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[hawkins-batman]

The Noah Schnapp Situation Going Into S5

With Stranger Things Season 5 coming out this year, we are unfortunately going to see a revival of the debacle around Noah, even though by then it will be an almost 2 year old subject. So, I thought I would get ahead of that with some of my thoughts based on what I've seen these last few weeks and more broadly over the last 6 or more months I've been on this scene.

Spoiler Alert: This is going to be a long one. It'll probably be my new pinned post.

Why Still Talk About It?

Frankly? Because it's still going on. Keep in mind, Liam Payne died in October 2024 (just three months ago), right around Noah's birthday, and THIS is how Twitter responded to that.

And just in case anyone thinks I had to dig back a whole 3 months to find Noah-hate-content on Twitter, here was just random things I grabbed from the last week:

Which brings me to the next point.

Why Do You Even Care?

"Noah doesn't know you." "He's not your pookie."

I know that. The funny thing is, from what little I know about Noah, I'm pretty sure if he DID know me beyond the ONE DM conversation we've had, he'd probably tell me to chill. Dude is very non-confrontational and nice. So, why do it?

Because I think the online movement in favor of Palestinian self-determination has been hijacked by teenagers and performative leftists who care more about looking good for their peers than practicing what they preach.

Because (as you can see above and in screenshots like the one below), people who claim to hold my liberal/progressive/left-leaning values have used this as an opportunity to be openly homophobic and antisemitic towards a then-19-year old who had JUST come out of the closet.

Proponents of the hate campaign against Noah have said that they are just "holding him accountable" or "criticizing him" in the hopes he "learns something."

Look up. Point to me which image is accountability. Point to me the valid criticisms.

There are none. There is just flagrant homophobia. And then there are posts like this one, coming from the same crowd:

This behavior is wrong on its face.

It is violent. It is bullying (which doesn't seem like strong enough of a word) and it's bigoted.

Wanna see more? Look up @noah_schnapp on Twitter/X. See what they've done to his account.

Inevitably, some of the people participating in this will see this blog post. If you've made it this far, this is for you:

This behavior discredits your activism. It makes you look performative and fake to say in one breath that you are a "Leftist" who cares about Palestinian lives as well as the lives of minority groups worldwide, and then to turn around and talk like this about a Jewish person and a gay KID. Because he WAS a kid when this started. Furthermore, it makes it clear to those of us who actually hold the beliefs we claim, that you are vapid enough to use Palestinian suffering for your own personal vendettas. That the APPEARANCE of goodness is more important than goodness itself. And that you will shuck solidarity with minority groups the MOMENT one of them steps out of the lines you have drawn around them.

Not to mention...

It's Based Mostly On Lies

As a reminder, this is what Noah Schnapp actually said shortly after October 7, 2023:

Read that again.

"...we will hope and pray for safety, justice, liberation, and self-determination in Palestine." That was part of the very first thing he ever said about the issue.

And then this happened:

This was the image he was crucified for.

Stickers that weren't even his. That he wasn't holding up or making. He was in a cafe, someone else came up to him with them, and he was videoed with that person.

That's it. That's all. All those tweets you saw above? The fake stories made up about him like this one?

All of that was supposedly "accountability."

The harassment of his family. Murder threats. Rape threats. All for stickers that weren't even his.

There's even a paid Stranger Things author on this very site, styling herself as a Byler shipper, who has contributed to the lies that have further added to the hate campaign I've described.

As an aside, Noah wasn't the only one in that video. The influencers that actually posted the video and HAD THE STICKERS?

Nothing. Nada. Zilch.

And just to be clear - I don't think they should get hate. I think non-Jewish online Leftists appropriated a term from Jewish culture, redefined it, and are weaponizing it to beat down Jews all over the internet—which is par for the course for this charcuterie board of performative activism.

Yet the point stands. Noah was specifically targeted; and the homophobia that IMMEDIATELY came from the Left suggests to me that it was his sexuality and cultural/religious identity that motivated the attacks.

Again, I'll say, this is wrong.

Noah Has Since Responded

It hasn't stopped the bullying.

Didn't stop him from withdrawing from spaces he loved. From needing therapy from what we've learned from his now-deleted second TikTok.

And that really says something, does it? He cleared up his point. He tried to clarify and even apologize.

They didn't accept it. Not because it wasn't good enough. Not because it was "too late." Because this was the point. They wanted to keep doing it. They get sick joy from it.

Which is why...

I'm Not Shutting Up About This

This post doesn't even nearly cover the whole situation. The Byler fans who try to replace Noah's image in fan art and fan fiction. Who fan cast themselves as Will instead of Noah. The stalking and doxxing on Twitter. People reporting to GIANT hate accounts his location and when he's alone, PRAYING for him to be hurt.

I wish I could cover it all.

We have to stand up to this. On tumblr, on TikTok, on Threads, Twitter/X—everywhere we see it.

For our gay and Jewish siblings who see how Noah was attacked and feel less safe in their online spaces as a result, we have to speak up and say something.

And yeah. We have to say something for Noah, too.

The person who replied to me like this:

Him?

He did it because he needed to see a show of love from his fans. Doesn't mean he's perfect. Doesn't mean he won't mess up or do something in the future.

And no. Standing up for Noah, or for Jewish people, or other gay folks does not make you a genocide supporter or apologist. It doesn't mean you want any innocent people harmed. Don't give them the power to talk down to you like that. It's bullshit. You know it, and I know it.

All standing up to this vile shit is is an acknowledgement that Noah is a living, breathing person, as some of these people tend to forget.

And he didn't deserve this.

Any of it.

[endearng]

Out of reach

Pairing: earlyseasons!Spencer Reid x hotchner!fem!reader Summary: You pull away from Spencer because of your jealousy. You go back to him after a few drinks in. WC: 9k A/N: fluff! pining! idiots/friends to lovers! alcohol consumption; spencer is a bit mean; reader doesn't communicate; hotch is a little older to have a daughter around spencer's age (do not come at me this is fiction). If I missed anything, please let me know! I had so much fun writing this one and it's now one of my favorites <3 masterlist

The jet was quiet as you and the BAU team made your way back from Los Angeles after successfully finding Lila Archer's stalker. The case had been a bit draining, after all, you've only been working with the FBI for a couple of months, and seeing dead bodies and all those other displays of violence was something you were still trying to get used to. Despite your sensitive nature, being Aaron Hotchner's daughter meant that you had mastered the art of a poker face through the years, not that it meant that your inner feelings were any less important. This is how you found yourself sitting all alone in a corner of the jet as everyone minded their own business. On any other day, you'd be sitting next to Dr. Spencer Reid, talking about whatever it was that could get your mind off the case you had just wrapped up. Spencer and you were friends, some would even say the best of friends, but you didn't mind about naming things — what mattered the most is that you got to be yourself around him and you didn't bother hiding behind the Hotchner glare, as he once put it.

Despite being unknown territory for you, after all, feelings and all that were protected by a deeply analytic and practical mind, you knew what you were feeling. Well, you were analyzing your reactions to check what had actually happened — and the thing is, you couldn't admit, not even to yourself, what that sinking feeling in your chest when you watched Spencer saying goodbye to Lila was. Amid your analysis, Spencer quietly approached you, silently motioning to the seat next to you. You nodded, shutting every single thought of him. Or at least, trying.

"Hi."

Hotch glare. "Hi, Reid."

Spencer felt nervous. He had never been on the receiving end of your… wrath before, so it was unknown territory and he didn't know how to act. His racing heart and clammy palms weren't helping him, either. Taking a deep breath, he said, "Listen, um, you... can... can we talk?" The stammering. Way to go, Spencer.

Glancing at him, ignoring the skip in your heartbeat, you nodded. "Yeah. Is everything alright?" A firm, secure tone. You mentally patted yourself on the back.

"You're a little distant... and—and I got a bit worried. Did... Did something happen?" He wanted to kick himself. What kind of person can't hold a serious conversation without stuttering like an idiot? Get a grip, Reid.

"No, Reid. Everything is alright. I'm just... thinking." You said.

Bullshit. You both knew that. Spencer, on the other hand, didn't know why it was bullshit. But he knew it was.

"Are you sure?" He asked, leaning towards you, almost invading your personal space and he shut his eyes before delivering the next question, "Is... I haven't done anything to upset you? Right?"

You took a second to answer him, willing your voice to stay still and the knot in your throat to go away. "No. It's nothing you've done. It's just... it's on me." You gave him a small smile that didn’t quite reach your eyes — that's when he knew something was definitely wrong.

He nodded, but he was still worried by your sudden change of behavior, especially towards him. It was like he was anyone else, again. And, God, he didn't want that. "What is it, then? You can talk to me, you know. We're best friends."

Best friends.

The words felt bitter on his tongue. The sound of them broke your heart all over again.

Best friends. "Right. Yeah. I know." You said, quietly, and it felt a little lifeless to him. He clenched his hand, fighting the urge to touch you, to ask you what was truly bothering you. "Thanks for offering."

Spencer felt conflicted. If he didn't say anything and didn't push you to speak, you would probably bury whatever it was that you were feeling and it would lead him into being even more worried about you. If he did, you would probably snap at him because of his undesired, bothersome insistence. "It's nothing." He said, defeatedly. "Can you just... Do you promise it's not me?"

Your heart ached and you smiled at him, a tiny, faint, barely there smile. He was so adorable, sometimes. "I'm just upset over something else. Don’t worry. You didn't do anything wrong." You finished, trying to convince yourself that he had not, indeed, done something wrong.

And he didn't. He didn't. You and Spencer, despite your proximity and sometimes incredibly ambiguous relationship, hadn't said anything about deeper feelings towards one another. You let yourself admire him, lovingly, from afar, and were happy with the snippets of attention you had from him when you two had some free time. You two were regulars in the coffee shop near his apartment and, by now, the local librarian, Mrs. Jones, could probably fake your signature from how often you two went there to borrow books. She would watch you two behind the bookshelves, whispering excitedly and curiously to each other about whatever suggestions you were getting from each other. As you missed Spencer's longing glances to read a summary, Mrs. Jones smiled to herself, both at how adorable you two were and how oblivious you were. In museums, you would sit down after some time walking around to his explanations of art and historical movements that impacted the expression of a certain age — you pretended to not know a few things, just so he could speak his heart away and not be interrupted by your own contributions.

You kept silent to make him happy.

Which was exactly what was happening now.

Spencer knew, for sure, that you were hiding something from him. But he also knew that he had no right to force it out. He fidgeted awkwardly, not knowing what to do with his hands, his heart still clenching. “But, but... you’d come to me if you needed help, right?”

You nodded, unable to speak. You knew you were wrong, omitting things from him. Just as the guilt was starting to weigh in your heart, Derek passed by you two with a magazine in his hands, throwing it at Spencer, exclaiming, "My man!"

You looked down, already knowing what it was. Spencer was a mess beside you: blushing, stuttering, avoiding your and Derek's gaze and throwing the magazine as far as he could, like it had burned him. Your reaction was a subtle twitch of your lips, not in amusement, but in need to disguise the pang in your heart. You both spent the rest of the flight sitting in silence, simply being in each other's orbit. You, guiltily. Spencer, worriedly.

Your reaction — or lack of — was staggering to Spencer. He thought you two were getting somewhere, despite your closed off nature and demeanor, he thought he was finally cracking you up. Everyday was torture, seeing you walk through the bullpen's glass doors with your professional clothes and your composed figure. It was torture to see you walk around so prettily and serious, holding his bare heart in your hands, and not even realizing it. By now, he lived and thrived on those rare opportunities you had to spend time together as he became more and more covered in you.

As the jet landed and Spencer walked out to talk to Derek, you pettily made sure to step on Lila Archer's face when leaving the jet in sheer frustration.

Back to the bullpen, you had gone to the restroom to splash some water on your face in order to calm your nerves and to tell yourself that it was only a matter of time until things got back to normal — until you got back to normal. Glancing at your reflection in the mirror, you wondered if Spencer could tell that there was something wrong with you, if you had let any of your feelings slip during your short conversation. The version of you that stared back was as impassible as you ever were. As you made your way to your desk in the dimly lit sea of desks, you caught Spencer and Derek talking, both having their backs to you.

Sighing, you just left the headquarters, not wanting to know what they were discussing, or rather, knowing what they were discussing, but unwilling to stay, even if it would quench your curiosity as to what Spencer had been thinking.

Maybe you didn't want to know the answer.

—

The days went by, cases coming left and right, flights making you almost dizzy — not that you would admit, but you were terrified of heights. Between those and your training, you barely had time to think about Spencer and the entire Lila occasion. You spent your days busy with work, studies and physical training in order to keep your mind away from that, but as you lay awake at night, the memories would come back to haunt you relentlessly to the point you had recurring dreams of them. Together, as you watched from the sidelines. You kept to yourself, slipping further and further away from Spencer.

Reid, on the other hand, felt your absence more than anyone. You took a rain check on all the invitations he made, even when he invited you to movie night, when he would definitely choose a Russian movie because you mentioned once how you liked how the language sounds. There wasn't any more donuts on his desk as he arrived in the morning (he would always joke that you and your father secretly lived in the headquarters and that someday he would see Haley bringing your groceries to the secret house), and there was no one for him to throw his paper airplanes, small flashcards with the Russian phonological alphabet, at. The change in your behavior was absurdly clear to everyone: you barely called or texted him anymore, you didn't look his way when someone told a joke to check if he thought it was funny... He was sulking, to say the least. Upon questioning you, you blamed your lack of free time and as he was going to question you further, you said in a teasing tone that not everyone was like him and that the FBI was actually making you go through all the training phases.

Finally, during the end of a particularly frustrating workday, he finally snapped, grabbing your arm before you could enter the elevator. It was only you and him in the otherwise empty hallway. "Ok. What's been going on? And don't," he said, closing his eyes, "don't dance around the subject. Don't say it's the Academy. Don't say you have to work. Don't. Please, be honest with me."

The exasperation in his eyes and in his tone almost broke the wall that hid your true feelings, but as you glanced at him, you figured you couldn't do it. Be honest? What for? To hear that you're nothing more than his best friend? Losing said friend was not an option, not to you, at least. But you also knew that you weren't treating him right, that keeping him out was not at all fair to him, that leaving him in the dark was as hurtful as it would be to lose him.

Breathing deeply, you answered with the same stoic expression you wore every single damn day. "I told you, Reid. People go through different, busier times in their lives." The lie tasted like acid.

Spencer clenched his teeth, frustration and confusion beginning to override some of his social anxieties. “That! That!” He asked through clenched teeth, his gaze intense.

"That what?" You asked, puzzled.

"You... you stopped calling me 'Spence'—not that you did it often, you did it more when we were all alone, and it... it sucks! It sucks because I don't know what happened or what I did that was so wrong to make you stop liking me!"

Come on, just say something! Get angry, get sad, get something!, his mind screamed.

"I never stopped liking you," you said, looking away from him. His words hit a particular spot that you were totally willing to discover later, but the mere thought that he knew that you liked him more than as a friend made you shiver.

"That's not the point! Or—or rather, it is! Because if you didn't stop liking me, why would you act like you did?" He asked, his tone rising a bit.

"Calm down."

"Calm down? I will not calm down!" He almost yelled. His eyes widened slightly, disbelief clear in his features and tone, not to mention the frustration. "Just. Please.” He said, closing his eyes, willing himself to tone it down, not that it worked... “Tell me what you're thinking, what happened to you! For once! Any normal person would react and stop acting like an emotionless robot!"

