#if you change your mind i'm the first in line

[raven-at-the-writing-desk]

I've been trying to focus on thinking about things I enjoy about the idea of the TWST anime. And regarding overblots, I think an anime version would really help illustrate (even more) how terrifying the process is. I really like how the manga shows Riddle's OB, and I love anime as a medium, so I'm pretty hyped to see how it will be conveyed in it.

I really hope they accentuate the horror of it- I'm aware that they might not go all in w the horror like I would personally like, but the thought still excites me. What kind of music will they play? Will the animation change like it does in some animes when the characters are distressed (wobbly lines, glitchy effects)...? What sort of directions will the voice actors get? I mean, they already voiced the game, but anime gives them more room to do voice stuff. I'm really hyped for this aspect tbh...

And I'm also excited for the possibility of dubs, since I'm quite a fan of the whole dubbing world. (I know some ppl have their fears about this last possibility, but in my case even if it turns out to not be so good, I think we could still have a good time w something like that. Plus I've seen some popular eng dub actors hyped about the anime and wanting to be casted for certain characters)

I also wanted to apologize for my previous ask ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ I already did so in the comments, but I felt bad about doomposting on your inbox. My mind's first reaction is usually to see the negative first and become anxious, and it's something I'm working on, but it sometimes goes out of hand. But now that a bit has passed, and specially thanks to your advice, I can sit down and try to focus on the things that excite me rather than the ones that scare me. Sure, building too much expectation could backfire at the end— but as you said, we have little to no information at this point. So I think focusing on the things I'd like to see is a better usage of my time. If they turn out to disappoint me... That's something I'll worry about next year, I'll suppose. I'm still a bit anxious and scared, but there's also lots of things I'm hyped for. I'll try to take your advice and focus on those. 🫂 Sorry if my previous negativity made you uncomfortable.

[Referencing this news! Asker’s prior post here.]

I’ve seen a lot of fans speculating that the OB transformation sequences will resemble magical girl ones! While that’s a fun idea, I do feel like it makes more sense for the anime to portray OB as something scary and all-consuming, similar to how it is depicted at the end of animated dorm commercials and in the manga. For the characters experiencing them, it’s not meant to be glamorous… All that agony, the dripping ink leaking out of their orifices and dripping like blood. Overblot looks incredibly horrific, and I think that should come through in the animation—whether they change the usual style for these segments or keep it the same.

I think the anime would reuse (or maybe do remastered versions of?) the Twst soundtrack for a lot of the show. The compositions are already there, so might as well. Maybe experiencing the anime will help to make the music more memorable, since it seems the game soundtrack alone isn’t doing it for some fans.

No clue about the JP voice cast; I did see some people worrying that they could replace the game’s voice cast for the anime, but as I’ve mentioned already, that’s an unfounded claim. If the usual VAs are there, surely they won’t just reuse the already recorded lines from the game?? 😂 I’d think they’d at least have to rerecord those based on how the script and its scenes are laid out, plus additional dialogue to fill in the gaps (such as new scenes).

No confirmation of an English (or other language) dubs yet either! (Again, this is another topic related to the anime that sparks worry, but I must stress that it’s pointless to get into a tizzy about something that isn’t concrete yet.) But yes, I’ve already seen English VAs expressing interest in certain characters; Daman Mills wants to audition for Malleus, Alejandro Saab has made it known he has Twst on his radar and wants to voice Leona, etc. (The latter has done Twst dorm leader impressions for fun before; I think Mr. Saab could make for a decent Leona or even Malleus!)

Don't worry about the previous ask ^^ I think it's better that we discuss these things with one another rather than post or tweet into the void and allow those negative feelings to fester. If you want to view it in a different way, think of it like the OB boys actually getting therapy/finding someone to confide in instead of being allowed to stew in their own emotions and risking OB a second time. Sometimes all it takes is that gentle nudge or a reminder to step back and take a deep breath. When we let our emotions get the best of us, we end up thinking and acting in irrational ways, and then that can lead to people--whether yourself or others--getting hurt.

[jun1perf1nch17]

Shadows and Silk

Chapter one: First Impressions

Sevika x (F) Reader

Summary: You a new prostitute at Babette's brothel meets the regular Sevika a harden criminal with a dark history. Despite her past and her reputation of being cold and closed off, behind closed doors she shows you a different kind of woman. Throughout your time together your purely transactional relationship grows into one of love and affection. How will the both of you handle a relationship and the uprising of a revolution against Piltover, will she drag you down with the revolution or will you both flourish in the chaos.

Warnings: 18+ Sex work, Mentions of Sex

Word Count: 2377

A/N: This is my first time writing fan fiction like ever! So let me know what y'all think of it. Hopefully y'all are in love with Sevika as much as I am. Also I'm gonna try and update every week if not every other week.

MEN and MINORS DNI

I stand before Babette's brothel, the neon lights adorning the front of it paint my face in a kaleidoscope of vivid colors.

Just days ago, I was living in a small town seven hours outside of Zaun, working in a brothel not much different than Babette's. Life was manageable, steady, even. I had earned enough to scrape by, and I even had regulars I’d grown comfortable with. But everything changed when the town's governing council launched an effort to crack down on prostitution. It turns out a lot of the men on the board had gotten caught with prostitutes in other brothels across town, and it seems like their wives did not like that too much. One by one, brothels across town were raided and shut down. The Red Garter, my little corner of solitude, was no exception. And so, here I am, standing in front of Babette's.

Even after over three years in this industry, the anxiety of a new job still clings to me like a second skin. I inhale deeply, willing my nerves to settle and step toward the door. As I push it open, a small bell chimes overhead, announcing my arrival. It was earlier in the afternoon so the place was almost barren of any clients. The clients that were there were sitting with some of the girls in their rooms, and looked like they were chatting away about whatever was on their minds at the time. 

Walking down the dimly lit hallway past the rooms where I could assume the workers were housed, I made my way toward the back of the establishment. If I had to guess, the office was back there. Sure enough, I soon came across a curved door with a sign hanging on it that read Employees Only. I knocked lightly, and a muffled “Come in” echoed from within.

Pushing the door open, I stepped into a small, cluttered office. Behind the desk sat a short yordle woman, her large ears twitching slightly as she scribbled something onto a piece of paper. The desk was a chaotic mess, papers were scattered everywhere, as though she’d been juggling a dozen tasks at once.

“Are you (Y/N)?” she asked, her soft eyes meeting mine.

“Yes, ma’am. That’s me.”

She let out a soft hmmph at my reply, leaning back in her chair.

“I was reviewing the application you sent in. Quite the resume you’ve got there. Most people who apply here are on their last legs, desperate and out of options.”

I offered a small shrug. “Well, being a prostitute wasn’t exactly my dream job either, but I’ve come to enjoy the work.”

