#if you mean the script it is very simple really | Explore Tumblr posts and blogs

wlwcatalogue · 10 months ago

Text

Some WLW (?) Jdrama & Kdrama recommendations!

Jdramas and Kdramas have a (not-entirely-unearned) reputation for being very straight, but here are a few which are either canonically F/F or which prominently feature a female-female pair-- please enjoy! For those who enjoy following series in real time, Chaser Game W and She Loves to Cook, and She Loves to Eat S2 are both airing this January 2024 :)

As with my post on anime with yuri subtext, since subtext is so subjective, this list only includes series which I’ve actually watched, and so is by no means intended to be comprehensive. Also, it doesn't include any webseries, since those probably deserve a post of their own.

At-a-glance list:

Miss Sherlock (8 episodes, 2018) (subtext)

Night Light (20 episodes, 2016) (subtext)

Tokusatsu Gagaga (7 episodes, 2019) (subtext)

Painter of the Wind (20 episodes, 2008) (canon?)

She Loves to Cook, and She Loves to Eat (10 15-minute episodes and counting, 2022~) (canon)

Sono Toki, Heart wa Nusumareta (5 episodes, 1992) (canon)

Chaser Game W (10? 30-minute episodes, 2024) (canon)

Doctor X (7 seasons and counting, 2012~) (subtext)

Bonus: SKY Castle (20 episodes, 2018) (subtext)

Summaries under the cut!

1. Miss Sherlock / ミス・シャーロック (8 episodes, 2018) (subtext) – MyDramaList | AsianWiki

The elevator pitch for this show is simple: it’s Sherlock Holmes, but where Holmes and Watson – here named “Sherlock” and Tachibana Wato, and played by Takeuchi Yuko and Kanjiya Shihori, respectively – are both female, and the cases are all set in modern Tokyo. As with other adaptations, mystery-solving and the budding relationship between the two leads takes centre stage, but Miss Sherlock manages to carve out an identity all its own.

There’s a calm beauty to its visuals, which favour sunlight and urban greenery, and the show’s focus on former doctor Wato as she tries out new jobs and goes to therapy means that there’s a surprisingly high number of slice-of-life scenes. It’s also subtly more female-focused than the source material; Sherlock’s gossipy but good-natured landlady Ms. Hatano (Ito Ran) is as much a member of the household as Sherlock and Wato, and the cases often revolve around female characters. But more than anything, it’s just really fun to watch Sherlock and Wato’s relationship bloom as they snip and snipe and are utterly unable to stay out of each other’s space (literally – the body language and blocking is *chef’s kiss*). Their relationship is the heart of the show – watch this one until the end, you won’t regret it!

(CW: psychological abuse, manipulation, and genre-typical murder, violence, and gore)

2. Night Light / 불야성 (20 episodes, 2016) (subtext) - MyDramaList | AsianWiki

(Note: spoilers for the mid-season twist, but it’s impossible to allude to a good portion of the F/F subtext without doing so, and I think knowing the twist ahead of time doesn’t make it any less enjoyable.)

Night Light is a rather odd show. It’s simple enough on the face of it, a story about successful but ruthless CEO Seo Yi-kyung (an icy Lee Yo-won) who tries to mold the younger Lee Se-jin (a puppy-eyed Uee) in her own ambitious image, only for her protege to develop the conscience she never had and move to stop her dastardly plans… but upon watching it’s a totally different creature, thanks to the alchemic reactions of some delightfully contradictory acting choices (Uee’s performance convinces viewers less of Se-jin’s supposed latent desire for power and money, and more of a deep love and devotion for the CEO) and the unintentionally (?) inneundo-laden script (“If I like something once, I never forget it– whether it’s a dress… or a person,” declares the CEO less than ten minutes into the first episode while gazing intently at Se-jin).

Honestly, it’s a wonder this series ever got made, but you certainly won’t see me complaining! The first part is full of boss/subordinate goodness; Se-jin is unable to resist the CEO’s magnetic pull despite her hot-and-cold behaviour, while the CEO cannot bring herself to push Se-jin away completely. And then, when Se-jin makes her mind up to stop the CEO, it morphs into a corporate take on a (subtextual) lovers-on-opposite-sides situation, where it is precisely Se-jin’s feelings for the CEO that motivate her to stop her. In short, it’s a workplace GL fan’s dream.

Note: If you do watch it, skip the corporate politicking cutscenes with the old men, you’ll thank me later. Also, there’s a prominent male character who is the CEO’s ex and who works closely with Se-jin in the second half, but don’t worry, all the M/F romance is in the past (and doesn’t get much screentime)– he and Se-jin aren’t interested in each other at all.

3. Tokusatsu Gagaga / トクサツガガガ (7 episodes, 2019) (subtext) - MyDramaList | AsianWiki

Nakamura Kano (Koshiba Fuka) lives and breathes tokusatsu shows (think Power Rangers, if you’re not familiar), but keeps it a secret from her work colleagues to avoid being shunned or laughed at. And yet she yearns for connection, so when she sees a woman on the subway bearing a keychain from her favourite show (Yoshida Hisami, played by Kurashina Kana), she is determined to find her again.

Although ostensibly about being a tokusatsu fan as an adult, this show is rife with queer subtext, and not in the usual way. It deals with the difficulties of staying in the closet (regarding being an adult tokusatsu fan), the desire to connect with other queer people adult tokusatsu fans and how one might do so through hints and signals, parental disapproval arising from gendered and social expectations (that tokusatsu shows are for boys, and magical girl shows for girls), intersectionality and finding comradeship with other minorities people who are excluded due to their interests, and even generational gaps wherein younger queers fans may underestimate the obstacles that still exist. Although all that might sound a bit stressful, it isn’t actually! Difficult incidents are handled with sympathy and a dash of wry humour, and the show never loses sight of the fact that it – above all else – is a story about finding queer community in the face of a heteronormative hostile world, told with warmth and the nuance of lived experience.

4. Painter of the Wind / 바람의 화원 (20 episodes, 2008) (canon?) - MyDramaList | AsianWiki

Adapting the novel of the same name by Lee Jung-myung, Painter of the Wind takes as its protagonist a gender-bent version of real-life Joseon-era painter Shin Yun-bok (Moon Geun-young), whose paintings are used to weave a tale of artistry, political intrigue, and romance, and more than anything else to offer modern-day viewers a glimpse of everyday life in 18th-century Korea.

While it may sound like Dickinson’s boring cousin, apart from having a common preoccupation with reframing historical works, another similarity the two shows share is that Painter of the Wind is also very gay. Starting from the first episode, Yun-bok meets and becomes fascinated by the courtesan Jung-hyang (Moon Chae-won), who despite her initial aloofness is drawn to Yun-bok’s intellect and sensitive demeanour. It’s a real meeting of the minds, their witty repartee in early episodes reminiscent of Twelfth Night’s Viola and Olivia, and their relationship isn’t siloed off from the main plot either: Yun-bok’s infatuation quickly starts causing issues with her academic career, and the two eventually have to contend with Jung-hyang’s precarious position as a courtesan as well.

Unfortunately, all this is undermined in the back half of the show, which tries to gaslight viewers into thinking that Yun-bok’s feelings for Jung-hyang were purely platonic all along and that she totally has romantic feelings for her much older male mentor— but hey, at least it’s an open ending. Despite everything, though, I can’t think of another serious historical TV show which features such a prominent F/F narrative for its main character, even nearly two decades later. (Let me know if you have any others! And no, Gentleman Jack doesn’t count, it’s not exactly traditional in style!)

(CW: period-typical sexism)

5. She Loves to Cook, and She Loves to Eat / 作りたい女と食べたい女 (10 15-minute episodes and counting, 2022~) (canon) - MyDramaList

Based on Yuzaki Sakaomi’s manga of the same name, this simple but sweet show follows home-cooking extraordinaire Nomoto Yuki (Higa Manami), who yearns to cook large-scale dishes but doesn’t eat enough to justify making them. Luckily for her, her neighbour Kasuga Totoko (Nishino Emi) has a massive appetite!

It’s always lovely to see more grounded stories about working women, especially when they’re as cute as this one. Though it touches upon some slightly more serious issues, such as with regard to gendered expectations surrounding food and cooking, it’s primarily a feel-good slice-of-life show about two women getting to know each other by cooking and eating delicious food together.

Side note: if you’ve started it and think the show doesn’t look cosy enough, stick it out for a few more episodes, the production values improve after the first part! Also, the series was renewed for a second season with double the episode count (for a total of 20 episodes) which will start airing on January 29th this year, so this is the perfect time to jump in!

6. Sono Toki, Heart wa Nusumareta / その時、ハートは盗まれた (5 episodes, 1992) (canon) - MyDramaList

Sono Heart, as it’s nicknamed, starts off as a typical heteronormative high school romance: bumbling protagonist Shiina Hiroko (Isshiki Sae) is desperate to get closer to her crush Katase Masato (Kimura Takuya), star of the school basketball team and all-round nice dude. However, a spanner in the works comes slouching along in the form of female classmate Aso Saki (Uchida Yuki, in her debut role), a mischievous, short-haired personification of trouble who Katase turns out to have feelings for. One day, Hiroko gets into a fight with Saki, and they end up having to stay together after school as punishment. But that afternoon gives them the opportunity to bond over a heart-to-heart conversation, and things seem to improve… until, just before leaving, Saki kisses Hiroko. And then everything changes.

Or rather, everything changes eventually. What’s great about this show is that it doesn’t take shortcuts: Hiroko doesn’t instantly fall in love with Saki. Instead, what you get is a surprisingly layered portrait of a high school girl whose coming to terms with queerness is merely a natural extension of reckoning with her burgeoning sexuality. And, because Saki is self-destructive in her depression and makes a game of belittling, worrying, and infuriating anyone who cares about her, it’s really a story about what it means to love another person rather than a romantic ideal. A word of warning, though: Katase is actually quite a large character, as he and Hiroko end up becoming friends. Also, the ending is very abrupt and inconclusive, though rest assured that it doesn’t try to roll back Hiroko’s feelings, or pair either girl off with a guy.

(CW: self-harm, attempted suicide, bullying, homophobia, underage drinking)

7. Chaser Game W: Power Harassment Boss Is My Ex-Girlfriend / チェイサーゲームW: パワハラ上司は私の元��ノ (10? 30-minute episodes, 2024) (canon) - MyDramaList | AsianWiki

Probably jumping the gun here as only two episodes have aired as of writing, but I feel honour-bound to recommend this as it’d probably appeal to a lot of people, if only they knew about it! Chaser Game W is a standalone spin-off of Chaser Game, itself an adaptation of a manga of the same name by Matsuyama Hiroshi and Matsushima Yukitarou, but you don’t need to know anything going in.

Protagonist Harumoto Itsuki (former Keyakizaka46 captain Sugai Yuuka) has been assigned a new job: her company has been asked by a Chinese conglomerate to develop a game adaptation of a GL manhua, and she’s been tapped as the project leader. However, what appears to be an exciting prospect soon becomes a terrifying one, as the person sent by the client to supervise turns out to be her ex-girlfriend from university (Lin Dongyu, played by Japanese actress Nakamura Yurika), who is now married to a Chinese man (played by a Japanese actor) and has a child, but remains hell-bent on exacting revenge on Itsuki for their bad breakup. This is a romantic (melo)drama rather than a psychological thriller, though, so you won’t be watching Itsuki getting terrorised the entire time. While she is understandably upset by her ex’s current behaviour, Itsuki can’t forget about their happy days together, and Dongyu herself veers between being a sneering bully and craving Itsuki’s affection.

Do note that the show isn’t without its flaws: it’s very Japanese about the Chinese thing, which is to say it’s filled with comments which range from somewhat offensive to borderline racist, and the script will probably give you a headache if you know even the slightest thing about game development. Your mileage might vary on the ex too, as she can be really quite nasty to Itsuki and her teammates. But if you can overlook those issues, this is a rare prize indeed: a TV drama focusing on a canonical F/F pair, who are specifically exes, and in a workplace setting.