You gaped like a fish out of water, taking a small step back, his words digging a hole in your heart. Upon hearing his own words and noticing you distancing yourself from him, all the anger vanished from his body. The widened eyes were a sign of realization of what he had said to you. During the early months of friendship, you had confided in him that you struggled with portraying emotion like others normally did. Maybe it had something to do with growing up with a father who did it so perfectly when he was out of the house. When he wasn't actively playing the ‘dad’ part, Aaron Hotchner would wear an unreadable mask like it was his armor, his defense from the outer world, but as soon as he got home, he was back to his main role. You would watch him with his coworkers and mimic him perfectly to make him laugh. At some point, making fun of and imitating his demeanor had become some serious form of self-defense for you. Spencer, then, joked that you were making your way to the perfect job, but then he had gotten serious and told you that it wasn't a flaw. That it wasn't a problem that you kept deeply to yourself sometimes — that it was okay to be yourself around him. You had felt safe by his side since then.

But now, what did those words mean? Were they lies?

He breathed out your name, softly, "I... I... I'm sorry."

"Just drop it," you replied, pushing the elevator button. Your dismissive tone and your action of leaving made Spencer feel utterly desolate, like he had done the wrongest thing in the world and perhaps he had, but he just wanted you to let him in. For once, he wanted to have the answers from your lips, not spend any more time analyzing your every single action and words...

"I'm sorry, I didn't mean to..."

"You know, Spencer…" he looked up at you when he heard his name, as you held out an arm to hold the elevator doors open. As if thinking better than to say anything, you sighed and turned to enter the elevator, shaking your head with the most disappointed look he had ever seen on your face.

Spencer tried looking at you one last time before the elevator doors closed, and despite your face being as unreadable as it often was, he saw a flicker of sadness that stung his heart more than he liked to admit. If he hadn't done anything wrong before, now he had utterly fucked everything up.

—

The drive home, for Spencer, was a torture. He knew that he had to pay attention to the road ahead of him, to the other vehicles and drivers, but his mind kept drifting to the last glimpse of you back in the headquarters. Your empty eyes appeared behind his eyelids every time he pressed his eyes closed. He willed himself not to cry, to not blur his vision, taking his frustration out on the steering wheel, where his grip was so tight that his knuckles turned white. As he parked his car and looked up to one of his windows, he remembered you. Because of course he would remember you.

The sight was almost comical, to be honest. You, clad in one of the suits that fitted you so well, sitting on his windowsill, a cup of green tea in hands as you stared out the window, trying to analyze every single drop of rain before it reached somewhere outside your vision range. The funny thing was that you had no shoes on, instead, Spencer lent you a mismatched pair, not being one used to having people over, he didn't have a pair of spare slippers. Then, you sat there with a dinosaur-pattern sock on one foot and a striped-pattern sock on the other.

Spencer, sitting on his sofa and holding his own cup (he had let you choose your mug and stayed quiet when you pointed quietly at his favorite), smiled to himself. It was weirdly calming seeing you out of your character, doing something so... human.

"I can feel you staring, you know," you said. And your tone was almost... teasing?

"Right. Sorry." He said, looking down at his steaming tea.

"I'm not scolding you," you said, turning to look at his direction with a grin.

"Right, no—heh..." he replied, bashfully, cheeks reddening at the sight of your smile.

If only you knew... how many hours he would lay awake at night, as thoughts swirled in his head, how everything seemed to shut down at the thought of you. How he would fall asleep to the wish of being on the receiving end of one of your rare smiles, how he appreciated that you were always the first one he talked to upon his arrival at the headquarters. How... how he would do anything for you to look at him under a different light.

Seemingly out of nowhere, you giggled. Everything stopped.

Spencer.exe has stopped working.

"Heheh—I guess... It's not everyday you get to see a Hotchner so out of its—heheh—habitat." You quipped, looking at him with a smile on your face.

Suddenly, Spencer lost his voice. The connection between his brain and his tongue, which felt heavy, disappeared. Completely speechless, eyes slightly wide at the sound of your laughter. It made you laugh a bit more, but when his stare and open mouth got too much to handle, you looked down at your feet, wiggling your toes to distract yourself from the intensity of his gaze full of awe. Then, Spencer got back to his senses, smiling at you as you missed it to look away in embarrassment.

Spencer blinked away the tears and left his car, entering his apartment. As he took off his shoes, he let the tears fall at the sight of your windowsill.

—

Meanwhile, you were getting wasted at some bar. Not just any bar, but the one you usually went with Spencer when you were feeling daring and wanted a change from the places where you both used to go to. You were a bit of a lightweight, so a couple of drinks were enough for you to start playing trivia with Spencer and let your gaze linger for longer, basking in the sight of him so carefree, having fun with you.

Upon your arrival, the bartender that usually took care of your orders, MJ, greeted you with a smile. When she saw no one was joining you, she frowned. "Good evening, Hotch. Where's loverboy?"

You sent her a look, but since you were letting your guard down, after all, there were no acquaintances or friends around, you didn't know if the look came out as a glare or if you looked like a kicked puppy. She snorted. "Gee... That bad, huh?" She asked, and you didn't answer again, though you muttered a soft thanks, MJ when she gave you your go-to drink.

And it turned into two drinks. Three. Four...

(MJ was now giving you alcohol-free drinks, too worried for your well-being. You and Spencer started to grow on her as you two kept coming back.)

You rested your chin on your left hand while you traced patterns with your right index finger on the counter. MJ was eyeing you suspiciously, drying a few glasses with a washcloth. "He kissed another girl." You admitted, quietly.

"No way." She gasped.

"Way."

"But... I thought you two were a thing." MJ was baffled, placing down the objects she was holding in sheer shock. "I always thought you two were like... together for years."

"We were a thing.... I think, at least... I don't know, MJ." You sighed, tucking a stray of hair behind your ear. Looking up at her, hazy eyes taking in her focused expression, you sniffled, "we were on this case and then he met a girl and then the next moment the two of them were making out in a pool. In a freaking pool."

She tsked, anger flashing in her eyes, "I swear, those nerdy guys are the worst."

"Yeah..." You muttered, fiddling with your straw. "Can I have another one?"

She pursed her lips, but she relented. Then, as she handed you the liquid, a guy sat next to you. Did he look like Spencer or were you already hallucinating?

"Hi. I'm Dave. Can I buy you a drink...?" He asked with a small smile, wanting to know your name.

No, not Spencer. It’s cool.

"Hi, I..."

MJ cut you off. "Hey, Dave, I think she had too much to drink already."

They exchanged looks and it took you a minute to feel offended by her interruption and knowing you were perfectly capable of speaking for yourself, but realizing you would probably have to entertain a stranger, you felt grateful for it.

Dave left with a sour smile. "Thanks." You muttered, again, looking at MJ.

"Do you need me to get you a cab, honey?"

"That would be great." You said, placing money bills to pay for your drinks and the tip.

MJ looked around to spot someone to keep an eye on the bar as she led you out of the place, hand never leaving your shoulder. As she called a cab, she made you stand on only one leg to make sure you weren't gonna need her to go with you. You scoffed, but obeyed her all the same, with a low snicker. As you two waited for the cab driver, a woman who MJ trusted with her life (and her favorite regulars), you tried to make conversation to make up for embarrassing yourself by talking about Spencer with someone. How pathetic.

"So, what does MJ stand for?"

She chuckled, shaking her head at you and at your dazed eyes. "That's classified information."

"I'm familiar with that."

The cab driver, Paula, arrived. She greeted the both of you with a smile and a cheerful good evening! As you entered the vehicle, you rolled the windows down and pressed the subject further, "Seriously, is it Mary Jane or were your parents more creative?"

She rolled your eyes at you, shaking her head. "It's Mary Jane. MJ because who would take me seriously?"

You smiled. "I like the shoes!"

Paula started driving slowly, just to let other drivers drop their own passengers, as you were lost in your own little world, serious expression taking over your face again, not wavering, as you delved deeper into the whirlwind of thoughts plaguing your head. Paula, looking at you through the rear-view mirror, asked, "Is everything okay, honey?"

You buckled your seatbelt. "Yes, yes. Just... keep driving slowly, please."

"Where to?"

Only then you realized you never gave her an address. Closing your eyes and taking a deep breath, you gave her Spencer's, telling her you were going home.

—

An unknown number had sent Spencer a couple of messages.

[8:32 p.m.] Lovergirl is here, drinking all by herself.

[8:32 p.m.] Water, but still. I'm not having her passed out without you here.

[8:40 p.m.] Sent her home, people were starting to approach.

Throughout the time he had spent with you at the bar, the two of you exchanged numbers with MJ in case she needed your help — you know, being FBI agents and whatnot. But Spencer didn't need to see her name to know it was her and she was talking about you; 'lovergirl' and 'passed out without you here' gave him clue enough. His stomach tied in knots when he read that people were starting to approach her, the nagging feeling that the image conjured in his mind was making him feel almost sick, then, it hit him like a truck: Lila Archer.

Their… case? was as fleeting as a careless glance. To be honest, Spencer accepted her advances to spite you for having such power over him, even if unknowingly so. The young agent felt like you were so out of his league, so out of reach — you were all that pile of confidence and stoicism and pure lusciousness and everything to him. And he was a young guy who truly had barely been kissed so far. How could he approach you, charm his way into your heart, especially when you barely bared it? With Lila, it was... nice. Easy, even. It was nice being wanted, to be able to read her intentions and desires like a children's book. With you, it was a tantalizing challenge, one he was, for the first time, struggling with. It was not like having a high-school crush, not like pining over the untouchable girls that would catch his interest as he grew older. No. This was something new. You had hit him deeper than ever or anyone before.

Plus, as much as he hated to admit it, he gave room to the anxious thoughts regarding your father as well. Would it affect his relationship with his superior? Would it affect your relationship with your father? Spencer felt dizzy just by the mere thought of ruining something uniquely yours. No, he couldn't impose himself on your life like that. It was mean, it was wrong, it was immoral.

To want, to desire, is to be selfish.

It was a bold assumption. To think you were jealous of him. Nevertheless, the signs were all there, had been all along. He was just dumb and scared enough of making assumptions.

A barely there, faint sound of a knock on his door made Spencer fly out of his bed, dropping his phone on the bedroom floor, but he didn't pick it up. He had a suspicion as to who could be knocking on his door, but he was too scared of assuming anything. Again. Opening the door, he saw you, breathing a bit heavily. The stairs, he supposed. You always complained about them. Once you exchanged looks, Spencer’s surprised one and your earnest one, you asked, "Do you really think I'm a robot?"

Shit. He could feel his heart breaking in a million little pieces. The insecure edge of your voice and words made him squeeze his eyes shut; in his mind, he was kicking himself simultaneously as he sank down to his knees, on your feet, begging you to forgive and forget his dumb, stupid, frustrated, unrealistic words.

"No," he breathed out, wincing, almost as if he was in physical pain. "I—I didn't mean to talk about you like that. I was..."

"Frustrated?"

He nodded, silently, eyes never leaving your face. Your speech, albeit way out of the ordinary that he was used to, was flawless. If not by the dilated pupils and the faint smell of alcohol, not to mention MJ's texts, he would dare to say you were perfectly sober. "I was, too." You admitted, looking down.

Spencer made way for you to enter his apartment. He watched as you kicked your shoes off. The sight, that had become as common as the act of breathing, made his way flutter. You intended on staying. Or so he hoped. You walked further into the place, noticing everything as it ever was, as if you hadn't been to his apartment for some time now. "You must be thinking why I'm here," you said, moving to sit on the couch and mentioning him to sit on the small coffee table in front of you, as if you owned the place, and not him.

Perhaps it was true.

He closed the door once you were inside, hesitating for a moment before joining you. He kept noticing things about you; the way you were walking, the way you could barely look him in the eye, the way you looked… “How much did you have to drink?” He asked, quietly.

"Not much. You know I don't usually drink because I can’t hold my drinks. And I'm sure MJ was giving me plain water at some point." You said, looking up at him. Well, at least, your speech flawlessly delivered, even though you were moving a bit more… disoriented than usual. She's totally a Hotchner.

"I... I am," he started, sitting in front of you carefully. "I... I'm sorry. It's just... You've never been so distant. I guess that I was mean to you to elicit some reaction."

Your analytical gaze softened upon his confession. You needed to give him some break, be a little easy on him. Well, easier than you were being as of lately. Nodding lightly, you added, "I'm here to apologize, too. I know... I know that I pushed you away and I made you think that... that that was your fault. It's not."

He froze. No, he wouldn't have you taking the blame for how his actions caused you to react. He looked up at you, reaching out a hand to touch your intertwined ones, "It is."

"Hear me out. Please." You said, lowly, not breaking eye contact. This was so hard, and you had never felt so afraid before. How ironic — to be afraid of being brave. "I... I guess that by now you know why I pulled away."

"I do," he admitted, nervously. "It took me some time, but I... I think I figured you out."

You looked down, embarrassed. It was overwhelming for him to see you portray such different and so many emotions all at once. To you, it was as agonizing as it was freeing. "Well, yes. So... It, um, it wasn't fair. We... we are not something. We are not a thing."

His heart, doing all the thinking and feeling, nearly stopped. As if it wasn't enough, you kept on going, "I'm sorry, I truly am, for how I behaved and how I made you feel by being absent. It's... it's not my place. You have your own life, Reid. I can't be upset with you for making decisions. You're a grown man..." you sighed, glancing at every direction but at him. "I know that I'm wrong, okay? And I know that I shouldn't have pushed you away, nor should I have kept my feelings from you."

Spencer drew in a long breath. He didn't know what to say, but you couldn't be more wrong. All at once, he wanted to scream, but he didn't know what ro say; he wanted to run, but he didn't want to leave you alone — not for a second. He didn't ever want you out of his sight; he didn't want to be the one you were apologizing to, hell, he wanted everything to be okay between them, but it was nice that she was talking to him, finally.

"I..."

Every time he thought he could say something, words failed him. Then, you took it as another opportunity to word-vomit everything you've been feeling. "I was... I was jealous. I didn't like to see that. I didn't like that it happened. But I also know that I have no right to be upset with you because you're single and she's attractive and you're both consenting and willing to do whatever you please, so..." You shrugged as if speaking those words aloud didn't stab new holes in your heart.

Spencer looked at you, totally speechless. It made you snicker. And speak further. Shut up, you idiot. Please, please, please! "And, ah—hahahah—I guess I am, indeed, a bit of a robot because it took me a bit of alcohol to pluck up the courage to come here and totally—hic—destroy our friendship by telling you I love you so much; that I'd hate to see you with anyone other than me. It happened and I hated it. It still stings."

Spencer's heart threatened to fail once again. Your giggles, your words, your confession... His mind completely short-circuited. She loved him. She loved him? She loved him?!?!???!!! That’s what she’d just said, apparently. Okay, calm down. And she’d been jealous. She didn’t like him kissing another woman, because she fucking loved him. Say something, you dumb idiot, his brain shrieked. Say something!

You parted your lips to say something else, but apparently decided against it. Another beat of silence of Spencer staring dumbly at you. "I'm going," you blurted out, standing up.