Her lips curled into a knowing smile, her expression one of quiet approval. “Good attitude,” she said, her tone firm yet warm. “You’ve been around the block, and it seems like you’ll fit in just fine here. I trust you already know the ins and outs of this line of work, so let’s cut to the chase. Do you want the job?”

Relief flooded through me, a weight lifted off my shoulders at the stress of not finding a job. My face lit up, unable to hide the joy surging through me. “Yes ma’am I would love to take the job”

“Perfect! Let me give you the rundown on how things work around here and a few warnings about Zaun, especially since you’re new to the area,” she began, her tone brisk but not unkind. “First things first, most of the clients you’ll see are thugs, criminals, drunks, you name it. Be smart about who you let into your room. You’re your own company here, so you have full control. You can accept or deny whoever you want.”

I nodded along attentively, letting her know I was listening. Encouraged, she continued, “Now, you’ll be staying here at the brothel unless you’ve got another place to live, which I’m guessing you don’t?” She paused, raising an eyebrow as she waited for me to respond.

“No, ma’am, I don’t,” I confirmed.

“Perfect!” she said with a cheerful clap of her hands. “In that case, let me show you to your new room.”

Sliding off her chair, she stood, and I couldn’t help but blink in surprise as she stepped down, revealing her full height or lack thereof. She barely came up to my knees. How does someone so tiny manage to run a place like this, let alone in a city as dangerous as Zaun? I wondered. Before I could linger on the thought, she gave a gentle push to the small of my back, nudging me toward the door.

We walked back down the hallway, her pace brisk despite her stature. As we passed one of the rooms, I noticed its curtains were drawn tightly shut, but faint, Wanton moans escaped through the velvet fabric. My cheeks warmed as my mind wandered, imagining the scene unfolding behind the heavy drapes.

Just a few feet beyond the occupied room, she stopped in front of another doorway, drawing aside the curtains with a dramatic flourish. “Here it is, your new home!”

I stepped inside and took in the space. The centerpiece of the room was a circular bed set against the back wall, dressed in blush pink sheets and bedding. To the right, was a matching pink velvet couch to add a touch of comfort, and on the left, an antique wooden dresser stood ready to hold my belongings. The room exuded a strange mix of elegance and whimsy, a stark contrast to the gritty streets of Zaun.

As I walked further in, something on the bed caught my eye, a mask. Curious, I picked it up and turned it over in my hands. The mask was intricately crafted to resemble an albino deer. The ears had a soft blush of pink on the inside, with tufts of delicate fur peeking out. The snout extended downward, the pale pink nose blending harmoniously into the design. It was hauntingly realistic, each detail painstakingly precise.

Whoever made this must be an amazing artist, I thought, running my fingers over the smooth surface. It’s almost unsettling how lifelike it looks. Awe washed over me as I continued to inspect the mask.

Babette must have noticed me inspecting the mask because she spoke up. “Everyone must wear a mask at all times when they’re with a client. It’s purely for your safety, nothing more. We wouldn’t want anyone recognizing you in public and causing you trouble, now would we?”

“No, ma’am,” I agreed, carefully placing the mask back on the nightstand beside the bed.

“Now,” she continued, “why don’t I show you the bathing quarters?”

I followed her out of the room and down the hallway to the far end, where she stopped at a stairway concealed by heavy curtains. With a dramatic sweep, she pulled the curtains aside and gestured for me to go first. I climbed the stairs and found myself in a stunning bathroom. At the back of the room, a wall of frosted windows let in soft, diffused light, illuminating a massive circular bathtub. The windowsills near the tub were lined with a wide variety of soaps and lotions, presumably for the employees’ use. To the left of the tub, several vanities were arranged along the wall, some cluttered with makeup and perfumes, others nearly bare. On the right, a row of doors likely concealed toilets.

“This is where you’ll bathe while you stay here,” Babette explained. “The soaps are yours to use, but feel free to bring your own if you prefer.” I hummed softly in acknowledgment. “And one rule about the bathrooms: no clients are allowed up here.”

“Yes, ma’am,” I replied with a nod.

She led me to the left side of the room, where she pointed out my designated vanity and sink. Each vanity was marked with a colored ribbon to identify its owner, mine had a pink ribbon tied neatly around the top, matching the soft blush tones of my room.

We lingered in the bathroom for a while as she explained more about the expectations during my stay. I was required to pay Babette 400 Notes at the end of each week. She advised me to keep my prices high enough to maintain value but not so high that it discouraged clients. Most of the girls charged 100 Notes per hour, she added.

After discussing the job and getting to know each other better, Babette finally led me back downstairs.

As we descended the stairs, Babette led me back toward my room. Before I could reach the door, I collided with something solid, something that felt like a brick wall. I stumbled backward, only for Babette to catch me by the waist, stopping me from falling onto her.

“Watch it!” the brick wall barked.

I looked up, startled, and found myself face-to-face with a woman towering at least 6’5”. She was massive. Her shoulders were broad like a linebacker’s, and her muscular arms looked strong enough to crush a skull. As I gave her a quick once-over, I realized she was shamelessly doing the same to me. Her intense gaze sent a shiver down my spine. Without a word, she huffed, brushed past me, and strode toward the front door.

I turned to watch her leave, but my eyes flicked toward the room she had just exited, the previously closed-off one. Inside, I saw a woman sprawled on the bed, fully nude and visibly panting. “Looks like she had a good time,” I whispered to Babette, half-teasing.

But when I glanced at Babette, her expression wasn’t amused. Her lips were pressed into a thin line, her eyes clouded with concern. She grabbed my hand and gently pulled me closer, speaking in a low, urgent tone.

“Listen, you need to be careful with that one. Her name’s Sevika, Silco’s right-hand man. She’s known for pushing the girls to their limits. Some can’t handle it and end up out of work for days. A lot of them refuse to work with her anymore.” Babette paused, watching my reaction before continuing. “If you decide to take her on, that’s your choice. But don’t say I didn’t warn you.”

I nodded, trying to sound nonchalant. “Well, we’ll see if she even wants me first,” I said with a teasing smirk.

Babette narrowed her eyes slightly but didn’t reply. Instead, she turned and continued down the hall toward my room. Pulling back the curtain, she gestured for me to enter.

Breaking the silence, she said, “Now that you’re caught up on everything, here are your keys, one for your bedroom and one for the bathroom. I figure you’ll want to head out for clothes and essentials. Just make sure you’re safe if you leave.”

With that, she turned to go.

“Bye,” she called over her shoulder as she walked away.

Once Babette leaves, I turn to face my room. I walk over to the bed and let myself fall face-first into the pillows, savoring the softness after the long, exhausting day of moving in. For a moment, I just lie there, letting the quiet envelop me. But reality soon hits, I don’t have anything to wear, for work or otherwise. With a groan, I push myself up and off the bed, reluctantly grabbing my purse before heading toward the front door.