(CW: bullying)

8. Doctor X / ドクターX (7 seasons and counting, 2012~) (subtext) - MyDramaList | AsianWiki

To be very honest, I was in two minds about including Doctor X on this list. It is, with a few notable exceptions, misogynistic and reductive in its depictions of women (especially in the first two seasons), gives too much screentime to objectively awful and subjectively annoying men, doesn’t respect the work done by medical personnel apart from surgeons, and on the technical front is formulaic, repetitive, and often lazy in its writing and presentation. Unfortunately, the dynamic between the genius surgeon protagonist Daimon Michiko (Yonekura Ryoko) and her anaesthesiologist wife partner friend Jounouchi Hiromi (Uchida Yuki) is almost unparalleled in its excellence.

The premise of the series is basic indeed: Daimon Michiko is a freelance surgeon with a healthy disrespect of rules and authority and, unluckily for her detractors, a cast-iron guarantee that she will succeed in any surgery, no matter how difficult. She’s initially portrayed as a lone wolf who’s dismissive of the entire hospital system and anyone who’s part of it— but her interest is piqued by the anaesthesiologist Jounouchi, who is skilled beyond her peers and chafes against the idiocy of her colleagues. For all its flaws, the first season – which is more serious and edgy in tone compared to the others, and isn’t an ensemble cast like the post-S3 seasons – is a fantastic depiction of two people being perfectly matched in skill, intellect, and outlook, and how they come together despite one being standoffish (Jounouchi) and the other not being used to reaching out to or even respecting other people (Daimon).

The seasons after that sadly ditch the emphasis on Jounouchi being Daimon’s professional equal, but in exchange offer up another rare and unexpected gift: two women in their late thirties / early forties who are partners both at work and in private. Jounouchi is Daimon’s designated anaesthesiologist, assisting with nearly every surgery, and she spends so much time at Daimon’s agency-office-slash-house you’d think she’d moved in. Also, after a point they just start being wonderfully dorky and comfortable with each other, while still being consummate professionals in the operating theatre. Although the show is very much focused on Daimon Michiko as its sole protagonist, Jounouchi is undoubtedly the character most significant to her – even more than Daimon’s father figure, the head of the freelance agency – and this is highlighted in the story from time to time. They are very, very good. I just wish the series was better.

Note: If you’re curious, I would recommend watching the very first episode in full– by the end you should know if you’re invested enough to continue, otherwise drop it and live in the happy knowledge that you dodged a bullet. If you aren’t so lucky, I’d advise skipping the surgery segments when they start to bore, and in general to skip liberally. Also, season 4 is not worth watching as a whole, except for the last two episodes, which absolutely should not be missed. Sigh. I can’t speak to seasons 6 and 7, due to having paused mid-S6.

Side note: If you’ve watched Doctor X already and liked it (or at least like Daimon and Jounouchi), but haven’t tried Miss Sherlock yet, definitely give that a go because there seems to be a big overlap in the fandoms. Maybe it’s because they both feature a genius protagonist, have the two largest female characters being work partners, and domestic vibes…?

(CW: sexism, genre-typical gore)

Bonus: SKY Castle / SKY 캐슬 (20 episodes, 2018) (subtext) - MyDramaList | AsianWiki

(Note: slight spoilers for the early episodes, but it’s necessary in order to give a more accurate recommendation regarding the F/F subtext, especially as the show is not primarily focused on any one relationship.)

This one’s a bonus because unlike the others on this list, there’s no close relationship between two female characters which could be interpreted in a romantic light. That’s not too surprising as the show is all about the women of a several super-wealthy families trying to get their children into the top Korean universities (equivalent to the Ivy League) whilst supporting their husbands in the rat race: a decidedly heteronormative premise, albeit one that’s executed in an award-winning manner.

So why am I listing it? Well, it’s because somehow, in this series about heteronormative and highly gendered nuclear families, it features possibly the most erotically-charged dynamic I have seen, even taking season 1 of Killing Eve into account. (Though it takes some time to get there, so if you try it out, please watch at least the first four episodes before making a decision!)

That honour goes to the problematic gem that is the relationship between the main character Han Seo-jin (Yum Jung-ah), who is willing to do whatever it takes to get her daughter into Seoul’s top medical school, and star tutor Kim Joo-young (Kim Seo-hyung), who is known for her 100% success rate. It starts off with a mild push-and-pull, when Han Seo-jin wants Coach Kim to take on her daughter, but is wary of the shady rumours surrounding her; the tutor stands firm, and Han eventually has to swallow her pride and accept the risks. Where it really comes into its own, though, is when Coach Kim starts to pose a legitimate threat to everything Han cares for: her daughter, her marriage (or rather, what her husband can give her), her position in the world. It becomes increasingly clear that Han should just walk away, and indeed she tries to do so many a time, only to bend in the end because the coach is key to fulfilling her dearest wish– and so to Han, for all she rages and resents and fears, Coach Kim is nothing less than temptation itself. This is the beating core of the show, and even as the plotting disintegrates and falls into melodrama in the second half, their scenes together still crackle with delicious tension every time. Watch it.

(CW: suicide, psychological abuse, child abuse, bullying, murder)

657 notes · View notes

comical-wheelchairs · 1 month ago

Text

How I Work with Pre-K Kids as a Wheelchair User

I've given these tips to enough other wheelchair users that I figured I could make a post about it, and this blog is aligned enough with it that I figured I could post it here.

I've spent time as an administrator for a pre-K and school age programs, and I am also in my final year to be dual certified as a special education/general education elementary school teacher in America. I am also an ambulatory wheelchair user, but cannot safely move without a mobility aid, even when I am standing/walking. SO. Here's a guide/rundown of how I personally talk about disability with the kids I work with!

When First Meeting a Class

You do not need to explain/justify your wheelchair, and any adult who believes you do is probably doing it for their own curiosity and not an interest in the kids.

My personal recommendation is to say you are always happy to answer questions about yourself, and leave it open ended.

If the class had to be rearranged for your wheelchair and you feel comfortable saying so, I will sometimes say "I'm really grateful that you moved the furniture so I could get around. I can't wait to meet everyone!" It makes it clear why the need is there, and if a kid accidentally blocks you you can always ask them to move so you can get through and remind them.

When They Ask Questions

"Why do you use that?"

I respond by asking them what is 'that' - being careful to speak with a curious tone. For young kids, they might not know the word, and will probably point. From there you can say "oh! this is my wheelchair! have you heard that word before? i use it to get around since walking is [very hard/impossible/not something my body does]."

"Why don't you walk?"

I respond by telling them walking is something I can do for a little while, but it really hurts. Link it to a concrete example. "Have you ever gone into a super hot car, and you could do it for a little, but you wouldn't want to be in there all day?" "Have you ever tried to hold snow (or an ice cube) without gloves, and you could do it for a little but then it started to hurt your hands because it was so cold?" Make it personal, specific, and simple - developmentally they may still need support understanding that other people have different experiences (or might be totally unable to yet).

"How'd you get into that?"

I typically respond silly - "Well, I sat down!" If you want to, and you do not need to, you can make this into a (short, keep it short, their brains are so interested in everything and switch very quickly) lesson on transfers/how people get in/around with their wheelchairs.

"What happened?"

I respond by asking them what they mean. This typically leads to another question which I mentioned above. Alternatively I sometimes say "I realize a wheelchair helps me get around safely!"

"How do you use the bathroom?"

My strategy that's worked best is being calm and friendly while saying "I don't like talking about how I use the bathroom." If you can redirect after that (point out something for them to do, change the subject to something they'll find more interesting) it'll make it easier. If they ask why, you can say that everyone has stuff they don't like talking about and for you it's the bathroom.

Physical Interactions With Your Chair

They touch your chair

We had a big thing about this in my pre-K rooms - what we would do is if a kid tried to touch my chair (or did) I would tell them "It's so cool that you want to explore my wheelchair, but I want to make sure you're safe, because there's a lot of moving parts that can pinch you! Can I give you words for when you want to touch my wheelchair?" If no, then let them know you can't let people who can't be safe touch your wheelchair. If yes, give them a script to ask for permission - you will have to repeat it. A lot. Gentle repetition is your friend and within two months my kiddos were asking everyone permission to touch them at school. My script went "Teacher Pecan, can I touch your wheelchair?" "No, now it's a safe time, because [I am moving a lot/I am tired/I need a break/you have a task to do]. We can check in again [when it is a break time/when I feel better/when you finish your task." "Yes, it is safe to touch my wheelchair right now. Can you point to where you want to touch?"

They kick your chair

Every time a kid kicks/hurts your chair, say "ouch! that hurt! my wheelchair is part of my body, it helps me get around!" Repetition and speaking clearly are your friends. If a kid keeps kicking your chair, finding another thing for them to kick (for example, a ball) can help divert the kicking need into something safer for everyone :)

They (try to) sit in your lap

Gently use your hands to get them off or keep them off. Calmly say "Oops! My wheelchair isn't big enough for the two of us!" If they complain/protest, validate and then explain. My script is "I know it looks like a cool place to sit, but my wheelchair is just for me."

They (try to) push your wheelchair.

My last two chairs had no push handles, but my second one did! It can make sense to panic when I kiddo pushes you - I've had them try to push me into walls (by accident). Here's what I did that worked great: Immediately lock my breaks/grab my pushrims, and calmly say "oops! We don't push wheelchairs without permission!" If they stuck around/didn't immediately run away, I would ask them if they remember a time an adult picked them up and took them somewhere they didn't want to go (typically a car). If they say yes, and even if they say no, I explained that pushing my wheelchair feels just like that, and makes me scared. Most children never pushed it again, and everyone stopped after the second try.

Miscellaneous Tips

"Isn't that cool?" is your friend. Any time a kid is first learning about your wheelchair, end the sentence with it. Any time a kid is nervous about your wheelchair and you explain something, end the explanation with it. "It helps me get around, isn't that cool?" "These are called spokes. Aren't they cool?"

Wheelchairs can be grounding tools when you have a good handle on the class and boundaries! Only if you would like to. My spokes on my last chair were rainbow, and I would use my chair to physically get between them and the emotional trigger, and ask them questions about my spokes. "What colors are next to green?" "Can you point to which one is your favorite?" "Hmmm which color do I get if I mix red with blue?"

"Why doesn't [limb(s)] work?" My left foot is (mostly) paralyzed due to nerve damage, and my script is "My brain can't talk to my foot and tell it to move." You can say whatever you'd like, just try and keep it to basic body parts unless the kiddo is super into anatomy.

If they imply/say wheelchairs are bad, or you might be sad for being in one, you can correct them by telling them how cool your wheelchair is! Get them to compliment it too, if their attention span allows. "I don't feel sad about my wheelchair, I love it! I love the color! Do you? What color do you think I should get next?"

In conclusion - talking calmly, positively, and using repetition of the same words/scripts is a great way to not just exist in a classroom hassle free, but to get kids comfortable with disability/mobility aids at a young age. I have had kids get pinched by my chair (he grabbed my axle from behind), and luckily I had my higher ups on my side and they agreed that I made every effort to keep the kids safe (plus he learned his lesson lol, he always asked permission after that). Your mileage may vary based on admin and their attitudes, so play it by ear, and change any of my tips as needed. Feel free to send questions to this blog too. :)

#wheelchair user #mobility aid user #physically disabled #actually disabled #wheelchair tips #wheelchair meta #not comics

222 notes · View notes

absolutebl · 11 months ago

Text

Best & Worst BLs of 2023

My Top 15 BLs of 2023 are (in order)

1 Our Dating Sim

Korea Viki

Nerds in love, deadlines, gaming, teasing, pining tiny idiots, casual affection, linguistic oops, ADORABLE. If you haven't watched this, it's a must. A perfect short form KBL, an office set reunion romance featuring geeks that really suits 8 eps with no fluff and no chaff. Just comforting and yummy.

I adored every aspect from the casting to the pristinely simple premise to the quietly smooth execution. Sure it’s low stakes, but that makes it high domesticity and extremely warm and gentle. This is a fuzzy blanket of a story - a cozy BL. It lives in my rewatch pile and you know what’s best about it? Every single episode is in that pile. There’s no skipping with this one, it might be good natured and calmly sweet but it’s tight and the pacing is excellent.

Also recieves my 2023 award for best giggle.

2 I Cannot Reach You

AKA I Can't Reach You AKA Kimi ni wa Todokanai

Japan Netflix

This classic friends-to-lovers BL is everything Japan does best. Angsty. Emo. Aching. Driven by real thirst. Yamato is deeply in love with his childhood bestie, Kakeru, and has been for ages, unable to hide his ungainly damaging high school need. He wants Kakeru in every way possible and it oozes off of the screen.