Spencer, at breakneck speed, stood up as well to stop you from walking away, placing his hands tentatively on your shoulders. Your bodies were now apart by mere inches. "No." His voice was so small and pained that you sat back down.

Despite your apparent willingness, your next words told him about your turmoil. "Why would I stay, Spencer? I've been pouring my heart out to you and you haven't said a thing."

Looking at you, so bare and so vulnerable, Spencer suddenly had flashbacks from when he had lashed out on you earlier and simultaneously fought the feelings that were bubbling inside of him upon your confession. Couldn't you see the sheer shock on his face? Couldn't you see that he was battling against every single bit of self restraint not to pull you into his embrace and make you believe him when he would tell you that you were the only woman for him?

Sure, he had dreamed of you saying those words to him countless times as time went by and you two got closer. Shit, he literally dreamed of it. Of you. Speaking sweet nothings to him... He broke out of his daze, realizing that he was deadly silent, "Don't go..."

"Then say something. I'm here. Not as Hotch's daughter, not as your coworker, not as a part of the team you work with. I'm here as the woman in whose heart you've grown over the last few months. I'm terrified of your answer and you keep depriving me of it." There was a hint of annoyance and hurry on your voice, and he could understand you, he truly could. He just didn't... he lost his voice when he looked at you.

Saying your name softly, he beginned, “I said stupid, untrue things, and I’m sorry. I’m a jerk, and I know that I’m a jerk and—" You quirked your eyebrow and he took a deep breath, trying to cut his rant. "Just... don't sit there and think that I have nothing to say."

"Have you said it?" You pressed it, quirking an eyebrow.

"No." He admitted, widening his eyes a bit as he realized his mistake.

At the same time, you shot, "Not saying something is also an answer for me—"

"—but not for the reasons you're thinking! Do you know how hard it is for me right now?" Spencer was starting to sound very desperate and pathetic, not to mention the fact that he wasn't answering your questions.

Deep breaths (from both ends).

"Look, Reid..." He glared at you upon hearing his last name. "I think I should go home. You and I clearly need some space—"

"What we need to do is talk."

You sighed. "Then why won't you give me an answer?"

Silence.

"You won't even remember this in the morning."

At that, you deemed yourself utterly defeated. This was useless. "I'm sorry I came over. I'm... I'll just go, okay? Please, don't be upset about tonight. I apologize in advance."

The sight of her, once more shying away from him and turning to escape from him, was making Spencer frustrated, with himself, to no end. His heart clenched at your apology, to which he shook his head vehemently. The thing is, he wanted to get ready to answer you, properly, just like he always had some trick up his sleeve or some funny or curious fact to blurt during the most random moments. Spencer was good at speaking, but only when the speech was already ingrained into his mind, something he had read or rehearsed before. Plus, he was sure your state of drunkenness would stop you from remembering that moment.

Spencer dashed to his door, barely stopping you. No, no, no, no, no... She can't leave. This might be my only chance. "You're not going anywhere."

"Excuse me?"

"Stay with me. I don't want you to go." He said, softly, slowly, looking straight into your eyes. It made you dizzy. Either that or the alcohol.

"No?"

"Y-you're drunk and I... I don't think it's safe for you to go by yourself and it's late and... and..." he trailed off, nervously, desperate to get you to stay.

"I'm not drunk."

"You're not fooling me. You might be as concise as ever but you're not sober. Stay."

"Promise... promise you won't be upset with me?"

His heart dropped, heavy with guilt. And with love for you. "I promise."

Spencer silently led you back to the couch, gingerly holding your hand. He felt dazzled, speechless, desperate, frustrated, all at once. But your touch was starting to ground him back to reality, where you were real, having confessed your feelings for him, and he was a mess, not even being able to say anything back. Without much thinking, he said, "You should stay over tonight."

"Okay... I'll take the couch."

"As if I'd let you sleep on the couch."

"It's okay."

"Stop... stop acting like I sent you away."

You kept silent. You felt like he did. Through his touch, he hoped to get you to understand that his feelings were a mess, but they existed, and they were real, and they were yours. "That'd be alright with me, you know. Taking your couch. I think I would sleep better on your floor than I would ever in my bed. To... to say that anything is better if you're somehow involved."

His stomach made a flip-flop. Brain short-circuited again. You yawned, as if you had just made an annoying comment on the weather.

"Are you tired?" He managed to mutter.

"I am."

"Come on. Let's get you to bed."

"No."

"What do you mean 'no'? I'm not letting you on the couch. Come on."

"I can't go to your bed with outside clothes." You booped his nose.

He chuckled lowly, confused a little by your words. "Are you seriously worried about clothes?"

"You don't like germs. That's why I removed my shoes."

Okay, he thought, if I manage to put her to sleep without having a heart attack, I definitely don't need a cardiologist's appointment because it would mean I'm that strong.

"Y-you... remembered?" Damn it, Reid. Stop stuttering.

You sighed, tiredly, and rested your head on his shoulder, looking down at his hand holding yours. "I remember everything about you."

"You do?"

"Yes. Fortunately or unfortunately."

Spencer was too stunned to speak. Too stunned, too dumb, too afraid. Damn it. Damn it. He couldn't stop cursing internally. He forced himself to pull you towards his bedroom and even though he still sensed some uncertainty, he kept going. Reaching for a pair of sweatpants and a big t-shirt, he gave those to you. "You can change into these," as he left the room to make you more comfortable.

"Wait!" You almost shrieked.

"What happened?" He prompted, worriedly, reaching a hand out to touch your arm.

"I don't want you to go."

He bit back a sigh. "I'll be just outside."

"Just... stay here?"

"I can't—" he interrupted himself, just turning around so his back was to you instead. At that, he looked up at his ceiling and prayed to any deity to let him survive that night.

He could hear the sounds of your movements. The zipper being undone, the soft ruffling of the fabric as you tugged your shirt up your head... He was imagining your exposed skin, every perfect inch, how would you look without all those clothes that suited you so nicely, how would it be to touch you, to run his fingertips all over your heated skin, how would it be to kiss every freckle on your body, to—"Done."

Turning around, the sight was adorable, which made him somewhat guilty of his early impure thoughts. "I feel like Alice when she shrunk into a tiny human."

He couldn't fight the smile at your words. He led you to his bed, where you laid on your back on top of the covers, staring at the ceiling. Spencer left you briefly to get you a glass of water and some painkillers to leave by the bedside table. You thanked him with a silent glance. As he turned to leave, once again, you said in a small voice, almost phrasing it like a question, too afraid of the answer. "Stay."

"I'll take the couch."

"You asked me to stay, thrice, I guess… And I did. I asked you once and you did. I still have a few requests left. I'm keeping tabs."

He relented, laying next to you and placing a pillow between you two. You breathed out a chuckle and he shook his head, clearly knowing where your mind had gone to. He placed his hand on top of the pillow, offering his comfort, and then you tentatively placed yours on top of his. He grinned to himself.

It was hard for him to wrap his head around what had happened that night. He knew his words — or lack of — could be read the wrong way and you possibly did, but he also hoped that his actions were speaking louder. Just as he was getting lost in thought again, he heard your voice once more.

"Spence?"

That damned nickname.

"Thanks for, um, being so respectful. Not that I don't think you'd be. But, um, as you've said, I'm drunk. And I told you I love you. And you're simply holding my hand." He gulped. He was keeping count, too, of how many times you said you loved him. Twice, so far, but he wanted so much more, endlessly. He wanted to lose track. "I guess... that makes me love you even more," you finished, crushing his heart between your palms, voice thick with sleep.

When he finally turned his head to look at you, your eyes were closed and you looked peaceful, drifting off to sleep. Then, when he was sure you were actually asleep, he stood up from his bed, grabbing a pillow and a spare blanket to lay on the floor.

"I'll gladly sleep on my floor if it means I get to have you around, too..."

—

Spencer didn't get any sleep.

He tossed and turned on the floor all night long, both because his carpet was not the most comfortable spot to sleep on, but also and mostly because there was no way in hell his mind stopped working. All through the night, Spencer fought the urge to shake you awake to ask if this was real, if you really loved him, if the words that slipped through your lips were in fact your feelings towards him. Despite his curiosity and eagerness, he let you sleep, figuring that he had already put you through too much already. As you slept, a movie played on his mind: your moments together, your confession of love, and overthinking the words we are not something. We are not a thing. He feared that you would wake up and realize how badly he had screwed up and decide not to want him anymore. Yes, he was that anxious.

You, on the other hand, even though confused by his lack of answer to your heart’s words, felt lighter than ever by speaking out your truth (the booze did help you a lot, though). Being as analytical as you were had its perks. One of them is that you never let yourself suffer too much for too long, too attached to reality to care much about the rest. So what if he rejected you? Life goes on — and that’s what you thought with every other loser that you caught yourself thinking too much of. Spencer, though… Who were you kidding? Spencer was Spencer. And that meant the world… It wasn’t so bad, if he actually rejected you… you’d only have to face him every day, until the rest of your lives, doomed to work together, cursed to think and rethink all over again small, fleeting moments such as an exchange of longing glances.

(You felt strangely calm due to your touch with reality. Maybe, just maybe, you were hoping for the best based on his care with and for you. But boy, were you ready to give him a piece of your mind.)

As your eyes fluttered open, you stretched your limbs on an unfamiliar bed with too much space. Upon your confusion, the memories came back with full force. You jolted, sitting down, searching for him — and, to be honest, not wanting to find him. The house was deadly silent, so you tried to trick yourself that you were sure he wasn't there. You dashed to the bathroom, taking a quick shower to get rid of the shame and the faint reek of alcohol. As you moved around his stuff, you couldn't help but think that you were so familiar with his things that it was almost like you belonged there. Sigh. It turns out that hiding emotions is easier than feeling them, especially their extremes.

As soon as you finished putting on your own clothes, you stopped dead in your tracks as you heard footsteps outside the bedroom. You froze, not knowing what to say. Or do.

Spencer entered the room, holding a tray meticulously organized with some food on it. “Morning. I, um, made you breakfast.” Because of course he would make you fucking breakfast. 

“Morning,” you replied awkwardly and hoarsely. Maybe you cried a little bit, who knows… “Thanks, you didn't have to.”

“I did.”

You take your time to get a good look at him. He had bags under his eyes that appeared to be tired. The sight made your heart drop. “I'm sorry…”

“Don't be.”

“But I was wrong.”

“So was I.”

“But—”

“Last night you said some things. Do you, uh, do you remember what you told me?” You nodded, unable to speak. “Do you remember what you told me?” He repeated, trying to get a verbal answer from you.

“Yes, Spencer. I remember.”

“Can you listen to what I have to say now?”

You nodded, weakly.

“I didn't say anything because… because everything had gone in the most opposite direction they could've gone.” He said, approaching you calmly. “I was up the entire night, hoping to find the right words to tell you that would make you believe me after I… was stupid. I… First, I'm sorry I made you feel that way. I know you said that we're nothing, that we weren't something, that we didn't have anything… but… but you're everything to me.” At that, your eyes finally met his. The intensity of your gaze made him shudder, but he kept going. “All the time we've spent together was nothing compared to what I want to have with you… and… and… God! Do you have any idea of the torture I was put through with you? Constantly thinking of what we could be, what we should be, too scared of your reaction or that—that—that Hotch decided to chop off my neck because he found out that I was crushing on his only daughter!”

At the mention of your dad, you burst out laughing. Seriously? That was such a cliché! “Hey! I'm serious!”

“I'm sorry…” You bit your bottom lip, fighting the urge to laugh at him some more. He was adorable.

“As I was saying,” he continued, trying to sound annoyed, but a hint of a smile threatened to break on his lips, and he didn't pull away when you approached him nor he did when you wrapped your arms around his waist, resting your chin on his chest, looking up at him, adoringly. He looked down, meeting your gaze,  “I… I love you. I love you too. God, it just feels so good to say that!”

You giggled, again. God, he could never get used to that sound.

“And I’m sorry for being so mean to you when I was frustrated. I should have been more patient and my unthoughtful words hurt you.” You kept silent, remembering his words. “I—I’ll spend the rest of my life apologizing if you’ll have me.” He added, intimidated by your gaze.

Silence. “Well, I accept your apologies. I was unfair to you as well. And you know where I stand when it comes to you. My feelings, I mean.”

“I do… But…”

“But?”

“I'd like to hear you say it.”

“Say what?”

“That you love me?”

“I don't know. Do I, really?” You joked.

He blushed furiously, ready to stutter himself out of that situation. “No, I mean… you—you said that—that you remembered what you said last night and… so… putting two and two…”

Another giggle interrupted him. You traced his jawline, leaning up to kiss his right cheek. “I really, really love you.” A kiss to his left cheek. He chuckled. “I love you.” A kiss on the tip of his nose, to which he snorted, totally lovestruck. “So much.” A lingering, tender kiss to his forehead. He closed his eyes, already anticipating the next spot you would press your soft lips to.

As you made your way to finally kiss his lips, you decided to tease him and let him wait for a bit longer. Spencer groaned in protest and you chuckled a bit, finally deciding that it was enough. Pressing your lips to the corner of his mouth, making him sigh, you were thrilling on making him more and more eager. His grip on you tightened just slightly as he let out a shaky breath. You wanted to laugh, but instead, you poked fun at him. “Now you know what it's like to be teased.”

“I love you. Oh, Jesus… You're driving me insane. You're here… And you, you're you…”

You grinned, looking up at him, finally, finally pressing your lips to his. As you let out a small sigh, his breath hitched, both of you utterly drowning in relief and satisfaction. You pulled back a bit, grinning, going back to kissing him. Spencer's hands found your jawline, sliding back to tangle in your hair as he sucked your bottom lip into his mouth. Parting your lips slightly, you granted him full access to kiss you properly, and he moaned at the taste of you, gripping your hair rougher than before. You groaned softly, and he proudly heard and swallowed all your small sounds.

The ring of a phone broke the urgent atmosphere that was building between you two. Spencer ignored it, letting it ring until you pulled away, gasping for air. As you did, the noise stopped and you met his lost eyes, totally dumbstruck, and you laughed because you probably looked the same way. He gave you a charming, lopsided grin, too stupid, too hypnotized to say anything.

The phone began ringing again. “Son of a…!” he cursed, picking up the phone. “Hi, this is Dr. Spencer Reid and unless this is an absolute emergency, I'm kinda busy—”

“Reid.” Aaron Hotchner's firm voice hit Spencer like a bucket of cold water. Widening his eyes, he gulped.

“Yes… sir?” You smiled at that. Of course you knew who he was talking to.

“We have a new case.” Hotch announced.

“Oh… okay… I, um, I—I'll be there in 20.”

Silence.

“Is everything okay, Reid?” Hotchner could read anyone, Spencer was now sure of that. Even through the goddamned phone.

“Wh—yeah, yeah… Everything's… totally f—fine.” He cursed under his breath as you gripped his vest, trying not to laugh.

“Do you know where she is?” Hotch inquired after another moment of quietness. 

“Who?” He squeaked. You chuckled silently.

“My daughter.” Of course it was his daughter.

Playing dumb is not a good look on you, you mouthed.

“N—no… I haven't… heard from her.”

“Sure.” Hotch said, skeptically. Spencer could feel the sweat on his forehead. After a moment, your father finished the call with an unreadable “We need to talk.”

Once the phone call ended, you burst out laughing at Spencer's reaction. “Not funny.” He protested, a frown on his face and a soft smile betraying his faux frustration.