Since I’m still unfamiliar with the area, I decided to stick close to the brothel. Luckily, I found a thrift shop and a small lingerie store nearby. At the thrift shop, I pick out some basics: a couple of pairs of jeans, denim shorts, tank tops, and crop tops. I also grab a few trendier, club-worthy outfits for nights out. The lingerie shop offers more elegant options, and I settle on a simple pink set to match my room and a sultry black one-piece that oozes confidence.

By the time I finish shopping, the night is alive. The city streets are filled with laughter, the clinking of glasses, and the hum of people enjoying themselves. As I make my way back to the brothel, something catches my eye, a bar called The Last Drop. Through the windows, I spot her, the towering woman I ran into earlier. She’s seated at a round table near the back of the bar, surrounded by men who seem engrossed in a card game. Judging by their scowling faces, they’re not winning.

She’s got a cigar hanging loosely from her mouth, its ember glowing faintly as she exhales smoke without even bothering to remove it. There’s an air of effortless dominance about her that’s hard to ignore. My eyes linger on her, tracing the sharp lines of her jaw and the way she seems to command the room without saying a word. Suddenly, as if sensing my gaze, she turns and locks eyes with me.

My heart skips a beat, and heat rushes to my cheeks as I quickly look away, embarrassed at being caught staring. I hurry past the bar, my steps quickening until I’m out of sight.

When I finally reach the brothel, the exterior is abuzz with activity. Men linger by the walls, cigarettes glowing between their fingers as they laugh and chat. A few toss lewd comments my way as I walk past, but I keep my head down and ignore them, focusing on getting inside.

Back in my room, I pull the curtains closed behind me, tying them off to block out the outside world, then lock the door. I begin unpacking my purchases, folding each piece carefully and tucking it away into the dresser. As I work, I can’t shake the thought of Sevika. Despite our only interaction being that brief, accidental collision, she lingers in my mind. There’s something magnetic about her, a mix of strength, mystery, and danger that both intrigues and unsettles me. Babette’s warning echoes in my head, but it doesn’t stop me from wondering what it would be like to have a moment alone with her.

The rest of the night passes quietly. I finish unpacking and change into my PJs. I curl into my pink sheets, letting the softness lull me into relaxation. Yet, as I drift off to sleep, my mind inevitably wanders back to the tall, imposing woman.

[silcoitus]

Hello! I think I'm doing this right but if not, I'm so sorry:

What do you think Silco would do if he found out, years later/during Act 2, that a fling he had when he was alot younger and dumber, resulted in him having a Son/Gender neutral child living in Piltover?

(how this is discovered can be completely up to you)

Would the angst of them being a Piltovian(?) citizen permanently leave their relationship undefined or would he push away his hatred of Piltover and try and meet them?

Better yet, how would Jinx react to this?

Just a bit of potential angst to spice things up I guess haha.

Thank you!

Thank you for this amazing prompt, anon! It's one of my favorite ones I've ever received! Why does writing angst soothe me? It doesn't make sense.

Summer's Ghost

Masterlist | AO3 link

Rating: Mature

Tags: Silco, original female character, original child character, angst, depression, reference to character death, character study

Word count: 2.7k

Beta reader: @juniper-sunny

Silco receives a curious letter from a Piltie boy claiming to be his son. Spurred by lingering bitterness and unresolved anger, Silco visits Topside for answers and to finally speak his mind to the woman who left him so many years ago.

Dear Mr. Silco,

I'm not exactly sure how even to begin this letter, so I’ll start with the part that is most relevant to you:

I am your son.

I know, I didn't believe it at first either. But if you keep reading, I can tell you how that happened.

My mother was a brilliant woman, born and raised here in Piltover. She was the top of her class and an artist. My grandparents tell me that, in her university days, she had a bit of a rebellious streak. She ran away from home to live in the Undercity. Over the course of a summer there, she met a man. And fell in love.

You probably know more about how the rest of this story goes than me.

After that summer, my mom had a change of heart. She returned home with a new bundle in tow: me. And while she never told me, I assume she left the Undercity in order to raise me here.

But you probably don’t care about all that. You just want to know why I’m writing to you. 

Well, first off: I'm not asking for money. My mom (and grandparents) provided for me and I have a comfortable life here in Piltover. 

I don't want anything from you. Not really. I wrote because… well… My mother died recently. It's actually how I found out about you. My birth was a closely guarded secret and it was only when I was cleaning her stuff out after her death that I learned. She had a box of things from her time with you: a diary, some photographs, a bracelet. I thought you might want them.

I don’t know what your relationship with my mother was like or how it ended, but this seemed like something she would want me to do. If I crossed a line, I’m sorry. 

I've attached her obituary. It has her final resting place. If you want to collect the box, I've left it on her grave. If you haven’t taken it by next week, I’ll assume you want nothing to do with it. And that’s okay, too.

Sincerely,

M.

P.S I also included a photo for proof. You can hold onto it. I already made myself a copy.

When finally Silco lifts his eyes from the letter, it's with slightly parted lips and inward curling eyebrows. Visions of memories long ago flick across his mind’s eye unbidden, released like water from a dam. 

Setting the letter down, he retrieves the other effects in the pneumatic tube. Fingers tremble as they pull out a small photograph. It's worn around the edges and the ink has faded significantly, but the image is unmistakable: it's him in his early twenties, standing next to the woman who left him.

He remembers that summer clearly, the memories vivid and the feelings so strong it could power a Hexgate. He remembers the late nights talking, the sound of her laugh, the way she was always sketching in her notebook. He remembers the first time they kissed, followed quickly by the first time they made love.

Silco’s lips press into a thin line, something bitter bubbling within him. 

He remembers his desperation when he ran through the Lanes, searching for her. He remembers how he couldn’t sleep for days, worried something had happened. That someone had taken her. Or worse. He remembers crying so hard that he could feel it in his teeth, his cheekbones feeling as if someone was pressing their thumbs to them with the aim of crushing them. He remembers drinking.

And drinking.

And drinking.

Drinking to cope.

Drinking to forget.

Drinking to wash down the bitter taste of the knowledge that he had let someone get so close to him so quickly, only for them to rip his heart out and slash it to pieces. And to add insult to injury—

My mother was a brilliant woman, born and raised here in Piltover.

He stares at that word again.

Piltover

Hand shaking violently, he picks up the pneumatic tube and hurls it across the room. It breaks on impact as it hits the office door, glass shards flying through the air.

Of course.

Who else could chew him up and spit him out? Who else but a Piltie? His home—his life—nothing more than a tourist attraction to her, a vacation away from her cushy, privileged life. 

How could he have been so blind?

How could he have been so stupid?

He can feel his heart rate rising, chest heaving as his breathing grows unsteady. Good eye fluttering closed, he puts one hand out, signaling himself to stop.

Slow down.

Breathe.

He takes one long inhale through his nose, holding it for a moment before blowing it out his mouth through pursed lips. When he opens his eyes, his jaw is set, decision made.