Kakeru is silly and a little simple, but not frenetic or overly camp about it. He is earnest, and genuinely wants to keep Yamato in his life which means giving a romance (and gayness) a fair chance. We watch him realize his affection and what form it can take in a truly authentic way.

This show was impossibly kind to both of its lead characters and I felt almost honored that I got to watch something so lovely and rare play out on my screen.

Also wins the best thirst award.

These were the 2 BLs that got 10/10 from me in 2023. The rest of these got 9/10 from me.

3 My School President

Thailand YouTube

GMMTV gave us a classic high school set Thai BL with tropes like messy boys singing their feelings that made this one Love Sick for the modern age with all the gentle sweetness and pining ache, but none of the dated damaging tropes or issues. Who let my BL be this wholesome and funny? My favourite GMMTV BL offering to date. And yes, I've watched them ALL.

Received the Namgoong award for best wingman 2023.

4 I Feel You Linger in the Air

Thailand grey

IFYLITA is an exquisite BL, from filming techniques to narrative framework. Steeped in history and family drama this is an elegant and classy BL. The main couple (both as a pair and individuals) were excellent, particularly Bright (Yai) whose eye-work acting style is a personal favorite of mine. It's a marker of how great it was that it's so high on my list despite the ending which was very much not what I wanted.

Additional accolade, sexiest moment of 2023 - (the oil scene).

You could try to fight me, but you'll have no grip.

5 Kiseki: Dear to Me

Taiwan Gaga & Viki

The plot is totally ridiculous and slightly unhinged. There’s a gum-ball machine of cameos, elder gay rep, great chemistry from all pairs (everyone is queer), and a KILLER side couple. It involves all the tropes under a very offhand framework of gay mafia gangs + food = love. As a result Kiseki is a poster child for Taiwanese BL, and I happen to love Taiwanese BL. Bonus? They also managed to END IT WELL, which we cannot expect from Taiwan.

Best side couple 2023!

(thank goodness Taiwan made this list!)

6 Jun and Jun

Korea Viki

A delightful office romance about an ex-idol who joins cubical life only to find his new boss is his first love. With a snappy (sometimes even raunchy) script, enjoyable sides, a pretty as peaches cast, and descent chemistry this show made up for in style what it lacked in substance. I like fluff. I loved this. I smiled every moment I was watching.

Best flirting 2023.

AKA "the tongue knows" award

7 The Eighth Sense

Korea Viki

This one is a bit chewy and sticky and less perfect than most KBLs. It’s got a bit of an age gap, country boy/city boy, stellar acting, complex characters, and leads with great chemistry and tension. This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a BL the darkness of the content left me feeling unsettled (which is the only reason it didn't get a perfect score) but it has a glorious ending and that counts for a lot.

2023's most likely to appeal to non-BL watchers.

8 Unintentional Love Story

Korea iQIYI

The lead, Gongchan (maknae of B1A4) is a fucking GIFT, who carried this show. He was luminous with extraordinarily expressive eyes, which he used to carry a killer plot and challenging role. Forced into a totally understandable betrayal, falling in love despite himself, put into a corner he can't get out of, the AGONY, the eyes EMOTING at us in PAIN. Driven by external conflict, social tension and pressure this story seems simple but it's actually refined and quite complex. I loved this show.

Best story structure 2023.

9 My Personal Weatherman

AKA Taikan Yoho

Japan Gaga

This is classic yaoi of the kind that really only works from Japan. Basically: boys who fell in love in college end up living together but both are so repressed they actually don't realize they're in love. It's high heat is well done, but it leaned into the "why don't they just talk for fuck's sake?" which is exacerbated by the fact that they're already fucking. Sure is sexy tho.

Best use of props 2023 for the shower of sheets.

10 Our Dining Table

AKA Bokura no Shokutaku

Japan Gaga

Lonely salaryman and talented cook gets accidentally adopted by a college kid and his little brother. It’s a quiet & cozy little parable of found family alleviating loneliness. It's lovely & sweet with the romance beats used to build a family relationship, not just couple intimacy. Special.

First prize for domesticity.

11 Laws of Attraction

Thailand iQIYI

This is a great gay suspense thriller with several solid couples, fun plot, killer characters, queer rep, and a happy ending. It’s tons of fun and I had an absolute blast watching it.

Charn wins my favorite character of 2023.

12 La Pluie

Thailand Viki

This BL takes to task the fated mates trope and what it means to have love chained intimately to predestination. It’s about how faith in destiny before choice diminishes the authenticity of emotion, relationships, and connection. This is a high concept to examine through the lens of a BL. With good chemistry and decent acting all around, plus some excellent high heat and representation of consent and a few other rare tropes, this one has to (like it’s sibling show My Ride) earn high marks.

Most interesting concept 2023.

13 The New Employee

Korea Viki

So good, SO QUEER, so soft, a near pitch perfect office BL with conflict derived from that setting. Also found family and a lesbian bestie. This is what I wanted from this new crop of office set KBLs ALL ALONG. Rainbow rice cakes forever!

Best overall queer rep from Korea.

14 Step By Step

Thailand Gaga & YouTube & Viki

This was Thailand’s answer to The New Employee, and everything I loved about that show I loved about this one. This was an office romance between stern boss and sweet subordinate that felt more authentic to an office environment than previous Thai BLs of this ilk which added tension to the narrative and character development.

Chot wins best queer character 2023.

15 Love Tractor

Korea iQIYI

Most of this country-set BL had me feral for the beautiful broken city boy and his hot young farmer. Hyung romance, puppy/cat pairing, open frankness meets jaded reserve, language play, water hose frolicking, only one bed = all my favorite silly tropes.

Biggest "he so pretty" gasp of the year award.

10 Worst BLs of 2023 (that I watched)

My Blessing

My Universe: Casanova Begins

Boyband the series

Cafe In Love

Chains of Heart

Hit Bite Love

Only Friends

Senior Love Me

The Luminous Solution

The Promise

Yes, you read that right. I know I'm against the flow but I really did not like Only Friends. Everyone's taste is different.

However I DNFed faster and more BL's this year than ever before, so that means my 10 worst probably aren't quite reflective...

10 Probably Actually Worst BLs (I dropped 'em)

My Story

The Day I Loved You

Beyond the Star

Crazy Handsome Rich

Dinosaur Love

House of Stars

Mr Cinderella 2

Love Bill

Stormy Honeymoon

The Star Always Follow You

Codicils in General

I only carefully track/watch Thailand, Taiwan, Korea, and Japan. Other countries are not fully represented.

My Numbers

So my spreadsheet chronicled 138 BLs that finish airing in 2023.

101 = watched & reviewed

2 = still in the docket (WDYEY2 & Love Syndrome III)

15 = CNF (could not find)

20 = DNF (which also accounts for how few very low scores I handed out in 2023 as opposed to previous years, I just stopped watching). Speaking of which...

Ratings spread

(# of stars. #of BLs given that rating)

0 (see the DNFs instead)

2 - IT'S DEPRESSING they killed the gay, save yourself

7 - I DON'T KNOW WHAT I AM WATCHING AND NEITHER DOES IT

7 - FATALLY FLAWED but still basically BL, however… do we want to support this kind of behavior?

9 - WATCH IF YOU HAVE NOTHING BETTER TO DO but don’t expect much, it’s a total hot mess

17 - WORTH WATCHING BUT FLAWED probably around the ending or in narrative structure/cohesion or censorship

14 - RECOMMENDED WITH RESERVATIONS i.e. isn’t quite BL, convoluted, not strictly HEA, too short/long, or chemistry issues

30 - RECOMMENDED some concerns around tropes (like dub con) or story structure but still satisfies as BL

13 - ABSOLUTELY RECOMMENDED probably a few pacing issues or one flaw

2 - HIGHLY RECOMMENDED faithful to tropes, happy ending, good chemistry, few flaws, high rewatch potential

(source)

#Best BLs of 2023 #Worst BLs of 2023 #Top 15 BLs #Our Dating Sim #Korean BL #I Cannot Reach You #Japanese BL #Kimi ni wa Todokanai #My School President #Thai BL #I Feel You Linger in the Air #Kiseki: Dear to Me #Taiwanese BL #Jun and Jun #The Eighth Sense #Unintentional Love Story #Our Dining Table #Bokura no Shokutaku

709 notes · View notes

befuddledcinnamonroll · 5 months ago

Text

We Are and the evolution of Thai BL tropes

The QL discord started a rewatch of My Engineer a few weeks ago, and damn, has it been an interesting experience. At the time I originally watched My Engineer, there was little that stuck out to me, because so much of what happened felt so incredibly common in a lot of the (admittedly rather limited) number of BLs being produced. It felt like pretty standard fare.

But going back and watching it in juxtaposition with We Are airing has been so fascinating. This genre has been evolving, y'all.

As much as we all joke about always getting more university BLs, there is something to be said for a format that can be used as something of a metric for the genre. And though there's only four years between My Engineer and We Are, seeing them both at once gives me such an incredible appreciation for the direction the genre is going in, the impact of having more queer voices involved in the creation of QLs, and how there's a lot of good we can find in seemingly simple spaces.

Obligatory disclaimer: This is just my perspective and subjective interpretation of what I have seen as a BL viewer of some time; also I don't have time to go in and do a university deep dive, so this isn't a real analysis, but more of a brief writeup of observations.

Trends are not black and white, of course, there is a spectrum. I'm sure we'll suffer through more Dinosaur Loves. At the same time, having such predominant production companies as GMMTV putting effort into hiring queer creatives and subverting old cliche tropes is an encouraging thing. (Especially as they were the creators of the original university trendsetting BL with Sotus).

Note: For newer QL viewers, I highly recommend @absolutebl for brushing up on trope history. For university BLs in particular, this post and this post are great starting primers.

Let's talk tropes!

Ok, one more note - some tropes are being what I would consider subverted, some more adapted to a newer framework, and some just played with - I'm going to talk about how they appear to me, but I'm not going to be super pedantic over it, because this is just for fun.

Trope: Bullying/hazing behavior

This did not age well in My Engineer, and I would guess hasn't aged well in a number of BLs (and other media, because the whole "he's mean to you because he likes you" bullshit has been around forever). Not just because the behavior was shitty, but because it was played off in the script as cute, and implied that it was completely justified for the seme to do whatever he wanted in his pursuit of his uke.

(There was also quite a strong tone of internalized homophobia, with the lead feeling more comfortable in expressing his interest through harassment than honest emotion, but the show never actually engaged with that in any meaningful way.)

We Are sets up a very traditional enemies to lovers/bullying start to the story, with Phum taking advantage of Peem's economic situation to make him his "slave".

And yet... there's some important elements here that make this more than the standard use of the trope.

Phum keeps it pretty light in his bullying behavior, and clearly is using it more to keep Peem around as company, versus the kind of bullying in My Engineer, where Duen is literally hit by a car, and yet still expected to keep jumping to Bohn's whims.

As soon as Phum realizes he really upset Peem by leaving him waiting at the mall, he genuinely feels awful about it. It's clear that his intent is not to cause harm, and that he has a conscience. He wrestles with his feelings on it quite a bit, and it ends up being the thing that gets Phum to finally express an honest emotion with Peem.

And most importantly, the script does not let him off the hook. His behavior is bad, and is identified as such by the writing. Peem pushes back and is shown to be right to do so, Beer openly says he disapproves.

So instead of a cliche story beat that's used just to start the action, or a seme who's allowed to do whatever he wants because "passion" (blech), we're seeing it used for characterization, giving us important beats about who both Phum and Peem are in how they engage with each other through the use of the trope.

Trope: Obsessive/jealous behavior

Oh, this one was painful in My Engineer. Duen couldn't even talk to another human being without Bohn getting jealous and angry and dragging him away.

Phum gets jealous, particularly around Kluen, but what makes it feel so subversive here are two key things.

Phum's jealousy has a purpose here, it's not just for drama's sake. It's not the cliche seme doing whatever he wants and being treated as justified. It's deliberately being used to explore his insecurities, and give him a challenge to overcome. Phum doesn't stomp over and drag Peem away, he retreats, he hides. When his jealousy causes him to lash out at Peem, he is immediately aware he fucked up.

And again, the script is making it clear that this behavior is not ok. Peem chides Phum when he acts unkind to Kluen, and Beer makes it clear that the solution is not petty behavior, but actually figuring out a way to communicate his feelings with Peem before he misses his chance. This is portrayed as a barrier for Phum to overcome in order to be with Peem, not an expected part of a romantic relationship.