“Come on, it is funny.”

He glared at you. “What do you think he wants to talk about?”

“I don't know. Men talk. I wouldn't want to get involved.” You said, grinning, pulling him by his vest.

He squeezed his eyes shut, relishing in the feeling of having you so close. “Do you think he knows?”

“Of course he knows.”

“How are you so collected?”

“Because I'm not the one he's going to scare to death, apparently.”

“He said ‘we’ need to talk. Emphasizing ‘we’. If he knows you’re here, then it probably—” you cut him off with a kiss.

“Well, then… Are you ready to face your biggest fear? The frightening Aaron Hotchner?”

Glancing at you adoringly, he chuckled. “I’d face him and whoever, whatever, a thousand times, if it meant that I could get you in the end.”

—

A couple days after the case, you and Spencer meet again, in your apartment. Sitting down on the couch, you ask him, amusedly, “Do you think he noticed?” 

“Totally. I could barely look him in the eye for the first moments,” He said with a fond smile, hiding from you the fact that he had awkwardly and bravely spoken to your dad about your relationship. You laughed, placing your legs on the top of his legs. “I guess we should thank Lila, after all.” He joked, and you laughed out loud. 

Leaning him closer to him, grabbing his chin and looking deep into his eyes, you muttered, “Don’t ever say her name again, Spence.”

Your wish was always his command. It would always be.

[georgetheferret]

I actually have no clue if it's a fixation or a spin but yeah I'm doing this idc if this post is from like 5 years ago

I also might have got sum things wrong so please correct me kindly if that happens

prepare for a long yapping session.

📃 it doesn't really have a plot whatsoever and half of the content is just nonsense from like 2015 on scratch (yes, the coding website with the damn cat)

📌 I found it during like early October 2023 while I was on picsart looking for content of a OLD hyperfixation I had called "fluvsies" and then I found this sticker of the Main character named "aarex" and I thought "who is this character????" So I decided to look him up on google lens then boom 15+ months later now I've been thinking about the characters

✨ what's so interesting about it is that it's a unique internet rabbithole that's KINDA similar to multiple other rabbitholes (e.g the closing logo community, goanimate/Vyond community and greeny phatom) and if you like obscure weird internet stuff then I highly recommend you to fall down this rabbithole (just be mindful that it's mostly full of inflation deviantart slop tho so if that irritates you then ignore that stuff)

💕 it's aarex because it's aarex, he is aarex. I don't have anything to say he's just aarex.

🍀 aarex because it's aarex!!!

💎 1. the FORMER creator of it is no longer on scratch cuz he got banished due to him making like 7-8 (?) alt accounts and now he works on Googlogy (study of large numbers) and game development at the moment of writing this

2. All of the characters are the same with different colors (regular show reference lmao)

3. I genuinely don't know of what to put here

💢 please stop with the fifa world Cup mascot fart inflation vore feet deviantart slop, I just wanna look at the funni blue cyborg without being forced to look at SLOP on deviantart. Just please. Please.

media hyperfixation ask game!

this can also be applied to special interests! if you have multiple, put them in the tags so people who send asks can specify which hyperfixation/spin they’re asking about. 📃 what is the plot of your hyperfixation? and is it a movie, game, show, etc? 📌 how did you find your hyperfixation? ✨ what draws you towards your hyperfixation? what is interesting about it? 🎥 do you have any favorite scenes from your hyperfixation? 🎶 if your hyperfixation has songs/an ost, what is your favorite song from it? 💕 tell us about one of your favorite characters and why you like them! 💔 tell us about one of your LEAST favorite characters and why you dislike them. 🏳‍🌈 do you have any headcanons (lgbt, race, neuro, etc) that are important to you? 🍀 do you have any kins or comfort characters from your hyperfixation? 💎 are there any fun facts or trivia that you would like to share? 💢 what do you NOT like about your hyperfixation? is there something you would want to change about it?

[raven-at-the-writing-desk]

what do you think Jack's flaws are? I believe that one of them is that he tends to idealize people like Leona he doesn't see the unpleasant sides of people.

Real quick, wanted to thank @/tinyfantasminha for taking the time to share their thoughts with me + give me some ideas on where to look for supplemental Jack lore ^^

I won't be going out of my way to make a list of all his flaws due to the reasons cited in this post. However, I'm going to discuss the idea posed by this anon. I don't know if I'd phrase it as "[Jack] doesn't see the unpleasant sides of people". I actually think the contrary: Jack is often suspicious and unwilling to trust others. This is particularly true for Octavinelle (see: book 3, Jack Labwear vignettes, etc.), but also extends to the general student populace, as he prefers to work alone. Jack does have more leniency towards his Savanaclaw senpais, Ruggie and especially Leona, but they're exceptions and not the rule. I think Jack would ideally like to have honorable senpai to look up to, but ideals are very different than what life handed him. Additionally, I don't think Jack has a habit of idealizing (like Kalim or Silver, who are oblivious to red flags and/or choose to think the best of their peers) or idolizing others (like Sebek does Malleus), at least not to the same extremes as some of his classmates do.

Back to Jack’s feelings about his Savanaclaw senpai for a moment. He first saw Leona on TV before ever meeting the guy, so it’s very possible that Jack formed a parasocial attachment to him and projected his own just ideals onto this stranger. That’s not uncommon or unexpected behavior for a preteen or teenager, who’s still trying to get a sense for their own identity and their place in the world. When he actually meets Leona, Jack is then taken aback by reality being totally different than his expectations.

Though Jack claims to operate as a lone wolf, he respects and adheres to pact hierarchy very strictly. In his own dorm uniform vignettes, he expresses that he believes Ruggie is Savanaclaw’s second-in-command and goes out of his way to try and earn Ruggie’s trust. Even when Ruggie says it’s annoying or acts suspicious of his junior, Jack persists like a wolf on the hunt. And that’s the thing about Jack: he is stubborn, and that can lead to problems, especially if others are involved. In his attempts to help out Ruggie, he’s being overbearing. By trying to do everything on his own, he’s potentially shouldering more work and shutting his peers out. That’s part of Jack’s brand of NRC pride—all the students have it to some degree.

Jack’s real fatal flaw is that he’s too judgmental. I already mentioned earlier how he tends to be very suspicious of others, but Jack also has a tendency to see things “as they are” and is inflexible with his thinking. Like… very face value. He sees Leona ordering Savanaclaw mobs to injure other students? Automatically goes, “that’s wrong!!” based on his own moral compass, doesn’t ask himself “why might they be doing this?”. He also assumes Leona is acting out of cowardice or just isn’t “trying hard enough”. This is a behavior Jack exhibits in other situations too. For example, he laughs when Leona talks about the honorable lessons he’s supposed to grant to the Sunset Warriors (implying he doesn’t see Leona as honorable). He calls Vil an “old man” when everyone returns from S.T.Y.X. He expresses surprise when people he thought were twigs at a glance (Silver, Azul, etc.) are actually muscular or are at least making efforts to bulk up. This all makes Jack come off as blunt or, at worst (unintentionally) callous or insensitive.

I know this is technically a post about Jack’s flaws, but I think it’s pretty admirable that he consistently apologizes when he’s wrong and tries to learn or to make up for it. He willing worked in the Mostro Lounge to replace Jade’s wood ear mushroom that he accidentally disposed of (Labwear vignettes). He realizes townsfolk find him physically intimidating so he tries to take customer service training to be friendlier (Port Wear vignettes). He tries to protect child!Vil but learns that Vil can protect himself. There are countless other examples—and for a first year, he is remarkably mature in genuinely owning up to his mistakes and striving to be better next time.

I guess I’ll leave you with that ^^ just so we can end this post positively!

[liquidstar]

Arc 3 Subaru was incredibly shitty for a lot of reasons and the story knows this. The story does not want you to agree with his behavior and is outright calling it selfish and entitled. It provides reasons for his behavior, including his trauma and the more literal curse on him, but it doesn't use them as excuses. By the end of it all he's still the one who has to apologize, that was his whole arc until that point. This behavior is bad and shitty and the story wants you to realize that (and maybe learn a lesson alongside him)

THAT BEING SAID a lot of people will treat his behavior as "irredeemable" which is kind of insane to me. Yeah he was being a bratty, entitled, selfish little shit, basically throwing a tantrum. But... Like. He is 17. If getting into a fight with your friend at 17 and saying hurtful things bc of your own lack of perspective makes you an evil monster we're all fucking doomed. Unlike a lot of people, he actually grew up and really apologized though. That was the pointtt. The story is largely targeting people that may have tendencies like this, showing them how it hurts people, and how to work through it.

I don't think saying "Actually, if you've ever once acted selfish (especially during a bad mental health spiral) you've crossed the line into being completely unforgivable as a human being" is productive. I think it's far less helpful than what the story is actually doing. I think it fosters way less room for growth and change in people. Subaru isn't a monster he's just a human being, and a teenager, who sometimes acts shitty because everyone does at some point. I'm sure even the most virtuous person in the world had a bad spat with a friend at one point, where they were in the wrong.

[tinfoil-jones]

What would Gideon's role and motivation be in Jerk Ford verse, since the text in Ford's journals are trolling bs? Would he get the amulet or get the idea that all journals would be a gateway to an unimaginable power?

In Journal 2, Jerk Ford left out the part about the Amulet giving you mystic powers, and instead wrote that it would give you the greatest head of hair ever.

Gideon didn't find out about the mystic powers until later. And his hair had already been completely whitened and lacked natural volume (which is why he used so much hair product).

He IS still beefing with Stan, however. But this time it's because Stan was his Fourth Grade teacher the year before, and he 'confiscated' the amulet when he recognized what it was. Stan told him that flashy jewelry was against the school dress code.

When Gideons father tried to collect the amulet from Stan, Stan lied and said that Gideon must be confused, because he'd reported it missing early and told him he'd keep an eye on it.

Stanley Pines was trusted by Gravity Falls, of course Bud Gleeful believed him. And Gideon is still mad at Stan for this reason and occasionally tells people that Stan's "I'm just A Guy" routine is an act and he's is more conniving than anyone realizes, but Gideon is just a kid so no one listens and thinks he just didn't like that particular teacher.

Without the Amulet, the Tent of Telepathy was never as popular as it was in the canon series.

And when Stanley Pines barred Gideon from seeing Mabel, and then told Bud he needed to teach Gideon that harassment was wrong "before he becomes a problem when he's older" It still pushes him to swear vengeance upon the entire Pines family.

He still has Journal 2 since Stan only knew about the amulet, so he still calls upon Bill Cipher, and later steals the deed to the cabin. Although, he isn't nearly as supported as he was in the canon was because he's not as popular, and Stan is well-liked resident in Gravity Falls.

Bill almost doesn't help Gideon because 'the author of the journals' made sure to write a long excerpt about Bill Cipher being "easily flattered by long, poetic speeches and pseudo-Victorian era English vocabulary" which Bill Cipher actually hated to the point of rage because that was the way Ford catfished him thirty years prior.

Mason Dipper "Catch these hands" Pines got the deed to the cabin back by jumping his *ss in the woods and beating him up. He took Journal 2 as a bonus because he still wanted to find and beat The Authors *ss too.

Stan finds out about Journals 2&3 when Dipper comes back to Soos'* house with the deed, and covered in leaves with scuffed knuckles. Stan borrows both Journals from him with the excuse he "thought it make interesting story material for his students in the fall". And he makes copies of them like he did for Journal 3 in the original series.

Gideon doesn't go to jail, but he still hates the Pines family just as much as canon.

*Soos is informally adopted by Stan, he's staying with Abuelita during the summer so the Twins can have room at the cabin.

[d-oie]

well since she blocked me after begging me for a reply i'll write my reply here, im sure her defenders will send her a ss of what i said. first the comment :3

no one is hating on you nor is anyone saying youre not creative, ive said multiple times that i use to defend you myself and that i love your moodboards.. the original ones that is. i think you're a very talented person liia, but that doesn't take away from the fact you stole/copied/were heavily inspired. this whole thing was blown way out of proportion, you pretend you did these things like finding the images online and somehow it looks the same as someone elses saying that its just inspo but that is NOT what inspo is, ive seen you tag creators like n-americano when you're inspired by them, but what about these? and what about the images you take from others moodboards and have "images edited by me" in your moodboards knowing some arent, if you can credit yourself you can credit others. my post wasn't to turn the whole world against you nor was it to make you seem like a bad person, if thats how people interpreted it then so be it, i have an actual life and don't care if a bunch of people attack me online when i can just power off my device. my main objective was to wake you up. to make YOU realize you're in the wrong, sure it was also to bring light to the situation and let the creators you copied see what you were doing which I dont think is wrong. this whole thing couldve been avoided if you were apologetic, if you just said "hey, i see how these moodboards look very similar along with some of my others, i apologize and this will never happen again." instead you and many others dragged it. i was genuinely willing to hear you out and talk to you in dms but since you blocked me i can't.

my response to your dm

you never clarified you didn't steal from others, those past accusations never came with evidence so you could have easily brushed it off, you saying that you were just inspired and that these images don't belong to anyone isn't what your situation is, inspiration doesn't compare to what you're doing, what youre doing is plain plagiarism. you want to sit here and tell me "i didnt mean to copy" when i can clearly see y-unjins moodboard in yours. i tried to give you my respect since i'm also a "content creator" but you keep giving the same excuse when you know youre in the wrong, then you assume i want to start drama like i live on it, sweetie no, not everything is to attack you, if someone believes you've done wrong and you're not taking accountability for your actions you will be called out. why should i turn a blind eye when i know the hard work someone went through in order to make their moodboard just for you to take the images? im not saying its illegal for people to use one or two of the same images from another moodboard but youre on a whole new level, you're mad i'm posting about this but imagine the creator's you've stolen from. the thing im mostly confused about is why, why would u steal from others creators when one, youve been called out for this before, and two, you're moodboards and dividers are beautiful, so you have no reason to steal from others when YOU yourself dont want people to steal from you and you have your own form of creativity. and again its you talking about how "if taking inspo is copying then everyone would be copying" ... like do you not understand the situation youre in? you know youre in the wrong and this trash ass excuse aint getting you nowhere.

im not even gonna go in on this, if you cant reply to your ask truthfully why would you reply to my dm truthfully? if you were mature enough to admit your wrongs instead of going on a whole rant about why your friends hate you then this post would have never existed. how hard is it to admit your wrongs and start anew? i get it, everyone makes mistakes, but everyone can always own up to and fix their own mistakes.

i guess im evil for bringing the truth to light, if this were to happen to me ID OWN UP TO MY MISTAKES. yes taking inspo isnt bad but if it gets to the point i get called out for copying when i personally believe i was just being inspired by others id apologize and see what i can do differently, since ya know, im at that point in life where i can admit my wrongs, you on the other hand did not do so and tried to pretend it wasnt an exact replica. my post wasnt to bring hate or spit on your name, if anyone sent you aggressive comments then you have the action to report or block them, i cant control what people say, damn i can rarely control what i say, and i dont know where youre getting the idea that i hate you when i never once said that and i actually said this not only once, not twice, not thrice, but multiple times that i use to respect you, you were one of many creators that i would defend with my life, you use to inspire me, now i feel nothing, just disappointment which is what a lot of people feel, that doesn't give you the right to guilt-trip your mutuals, like what your "defender" said, moots are like real friends, once you lose their trust its hard to gain it back, if you really cared you wouldn't have allowed this to get blow way out of proportion and would have just admitted your wrongs, hell when you dmed your entire following list you should have explained the situation to them rather than trying to make them feel bad for how THEY feel about the situation. then you have the audacity to say "dare to tell me to my face rather than being a coward" as if youre not one? you escalated the situation, youre the one who's been sitting on your ass feining for my reply, crying to your moots how they're bad friends for believing this even though theres full blown evidence. im not a coward, i had the balls to post this knowing you'd see it, you're acting as if i was leaving you in the dark, like i didnt think you would ever see this post, like i was plotting on your downfall behind a secret account. "think before acting" how about you follow your own advice before trying to give advice to others. thanks.

i didnt want this to go this far, i believed that once i posted this you would admit your mistakes and change for the better, i didnt unfollow you because i wanted to see you continue to grow and continue to be the amazing creator you are without the copying, but i guess that was just a fairytale and i have to face the reality of randos on the internet not being able to take accountability.