He snatches the letter, photo, and newspaper clipping off the desk, shoves them into his coat pocket, and walks out the door.

As far as final resting places go, this certainly is one of the more luxurious ones. Even in death, Topsiders can’t help but preen and self-aggrandize, if not with their bodies, their tombs. Each gravestone seems to be attempting to outdo the next, growing larger and more gaudy in size as Silco walks down the rows of graves. Subconsciously, his nostrils flare and his mouth twitches into a snarl.

When he finds her name among the dead, he’s surprised to see not a tombstone but rather a park bench. Constructed out of blue pearl granite and polished to a brilliant shine, her name, date of birth, and date of death are carved into the back. The soil around the bench looks freshly turned over and the carved letters barely have any dust or dirt accumulated in them. Studying the dates, it would seem M did not lie; she had died two weeks ago. 

And there—sitting on one end of the bench, waiting for him—is the box.

His chin lifts as his mismatched eyes scan his surroundings, looking over his shoulder, his ears alert and listening for any signs of other visitors. Certain no one is nearby or within eavesdropping distance, he turns his attention back to the bench.

He could just take the box and go. There’s no need for him to linger here. But as he stands staring at her name—carved with such finality into that unmoving stone—he can’t bring himself to leave.

And yet, it’s odd, addressing a bench. On his way over, he had envisioned himself spitting on a tombstone with great satisfaction. But now, as he’s faced with something as welcoming as a bench in a beautifully maintained cemetery, he feels stuck. Any anger that had been boiling in his abdomen before has simmered down, upended by the unexpected appearance of his former lover’s grave.

Reaching into his pocket, he retrieves the photograph. After propping it up on the bench, he addresses the woman who lies six feet underground. 

“You…” He can’t even bring himself to say her name, both hands balled into fists in his coat pockets. “You’ve been here this entire time.”

Both eyes roll as he realizes the error of his statement.

“Not here, but in Piltover.” He brings one hand up to pinch the bridge of his nose, good eye squeezed shut. “I searched for you for weeks. I didn’t sleep. I didn’t eat. I thought someone had taken you. I thought you had—”

Died.

Well.

It’s accurate now, isn’t it?

“Typical Topsider,” he spits out, one hand gesturing as if throwing something away, like the way she had thrown him away, “You come to my home, promising a bright and brilliant future, but all you do is leave destruction in your wake.”

He steps back, pulls his head back, and spits onto the freshly dug soil.

“Disgusting,” he snarls. “And to think, I had lov—”

He pauses, unable to finish the word.

He was young. He was ignorant. That was not love he felt for her. Nor adoration. That was infatuation; merely a young man’s naive idea of what love was.

What that was—it was Not Love.

Silco pulls his fingers through his hair, collecting himself.

“Why?” His hand curls into a fist again. His tone is bitter, full of anger, growing in volume. “I don’t care why you left; I know exactly why you left.” 

As he continues to speak, his concerns about being overheard are overcome by the thundering emotions swelling inside him, churning and bubbling after years of dormancy. “You didn’t want your son to grow up to be a street urchin like his sumprat father. No… all I want to know is…”

His next words are bellowed out, the sound coming from deep within his lungs, each word punctuated with a pregnant pause, as if he means to put his entire body into every syllable.

“Why. Didn’t. You. Tell. Me?”

There’s a flurry of wings as nearby birds take flight, spooked by the sudden noise. 

Silco’s good eye flutters closed again and he takes long, deep breaths, recentering himself. His hand comes up, forefinger pressing to his sternum. There’s a desperation to his voice now, a yearning. Mourning something he didn’t even know he had until a few hours ago.

“I had a right to know.” He opens his good eye, staring at the photograph. Staring at her. “He is my son. He is my blood. How could you have kept him from me for so many years?”

He gathers himself, eyes casting to the ground. 

He had so much more he wanted to say. Years of anguish, torment. But now that he’s here, he’s forgotten them all.

He feels empty.

Finally, he slumps down on the bench, next to the box. It remains untouched beside him. He sits with his shoulders sagging forward, both elbows resting on his knees, hands clasped together as his head hangs low. 

It’s quiet in the cemetery.

He turns his face toward the photograph, addressing the woman in it with a whisper of a voice. “All I wanted was for you to be okay. For you to live a good life.”  He lifts his head toward the great, open sky of the City of Progress, free from smoke and fissure gasses and ash. “And I suppose I got what I wanted.”

He hangs his head once more, speaking to the ground at his feet.

“You just did it without me.”

A stiff breeze blows through, tugging at his coat. He makes no move to bundle himself up further, letting the chill air surround him, seeping into his bones.

He sits.

And remembers.

After a few moments, he hears movement. Ears prickling and head whipping up, he spots a boy walking between some nearby tombstones. He looks to be a teenager, fifteen—maybe sixteen—years of age. The boy pauses at one of the graves, looking at it silently, his hands shoved into his pockets. After a moment, his eyes lift and meet Silco’s.

Silco meets his gaze, unblinking. The boy doesn’t seem at all fazed by Silco’s corrupted eye, giving him a small, polite nod. Silco nods in return before tearing his eyes away.

Ocean green and volcanic orange eyes pause on the small wooden box on the bench. 

Mahogany. Expertly crafted. Like the bench, it’s beautiful in its simplicity. Unbidden, Silco’s throat bobs as he reaches for the box and gingerly places it on his lap.

After taking a deep breath, he lifts the lid.

The first thing he sees is a bracelet. Black in color and made of thin strips of leather with small circular charms along the strings, it’s plain and modest. The surface of the leather looks almost brittle, worn around its edges from frequent use.

Underneath, there’s a stack of photos. Lifting them, he recognizes the first as one he had taken. The late woman stands laughing beside The Last Drop’s jukebox, Felicia grinning widely next to her. Vander can be seen in the corner, caught mid-sentence as he speaks with whom Silco can only assume is Benzo. Setting down that photo, Silco’s eyebrows lift when he sees the next one.

He doesn’t remember this photo being taken at all, which is curious given the fact he’s the one and only subject of the photo. Silco—sporting long hair tied back in a low bun—sits at the bar, pouring over his notebook. His right arm is wrapped in strips of off-white fabric and in his hand is a pencil, which hovers over the page, posed to write. 

Silco remembers this night.

It was the night Felicia told him and Vander she was pregnant with Violet. It was the night everything changed.

Funny, how the night he learns of one pregnancy happens to also be the night his lover leaves him because of hers.

He hums, continuing to study the photograph.

He had forgotten what he looked like at that age, so used to seeing his marred reflection in the mirror. So used to covering half of his face with foundation just to regain some semblance of normalcy.

Silco’s about to look through the rest of the box when he sees movement out of his periphery. Quickly, he shuts the box and looks up to see the boy from before, standing in front of him.