Trope: Friendship group

There are not enough words to express how much I love the friendship group in We Are. To be fair, this is one of the better historical tropes. We've gotten a lot of amazing friend groups, even in mediocre BLs.

But it's still different in We Are, for one simple reason. In most university BLs, the friend group is a supporting structure. But here?

The story lines may be about the romance, but the point of We Are is the friendship.

I will die on this hill, y'all.

I don't have enough time to go into it fully here, but this show is a love letter to friends. It's a tribute to finding the people who see the real you and have your back unconditionally. Who cheer your successes and commiserate over your defeats, who pick you up when the world knocks you down, who call you out when you make mistakes, and push you to be better.

And romance is lovely, but all of these budding relationships are about being friends first, and then lovers, because that friendship is just as important as everything else, if not more.

Trope: Pink milk

Lol, ok, kinda kidding, kinda not. I know we all got mad over the drink wastage, but also check out these visuals - it's about diversity baby!!

TanFang speed round

My two little trope-busting bebes. These two are already so beautifully non-traditional in their composition, but I love how frequently they are used to make fun of and play with tropes just on their own.

Introduced as pining crush/friend's older brother pair, but actually secret enemies to lovers.

Grumpy/sunshine pairing, where the sunshine used to be a fighter, and grumpy smiles when he thinks no one is watching.

Wound-tending where they keep poking each other instead of acting soft.

Openly mocking the jealous boyfriend trope.

Setting up the possessive trope when Tan doesn't pick up Fang's calls, only to immediately have Fang question if he's being unreasonable.

Setting up their own cute eating scene for kicks.

"First time" sex scene making it clear this is anything but their first time.

Tan holding Fang down in the cliche possessive pose, only for Fang to take the agency of kissing Tan. (And overall saying eff off at the cliche top/bottom roles old BLs were such a fan of).

In Summary

I'm sure there are more tropes that will come to me, and we do still have 5 episodes left of We Are, so there are some potential trope uses that I am keeping an eye on. This is by no means an all-inclusive list.

But I wanted to write this, because I was genuinely shocked to realize how different my My Engineer watching experience was this time compared to my first time. How over the last few years I'd come to expect more thoughtfulness in my QL media, even in the ones that seem shallow on the surface.

Considering how fast and furious the QLs are coming these days, it's easy to forget how recent it was that we were much more starved of content. And I think sometimes we forget to take in the big picture, of how far we've come in just a few years.

Critique is always going to be important, of course, it's part of what helps us make progress. At the same time, it doesn't hurt to take a moment to look around and see some good in where we are.

@sailorbryant thanks for the push to get this written! Feel free to add thoughts!

#we are the series #we are #bl series #thai bl

212 notes · View notes

honeytonedhottie · 5 months ago

Text

HONEYS IT GIRL MAGAZINE june edition⋆.ೃ࿔*:･🎀

welcome back to honeys it girl magazine, this is the june catalog. get ready for the inside scoop on data that i've collected, things i've learned/started doing, and just general info like that organized in kind of a teen-magazine inspired fashion. a magazine for it girls ✨ and now please enjoy, the it girl magazine.

LIFE UPDATE ;

as you may or may not have noticed, i've been hiatus for most of the month now. and i disappeared because of personal reasons, and one of those reasons being that i felt i needed to reflect. here are some things that i've learned and realized during my reflection time.

in that post i go into things that i went thru during the month of june and the reason behind my absence. something that i mentioned but failed to elaborate on in that post was what i plan to manifest next and i'll talk about it later on in the post.

FOR THE WELLNESS GIRLIES ;

this summer is a hot one, and one way that i've been getting my vegetable and fruit intake is through smoothies. smoothies and juices are perfect for the summer because they're SO refreshing so im going to talk about some smoothie recipes.

adriana limas smoothie recipe ; (1 cup cold water + 1/2 avocado + honey). candice swanepoels smoothie recipe ; (1 frozen banana + 1 cup blueberries + 1 tsp protein powder + 1 scoop collagen powder + 1 tbsp chia seeds + 2 tbsp almond butter + 1 tbsp spirulina + 1 1/2 cup coconut water)

smoothies make amazing breakfasts or just amazing drinks to have when ur craving a sweet drink. for me, i like to keep my smoothies simple and use ingredients like strawberry and banana, but lately i've been loving mango in my smoothies.

LETS TALK MANIFESTATION ;

because of my period of reflection i had time to focus on what i wanted to manifest next and i wanna manifest a trip to italy for the summer + other mini things within that trip.

i've already created a script for it, and im gonna start affirming for it on the first of july. im so so excited to go and share this with you guys...💬🎀 furthermore i wanted to share some manifestation reminders and posts that have been helping me so far.

ABOUT WAVERING

YOUR NOT A VICTIM, YOU NEVER WERE

HOW TO IGNORE THE 3D AND BE UNBOTHERED

PATRICIA NAVIDAD STYLE DISSECTION ;

patricia navidad in “la fea más bella” is an over the top, feminine queen who i absolutely adore. she was easily one of my favorite characters so ofc i wanted to make this editions style dissection about her.

she has beautiful blondish hair that is similar to and complements her skintone, making her look super put together and gorgeous. she wears jewelry that she coordinates together. but my favorite outfit of hers HAS to be the one shown above on the left.

if theres one thing patricia knows how to do is to make her outfits work for HER which is why i thought she'd be the perfect candidate for this months style dissection...💬🎀

in this outfit shes wearing a matching pink set, the shade of pink is very soft and matches beautifully with the white (what looks like a corset-ish top) underneath. the color coordination is superb and she makes the shirt pop more by only using one button beneath her bust which draws attention to her figure and the top underneath.

THE CRINGE STIGMA ;

to be a victim to the cringe stigma is to be caged in ur own mind bcuz ur so scared of what others may or may not think of you. lets talk about it. the way others perceive u isnt ur business. lets think about how many times that you've stopped urself from doing something that u rly wanted to do, or something that you've really loved because u were scared of what others might say? imagine all that wasted time and energy worrying?

its not ur responsibility to keep urself small or digestible for someone. u can't grow where ur comfortable so to grow u have to get uncomfortable even if that means being called cringe by others. bcuz when others call u cringe thats their own projection onto you and it rly doesnt matter. dont take someone else's judgement too personally and just enjoy yourself no matter what...💬🎀

182 notes · View notes

captainfantasticalright · 8 months ago

Text

Another Sir Terry Pratchett interview on the details of writing Good Omens with Neil Gaiman. (More about this process x).

Question about how he goes about collaborating with someone else .

Terry: “You make them do what you want”.

Gary Cornell came up with something very apposite talking about working together, he says : It’s not that (each) of you does 50% of the work, each of you does 90% of the work.

Um. The way we did it then, and I can’t really speak as an expert because it's the only time I’ve ever done it and other people do it in different ways, it wasn’t a case of, the way the Americans tend to do it, um, is one person writes a draft and the other person goes in and noodles with that draft. We did the whole thing from the ground up; each was doing bits. The ad hoc way we had of working, it’s simple: I’ve got a track record writing novels, Neil hadn’t. So I became like the editor, the taskmaster. Because the other thing is the practical problem about two people 120 miles apart doing something, is that, um, it would be different now, but in those days we had no reliable means of electronic communication. We could connect computers together with modems and then spend the whole evening at cross purpose and ringing each other up and saying “I’m getting lots of little faces and shit like that all over..”

Three quarters of an hour and about eight phone calls, you actually managed to transmit about 2000 words you could have actually phoned and sneezed in a morse code.

[w]hen we were doing the first draft of the film script, we were both members of CompuServe so crappy our BT rural lines that the quick efficient way was for me to go into CompuServe and leave the work I’d done in Neil’s mailbox on the computer in Ohio or someplace and later that evening he would dial CompuServe in America and download it from Ohio or wherever it was.

So in order to get the script 120 miles, electronically it was doing about 10000. This is from the global village.

What we would do is I would hold the master copy and sometimes work would have to stop for 24 hours because stuff was in the post, because the nightmare, the absolute nightmare which I knew would happen if we let it, was that somehow we’d end up with two master copies in existence with little, minute changes, and we’d never be able to spot which was which.

So the last thing we wanted was two master copies, and we worked on the phone who did what. I did a bit more than Neil, of that anyway. But, it also felt to me to be an awful lot of the glue that no one wanted to do because it was easy to do set piece scenes and written on a kind of, on the kind of plot somewhere you get A and B to F and X and Y across to C T. And that really is like 3000 words where you have to move people around and then,you know, shove extra bits in; so I ended up probably doing near 75% of the book.

I would probably say because it’s, because had we’ve done it any other way it would’ve been like three months longer to do.

Also part of the process from another interview with Terry Pratchett:

Q: Let's talk a bit about the book you collaborated with Neil Gaiman on: Good Omens. That was before email, so how did it work on a practical basis? What was the most challenging aspect of writing with someone else?

I'm sure what I have to say will echo what Neil has said. When two people work on a book, it isn't a case where each one does 50% of the work. Each one does 100% of the work. There are some bits in Good Omens which I know are mine. There are some bits in Good Omens which I know are Neil's. There are some bits which were Neil's idea which I wrote, and there are some bits which were my idea which Neil wrote. Some bits we no longer know exactly whose ideas they were, or who wrote them. By the time we'd gone through all the drafts, it had been written by some sort of composite entity. We wrote it in the 14th century. We each had one phone line and a 1200 baud modem. We'd work it out: "OK, you send, I'll receive." Sometimes it would take 20 minutes to half an hour before we could send the stuff. It would have been cheaper and easier to have rung each other up and sneezed out the text in Morse Code. I was the Keeper of the Disks. I insisted that there should only be one official version in existence at any time. The moment it split into two, we would be in dead trouble. But Neil would sometimes send me a disk with 2000 words, saying " This is the scene with so and so -- insert it here." It more or less worked. It took us about six weeks to do the first draft. I think it worked because, at the time, we were each making a name for ourselves in our respective fields. It's not that we didn't take it seriously. But we were relaxed. We thought we would earn some holiday money by doing it. The nice thing about collaborating is that there is one other person in the world who is thinking about the exact same thing that you are thinking about. We both have a similar reading background, I suppose. It was quite rare when one of us came up with something that the other guy didn't know about. So we could bounce ideas off one another quite easily.

#good omens #crowley #terry pratchett #neil gaiman #aziraphale #ineffable husbands #good omens fun facts #good omens interviews #sir terry pratchett #this place is lacking on terry interviews

276 notes · View notes

bonefall · 6 months ago

Note

do you have any tips for writing a low empathy character who isn't evil? Or how to make an interesting apathetic character who's a thoughtless sort of evil? These are two different chatacters btw-

I tried looking up examples and stuff but uh. It's been a bit fruitless.

Honestly it's not too hard! Having low empathy just means we're bad at automatically "connecting" to the feelings of other people. You can come to understand it's not even a character flaw once you uncouple the idea that Empathy = Kindness. And apathy, well, that one's a bit more complicated imo.

Low Empathy

In English, it's just unfortunately super common to conflate Empathy and Compassion. To have compassion is to be aware of the suffering of another person, and ergo, want to help stop it. To be empathetic is to identify with and understand the feelings of another person. These are different things.

For an example in action; imagine a medic with a patient whose shoulder is dislocated, and xey'll need to pop that arm back in place in order for the patient to feel better.

A medic feeling EMPATHY for that patient is having an emotional response to what xey're seeing. Xey might have a tingly "ghost pain" thinking about the injury, and xey might feel guilty xey're going to put them in more agony, but also joy because this patient is going to feel much better in just a moment.

A medic feeling COMPASSION for that patient is thinking about how the shoulder must be causing a lot of pain, and knows xey have the skill to fix it. Xey know from xeir own experience that pain sucks and so it is a bad thing that needs to go away. It will hurt a little more for a moment, but then there will be immediate relief.

This is imo, why a lot of low empathy people are "bad at" comforting people without going to Autism College where they give you the scripts of Shit Neurotypicals Say. We're not trying to be selfish when we end up making "comfort sessions" about ourselves-- that's what we think empathy is, because we don't have a lot of it to really know what you want.

Like, doesn't it make sense to you? "I don't know what you're feeling. Here's a similar situation I've been though. I must know what you're feeling-- does that make you feel better? That you aren't alone? I think that's what empathy is, am I right?"