Hi guys, it's come to my attention that someone in the moodboard community known as lil-liaa has been copying / taking heavy "inspo" from other creators like @y-unjins and @iluvrei view more for more info + evidence + my opinions on the whole situation

before i start, i'm not trying to run lil-liaa off the platform nor am i trying to stur up drama, this is just to bring light to the situation as not many people know and many people (including myself) defended her when this first happened, i also want liia to realize that what she's doing isn't right and that she shouldn't just brush off "accusations" like these when there is evidence.

proofs

you can see the similarities as lil-liaa used 3 of the exact same pics as iluvrei's including one edited by the original creator without adding credits to the post.

2nd

here you can instantly tell that the moodboard was copied (lil-liaas on the right being an exact replica of y-unjins), only changing 2 pics excluding the idol change and

3rd / last

lastly, you can see how one lia used the exact same divider (+ didnt give creds), two she uses the same images not only in the moodboard but also in her gif (same pics from y-unjins moodboard including the png)

now, lil-liaa was sent multiple anonymous ask from last year and one recently accusing her of stealing moodboards, although a lot of people defended her last year including me due to the ask having no sorts of proof of moodboards being stolen and no one else speaking on it but now the recent ask she has received included proof and her response to it was very (in my opinion) rude and just sounded like she didn't care.

in my opinion, i don't believe this was just a draft she had premade and i don't believe she somehow got the same exact photos from y-unjins moodboard recommended, i believe since this isnt the first accusation and now there's proof of this i believe she has been copying moodboards since last year when she was accused. i don't believe lil-liaa cares about this, the fact she's stealing from other creators and when she gets called out for it she pushes it off with the same excuses

tags

@miujo @rkkuri @lvioung @ciestial @aeraras @sugarish @gyareii @i-kyujin @daddldee @i-mmaculatus @haerinism @chaeryeos @bloomqi @h-yeoni @p-oisn @bitchey @yeritos @yonkiibums @y-vna @y-urios @fairytopea @shuaver @yeoniis

[technically-human]

Hi! First off I wanna say I love all your art and lore of all your AU's!!

I wanna ask how does RV!Edwin's faith stand strong when his best friend got sent to Hell for 70+ years on a technicality? Does he believe all things happen for a reason or how does he justify it? And does RV!Charles thinks that RV!Edwin believes he deserved to be in Hell since God can do no wrong?

Hi! Thank you so much, I'm happy you're enjoying them! <3

Actually, this fact was the first thing that has ever made Edwin question his faith. He gets a lot of other reasons later on (seeing what happened to the Devlin girls is a big one) but basically, he has convinced himself that Charles is... an exception. He has no way to justify it, other than he feels it's true. Charles did not deserve Hell, no. Charles can practice magic, even if it's wicked. Charles is good, even when he's angry, and violent, and a liar. Edwin fundamentally believes this, and tries not to think of what that means for the rest of his belief system. After all, he's avoiding his own afterlife right now (which he's pretty sure would be Hell) so clearly, some loopholes can be found. He's very in denial.

Charles does, indeed, think Edwin believes him worthy of Hell, but that's not a problem, because... Charles himself thinks he should be in Hell. No technicality here, he was going to end up there sooner or later. He just refuses to stay, even if it's where he should be.

[lost-in-fandoms]

hi esi! for writing game:

maxiel + 53 bc I remember your amazing wingfics!

From here: Wings/supernatural body features. Hello!! <3 and thank you <3 This is set in the same wingfic universe, right after the last thing I wrote I guess and the same cw apply: unsafe and painful wing care practices.

"You should sit."

Daniel points at the pillow he had set on the floor as soon as Max steps into his room, a belligerent frown still on his face, shoulders curling in, protective.

Daniel can't see his wings, which means that Max has bound them again, after keeping them away for the whole day. It makes him want to cry, cluck at him and fuss like he's just a fledgling, but he doesn't want to spook Max. Or at least, spook him more than he already as.

"I clean them," Max snaps mutinously, going to cross his arms, but immediately aborting the movement with a barely suppressed wince.

He's hurting and he still bound his wings again. Daniel is going to kill someone. A very specific someone.

"I know you do, Max," he says, swallowing his anger like a too big gulp of protein shake, trying to keep his voice soft and level. He knows the fear that hides behind Max's facade.

"Sometimes though, it's not enough to just wash them. You have to actually preen your wings, to keep them healthy, and it's easier to let someone else do it for you."

"I'm healthy!" Max argues, as if he's not standing there, literally unable to do full movements because of how he's treating his wings on the daily. If he didn't think it would get him punched, Daniel would laugh.

"Yeah, but you can be healthier. It would probably make it easier in the car, too, if you could raise both your arms at the same time."

He means it as a joke, but Max seems to take it as a challenge, because he immediately raises his arms above his head, face stony, only betraying his pain with the way he bites his lower lip until it goes white.

Daniel rushes forward, cursing himself internally, and forcing him to lower them again.

"Jesus, what the fuck is wrong with you?"

He knows it's the wrong thing to say as soon as it's out of his mouth. Max flinches back, lowering his eyes, shoulders curling even more inwards.

"Fuck you," he spits, voice trembling. Daniel is an idiot.

"No, Max, fuck..." he sighs, dragging a hand over his face and breathing deeply. "I'm sorry."

Max freezes, eyes darting up to look at Daniel's face before snapping down again, tension and confusion hanging around him like a cloud.

"Let's try again, alright? Just listen to me," Daniel says, dredging up all his patience.

Max nods, a tiny movement, fingers tangled up in the hem of his hoodie in what looks like an attempt to keep them from shaking.

"I am not judging you, but I think you would benefit from me preening your wings. If you hate it, or if you want to stop at any time, you'll be free to leave and never do it again. Does that sound okay?"

Max takes his time to consider it, long moments in which Daniel feels his heart beating too fast in his chest, but then nods again.

And then, without any further discussion, he takes off his hoodie and drops down on the pillow.

It makes Daniel's breath stutter, to have such faith put on his hands, almost as much as it makes his heart ache to see how tightly Max's poor wings are bound.

He knows this is his only chance. If he fucks this up, Max's wings will probably never be taken care of again.

He takes a breath, grabs the cloths he had taken out while waiting for Max, and then sits on the small couch behind Max.

Game on.

[getsuuna]

GUYS HEAR ME OUT I know I probably have never even talked about my KNY Reincarnation Timeskip AU here but yesterday I had an enlightenment

now, mind that I changed A LOTTTT of things according to my main AU, including bonds, ages, characters and relationships

trans man Obanai

stay with me on this one /nf

I know this doesn't feel as big as I made it sound LMAO but my irl friend sort of side eyed me 😔

ok so he's 27 in this AU, and he met Sanemi probably in middle school or earlier, before his dysphoria actually kicked in, I guess

now I don't know if modern middle school uniforms still force girls to wear skirts, but I made him wear thick collants almost as if they were pants underneath??? please correct me if I'm wrong bc I'd love for him to wear pants instead of a skirt I don't want to seem disrespectful to trans men😮‍💨 he obviously hates it, too

he keeps the mask on because I hc he might have some allergies, probably seasonal allergies or something I still gotta think about, and then as he grows up (so from middle school and forward) he finds that to be kinda tuff 🔥 and sometimes uses them for fashion, he definitely looked androgynous even when younger either way so it's not because he's insecure

sorry if the mask-less headshot sketch looks like Giyuu compared to all the others, I messed up his eyes😞

so anyways Sanemi and Obanai tried to kiss once🖐🏻 + him and Sabito are SaneGiyuu's n°1 haters for silly reasons but they're secretly very happy for them once they're all grown (and I'm contemplating whether to make them date bc SabiOba might be growing on me) I'll let you know when I have other ideas :3

[youandthemountains]

hope it's okay to pull some of these out, what gems!!!

[Doctor McCoy, considering your intellectual levels are scarcely above plankton, I would hardly... I would... I... Doctor... McCoy.

Your pardon, Doctor, I... forgot myself. A rather insidious illusion. ]

I love how they have these little lines they won't be pushed to cross when it comes to each other, that no one else could guess. This reminds me of the novelization of Galileo 7, where Spock asks Boma if his ritual really matters to him, and Boma responds "yes, even if it was your body out there!" And Bones is furious and chastises him and I believe the phrasing is "still smarting on Spock's behalf, goes to check on him". And it's funny because in both of these cases, what's said isn't far different from the things they normally say to each other - Spock loves insulting McCoy's intelligence lmao! but they know their intent and when it feels wrong - too sharp, not part of their play, it pulls them out of things immediately. Here, McCoy literally rescuing him from getting trapped in the pride circle of hell, because they ground each other.

Bones...

Sorry. Jim... we've seen a lot of pain, a lot of death, this last while. And I'm not standing it as well as I used to. I've been thinking... I don't know, maybe this kind of thing is best left to the young.

Bones... I don't know what to say to you. If Spock were here, maybe he would. He's always good at producing snappy comebacks for anything you say.

god, they ground each other!!! this confirms my priors that McCoy wouldn't want to be on a ship without him and vice versa I think Spock isn't as stimulated without him. They need each other for enrichment!!!

Dammit, Spock, I couldn't bear it either!

But, Doctor, despite that, you did.

I have actually read this one before but this exchange always drives me crazy. McCoy, despite enjoying complaining about little things, rarely actually expresses his needs or dissatisfaction with big things when he decides they simply need to happen. So this - this open admission that something hurt, was too much, is already A Lot.

and then Spock's response - to acknowledge and validate that - "despite that" and still have that unshakeable confidence in him. Just *chefs kiss*

...and I must say, you have surprised me Dr. McCoy.

Oh? How's that?

Spock never described you as a thoughtful man.

*chuckle* Can I quote your testimonial?

You may... though I do not see the purpose.

Oh... it might just come in handy in some -- uhh -- umm -- discussion one of these days.

I've been thinking about Sarek and McCoy a lot today anyway and this exchange is GREAT. I love them bonding. and McCoy's delight at learning that 1) sarek thinks he's thoughtful and 2) Spock is going to hate this and also 3) perfect fodder for an argument he's decided to pick is just fantastic.

happyyyyy spones day!!! Some of my fav spones panels from the comics cause my pc is sadly still dead 😔 these are all out of context cause I go monkey noise whenever they interact in the comic n screenshot in a frenzy which means I don't even remember from which number they come from(they all from the DC ones tho)

These are from a bones centric chapt where baby boy realizes he can mind meld just like his husband

[aishangotome]

[Gilbert] Love's Cleaning Time - Part 4

Part 3

Gilbert: What's wrong, little rabbit?

I take Gilbert's hand, which was resting on my cheek, and held it in mine.

Emma: Even so, thank you very much.

Gilbert: ......

Gilbert: You're not listening to me at all, are you?

Emma: This is my thanks after having listened to you.

Gilbert: You're forgiving my evil deeds.

Emma: …… It may be an outrageous thing to say, but……

Emma: The important thing is, "how do I perceive it now", isn't it?

I let go of his cold hand and pick up the report that Gilbert was holding. The detailed contents might be frightening to some people.

(Even I wouldn't have been able to accept this so readily in the past.)

Emma: If Michael hadn't been there at that time, I would have been attacked by bandits.

Emma: At best, I would have only had my books stolen, but at worst, I could have died.

Emma: Whatever the circumstances, Gil saved me.

Emma: Whether that was out of malice or good will …… it's up to me to decide.

Gilbert: .....

Emma: More than anything, I've come to like Gil now.

Emma: It might be difficult for me to see it as malice like I used to.

(Gilbert occasionally warns me like this so that I can keep a normal perspective.)

(…… I think he's a fair person.)

Gilbert: Haha, you poor thing.

Gilbert: But…… I'm glad you don't hate me.

(……!)

Gilbert gently brushed my hand away and stood up.

Gilbert: Let's stop chatting for now.

Gilbert: Emma, you can throw that away.

Emma: Even though it was kept so carefully?

Gilbert: Yeah, I don't need it anymore.

Gilbert: The poor little rabbit is now being directly monitored by the villain.

(That's true, too.)

(...)

(Even if I become his fiancée, I won't be able to understand everything about Gilbert's heart.)

(But…… I feel like I understand what he's thinking at this moment.)

Emma: Gil.

I put the report on the shelf and hug Gilbert with enough force to bump into him.

Gilbert: What is it?

Emma: Just to be clear, I'm not forgiving you for everything.

Emma: I sometimes can't understand Gil's evil deeds…… At those times, I'll properly object to them.

Gilbert: Oh, really?

Emma: Have you forgotten? I'm watching you so that you don't do anything bad to Rhodolite.

Emma: I'm not the only one being watched by Gil.

(I will discern my own good and evil without being swayed by Gilbert.)

(That's…… because I think that's what Gilbert expects of me the most.)

Emma: So, don't worry.

Emma: Even if I love you, I'm not that blind.

His blood-colored eyes wavered slightly––and then gently softened.

Gilbert: …… You're too much.

Gilbert: You see right through everything.

His cold hand caressed my cheek again, and his lips were sealed by the shadow that fell.

Gilbert: I was finally getting in the mood to restart cleaning.

Emma: ……Nn……Gil?

The villain didn't stop pecking at my lips, and he sensually stroked my back from my waist.

Gilbert: I don't care anymore.

Emma: ……!……The cleaning……

Gilbert: You want me to do it properly?

Emma: No……

(If he touches me like this……I don't care anymore either.)

Emma: Can we do it……tomorrow……?

The breath that escaped my lips was hot, and my body was already pleading for the cleaning to end.

Gilbert: Hahaha, you're a bad girl too, aren't you?

Emma: ……But Gil, you were the one who asked for it first.

Gilbert: Yeah, but……

Gilbert: It's your responsibility for responding to it.

-

I catch my breath as it bounces on the jet-black sheets.

Gilbert, who has me pinned down, continues to caress my skin with tantalizingly gentle touches, having taken all my clothes off.

His fingertips, which avoided touching the places I wanted to be touched and only moved around the surrounding areas, had a clear malice to them.

(...It's embarrassing to say it directly...)

Emma: Come to think of it……

Emma: Is Michael still in Rhodolite?

Gilbert: Yeah, he is.

Emma: Why…… Ah

His fingers graze the peaks of my chest, and the ache deep in my stomach intensifies.

Gilbert: Oh no, who said you were the only one I had Michael keep an eye on?