“Sorry,” he says, voice quiet. “I didn’t mean to startle you.”

“You didn’t,” Silco replies simply. His good eyebrow lifts in silent question.

“Is it okay if…” The boy gestures to the empty spot on the bench. 

Silco stands, hand offering the seat, the box neatly tucked under his arm.

“Oh, you didn’t have to leave,” the boy says, scooting over to leave some room. “I just wanted to sit for a little bit.”

Silco eyes him for a moment, then, against his better judgement, sits back down. The mahogany box feels heavy in his lap. The boy’s eyes look at it briefly before looking out into the rest of the cemetery.

The pair sit in silence, the only sound the rustle of the leaves as the wind rushes through the nearby trees. Silco’s hand covers the box, fingers idly smoothing over the carving of a rose on the lid.

He doesn’t know why he does it, compelled by a nagging curiosity, but Silco breaks the silence.

“Do you have family here?”

The boy nods. “My grandpa.”

Silco hums.

Silence falls between them again.

“Do you?” the boy asks, eyes lifting to meet Silco’s.

Silco’s lips press together, the tip of his chipped tooth catching the inside of his mouth a little.

“In a sense.”

The boy sighs. “At least it’s a pretty nice view.”

Silco follows his gaze.

“It is.”

“Well, except for that.” 

The boy points to a large tombstone made of porcelain with gold accents all along its edges. Every inch of it seems to be covered in some sort of design, painted in blue. But the patterns come across as less elegant and more like visual noise; the eye given nowhere to rest, the senses overwhelmed by all the complicated shapes and textures.

Laughing, the boy makes a retching noise. “It’s so ugly.”

Silco’s lips pull into a smirk, head tilting.

“There’s no accounting for taste.”

“Yup.”

The boy abruptly gets to his feet, seemingly satisfied. Turning to Silco, he puts his hand out in offering.

“I’m Marlow, by the way.”

“Marlow.” Silco takes his hand and shakes it. “Nice to meet you.”

The boy nods, seemingly out of words. After offering a small smile, he turns on his heel, heading for the gates.

Silco continues to sit on the bench, thumb rubbing absentmindedly on the box’s carvings. After a moment, his eyes widen and he reaches into his coat pocket for the letter, eyes darting down to the bottom.

M.

He looks up to find the boy has disappeared. He lets a short chuckle out of his nose as he shakes his head, rising to his feet.

After one final look at his ex-lover’s grave, he starts his trek back home.

He has a feeling this won’t be the last time he visits this cemetery.

And it won’t be the last he’s seen of that boy.

Taglist: @averagecrastinator @mazikomo @writingmysanity @insult-2-injury @ariaud @jennrosefx @ins0mniac-whack @steponmesilco  @sherwood-forests @leave-me-alone-silco @givemebeansnow @aeryntheofficial @dreamyonahill @lostbunn @whatisafandom @violet-19999 @juicboxd @sageandberries-png @sirenofzaun @blissfulip @mutedwordz @fly-like-egyptian-musk @jennithejester @mrsdelirium @witheringblooddemon

Join my taglist!

[plain-and-simple-ninja]

ok HEAR ME OUT (tw violence abuse toxic & problematic relationship etc etc don't read if you 1. don't ship zaundads 2. ship zaundads but like all fluff, no angst 3. don't like violence and sick problematic ships :P)

...I don't really believe it was the first time when Vander was violent towards Silco. like, I'm sorry, I know he was under a lot of stress (understatement of the century but shhh), I know he was probably grieving, I know he wasn't thinking straight (so was Silco btw), but such things usually dont suddenly come out of nowhere.

Vander WAS a violent person. I know the fandom loves to make him all cute and soft and mushy (and I love this vision too!), but he was like this towards his kids and friends when he was older and - arguably - wiser. heck, maybe years down the line he really changed (put away his miner's gloves-thingies and focused on being a bar owner or whatever, led a different, more peaceful life). but at the beginning? nu-uh. you're not going to convince me young(er) Vander wasn't... like that.

and then there's Silco. and we know from the way he behaved with Jinx that when someone he loves is physically violent to him (I'm sorry, stabbing someone's face multiple times with a needle IS violence. and also she shot him-) he just... does nothing. he accepts it. it happens to him, and he lets it go and lives on. he's not even a lil bit angry at her!

and I know it's different with someone you treat like a daughter. if your 2yo kid kicks you in the shin you don't kick back, that's obvious! (Jinx wasn't 2yo tho and - despite being his daughter - was also Silco's asset. a weapon. she WAS dangerous and he knew this, and despite that (or maybe because of that?) he didn't even tell her it's not okay to behave like that). but Vander wasn't his kid and imho it's obvious Silco fought back (just like during the "drowning incident"!). or rather - tried to.

so, anyway. that's my sad toxic headcanon: Vander probably hit Silco before, the "drowning incident" wasnt the first time they fought, violently. that wasn't the first time Silco tried to defend himself either. but I believe that in their day-to-day lives, before the incident, he just sorta accepted it as one of Vander's flaws, maybe even in a "I can fix him" way ("yea officer he punched me in the face and broke my nose but he said he was sorry and even bought me some flowers afterwards and cooked such a lovely dinner just for the two of us! he just had a bad day, but on his good days he's so sweet and loving and yesterday he beat the guy who crossed me TO A PULP and also the sex is great and-..." etc.)

...and for Silco the "drowning incident" was just a straw that broke the camel's back. "if I let this continue one day he's going to kill me for real" etc etc.

I'm gonna shut up now, please y'all don't mind me and go back to shipping sweet, soft, mushy and loving zaundads

I keep thinking about how Silco must have felt when Vander tried to drown him. That honestly must have been absolutely terrifying. Vander is double the size of Silco. One of Vander's hands can wrap around the entire circumference of Silco's neck. And on top of that, it's someone he knew so intimately. Trusted so innately. Silco's jacket was stored inside Vander's, tucked away safely.

Silco was probably used to Vander's size and strength being used to protect him, and then it was turned back around to try to kill him over what was almost certainly a mistake. A mistake that Silco himself almost definitely gravely regretted when it killed their mutual best friend, who he was also likely mourning when Vander dragged him into the river that day.

[rmbunnie]

I'm reading A Lonely Place of Dying and Alfred latching immediately onto Tim is NASTY work. Tim shows up and is like "I never aimed to be Robin! I mean I did karate my whole life to emulate Robin and just so happen to have sought you out and grabbed this costume in my size out from that case and really you should be calling me Robin just for now and let me come with you as Robin but I never dreamed it would specifically be ME being Robin. You have a lovely house and home btw :) Now go back to being 10." And Dick's understandably like "No I am a grown man now who are you" and Bruce is not here for this one, but later on is like "You aren't Robin, you're some kid dressed up like my dead son." But Alfred?