A LOT of low empathy people go into medical fields, the funeral industry, and disaster relief. We often really do want to help people so seek these fields out, or when we get there, just end up not getting burnt out like our high-empathy peers!

Apathy

As for the apathetic character, honestly, I'd suggest thinking about your story's themes. Villains are very special to me and I always try to handle them with care. What are you trying to say is bad to not care about in your work? How does their apathy play into the story you're trying to tell?

A Captain Planet villain is completely selfish, and exists only to benefit itself by exploiting nature in some way. Then the Planeteers show up and punch it in the face. Boiled down to its barest, most simple essentials; "We have conflicting goals and so I will stop you."

Personally I find total apathy to be something not especially compelling in villains, for that reason. Like, if you really don't care about anything, why bother with the trouble of going against the protag? Motivation is meant to be MOTIVATING.

(also ngl I'm on the Shadow As A Hero sort of bandwagon where I find it much funnier for the simple apathetic cool edgy guy to be the funniest person on your tennis team)

Dungeon Meshi has TWO characters who struggle with apathy, and are both antagonists at some points in the story, but never villains. Shuro and Mithrun. The theme of Dungeon Meshi is the beauty and complexity of life, the value of living, and how our connections to others changes the people we are. Food is a metaphor for bonding, self-care, and understanding.

For Shuro, he begins the story as someone who's both been encouraged to bottle up his emotions for the sake of other people, as well as to not actually consider the emotions of those lower-born than him. He's from a very different place than the other members of his party, and this causes friction as class, culture, and sophisticated, refined, weapons-grade autism clashes.

When the woman he loves is eaten by a dragon, he doesn't stop to tell her brother and """childhood friend""" what he's planning, as if they both wouldn't run in and get hurt. He owns demi-humans. He doesn't consider his own needs or the needs of his rescue team of loyal vassals. As a result, he's too weak to continue, losing a fistfight with one of the main characters, Laios.

After this, he connects with him for the very first time, and reaches out to him by giving him an important magic item. There's even a MASSIVE moment where he outright tells Laios that his ability to be so open (read: not have to mask his autism) is something he envies, breaking through that veil of apathy he wears.

The story Dungeon Meshi is telling here is that it is important to value the needs of yourself and of others. Shuro's apathy towards his own needs in a bid to prove his love weakened him. In acting like he was above his old teammates, he never spoke to them like people to smooth out his issues. He's never even noticed how much his vassals love and care for him.

(and the incredible irony is not lost on me, that Shuro's name is because Laios mispronounced it and was never corrected... while Shuro never noticed that Izutsumi had the unwanted name "Asebi" forced onto her when she was "taken in" and made his slave.)

See how that comes back to the theme? Shuro doesn't exist to just "be some asshole" or act like a villain. He has a full character arc that contributes to the narrative.

For Mithrun? I won't even spoil it. Go read Dungeon Meshi. Watch elf depression. We love a king with strabismus.

Anyway,

If you ever need good personal resources on any stigmatized mental condition, I've found it's usually productive to go into the #Actually (Thing) tag here on Tumblr. You can find people posting about basically anything. I found a lot of really good resources on NPD that way.

#bone babble #bones gives advice #also ngl npd relatable as hell

183 notes · View notes

murfpersonalblog · 5 days ago

Text

IWTV S2 Tentative Timeline (Pt2c) - Unreliable Narrators, Armand & the Trial

Thanks for the response to Pt2b, @usuallydeepalpaca-blog! I really want people to talk to me about the IWTV timelines, cuz this show is SO confusing! 😩😭

"I think if you create the timeline with info the show doesn't provide, i.e. Armand was involved from the start, then you're bound to get it wrong."

Absolutely. I fully expect that I got some stuff wrong, which is why I said it's a TENTATIVE Timeline.

I've in no way said it's THEE CORRECT™ timeline, cuz chile IDKWTF is going on. 😅 I openly say what confuses me, questions I have, and how I come to the conclusions that I draw. I'm being as transparent as possible to let y'all know that I DON'T know. 🤷 The show doesn't provide EVERYthing, so I'm just piecing things together in a way that makes an iota of sense to me, following the logic of what the show HAS provided. The only solid details we have are diehard IRL dates, that gave us a time range when certain events can/can't happen. AFAIK I'm working with the same set of details everyone else has, until AMC gives us more info in S3+. And unfortunately, the 2 biggest unknown variables are Lestat & Armand, and to what extent they were/weren't involved in the Trial that got Claudia killed & Louis buried alive.

"saying Armand messed with Louis' memories re: the trial is also something not supported by the show."

The show obvs. wants us to assume that Armand made Louis hallucinate Sam guarding him in the theatre box (thus painting Armand as a "captive" along with Louis & Claudeleine).

Even if Armand didn't use the Mind Gift on Louis, he lied at least twice:

lies by omission: letting Louis think a hallucination of Sam was real

lies to Louis' (& Daniel's) face: going along with the premise that he was Sam's "captive" & Armand sat there the whole time thinking of a way to rescue Louis

And we KNOW this is a lie, cuz Daniel calls it out explicitly, asking how Sam can be "in two places at once," allegedly "guarding" Armand, but ALSO helping to torture Louis in the Wet Room.

Armand never denied or contradicted Louis saying Sam was in either place. Maybe Louis really did misremember Sam being in the wet room--the ONLY one who can corroborate all this is SAM--whom Armand ALSO lies on, throwing Sam, Daniel & the Talamasca all under the bus by saying the script with his handwriting all over it was forged! No honor amongst thieves I guess! 🤣

(Eff Lestat's POV in S3--when is SAM gonna give HIS POV of the Trial?!)

So I'm operating on patterns of behavior, and the logic that if he's deliberately lying about one thing (a VERY BIG THING, actually), then what else is he lying about? How are you "atoning" for anything, when you're just heaping lies on top of gaslighting on top of manipulation?

Armand has used Louis' obvious confusion to his advantage, just going along with whatever will make him look better & more sympathetic. Which ofc, is the exact same thing he does with the "Banishment" lie. "They gave me a choice...I could not prevent it" is the truth and a lie all rolled into one incredibly manipulative cocktail, cuz if it was just a simple matter of Armand selling Claudia out to save Louis, that would be one thing--but Armand KNEW the script planned LOUIS' death the whole time. The "seismic lie" about "Banishment" effs up Armand's whole defense.

Cuz Sam already wrote the script in April 1949 (and I said this is confusing, cuz if it's the WHOLE script, then this implies Lestat's half was written by then, too, and NOT in September after the Eiffel Tower crime--which means he was ALREADY in Paris & working with the coven; inc. Armand (which would also explain WHY Armand took Louis to the library so much--perhaps anticipating that Loustat would feel e/o's presence if Louis was around the theatre too much? But that doesn't explain Claudia)--omfg I'm confused). Wtvr--we KNOW that at some point b/t April & September 1949, Armand made his edits & directed the entire production--from Santiago to Lestat to Tuan's projections--ALL of it. And we know Tuan's projections started being made in June/July 1949.

Armand KNEW Daniel had been given the OLD script from the archives, WITHOUT Armand's edits & directions, and LET Daniel AND Louis think that was the truth--

--same way he went behind Louis' back and removed extra pages from Claudia's diaries that would reveal MORE of his shenanigans--

--and the same way he lied about Nicki (& Gabrielle) in 2x3.

The show ALSO provides us with quotes like this:

And this:

Which in retrospect make Armand look even more insidious, esp. when we wonder to what extend Louis' been "driven to form new conclusions about myself" when he doesn't even KNOW himself; let alone WHAT memories he has that are real or false.

It's so effed up, and it makes me side-eye all the insistence that LOUIS is the one mostly at fault, when he's got literal double-hypnosis Brain Scramblies from WWDITS. 😭🤦

Ofc there are unknown-unknowns when dealing with unreliable narration. But there are also known-unknowns, too, that also make Armand sus.

Sure, Loumand was away at the library in July (IF that memory's even real, Mr. "I Had A Hunch")--but how on earth would Armand have NOT known that the coven was working on the Trial right under his nose for MONTHS prior & after July--Luchenbaum sewing new barrister costumes & wigs; Tuan painting projections & testing new lens/film tech; and Sam writing a new script (when we already KNOW Sam can't multitask when his "head's in a hat")?

July is only ONE month in over HALF A YEAR of Trial prep. Louis was never around the coven to know what was going on--but ARMAND was; it's where HE lives.

Whose POV was it that showed the whole coven passing around Claudia's diaries? Whose POV was it that revealed Santiago being called Maitre in every scene that ARMAND was also in?

Armand was in the park with Tuan when Tuan called Santiago Maitre; and Armand was in the theatre with Sam when Sam called Santiago Maitre--so this is clearly either Armand's POV telling on himself; or it's AMC screwing with us.

It's TRUE that Turning Madeleine was the straw that broke the camel's back, as Armand was like I can't keep THAT a secret from the coven, too (and ofc he couldn't--they're VAMPIRES; they'd FEEL a new vamp in their territory). But Loumand's problems PREDATE Madeleine; the same way Loustat's problems predate Claudia. I blame Les for not dealing with Lou's BS, just like I blame Armand, cuz THEY are the Coven Masters, NOT Lou--esp. cuz Armand had 14 other vamps in his coven he SHOULD be prioritizing over Lou. The same way Loustat's guilty of being bad fathers (which they BOTH admitted to), Armand's guilty of being a bad coven leader (which HE admitted to).

IMO, all this makes any & all discussion about Armand's trustworthiness difficult, when his "seismic lie" throws EVERYTHING else he's done into question. Esp. since the show ALSO provides us with the FACT that Armand knew from DAY ONE that Claudia lied about "Bruce"/Lestat; and that Louis was a terrible liar & terrible with the Mind Gift; and that he'd ALREADY planned on killing Louis in 2x3! Armand knew from the get-go that he couldn't do EFF ALL to keep Louis & Claudia out of danger, and TOLD Louis so.

"It also ignores that Louis softens his participation in certain things because he can't live with the guilt of his full participation, e.g. Claudia's turning, which he continued to lie to Claudia about even during the trial and only accepted the extent of his involvement in Dubai"

The Trial Timeline's purpose is to pinpoint when the preparations took place, NOT to hash out how bad of a father Louis was to Claudia. 🤨

And it certainly isn't meant to provide a timeline for the events in S1 wrt Claudia's Turning--we already know the dates for all of that, that she was made in 1917. I focus on the 1940s in S2, and the European dates, NOT the NOLA dates. LOUIS did not participate in the Trial's preparations, ARMAND & LESTAT did. My timeline has ZERO bearings on Louis' guilt for not warning her, etc.

But on the subject of Louis & Claudia, I've cussed Louis out for not telling Claudia about Armand b4 (x x), I don't ignore it at all. I fully understand & even agree with Armand being fed up with dealing with Louis' BS. But HE CHOSE not to kill Louis when he had the chance, and it's obvs that whatever arrangement they made when they had sex in 2x3/2x4 allowed Louis to TRUST that Armand would keep "the secret" & keep Louis & Claudia SAFE from the coven. (Which is a BOGUS claim for him to make, when Santiago'd ALREADY peeped that they were lying about Lestat & being from NOLA, but wtvr). I've called Louis a naive idiot 1000x for overestimating Armand, putting his life in Armand's incapable hands--just like he would AGAIN by trusting him about "Banishment;" and AGAIN by asking Armand to wipe his memories in SanFran (and LIE by omission about Les saying "I love you, Louis").

"Louis remembers the trial, he remembers what was said and what Lestat showed him."

HOW can Lestat have showed Louis ANY memories during the Trial (inc. the Ep4 revisit), when Makers/Fledglings CANNOT read each other's minds???????

I love this show so much, but I effing hate this show--they don't even give us an answer, Daniel just moves right past it, like wtf are we supposed to do with that, AMC? There's plot threads, vs plot HOLES. Louis' TOO unreliable, Armand's a shysty liar, white savior Lestat to the rescue~~~! "BANishMEnT~!" As if Lestat's any less impartial?

Esp. when at least SOME parts of the Ep4 Revisit were OBVIOUSLY Scripted lines written by the coven to implicate Louis in breaking the Great Laws that Lestat allegedly taught him AND Claudia to follow?