Gilbert: Actually, I asked him to watch someone else too.

(Someone else……)

(……Could it be––)

Gilbert: Haha, little rabbit. You're doing this on purpose, aren't you?

Emma: Eh……?

Gilbert: Thinking about another man while I'm right here in front of you.

Emma: ……The only thing I did on purpose was bring up Michael.

(I thought if I made him jealous, he might touch me more properly.)

Gilbert: Is that so? But it doesn't matter.

Gilbert: Why can you smile so gently while thinking about another man?

(I……was smiling.)

(But that's because––……)

Emma: ...Ah! Ah, nn—

Suddenly, the fingers that had been so gentle strongly stimulated a sensitive spot.

Emma: Haa... Wait... Aaa...Nn...

My body seemed to be more sensitive than usual, and honey immediately flowed between my legs.

Gilbert: That's terrible. I'm hurt.

Overwhelmed by a pleasure beyond imagination––

Just before I lost consciousness, the hand full of malice finally let go.

Gilbert: So, what exactly was that smile of yours about?

Gilbert: Depending on your answer……you understand, right?

He flicked my nipple with his finger, and a gasp escaped my lips.

Emma: Tha—Nn...That's not...true...

I force my ragged breathing to calm down and capture Gilbert's face in my blurred vision.

Emma: ...Gil is...

Emma: I just...thought you were a worrywart...

(He's extremely soft on people he's let his guard down around once.)

(...Though that sweetness can sometimes turn into malice––)

Gilbert: It can't be helped. Because in this world...

Gilbert: There are so many things that need to be cleaned up.

.

.

.

FIN

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[kiyomitakada]

do you have any thoughts about the popular fandom concept that most if not all of light's plans worked out when misa was around, and things IMMEDIATELY began to go downhill (and hit rock bottom) the moment he stopped relying on her? sorry if you've posted about this before!

oooooooooh hmm. i do think things immediately went downhill the moment light stopped relying on her but i'm not sure how much that has to do with misa because near and mello are both viciously intelligent and major threats in their own right, and arguably i think things started going downhill the second he wasn't willing to kill sayu (and personally i really like that as a thematic turnpoint. light yagami’s facade failing because he loves his sister too much is the best thing ever to me)

but i do think relying on mikami and kiyomi went worse than if he kept relying on misa, because both mikami and kiyomi are more… prideful? and also more self-deluding? like kiyomi has more boundaries (she gets mad at light about the cheating, whereas misa never confronts light at all) and threatens to break up with him at least once because she doesn't want to be made a fool of, and the only reason she stays is because she's desperately trying to convince herself that actually he does love her and this is totally the right thing to do and she doesn't get sick every time she murders someone okay wait this is going off topic. anyway. mikami has sort-of-similar issues in that he thinks he and god think the exact same way and he doesn’t need to check in before he starts murdering anyone with a criminal record or more importantly murdering kiyomi, even though light told him not to make his own moves, just because surely light would want him to! surely he is acting in accordance with god, and if he’s not, well, that’s not god anymore!

basically they both have presupposed conceptions about What Light Thinks in order to prop up their own complexes. and misa… while misa tells herself that light loves her, she doesn’t actually need him to act like he does, her self-deception runs that deep. so she’s much better for light strategically; as awful as it is, she requires less effort to maintain. in first arc she also does shit all by herself without consulting light (e.g. showing up to his house, running to yotsuba directly against his orders) but 1) at least she recognizes that he didn’t want her to do that, unlike mikami who thinks of course light really wants him to kill his co-conspirator, and 2) hey it worked out. sort of. + 3) she is much more muted by second arc (quits her job for him instantly when he asks her to!) so this was probably less of an issue anyway.

so yeah, i mostly do agree! i don’t tend to think of it as the main point at which light started losing but i think him giving up misa was objectively stupid as fuck. it’s in character don’t get me wrong, he underestimates misa all the time (shoutout to him asking if misa could impersonate kira on a call to his dad and misa going “yes obviously i’m literally an actress” which doesn’t even address how her impersonating kira was how they met). but it is stupid as fuck. especially since (checks manga) his concern is that they’ll get information from misa, the one person who provably stays silent even under three days of dehydration torture. oh my god. can we kill this guy

[calliecopper]

Ian Gallagher Being His Own Person, and Why That's Controversial

A meta about Ian's story during his time away from Mickey, and the hate his character receives for it. Inspired by @dazzle02 :)

How many times have you heard somebody say that they skipped season 8 of Shameless because Mickey wasn't in it? How many times have you heard somebody say that season 7 is only good during Mickey's episodes, or that the story is boring without Mickey in it, or that Ian's S6-8 arc was boring without Mickey? How many times have you heard somebody proclaim that Ian wasn't a good partner to Mickey?

Mickey is undeniably THE fan favorite character of the show, and with that comes a tendency for fans to defend him tooth and nail, even when he is in the wrong, and refuse to see any other points of view. Characters who go against Mickey in any way receive a harsh amount of criticism that sometimes is not fully justified. This applies even to Mickey's main connection to the story: Ian.

During season 5 and onward, some fans hold Ian's actions against him very harshly when I feel he deserves a bit more empathy. Of these, there are three main things people criticize his character for during seasons 5, 6, and 7 that I feel are not given proper analysis and thought by fandom.

Disclaimer before we get in because people feel very passionately about these two: Every interpretation of a character is entirely unique to each individual viewer, and these are just my opinions. This is in no way an anti-Mickey post, so as you read, keep in mind that any criticism toward him is not meant to make him out to be a bad character. Don't bite me.

Season Five: The Breakup of All Time

I think a large part of why people get so upset with Ian for the breakup is because of the growth Mickey experienced in seasons 4-5 leading up to it.

Mickey in seasons 1-3 is in extreme denial of being gay, and when he grows feelings for Ian, he lashes out and treats Ian like shit. Seeing Mickey's slow growth starting in season 3 brought interest to his character, and in season 4 with his major growth during his coming out, he becomes very compelling to a viewer. After all the angst that it took to get Mickey to finally open up, there's a natural desire to see that positive growth and relationship development continue. When Ian throws a wrench in that by breaking up with Mickey in season 5, people get upset, and they're going to direct that toward Ian because he is the easiest to blame.

There's the sentiment of, "Mickey came out for Ian, took care of Ian, and supported Ian when he needed him most despite his faults. Why is Ian leaving Mickey in the dust when he now needs him most?"

This is honestly not an unreasonable thing to feel when looking at things from Mickey's perspective.

But, when you take a look at Ian's character, and you really think of his motivations in that moment, his decision to break up is actually very understandable. Ian didn't break up with Mickey because he thinks Mickey is a bad partner or because he doesn't love Mickey enough. He broke up with Mickey because he thought that's what was best FOR Mickey.

I think comparing the breakup to their fight over marriage in season 10 to be an effective way to understand Ian better.

In season 10:

"How do you know you love me? Huh? How do you really know? I'm bipolar, right? I don't know who I am from one day to the next, and I can't guarantee shit. So why do you wanna spend the rest of your life with me?"

- Ian to Mickey, S10E9

Compare this to this conversation during the breakup:

"You used to love me. Now you don't even know who I am. Shit, I don't know who I am half the time... You don't owe me anything."

"I love you."

"The Hell does that even mean?"

- Ian and Mickey, S5E12

I feel that Ian's mindset is pretty similar in these two moments. In season 5, he is still grappling with his diagnosis, and he has no frame of reference of how a healthy life with bipolar can look. Everybody has been comparing him to Monica, and he himself seems to oscillate between thinking he is like her and not like her, so in his mind, he has nothing to offer anymore.

Then, in season 10, in his mind he proved himself right. He tried to get his shit in order, lived happily and found peace with his diagnosis, and then he fucked it up. He had an episode, and he lost everything he fought so hard to have. He has practically ruined his life because he DID what he FEARED he would:

"I hate the meds. You gonna make me take 'em?"

"You get fucking nuts when you don't."

"Are you gonna want to be with me even if I don't?"

- Ian and Mickey, S5E12

That conversation isn't Ian saying he isn't going to take his meds, given how in season six, he IS taking his meds. I interpret his above statement to be a warning to Mickey. Because Monica has tried to get on her meds before, has tried to get better, and has failed many times. IAN has gone off his meds willingly twice now. This is him telling Mickey, straightforward, "I do not like the meds, and there will always be a risk of me deciding not to take them."

And in seasons 8-9, he does exactly that. He goes off his meds, and he destroys everything he built for himself. That's part of the reason why he hesitates to marry Mickey in season 10, and part of the reason he breaks up with Mickey in season 5.

Ian views himself and his disorder to be a burden on the people he loves. He believes that Mickey will be better off without him.

"I don't want you sitting around, worrying, watching me, waiting for me to do my next crazy shit."

- Ian to Mickey, S5E12

Because Mickey HAS been doing that. Ever since he was diagnosed, Mickey has been watching Ian like a hawk, acting like a nurse, which frustrates Ian.

"Fuckin' nurse now?"

[...]

"I'm sick of your whiny, pussy crap. I don't need a fucking caretaker, alright? I need the shit-talking, bitch-slapping piece of Southside trash I fell for. Where is he? The fuck is he, Mickey?"

- Ian to Mickey, S5E10

But, of course, Mickey doesn't see it that way. To Mickey, Ian is anything but a burden he wants to unload.

"It means we take care of each other. [...] It means thick and thin, good times, bad, sickness, health, all that shit."

- Mickey to Ian, S5E12.

Mickey would do anything for Ian. He confronted his worst fear by coming out, stayed with Ian even after the infidelity, defended Ian after he kidnapped his son, and tried his best to understand a mental illness he had no prior knowledge about. Yet, Ian still won't commit to him. After everything, he still isn't good enough.

"I'm not saying never!"

"No, you're just saying you don't love me enough now."

- Ian and Mickey, S10E9

And Ian, meanwhile, thinks that HE isn't good enough for MICKEY. He has been diagnosed with a lifelong condition, one that he has seen ruin lives firsthand, something that will be a part of him for the rest of his life, and he doesn't wanna tie Mickey down to that life.

It's all one massive miscommunication.

Finally, I think the part that is the most confusing to fans regarding Ian's mindset during the breakup stems from his moments with Monica in S5E11 and S5E12.

Specifically, the parallels between these two conversations.

"Ian, there's always gonna be people that are gonna try and fix us. And you can never make those people happy. Like it breaks their heart just to look at you."

"Yeah, um, even Mickey now."

"He's your boyfriend, right? [...] I'm sure he means well, but you need to be with people who accept you for who you are. And they're out there. You should never apologize for being you."

- Monica and Ian, S5E11.

Vs.

"What the hell is wrong with you?"

"Too much! Too much is wrong with me. That's the problem, isn't it? Too much is wrong with me, and you can't do anything about that. You can't change it. You can't fix me, 'cause I'm not broken. I don't need to be fixed, okay? I'm me!"

- Ian and Mickey, S5E12.

Monica's interpretation of the relationship seems to paint Mickey in a negative light. "He means well, but he doesn't get it," or something along those lines. Based on her previous experiences with the diagnosis, she has come to the conclusion that people like Mickey or Fiona, who try to get them to take medication and are saddened by the diagnosis, are being controlling, and do not love them for who they really are. That's why she always went back to Frank; he actively tried to get her to NOT take her meds or get better, and did not encourage her when she DID try to get better. So, to her, being off her meds IS the TRUE version of herself, and the people who can not accept that do not accept her.

But I think, while Ian's lines parallel Monica's, that he does not think the same way that she does.

Toward the end of season 5, Ian seems to do a complete 180 from his previous statements on his similarities with Monica.

"You flushed your pills? You get thats a full-on Monica move, right?"

"I'm not Monica."

- Ian and Fiona, S5E8

Vs.

" [...] Cause they all say how alike we are."

"That's probably not a compliment."

"Uh... No, I think it is."

- Ian and Monica, S5E11

This happens in the wake of his arrest, after Ian's siblings talk about him to the military police. Many of their comments seem to hit Ian in a way that makes him feel misunderstood or like a burden.

Debbie: But he's been acting crazier for longer than that.

Lip: Yeah, at least this past year.

Officer: How would you characterize his behavior?

Debbie: Compared to how he used to be... He's different.

Lip: He'll go back and forth from, you know, being depressed, to, you know, incredibly wound up. I mean, he ran off with a baby for no reason.

Debbie: He almost hit me in the head with a baseball bat.

Fiona: Our mother was bipolar, so we know what it looks like. She put us through Hell, and- I'm not saying you put us through Hell, but when they're manic they can be destructive.

Officer: In your opinion, does he require medication?

Fiona: Yes.

Officer: Is he unable to care for himself?

Fiona: Sometimes, yes.

So, when Ian talks to Monica when they reconnect, Ian expresses loneliness and a feeling of isolation.

"I'm really glad you came, yknow? I just... I needed someone to talk to who... gets it."

- Ian to Monica, S5E11

When Monica tells Ian to not be ashamed and that she loves him for him, she is kind of acting like his Frank. The meds have been taking a toll, and recovery is so difficult that running with her and getting validation from the only other person who could "get it" is an easy choice to make. I think the combined factors of Mickey treating him so delicately, his siblings laying out his flaws so plainly, and his mother's open acceptance creates a feeling of bitterness or shame, and Ian is hoping to find comfort in his mother.

But it doesn't go the way he expects it to.

At the diner, he thinks that Monica is going to prostitute herself for money, and is relieved when she doesn't. It's likely he was thinking of his own stint at the Fairytale in this moment.

Then, he recalls a moment from his childhood that he does not look upon fondly, only for Monica to refer to it as "good times."

He meets Monica's partner and discovers he is an aggressive teenage meth dealer that she is helping to sell the meth.

I think Ian has a true moment of clarity during this. He had thought that he was vindicated, that everybody else was wrong, that they didn't understand, that Monica was right, and that he was perfectly fine just the way he was. But then he sees what Monica considers to be "a happy life."

"Ian, I'm finally happy. People like us, we can be happy. I love him, and that's the most important thing, to find somebody to love, right? Who loves you back for who you are. I want that for you. I love you. We're gonna be okay. We're gonna be okay."

- Monica to Ian, S5E12.

Monica's perception of life is warped. What she considers a good life is living in a trailer selling meth. Good memories are traumatic memories for those around her. True love and support is an aggressive teenage dealer, or Frank Gallagher.

A simple drive to Ian was a horrifying kidnapping to Svetlana. Doing a porn that was no big deal to Ian was a betrayal of trust to Mickey. Joining Monica and ignoring the calls of his well-meaning but ignorant family to Ian was a painful and worrisome disappearance to them. Ian's perception HAS been warped, and he's crashing back to reality, realizing that he has run off with MONICA, realizing that he can't continue down the same path as her, and needs to go home.

He's come to accept that he is bipolar. He's internalized what his family has kept repeating, that he is just like Monica, and looking at her living like this, believing that she is living well, is terrifying to him.

So he goes home, believing that he is just like his mother, and he's doomed to be a piece of shit. He goes back, and he breaks up with Mickey. Because he doesn't think that people like him can be happy, and he doesn't think he'll be okay. And that isn't something that Mickey can change. Too much is wrong with him, and Mickey can't do anything about it.

Really, it's just a matter of Ian operating under the "if you love them, let them go" mindset, and Mickey interpreting it as a rejection. It's the two of them both believing they are not good enough for the other and internalizing it instead of properly communicating.