IMMEDIATELY Alfred is implying Dick was trying to subtly ask Tim to be Robin (simply not true in in NTT 61, when the implication is made, although he changes his mind in Batman 442) and that Bruce should be grateful for this young man's profound bravery and immense natural skill and maybe show him a few pointers or something idk we'll see :) Like let's be clear, the idea that Tim didn't want to be Robin is simply not part of this story outside of like two lines of dialogue where he's like "oh I didn't consider it could be me!" after which he immediately goes "Wow so you ARE gonna let me be Robin right?" the second he sees the opportunity. The guy essentially makes himself Robin once Dick makes it clear he isn't gonna be. Dick tells Tim nobody should be at first (until he changes his mind) but is ignored because Tim doesn't get why and goes with what he understands, his own stance.

I'm of the opinion that the whole "Tim understands that being Robin is an arduous task full of suffering from the start and chooses to bravely yet sadly martyr himself for the cause" thing I see sometimes is strongly disproven, at least in the beginning of his Robin career, by his "Batman NEEDS a Robin (to love and care for and to watch out for him in return :) )" line of reasoning, his subsequent willingness for Anybody to be Robin whether or not it was him (unless he was consciously okay with other children suffering for his benefit which I find really hard to believe,) and his active glee at anything involving being Robin and persistent smiling pursuit of Doing So against Batman's strong disapproval, because he hasn't officially said no (he did several times, but you can't blame a kid for being excited.) Like, I think he said he never dreamed of being Robin just because having a kid come in begging to replace Batman's dead son because it was a personal aspiration would be extraordinarily rude and arrogant and they wanted people to like this one. He was NOT in any way adverse they just couldn't make him THAT presumptuous, and he is by nature of what he's doing already moderately so.

But say it was true, that Tim was actively opposed to being Robin? Alfred would be pushing this shit HARD onto this thirteen year old kid like what the fuck bro. And "From what Master Richard said, he follows your orders." is HEINOUS but let's not get into that.

[themsource]

Ford x reader? Spicy please?? >///<

WELP! XD

I was expecting some reader insert requests lol I will state that I struggle knowing when something is 'spicy' or full on burning so... I'm going to add a nice little bracket just to be safe so any wayward peeps that don't like that sorta thing can skip this if they happen across it.

I feel this is M rated so let's go with that.

The air is humid, only the faint sounds of your breath coming out in weak pants filling the dark oscillating shadows of the room as warm wandering hands coast your sides.

A shiver runs down your spine at the faint trace of not ten, but twelve fingers following the slight dips of your waist before coming to rest on the bare skin of your hips. The slight squeeze as they knead themselves into the supple flesh pulls a shaky, agonized groan of heat from your kiss swollen lips.

“My sweet little experiment,” his voice, thick and rolling, husks reverently in your ear. “My precious specimen, the things you do to me.”

The ghost of his breath as he lowers his head to the fragile skin of your collarbone is electric, icy hot with an ache.

“I’ve waited so long to do this with you, you haven’t the faintest inclination.”

Oh, but you do.

You’d known from the moment your eyes had locked with Stanford Pines’ that fateful day three months ago in the quad of your university that you’d both end up here together, both bewitched with the other and entangled in what was a long, tortuous game of toeing some imaginary moral line.

Who cared about the age gap between you?

What did it matter the power imbalance that came from you being only a first year college student, and he a decades past alumni here on leave from his sea voyages to deliver a lecture or two while wielding the dean’s authority?

You’d longed for him the second he’d let your name roll off the tip of his tongue. And what you desired mattered more than a society’s dubious and ever changing expectations.

With a sigh as he presses a wet, open mouthed kiss to the arch of your throat, your hands slowly ascend the bend of his back, gliding over what feels like numerous scars and the tell tale sculpt of hardened muscle, up to the thick curled gray of his hair where your fingers tangle and lock.

His sweet experiment…

His precious specimen…

“I do wonder why you continue to engage with me in debate regarding physical attributes versus psychological similarities in the art of attraction Dr. Pines, if you have no supporting evidence to back up your claims.”

“I have the testimonies of others to support my hypotheses. All of whom are accredited.”

“Really?”

“Indeed.”

“Hm, must be frustrating.”

“...?”

“To not have any results to have contributed yourself. I’d find living off the backs of another’s research not only exasperating, but shameful. I’d have difficulty sleeping at night.”

“....”

“....”

“...well, I do have… a theory, I’ve always wanted to verify.”

“Oh… have you?”

“Yes. One that would require rigorous experimentation, with a willing and enthusiastic subject.”

“...I have been told I can be quite the energetic partner.”

“Is that so? I suppose… we’ll have to test that then, won’t we?”

As that heart fluttering exchange an hour prior plays back in your mind, you are eager to please as you wrap your legs around him, to make this a memorable first time that will be impossible to forget—for the both of you.

[-teresaofthefaintsmile]

From the outline:

"Five central characters will make it through all three volumes, however, growing from children to adults and changing the world and themselves in the process. In a sense, my trilogy is almost a generational saga, telling the life stories of these five characters, three men and two women. The key five players are Tyrion Lannister, Daenerys Targaryen, and three of the children of Winterfell, Arya, Bran, and the bastard Jon Snow."

So in 1993 he didn't have the initial idea of ​​killing off characters he considered part of the 5 keys until the last book. I've seen a lot of talk about this, but I've always been inclined to believe that they survive despite everything because he said make it through. Some will be happier than others, some will have more bittersweet endings. But that doesn't mean he doesn't think about killing off other main characters with POVS. And he continues to follow these beats. The biggest variations happen with the secondary characters, after all he is a gardener. The story vastly expanded more than imagined. To the point where it has an excessive number of POVs. 

Here are some quotes about the characters and arcs and overall story: 

Has there been a character that you have given a reprieve to, or maybe deviated from the path you originally were going to send them on? If so, whom?

No, not really. In some cases, the chronologies have diverged from what I originally intended, but the overall character arcs remain the same. "I think with Song of Ice and Fire, I'm pretty well hitting all the beats as I originally envisioned them. I haven't taken too many detours."

George: I have always known the broad strokes of the characters since 1991. [Said in the Balticon Report from 2016, SSM] Who is the most major character you’ve changed your mind about your plans for?

I don’t want to reveal what I’ve planned for some of these characters, but I’m pretty well on track with most of the major characters. It’s minor characters like Bronn that assume greater importance

Q: How different is the plot from what he originally envisioned? GRRM: Not different - just more of it. It has grown in complexity, but he likes it that way because it feels real to him. - SSM 2010

Yeah. I didn’t know at first, in ‘91 — I didn’t know quite what I had yet. I didn’t even know whether it was a novel or a novella, or something, at first. So I sort of found that out. But by the summer of ‘91, you know, it just came to me out of nowhere, and I started writing it and following where it led. But by the end of that summer I knew I had a big series. Initially, I thought it was a trilogy, but it’s grown beyond that. But the size is different, and I’ve introduced some other elements to the books, but it’s still the same characters, the ‘91 characters.