Like, Louis HATES himself, and is quick to blame himself for things beyond his control (a la Paul, a la the Ordinances; "Can we be forgiven if we do not forgive others ourselves?"); so if one is determined to see him bad faith then of course one can easily pounce on him Florence DPDL style / Santiago style, and blame him.

(Esp. since in 1x4 we literally SEE Louis admit to begging & emotionally baby-trapping Lestat into turning Claudia--the revisit in 2x7 is more (melo)dramatic & extended, sure, but it does NOT contradict Louis' account in S1. So I get REAL confused when people say he lied about 1x4 or wtvr.)

Louis invalidates his perspective cuz he KNOWS he's an unreliable narrator--he spends 2x1 sobbing about wanting to remember & "get every detail right"--and ARMAND is there constantly tryna STOP the interview; having directly contributed to his already deteriorated (& inherited?) mental illness, by bending Lou's trauma into "a Lestat shaped-effigy" with all that "I will not harm you" bullcrap.

TL;DR: We won't know for sure what the Trial timeline actually looks like, unless S3+ revisits it with more context.

But as things stand at the end of S2, NO, I don't trust Armand as far as I can throw him, cuz there are waaaay too many instances where he's deliberately lied & obfuscated & omitted in ways to deliberately confuse the narrative surrounding the Trial--that go beyond Louis' already confirmed trauma, PTSD, mental illness, repressed/faulty memory, and guilty conscious.

If y'all want a timeline of S1 events, those have already been made by other people in the fandom (this one is goated).

I wanted to know what was going on in S2; so I used every single date and IRL reference possible, and put them in chronological order in a way that makes sense based on how I TENTATIVELY understand things currently; NOT how AMC has confirmed yet--if they ever will.

If anyone has more relevant in-show references & IRL sources we can cite, to help make better sense of S2 than I did, let us all know!

#the vampire armand #loumand #louis de pointe du lac #justice for claudia #interview with the vampire #iwtv tvc metas #i hate math

80 notes · View notes

creature-wizard · 3 months ago

Text

Manifestation Without Woo: Changing Your Brain

So let's talk about your brain. Every life experience changes the way your brain works in some way.

If a beloved family member favors a certain kind of candy, your brain will likely wire itself to produce positive feelings when you see that candy. But if someone cruel to you favors a certain style of shirt, your brain will likely wire itself to produce negative feelings when you see that shirt.

If you grew up with caregivers who neglected you or broke their promises, your brain probably wired itself not to trust other people, and to only rely on yourself.

If you grew up in poverty, or if your parents always refused to get you nice things for any reason, your brain may have wired itself to see nice/expensive things as inherently unattainable.

If you were always comparing your looks against glossy airbrushed celebrities, your brain may have wired itself to perceive the way you look as inadequate, maybe even ugly.

If people were always telling you that you were stupid, ugly, lazy, worthless, or whatever, your brain may have wired these beliefs in.

Thus it's possible to accumulate many negative beliefs that get in the way of happiness and self-fulfillment. And it sucks. But there's good news - your brain structure is changeable. This is called neuroplasticity.

So how do you do it? Simple: You make your brain re-wire itself by telling and showing it a different narrative.

Techniques and practices such as affirmations, writing scripts, visualization boards are all excellent ways to do this. All of those techniques for changing your self-concept are really techniques for rewiring your brain!

Also, your brain will rewire itself better if you're less stressed out and getting proper nutrition and hydration. This is why stuff like meditation, "healing frequencies," moving around and getting exercise, adding more nutritious foods to your diet, and making sure you're getting enough water can be very helpful.

It's also important to be mindful of things that might reinforce the narrative you're tying to overwrite. For example, if you feel like you're worthless because you're ugly, hanging out with people who call others ugly as an insult probably won't be good for you. If you're insecure about your intelligence, you might want to hold off on watching movies that feature supergeniuses as main characters. If there's anything that might be feeding your negative beliefs, try and cut it out of your mental diet for awhile, and see if it makes a difference.

Affirmations, scripts, etc. that reinforce a narrative of needing to be better than others, or needing to meet some arbitrary level of success to have value can also reinforce negative narratives. Are you telling yourself that you're the most beautiful/handsome? Stop that. Tell yourself that you're attractive, period. Are you telling yourself that you're a "high-value person"? Again, stop that. Just tell yourself that you deserve love and respect.

Also, if you're dealing with mental illness, you shouldn't really expect this to be a full-on cure for it. You might be able to rewire your brain in a way that your mental illness is less impactful, but that doesn't mean you won't stop experiencing symptoms in some way. It's okay if you still need medication, professional therapy, etc.

Finally, remember: what you are doing is a natural, organic process - you're making your brain grow differently. This means it'll take time! You can't expect yourself to get overnight results any more than you can expect an acorn to turn into a whole oak tree overnight. Anyone out there telling you that you can just do this overnight without any effort has probably already rewired their brain a lot more than they realize, and underestimates how much work it took them to get where they are.

#manifestation #manifestation without woo #self concept #headology #manifesting

95 notes · View notes

riboism · 2 years ago

Text

man who can’t be moved

》 pairing: j.yh x f!reader

》 genre: angst, smut, some fluff

》 content: college student!reader, college student! yunho, no strings attached, hookups, reader is kind of a player, some mentions of reader’s ex (it didn’t end well), lots of denial, lots of emotions, big dick yunho, creampie, clit play, angry sex, am i missing anything?

》 wc: 6.4k

》 a/n: thank you to the person who requested this! this got me out of my writers block. I hope you like it :)

♫ playlist: flook- hector gachan, evergreen- omar apollo, frío- omar apollo, broken love- gemini, man who can’t be moved- the script

Yunho stood outside your apartment door, holding onto a box that contained your possessions. He could smell the rosy scent of the shampoo that you left in his shower. He had spent all morning collecting your belongings into this box, proud that he finally made an effort to be rid of you once and for all. But that rosy smell, that same scent that he’d wake up to after you spent the night was making him second guess himself. No, stop it, he said to himself. Just stick to the plan Yunho.

The plan was simple. Yunho would go to your apartment after work and knock on your door, fully aware that you probably weren’t home. You were most likely at San’s or Yeosang’s place right now, getting shit-faced drunk and having sweaty sex on their beat-up couches, head too fuzzy in bliss to even spare a single thought about him. But he thought he would knock anyway, just as a courtesy. He’d wait for ten seconds, and when you don’t answer, he’d shrug in a “welp, I tried” kind of way before placing the box on your doorstep. He’ll take a deep breath while looking at your door that he knew all too well one last time and then head towards the stairwell exit, with his head held high, showing no intention of turning back.

Yunho was partly to blame for the way things ended, and he knew that. You made yourself very clear in the beginning. “Listen Yunho, you’re really sweet,” You said after he confessed to you all those months ago at the campus library where you two first met, “But I’m not looking for anything serious. I don’t really do relationships. You get what I mean?”

He knew exactly what you meant. ‘Dating’ was an ancient term. Nobody ‘dated’ anymore. What replaced this archaic social practice were one-night stands, situation-ships, friends with benefits, hookups, etc. No one wanted a ‘serious’ relationship anymore because that meant having to give your mind, body, and soul to someone, and why bother with all that when you can just give them one of the three?

Even though most of his peers shared the same sentiment as you when it came to relationships, Yunho didn’t agree with it at all. Maybe he was old-fashioned for wanting something more than a quick fuck. Looking back on it now, he regretted not taking the hint. It was evident that you wanted a guy you could fool around with when you were bored, someone who’s emotionally unavailable so you don’t have to worry about attachments and sudden ‘L’ bombs when you’re just trying to get your fix. But Yunho, who was so pathetically infatuated with you at the time, so much so that it blocked away all rational thinking, decided that he’ll be whatever kind of guy you wanted him to be if it meant that he could be with you. The foolish romantic was now part of a no strings attached relationship.

He felt incredibly stupid for getting involved with you. What did he expect? That after all the mindless sex, you’d fall as hard for him as he did for you, and finally agree to be his girlfriend? He had so much to learn. No strings attached meant no strings attached. That meant less conversation and more action. Less getting to know each other and more getting to know about what was in between your legs. It meant no longing stares, although he was guilty of watching you sleep in his arms from time to time. It also meant being okay with the fact that he was not the only guy you were seeing. And that’s when the fights would ensue.

“Who was that guy?” Yunho demanded, making sure to use his quiet-yelling voice out of respect for the other patrons of the library. He was referring to the pale, blonde-haired guy from the dining hall earlier. He didn’t like how close he was standing next to you. He especially didn’t like it when he leaned in to whisper in your ear, or how you giggled when he placed his hands over your waist and how you rubbed your hands over his flexed muscles. You chewed on your gum, tracing your fingers over the etched golden text on the book spines on the historical fiction shelf. You almost didn’t hear him at first, too preoccupied with finding your next bedtime read.

“Hmm? Oh, that guy? Just someone I’ve been seeing. Why, you jealous?”

It was a joke. There was no such thing as ‘jealousy’ in a no strings attached relationship. You smiled up at him, expecting to see him roll his eyes from your playful jab, but instead, he looked away from you. Even with his side profile facing you, you could read the tinge of irritation on his face. You frowned.

“Oh come on Pookie,” You pouted, squeezing his cheeks and turning his head to face you. You chuckled after seeing his lips puckered up like a fish. “Don’t be like that. Come on, I can’t be the only girl you’re seeing, right?”

He placed his hand on your wrist and pulled you off him. “Whatever.” He moped. He watched as your eyes widened in sudden realization.

“No…” You gasped dramatically, bringing your hand up to cover your mouth. “I’m the only one you’ve been seeing?”

He stayed quiet, not understanding why you worded it that way. Was it really a bad thing that you were the only girl on his mind?

“Oh god, you’re so cute!” You tittered. “I thought with a dick like yours, you’d be very popular. It’s a shame you’re not sharing it. I know a lot of girls who would love to take you out for a spin.”

“Keep your voice down.” Yunho hissed, looking around to see if anyone heard your distasteful choice of words. Luckily, no one was around at your corner of the library. “And stop talking like that. I don’t like it when you talk about me like that.”

“It was a compliment!” You defended yourself. Yunho refused to meet your eyes, busying himself with pulling out random books and reading the blurbs on the backside, although he was too upset to even acknowledge what he was reading. You sighed again, feeling a little bad for making him so upset. You’d often forget that Yunho was more sensitive than your other partners and that he needed extra kindness and assurance. You wrapped your arms around his big body and rested your cheek against his back.

“Okay, I’m sorry. I didn’t mean to tease you so much.” He stayed quiet, putting back the book and pulling out another. “Please don’t be mad.” You begged.

“I’m not mad,” He murmured. “I just thought…I don’t know, I thought I was the only guy you were seeing.”

“Does it bother you that you’re not?” You questioned, letting go of him. Yunho looked back at you, his chest tightening at your furrowed brows. He worried that he said the wrong thing again. He was new to the no strings attached community, and would often let his possessiveness and sensitivity peek through.

“No,” He lied. “I just…Forget it.”

You mulled over his response, trying hard to understand why he was so upset, to begin with. Your silence made Yunho nervous. Everything about you made him nervous.

Then, your eyes sparked when you finally understood. “Ohh…I get it.” You nodded.

His shoulders tensed up. “You do?”

“Yes, and you have nothing to worry about. Out of everyone, you’re my favorite.” You stood on your tippy toes and gave him a quick peck on the cheek, satisfied that you solved the puzzle and were able to calm his nerves.

Yunho gave you a shy smile. He didn’t want to smile, but he figured it was best to do so, so that you could believe that he was lashing out over the fear of being replaced, and not because he didn’t wish to share you with other guys.

You continued on. “You worried me for a second. I thought you were one of those guys that don’t like it when a girl has a mind of her own.”

“No,” he chuckled nervously, “No, I don’t mind that at all.”

“Good,” you chirped, going back to your search. “You wouldn’t believe some of the guys I’ve been with. They get so clingy, and it gets annoying after a while. I’m glad you’re not like that. Other guys…they don’t get it. We’re young. It’s better we have fun while we can, or else we’ll live to regret it when we’re old and wrinkly and can’t get any.”

Yunho hummed in agreement, although he didn’t agree with you at all. He thought about his grandparents. They lived in a small apartment just outside of the city. His parents would complain about how small their living space was, and offered to help them move into a more spacious apartment, but his grandparents always refused. “If we move into a bigger apartment, we won’t be able to see each other. This size is perfect,” His grandmother would say, “I turn around and he’s right behind me. It’s how it should be. Anything farther, and we’d miss each other too much.”