TL;DR: Ian's breakup with Mickey in S5E12 is not done in a healthy OR selfish mindset. To him, he will do nothing but drag Mickey down, and in his unmedicated and clearly altered state of mind, he thinks the best thing is to let him go.

Season Six: Dating Caleb and Other Blasphemy

The first time we see Mickey in season six, it's behind a pane of glass in an orange jumpsuit.

Mickey had tried to murder Sammi, Ian's half-sister, and had been sentenced to prison for 15 years. It's established that Ian has not been to visit Mickey much and is trying to move on past that time in his life. But, upon being bribed by Svetlana, Ian visits, and during this visit Mickey asks Ian a question:

"You gonna wait for me?" - Mickey to Ian, S6E1.

And when Ian shows hesitation:

"Fuckin' lie if you have to, man, eight years is a long time." - Mickey to Ian, S6E1.

So, Ian replies:

"Yeah. Yeah, Mick, I'll wait." - Ian to Mickey, S6E1.

Before even meeting Caleb, fans absolutely tear into Ian for his decision to not commit to Mickey in this moment. They call it selfish, or out of character, or unfair to ice Mickey out when he is going through this difficult time.

But, let's look at it from Ian's position.

Ian has dealt with abandonment issues his entire life, with both Monica and Frank being unstable and infrequent providers during his adolescence. Throughout his relationship with Mickey, they had been separated on three separate occasions, one of which was entirely voluntary on Mickey's part. Now, due to committing a major crime, Mickey has been sent away for up to fifteen years. They would both be in their thirties by the time Mickey would be released, or close to it if he got out early, and that's not even considering that he was actively taking part in jobs / activities that could extend his sentence, like stabbing people.

Ian has dealt with recurring disappointment and abandonment his entire life, and throughout their time together, Mickey hasn't really established himself as stable.

Now, before you bring out the pitchforks;

"But Mickey was there for Ian and supported him through seasons 4-5. He grew as a person and proved he IS reliable."

Yes, that's true. He did undergo massive development that allowed him to be a better partner and more reliable person to Ian. But, canonically that period of time only takes place over a few months.

Mickey, for the better part of 2-3 years, was NOT a good partner to Ian. Multiple years of an unsteady situationship is not so easily forgotten. Yes, Mickey 1000% had valid reasons for acting the way he did. It's made very clear in S3E6 and S4E11 why Mickey hides his sexuality and lashes out when forced to confront it. But that isn't an excuse. His reasons for acting in a negative way towards Ian the first three seasons is understandable, but he went about it in a bad way.

Not to mention that, despite his growth, Mickey has just been sent to PRISON. No matter how you spin it, his decision to go after Sammi was NOT justified and does not necessarily bring forth confidence in his reliability and stability.

It's not unreasonable for Ian to not want to wait for over a decade for a man who has not always been the best for him. It sucks as a viewer who is invested in them, but Ian was not in the wrong.

Beyond (justifiably) selfish reasons, Ian also already thought that he was bad for Mickey, was worried that he would ruin his life, and with Mickey's justification for his torture attempt being that he did it FOR Ian, that Sammi had it coming because of what she did TO Ian, Ian probably felt responsible for that as well. There was probably a level of guilt in Ian from the whole situation, both for Mickey being in prison and for leaving him there.

But from his point of view, it's better for everybody to try and move on.

What really bothers me about this criticism toward Ian is the sense that he OWED Mickey his time and loyalty. Because Mickey had given and sacrificed so much for Ian during seasons 4-5, it's like people think Ian is then obligated to return that for Mickey, no matter what Mickey did. It's a very transactional way to view the situation, and it just leaves me with an icky taste in my mouth. Nobody owes anybody anything in that situation. Ian does not owe Mickey companionship, and Mickey did not owe Ian support when he got put in prison in season 9. Returning to Ian was Mickey's decision to make, and not a decision Ian was obligated to make in season 6.

Now, onto the actual "dating other people" part of the conversation.

For months, Ian has done nothing but get his meds on track while working at Patsy's, then at the janitors job on Lip's campus. During this time, Ian expresses having a very low sense of self-worth.

"He as smart as you?"

"No."

"Yeah, he's smart."

"Lip is the genuis of the family."

"So that gives you an excuse for not finishing [high school]? You seem plenty smart, and Dav's uniform doesn't really suit you."

- Ian, Lip, and Professor Youens, S6E3

And:

"This is it for me, Lip. This job. This is where I land."

- Ian to Lip, S6E3

Which Lip comments on in a very concise way:

"Yknow, he thinks... Being bipolar means he's doomed to be a piece of shit like our mother."

- Lip about Ian, S6E3

Ian feels no sense of purpose during these months. He feels he has no worth and that he is doomed to work a dead-end job and have no happiness. He thinks he is just like Monica.

That only changes when he witnesses an accident on the highway, and he saves a woman's life by pulling her out of a burning car.

This leads us to Caleb.

Now I'll admit, this is where I take issue with the storytelling, because this would've been a PERFECT way to segue into Ian's EMT arc, but regardless of what I personally think would've been better, the way it plays out in canon does actually still make sense for Ian's character.

After saving the woman from the burning car, Ian collapses due to smoke inhalation and exhaustion. A firefighter on the scene provides Ian with oxygen, thus saving his life. Ian immediately fixates on this particular firefighter.

Now, Ian has a very complicated relationship with feeling his emotions post his diagnosis. In season five, when he is numbed by his meds, the only way for him to feel again is through pain, via self-harm or starting physical fights, and sex. In fact, sex plays a major part in many aspects of Ian's life.

From the age of fifteen, Ian had been consistently subject to sexual abuse. He's been used for his body by countless men throughout his teenage years and has been oftentimes reduced merely to his sexuality and what he can provide to his partner. Even Mickey, in season 2, tells Ian as such in a panicked rage.

"You think we're boyfriend and girlfriend here? You're nothing but a warm mouth to me."

- Mickey to Ian, S2E8.

(No, I'm not saying Mickey sexually abused Ian. But he did contribute to the way we see Ian default so heavily to objectifying and sexualizing himself.)

So, due to this recurring trauma, Ian has a tendency to default to sex as the primary way of getting satisfaction, be it emotional or physical.

So, when Ian gets a rush of adrenaline from the crash, after months of that numbness, he chases the emotions in the most effective way he knows how.

Ian goes to the firehouse with cookies to give as thanks to the firefighter who saved him, but with a clear ulterior motive of getting laid. When he finds out that the particular firefighter (who happens to be part of the "gay shift" which is an odd writing choice) he saw on the highway is married, Ian meets Caleb. In this scene, they speak all of one line to each other when Caleb invites Ian to a firehouse softball game. The next time we see them on screen together, Ian acts very flirtatious toward Caleb, which sets forth their relationship.

"You ever pitch?"

"... Usually, but I'm open depending on what you're into. Where we doing this?"

"Follow me."

[...]

"Wait, we're actually playing softball?"

- Ian and Caleb, S6E5

I think Ian receives hate for this simply because he's expressing interest in a guy that isn't Mickey. Fans get the impression that Ian is moving on too fast or that his interest in Caleb is sudden or rushed. However, I think the rushed nature actually works to show Ian's intentions. In this moment, Ian is not really looking for a full-on relationship. Given how little they interacted thus far, the fact that Caleb wasn't even who Ian was originally interested in, and how Ian's comments consistently err on the side of sexual, its safe to say Ian was just looking for a hookup. In fact, it's Caleb who pushes so hard FOR the relationship.

Mickey, in a deleted scene, hooks up with an inmate right after talking with Ian. If Ian's relationship with Caleb had only been a fling or hookup, I don't think Ian would've been as heavily criticized. As it is, fans get upset at this relationship because it IS a relationship. They go on dates, Ian starts staying with Caleb, and really they seem to be very domestic.

But I don't think Ian was as dedicated to the relationship with Caleb as fans make him out to be.

From the jump, Ian seems uncomfortable with the quick-moving pace of it. At first he only seems interested in sex with Caleb, but upon the negative reaction that provokes, Ian conceded to going on a date with Caleb (which is a bit of a slap in the face to Mickey fans after Gallavich's ruined date.)

"[...] I was hoping to get my hands on your hose."

"Is that what this is to you? A fuck?"

"You say it like it's a bad thing. Come on, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

"Fuck. Okay. Okay. Hey, I'm into you, alright? I thought you were into me."

"I am."

"Then what's the problem?"

"I don't stick my dick in just any guy."

"What do you want, then?"

"Seriously? Do I have to spell it out for you?"

"Yeah."

"A date."

"With, like, flowers and chocolate and shit?"

"No, we could skip the flowers."

"Okay. You're on."

- Ian and Caleb, S6E5

(Side note, pulling a "is that all this is to you" after two non-romantic interactions is not just quick in terms of hookup culture, which Ian is more attuned to, but is quick in any terms. More on that later.)

During this date, Ian is visibly very uncomfortable. Some would chalk this up to him having never been on a date before, and the writing even seems to imply that,

"Okay, look, I have no idea what I'm doing. My last boyfriend wasn't much of a talker, his idea of a conversation was to insult me a bunch and then punch me right before we banged."

- Ian to Caleb, S6E6

but that's actually not true, DESPITE the writers forgetting that.

"You know, Mickey and I never went out on dates. Ned never took me out, Kash and I fucked in the back of a convenience store, and I don't think jerking off strangers in a nightclub counts, so..."

- Ian to Lip, S6E6.

He actually HAD gone out on a "date" with Ned in season three, where he was visibly less uncomfortable than on his date with Caleb. He also went to many loft parties during his time dancing at the club, wherein he blended in very well and was able to sorta chameleon himself with the northside crowd. I think the show wants us to believe his discomfort is from him "never having been on a date before" or being unfamiliar with a "slower" pace, but I think his discomfort actually would stem from him just genuinely not being interested in Caleb in a romantic way, and thus feeling awkward on a date that's in a more romantic setting (compared to his one with Ned, which was undoubtedly more sexual.)

I also think his discomfort stems from being completely out of his element. Ian has taken a massive hit to his confidence since his diagnosis, so his Southside roots bring about a bit more hesitancy in him than it might have before, and he may be less confident in his ability to chameleon. That's why, during the date, Ian shows discomfort with Caleb when he shows more "class" than Ian.

"Usually, I get a bunch of apps to share. You good with that?"

"[Uncertain hum] ... Appetizers! Sure, yeah, big- big fan of apps."

[...]

"You seem like a very pensive kinda guy. You an only child?"

"Uh, no."

"Brothers and sisters?"

"A bunch, yeah."

"Older or younger?"

"Both."

"What about your parents? Both still alive?"

"... Yeah."

"... Fantastic. I'm learning so much."

[...]

"Where I'm from, people communicate with their fists."

"Where's that?"

"Southside."

"Mmm. Hands of steel. Okay, so you're a street rat. A brawler."

"Is that a problem?"

"Only if you make it one."

- Ian and Caleb, S6E6.

Then, beyond their first date, we have the actual relationship to dive into.

Throughout his scenes with Caleb, Ian seems to oscillate between neutrality, discomfort, or mild enjoyment in the situations he finds himself in.

There's this interaction, for example, where Ian lets Caleb take charge in defining their relationship:

"So what are we doing?"

"Whatever you want, I guess."

- Ian and Caleb, S6E7.

Or this moment:

"What are you smiling at?"

"I like having you over here. What are you smiling at?"

"I like having a purpose."

- Ian and Caleb, S6E8.

Or when Caleb invites Ian out with his friends, and we see Ian slip into his chameleon persona, mirroring the petty mannerisms of the most vocal participant of the conversation, as well as avoiding diving too much into his personal history.

"You haven't told me which one is your ex."

"Guess."

"Old guy, pink sweater."

"How'd you know?"

"Ooh, a redhead, Caleb? Does his carpet match his drapes?"

"You're a good sport."

- Ian and Caleb, S6E8.

[...]

"If we had known you were bringing a middle school student, Caleb, we wouldn't have come to a place that cards."

"Oh, no, it's cool, I don't drink. I hear it makes your skin old and leathery."

"That's-that's how we're playing this?"

"Hey, you threw down first."

"Where you from, kid?"

"Back of the Yards."

"Local boy. What's your story?"

"Story?"

"Who you are, what you do, how did you meet this chocolate bundt cake?"

"Met him at the firehouse."

- Ian and Gregory, S6E8

[...]

"We like this one, Caleb. Don't we, Gregory?"

"I mean, If young, beautiful, and kind of a smartass is something to like, sure, fine, I guess we do."

- Caleb's friends about Ian, S6E8.

OR, in a deleted scene where Caleb expresses frustration at Ian keeping the distance between him and Ian's family, as well as Ian's lack of communication, while Ian seems unbothered or even perplexed by Caleb's frustration.

"So, where'd you sleep last night?"

"Home. Got done at three, told you I'd be late."

"Yeah, like nighttime late, not next day late."

"Well, I didn't wanna wake you, and I had to go back there to grab some stuff: clothes, towels..."

"Where's there?"

"Home, you mean?"

"Yeah."

"Back of the Yards."

"Right. You did mention that once. I still don't know where it is or who I'd call if there was an emergency?"

"Uh... my brother, I guess? Or my sister."

"Brother or sister. Okay. I'll just track down Ian Gallagher's brother or sister on the internet."

"I'll... put their numbers in your phone."

"Great."

- Ian and Caleb, S6E11 deleted scene.

OR any of the follwing:

When they go to get Ian tested for STDs, he is visibly uncomfortable having Caleb in the room with him.

He is only comfortable revealing his bipolar disorder if it is done in exchange for another secret from Caleb.

He isn't very comfortable sharing his past, only references his previous relationship in a lighthearted manner, and he only reveals his sexual history upon feeling pressured to do so, which he purposefully presents in a callous way.

To me, the entirety of Ian and Caleb's relationship reads as Ian's desperation for validation through sex, which leads to him putting up with a relationship he isn't entirely comfortable in or commited to or ready for. To me, it seems like he's truly just looking for companionship in any way he can get it.

Out of everything, though, I think what really gets to fans most about this storyline is the constant comparison of Caleb to Mickey as a means of demonizing Mickey.

Throughout the entirety of Ian and Caleb's relationship, there is a constant comparison between the two relationships, seemingly with the intent of painting Mickey as a horrible partner.

When Ian tells Lip about his upcoming date with Caleb, he remarks that he never went on dates with Mickey, which comes off as an unnecessary jab.

During his date with Caleb, Ian talks about his lack of effective communication skills, which reflects negatively on Mickey, to the point Caleb brings forward the idea of domestic abuse.

During the wedding that Ian attends with Caleb, Ian mentions Mickey's marriage to Svetlana, and he uses a tone that comes off as belittling the situation and how difficult it was for Mickey.

There's this line, when Caleb asks Ian to kiss for the first time:

"Can I kiss you?"

"I thought kissing comes after you've had sex a bunch of times."

"Ian, kissing comes whenever you want it to. Even now."

- Ian and Caleb, S6E6.

Then, there's Mandy stating that Caleb was better than Mickey.

"A hot black fireman. Also an artist."

"Upgrade from my brother."

"I miss Mickey, but uh... This new guy's nice."