Do you have an ending already in mind?

I have and have had since the beginning, yeah, in broad strokes. You know, I know the fates of all the major characters but not necessarily the fates of many of the minor characters. And things do change, sometimes, as you approach the finish line. You come up with a better idea or a twist you hadn’t thought of when you start. So I leave it open that I may change a few things when I get to the last book. But for the most part, yeah, I know how it’s going to end.

Do you know the ending?

I know the ending in broad strokes. I don’t know every little twist and turn that will get me there, and I don’t know the ending of every secondary character. But the ending and the main characters, yeah.

Tyrion/Arya/Jon > Ramsay/Farya/Jon. The deadly rivalry aspect got switched to Jon and Ramsay. It just doesn't have the romantic element, but it serves the narrative purpose of propelling Jon forward. To be fair, we have no idea how much was discarded from the outline until the books are all out. And as he himself confirmed, he continues to follow many of these beats. They may alternate in details, but they will arrive at the same place. He notably dislikes outlines, but that doesn't mean he doesn't have them, even the affc/adwd ones leaked. He also created new characters to fulfill narrative functions. Meraa takes on the role of Bran's protector instead of Arya. But there's nothing stopping Arya from also having that role in the future or going beyond the wall. Many of the characters marked for death in the outline died. Cat was always supposed to die and be reborn, whether imbued with ice or fire magic. Tyrion would be betrayed by his family and switch sides. While other characters were expanded when they became POVS characters. Aspects of Jaime from the outline went to Cersei and so on.

I'm not saying that the outline is the most relevant piece of paper in the saga. However, there is a grain of truth and many themes there that were recycled, used and molded into new narratives. The outline implies R + L = J and Bran King, for example.

Some others quotes: 

"I think you need to have some hope...we all yearn for happy endings in a sense. Myself, I’m attracted to the bittersweet ending. People ask me how Game of Thrones is gonna end, and I’m not gonna tell them … but I always say to expect something bittersweet in the end," he said. "You can't just fulfill a quest and then pretend life is perfect."

"I’ve said before that the tone of the ending that I’m going for is bittersweet. I mean, it’s no secret that Tolkien has been a huge influence on me, and I love the way he ended ’Lord of the Rings.’ It ends with victory, but it’s a bittersweet victory. Frodo is never whole again, and he goes away to the Undying Lands, and the other people live their lives. And the scouring of the Shire —brilliant piece of work, which I didn’t understand when I was 13 years old: ’Why is this here? The story’s over?’ But every time I read it I understand the brilliance of that segment more and more. All I can say is that’s the kind of tone I will be aiming for. Whether I achieve it or not, that will be up to people like you and my readers to judge."

"We all yearn for happy endings in a sense. Myself, I’m attracted to the bittersweet ending. People ask me how Game of Thrones is gonna end, and I’m not gonna tell them … but I always say to expect something bittersweet in the end, like [J.R.R. Tolkien]. I think Tolkien did this brilliantly."

Considering how often he talks about the ending of LOTR I think he genuinely thinks along the same lines. Some will rebuild their lives, others will find peace, but not necessarily be super happy. It's true that Grrm subverts many expectations, but he also enjoys and plays with various tropes. As I said, Fevre Dream got a bittersweet ending too.

GRRM wanted to subvert the usual tropes

Remember GRRM started out his series with the intention of writing something that didn't follow the typical tropes and conventions of previous works. GRRM wanted to subvert the usual tropes like the secret hidden 'prince who was promised' perhaps by having that person be illegitimate - Jon fulfills some prophecy by blood, but not through a legal marriage, he is the 'hero' but not the true 'king' at least by rights of succession.

GRRM will not pull a book out of a dark ancient library that gives us all the answers to the past that make everything easy for our characters, or have a weird political marriage between 'siblings / cousins' be what is needed to unite a kingdom (how? everything is fractured, the land decimated, why would the people care about a political marriages in the aftermath of a zombie apocalypse?)

Remember GRRM promised or forewarned a bittersweet ending, not all the mains or favorites will survive or have a typical happy ending, and I'm assuming that is especially true for the tortured and much suffering 'hero' - at least that is my gut feeling. To me the two most prominent characters Tyrion and Jon are also the two most likely to die by the end - at least one if not both, driven there by circumstances: blinded by love, rage, or perhaps a noble sacrifice.

Tyrion is already blinded by his hatred and rage, will his better nature win out or will he continue to feed his hatred until his end? GRRM had Jon suffer 'death' and gave us clues that resurrections can happen, but they also alter a person, no matter how Jon manages to remain intact after resurrection, he will not come back the same, there will be notable changes, otherwise why do it in the first place? (the show did this very poorly!)

If they survive they will be much altered, as in not the most well adjusted people, lots of trauma to deal with, to take on the role of the clear-sighted leader needed to rebuild a nation and inspire/lead its people. They maybe able to help and/or advise, but I don't see them as the main leader on top. Both have really been through the most changes physically and mentally and you know it will only get harder and worse by the end, GRRM isn't don't with them yet.

As much as the Stark kids have suffered, I still get a feeling of hope and sense of future with them, they are working hard for some kind of future in mind, they are young and being tested and learning how to be resilient people. They don't know of the larger dealing happening in the world yet, only bits and pieces, but it does feel like GRRM is preparing them to deal with it when their time comes and they finally have full agency to do something. Not sure all will work out, but I just can't see any of them dying or coming to harm by the end of the series. I don't feel any of them have had 'big' player moments yet, so I find it harder to sense a future for them beyond what others speculate on and most of it feels wishful.

As for Dany, she started out subjugated, but quickly found her power and has exerted that power within the story. She is by far the most powerful POV in terms of making changes in the world with large consequences. She means well, but things do not always go well or as she expected. She is learning, but also doing at the same time which makes the outcomes all the more complicated as it affects so many people, and not all of it is welcome change. Dany brings hope, but she also bring chaos, Dany makes friends, but she also makes lots of enemies...

I go back and forth on Dany's ending, mainly because of GRRM trope subversions and with Dany it could go either way. GRRM is building her up for something good and great, but whether she survives or is acknowledged for it? That would be bitter sweet indeed, but also in character for her - well meaning and doing something for the greater good, but often misunderstood or politically attacked by her enemies so that only a few close to her know of her true noble intentions and sacrifices. I want her to live, but I could also see her dying or being killed. She is a symbol and and icon and that is an attractive target for people like Varys or even Cottington, could go either way... I just acknowledge the possibilities.

