#im aware i missed a few

[lightlavenders]

i'd love to hear your answers + reasoning in the replies/tags too :)

[butchladymaria]

Immortality, Motherhood, and Pain: A Closer Look at Annalise and the Doll

Finally revisiting this from ages ago, because the parallels between these two are just SO fascinating. Content warnings for discussions of misogyny, genocide, abuse, and pregnancy/childbirth.

This analysis will cover the parallels between Miss Doll and Queen Annalise through the lenses of the misery of immortality, the trauma of marginalization, and the liberation they find in motherhood. Both the Doll and Annalise are undying, both coded as mother figures, both marked by death, and both very, very alone.

Miss doll and Annalise are the only characters in the whole game who are undying. You can kill them, but not meaningfully - not in any way that matters - and they seem to know it. Neither will try to stop you, nor will they fight back, should you choose to attack them. They will come back, and your violent betrayal will have seemingly meant nothing to them. They both are very aware they will outlast whatever violence you may inflict upon them. It's evidenced in their dialogue:

If you attack, Annalise says:

“Enough. If only Our life was so easily forfeit… Grieve not, for Us.” “How sad this is. If only Our life was so easily forfeit…”

If you attack Miss Doll, she used to say:

“I must have displeased you. Go on, shut me down… Even so, this vessel will remain in your service… So have no fear."

I think this point of comparison highlights just how deeply they've both been desensitized to violence and abuse. They do not beg for mercy, they do not put up a struggle - they only remark on it with distant chagrin. They both seem keenly aware that their flesh need not be in one piece to fulfill its purpose.

But where Miss Doll was made to embody the Victorian patriarchal ideal of womanhood, Annalise wields womanhood as her last weapon against the dehumanization of the church’s genocide through her queendom. Upon being resurrected the next time you return to the dream, Miss Doll will act as though nothing had happened at all. However, if you bring her flesh to the Altar of Despair, Annalise will call you an arrant fool, and remind you that “Vileblood or no, forget not; We are thy Queen”. Miss Doll kneels to serve the hunter, while the hunter must kneel to serve Annalise. Miss Doll has been conditioned to passively accept dehumanization and submission, yet Annalise demands respect through your submission even in her dehumanized state. Miss Doll is subjugated by the trappings of womanhood, while Annalise is lifted from subjugation by her womanhood, in some ways.

I find this fascinating, however, because while Miss Doll appears in every way as a pure, demure Victorian woman was meant to, they are also dehumanized through the denial of gender. To Gerhman, their creator, they are nothing more than another tool of the workshop. An object. Even the Doll themself uses neutral "I" pronouns to refer to themself in the original translation. I think it is pertinent to note that the only canonical reference to Miss Doll as a "woman" comes from Eileen. In the original Japanese text, she refers to the Doll with a term of endearment reserved for young girls. Miss Doll's appearance is the historical ideal of the subjugated woman - yet when Eileen confers upon her the status of "woman", she does so in an endearing and humanizing way. Therefore, for both Miss Doll and Queen Annalise, the status of womanhood is a rebuttal of their own dehumanizing subjugation: Annalise as "queen", and Miss Doll as "daughter".

Both characters are arguably seeking/find liberation through motherhood. Miss Doll gets "Childhood's Beginning": their creator and animator have both been put down, the hunt is finally over and they are no longer bound to serve its participants, nor must they watch their beheadings. They cradle the newly ascended hunter. It is a highly atypical “motherhood”. It exists in the performance of the role rather than the biology of childbirth. In the same way, the Doll possesses a highly atypical “womanhood” which exists in performance alone, rather than in biology or even identity — but nonetheless, it is real, and it is hers. I, perhaps too optimistically, choose read it as humanizing for them; because unlike their “womanhood”, Miss Doll is allowed to choose this for themself rather than having it imposed upon them.

In the same vein, Annalise seeks to birth a child of blood for a similar but perhaps more somber reason. She wants a child because she wants an heir — which is to say, because it is the only way she may once again have kin. Because it is the only way she may fulfill her duty as Queen. She witnessed everyone she ever knew or loved — surely her own family included — slaughtered before her eyes. Annalise seems to seek motherhood in order to be a homemaker - in the most literal sense possible. She wants to rebuild the community, the home, which was so brutally torn away from her. She wishes to restore honor to Cainhurst. For Annalise, having a child is an open act of rebellion against the genocidal eugenics-frenzied bloodthirst of the Church. I can't help but wonder if part of the reason Alfred is so hellbet on destroying her, why the Executioners imprisoned her the way they did, was to strip her of bodily autonomy so she couldn’t “reproduce”. Her desire for a child is her way of seeking liberation for her and her people.

In this sense, taking up the role of a mother, of "women's work", is what confers the agency upon both Annalise and Miss Doll which had been otherwise stripped from them. Annalise's by the genocidal eugenics of the Church, and Miss Doll by the pact of servitude she was seemingly born into.

[artheresy]

Damn, apparently they replaced Argenti and Tail's va and it's been found out through the official website as opposed to any official announcement, I hope they at least make an official post later

[onedragonaday]

1/8/24 Miss Drake (and Winnie) from A Dragon's Guide to the Care and Feeding of Humans

[watery-melon-baller]

whenever im writing anything i always struggle with like. making sure im not holding the audiences hand and explaining every single little detail to them, and actually trust them to Understand what im saying. but I know that I do this because I am a dumdum who misses details and often needs shit explained to me, and also worries about not being clear enough, but like,,,,, most people are Better at that then I am and I need to trust them,,,

[cptnbeefheart]

expose folk & blues music history to american public school students

[heyitslapis]

Her name was Lacie and tbh she was kinda really hot though. Oh well!