It always warmed his heart just how inseparable those two were, even in their old age. He wanted that for himself one day. How wonderful would it be to grow old with the person you love most?

Later that night, while you were showering, he remained in your bed, thinking about what you said earlier. Was he really your favorite? Did you really like him more than the other guys you were seeing? Or was his dick just bigger than theirs? He tried not to think about that too much and focused on going to sleep.

And when it wasn’t him being upset with you, it was you getting annoyed with him.

“Do you really have to go?” Yunho whined. He was sitting up on his bed, watching you as you shuffled around his room, bending down to pick up the discarded pieces of clothing.

“I already told San I’d meet up with him later.” You huffed as you shimmied into your jeans. Yunho didn’t like how quickly you were getting dressed. It was as if you were eager to get away from him.

“San?” He scoffed. “You mean that bartender that kept eye fucking you right in front of me?”

Yunho remembered San. A lot of the girls from your University frequented that bar on the corner of Main Street, hoping to get served by the handsome devil in all black. He’s seen a lot of the girls write their phone numbers on the twenty-dollar bills they tipped him with. It was ridiculous. Everything about him was ridiculous, from the cheap hair gel he used to slick back his hair, to his sleazy smile, along with his overly tight t-shirts and shiny black leather pants. But he didn’t mind him too much, not until that night when you two went in for a drink, and the so-called ‘handsome devil in all black’ ruthlessly flirted with you when he was clearly sitting right next to you with his hand on your thigh to mark that you were taken. Yunho didn’t know what angered him more. San’s shit-eating grin or the fact that you let him flirt with you in the first place.

You rolled your eyes. “Yeah, that guy.” You really didn’t like it when he got emotional, and Yunho could sense your discomfort. He immediately regretted what he said and grabbed you by your arm before you could leave, pleading to you with his eyes.

“I’m sorry, okay? I didn’t mean to upset you. But can’t you just stay a little longer? It’s already so late. I thought you could spend the night. We could rent a movie?” He offered.

You picked up your jacket and purse, not even bothering to put them on before you left. “Look, I’ll call you okay?” You pressed a quick kiss to his lips and then went out the door before he could protest again. Yunho slumped back against the headboard, the sound of the door slamming behind you echoing in his head. How do you keep letting this happen, Yunho? She comes and goes, that’s what she does. She’s not here to hold hands and watch a fucking movie. She wants to fuck and then move on to the next guy. Seriously, do you have any respect for yourself?

And that’s how the cycle would begin. Yunho would get tired of you and your bullshit, tired of being discarded right after helping you cum, tired of driving himself mad over who you were seeing and what you were doing with him, just tired of being an option. It wasn’t him. He wanted you and your full devotion, and when he finally realized that there was no way you would give that to him, he’d call it off.

The first few weeks of being free from you would go well. He’d be at peace like he got rid of a bad cold and could finally breathe again. But that small period of relief wouldn’t last very long. Truth was, Yunho wasn’t good at being alone. And soon, he’d miss your touch, your smell, and hearing your laugh. He’d miss the moments he spent with you in the library, like when you two would play footsies under the table during your late-night midterm study sessions, or the times you two would fight for the aux cord in his car, eager to show each other new songs you were obsessing over at the moment. He’d find himself listening to the songs you showed him, but they didn’t sound the same anymore.

He’d miss hearing you talk about your day or your thoughts about rent control and the current economic crisis. And then he’d miss the nights he spent with you, how your body reacted to his fingertips, the way you’d press your eyes shut when he entered you, and the pretty sounds you let out when you were close to your peak. And then he’d think about that one night you showed up at his apartment, unannounced. You were upset, it was telling from your reddened lips and tear-stained cheeks. You wouldn’t say why you were upset, and after asking a couple of times, Yunho decided to just let leave you be. He then invited you in and let you lead the way to his bed. It started the way any other night started, with you two hungrily ripping each other’s clothing off, but before he could spread your legs, you suddenly pressed your hand to his chest and asked him to stop. “No, not like this…Can we-” You looked away from his piercing gaze, a rush of frustration and confusion coursing through your stomach until you finally spit the words out. “Can we just lay here?”

Yunho looked down at you with sincerity in his eyes, and he wanted to ask you one more time what was wrong. But seeing you so hurt, so tired, so in need of someone to just hold you while you cried, he decided to hold his tongue. He pulled you into his arms without question, letting you wet his chest with your spilled tears. And when he felt goosebumps prickle up on your skin, he covered both your naked bodies with a blanket and held you tighter. You finally fell asleep, your worries being absorbed by Yunho and his warm embrace, and Yunho couldn’t help but feel a little enraptured watching you sleep so peacefully in his arms. He’s had you in every way, in every position, seen every crevice of your beautiful body, but this. This is what he wanted most in the world. This is how he wanted you. And he hoped that by the next morning, that’s how you’d want him too. But when morning came, Yunho woke up alone, with nothing but the faint smell of roses on his pillowcase. When he asked you about it later that day on campus, you suddenly went cold and demanded he never bring it up again.

He thought about that night, your body, those Omar Apollo songs you showed him, the library study sessions, just every single moment that he’s ever spent with you, driving himself mad to the point where the desire for you would be overwhelming and too strong to ignore and he’d ultimately give in and crawl back into bed with you, allowing you to use him as you wanted, feeling again like a dog on your leash. It would feel good for a bit, until those same old feelings resurfaced and he’d call it off once again, repeating the never-ending cycle of your no strings attached relationship.

But this time, things were going to be different. He wasn’t going to continue this cycle. You weren’t good for him, and it was time he let go and move on. That’s why he packed all your stuff and came to drop them off. It was official. There was no going back from this. All he had to do now was stick to the plan.

Yunho shifted the box to his side and used his free hand to knock on the door. He took a deep breath and counted in his head.

One.

Two.

Three.

Four.

Five-

The door swung open, interrupting his counting. You stood at the door frame in nothing but your bathrobe, your wet hair dripping puddles around your feet. Yunho was at a loss for words. This wasn’t part of the plan. He didn’t know what to do. He didn’t prepare for this. He didn’t, sorry, couldn’t see you, because it would just make things harder. It was like flaunting a cigarette in front of someone who just quit smoking. He wasn’t strong enough to resist you. He was addicted to you and he worried that he would relapse again.

“Oh, Yunho.” You acknowledged, crossing your arms over your chest. He held onto the box tighter, feeling himself twitch from the sound of you calling his name. You peered into the box, recognizing the articles of clothing and personal hygiene products. “Is that my stuff?”

Yunho struggled at first, forgetting for a moment how to speak coherently. “Uh- yes, it is. I came to drop them off. Here.” He blubbered, pushing the box towards you. You took it from his hands, not expecting it to be so heavy. You didn’t realize you left so many things at his place.

“Oh. Thanks.”

A silence weighed in between you, both of you looking at each other awkwardly, unsure of what to say next. Right, Yunho thought to himself, there’s nothing left to say. You did your part, now walk right out.

“Well, I should head back. Goodnight, Y/N.”

Yunho turned on his heel and made his way out of the long corridor. Part of him didn’t want to reach the end of the hall, but he pushed himself anyway, reminding himself over and over to not look back. As painful as it was, it needed to happen. It was for the best.

“Wait,” You called after him.

And just like that, Yunho immediately stopped in his tracks, not hesitating this time to turn around. It almost brought him some relief, like he had been holding his breath for too long, and now you finally gave him permission to exhale. “Yes?” He beamed.

You stepped out from the door frame and into the hall so you were right across from where Yunho stood. “Do you want to come in?”

“What?” He asked, dumbfounded, almost believing that he must have heard you wrong.

“I mean, your stuff,” You clarified, “I still have some of your stuff in my apartment if you wanted to come in and grab them.” It was kind of pathetic, the way you tripped over your words, but you couldn’t bare saying goodbye just yet. No, you’re not catching feelings, you assured yourself. You just wanted him around you for a little bit longer. Maybe it was selfish of you to keep pulling on his leash like this, but for the moment, you didn’t care.

“Oh, right. That would be great, actually.”

Yunho knew he would hate himself for letting this happen. All that progress getting chucked out the window on account of his lack of self-control. But how could you blame him? With the way your damp strands curled around your flushed cheeks, the smell of your rosy shampoo that had been seared into his nostrils by now, and the fact that all he had to do was undue your robe to see your beautiful glistening body that was so ready for him to take. It was all so easy. You handed him the apple and all he had to do was take a bite.

“Fuck, Yunho!” You cried out, grasping his bare back for dear life as he frantically thrust into you. He was angry, angry at himself that he let this happen again, and angry at you for making him so weak. He only put just the tip in, but you could’ve sworn you were seeing stars from the stretch alone.

“Unbelievable,” He grunted. “Even after the hundred times we fucked, your little pussy still can’t take my cock?”

You’d never seen this side of Yunho. Usually, he was nice and gentle with you, always studying the arch of your brows to see if he was taking things too far or not. It was sweet at first, but sometimes you’d wish he’d just take you and fuck you like an animal. It seemed your wish was finally granted. “P-Please! All of it, I want all of it Yunho, please!” Was all you could muster out.

He pulled out of you in an instant, and before you could whine, he forcibly flipped you over and pulled you back by your hips until your ass smacked into his pelvis. Yunho kept you down with his hand pressed against the space between your shoulder blades as he lined himself up with your aching center.

Yunho rubbed himself against your slick folds, occasionally slapping his tip over your swollen clit, making your hips jolt with anticipation. “You want it all? ‘Guess those other guys don’t fill you up as much as you want, huh? Poor thing.” He continued dragging his cock over your folds, your soft whimpers only feeding into his ego.

Just when he thought you had enough, he guided his cock into your hole, the stretch forcing you to tear up once again. You grasped at your bed sheets and pressed your eyes shut, preparing yourself for the rest of him as your lips coated in salty tears.

He pushed the rest of him into you with a struggle, his hips stagnant as he waited for you to adjust to his size. “Fuck!” You gasped, your voice cracking as he started up again. Each thrust was deep, calculated, and they didn’t fail to rip a moan out of you.

His fingers, now coated with your essence, tweaked and twisted at your clit. It was all too much for you, really, the sheer length of him plowing into your walls, the brutal pace he set on account of his anger, along with the way he toyed at your clit. Yunho could sense you were close, having known your body long enough to know when you were about to be sent over the edge. He stopped teasing your bud and instead slipped his fingers past your lips and you readily let him in, swirling your tongue around his digits to clean yourself off him. He grinned to himself, pleased to see that you knew exactly what to do without any instruction.

Suddenly, he pulled his fingers out from you and cupped your jaw with his large hand, pulling you back until your head was against his chest, keeping your face there so you were forced to look up at him. He peered down at you with his full attention, completely engrossed by just how pretty and sinful you looked in this position. “Stay like that,” He breathed “‘wanna see you when you cum all over my cock.”

He came first, your orgasm approaching soon after. You babbled incoherently as his cum flooded your walls, forcing your eyes to roll to the back of your head. Yunho was completely enamored with you like this, your parted and swollen lips and your half-lidded eyelids almost making him shoot a second load into you. He disconnected from you and you fell forward onto the bed, catching your breath as you came down from your high. You felt dizzy and sweaty, and your head was so cloudy that you were unable to form a thought that wasn’t already so scrambled. As you relaxed, you felt Yunho’s breath over your hip right before he planted soft kisses on your lower back all the way up to your shoulder. His kisses were sweet and careful, almost like he was making up for being so rough with you. Soon enough, he retired from your shoulder and moved on to the side of your face, brushing his pillowy lips on your temple, to your wet eyes, to your cheek, until you craned your neck back and allowed him to meet your lips.

It was almost foreign to you, to have someone care this deeply for you even after the act. None of your other partners behaved this way, and you were lucky if they even remembered to toss you a towel. But Yunho, he was different. He treated you as something more, and maybe it made you feel bad that you didn’t do the same for him. It was overwhelming, his soft kisses, his careful touches, the way he’d beg you to stay over, and the way he almost looked hurt when you say you can’t. Poor Yunho. He was in love with you, and you knew it. You hated yourself for toying with a man with good intentions. But what was the alternative? You couldn’t be his, and he couldn’t be yours. You made a promise to yourself years ago that you’d never be foolish enough to fall in love ever again. This had to stop, you should’ve stopped it months ago, but you were selfish. And lonely. The guilt you’ve been bottling up inside of you was too much to handle, and you knew you had to do something before you exploded.