[andy-clutterbuck]

5x16 | 6x07

[natjennie]

abba songs are something that can be so patcap

[inspector-montoya-fox]

i am in the silliest goofiest of all moods so i decided to take my top 3 ice creams of this summer and share with you which characters they remind me of the most. let me know if you think you are sillier and/or goofier by sending me your favourite ice cream

at number 3 we have Arpeggio as Haagen-Dazs Dulce de Leche, and specifically the mini tub that comes in a box of four flavours. despite the flavour's Latin American roots, i think Arpeggio would savour it because he likes to indulge in different cultures as a certified genius. kinda sophisticated like him, and just like his time in the game, short and sweet

number 2 is a cool remix of a childhood classic: blondie caramel Maxibon with the waffle. I've paired it with Rajan because the packaging is orange, duh but also because it has two different sides. the waffle is Rajan's regal facade, appealing to Westerners, whereas the ice cream bar side is rough and rocky just like the predator within

the Kinder Bueno ice cream is paired with Carmelita and takes the number one spot this summer. is this coupling based on personal bias? maybe! the flavours here are so nostalgic and reimagined into ice cream form perfectly. the cone and hardened chocolate on top form a tough exterior but inside the core is soft and rich, just like Carmelita herself. 10/10 masterpiece

[rotisseries]

inspired by elli's poll lol cause this seems fun actually but if you guys have bad answers I'll kill myself on your doorstep or smth

[samael-your-guardian-angel]

@thedemon-crowley I heard you need a ride?

An angelic chorus sings out as the clouds part, shining light down on The Silver Wraith.

*SI MUTARE ANIMUM TUUM, EGO PRIMUS IN ACIE~*

Hope you like ABBA!

[hollowsart]

as I logged into tumblr on desktop it was a little slow to load up my extensions and add-ons and so I saw the "what's new/try this/staff picks/etc" carousel and above it it read

"Take a chance on me"

and now I got that Abba song stuck in my head.

[xheartachee]

hello tumblr ive returned and i present. stanley

[vaguenotions]

Oh, yes, I just love your unannounced sleepover where you both come back from the bar after carefully avoiding telling me that's where you were going, and also neglecting to tell me when you'd be home! I definitely do not want to knock you on your ass and take a bat to your dome! That would be rude and unnecessary :)

Oh yes, please do start talking about shit amongst yourselves and make me feel isolated and othered in ny own room! These moments are what I live for, of course. Naturally. Who would ever have any issues with this arrangement at all?

[cherrygirlfriend]

answer the call pairing: reader x bsf!rafe synopsis: rafe fucking his best friend while she's on the phone with her boyfriend warnings: smut, piv, unprotected sex, possessive rafe MDNI! - wc: 1k it's the fourth day of my birthday week celebration!!! god, i spent the entire day running around my apartment doing chores bc i refuse!!! to do chores on my actual birthday n now i'm so tired i might go right to sleep ⋆౨ৎ˚⟡˖ ࣪

rafe had you on all fours on your canopy bed, holding onto one of the posts for dear life as he pounded into you, the bed swaying every time he thrust his cock into you, one of his hands gripping onto your hair while the other rested on your ass, occasionally giving it a sharp smack, causing you to let out a noise that was between a gasp and a yelp.

"aww, look at you." rafe cooed mockingly with a tug at your hair, the blonde panting behind you "so fucking desperate for me to fuck you. bet your little loser boyfriend can't fuck you like you need to be fucked, hm?"

you hated the words that were leaving his lips, but you couldn't deny that he was right; your boyfriend definitely couldn't satisfy you the way rafe always seemed to be able to do, he couldn't hit that spongy spot that caused you to curl your toes, or rub your clit in the way that caused your back to arch off the bed. not like rafe did.

"say it," rafe commanded, "say that he can't-"

rafe let out an annoyed growl when he was interrupted by the sound of your phone ringing on the nightstand. his initial plan was to tell you to ignore it, but when he saw who it was, he got a whole new idea, a grin taking over your lips.

"answer it."

"w-what?" you looked back at rafe with furrowed brows, thinking that he must be joking, but as he continued to pound into you, there was no sign of hesitation on his face, only a wide, cruel grin.

you reached for your phone from the nightstand, rafe slowing his pace as you looked at the caller id with widened eyes, almost waiting for it to change into something else, but clear as day, there was your boyfriend's name, along with the contact photo you set for him, a picture of you two taken at a carnival.

"do it before i do it for you." rafe mumbled as he bent to press a small kiss to the back of your neck, grabbing your ass roughly. and hesitantly, you pressed the green button visible on the screen as rafe pulled out of you.

"h-hi, babe." you said, trying your best to steady your breathing as rafe teased your entrance with the tip of his cock, the hand that was in your hair just moments ago going down to rub your clit.

"hey, everything good?" the voice on the other line asked, and you had to hold back a moan by biting down on your lip as rafe's middle finger brought some of your arousal to your clit, starting to slowly rub the puffy bud.

"yeah, everything's good." you chuckled, "i was just working out."

when you said that, you felt rafe's tip slowly starting to enter you, stretching your walls as you tried not to let out any noise, your boyfriend going on a tirade about something that you honestly couldn't give two shits about at that moment.

rafe continued moving in and out of you, at first at a slow pace, slowly building it up; all the while your boyfriend was talking, and you occasionally let out noncommittal hums and 'mmhm's, but the harder rafe was fucking you, the harder it was to concentrate on anything other than him, and trying to keep quiet felt like rocket science at that point, and you were starting to taste blood in your mouth from how hard you were biting down on your lip.

"i-i gotta go." you said into the phone, nearly panting, "i'll see you later." you said, hanging up before he could even get a word in, feeling the band in your stomach getting closer and closer to snapping, letting out a moan you'd held in for too long the moment that you were off the call as rafe started pounding into you relentlessly.

"say it." rafe commanded behind you, your eyes squeezed shut, your mind hazy with pleasure, confused as to what he was talking about. "say that your boyfriend can't fuck you the way i fuck you."

you were a panting mess as he continued hitting the spot inside of you that only he seemed able to reach; a part of you didn't want to say it, didn't want to give him the satisfaction, but the moment the palm of his hand landed on your ass, you yelped, the pleasure almost overwhelming.

"h-he-"

"nuh-uh. your boyfriend."

you let out a small whine when he corrected you, trying to steady your erratic breathing as he continued thrusting in and out of you.

"m-my boyfriend... can't fuck me the way you do..."

"atta girl." rafe chuckled behind you, and the way his fingers continued circling your clit while he pounded into you from behind was getting almost overwhelming, and rafe could tell that you were getting closer by the way you were starting to clench around him, the blonde letting out a groan, "gonna come in this pretty pussy..." he mumbled, "she's practically begging me to... wants me to show her who she belongs to..."

a part of you wanted to protest, but you were so close that your mind was clouded by all the bliss he was making you feel, the world around you getting so hazy that you couldn't bring yourself to care as long as you got to come.

and as soon as you felt the band in your stomach snap, rafe's cock buried deep inside of you, he couldn't help the almost animalistic groan that left his lips, warm pumps of cum filling you up