[gophergal]

What do you think about the lack of importance Edenia have in the last (and probably in the upcoming too) games?

Seriously, it makes me really Sad. Edenia was so important in the first timeline. What the hell happened? Only a few characteres mention this realm in MKX

It sucks. Big time

If you'll note, basically none of the realms matter anymore, aside from Earthrealm and Outworld.

Sure, the Netherrealm exists, but that's pretty much it. Dreamrealm is of dubious canonicity (introduced to explain Freddy Krueger as a guest fighter, then used to explain Tremor's glow up. Given he isn't shown in the storyline and arcade endings aren't canon in that game, I don't feel comfortable saying "yeah. That's important to the story"), and means nothing to the plot.

Chaosrealm and Orderrealm also don't show up despite being neat concepts.

What I'm getting at is that it makes the MK universe feel small. Edenia is only part of the problem, but I think it's a good example. Mortal Kombat feels more focused on nostalgia bait, Realistic Graphics, and more grisly Kombat than being, y'know, Mortal Kombat. None of that is necessarily Bad, but it's making it feel a little generic to me.

Maybe it's my bias and nostalgia, but that's just wrong. I'm not saying they need to bloat the worldbuilding, that would suck too. I'm just saying that they have these fun concepts, could they PLEASE do something with them???

Not to be the "they changed it, and now it sucks" guy, but I really love the original timeline's absurd worldbuilding. That's a major draw for me. Not only is it absurd, but it was constantly rolling and acquiring new and interesting bullshit. To me, that gave it a personality.

The original timeline feels like you took Enter the Dragon, the Matrix, Magic the Gathering, and classic slasher films, mixed it all up, then used it to bread and batter the gameplay. Deepfry that sonuvabitch until golden brown and serve it hot. Its the fried fish and hush puppies of gaming. I wouldn't say that it's Good For Me, but it's fucking delicious.

Its also not widely palatable and, just as Long John Silver's isn't exactly a big name restaurant, MK was kinda in a slump for a while, profit wise.

I think what happened is they cut back the weirder shit in order to make the games more popular. Its a chicken tender now. Not bad, but it's more of a "I'll take it if there's nothing better/nothing else I feel comfy eating" dish. Still not Good For Me, but often dressed up to seem healthier. By which I mean "able to be taken seriously by more people." The worldbuilding is more Serious ™️, so is the Gameplay. Don't get me started on the State Of The art Graphics.

Its all done this way for profit reasons. I don't doubt that folks on the team are still passionate about the games, but you can't forget that NRS is owned by a bigger company than Midway was. There's more executive meddling, so we see less of the more niche worldbuilding elements like Edenia

[devotedlystrangewizard]

ac rogue is so perfectly everything i would want from a franchise like assassins creed and it SUCKS because to play it i need to swallow my pride and download the ubisoft launcher and its horrible

[pepprs]

like it’s VERY very important to not text and drive. and i understand how dangerous it is to do that and to be distracted at all in any way for any amount of time on the road. i know it’s important to learn about these stories and bear witness to them. but i just think. like idk. watching multiple of them every day for 10 days (with a two day break halfway through for the weekend) is realy… like idk. i think after seeing a couple you can get the point. i don’t want to sound dismissive or lackadaisacal and im scared im sounding like that but i just am so freaked out by all of this and witb every new horror they’re showing us it’s scaring me worse.

[widevibratobitch]

.

[the-kipsabian]

gcw going to germany (the closest i would ever get to seeing them) later this month and ofc as a mock to me not being able to go cause im broke as fucking shit they are putting on franscesco akira vs jordan oliver, my two smol blorbos :')

fucking kill me :')))

[moonsidesong]

fair ways into magical turnabout. hate nahyuta a lot more than i remembered

[kresnikcest]

I mean I would LIKE to read into it that Fractured Milla is the way she is because she knows she’s not Maxwell and her entire life was a lie but where Prime Milla had the X1 party and her mission and a clear goal, Fractured Milla has no mission left because Exodus has been gone for years, her sister who’s a real spirit is off praying to the real Maxwell and resenting Milla’s existence, and all Milla has is a village of followers who still believe that she’s a god and refuse to see her as a lowly human.

I think there is something to say about how Muzet being Fractured Milla’s older sister (and actually protecting her quite well by being a spirit) night have changed Milla’s personality, she would be less independent and with Exodus destroyed when Milla was six and Muzet being injured protecting her, I could see Milla developing a lot of guilt over it and sticking close to Muzet even as she gets older and as Muzet begins losing her mind over not having anything to do anymore.

But uh. I don’t think the game really thought that hard about it besides “tsundere Milla”.

[supahstarrr]

everytime a white person makes a "this [insert minor thing] is worse than slavery" joke i am one step closer to killing myself

[angerygoomba]

affirm i will not quote a line from mr morale and the big steppers for my senior quote just because im listening to it at 1 am in the dark of my living room with my doggy as a questioning amab