I hate you social media. I hate you "content creation" I hate you algorithms I hate you ideal posting times I hate you posting 5 times a day I hate you unavoidable engagement statistics. I hate you art advice that's to simplify, consider how well it will sell, make it a product, get on trends, trends trends trends! I hate the advice to go viral!
I'm sick of the grind I'm sick of "content creation" I'm sick of side hustles and small business! I'm sick of being profitable!!! I just want to post my art and talk to people about art!!!!!!!!!!!
#LIKE IS THIS SO MUCH TO ASK#IM SO SICK OF IT#FUCK THIS UPDATE#not to be dramatic#not to get too heated#not to seem angry#god forbid the content machines be angry#im sick of being fucking profitable. god.#rant#text post#not art#delete later
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i love how Nico's initial reaction to learning about the gods is basically "yeah seems legit" and then proceeds to Not Give A Fuck and starts geeking out instead.
like oh, my dad is not dead after all and is a real-life olympian god? Cool!
a monster just got shot with arrows right in front of my eyes? That was awesome! Is he dead?
learning that a traumatic monster attack on my sister and i actually happened? I told you his horns were real!
a bunch of strangers are asking if i want to abandon everything to stay at some unheard-of camp in order to train to fight monsters? Sweet, let's go!
like everyone else was so tense because of the manticore and such, and Annabeth literally fell off a cliff, and then there was Nico in the corner like “COOL!!!!”
i strive to reach his level of Unbothered™
(no i’m not being dramatic these are quite literally exact quotes from the beginning of The Titan’s Curse i’m not even shitting you)
#sweet young nico owns my heart#thank you for coming to me TED talk#the way he literally does not care#he was already on his way to becoming emo#pjo#percy jackson#nico di angelo#the titan’s curse#ttc#percy jackson books#my baby neeks#he deserves the world#they did not protect him at all costs and i will hold that against them#percy jackon and the olympians#pjo memes#im not being dramatic#this is so important to me#i don’t think you understand#mythomagic nico is too pure#pjo fandom
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