Feeling disgusted with yourself, you pulled away from his lips. Yunho raised a brow at the sudden gesture. “What’s wrong?” He asked, his slightly concerned tone making your heart shatter into pieces.

“You should get going. It’s late.” You got up, forcing Yunho to pull off of you. He watched you as you went over to your dresser to pull out a fresh pair of pajamas, completely dumbfounded by your sudden coldness.

“Are you fucking serious?” He scoffed.

You shook your head, picking up his t-shirt that lay on the floor and tossing it over to him. His eyes flickered in anger and he threw his shirt back on the ground. “I don’t understand, why do you always do this!?”

You stayed quiet, quickly covering yourself before turning around to face him, keeping your eyes low, feeling too ashamed to meet his. “I’m sorry, but I need you to go.”

Yunho clenched his jaw. How could you be so cold? How could you invite him in, only to toss him out so abruptly? He thought about how you melted right into his embrace, how you kissed him back with the same amount of passion that he kissed you with. Was any of it real? Or was he too infatuated to notice that you were playing him, again?

“Why? Is Yeosang coming over? Do you really think that guy cares about you?”

You balled your fists up at the mention of Yeosang. “Stop.” You warned.

“And San? He’d fuck anything with two legs and a heartbeat. Is that what you want?”

“Yes, Yunho, that’s exactly what I want!” You snapped. A silence weighed in before Yunho’s lips curled up in an unexpected smile.

“What?” You teethed.

He shook his head in disbelief. “You don’t know what you want. That’s why you keep coming back to me.”

“Me?” You pointed to yourself, a crooked smile now spread across your lips. “No, it’s you that keeps coming back to me.” You jeered.

“And you let me! Why do you let me!? Time after time, you take me back without question, why?”

You crossed your arms and looked away from his direction. You felt hot, like the blood in your veins was boiling. You didn’t want to deal with this. You felt stupid for letting him in. Yunho always had questions, so many questions, and you couldn’t give him any answers. Fed up with your silence, Yunho got up and walked towards you, almost closing the gap between you two. You still didn’t look at him.

“And that night. Why did you come to me? Why didn’t you go to your other boyfriends? You were so different. Why did you act like it never happened the next day?”

Your breath hitched in your throat. Your expression softened remembering that night. It was so cold and rainy that night, and Yunho felt so warm. He made you feel so loved, so cared for, and for once you felt like you deserved someone like him. But the morning sun gave you some clarity, and you were reminded once again of what happens when you fully give your heart to someone. Yunho didn’t see it now, but he’ll understand it one day. Love is a wasted emotion. It gives and gives, until one day it takes everything back from you, and more.

“I don’t know.” You sighed.

That wasn’t good enough for him. He took another step forward, the tips of your noses now just centimeters away from each other. “I’ll tell you why,” He said, his voice softer than earlier. “It’s because you like me. It’s because I’m the only one who really understands you, the only one who sees more to you than just your body. That’s why you keep taking me back. It’s why you came to me that night. You knew you could be vulnerable with me, and that I wouldn’t turn you away, because-” He paused for a moment to lick his lips. “Because I like you too, y/n.”

Tears welled up in your eyes, and you tried to ignore the sting so that you wouldn’t blink and force them to run down your cheeks. Your chest felt like it was engulfed in flames, making your breathing unsteady. You were too caught up in your emotions to realize that Yunho closed the gap and pressed his lips onto yours, his hands firmly placed at your waist.

He always kissed you like he wasn’t going to see you for a while. Maybe it was a force of habit considering all the times Yunho had ended things between you two. Or maybe, as he said, he liked you, and he wanted you to know from his touch if his words didn’t suffice. It felt right kissing him, real. Not like all the other times with your boy toys, who only kissed you because that’s just what came naturally when you're both rolling around naked in bed. Yunho never only kissed you on the lips, but everywhere else as well, your eyes, cheeks, forehead, and just every feature of you that made his heart swell and anywhere he could put his lips on if you let him.

It was so easy. All you had to do was wrap your arms around his neck and kiss him back, leave this no strings attached bullshit behind, and let him lead the way. But you were reminded, reminded of him again, the one who took your heart and snapped it into two, the one who lead you to keep people at a distance and hurt them before they hurt you. That’s what you needed to do now, you told yourself. You had to hurt him. It made your heart ache even thinking of hurting Yunho, but you would be doing him a favor, even if he didn’t realize it now. You were damaged goods, not fit for sale. He’d be better off.

You pushed your hands on his chest to get him off you. Yunho, looking at you with such hope and hurt in his eyes, holding onto your hands that you used to keep him at a distance. He didn’t say anything, instead waiting for you to explain.

Your eyes were down at your feet, too afraid to look him in the eye and say your next words. “I’m sorry Yunho, but I just don’t feel the same.”

Yunho didn’t speak for a while. You wanted to look up at him, but you knew that seeing his reaction would crush you. You told yourself not to look. It was easier this way.

“You don’t mean that.” Yunho kept his voice steady, even though he could feel a slight lump forming in his throat. “I know you feel the same, y/n.”

You shook your head and a few droplets of tears splashed onto the carpet and onto your toes. “I’m sorry, but I don’t.”

His hands let go of yours and he immediately brushed his fingers under your chin, forcing you to tilt your head up. “You really don’t feel what I feel? Then why don’t you look at me and say it?”

He gazed down at you, waiting for your eyes to meet his, getting impatient with you when they didn’t. “Look at me and say you don’t want me.”

Overwhelmed, you moved your head around and pushed him off of you, too consumed in your rage to realize that for once that night, you were finally meeting his eyes.

“I don’t want you. I never cared for you. You were just a distraction. Whatever you think was going on, it’s not true. You don’t know me, you don’t know what’s going on in my head, so don’t act as you do! For the love of god Yunho, just get the fuck out!”

You panted after letting your frustrations out, the room now silent again. Nothing could have prepared you for the look on Yunho’s face right now. His sweet face was painted in constraint, his once cheery and sparkling brown eyes now glossy and downcast. You could feel your heart being ripped out of your chest, and for a moment you wanted to rush over to him and tell him you didn’t mean it, that you’ll do whatever he wants, be whatever he wants, as long as he stops making that face, but your legs stayed immobile and the words tangled up in your throat.

Yunho looked at you for a while, waiting to see if you would take those words back, but you never did. Swallowing the painful lump in his throat, he picked up his shirt from the floor and got dressed. You leaned back on your dresser, watching him as he put on his coat and slipped on his shoes. There was so much time to say something, anything, but neither of you uttered a word, and Yunho understood now that he said all that he needed to say, and that he couldn’t change your mind, even if he tried.

He was now at your entry door, and you followed behind him, staying back a couple of feet as you prepared to watch him leave your life once and for all. As he held onto the knob, he turned his head slightly, as if he wanted to say something, but decided against it, and went on with turning the knob, his tall frame disappearing behind the closing door.

You wanted to crawl into a ball and cry right there on the floor, but you stayed strong. You’re not crying over a guy again, you promised yourself. Even if it hurts…It’s for the best.

Finals were almost over, and the Library was seeing a reduction in visitors. The staff was partly relieved, enjoying the empty space and not having to be bothered to tell students to be quiet, confiscate their Cheeto bags (even though there’s a bold NO EATING sign at almost every table), and wake up tired students from their naps to tell them the library was closing. But there was one visitor who came almost daily and sat at the same exact spot in the same exact section. The Historical Fiction section.

The librarians didn’t know what his deal was. He’d come in with absolutely nothing, no backpack, no laptop, no textbook. They even doubted he brought his phone. Sometimes, he’d take a book off the historical fiction shelf and crack it open, although, unbeknownst to the library staff, he wasn’t actually reading anything. He tried to, but then his head would get fuzzy and he’d get lost in thought, his eyes darting around every time he heard the Library door open or footsteps approach his section, only for it to be another student or a staff member, and when he’d sigh and look back down at his book, he’d forget where he left off and start from the beginning again.

They didn’t know he was waiting on a girl. If they did, they would probably feel bad for him, and maybe even find his efforts to be a little pathetic. But to Yunho, it didn’t matter to him what they thought. Being the tortured romantic that he was, he still had hope that you two would be together again. He wasn’t going to crawl back to you like all the other times. Instead, he was going to wait. He believed the day would come where you’d grow sick from your passing relationships and realize your true feelings for him. And when you realize that, you’ll come running to the Library where you two first met, and you would find him there, sitting at your table in your special little corner of the Library. He’d greet you with a friendly smile, and pull out a chair for you, and you two would just pick up where you left off as if nothing else ever happened. Maybe then he’d take you out on a real date, maybe to a fancy restaurant which neither of you could pronounce the name of, and afterward, you’d crash at his place and you’d lay in his arms just as you did that night, and he’d whisper corny jokes into your hair, both of you laughing softly until you finally fell asleep. Maybe, after a while of sleeping over, you’d take a liking to his idea of moving into a small and cramped apartment on the outskirts of the city, where there’s no one around to bother you except each other. Maybe. Who knows.

They didn’t know he was waiting on a girl. If they did, they would probably feel bad for him, and maybe even find his efforts to be a little pathetic. But to Yunho, it didn’t matter what they thought. Being the tortured romantic that he was, he still had hope that you two would be together again. He wasn’t going to crawl back to you like all the other times. Instead, he was going to wait. He believed the day would come where you’d grow sick from your passing relationships and realize your true feelings for him. And when you realize that, you’ll come running to the place where you two first met, and you would find him there, sitting at your table in your special little corner of the Library. He’d greet you with a friendly smile, and pull out a chair for you, and you two would just pick up where you left off as if nothing else ever happened. Maybe then he’d take you out on a real date, maybe to a fancy restaurant which neither of you could pronounce the name of, and afterward, you’d crash at his place and you’d lay in his arms just as you did that night, and he’d whisper corny jokes into your hair, both of you laughing softly until you finally fell asleep. Maybe, after a while of sleeping over, you’d take a liking to his idea of moving into a small and cramped apartment on the outskirts of the city, where there’s no one around to bother you except each other. Maybe. Who knows.

Finals were almost over, and the Library was seeing a reduction in visitors. The staff was partly relieved, enjoying the empty space and not having to be bothered to tell students to be quiet, confiscate their Cheeto bags (even though there’s a bold NO EATING sign at almost every table), and wake up tired students from their naps to tell them they were closing. But there was one visitor who came almost daily and sat at the same exact spot in the same exact section like clockwork. The Historical Fiction section.

The librarians didn’t know what his deal was. He’d come in with absolutely nothing, no backpack, no laptop, and no textbook to indicate if he was taking a summer class at least. Sometimes, he’d take a book off the historical fiction shelf and crack it open, although, unbeknownst to the library staff, he wasn’t actually reading anything. He tried to, but then his head would get fuzzy and he’d get lost in thought, his eyes darting around every time he heard the Library door open or footsteps approach his section, only for it to be another student or a staff member, and when he’d sigh and look back down at his book, he’d forget where he left off and start from the beginning again.

They didn’t know he was waiting on a girl. If they did, they would probably feel bad for him, and maybe even find his efforts to be a little pathetic. But to Yunho, it didn’t matter what they thought. Being the tortured romantic that he was, he still had hope that you two would be together again. He wasn’t going to crawl back to you like all the other times. Instead, he was going to wait. He believed the day would come where you’d grow sick from your passing relationships and realize your true feelings for him. And when you realize that, you’ll come running to the Library where you two first met, and you would find him there, sitting at your table in your special little corner of the Library. He’d greet you with a friendly smile, and pull out a chair for you, and you two would pick up where you left off as if nothing else ever happened. Maybe then he’d take you out on a real date, maybe to a fancy restaurant which neither of you could pronounce the name of, and afterward, you’d crash at his place and lay in his arms just as you did that night, and he’d whisper corny jokes into your hair, both of you laughing softly until you finally fell asleep. Maybe, after a while of sleeping over, you’d take a liking to his idea of moving into a small and cramped apartment on the outskirts of the city, where there’s no one around to bother you except each other. Maybe. Who knows.

#yunho x reader #yunho angst #yunho smut #yunho fanfic #yunho scenarios #ateez smut #ateez fanfiction #ateez angst #ateez fluff #yunho fluff

1K notes · View notes