- Ian and Mandy, S6E9

These near constant comparisons to Mickey are frustrating to fans, because it can often feel like Ian, or even just the writers and the narrative, are trying to belittle Mickey's character and reduce him to a one-note toxic ex, which completely spits in the face of the development that he went through. THAT is what is most frustrating to fans.

Because it's true that Mickey was not always the best partner. In real life, Mickey would be a walking red flag, and Gallavich would be undeniably toxic. But that applies to EVERY SINGLE CHARACTER in Shameless. That is the entire point of the show. None of them are particularly good people. They all do shitty things, but they all have compelling reasons for doing it. That's why we can look at these characters and feel connected to them instead of just absolutely hating them.

It's a really odd writing choice for a show that focuses on morally gray characters, or the idea that nobody in the show is really a good person, to decide to play moral high ground in this particular instance, and have Ian suddenly turn his nose up at Mickey's behaviors.

But is this really how Ian feels?

Because, as established, Ian is VERY good at playing chameleon. He is good at shaping himself into whatever a partner wants him to be. He mirrors his partners mannerisms, beliefs, and attitudes.

And Caleb, for all that the story wants to make us believe he's better than Mickey, is actually not the best partner either. Not just for cheating on Ian in season seven and then gaslighting Ian about it; he shows some toxic behaviors in season six as well, including being lowkey judgmental about Ian's Southside roots.

Take, for example, Caleb implying that the Southside is trash, but that he can see the beauty in Ian despite being from the Southside:

"That's my latest. I love to find the treasure inside the trash. Trying to find the secret life in things. What it wants to be instead of what it is."

"Is that what you're doing with me?"

"Good question. Can I kiss you?"

- Ian and Caleb, S6E6

(Which, funnily enough, this line from Caleb goes pretty against the sentiment that Monica had in season five, of Ian finding somebody who loves Ian for who he already is, as Mickey did.)

Or, for another example, Caleb judging Ian pretty heavily during the softball game for being "not grown-up." Simply because Ian expresses sexual interest in him above romantic.

"Cmon, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

- Ian and Caleb, S6E5.

Which, as I pointed out before, is really strange behavior. Participating in hookup culture isn't something that Ian needs to be shamed over. There's a sentiment of "Hooking up is beneath me, it's immature," to Caleb's tone, which is unfair. Now, he has reasons for this, that being his experience with getting HIV from a hookup who lied to him, which draws a pretty interesting parallel to Ian.

"Don't worry, guy I did the scene with said he was clean."

"He didn't use a rubber? Are you out of your fucking mind?"

- Ian and Mickey, S5E5.

Vs.

"Guy in college. He lied to me."

- Caleb to Ian, S6E8.

(Which I actually find to be a very interesting plot point and is actually a pretty good scene.)

So, while Caleb was not wrong to put forth a boundary by not hooking up, he was wrong for acting as if IAN was the problem in the situation. Not to mention, his behavior at the game is very strange when taken into account how little they've interacted thus far. He had understandable reasons for his negative reaction, but he went about it the wrong way. Sounds familiar, doesn't it?

Anyways, I could talk about the relationship between Ian and Caleb more, but that's not what the point of this is.

The point I'm trying to make is that Caleb, however covertly, expresses a negative or biased view toward the Southside lifestyle. And Ian, being the type to mimic his partners, follows along in that.

Ian already fears that he is going to be left. He is afraid that showing Caleb who he really is and not being the idealized version of himself will lead to Caleb breaking up with him.

"I'm enjoying it while it lasts."

"You think he'll dump you?"

"Well, I've told him I'm bipolar, and my family's screwed up, and he took it pretty well. But it's one thing to hear it and another to live it, so... We shall see."

- Ian and Mandy, S6E9

So, he chameleons. He makes himself the treasure in the trash. He distances himself from the image of a brooding, Southside street rat.

Because, after so long of constant pain and numbness during and post his diagnosis, Caleb is the first good thing he's found.

"I haven't been this happy in a long time."

- Ian to Caleb, S6E8.

And really, everything that I just talked about doesn't matter when you think about it that way.

No matter how dedicated or invested Ian was in his relationship with Caleb, it still provided him with companionship and validation, which as we know, is something that Ian has an unhealthy dependence on to find self-worth.

And I don't think Ian was wrong in searching for that connection simply because that connection wasn't with Mickey. He could've been well and truly in love with Caleb, and he wouldn't deserve some of the hate he receives for his canon actions.

It's easy to look at Ian's relationship with Caleb and get frustrated because of all the time that was put into Ian and Mickey's relationship. But beyond the instinctual negative feeling that comes with seeing Ian with anybody other than Mickey, his relationships outside of Mickey deserve to be analyzed and observed for what they actually do for HIS character, and not just immediately cast aside as unnecessary or ooc.

So, to summarize:

Firstly, Ian wasn't selfish for not waiting 15 years for somebody in prison. Whether he was serious about Caleb or not, Ian was under no obligation to dedicate himself to Mickey. Ian did not owe Mickey anything simply because Mickey was there for Ian when shit got tough. If they had been together, sure, Ian would've been a lot shittier for leaving Mickey alone. But as it was, they were broken up, and even if they hadn't been, Ian would've had every right to not want to continue seeing Mickey after his decision to harm Sammi, just as Lip was justified in not wanting to be with Mandy anymore after she ran over Karen.

Secondly, Ian dating Caleb wasn't bad for his character. In fact, I think their relationship in season six was actually a very interesting way to progress Ian's character and get more insight into his mind and how he operates.

Thirdly, Ian and Caleb's relationship deserves to be analyzed for what it is, rather than what it isn't. Just because Ian is not with Mickey doesn't mean that he doesn't undergo some huge development in this season, both in and outside his relationship with Caleb. Furthermore, Ian entering a new relationship gives us the opportunity to see more sides of his character, and as such the relationship should be analyzed as it's own separate entity, and not just as a hurdle in the way of Gallavich.

Fourth, Ian was not just waiting to cast Mickey aside to jump on the next dick possible. I've seen this criticism before, and when looking at his actual arc at the beginning of S6 and analyzing his general character, that's just simply not true. Entering a new relationship is not equal to immediately disregarding Mickey.

TL;DR: The hate Ian gets from this season mainly stems from "Ian date somebody aside from Mickey, bad Ian" without any further thought behind why he enters the relationship and what the relationship actually means to him. There is no separation in the minds of fans between Ian and Mickey, and therefore, Ian having experiences and an identity outside of Mickey is negatively perceived.

Season Seven: Putting His Own Wellbeing First

This one will be less long winded than the previous one, because I have less to say on it, honestly.

During the entirety of Ian's bipolar arc, it is pretty clearly shown that to maintain mental wellness, Ian needs stability.

When Mickey shows up and asks Ian to run away with him to Mexico, that's threatening to uproot every amount of stability Ian has managed to secure the past two seasons of the show.

I honestly don't see as much hate directed toward Ian for his decision to leave Mickey at the border as I see for his previous decisions. I'd say the main thing I actually see directed toward this season is just that Ian's story is boring without Mickey in it. Mostly because he enters another new relationship with Trevor after his relationship with Caleb, which really just follows the cyclical Shameless cycle of, "Don't know what to do with a character? Give them a new love interest!" But because I talked about the judgement for non-Gallavich Ian relationships above, I don't particularly feel like doing a deep dive into the Ian and Trevor relationship in this meta.

What I want to talk about relates to the Mickey Mexico storyline, though, and that's the hate other characters recieve for trying to dissuade Ian from going.

After finding out that Mickey escaped from prison, Fiona and Ian have the following conversation:

"What are you doing up?"

"Couldn't sleep. You ever, uh, think about about what would've happened if you'd run off with Jimmy-Steve?"

"Lying sociopath Jimmy-Steve? My life would be a nonstop psycho-thriller. I definitely dodged a bullet with that one."

"What if nothing ever gives you that same thrill again? Still feel like you dodged a bullet?"

"I don't know. Probably. Where's this coming from?"

"Things have been weird between me and Trevor since Mickey got out."

"You mean since Mickey busted out of prison and has got half the Chicago Police Department circling the Southside looking for him."

"Can't get him out of my head. Just trying to stop myself from doing something I shouldn't."

"You turned your life around. Mickey would set a match to it. You've done really great without him, and I'm really fucking proud of you."

- Ian and Fiona, S7E10.

I've seen this conversation criticized many times because of how "unfairly" Mickey is treated in this scene. But I truly think that nothing said in this scene was wrong, and Fiona was 100% right.

In the past, Fiona has definitely shown a prejudice against the Milkovich family before. Specifically with Mandy, Fiona seems to look down upon her and disapproves of the relationship between her and Lip. This on its own is unfair treatment and is annoying to witness.

But in this particular case, absolutely nothing she is saying is wrong or biased simply because Mickey is a Milkovich.

People take the line, "Mickey would set a match to it," and compare it to his behavior in late Season 4 through season 5, where Mickey is taking care of Ian, and say that Fiona is being untruthful or hypocritical. If Mickey had never been sent to prison, or even if he had just been released legally, and Ian was simply thinking about cheating on Trevor and getting back with Mickey instead of running away with him, then the criticism toward Fiona would be more justified. But as it is, Mickey is a wanted fugitive, and Ian running away with him would make Ian a fugitive as well, and WOULD effectively set a match to the life Ian had spent the past two seasons working toward. He would be giving up a career he worked hard for and fought to have, he'd be living in stressful conditions on the run, he'd have no support system, and he would have less ease of access to his medication. Running with Mickey would have been the wrong decision for Ian's wellbeing, and honestly, Mickey should never have asked Ian to go with him.

I think that many people have rose colored glasses on when it comes to Gallavich, specifically with Mickey, and that makes it harder to view these moments unbiased. But, looking at it objectively, Mickey was so wrong for asking Ian to come with him to Mexico. He KNOWS that Ian needs stability with his bipolar diagnosis, and he KNOWS that this would be a stressful life he'd be forcing Ian into.

Simply put, he's acting selfishly in that moment. Having your own interests in mind is not always a bad thing, but in this specific case, Mickey would have thrown a huge wrench into Ian's life is Ian hadn't made decisions in HIS best interest.

Again, I have less to say on this as I did other subjects, because to me it feels much more cut and dry. Mickey was in the wrong here 100%, Fiona was not being wrongfully judgmental toward Mickey, and Ian was not in the wrong for not going with Mickey.

After so long of seeing them apart, it makes sense to want to see them together again. So when Ian, again, is the one making the decision to end their relationship, fans are going to lash out at him and those around him.

But it's important to put aside biases and allow your favorite character to be in the wrong occasionally. Mickey is not perfect, and criticism against him, both from characters in the show and fans, is not unfounded nor unjustified.

TL;DR: Mickey was wrong for asking Ian to uproot his life and run to Mexico, and calling that out isn't defamation of his character.

To End This Yap Session:

Ian is by no means a faultless character, and he is not exempt from criticism both inside and outside of his relationship with Mickey. However, I often feel that the criticism he faces is for the wrong reasons, and not much contemplation or exploration is done on him as much as it is for Mickey.

I love Mickey. He's an amazingly complex character, and his relationship with Ian is one of my favorite parts of the show. But in being a complex character, he is also an imperfect character.

I feel that many fans get very protective over their favorite characters, to the point that anything that goes against that character's interests is labeled as bad, and any criticism toward his character is disregarded immediately.

In this particular case of Gallavich, I feel that post season three, fans often see things from Mickey's point of view without looking at Ian's as much. This meta was simply to give my own thoughts on Ian's most "controversial" moments among fans. Obviously this is mostly condensed to season six and his relationship with Caleb, which I feel is the biggest example of jumping to conclusions and only seeing the surface level of his character.

However, I would like to acknowledge that Ian is also an insanely popular character in the Shameless fandom. While he is misunderstood in many instances, he is given much more sympathy and understanding than many other characters in the show, especially many of the female characters. This long-winded meta is only focused on the concerning tendency for fans to link Ian's identity to Mickey entirely without allowing him to be an individual, but a majority of the time he is still a beloved character who is treated favorably by fans. Compared to a character like Debbie, Ian sees much more support, and I feel that the energy I put toward this meta and trying to understand Ian should also be applied to (almost) EVERY character in the show.

Anyways feel free to leave thoughts.

[merrycrisis-if]

I didn't realize up until 3 days ago that you had updated Merry Crisis. I played the demo very late at night and I felt such a strong feeling of melancholy and longing when reading the scenes between MC and their family members. The messy drama with the aunts and the uncles... The endless boredom shared between all older cousins... The bittersweet memories when remembering departed grandparents... The sibling rivalry when playing any type of games... "Don't forget the taste of your mother's soup". God. I might have shed a tear or two. More than the romances (who are actually great, don't get me wrong), I fell in love with the way you write about the MC's family and culture. There are many things about them I could never truly understand ; I'm not Singaporean, nor Chinese, or even American, and I never lived in either of the places the MC spent most of their life. Culturally speaking, we have nothing in common. But there were so many moments where I saw parts of myself reflected in that young adult struggling with conflicting aspects of their identity, especially when it comes to feeling torn between different places, feeling like a stranger no matter where you are, and being queer while fearing coming out to your parents. What struck me the hardest was when the MC thought their grandmother would have gotten along with Nat, even though they don't know how she would have reacted to their partner being the same gender as them... So, thank you for that. Anyways, this isn't really why I'm sending you this ask. There were heavy rain falls where I live yesterday night, and a part of my basement got flooded. I had to throw a lot of things away, including many childhood drawings and family pictures. Some of my dad's old stuff got pretty soaked as well, but his vintage ViewMaster 3D collection miraculously didn't suffer too much damage. I was drying them up as best as I could, before coming to a stop. There were a few slides of Singapore lost among the countless others of European and American cities, dating back from 1957. It reminded me of you, probably because your story was still so fresh on my mind, and I thought I'd share a few of my favorites with you. I'm sorry for the horrible quality, though. They are pretty old and my phone doesn't take very good pictures.

Thank you for your stories. Happy holidays to you and your loved ones, I wish you all the best.

This message struck me really deeply, so thank you so much for sharing this with me. It makes me so incredibly moved when merry crisis reaches across time and space and ends up resonating with someone from a completely different culture/place -- makes me think about just how many experiences are shared in the most unlikely ways.

I'm sorry to hear the flooding but wow it sounds like you uncovered a lot of real gems. Thank you so much for sharing them with me! The one in the top left made me think about my grandma who says back in the day, my old house used to overlook the sea (kinda like those shophouses in the picture) -- until Singapore reclaimed land and pushed the coast much further south. And the other one, in the bottom left of Haw Par Villa reminds me of the time I went to there with my family (this is a little creepy Chinese place with scary statues and an awesome exhibit of the "ten courts of hell") and there was one statue of what happens when you talk back to your older siblings and my younger brother and I had a good laugh over that (you get boiled alive in lava or something equally horrifying).

Anyway, your message was so special to me. Receiving things like this make me so motivated to write!!

Happy holidays to you too!! <3

[amygdalae]

as someone with clinically diagnosed ocd, yea man that sounds a lot like ocd. i know one of my compulsions is checking over and over again to make sure i did a task right or actually did something i can’t remember doing. can’t say for sure about the counting but it could be related. either way- i hope you have a good day

fuuuuck. Yeah I'm constantly mistrustful of my perception of things; I baked cookies the other day and had to check the measurements 3-4 times per step to make Sure I wasn't doing something wrong. something to bring up to my psych I think